We Get Requsts [Import] [Original recording remastered]

We Get Requsts [Import] [Original recording remastered]

ASIN: B0002J519Y

Editorial Reviews
Product Description
Japanese remastered reissue of 1964 album, packaged in a limited edition miniature LP sleeve. Verve. 2004.

Tracks:

Overture/Ev'ry Little Note [From Merry, Merry]
Old Fashioned Girl [From the Garrick Gaieties][#] - Nancy Anderson
Paddlin' Madelin' Home [From Sunny]
Tea for Two [From No, No, Nanette] - Howard McGillin
Little Bungalow [From "The Cocoanuts"] - Stephanie J. Block, Howard McGillin
When We Get Our Divorce [From Sunny] - Nancy Anderson, Justin Bohon
I'm All Alone [From China Rose][#] - Nancy Anderson
Here in My Arms [From DeArest Enemy] - Howard McGillin
Liza Lee [From Big Boy]
It All Depends on You [From Big Boy] - Justin Bohon
I Was Alone [From Sunny] - Stephanie J. Block
As Long as I've Got My Mammy [From Big Boy][#]
Sweet and Low Down [From Tip Toes]
Song of the Vagabonds [From the Vagabond King] - Howard McGillin
Some Day (The Vagabond King) - Nancy Anderson
Murderous Monty [From Tell Me More][#] - Stephanie J. Block,
Lackawanna [From Big Boy][#] - Howard McGillin
That Means Nothing to Me [From Naughty Cinderella] - Nancy Anderson
Always [Cut] - Howard McGillin
That Certain Feeling [From Tip Toes] - Stephanie J. Block
Manhattan [From the Garrick Gaieties] - Justin Bohon
I Want to Be Happy [From No, No, Nanette]

Average customer rating:

Ultimate Cole Porter, Vol. 4

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

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The Ultimate Cole Porter, Vol. 3
Ultimate Cole Porter, Vol. 2
Ultimate Cole Porter, Vol. 1
Born to Dance (1936 Movie Soundtrack) (Rhino Handmade)
The Ultimate George Gershwin, Vol. 1

ASIN: B00009EFV8
Release Date: 2003-06-24

Tracks:

Dream Dancing [From You'll Never Get Rich] - Fred Astaire, Harry Sosnik
Since I Kissed My Baby Goodbye [From You'll Never Get Rich] - Fred Astaire, The Delta Rhythm Boys, Harry Sosnik
Wedding Cake Walk [From You'll Never Get Rich] - Gordon Jenkins, Martha Tilton
So Near and Yet So Far [From You'll Never Get Rich] - Fred Astaire, Harry Sosnik
Wedding Cake Walk [From You'll Never Get Rich] - Fred Astaire, The Delta Rhythm Boys, Harry Sosnik
Something for the Boys [From Something for the Boys] - Ethel Merman
Could It Be You? [From Something for the Boys] - Bill Johnson
Hey! Good Lookin' [From Something for the Boys] - Bill Johnson, Ethel Merman
He's a Right Guy [From Something for the Boys] - Ethel Merman
I'm in Love With a Soldier Boy [From Something for the Boys] - Ethel Merman
My the Mississinewah [From Something for the Boys] - Betty Bruce, Ethel Merman
There's a Happy Land in the Sky [From Something for the Boys] - Betty Bruce, Allen Jenkins, Bill Johnson, Ethel Merman
When My Baby Goes to Town [From Something for the Boys] - Bill Johnson
Something for the Boys [From Something for the Boys] - Leonard Joy, Paula Laurence
By the Mississinewah [From Something for the Boys] - Betty Garrett, Leonard Joy, Paula Laurence
Hey! Good Lookin' [From Something for the Boys] - Evelyn Dall,
Something for the Boys [From Something for the Boys] - Evelyn Dall,
Only Another Boy and Girl [From Seven Lively Arts] - Jane Harvey
Ev'ry Time We Say Goodbye [From Seven Lively Arts] - Maxine Sullivan, Teddy Wilson
Don't Fence Me In [From Hollywood Canteen] - Roy Rogers
Just One of Those Things [From Night and Day] - Ginny Simms
Begin the Beguine [From Night and Day] - Roberto Valdes Arnau, Carlos Ramirez
Should I Tell You I Love You? [From Around the World in Eighty Days] - Ray Carter,
Look What I Found [From Around the World in Eighty Days] - Ray Carter,
If You Smile at Me [From Around the World in Eighty Days] - Ray Carter,
Pipe Dreaming - Ray Carter,

Average customer rating:

This Is the Army & Call Me Mister

Manufacturer: Jasmine Music
ProductGroup: Music
Binding: Audio CD

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Broadway & Vocalists | Indie Music | Stores | Music
ASIN: B00006J9M1
Release Date: 2002-11-19

Tracks:

Overture: This Is The Army, Mr. Jones/I Left My Heart At The Stage Door/Canteen/That Russian Winter/This Is The Army, Mr. Jones (Reprise) - All-Soldier Chorus
This Is The Army, Mr. Jones - Irving Berlin & Chorus
I'm Getting Tired So I Can Sleep - Private Stuart Churchill
I Left My Heart At The Stage Door Canteen - Corporal Earl Oxford
Dialog With Staff Sergent Ezra Stone, Corporal Philip Truex & Private Julie Oshins - Staff Sergent Ezra Stone
The Army's Made A Man Out Of Me - Staff Sergent Ezra Stone
What The Well Dressed Man In Harlem Will Wear - Corporal James 'Stump' Cross
How About A Cheer For The Navy - All-Soldier Chorus
American Eagles/With My Head In The Clouds - Soldier Chorus
Oh, How I Hate To Get Up In The Morning - Irving Berlin
My British Buddy - Irving Berlin & Chorus
This Time - Cote Glee Club
Going Home Train - Lawrence Winters & Male Chorus
Along With Me - Danny Scholl
Little Surplus Me - Betty Garrett
The Red Ball Express - Male Quartet
Military Life - Harry Clark
Yuletide, Park Avenue - Betty Garrett
When We Meet Again - Paula Bane
The Face On The Dime - Lawrence Winters
South America, Take It Away - Betty Garrett
Call Me Mister - Bill Callaghan

The Wizard of Oz - Vintage Recordings from the 1903 Broadway Musical

Average customer rating:

A Collection of the Original Oz Stage Productions
Ain't it a Shame!
Why the 1903 "Wizard" was forgotten
A long overdue revisit to a classic American musical
Long-Forgotten Broadway Hit Gets First Rate Revival

The Wizard of Oz - Vintage Recordings from the 1903 Broadway Musical

Manufacturer: Original Cast Record
ProductGroup: Music
Binding: Audio CD

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Similar Items:

The Shirley Temple Storybook Collection: Land of Oz/The Reluctant Dragon
The Wizard of Oz (1988 London Cast)
Before the Rainbow : The Original Music of Oz
Shock Treatment (1981)
Into the Woods (Original Broadway Cast)

ASIN: B00009MPYQ

Tracks:

Wizard of OzSelection (Arthur Pryor's Band)
The Bullfrog and the Coon (Ada Jones)
Pocahontas (Edward M. Favor)
Daisy Donohue (Harry Tally)
Down on the Brandywine (Collins & Harlan)
Come Take a Skate with Me Sung (Collins & Harlan)
I Love You All the Time (Harry Macdonough)
The Moon Has His Eyes on You (Ada Jones)
When You Love, Love, Love (Thomas E. Whitbred)
When We Get Whats a-Comin to Us
Mister Dooley Sung (Edward M. Favor)
Julie Dooley (J. W. Myers)
Meet Me Down at the Corner (Jones & Spencer)
Budweisers a Friend of Mine (Billy Murray)
Theres a Lot of Things You Never Learn at School (Bob Roberts)
Under a Panama (Billy Murray)
Good Bye Fedora (Collins & Harlan)
Sitting Bull (Collins & Harlan)
I Love Only One Girl in this Wide Wide World (Harry Macdonough)
Sammy (Harry Macdonough)
The Tale of a Stroll (Morgan & Stanley)
Cant You See Im Lonely? (Ada Jones)
Are You Sincere? (Byron G. Harlan)
Hurrah for Baffins Bay (Collins & Harlan)
Football (Dan W. Quinn)
Id Like to Go Halves in That (Burt Shepard)
Rejoice!The Wizard is No Longer King
The Traveler and the Pie
Must You? (Dan W. Quinn)
Thats Where She Sits All Day (Dan W. Quinn)
The Sweetest Girl in Dixie (Henry Burr)
Scarecrow Laugh (Fred Stone)

Tracks:

Sammy Mira (Music Box Disc)
Must You? (Mira Music Box Disc)
Opening Prayer
Phantom Patrol
Just a Simple Girl from the Prairie
Poppy Song
Love is Love
When We Get What's A-Comin' to Us
The Traveler and the Pie
When You Love, Love, Love
Rejoice! The Wizard is No Longer King
Phantom Patrol (Aeolian Piano Roll)
My Little Maid of Oz Aeolian Piano Roll
The Tik-Tok Man of OzSelection (Rythmodik Piano Roll)
The Tik-Tok Man of OzSelection (Piano Roll)
Ask the Flowers to Tell You (Macdonough & Dunlap)
My Beautiful Dream Girl (John Barnes Wells)
My Pretty Little Piece of Dresden China (Bessie Wynn)
Gay Paree (Montgomery & Stone)
Travel Travel Little Star (Montgomery & Stone)
A Scotch Moriah (Montgomery & Stone)
Hurrah for Baffins Bay (Dan W. Quinn)
Daisy Donohue (Trombone Solo by Arthur Pryor)
Mr. DooleyMedley (Xylophone Solo J. Frank Hopkins)
Down on the BrandywineMedley (Edison Military Band)
The Bullfrog and the CoonMedley (Six Brown Brothers)
Ill Take You Back to Italy (Ada Jones & Billy Murray)
Father Goose Songs (Sallie Osbourne)

Album Description

The Wizard of Oz a musical with book and lyrics by L. Frank Baum and music by Paul Tietjens premiered on June 16, 1902, at the Grand Opera House in Chicago. It was an instant hit and made stars of David Montgomery (the Tin Woodman) and Fred Stone (the Scarecrow). On January 21, 1903 the show opened at the Majestic Theatre in New York. It ran for nine months and set out on the road with a second company right on its heels. The show toured, came back to New York, toured, and returned to New York again many times until finally disbanding around 1911. Stock and amateur companies continued to present it into the 1930s when it was overshadowed by the classic MGM film starring Judy Garland.

The show was legendary for its success and its impact on American culture. It was the Cats or Les Mis of the early 1900s--but the show has been swallowed by history. What made audiences of the early 1900s devour the show and return for more again and again? In this unprecedented 2-CD set—featuring over 145 minutes of vintage recordings and 64 pages of lyrics, photos, notes and synopsis—you can discover how The Wizard of Oz entertained the American public for the first two decades of the 20th century. And like the audiences of nearly a hundred years ago, you can hum along to "Budweiser," "Sammy," and "Hurrah for Baffin's Bay"—everyone's favorite songs from The Wizard of Oz! Also included in this comprehensive collection are recordings from later Oz musicals, The Woggle-Bug and The Tik-Tok Man of Oz written by Oz creator L. Frank Baum, as well as vintage non-Oz recordings by original "Wizard of Oz stars" Montgomery & Stone and Bessie Wynn

Customer Reviews:

A Collection of the Original Oz Stage Productions.......2006-12-07

This Double-Disk Collection contains music from the original and varied Oz Stage Productions: "the Wizard of Oz", "the Woggle-Bug" (based on 'Marvelous Land of Oz) and "the Tik-Tok Man of Oz" (based on 'Ozma of Oz'). There are plenty of "Wizard" songs and music, but there isn't a lot of "Woggle-Bug" and/or "Tik-Tok Man".
I often wondered how different the 1st & Original Production of 'Oz Wizard' was different to the book, and thanks to Mark Evan Schwartz's book "Oz: Before the Rainbow" I found out for myself (WORTH A READ!!). Later I got this CD to go along with the book's stage telling (more or less) and I listened in interest to the songs which, I read, were entirely different to the future Musicals of Oz. The songs are good, but not all of them are actually completely restored to perfection, so the singing may/will sound somewhat muffled. Also, due to the time it was made (for some reason), the songs don't actually fit into the story (even the stage's rewritten story) and sound distant/unrelated. But there are songs that sound similar to the original story ("Rejoice! The Wizard is No Longer King"). CD 2's Track 3 has music played during Silent Oz Film "His Majesty, Scarecrow" on the MGM 3-Disk DVD.
The best thing about this CD Collection is the two booklets packaged along with the disks: the first (entitled "The Records") has writing on "What the Wizard Was" with a synopsis of the stage production story and "About the Recordings", a listing of all the songs on CD 1 (which are helpful for "Selection" Tracks not specifically named on the back) and notes on the songs like their origins and background. Booklet 2 (entitled "The Lyrics") has the words to the songs (in case you can't make out the words/want to sing-along). BOTH CDs include b&w photos of the actors, performance (few of which can be seen in "Oz: Before the Rainbow" book) and even reprints of a few illustrations made for the stage. The pictures are the best part of this purchase.
The Entirely Different Songs may not fit with the story, original or rewritten, but there's nothing really wrong with the music when one enjoys to what they're listening to.
I know that there is also another 'Oz on Stage' CD Collection called "Before the Rainbow" . . . hmmm, I wonder if I should get that too?

Ain't it a Shame!.......2006-05-20

I think that this is a wonderful album of HISTORICAL value. Not too many people know this, but "the wizard of oz" was made into a smash hit in 1903, but because all the history was BARELY in obscurity, hungry tiger press wanted to educate the blockheads in the world about this remarkable piece of history. that being said, david maxine collected all of the old material, such as Piano rolls (my especial favorite of all of them is "the poppy song", i LOVE the bass notes: "nnn-ded-deh mmmm-ded-deh"), and music boxes, and cylinders, and records!
however, it is quite a shame that that CRAPPY movie with judy garland pushed this lovely musical into obscurity. i would have liked to see it in my day, but it was already lost in darkness, but thanks to the highly DIGNIFIED people in the world, this cd is available!! BUY IT!!!! I *ORDER* YOU!!! YOU CANNOT BE DIGNIFIED WITHOUT THIS REPLACING YOUR "RAP" GARBAGE WITH THIS JEWEL!!!!

Why the 1903 "Wizard" was forgotten.......2004-03-20

This truly remarkable 2-disc collection of old cylinders, discs, music boxes and piano rolls explains why the 1903 musical version of "The Wizard of Oz" did not survive the early thirties. It wasn't because it was before its time or even of its time, but simply because it was way behind the times. Its producers resisted composer's Paul Tietjens' attempts to write plot-driven numbers. His contribution survives only in the incidental music preserved on piano rolls (and the most interesting element on this collection) linking very disparate and even incongruous vaudeville acts by various authors and performers that graced the stage during the musical's multi-decade run. In other words, Baum was telling a story and the songs were telling another... As fascinating as they are for historical reasons, those numbers are commonplace, mostly uninspired flash-in-the-tin-pan ditties, with timid syncopation and a stong reliance on musical clichés. There is not a single standard among them and not even a decent lyric where "fine" doesn't rhyme with "mine" and "love you" doesn't rhyme with "I do"- or even "I know you know I know you do", as happens more than once. As an assemblage of shtick pieces and ephemeral sentimental or nonsensical ditties, this collection cannot be topped and it represents a monumental effort. Without it and its very generous and informative liner notes, I would not have the same appreciation for the absolute genius of Victor Herbert's operettas ("Babes in Toyland" came out the same year) where the more memorable songs are plot-driven and introduced and linked by the most luscious, inventive and varied incidental music ever heard outside an opera house. This sort of unified concept would culminate in Jerome Kern's "Show Boat" and it remains a truth today that the integration of plot and music - reminiscent of opera - is the true secret of successful and perennial musicals, whatever the current idiom. This collection also makes one appreciate the complete originality of the Hollywood film for actually going back to Baum's books, entrusting the songs, lyrics and music to Harold Arlen, Yip Harburg and Herbert Stothart and scrapping the musical's colourful but checkered history (except for casting ex-vaudevillians as the main characters, of course!). Highly recommended for its nostalgia value, its irreplaceable rarities and a better understanding of the history of American popular music.

A long overdue revisit to a classic American musical.......2003-09-30

Although it was one of the most financially successful stage musicals of the early 1900's, very little information is presently available on the 1903 production of THE WIZARD OF OZ. In what was obviously a labor of love, David Maxine has done much to correct this oversight by releasing a 2-CD set with over 145 minutes worth of extremely rare recordings of music from this and other OZ-themed musicals dating back to before World War I. Recorded materials include vintage acoustical disc and cylinder phonograph records, piano rolls, and music box discs, many of which go back almost a century. In addition, he has included two booklets worth of historical background information on the 1903 WIZARD OF OZ production, its stars, the individual musical numbers, and lyrics for the songs included on the CDs. (Lavishly illustrated with rare old black and white photos and artwork, these booklets, and the information they contain, are themselves worth the price of the set!) Several bonus CD tracks are included that offer rare recordings by Montgomery & Stone (the original Tin Woodsman and Scarecrow) and Bessie Wynn, who was also in the 1903 cast. Not just for dedicated Oz fans, this set is a "must have" for anyone interested in the history of American musical theater and American popular culture of the early 1900's.

Long-Forgotten Broadway Hit Gets First Rate Revival.......2003-09-17

One hundred and three years ago, author L. Frank Baum published the best-selling children's book of the 20th century, THE WIZARD OF OZ. Although the book was adapted several times as plays, silent motion pictures, animated cartoons, and radio shows in the next few decades, it is the 1939 MGM film that most people think of as THE WIZARD OF OZ. The success and popularity of that film completely eclipsed the memories of previous incarnations and even the book itself in popular culture. However, prior to the film's release, there was a successful stage version which premiered on Broadway in 1903 and delighted audiences for many years, making stars of Fred Stone and David Montgomery, the original Scarecrow and Tinman. As with the MGM film, chilren who saw THE WIZARD OF OZ on stage carried fond memories of the production into adulthood. Ray Bolger was so impressed with the Fred Stone's Scarecrow, that he remembered it vividly as an adult and based his own protrayal of the character in the movie on Mr. Stone's stage version.

Unfortunately, time and Judy Garland have pushed the once popular Broadway Smash into history. It has been all but forgotten...until now.

As the show moved from theater to theater and casts changed, so did the songs. Many of these were recorded on the primative equipment of the day: Wax cylinders, 78-RPM records, piano rolls, and music Boxes, and surprisingly many of these still exist. Now, thanks to those hard-working gents at HUNGRY TIGER PRESS, you can own these historic recordings on this awesome 2-CD set. THE WIZARD OF OZ: Vintage Recordings From The 1903 Broadway Musical contains over 145 minutes of terrific early 20th century music. You won't find "Over the Rainbow" or "Ding! Dong! The Witch Is Dead!" here. Instead, this WIZARD OF OZ contains tracks like "Budweiser's a Friend of Mine", "Sammy", "Hurrah for Baffin's Bay", and "Rejoice! The Wizard is No Longer King", each one a portal over the rainbow to the Broadway stage of a century ago.

Tracks:

Anything Goes: Anything Goes - The Romantic Strings Orchestra
There's A Crowd: Body And Soul - Ames Brothers
The Boys From Syracuse: Falling In Love With Love - The Romantic Strings Orchestra
Carousel: You'll Never Walk Alone - The Romantic Strings Orchestra
Kiss Me, Kate: So In Love - Eric Hammerstein
Great Day: Without A Song - Ed Ames
Oh, Kay!: Someone To Watch Over Me - The Romantic Strings Orchestra
The Music Man: Seventy-Six Trombones - Eric Hammerstein
Gypsy (Medley): Everything's Coming Up Roses/You'll Never Get Away From Me/Let Me Entertain You/Small World/Some People - Eric Hammerstein
Strike Up The Band: I've Got A Crush On You - The Romantic Strings Orchestra
Sunset Boulevard: As If We Never Said Goodbye - Mary Carewe
Jumbo: My Romance - Frank Devol And His Orchestra

Average customer rating:

vintage Hugh Martin score a complete delight

Love from Judy
Original London Cast
Manufacturer: Sepia Recordings
ProductGroup: Music
Binding: Audio CD

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Wish You Were Here/Paint Your Wagon (Original London Cast) and Bonus Tracks
Inside U.S.A./The Band Wagon
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The Likes of US
Grey Gardens - A New Musical (2006 Original Broadway Cast)

ASIN: B0001BRQ96
Release Date: 2005-08-09

Tracks:

Introduction/Mardi Gras/I Never Dream When I'm Asleep/A Touch Of Voodoo - Adelaide Hall
Love From Judy/Daddy Longlegs/What Do I See In You/Here We Are - Johnny Brandon
Go And Get Your Old Banjo/Kind To Animals/I Ain't Gonna Marry - Adelaide Hall
My True Love/Dum-Dum-Dum/Love From Judy - Jean Carson
Bonus Track: A Kiss To Build A Dream On - Bill Lowe
Bonus Track: Hug Me A Hug - Bill Lowe
Bonus Track: Barrels And Barrels Of Roses - Jean Carson
Bonus Track: Slow Coach - Johnny Brandon & Orchestra
Bonus Track: Oodles Of Noodles - Johnny Brandon & Orchestra
Bonus Track: Painting The Clouds With Sunshine - Johnny Brandon & Orchestra
Bonus Track: One For The Wonder - Johnny Brandon & Orchestra
Bonus Track: The Glow Worm - Johnny Brandon & Orchestra
Bonus Track: I'll Be Hangin' Around - Johnny Brandon
Bonus Track: Vanity - Adelaide Hall
Bonus Track: How Many Times - Adelaide Hall
Bonus Track: 'Hans Christian Andersen' - Part 1 - David Hughes
Bonus Track: 'Hans Christian Andersen' - Part 2 - Gary Miller
Bonus Track: 'Peter Pan' - Part 1 - Gilbert Harding
Bonus Track: 'Peter Pan' - Part 2 - Hermione Gingold
Bonus Track: Dancing With Someone - June Whitfield
Bonus Track: Seven Lonely Days - June Whitfield
Bonus Track: Bye Bye Baby - June Whitfield
Bonus Track: Diamonds Are A Girl's Best Friend - June Whitfield
Bonus Track: I Ain't Gonna Marry - Eve Boswell & Orchestra

Customer Reviews:

vintage Hugh Martin score a complete delight.......2004-12-23

LOVE FROM JUDY, based on Jean Webster's novel 'Daddy Long Legs', is pure vintage Hugh Martin. The show never made it to Broadway, instead enjoying a sold-out London season and an extensive provincial tour.

Jean Carson played Jerusha Abbott, an orphan at the John Grier Home who is mysteriously supported by a never-named benefactor. June Whitfield, Johnny Brandon, Adelaide Hall and Bill O'Connor round out the strong leading cast. Barbara Windsor played one of the orphans (for some interesting backstage reminisces about LOVE FROM JUDY check out Barbara Windsor's autobiography 'All of Me').

The Hugh Martin-Jack Gray score is quite lovely from what is featured on this disc (the recordings were originally designed to fit 4 sides of a set of 78's). LOVE FROM JUDY runs a scant 20 minutes, so the disc has been filled out with extensive bonus material.

We get Jean Carson singing "A Kiss to Build a Dream On", "Hug Me a Hug" and "Barrels and Barrels of Roses" (on the 2 former tracks she's joined by her then-husband Bill Lowe); Johnny Brandon singing 5 numbers including his mega-hit "Glow Worm"; and Adelaide Hall singing 2 great numbers. June Whitfield sings 5 numbers including two songs from GENTLEMEN PREFER BLONDES!

There are also selections from the Frank Loesser score of HANS CHRISTIAN ANDERSEN; and a full-cast presentation of numbers from Disney's PETER PAN (both feature Jean Carson and Johnny Brandon).

Lost in Boston - The Ultimate Collection

Average customer rating:

Lost in Boston - The Ultimate Collection
Leroy Anderson , Burt Bacharach , Irving Berlin , Leonard Bernstein , Jerry Bock , Jule Charlap Mark / Styne , Cy Coleman , Stephen Flaherty , Robert Forrest George / Wright , Billy Goldenberg , John Harold Kander , Harvey Schmidt , Stephen Schwartz , Charles Strouse , Jule Styne , Bradford Ellis , Alet Oury , Debbie Gravitte , Debbie Pavelka , Glory Crampton , Guy Haines , Harry Groener , Jane Krakowski , Judy Malloy , Karen Morrow , Lillias White , Lindsay Ridgeway , Lisa Mayer , Liz Callaway , Liz Larsen , Lynne Wintersteller , Lynnette Perry , Michael Rupert , Michele Pawk , Michelle Nicastro , Richard Roland , Sal Viviano , Sally Mayes , and Sarah Chapman
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

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General | Vocal Pop | Pop | Styles | Music
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Lost in Boston, Vol. 4

ASIN: B00005K9S5
Release Date: 2001-06-05

Tracks:

Mama's Talkin' Soft (from "Gypsy") (Styne-Sondheim) - Lindsay Ridgeway and Sarah Chapman
Come Down from the Tree (from "Once on This Island") (Flaherty-Ahrens) - Lillias White
Sweet River (from "110 in the Shade") (Jones-Schmidt) - Sally Mayes
Like Everybody Else (from "West Side Story") (Bernstein-Sondheim) - Judy Malloy, Richard Roland, Sal Viviano
What Am I Doing Here? (from "Promises, Promises") (Bacharach-David) - Liz Callaway
Tick Tock Goes the Clock (from "Promises, Promises") (Bacharach-David) - Lisa Mayer, Judy Malloy, Debbie Pavelka
The Job Application (from "Ballroom") (Bergman-Bergman-Goldenberg) - Karen Morrow
Big Fat Heart (from "Seesaw") (Coleman-Fields) - Debbie Gravitte
Where Do I Go From Here? (from "Fiorello") (Bock-Harnick) - Liz Callaway
Ten Percent (from "Chicago") (Kander-Ebb) - Harry Groener
Marking Time (from "Pippin") (Schwartz) - Michael Rupert
Older and Wiser (from "Bye Bye Birdie") (Strouse-Adams) - Michele Pawk and Tammy Minoff
Flaemmchen (The Flame Girl) (from "Grand Hotel") (Wright-Forrest) - Lynnette Perry
When I Went Home (from "Peter Pan") (Charlap-Leigh) - Michelle Nicastro
Guess We May as Well Stay Married Now (from "I Do! I Do!") (Jones-Schmidt) - Glory Crampton and Guy Haines
I'm Naive (from "Sugar") (Styne-Merrill) - Jane Krakowski and Sal Viviano
Take It in Your Stride (from "Annie Get Your Gun") (Berlin) - Liz Larsen
Pink Taffeta Sample Size Ten (from "Sweet Charity") (Coleman-Fields) - Lynne Wintersteller
If I Can't Take It with Me (from "Goldilocks") (Anderson-Ford-Kerr-Kerr) - Alet Oury

This Is the Army / Call Me Mister / Winged Victory

Average customer rating:

Fine music, tone-deaf pricing from Vivendi
At long last and timely to boot

This Is the Army / Call Me Mister / Winged Victory
Irving Berlin , Harold Rome , and Moss Hart
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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Mexican Hayride (1944 Original Broadway Cast)
Those Were Our Songs: Music of World War II

ASIN: B0000A9D1N
Release Date: 2003-07-29

Tracks:

Overture - Irving Berlin
I'm Getting Tired So I Can Sleep - Irving Berlin
I Left My Heart At The Stage Door Canteen - Irving Berlin
Ihe Army's Made A Man Out Of Me - Irving Berlin
The Army's Made A Man Out Of Me - Irving Berlin
What The Well Dressed Man In Harlem Will Wear - Irving Berlin
How Bout A Cheer For The Navy - Irving Berlin
American Eagles - Irving Berlin
Oh, How I Hate To Get Up In The Morning - Irving Berlin
Going Home Train - Harold Rome
Along With Me - Harold Rome
Little Surplus Me - Harold Rome
The Red Ball Express - Harold Rome
Military Life - Harold Rome
Yuletied, Park Avenue - Harold Rome
When We Meet Again - Harold Rome
The Face On The Dime - Harold Rome
South America, Take It Away - Harold Rome
Call Me Mister - Harold Rome
Winged Victory - Sgt. David Rose/ Winged Victory Chorus And Orchestra
My Dream Book Of Memories - Sgt. David Rose/ Winged Victory Chorus And Orchestra
The Whiffenpoof Song - Sgt. David Rose/ Winged Victory Chorus And Orchestra
The Army Air Corps - Sgt. David Rose/ Winged Victory Chorus And Orchestra

Customer Reviews:

Fine music, tone-deaf pricing from Vivendi.......2007-05-09

"This is the Army" is the first, and by far the greatest. When the word historic has lost all meaning this revue truly was -- perhaps the biggest show-biz charity fundraiser ever (for the Army Emergency Relief, which exists to this day), an incalculable morale booster on two fronts, a show whose too-small number of black players nonetheless helped break down the military's color barrier. It also sired the first major-label musical cast album; Decca rushed it into production at the end of July, 1942 to beat the AFM's notorious recording ban. That (and perhaps some reticence with an untested genre) may explain why the public only got four 10" 78s, shorter than they should have been. (Victor rushed its own studio recording into print as well, with mediocre arrangements and Fats Waller.) The following year Decca atoned for its mistake when it declared peace with the musician's union to record "Oklahoma!", making the cast album a permanent part of our musical lives. If we got only a fraction of what must have been it must have been tremendous. On the evidence this was Irving Berlin's finest score to date, and after the slog through multiple continents with a war hardened company he dug deep and wrote "Annie Get Your Gun." The tragedy is that no one tried to revive this show when enough of the boys were still alive, say in the eighties; perhaps Berlin, by then a hopeless recluse, turned it down. As touching and as stirring as these songs are it is preposterous that this score has remained all but buried since the last production in 1945. That this show is inextricably tied to a war is no excuse; the memory of a brave generation deserves better.

We go inevitably downhill from there, starting with the first track of "Call Me Mister", a postwar show with a lighter touch, and a lighter songwriter in several ways. Harold Rome could write a mean lyric, and he was good at the sort of situational humor that worked with topical shows, but despite his ambitions -- at the end of his career he foolishly adapted "Gone with the Wind" -- he just could not write the fine ballad that would have put him in the first rank. So where "This is the Army" can move the soul "Mister" just sits there, despite a haunting tribute to the "Face on the Dime." Its comic relief saves the day and it's pretty good as a recording too, as it's from 1946, and gives us a flavor of the old-time Broadway sound that makes these early albums so appealing. The four concluding sides of incidental music from Moss Hart's play "Winged Victory" are negligible. These are from David Rose, author of "Holiday for Strings" and patron saint of easy listening (until he wrote "The Stripper" and no doubt caused Red Skelton to swallow his kaddidlehopper). As might be expected from a man Spike Jones parodied he writes the most self-important music with the most showoffy grandiose charts, undercutting whatever patriotic feeling it had. His orchestral yelling even makes "The Army Air Corps" ("Off we go into the wild blue yonder") tiresome, a true negative achievement. It's easy to see why this has never been revived -- and never could be.

Despite its shortcomings of production (and in the last two works of inspiration), this is a fine and valuable recording. Which brings us to Vivendi. When the company revamped its cast-album catalog it decided to price these completely amortized albums at full-line-plus. It's especially galling here as all the selections from "This is the Army" and "Winged Victory" and at least one from "Call Me Mister" have enough surface noise and distortion to indicate they're likely from commercial pressings. Maybe Mr. Bronfman Junior needed the money for his ultimately failed investment; but such gouging underscores the contempt the record business has for its customers, whom it sees as saps whose pockets will empty endlessly when it grabs them face down by the ankles. The public is now richly returning the favor by tuning itself out to the majors and its endless parade of tunelessness. For all the gold-chained clan's howls of denial it isn't good for the record trade -- and in the end, by eviscerating the one stable source for new music, it isn't good for us.

At long last and timely to boot.......2003-09-01

Having scored a triumph during World War I with his "Yip Yip Yaphank," Irving Berlin was a natural to be asked to create a similar revue for World War II, and the all-male "This Is the Army" did very well. An original cast recording came out in 1942. The very next year, the Air Force got its chance with Moss Hart's "Winged Victory." Four of the songs appeared in boxed set of 78 rpm discs. When it was all over, the returning GI was saluted in yet another revue called "Call Me Mister." That original cast album appeared in 1946. Now you can hear them ALL on a single Decca CD (BOOOO831-02).

There is a soundtrack recording from the film "This Is the Army" that is extremely fuzzy, making this Decca release far preferable, all the more so because it does give us the original all-soldier cast that included Irving Berlin himself singing (more or less) his immortal "Oh, How I Hate to Get Up in the Morning." Other songs include "I Left My Heart at the Stage Door Canteen," "How About a Cheer For the Navy," and "American Eagles."

The focus here is how men made the transition from civilian to military life, and most of the problems they faced are mentioned in the opening number, "This Is the Army, Mr. Jones." We must also note with some sadness that the real problems of joining an army are never explicit, but the purpose of the show was to reassure and not to look at the "dark side of the force."

"Winged Victory" originally contained only two discs holding four songs: "Winged Victory," "My Dream Book of Memories," "The Whiffenpoof Song," and "The Army Air Corps." That last one thrilled my generation whenever it was played over the radio and especially during the wartime films; and it has lost none of its potency over the years. (The line about going "down in flame" still chills.) This was also the first military revue that included women, a fact which makes it even more of an historical document.

In 1946, Harold Rome lent his talents to putting together a revue for those returning to civilian life. Early in the war, Dinah Shore was able to praise "A Boy in Khaki," but Vaughn Monroe later in the war sang about looking forward to wearing "Just a Blue Serge Suit." I have a particular fondness for this set, because I owned a copy as a boy, played it to death, and eventually lost track of it. I never knew there was a 1950 LP version which included "This Is the Army," and I spent years trying to find the company that held the copyright that would get it onto a tape or (later on) a CD. So 57 years after the album first was released, my prayer has been answered!

The first number, sung by Lawrence Winters (a great portrayer of Porgy, by the way), takes place aboard a "Going Home Train" and is replete with optimism. A sketch in which a group of men are waiting to be assigned work for the day included Winter's rendition of "The Red Ball Express" on which the Black GIs carried supplies to the troops. He is the only one denied work at the end of the scene. We had an even older enemy than the Nazis to face.

A young newcomer named Betty Garrett delighted audiences with "Little Surplus Me" and "Yuletide, Park Avenue" in which many of the New York shops are mentioned in Christmas carol style. But it was her rendition of "South America, Take It Away" that brought down the house and raised her to stardom.

You get the expected comic number, "Military Life," sung by Jules Munshin (remember him from the film "On the Town"?) and two other men, while Winters sings "A Face on a Dime," a song that needs some explaining to those who were born after the minting of the "Roosevelt Dime." "Along With Me" and the full version of "When We Meet Again" are the ballads, while the title song acts as a finale number.

Tracks:

The Circus Is Coming to Town
Araby
I've Got a Sweet Tooth Bothering Me
Until I Fell in Love With You
Cohen Owes Me Ninety Seven Dollars
When I Leave The World Behind
Down Where The Jack O'Lanterns Grow
Polly Pretty Polly (Polly With A Past)
The Eyes Of Youth See The Truth
The Sterling Silver Moon
While The Band Played An American Rag
The Voice Of Belgium
The Devil Has Bought Up All The Coal
They Were All Out Of Step But Jim
Smile And Show Your Dimple
Dream On Little Soldier Boy
When I Get Back To The U.S.A.
I'm Gonna Pin My Medal On The Girl I Left Behind
Yip-Yip-Yaphank Medley: Oh, How I Hate to Get Up in the Morning/Kitchen Police (Poor Little Me)...
We're On Our Way To France

Customer Reviews:

Great for home and classroom.......1999-03-21

No other composer so closely kept his fingers on the pulse of American thinking and gave the country so much of what it thought it wanted. "Yiddle on Your Fiddle" tells us more of the second-generation immigrants' desire to become Americanized than all the history and sociology books can ever do. So it is a double pleasure to announce the appearance of "Come on and Hear!: Early Songs by Irving Berlin, 1909-1915" and "Keep on Smiling: Songs by Irving Berlin, 1915-1918," two fantastic CDs or tapes on Oaktown label and released through a friendly little Connecticut company calling itself Original Cast Records. Between the two sets, you have 41 tracks of the Berlin output from "Everybody's Doing It Now" to "We're on Our Way to France." The soloist is Benjamin Sears, who with pianist Bradford Conner has something of a reputation around the Boston area. Now some of this material is duplicated by the more widely known Joan Morrison on two RCA Victor releases, possibly out of print by now; and like those discs could use another voice now and then. (Conner does join in where a duet is called for, but my point remains.) Sears is a capable if not an outstanding baritone, who does justice to these historic expressions of Americana. So not only do I recommend both of these sets for their enjoyment value, but I wish to continue to point out to Social Studies teachers how valuable sets like this would be to classes who have no concept of how people really felt (as opposed to what they merely said and did) "way back when." And I might even stick out my neck so far as to offer to come to any school (in reasonable distance of where I live) to give a sample lesson on how these sets can be used.

Average customer rating:

Best of Broadway: Till There Was You

Manufacturer: Reader's Digest
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006313Q
Release Date: 2002-03-12

Tracks:

The Music Man: Till There Was You - Vaughn Monroe And His Orchestra
The King And I: Medley: Getting To Know You/I Whistle A Happy Tune/I Have Dreamed/Shall We Dance - Eric Hammerstein
Silk Stockings: All Of You - Robert Mandell And His Orchestra
Face The Music: Soft Lights And Sweet Music - Wally Stott And His Orchestra
Hello, Dolly!: Hello, Dolly! - Tex Beneke
Follies: I'm Still Here - London Promenade Orchestra
My Fair Lady: Get Me To The Church On Time - London Promenade Orchestra
Evita: Don't Cry For Me Argentina - The Romantic Strings Orchestra
Present Arms: You Took Advantage Of Me - Johnny Douglas And His Orchestra
Babes In Arms: I Wish I Were In Love Again - Rosemary Squires
Damn Yankees: Heart - The Foursome
Guy's And Dolls: Sit Down, You're Rockin' The Boat - The Fireside Orchestra

Jazz Music:

Jazz Music

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