Big Drum
Big Drum
ASIN: B00005O1DD
Track Listings
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1. Big Drum
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2. Ming's Visit
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3. Buejerk
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4. O.P.
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5. Tienanmen Bop
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6. Brilliant Corners
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7. El A
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8. Sam's Blues
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Editorial Reviews
Jazz Times, July 1993
Big Drum is big fun...Mingus like grittiness, a Nichols derived songfulness, or unmitigated Buellness (read: slightly madcap zeal).
Product Description
A live concert in Los Angeles with longtime sax partner Marty Krystall on tenor, Hugh Schick on trumpet and Vinnie Colaiuta on drums join legendary bassist Buell Neidlinger in a program of all original compositions from Neidlinger/Krystall and Monk's "Brilliant Corners."
Big Drum
Big Drum,Buell Neidlinger Quartet
Average customer rating:
- A good value
- The Sound Track Since Bernard Hermann
- Good mix of film music
- A mixed collection of movie music
- Uplifts your soul, takes your mind into the heavens
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Varese Sarabande 25th Anniversary Celebration
Manufacturer: Varese Sarabande
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Binding: Audio CD
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Similar Items:
- Paramount 90th Anniversary Collection: Scores
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ASIN: B00008WI90
Release Date: 2003-04-22 |
Tracks:
- The Man from Snowy River (Bruce Rowland)
- The Winds of War (Bob Cobert)
- Blue Velvet (Angelo Badalamenti)
- Witness (Maurice Jarre)
- Raising Arizona (Carter Burwell)
- Pee Wees Big Adventure (Danny Elfman)
- Halloween (John Carpenter)
- A Nightmare On Elm Street (Charles Bernstein)
- The Fly (Howard Shore)
- RoboCop (Basil Poledouris)
- The Empire Strikes Back (John Williams)
- The Right Stuff (Bill Conti)
- The Final Conflict (Jerry Goldsmith)
- The Abyss (Alan Silvestri)
- Brainstorm (James Horner)
- Peggy Sue Got Married (John Barry)
- My Left Foot (Elmer Bernstein)
- The Dead (Alex North)
- Stanley & Iris (John Williams)
- The Milagro Beanfield War (Dave Grusin)
- Driving Miss Daisy (Hans Zimmer)
Tracks:
- Steel Magnolias (Georges Delerue)
- Unforgiven (Lennie Niehaus and Clint Eastwood)
- Raggedy Man (Jerry Goldsmith)
- The Grifters (Elmer Bernstein)
- Green Card (Hans Zimmer)
- City Slickers (Marc Shaiman)
- Father Of The Bride (Alan Silvestri)
- While You Were Sleeping (Randy Edelman)
- Babe (Nigel Westlake)
- The Adventures Of The Great Mouse Detective (Henry Mancini)
- The Adventures of Robin Hood (Erich Wolfgang Korngold)
- The Young Indiana Jones Chronicles (Laurence Rosenthal)
- The Secret Garden (Zbigniew Preisner)
- A Little Princess (Patrick Doyle)
- Rudy (Jerry Goldsmith)
- Iron Will (Joel McNeely)
- Memphis Belle (George Fenton)
- Eye Of The Needle (Mikl)
- Total Recall (Jerry Goldsmith)
- Back To The Future Part III (Alan Silvestri)
Tracks:
- To Die For (Danny Elfman)
- The Player (Thomas Newman)
- Black Robe (Georges Delerue)
- Medicine Man (Jerry Goldsmith)
- 2001 (Alex North)
- Star Wars: Shadows Of The Empire (Joel McNeely)
- The Crow (Graeme Revell)
- Blade (Mark Isham)
- The Omen (Jerry Goldsmith)
- Vertigo (Bernard Herrmann)
- Scream (Marco Beltrami)
- The Sixth Sense (James Newton Howard)
- Xena: Warrior Princess (Joseph LoDuca)
- Air Force One (Jerry Goldsmith)
- Starship Troopers (Basil Poledouris)
- The Matrix (Don Davis)
- The Iron Giant (Michael Kamen)
- Youve Got Mail (George Fenton)
- A Little Romance (Georges Delerue)
- Pleasantville (Randy Newman)
Tracks:
- Sunset Boulevard (Franz Waxman)
- L.A. Confidential (Jerry Goldsmith)
- Rounders (Christopher Young)
- The Score (Howard Shore)
- The Replacements (John Debney)
- Gone In 60 Seconds (Trevor Rabin)
- The Bourne Identity (John Powell)
- Rush Hour 2 (Lalo Schifrin)
- XXX (Randy Edelman)
- Die Hard (Michael Kamen)
- The Last of the Mohicans (Trevor Jones)
- Moby Dick (Christopher Gordon)
- The Mists Of Avalon (Lee Holdridge)
- Cleopatra (Alex North)
- Life As A House (Mark Isham)
- Emma (Rachel Portman)
- In The Bedroom (Thomas Newman)
- Cast Away (Alan Silvestri)
- One True Thing (Cliff Eidelman)
- Unfaithful (Jan A.P. Kaczmarek)
- Far From Heaven (Elmer Bernstein)
- Ice Age (David Newman)
- Shrek (Harry Gregson-Williams and John Powell)
Customer Reviews:
A good value.......2007-05-17
I wasn't expecting to have 4 discs for this price, and the music is a quality selection of film music, giving a good scope of the genre, and a very listenable transfer.
The Sound Track Since Bernard Hermann.......2006-07-25
This collection is bound to capture your heart and evoke a tin ear on successive tracks. I found much to like and some duds - easy to skip over.
Very good value.
Good mix of film music.......2006-07-02
Good mix of films!
I'm a big fan of this soundtrack music and will be looking for more CD's like this.
A mixed collection of movie music.......2006-02-23
For the price, this CD is a great bargain. The musical selections, as you might expect, are mixed in quality ranging from extraordinary to so so, the balance being worthwhile and interesting. Sonically the CD is excellent.
Uplifts your soul, takes your mind into the heavens.......2006-01-06
I have been listening to great scores for many years and this collection is truly inspirational in so far as the choice of different scores takes you on a journey of listening pleasure matched by only a few collections.The price is incredibly reasonable for hours of listening pleasure. Don't pass this one up
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
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Similar Items:
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- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Flashy, Fun, and Flamboyant
- stunning musical review
- Nice and lively!
- Sounds even better than when I first heard it
- A staple
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Screamers (Circus Marches)
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
Rodgers, Richard
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Film Scores
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Marches
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General Contemporary
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Marches
| Miscellaneous
| Styles
| Music
Similar Items:
- Fennell Conducts Sousa
- Fennell Conducts Hands Across the Sea
- Under the Big Top: 100 Years of Circus Music
- The Grand Old Circus Band
- Circus Music from the Big Top
ASIN: B0000057L1
Release Date: 1991-02-08 |
Tracks:
- In Storm And Sunshine
- Whip And Spur
- Invictus
- The Big Cage
- Bones Trombone
- Them Basses
- The Circus Bee
- The Screamer
- Thunder And Blazes
- Robinson's Grand Entree
- Circus Days
- Bombasto
- The Squealer
- Rolling Thunder
- Bennett's Triumphal
- Bravura
- Bugles And Drum
- Illinois March
- Children's March
- The Interlochen Bowl
- Onward-Upward
- Boy Scouts Of America
- Americans We
- Officer Of The Day
- March
- Second Regiment, Connecticut National Guard March
- The Mad Major
- Guadalcanal March From
Customer Reviews:
Flashy, Fun, and Flamboyant.......2007-05-31
The Circus March is unfortunately a style of music that is often ignored, yet can be one of the most difficult things to play. Musicians almost have to have a feel for it to achieve the desired effect. Each march contained herein captures both excitement, showmanship, and even a certain degree of comedy that is associated with this style. Listening to these brings back a by-gone era of bearded ladies, roller coasters, and kettle corn. If you play this regularly, you may even begin to smell the peanuts roasting....
stunning musical review.......2005-09-27
This is music I have not heard, or played, for years. Most impressive musicianship. And the tempos are unbelievable! For this size group, it is amazing--and nothing less would be expected.
I am a retired music teacher, and this brought me back to the times when I played in large marching bands, or smaller groups for the local rodeo, as a college student. Great excitement in listening, and being swept away to a time when I had less to worry about.
The music itself has a great affect on me, besides the impressive way in which it is delivered. Great sound. Great precision. Great music that just isn't played or used much anymore. How fun to relive those moments--especially the ones featuring the trombone.
Nice and lively!.......2004-04-28
I was specifically looking for music of the circus and this recording just blew me away. It is clean and well done -- technically speaking. The Eastman Wind Ensemble is spectacular! If you are looking for something that sounds like a circus band, this is NOT it. This is a very professional, high quality recording of some of the best march music ever composed.
Sounds even better than when I first heard it.......2004-03-01
When I first heard the last eleven marches on this recording; I heard them on tape, and I really enjoyed them, this was back in 1988 when I was in the seventh grade. When I moved in the winter of 1988, I lost that tape. I was very sad when I did, and it was not until the summer of 2002 that I saw this recording at amazon; 14 years later still great, and sounds even better on CD than it did on tape. This time was even better, because it has even more marches, in the old tape, it had what on this recording are tracks 17-28. Tracks 1-16 are equally good, this recording is of a great sentimental value for me...I hope you enjoy as much as I have 14 years later....
A staple.......2003-06-14
A great collection of marches not by Sousa conducting by none other than Fennell. You can't go wrong having this in your band CD collection.
Average customer rating:
- Good stuff...
- One of my top 5 albums of all time
- One of the top 10 cd's ever produced
- Better Than Great
- !
|
Dead Cities
The Future Sound of London
Manufacturer: Astralwerks
ProductGroup: Music
Binding: Audio CD
Ambient
| Dance & DJ
| Styles
| Music
General
| Dance & DJ
| Styles
| Music
General
| Techno
| Dance & DJ
| Styles
| Music
Electronica
| Dance & DJ
| Styles
| Music
Big Beat
| Dance & DJ
| Styles
| Music
Trip-Hop
| Dance & DJ
| Styles
| Music
General
| Dance Pop
| Dance & DJ
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Ambient
| Dance & DJ
| Indie Music
| Stores
| Music
Techno-House
| Dance & DJ
| Indie Music
| Stores
| Music
Similar Items:
- Lifeforms
- ISDN
- My Kingdom
- Accelerator
- Cascade
ASIN: B000003RY8
Release Date: 1996-10-29 |
Tracks:
- Herd Killing
- Dead Cities
- Her Face Forms In Summertime
- We Have Explosive
- Everyone In The World Is Doing Something Without Me
- My Kingdom/Max
- Antique Toy
- Quagmire
- In A State Of Permanent Abyss
- Glass
- Yage
- Vit Drowning/Through Your Gills I Breathe
- First Death In The Family
Amazon.com
This U.K. duo's landmark ambient techno album Lifeforms (1994) explored lush jungle vistas. Its follow-up opts for a much darker urban nightmare motif that makes it an ideal soundtrack while reading William Gibson. Progressive rockers by any other name, FSOL are highly respected innovators who rate with Orbital as the genre's leading exponent. --Jeff Bateman
Customer Reviews:
Good stuff..........2007-01-07
For those with a narrow musical mind, (i.e. the 'top 40' variety) this would be an unbearable CD to have to sit through, but for those with more open musical tastes, particularly in the lineage of ambient, acid techno , then this CD is for you. The soundscapes and musical textures on this masterpiece are eerie, haunting, beautiful, intricate, complex and dark. Hats off to Dougans and Cobain , the musical geniuses behind this production. I particularly enjoy the track 'Glass'. But the songs as a whole fit perfectly together and mesh well. For those looking for something similar, try Tangerine Dream's 'Ricochet'. This is the only album I can compare it to in terms of eerie, haunting, beautiful, intricate , complex and dark. And TG did it back in the 70's...live! Even the album cover , like Dead Cities, is ominous. Good stuff.....
One of my top 5 albums of all time.......2006-01-09
Even though I bought this album almost a decade ago I have to express how wonderful of an album it is. The brilliance of this album lies in the conjured images it leaves in ones mind after listening to it. It seems the music was composed for a noire sci-fi film yet to be made. One moment its hostile the next its absolutely beautiful. Each track fades into an other weaving in and out of you're subconcious. If you're to get one electronica album its this one. A timeless masterpiece of epic proportions. FSOL's most surreal album to date.....do yourself a favor and get it while you still can.
One of the top 10 cd's ever produced.......2005-10-10
There's some good songs on ISDN and some good ones on Lifeforms, but this entire album is creme de la creme. It is definitely one of my favorites of all time. Each track has it's own identity, you never know where the next one is going. In a good way.
Better Than Great.......2005-09-06
What's more to say about what may be the best "rock" album ever (especially if you consider the "My Kingdom" EP to be the second disc in a two disc set)? The most emotionally wide-ranging album from one of the best bands ever. Who else has ever made music like FSOL? The Beatles and Fripp&Crimson are the only possible contenders. I've never heard anything that does a better job of juxtaposing the terrifying and the unbearably beautiful. If I could pinpoint the one disinguishing feature of all FSOL/AA releases, it would be (as a line in "The Isness" goes) "...[a longing for] inexhaustible ecstasy." It's all the more poignant on this album because of its being interwoven with themes of terror, paranoia and a sense of unrecoverable loss of something without which life isn't worth living. It sounds hokey, but just opening up the booklet while listening to "Her Face Forms in Summertime" and reading the scrawled message "things are getting f*&ked up round here" makes my eyes a little watery. My CD developed a 2 second glitch and I just ordered another one--this is so incredible that nothing less than perfection will do.
Just a few points of note: if you're wondering why you spent all that money on your two channel stereo and you haven't heard this album yet, pick it up and turn it up. I've heard recordings with more bottom end and slam, but none with more depth, nuance and musicality. I've also found that one of the true tests of a Masterpiece is whether it's possible to really enjoy listening to anything else after its over. Play Coltrane's "Ascension," Beethoven's String Quartet in A Minor Op. 132, or Bruckner's Ninth and see what I mean. I played Dead Cities last night and everything to which I tried to listen sounded hopelessly trivial afterwards. In the early 80s, a lot of my friends used to speak of The Clash as "the only band that mattered." At the time, I didn't think any band had mattered all that much since '72. To my now-much-older ears, FSOL fits that description more accurately than any band to the last 35 years, and this is probably their best work (every single one of them is a desert island disc, however). One of the very few utterly timeless classics of modern music, and a record that belongs in the collection of anyone with ears.
!.......2005-03-08
For me, this is my favorite FSOL record. Leans heavily on trip hop flavors and does not sound like Lifeforms at all. Well performed and intellegently written.
Great spin!
Average customer rating:
- Fabulous music, dismal sound quality
- Big Band Swing Era FAN
|
Drum Crazy
Gene Krupa
Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
Swing General
| Swing Jazz
| Jazz
| Styles
| Music
Classic Big Band
| Swing Jazz
| Jazz
| Styles
| Music
Contemporary Big Band
| Swing Jazz
| Jazz
| Styles
| Music
General
| Jazz
| Indie Music
| Stores
| Music
Swing Jazz
| Jazz
| Indie Music
| Stores
| Music
Similar Items:
- Krupa & Rich
- Best of Big Bands: Drum Boogie
- The Drum Battle: Jazz at the Philharmonic
- Let There Be Drums/Drums Are My Beat!
- Drummer Man (Verve)
ASIN: B000059RU6
Release Date: 2001-03-27 |
Tracks:
- Swing Is Here
- Sing, Sing, Sing
- Wire Brush Stomp
- Apurksody
- Drummin' Man
- Tuxedo Junction
- High On A Windy Hill
- It All Comes Back To Me Now
- Drum Boogie
- Just A Little Bit South Of North Carolina
- Let Me Off Uptown
- Rockin' Chair
- Bolero At The Savoy
- Leave Us Leap
- Dark Eyes
- Opus One
- Boogie Blues
- Lover
- How High The Moon
- Disc Jockey Jump
- Calling Dr. Gillespie
- Bonaparte's Retreat
Customer Reviews:
Fabulous music, dismal sound quality.......2003-10-30
Gene Krupa's music is a marvel, but unfortunately, the sound quality on this disc is horrifying. Throughout every song, there is an audible, annoying hiss in the background. My old collection of 33 RPM disc's produces fresher sounds than this pathetic excuse of remastering. It's obvious they merely transfered the original mono recordings from vinyl to CD with no remastering or technical wizardry. It's a crying shame because Krupa's band is an underrated orchestra. Do yourself a favor and sample Krupa's music, but not from this poorly produced, shoddy CD.
Big Band Swing Era FAN.......2002-11-18
If you like Swinging, Big Band music you'll love this CD. The Gene Krupa Orchestra, The Benny Goodman Orchestra, The Gene Krupa Trio... All on one album. From the opening song, Apurksody (Krupa spelled backwards... a slow swing tune); to Drummin' Man (the song that got me interested in Gene Krupa); to the Original Live, Swinging, Exciting performance of Sing, Sing, Sing (featuring Harry James, Benny Goodman, Jess Stacy, and the BG Orchestra, all being Drivin', Swingingly by the Swinging Rhythm of Gene Krupa); through to Wire Brush Stomp (The Trio showcasing the superb expertise of Gene's intricate drumming with Wire Brushes). The recording quality is good, and the persentation is really good... I only have two wishes, more text, and more Gene Krupa CD's like this.
If you are a Big Band Swing Jazz FAN you must get this CD.
Average customer rating:
|
Honky Tonk Piano
Mickey Finn , and Big Tiny Little
Manufacturer: Gnp Crescendo
ProductGroup: Music
Binding: Audio CD
General
| Country
| Styles
| Music
Drum & Bass
| Dance & DJ
| Styles
| Music
General
| Techno
| Dance & DJ
| Styles
| Music
General
| Jazz
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
General
| Jazz
| Indie Music
| Stores
| Music
Similar Items:
- Golden Piano Hits
- Jo Anne Castle - 22 Greatest Ragtime Hits
- Red Hot Ragtime Volume 1
- Red Hot Ragtime Volume 2
- 22 Great Ragtime Hits Volume 2
ASIN: B000001OVP
Release Date: 1992-01-21 |
Tracks:
- Four Leaf Clover
- More
- Johnson Rag
- Medley: Toot, Toot, Tootsie/California Here I Come
- Alley Cat
- Tiger Rag
- Bill Bailey
- Medley: Daisy/Drinking Song
- Medley: Pretty Baby/You Must Have Been A Beautiful Baby/Baby Face/Oh, You Beautiful Doll
- When The Saints Go Marchin' In
- Medley: Dixie/Battle Hymn Of The Republic/Yankee Doddle Dandy/You're A Grand Old Flag
- 12th Street Rag
- Somewhere My Love
- Old Piano Roll Blues
- Third Man Theme
- South
- Beer Barrell Polka
- Spaghetti Rag
- Smile
- Red River Valley
- Stardust
- Raindrops Keep Falling On My Head
- After You've Gone
Customer Reviews:
Honkey Tonk Piano.......2006-03-15
Found the music on the cd to be as I had hoped. I'm a tap dancer and was looking for tap dance music. Am very please with the music....love every song on it....lots of upbeat tap dance music, but nice listening music also.
Average customer rating:
- Admirable communion with life
- F_kin' Hardcore
- Eccentric Centrist
|
Moondog
Manufacturer: Ojc
ProductGroup: Music
Binding: Audio CD
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Avant Garde & Free Jazz
| Jazz
| Styles
| Music
General
| Jazz
| Styles
| Music
General
| New Age
| Styles
| Music
Minimal Techno
| Techno
| Dance & DJ
| Styles
| Music
Similar Items:
- Moondog 1 & 2
- More Moondog/The Story of Moondog
- Viking of Sixth Avenue
- The German Years 1977-1999
- Rare Material
ASIN: B000000Z63
Release Date: 1991-07-01 |
Tracks:
- Caribea
- Lullaby
- Tree Trail
- Death, When You Come To Me
- Big Cat
- Frog Bog
- To A Sea Horse
- Dance Rehearsal
- Surf Session
- Trees Against The Sky
- Tap Dance
- Oo Debut
- Drum Suite
- Street Scene
Amazon.com
Louis Hardin, known to pre-Watergate New Yorkers as the blind street musician Moondog, is also a fascinating and sui generis composer. This disc collects 1969 recordings of his orchestral works and 1972 small-group recordings of the two-minutes-and-under "rounds and canons" that are his most influential work. Janis Joplin covered his "All Is Loneliness," you can hear foreshadowings of Stereolab in his "Madrigals," and you only need to hear "Theme" to hear how profoundly he influenced Michael Nyman. Simple and beautiful, Moondog's rounds owe as much to the swing he heard on the radio in his youth as to Bach's canonical structures, and they vary as little and as much as roses in a row. --Douglas Wolk
Customer Reviews:
Admirable communion with life.......2007-04-26
Blind he is our Moondog, but he does not bark for pity. He listens to and reproduces what he can capture with his ears. That means his work is a tremendous compilation of sounds from the real world, animals or just insects, his own baby and his own wife, or just some beating on a drum, or the frail dancing of a pipe along with a frog and a cricket. It is this extreme patchwork of sounds, voices, noise and music under the light enchantment from the moon that our artist is imagining in his eternal night. At least for him the moon never sets, never disappears over or behind the hills. "Surf Session" is the only piece that has some real length. The sea surf, the sea waves, the breaking of these waves we imagine along some pebbly seaside give a strange depth to the very both Asian and tremendously romantic music that manages to float forever over the rather powerful vortex of the sea, the ocean. The nearly Chinese constant grace-notes give the music a charm that is both discrete and so strong we seem to be able to imagine some Last Emperor advancing in the Forbidden City just before defeating his beleaguered wife and sons under the sign of some golden flower. The "Street Scene" is less fascinating because it is aimless, it lacks a direction and a destination? "I must never follow you and you must never follow me." He is roaming on and on, around and around, in that incessant, menacing, mechanical noise that comes up from the New York street locked up in between the walls of surrounding buildings. Can that be life? And what can it sound like to a blind man? Is it worse or less violent than what the famous Arthur Miller's Salesman felt, heard and experienced in his trapped two storied house in the middle of surrounding skyscrapers and under the crushing noise of thousands of motor vehicles? We will never know, except if we decide to do what dipus did when he realized his criminal inability to see the fate that was his. And he lived ever after like a dog in the eternal night of his blindness remembering the moonshine and the sunshine, tolerating the insults and petty assaults from those whose yes are not bleeding dead.
Dr Jacques COULARDEAU, University Paris Dauphine & University Paris 1 Pantheon Sorbonne
F_kin' Hardcore.......2005-12-06
Louis T. Hardin did not graduate from the Juliard. He went to a school in Iowa and Memphis, but was mostly self taught. Listen to this with your eyes closed.
Eccentric Centrist.......2003-12-14
Odd-ball individuals are more common than geniuses, but Moondog is both. Harry Partch had the highest regard for this blind graduate of Julliard, whose fantastic get-up of skins, furs and horns might have detracted from the impact of less seminal music. Since he was immensely tall, he made quite an apparition. Moondog's primitivo get-up was odd, to say the least, but since Moondog was blind, one wonders who put the costume together. Moondog, like Harry, invented most of the instruments he played standing on the corener at the Avenue of the Americas. His music reaches back into prehistory in its effect, and has a kindness to it, if that may be a reasonable thing to say. Later, Moondog became sort of a darling of the avant garde, and composed for traditional instruments, but the earlier the recorded work, the more deep down and pure it was. The later work is slicker, but just as intelligent.
Average customer rating:
- big drum indeed
- Great CD!
- The Transcendental Beat of a Drum....
- All Hail the Drum Master
- Big Drum, Big Winner
|
Big Drum: Small World
Dhol Foundation
Manufacturer: Narada
ProductGroup: Music
Binding: Audio CD
India
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Similar Items:
- Volume 5: Anatomic
- Global Rhythm Presents: Edge of the World
- Seed
- Ethnomixicology
- Six Degrees 100
ASIN: B00005MJZO
Release Date: 2001-07-31 |
Tracks:
- Eik Din
- Eik Din Part 2
- Iridian
- Healing With Turmeric
- Shin The Mechanic
- Poseidon
- Seven Heaven
- TDF Meets DCS
- Tere Bina
- Big Drum Small World
- Colours Of Punjab
- Drummer's Reel
Amazon.com
Technofied, groove-intensive Asian crossover sounds for the '00s, Big Drum: Small World showcases the dynamic Dhol Foundation weaving its Punjabi drum magic within a cavalcade of beats, keyboards, flutes, vocals, and strings both acoustic and synthetic. The group is lead by Johnny Kalsi, who is currently a principal drummer in Afro Celt Sound System, and who has also played with Transglobal Underground, Asian Dub Foundation, and Talvin Singh. This CD by no means attempts to be a purist effort, or, conversely, to jump on a bandwagon of sampling Indian instruments and then regurgitating them in digital dance form. The results are somewhere in the middle, with the group's live playing interacting with programmed elements. As electro-organic bhangra-style dance, this music can be intense. Some repetitive sections scream out for greater motion, while others are balanced nicely between the organic and the electronic. A couple of tracks even offer gritty bursts of electric guitar. On the whole, the recorded output by Dhol Foundation is pretty good, although their live performances are probably more smoking. The album includes notable guest appearances by like-minded world crossover artists: British-based Egyptian singer Natacha Atlas appears on "Shin the Mechanic" and "Tere Bina," while "Iridian" sounds like uncredited samples of Afro Celt Sound System. --Bryan Reesman
Customer Reviews:
big drum indeed.......2005-03-17
Whoever these guys are, they certainly can rock the house (or the car, or the beach).
I came across this CD by accident, sampling at a local music store and had to buy it.
The drumming is amazing! Reminds me of the Varanasi drummers of India. Fits seemlessly with Midival Punditz and Karsh Kale. Too bad they don't get more local air play.
Great CD! .......2004-11-20
This is a great CD. There are some funky mixes. My favorite ones are the smooth ones which are not too fast.
I love the mix of eastern rythyms and styles with the west...and the upbeat music.
Check it out!
The Transcendental Beat of a Drum...........2003-07-11
No matter where on earth you come from, this instrument (the dhol) will make you want to move every inch of your body. The people of the northern Indian state of Punjab have long enjoyed its mezmerising and entrancing rhythms, but now, thanks to the hard work of Johnny Khalsi and The Dhol Foundation, more people across the globe have a chance to experience the extremely powerful effect of this instrument. The dhol drum forms the backbone of Bhangra music and is one of the key reasons for the genre's success on the dancefloors of the UK, Canada and the US. This album celebrates the instrument by staying true to its vibrant and robust energy but also demonstrates its versatility, by incorporating transient and "New Age" sounds.
All Hail the Drum Master.......2003-04-04
Bottom Line: A solid solo debut from a consumate musician. An excellent introduction to bhangra fusion music and the dohl drum.
Johnny Kalsi is one of the giants of the Asian Underground scene in London. His impressive resume includes stints with Alaap, Transglobal Underground, and Afro Celt Sound System. Kalsi is in great demand because he is the master of the dhol, a two-headed wooden drum from north India. The dhol produces a distinctive sound that lends readily to intricate fast-paced rhythms. Kalsi teaches the dhol and other drums at a studio in London and many of his pupils now play with him.
Kalsi is now the front man for the band Dhol Foundation (also the name of his school) and in early 2001 released a single with Natacha Atlas. "Shin the Mechanic" was a big hit world wide and left fans of world fusion eagerly awaiting Dhol Foundation's full-length release. Big Drum : Small World was worth the wait.
The first song, "Eik Din" opens with a bird singing; appropriate for the organic nature of this music. A human singer joins the bird and is in turned joined by a bell, cello and frame drum. The pastoral feel bursts into electronics and dhol, with the beat kicking in at an outrageous 180 bpm. Despite the pace, the melody and rhythm are controlled and uplifting, not frenzied.
"Iridian" sounds very much like an Afro Celt Sound System song, light and happy with the distinctive flute melody and violin solos while Kalsi's dhol sets a bhangra rhythm. The song takes an abrupt detour to a jazz piano solo (not my thing but others would enjoy) for a few seconds then returns to the main melody.
"Healing With Tumeric" turns up the energy with a bhangra dance number. It features sitar and flute-sounding keyboards, electronic atmospherics, and multiple dhol players. The dhols set the tone here, when they are playing, the track is hard driving dance, when they aren't, the track is atmospheric, almost ambient. That may sound weird but the interludes and changes work very well.
Next, Near Eastern chanteuse Natacha Atlas graces us with "Shin the Mechanic." The song is classic Natacha with Kalsi ably accompanying on dhol. By classic Natacha I mean a catchy song with a pop feel, beautiful singing, and foot-tapping rhythm.
The down-tempo "Poseidon" is perfect lounge music featuring light keyboards and superbly understated table and dhol. Turning to Indian classical music, "Seven Heaven" features santoor and hammered dulcimer in a very pleasantly relaxing tune.
The DCS in "TDF Meets DCS" is Shin DCS (You guessed it, he's also the Shin in Shin the Mechanic). Shin sings on this song which has an urban groove with gang vocals, electric guitar and mass drumming. He has a great voice, articulation, and range. I searched all of the liner notes, press releases and the band's Web site but couldn't find any info on who Shin is or where else we might find his work. That's a shame.
Natacha Atlas and Shin DCS return for the sweeping ballad "Tere Bina." A beautiful romantic duet in the Indian tradition, it shows off the vocal talents of both, accompanied by strings, keyboards, tabla and dhol. Very nice song.
The title track and "Drummer's Reel" are bhangra drum jams that will satisfy the primal cravings of any drum fanatic. "Big Drum Small World" is what American drum-and-bass should sound like. "Drummer's Reel" features a massive array of 42 drummers (all students of Kalsi) providing the beat for an Irish reel. In between "Big Drum Small World" and "Drummer's Reel" lies "Colours of Punjab," a light-heartedly melody with intricate percussion. Pleasant and pastoral.
Fans of drums should definitely get Big Drum Small World, as should fans of Indian music.
Big Drum, Big Winner.......2002-02-28
I've been listening to "Big Drum: Small World" (great title) for months, in fact, it seems to have earned a permanent place in my CD changer. My tastes are pretty eclectic (for example this week I'm listening to Bela Fleck/Flecktones, Nitin Sawhney, Pierce Turner and Outkast), and I tend to bore easily, so this is quite some achievement. The dhol drum was new to me before seeing the Afro Celts, and I understand Johnny Kalsi is the best. This is very easy to believe. (The drum itself is extremely loud, and in the wrong hands... I shudder to think. Luckily there's no need to worry here.) Kalsi's dhol is the backbone, holding down the groove with great engaging rhythms, and only really taking center stage on "Drummer's Reel". At first listen these rhythms just captivated me.
"Big Drum" builds from the quiet dawn of "Eik Din" to the thunderous "Drummers Reel", featuring an ensemble of dozens of dhol drummers and Nigel Eaton's hurdy gurdy. "Iridian" is exquisite. The dervish-like "Healing with Turmeric" segues into the wild fusion of "Shin the Mechanic", with guest vocalists Shin and Natacha Atlas. Other standouts are the bhangrafied "TDF Meet DCS" and the title track. That said, there's not a dud on this CD. The production values are excellent, and the acoustic and electronic elements are very well balanced. Yes, the overall style is hard to categorize, as some of the reviewers below have alluded to, but don't let that scare you, "Big Drum" is both cohesive and very accessible. Everyone I've played it for finds something great about it, and it hangs together as a complete work, it's certainly not a hodgepodge. "Big Drum: Small World" was been a breath of fresh air in my CD collection. Highly recommended.
Average customer rating:
- Great game, even better soundtrack!
- Required listening for EDM fans
- Not as good as the original
- State-of-the-art electronica
- Ha ha ha ha... WIPEOUT!
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Wipeout XL
Various Artists
Manufacturer: Astralwerks
ProductGroup: Music
Binding: Audio CD
Ambient
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Similar Items:
- Wipeout Pure: The Official Soundtrack
- MTV's Amp
- Risotto
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ASIN: B000003RYJ
Release Date: 1996-10-15 |
Tracks:
- We Have Explosive - The Future Sound of London
- Atom Bomb - Fluke
- Loops Of Fury - The Chemical Brothers
- Tin There - Underworld
- The Third Sequence - Photek
- Leave Home (Underworld Mix) - The Chemical Brothers
- We Have Explosive (Herd Killing) - The Future Sound of London
- Firestarter (Instrumental) - Prodigy
- U Six - Fluke
- Musique - Daft Punk
- 2097 - Source Direct
- Titan - Photek
- Petrol - Orbital
- Afro Ride - Leftfield
Amazon.com
"You want bowel-churning mega-bass that shakes the room, demolishes the ceiling, and freaks out the cat?" ask the compilers of this grade-A U.K. techno disc. The curious should answer with an unequivocal, "Hell, yes." Sonic slabs from Orbital, the Chemical Brothers, Underworld, Prodigy, Leftfield and the Future Sound of London, among others, add up to a definitive appetizer tray of drum & bass flavors. --Jeff Bateman
Customer Reviews:
Great game, even better soundtrack!.......2007-01-03
I will admit, after purchasing this game, I found myself sitting in front of my Playstation hearing 3,2,1, GO! and then placing the controller on the ground in front of me listening to the great music coming from my 13" TV. After a while, the game simply became a visual to a near perfect soundtrack. If you enjoy heart racing, adrenaline pumping electronica then this is the soundtrack for you. Highly recommended however Coffee + This Album may = excessive speed on the road. Buy at your own risk :)
Required listening for EDM fans.......2005-05-12
If you are into electronic dance music this CD not just a good album, but required listening. Actually it's great if you are just starting into the genre and want to hear the music that catapulted it. Based on a video game soundtrack Wipeout XL takes what the Playstation game (Wipeout 2) did with the music genre and moved it another level. The Wipeout 2 games was heralded as not only an excellent arcade racing game, but a game that had one of the coolest soundtracks ever. This is because the game designers decided to get a broad range of artists together on their game project. The result was a video game with a soundtrack that defined electronic music in the 90's.
What Wipeout XL did was take that style of music and put it on a CD so people can just pop it in and jam without having to either rip the tracks off the game or play the game cd on a stereo system. There are track differences between the two. For one the games staff writer, Cold Fusion, doesn't have any tracks on it so that takes out two songs. From there a couple other songs were replaced for whatever reasons (personally I think Future Sound of London's Herd Killing is just too dissonant for anything but a title scroll for the game). But don't fret, because what they replaced them with is definitely worth your while.
Some of the new tracks on this CD are exclusive to this CD only. That's right. Exclusive mixes. I don't mean crappy freak mixes that don't deserve proliferation I mean some killer mixes that you MUST have in your collection. Here's my opinion on some tracks:
ATOM BOMB and V-SIX by Fluke is not the regular version. It's one of those exclusive versions I was talking about. And this is the coolest mix of Atom Bomb I have ever heard (and I heard lots). Totally new beat and feel, but definitely the same song. V-Six is an exlusive song you won't find anywhere but here. Not even remixes. It's aggressive and driven like a lot of his dancier tracks. The CD is worth getting for these two tracks alone.
LOOPS OF FURY and LEAVE HOME (Underworld Mix) By Chemical Brothers, while not exclusive mixes, they are songs you won't find on any of their albums. They were released on singles only. Either way Loops of Fury to me is the ultimate big beat song. Powerful drums on top of a driving bassline with a mess of fun noises dancing around the groove. Leave Home is just powerful, but more minimalist. Still great on the dance floor. This CD is worth it for these two tracks alone (Did I just repeat myself? See where I'm getting at?).
2097 by Source Direct can only be found on the Wipeout CD's (game and XL CD). At least it's not on any of their albums. It's some crazy drum and bass that you might not be able to dance to, but it sure is interesting listening to what do they the instruments.
Other good tracks (not exclusive) are Orbital's P.E.T.R.O.L., Future Sound of London's WE HAVE EXPLOSIVE (very popular), and the lyricless FIRESTARTER by The Prodigy. TIN THERE and MUSIQUE are a little repetitive but manageable. Photek is very much like Source Direct, only not as interesting in their drum-&-bassiness.
If you are just getting into modern electronic music then this would be a perfect primer for you. If you have been into it for a while there are some tracks here worth getting that are either not that easy to find or you just won't find elsewhere. Either way this is an excellent CD that's worthy to be in your collection.
Not as good as the original.......2003-11-07
Basicaly the only decent stuff I see here are tracks 1,4,7 and 8. Seven is the coolest theme ever - the one from the WipeoutXL game intro video(the whole reason I got this CD) and the first track is also mixed in there somewhere. Number 4 is just a more or less decent techno track, while 8 is Prodigy's "Firestarter" without the vocals. Track 2 was a dissapointing dulled-down version of Fluke's "Atom Bomb"(I'd give the CD 4 stars if they just put the excellent original one). So there you have it, unless you desperatly want the WipeoutXL intro flick music which wasn't included on the game CD - don't bother. Better get the WipeoutXL game itself - it's out for PSX and PC and has the great game and music all in one(skip the first data track). You can also play the PSX version with an emulator and get the same resolution. But the PC version is the best.
State-of-the-art electronica.......2003-06-10
To call this a "techno" CD is misleading. Sure there's some of that, but this is really a genuine electronica CD with the likes of Photek, Source Direct, et al making an appearance with some, shall we say, unique tracks.
Electronica today (2003) isn't quite what it used to be back when it was new and clearly still experimental and at the top of its form. This 78:18 CD offers up some classic tracks that will last forever. I have a lot of CDs from various electronica artists that have songs on this compilation (Fluke, FSOL, Orbital, Chemical Brothers, Prodigy) and others that don't (namely Crystal Method) and they're all great but none quite capture the diverse essence of what electronica can encompass. This is that CD!
The version of Atom Bomb on here is a cleaned-up AND remixed version of the original on Fluke's own Risotto CD. None of the other reviews really pointed that out.
Ha ha ha ha... WIPEOUT!.......2002-07-25
When I bought this however many years ago, nobody bothered to point out to me that it was the soundtrack to a game. But perhaps that's the greatest compliment anybody could give it--that the music stands on its own without any hard-sell.
Maybe you bought 'Exit Planet Dust' but if you missed out on the Chemical Brothers' (in my opinion) best single "Loops of Fury", you could atone buy picking up this disc. The instrumental version of "Firestarter" is better than the original, and "PETROL" is not representative of the Orbital album ('In Sides') it comes from, but still kicks.
The whole 'Electronica' wave was over-done and rightfully put in its proper place on the musical scheme of things, but in retrospect, there were some singles you had to own, and this is a superb compilation of them.
Made to be booming out of your convertible, even if it's a k-car.
Average customer rating:
- Electronica 101?
- Electronic at it's finest
- Tecno Heaven
- Excellent Introduction To Techno/Ambient
- Must have!
|
Urbal Beats: Definitive Guide To Electronic Music
the Prodigy , and DJ Icey
Manufacturer: Utv Records
ProductGroup: Music
Binding: Audio CD
Ambient
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Drum & Bass
| Dance & DJ
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General
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Similar Items:
- Urbal Beats, Vol. 2
- Urbal Beats, Vol. 3
- MTV's Amp
- Digital Empire: Electronica's Best
- MTV's AMP 2
ASIN: B00000486Q
Release Date: 1997-07-29 |
Tracks:
- Poison - The Prodigy
- Big Ditch - DJ Icey
- Block Rockin Beats - The Chemical Brothers
- We Have Explosive - Future Sound Of London
- O.B.E. - Rabbit In The Moon
- Higher State Of Consciousness - Wink
- Caterpillar - Keoki
- Born Slippy - Underworld
- Sugar Is Sweeter - CJ Bolland
- The Saint - Orbital
- Toxygene - The Orb
- Inner City Life (Radio Edit) - Golide
- Share The Fall - Reprezent
- Sour Times - Portishead
- Before Today (Adam F Remix) - Everything But The Girl
- Busy Child - Crystal Method
Customer Reviews:
Electronica 101?.......2003-07-07
Obviously these 16 songs aren't all you need to know about electronica. I could think of another 16 right off the top of my head. BUT, this all good, and one of the better collections to come out of 1997. You got your big names like "Chemical Brothers", "Prodigy", and "Crystal Method", along side some more unknowns which is nice. Three of my favorites are the tracks by "DJ Keoki", "Underworld", and "CJ Bolland". All are excellent. I could have dropped a few of these myself, but I'll let you decide which ones. Though no compilation is gonna be perfect, I would say this is almost there. By not having it, you might find yourself in "Sour Times".
Electronic at it's finest.......2002-10-16
First let me say this - The artists and tracks that Urb magazine has pulled together on this compilation are definitely good music. But I would not call this a definitive guide to electronic music. There are definitely other bands that put out good electronic music at the time. But I guess you can only fit so much good music on an 80 minute CD (76:43 to be exact). That being said, let me give a short run down of the awesome tracks on this CD:
1. The Prodigy - Poison: gets better with age - Prodigy is definitely an essential - powerful lead in track for this CD
2. DJ Icey - Big Ditch: Icey is nice and dicey on this track
3. The Chemical Brothers - Block Rockin Beats: might have been played one too many times but it rocks every time you here it
4. Future Sound of London - We Have Explosive: the original is a good track and this remix is even better
5. Rabbit in the Moon - O.B.E.: This is how down tempo is done
6. Wink - Higher State of Consciousness: I would call it the anthem of acid funk - my favorite track
7. Keoki - Caterpillar: the driving beat and guitar sounds make it worth listening to twice
8. Underworld - Born Slippery: a sticky tune with a beat that makes you move to the music
9. CJ Bolland - Sugar is Sweeter: a very surprising track with some nice lyrics
10. Orbital - The Saint: shows the best side of Orbital with airy flute sounds and a nice bass line
11. The Orb - Toxygene: the comeback of the orb - a good ambient dub
12. Goldie - Inner City Life: good ambience - nice vocals
13. Reprazent - Share The Fall: the airy flute at the beginning leads to a good beat
14. Portishead - Sour Times: another good ambient dub
15. Everything But The Girl - Before Today: the best vocals on the CD with a hint of drum and bass
16. Crystal Method - Busy Child: one of the most played by the crystal method, but makes for a good driving last track
Hope this helps in making your choice to add this CD to your electronic collection. Now that I own Urbal Beats Vol. 1, 2, & 3, I can say that Vol. 1 is probably the best.
Tecno Heaven.......2001-12-24
This CD is a mixture of songs from various artists. If you just started listening to techno, you'll really be hooked after hearing this one. Out of the three urbal beat CD's, This one is the best. Because of all the different artists. Highly reccomended. ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Excellent Introduction To Techno/Ambient.......2000-06-01
This CD contains some of my favorite tracks of the genre, including 'Block Rockin Beats', 'Rabbit In The Moon', 'Sour Times' and 'Busy Child'. Probably the best overall mix that I have encountered. A very few of the tracks are a bit grating/overly repetitive, so it doesn't quite deserve five stars (maybe 4 1/2). If you like the samples, you will like the rest of the disc!
Must have!.......2000-04-26
This CD is a definite must have for all fans of techno-- covering all the bases from early to modern trance and break beat, showcasing artists who had not yet broken into the mainstream (like Josh Wink and Roni Size) and uncovering lesser known sides to artists like Prodigy. It is an excellent expose of all the staple artists techno fans of all kinds should take a look at.... don't pass this one up!
Jazz Music:
- Black Eyed Blues [Import]
- Brighter Days
- C/D/E
- Cameo
- Chet Baker & Strings [Original recording remastered]
- Choose Your Boots
- Closer to Home
- Collection [Import]
- Compete Studio Master Takes [Original recording remastered] [Import]
- Crossfire
Jazz Music
Jazz Music