Black, Brown & Beige

Black, Brown & Beige

ASIN: B0000015H5

Track Listings

1. Work Song

2. Come Sunday

3. Light, Pt. 1

4. Light, Pt. 2

5. Light, Pt. 3

6. West Indian Dance

7. Emancipation Celebration

8. Blues

9. War

10. Sugar Hill Penthouse

11. Rock Waltz

12. Symphonette

13. Final

Tracks:

Oh, Shenandoah (Traditional)
He's Goin' Away (Traditional)
Skip To My Lou (Traditional)
Steal Away (Spiritual)
Wayfarin' Stranger (Traditional)
Soldier, Soldier Won't You Marry Me? (Traditional)
Pretty Saro (Traditional)
Johnny Has Gone For A Soldier
Black Is The Color (Traditional)
Red River Valley 9 (Traditional)
Nelly Bly (Stephen Foster)
My Lord, What A Mornin' (Spiritual)
Jeanie With The Light Brown Hair (Stephen Foster)
Hard Times Come Again No More (Stephen Foster)
Single Girl (Traditional)
Deep River (Spiritual)
Buffalo Gals (Cool White [John Hodges])
The Water is Wide (Traditional)
Black Sheep (African-American lullaby)

Customer Reviews:

Outstanding.......2007-06-06

Robert De Cormier's remarkable arrangement and Marie Spar Dymit's and Lynette Johnson's pure vocals of "Johnny Has Gone for a Soldier" are well worth the price of the entire CD.

Incredible..Worth 30 stars.......2007-05-16

The Dale Warland Singers are my benchmark by which I judge all other choirs. The uniformity of sound, blend, and precise entrances, uniformity are incredible - almost inhuman. Excluding the all male Chanticleer from the roster, this was the finest choir in America. Now that they have broken up, buy all of their CD's you won't be disappointed!

Superb singing matched with superb arrangements.......2004-07-03

A project like this one inevitably highlights the skill of arrangers, and Dale Warland has selected some of the most talented anywhere. Most of these selections will be familiar to listeners, but I doubt most people have heard, for example, "Red River Valley" in Carol Barnett's haunting version here, and ditto for her magnificent "Deep River."

The disc opens with a spectacular, panoramic "Shenandoah" that takes maximum advantage of the Dale Warland Singers' refined sound, and things only get better (if that's possible). Other favorites are a cheery, fizzing "Nelly Bly" and Mark Keller's strong reworking of Stephen Foster's "Hard Times Come Again No More."

Throughout the recording, the freshness of the arrangements is matched by the irresistible singing. This group is known for its outstanding performances and recordings, but this must be counted as one of their all-time best. The sound quality is terrific, capturing the gorgeous blend and precision of the group in a natural-sounding acoustic. Just stunning.

Beautiful music.......2003-07-03

I bought this CD after hearing a few of the recordings on our local NPR radio station. I was not disappointed in any of the selections. Very beautiful.

Beautiful Music, Yet There Is No There Here.......2003-01-13

The Dale Warland Singers (DWS) are among the relatively few musical professionals, who by their aesthetic standards and demonstrated artistry, have taken the less traveled and narrow road to exemplary artistic excellence.

The sound quality and acoustics are excellently engineered in this 20-bit original recording. The most delicately blend and inflection of the singers' voice can be heard. This sheaf of choral works has once existed in real space and time in the kaleidoscopic folklife of past generations. In recording the "Blue Wheat", the 40-member DWS, the creme de la creme of professional choral ensembles, has elevated the common oral tradition of American folk music into a rarified choral art form a capella "in the style of the chapel."

If the soul of the DWS is a capella singing, then Warland and the arrangers are the wings of the same soul. Among the kapellmeisters whose arrangements have graced this folksong anthology are the late Norman Luboff and Roger Wagner. Also included in this album are contemporary arrangements by other esteemed composers: John Rutter (conductor of The Cambridge Singers), Carol Barnett (the DWS resident composer from 1992 to 2001), and Stephen Paulus.

Gertrude Stein is famous for saying of her childhood home, Oakland, California, "When you get there, there's no there there." Purportedly, Stein opined this city by the San Francisco Bay lacked a defining sense of place. Bel canto notwithstanding, the folk melodies of "Blue Wheat" invoke a longing for something no longer possible. The abyss between the America today and the its past is impossible to bridge. Already, we have yielded to the abstractness of political correctness. Our past is either neglected, actively destroyed, or selectively museumed. We do not live in an understood land and culture. There is no there here in the presence of this music. It is only the poignancy of the moment that these beautifully rendered tunes live in our mind. We have to accept this reality as part and parcel of our rootlessness.

If the Oakland Raiders do make it to and win the Superbowl in 2003, there is a there there for some in the football community, albeit fleeting.

Remixed
Average customer rating:

Groovy Classics

Remixed

Exciting!

Remixed not recommended for "re-listening".

Good remixes

Remixed
Bond (string quartet) , Grant / Bond Crichton Stuart / Black , Trevor / Bond Crichton Stuart / Gray , Michelle de / Vries, Marius de Crichton Stuart / Vries , Magnus Fiennes , Tonci Huljic , Gil Nevo Yoad / Brown , Orion , Pussy Galore , Mark Wright Andy / Jolley , Brian Gascoigne , Julian Kershaw , Z. Vracevic , Millennia Strings , Clem Clempson , Estaban Antonio , London Session Orchestra , Royal Philharmonic Orchestra , Kuljit Balma , Luis Jardim , Phil Todd , Craig Pruess , Gareth Cousins , Anita Kelsey , and Shashi Pandit
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Classified

Explosive: The Best of Bond

Shine

Born

Bond - Live at the Royal Albert Hall

ASIN: B0000C3ICL
Release Date: 2003-09-16

Tracks:

Viva - Orion Mix
Victory - Sharp Boys Wild Strings Edit
Wintersun - Bobby D'Ambrosio Mix
Speed - Crash Club Mix - Radio Edit
Fuego - Caliente Mix
Homecoming
Atlanta
Shine - Dubshakra Mix
Time
Duel - Hectic Mix
Bond On Bond - Hectic Mix
Jingle Bell Rock - Pussy Galore Mix

Customer Reviews:

Groovy Classics.......2007-01-09

A great way to introduce the classics to the person who is too hip to listen to Mozart!

Remixed.......2006-06-01

Hmmmm....what can I say? Remixed is the 3rd album Bond has released, consisting of remixes of old favorites and several new tracks. For those of you who don't know, Bond is a rock string Quartet made up by 4 young women. Similar in style old Vanessa Mae.

The Album starts with an exciting opening, of Viva! (Orion Mix). This is made up from a remake of Antonio Vivaldi's Allegro from Winter (The Four Seasons). Its an enjoyable piece, very simple, but the drums and the occasional shouting of "VIVA!" makes it a great song.

The second track is a remix of one of Bond's more famous piece. Victory was a huge success, but the remix wasn't so in my opinion. The 'Sharp Boys Wild Strings Edit' was a strange one. It didn't contain much of the original. After a tedious drum beat and strange sounds for about 1 minute and 10 seconds, a short clip of strings come on the original melody. For the next minute more drums, then more repeating of the melody heard in the middle.

Third track was a remix of Wintersun. Wintersun (Bobby D'Ambrosio Mix) was basically the same, but a bit more of a disco style.

Again, with Speed (Crash Club Mix). Sam thing, but a lot more of the disco sounds. I actually found myself enjoying it more than the original! It really sounds like some one is...driving a car or something.

Fuego's remix (Caliete Mix) I also enjoyed more than the original. It has a longer introduction, and more music to back up the strings. It also has a very fast sita (sp?) solo in the middle, making it sound very Spanish!

Homecoming, Atlanta and Time are new tracks. Not my most favorites, but they are very calm, remind me of Asia. Except for Time which sort of gives you the feeling that all the clocks are moving at the same time. Bond also uses Clock sounds in the middle for effect.

Shine (Dubsharka Mix) is by FAR the best song on the album. Its a fantastic dance track, with a fantastic solo and playing in the song. Its a Bollywood styled song, making you think of India. I was a little disappointed however, since this song was released on their earlier album (Shine, 2002). Although I love it, they should have put the Indian Summer Mix on instead, which cant be found anywhere except on Atlanta/Time

Duel and Bond on Bond (Both 'Hectic Mixes') I just couldn't stand. They were absolutely ridiculous. Just having the tracks played twice as fast. If I wanted to do that, I could have gone into Media player and pressed Fast Forward x2.

The Last song is Jingle Bell Rock (Pussy Galore Mix). Its an interesting one, just jazzing up the original Jingle Bell Rock.

Overall, this album is great for something like a party, for its mainly disco music. Not the best Bond Album, but very good anyway.

However, If you are a big bond fan, I would suggest you get the Import (Includes 2 videos of Victory and Fuego) or the Japanese Edition (Includes and Extra mix of Viva!, original Jingle Bell Rock, Duel Indonesian Mix and Innocent)

Hope you enjoy this CD!

Exciting!.......2004-09-07

I got Bond's debut album a couple years ago. Although not as exciting as Vanessa-Mae's album "Storm," it was better than Vanessa-Mae's debut crossover album "The Violin Player" and approximately equal to her third album, "Subject To Change." The Bond debut had a lot of energy, but to me it was begging for a little stronger beat.

So when I found a Bond remix album late last summer, I grabbed it! How cool can that be--a Bond remix album! Whoo-hoo!!!

When I got it home and listened to it, I was a bit disappointed because it wasn't quite remixed enough. I wanted the mixes to be hotter, and the bass and drums more pronounced. But under-remixed is far preferable to over-remixed, which is a problem with Vanessa-Mae's song "Storm." This is my favorite Vanessa-Mae song; the four-minute album length is not nearly long enough for me, so when I learned there was an 8-minute remix, I just had to have it! I had to buy this Vanessa Mae CD single from a store in England (via Amazon's used CD vendors) since I could not find it stateside. And I was very disappointed: The remixer had so vastly remixed it that not only did it lose all its energy, it wasn't even recognizable! So between over-remixing and under-remixing, I prefer under-remixing, thus I am happy enough with the remixes on this Bond album. But they could have done better, I think.

Although I was a little disappointed that the mixes not being spruced up quite enough, it does not mean I do not like this album. Au contraire! I love this album! It is an album full of energy, life, vitality! It is an album that I nearly always play very LOUD! It as an album that I play when I'm wound up, feelin' good!!! Nearly every song is fast, and the beat never stops!

The album opens with "Viva!", a song that is also found on their DVD, which I bought around the same time I got this album. What a perfect song to start this album with! A sample of a group of females shouting 'VIVA!" plays from time to time throughout, adding to the energetic playing of the strings. On the DVD, this song is backed with video footage from their concert at the Royal Albert Hall in England; in the video, when the shouts "VIVA!" are heard, fireworks shoot out from the balconies and the stage at the theater--so exciting!

The next song is the remix of their first radio hit, "Victory," which starts out with a hot Latin beat and Spanish guitars. "Victory" and another track, "Fuego," feature frenetic string playing. The best song on the CD for dancing--and my second favorite song on the album--is "Duel." This has a driving bass line and percussion beat, an upfront electronic synthesizer riff, and a beautiful ethereal female nonverbal vocal accoutrement, with tubular bells even added toward the end. Spine-tingling! Wonderful!

Although "Duel" and my favorite song "Viva!" rule supreme in the degree of spine-tingling awesomeness, they're not the only ones to bring such a pleasurable reaction to me. "Wintersun" is played with deep heartfelt emotion; "Atlanta" also is full of emotion. I like "Speed" and "Time" because of their European technopop sound, especially "Time," which has a nice melodic, minor key electronic keyboard riff. "Shine" has a bit of a Spanish or Italian flair, another of many romantic flavors of this album.

There are only two songs on the album that I don't care for. One I absolutely don't like is "Jingle Bell Rock," but that's because I hate the song, not because I don't like their version of the song. If I am forced to listen to that song, I would likely choose their version. The other one I like okay, but it doesn't do for me what the rest of the songs on the album do: "Bond on Bond." This is a track of them doing the James Bond theme. A cool idea, and it works, but again, doesn't float my boat. Fortunately, these two songs are at the end of the album, so I can just end the album at the third to the last song, which is also my second favorite song, "Duel"!

Most of the DVD's music comes from their first album, while this remix CD has the best of their first two albums. I now have their third studio album, "Classified," which I like better than their first album (I don't have their second), but no surprise to me, this remix album of theirs is clearly my favorite. "Storm" by Vanessa Mae is my favorite secular album of all time, all genres combined, so naturally in the genre of classical crossover it is my favorite. Bond's "Remix" is my second favorite classical crossover album. It reaches down and touches the heartstrings of my musical soul and stirs them up to make a fabulous and emotional listening experience for me!

Remixed not recommended for "re-listening"........2004-07-27

Bond has impressed critics with their somewhat controversial performances of classical-crossovers. From using trance beats to the sounds of African drums... there is no limit to how much and what they can do to enhance classical music that they play.

With Bond Remixed however; it is quite a drag to put it simply. The album is a total re-mix album, so think of it as a compilation of single re-mixes put together. But also, there are three original tracks by Bond: Homecoming, Atlanta, and Time. All three of these tracks rely a lot on synth sounds and trance beats. Which get boring after listening to all these re-mixes, but keeping in mind that it is a RE-MIX album after all... so although the originality of Bond's previous albums: Born and Shine are not there, it is because they are re-mixed.

One of my personal favorite tracks is Viva [Orion Mix], which for those who have the Bond Live at Royal Albert Hall DVD all should know (For those who do not know, it is an extra video on the DVD, a live performance of Viva). Though I would have to say it takes repetition of classical music to its red line. Another great track to listen to is Jingle Bell Rock [Pussy Galore Mix]. Great example of good trance, combined with classical sounds. Bobby D'Ambrosio's mix of Winter, originally named Wintersun, is interesting enough by creating a new intro into the song. The rest of the song is shorter with a different beat.

The rest of the tracks seemed to use the original songs, but just add a different beat, more bass, and more synth. It puts the name of "re-mix" to a shame. Besides Speed [Crash Club Mix] which adds more excitement to the song as it is called Speed, the listener is better off listening to the originals. The prime example of horrible remixing is Duel [Hectic Mix] and Bond on Bond [Hectic Mix] (It's funny how both of these songs were badly mixed by the same person). In Duel, Hectic makes the song more faster-paced and adds a synth sound to the beat, which has a deeper bass. The song relatively stays the same. As goes the same for the Bond on Bond mix, where there is only a different, harder dance beat added to the original song. Also, Shine [Dubshakra Mix], doesn't even sound different. After listening carefully, you will notice the very subtle addition of more tambourines. But it sounds exactly the same; I listened back and forth from the "mix" to the original on the "Shine" album, and could not really tell.

If you want re-mixed Bond songs, this is terrible album to try to find some. Re-mixes are supposed to be a variation of the original song, almost as if the mix was a whole new song. But these "re-mixes" are sad to listen to. I am ashamed for whoever compiled this horrible playlist of tracks. Also, the original tracks by Bond are not what Bond is noted for, as if they were rushed to do these tracks.

A lot of artists do a "filler" album. Bond may have used a re-mix album to give themselves a year off, either for time off recording, or to make more time to record their 4th album, "Classified". Most likely it was to give the girls some well-deserved time off after releasing "Born" and "Shine".

Any fan of Bond will most likely find this album oddly dissatisfying, leaving a caustic taste in the mouth, and a penetrating headache. I would not recommend this album, unless you are a die-hard fan. But please, if you are a first-time listener to Bond, listen to "Born" or "Shine".

*There is two videos that can be played on your computer however; a video of Fuego and Victory, are fun to watch. But they are from their other albums, Victory from "Born" and Fuego from "Shine".

Good remixes.......2004-06-19

I generally stay away from remix albums simply because it's tough to improve on an original. However, I'm a huge fan of techno music and these remixes are heavier fixed with the sound of the dancefloor than the original tracks are. As you can tell by some of the reviews, some people love this, and some hate it. I think the ones that hated this CD are not fans of modern dance music and miss the whole point of dance CDs to begin with, so you can't judge anything by what they say.
This is a great dance CD, period. For the more consertive use of dance beats, see any of Bonds other releases, but this one is definately for the club fans out there. Another killer dance CD I want to suggest is Mr.Deviant's "Techno Obsession" which mixes power rock with killer dance beats to create some very original dance music. Both CDs are great!

Average customer rating:

Warning: Check The Shingles On Your Roof....................
Funk, Laid Back and Suave
Paid the Cost to be the Boss
A Very Good Soundtrack
The Godfather Takes Over Soul Music

Black Caesar
James Brown
Manufacturer: Polydor / Umgd
ProductGroup: Music
Binding: Audio CD

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The Payback
The Mack
Hell
Coffy (Score)
The Very Best of Willie Hutch

ASIN: B000001DZS
Release Date: 1992-09-22

Tracks:

Down And Out In New York City
Blind Man Can See It
Sportin' Life
Dirty Harri
The Boss
Make It Good To Yourself
Mama Feelgood (Lyn Collins)
Mama's Dead
White Lightning (I Mean Moonshine)
Chase
Like It Is, Like It Was

Customer Reviews:

Warning: Check The Shingles On Your Roof...........................2007-04-19

.........before playing Mama Feelgood, or vocalist Lyn Collins is going to leave your home in need of some repairs. From the guitar-piano-guitar introduction, Collins delivers a funk tour-de-force performance in a classic song on a great soundtrack for an underrated movie that stars Fred Williamson.

The score was composed by James Brown and Fred Wesley, which starts with a smoking R&B number - Down and Out in New York City - and ends drenched in the blues - Like It Is, Like It Was.

It is four consecutive numbers which makes Black Caesar not only a remarkable soundtrack, but one of the best albums ever issued by Brown. The mid-tempo of Boss bounces into Brown at his funky best - Make It Good to Yourself. Collins then tears it up, with the ballad - Mama's Dead - a gem of an emotional ride by Brown.

There are several instrumentals, with the jazzy Sportin' Life and the quick pace in Chase emerging as the best.

Brown wore the crown as "The Godfather of Soul" after the soundtrack was released in February 1973. And the soundtrack leaves no doubt that J.B. set the rules for admittance into the court of funky royalty.

Funk, Laid Back and Suave .......2007-04-18

Why 500 reviews of Radiohead and only 11 of this? I supppose this stuff is a little dated but it is truly a treasure trove of heavily (and nicely) sampled funk cuts - BLIND MAN CAN SEE IT, SPORTIN' LIFE. Similar to alot of what's on MOTHERLODE. Easy to see why they jumped on them - those are some superior moments of funk. Same instruments, same scales but a little more intricate than some of the James Brown megahits. MAMA FEELGOOD is a great uptempo track - the spacing of the instruments makes it move and the rythmn guitar part, while predictable is on the money. THE BOSS is also superb: a slow tune that's driving. Best of all the album is a nice mix of slow and fast, grandiose and mellow and for that it's one to put on and let play.

Paid the Cost to be the Boss.......2007-03-07

"Black Caesar" is some straight fire from the late legend (aka the king of funk), James Brown! Although short in length, this cut packs some serious hard hitters...gotta love it! a REAL Classic

A Very Good Soundtrack.......2006-01-30

I recently saw this movie on the FLIX cable channel. Buying the soundtrack was an easy choice. I've been buying a lot of James Brown lately. I recommend the compilations "Motherlode" and "In a Jungle Groove" (both remastered!).
There are a lot of excellent JB compilations and remastered albums available. Few of them are bad. The majority are great.
This is a great album.
It's not real long, but damn it's FUNKY. Enjoy.

The Godfather Takes Over Soul Music.......2005-03-11

This is The Godfather at his zenith. By the time of this project, he had already established himself as the kingpin of the funk/soul family. And composing a soundtrack is not like doing an album of all your own material.

He proved why he's considered an American musical giant; as usual, he's dead serious on all his arrangements, covering all the subgenres of R&B. From the ultra funky "Make It Good to Yourself", to the down-home sound of "Dirty Harry", to the hauntingly melodic, "Mama's Dead". This shows James Brown at a 360 degree perspective. You will see sides to his songwriting that you may not see on any of his other recordings. Just for that alone, it is worth getting if you consider yourself interested in his work. It is defintely a milestone in his illustrious musical portfolio.

Average customer rating:

Magnificent
"Bjorling"
Frederick's Understatement.
Remastering is not perfect
THE ultimate singing voice

Jussi Björling Rediscovered
Wolfgang Amadeus Mozart , Umberto Giordano , Georges Bizet , Jules Massenet , Edvard Grieg , Jean Sibelius , Carl Leopold Sjoberg , Pietro Mascagni , Francesco Paolo Tosti , Giacomo Puccini , Stephen Foster , Jussi Bjorling , and Frederick Schauwecker
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Jussi Björling Edition: Studio Recordings 1930-1959

ASIN: B0000C0FB4
Release Date: 2003-09-09

Tracks:

Applause
Adelaide, Op. 46
Frulingsglaube, D686 (Op. 2 No. 2)
Die Forelle, D 550
Standchen, D957/Op. Posth. No. 4
Die Bose Farbe, D795/Op. 25 No. 17
Traum Durch Die Dammerung, Op. 29 No. 1
Cacilie, Op. 27 No. 2
Standchen, Op. 106 No. 1
Il Mio Tesoro
Amor Ti Vieta
Flower Song (From 'La Fleur Que Tu M'Avais Jetee')
Encore: The Dream 'Instant charmant; En Fermant Les Yeux'
The Swan, Op. 25 No. 2
The Dream, Op. 48 No. 6
Diamond On The March Snow, Op. 36 No. 6
Rushes, Whisper, Op. 36 No. 4
Black Roses, Op. 36 No. 1
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Addo Alla Madre
Encore: Ideale
E Lucevan Le Stelle
Encore: L'Alba Separa Della Luce Ombra
Encore: Jeanie With The Light Brown Hair
Encore: 'Come Un Bel Di Di Maggio'
Encore: 'Che Gelida Manina'

Amazon.com

Before there were the Three Tenors there was Jussi Björling, the great Swedish tenor who died in 1960 at the age of 49. His bright, sunny tone had a slight, emotion-laden tear in it that conveyed feeling as well as, or more than, any number of sobs and effects that other tenors use. His Carnegie Hall recital of September 24, 1955 has long been available; in addition, this CD features nine never-before released selections from that recital which either did not fit on the original LP or were omitted for some other reason. He can sing at any dynamic level, the voice is always secure, and his taste and musicianship, as always, are impeccable. I doubt we'll ever hear Tosti's Ideale sung more tenderly or "Che gelida manina" sung with such poetic abandon; the newly discovered Grieg, Sibelius, and Sjoberg songs are sung with an opera singer's--rather than a Lieder singer's--style, but it's doubtful anyone will complain. Björling fans should race to hear this; for those who came to opera after his heyday (or during the reign of other tenors), this will be a stunning ear-opener. A must have. --Robert Levine

Customer Reviews:

Magnificent.......2005-09-02

Some years ago I met an elderly gentleman who'd served as a co-pilot on a B-24 bomber during WWII. During a raid on a North German site their aircraft was badly damaged and they were forced to crash-land it in Sweden. The shaken but uninjured crew was picked up by the Swedish authorities and immediately interred (Sweden being a neutral country). They were sent to a dreadful and notorious Swedish internment camp--the largest and lushest hotel in Stockholm--and given something of an expense account. It just happened to be the same hotel where Jussi Bjorling had his digs.

Through a variety of happenings, the vet ended up befriending Bjorling, who he described to me as "one hell of a nice guy" and they became drinking buddies. He and his fellow aviators had front row seats at any and all recitals and apparently became society figures in cultured Stockholm. To my wonder and astonishment, this old Regular Joe fellow, no opera fan before Sweden, told me he was the guy who taught Jussi Bjorling the song "Pistol Packin' Mama." Now wouldn't we all pay good money to have heard him sing that!!

There's nothing more terrific than a great voice attached to a great guy who'd sit and drink with downed aviators and happily learn their favorite pop songs. This disc of music is as wonderful as the guy who recorded it.

"Bjorling".......2005-01-05

In a word - superb. This brings to mind the review of Bjorling's RCA LP "Bjorling in Opera" by Stereo Review's critic George Jellinek, shortly after it's release in 1959, which he ended by saying "highly recommended, especially for other tenors".

Frederick's Understatement........2004-12-22

It was 50 years ago that I met and fell in love with
the accompanist at the voice studio where I studied
for love of singing (i.e., mine was a modest voice).
She in turn introduced me to some of the great singers
then active, or who came through, Chicago. And also, her
own teachers and colleagues, including Dr. Rudolf Ganz and
Frederick Schauwecker. One day, when the topic of melody
came up, Dr Ganz suggested that all piano students should
hear Jussi Bjoerling deliver legato melody. And when Lynn
asked Mr. Shauwecker, who little praised anyone, even a client,
how Jussi did on the trip they were just back from, she was
astonished to hear him grudgingly admit that "Jussi is singing
like an angel. It can't possibly continue at such a level, even
for him." It didn't. As we found out a couple of weeks later
when we heard this recital live, it didn't "continue", it got
better. At the time I found it the greatest listening experience
of my life. Today, 50 years later, it still is. Whatever vocal
records you have by anyone, this is better. There are no equals.
"Like an angel" is one of Frederick's understatements.

Remastering is not perfect.......2004-07-20

This CD is a recording of one Carnegie Hall recital on September 24, 1955. Many composers are represented, including Beethoven, Mozart, Bizet, Grieg and Sibelius to name a few. There is even a Stephen Foster - Jeannie with the Light Brown Hair. The accompanying literature has all the lyrics.

Jussi Bjorling is obvious a tenor in top form, but this recording forty years later omits the higher overtones of his voice. Nevertheless, this is a recording of the highest caliber that does justice to this talented man who died too young.

THE ultimate singing voice.......2004-05-22

This live concert cd contains some of the most fantastic singing ever by a human being and that goes both for the lyric and the dramatic repertoire. Why RCA have denied us this fabulous sound for all these years really beats me. I have long cherished Bjoerlings Troubadour recording with RCA, but compared to the Bjoerling sound on this cd, his Manrico sounds like a light Wiener Sänger. The sound on this cd is simply the most ravishing sound I have ever heard.

Average customer rating:

Duke Ellington and Mahalia Jackson
No Hodges
A Superb Production
The Queen and the Duke: Three and One Half Stars
The Official Portrait.

Black, Brown and Beige
Duke Ellington
Manufacturer: Sony
ProductGroup: Music
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Such Sweet Thunder
New Orleans Suite
Blues in Orbit
Masterpieces by Ellington
Ellington Uptown

ASIN: B00000IMYC
Release Date: 1999-04-27

Tracks:

Black, Brown, & Beige: Part I
Black, Brown, & Beige: Part II
Black, Brown, & Beige: Part III (AKA Light)
Black, Brown, & Beige: Part IV (AKA Come Sunday)
Black, Brown, & Beige: Part V (AKA Come Sunday)
Black, Brown, & Beige: Part VI (23rd Psalm)
Track 360 (AKA Trains) (Alternate Take)
Blues In Orbit (AKA Tender) (Alternate Take)
Black, Brown, & Beige (Alternate Take): Part I
Black, Brown, & Beige (Alternate Take): Part II
Black, Brown, & Beige (Alternate Take): Part III (AKA Light)
Black, Brown, & Beige (Alternate Take): Part IV (AKA Come Sunday)
Black, Brown, & Beige (Alternate Take): Part V (AKA Come Sunday)
Black, Brown, & Beige (Alternate Take): Part VI (23rd Psalm)
Studio Conversation (Mahalia Swears)
Come Sunday (A Cappella)
(Pause Track)

Amazon.com essential recording

As a composer and bandleader associated indelibly with the nightclub scenes of pre-Swing Era jazz, Duke Ellington would have a difficult time getting respect in the button-down world of concert music. And when Ellington premiered his first long-form piece, Black, Brown and Beige, in 1943 (available on the stunning Carnegie Hall Concerts, January 1943), he was considered a dilettante. He laid the work aside until this recording, which came in early 1958--with the added oomph of gospel vocalist Mahalia Jackson on board for all the suite's vocal parts. On this expanded reissue, Columbia has added an alternate take of the entire piece as well as two unrelated tracks recorded during the Black, Brown sessions but never before released. The suite is an expansive look, from Ellington's vantage, of course, at the evolution of African American history and culture. So there are ripples of spirited tone poetry, soaring gospel vocals from Jackson (with spare, aching piano from Ellington in spots), thundering horn-fronted swing from the band, and a consistency and unity on par with any symphonic work of the modern era. Ellington was always sensitive about this piece. After all, it showed a lot of what he held in high esteem: history, musical meditations on culture, and a full, colorful use of a band that Ellington held together for an amazingly long time. If only for Mahalia Jackson's takes on "Come Sunday," by now an acknowledged standard, this set is awesome. --Andrew Bartlett

Customer Reviews:

Duke Ellington and Mahalia Jackson.......2007-01-18

Here I found something, I never expected: Mahalia Jackson in combination with Duke Ellington. What a pleasant surprise for an old Jazz addikt. Especially the up to now unreleased selections are a valuable addition to my collection.

No Hodges.......2006-05-27

People, look out. No Johnny Hodges here. No Hodges. In his stead, there's a lady singing. NO Hodges.
You know what kind of singers Duke had. Excepting Ray Nance, of course. I mean girl singers. After, I mean, Adelaide Hall and that razzy girl on the first Mooche and Ivie Anderson and Betty R0-shay and Joya Sherrill (of course he never gave her any good parts, but ..) and Kay Davis (when she wasn't singing English ...)
A femme chirper. Of the spiritualisticizing sort.
But no Johnny Hodges.
Where was he?
Johnny Hodges lives. He never went to the dentist's office.

A Superb Production.......2006-01-04

SACRED SOUNDS BY THE DUKE AND THE GREAT MAHALIA WITH UNPUBLISHED ACAPELLA SONGS AND BOUS TRACKS!THIS MAKES REAL SENS!

The Queen and the Duke: Three and One Half Stars.......2005-11-15

Firstly, I want to address an errror in the songlisting: Mahalia Jackson does not "swear" on this CD. Where did that come from? On the title track # 15 (the track in question) Mahalia says; "Aww Duke, you finna (Fixing to) cut this too!?... Jesus." Who heard a cuss word in that?

Anyway, I have only heard of this project in Mahalia's and Ellington's bios. I had never had an opportunity to hear it until recently. The majesty of the Duke's arrangements are classical in their approach with a feeling of a sacred contata. At times while listening I was reminded of musical arrangements such as "Porgy and Bess". Duke Ellington's jazz flourishes are well represented and present throughout the sections they are more subdued and less prominent on the "Twenty-Third Psalm" and "Come Sunday".

At times the CD is difficult to listen to as a entire project. It lacks fluidity because it's divided in the way the CD is formatted. I would've preferred the project be presented with the sections that comprised the original release with the previously unreleased sections as an addendum. The additions are what sounds like rehearsal outakes or re-takes because of errors; as in once instance Mahalia's need to cough. My disatisfaction with the formatt does not diminish the commanding performances of the Ellington Orchestra or Mahalia Jackson's rich and soaring contralto. On the acappela version of "Come Sunday" she is absolutely magnificent. This was recorded during a period in her career where her voice was matured and at its most lucious. The bottom of her voice is deep and resonant. Her upper register is in the mezzo-sporano range; simply beautiful. Her characteristic mispronunciations and her pronounced New Orleans accent are the only things that keep this song from passing as an operatic solo.

This is jazz and the sacred at its pinnacle. A superb blend. I'm glad I made the decision to track it down and purchse it. You will too.

The Official Portrait........2005-07-28

Ellington's "Black, Brown, & Beige" ranks as probably his most ambitious work and the one in which he made his heaviest emotional investment. When critics mauled its premiere in the early Forties, Ellington more or less withdrew it. Fifteen years later, he brought it back, substantially reworked, and with at least two of the original movements gone. We get here a kind of Official Portrait of, in my opinion, a more interesting original, but it's still an extraordinarily beautiful work. Also, the Ellington band plays the bejeezus out of it. Ellington wanted Mahalia Jackson for the recording. She had doubts, but Ellington soothed her out of them. Good thing, too. Her "Come Sunday" (written especially for her) ranks as one of her most extraordinary, uplifting performances, and that's saying something. I also love the solos from John Sanders on valve trombone and especially Ray Nance on violin. Grappelli, eat your heart out!

(Not) Your Standard Spike Jones Collection

Average customer rating:

Great set of wartime rarities
Cure for the Blues
Standard Transcription Collection

(Not) Your Standard Spike Jones Collection
Spike Jones
Manufacturer: Collector's Choice
ProductGroup: Music
Binding: Audio CD

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Strictly for Music Lovers
Spike Jones - Greatest Hits
Fonk
Spiked!: The Music of Spike Jones
The Spike Jones Story

ASIN: B00007JR3K
Release Date: 2003-04-08

Album Description

Holiday blues comin' on? Well, put a spike in `em! Here's the zaniest, wildest and just plain sickest Collectors' Choice Music exclusive yet—79 tracks from Spike Jones and his City Slickers! These represent Spike's complete Standard Transcription sides, but these tunes are anything but standard; Mr. Jones brought his full bag of tricks for these non-commercial recordings (made in Hollywood during the early `40s). Add to that the fact that most of these have never been on CD or even LP, and any lover of Spike's mayhem-filled mixture of laughs and hot licks is going to flip over this set! Notes and great pictures accompany this 3-CD walk on the wacky side from the greatest novelty band of all time.

Customer Reviews:

Great set of wartime rarities.......2003-05-14

Spike Jones was the king of the novelty song performers, with hits like "Der Fuehrer's Face" and the parody version of "Sheik of Araby" becoming huge hits during World War II. This is a swell 3-CD set, gathering a full eighty-one of Jones' best tracks from his 1940s heyday, drawn from an extensive archive of radio broadcasts made for the Standard Transcription service. The tightness of his City Slickers band is amply demonstrated in these manic, kookily orchestrated performances. Toots, squonks, blatts and bleats whiz by at lightning speed, as one daffy song after another will delight devoted fans. Amazingly, Jones had the unusual, almost unique ability to perform a repertoire almost entirely made up of comedic material, and yet still be quite listenable and engaging. His jazz chops were hardly in question, and from time to time Jones would dash off a non-novelty ballad or two, just to give the rubes something to think about. Of course, just as often he would perform a song that *sounded* like a straight ballad, but would turn out to be another goof. (One great example of this is the sultry "Serenade To A Jerk," sung in slinky, burlesque tones by Myrtle Horwin.) This collection may seem a little overwhelming, but like his studio recordings, these radio performances have a certain brilliance and joie de vivre about them that will leave you enchanted. Definitely worth checking out!

Cure for the Blues.......2003-04-25

Here's the zaniest, wildest and just plain sickest Collectors' Choice Music exclusive yet-79 tracks from Spike Jones and his City Slickers! These represent Spike's complete Standard Transcription sides, but these tunes are anything but standard; Mr. Jones brought his full bag of tricks for these non-commercial recordings (made in Hollywood during the early `40s). Add to that the fact that most of these have never been on CD or even LP, and any lover of Spike's mayhem-filled mixture of laughs and hot licks is going to flip over this set! Notes and great pictures accompany this 3-CD walk on the wacky side from the greatest novelty band of all time.

Standard Transcription Collection.......2003-04-12

This collection has remastered material from the large stack of Standard Transcription discs from the early 1940's. There are many songs not recorded on RCA, many on the theme of wartime ("48 Reasons Why"), and the quality is excellent. The packaging is threadbare but this is an essential CD package for true music lovers.

Average customer rating:

Excellent intro to Foster and Sousa
march review

Stories Of Foster And Sousa

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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Story Of Johann Strauss In Words And Music
Story Of Verdi In Words And Music
The Story Of Brahms
The Story of Tchaikovsky
The Story Of Handel

ASIN: B000001KDF
Release Date: 1995-04-16

Tracks:

Old Folks At Home
Oh ! Susanna
Old Black Joe
Jeanie With The Light Brown Hair
My Old Kentucky Home
Old Folks At Home
Camptown Races
Massa's In De Cold, Cold Ground
Come Where My Love Lies Dreaming
Beautiful Dreamer
The Stars And Stripes Forever
The Crusader
Offenbach: La Vie Parisienne
The Belle Of Chicago
The Gladiator
Semper Fidelis
Washington Post
High School Cadets
The Thunderer
Semper Fidelis
Washington Post
Hands Across The Sea
El Capitan
Stars And Stripes Forever
Semper Fidelis
Washington Post March
The Thunderer
High School Cadets
El Capitan

Customer Reviews:

Excellent intro to Foster and Sousa.......2007-02-25

This is a tremendous value considering the price and the number of tracks that you get. The renditions are not bad, but I have heard better Foster. There is a lot of narration, which makes this a great teaching tool to introduce Foster and Sousa. The narration is a bit more for Foster than Sousa. Some of the Foster songs seem to be cut a little short, giving you what is really more of a sampler than a rich collection of complete Foster songs. The Sousa marches seem to be a little longer and don't have quite as much narration. Even though both men were well known American composers, their type of music was quite different, so it's kind of an odd paring on this album. It's a pleasant listen, but not a "must have" item unless you don't have much Foster or Sousa in your music collection; it's a good starter album. Great for kids who might be interested in learning about these two famous composers.

march review.......2001-05-10

this cd gas a great selection of music on it. the sound of the music is perfectly clear and i definately reccomend it. it is an ideal disc for all march fans. two of the greatest american composers on one disc. this is also a great deal considering the amount of songs on this disc. definately but this cd.

Average customer rating:

Burdon becomes Black-Man's burden
They can't take away our music...
war rocks
Boring
Just one outstanding song.

The Black-Man's Burdon
Eric Burdon & War
Manufacturer: Avenue Records
ProductGroup: Music
Binding: Audio CD

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Eric Burdon Declares "War"
Love Is All Around
War
All Day Music
The World Is a Ghetto

ASIN: B0000032Z6
Release Date: 1993-05-04

Tracks:

Paint It Black Medley: Black On Black In Black/Paint It Black/Laurel & Hardy/Pintello Ne
Spirit
Beautiful New Born Child
Nights In White Satin I
The Bird & The Squirrel
Nuts, Seeds & Life
Out Of Nowhere
Nights In White Satin II

Tracks:

Sun/Moon
Pretty Colours
Gun
Jimbo
Bare Back Ride
Home Cookin'
They Can't Take Away Our Music

Customer Reviews:

Burdon becomes Black-Man's burden.......2006-04-09

Here we're offered a clean and more polished Burdon backed up by some of the greatest musicians of the day. The Black-Man's Burdon didn't produce any hits, but it did showcase the raw power of War itself. Although Burdon's rhetoric is held somewhat in check here, it still manages to get in the way of the band at times on this 1970 MGM release. Eric Burdon & War's second offering (a double LP) would also be their last together. Burdon would never sound this poignant in his career again, and Spill The Wine (from Burdon declares "War") would be remembered as the only relevant material Burdon performed in the post-Animals era.

A point worth mentioning is that it's War's noodling (The Bird And The Squirrel and Nuts, Seeds & Life) in the wake of the classic Beautiful New Born Child that hold your attention. Setting you up for the relentless Out Of Nowhere (that should've been released as a single). In the twilight of the hippie era Jerry Goldstein produced some of the most social and introspective material of the year. Gun hints at a country sick and tired of the Vietnam conflict, while Sun/Moon soothes the listener for the pop sounding Pretty Colors. War's innovative fusion sound would carry them through the entire decade of the 70's, producing a string of 8 gold records in a row.

olofpalme63

They can't take away our music..........2005-10-03

five reasons to add this one to your all time good ones:

1. Sun/Moon

2. Nights in white satin

3. Spirit

4. Pretty colors

5. to remember not only Billie Holiday or Charlie Parker but also the black man's Burdon. Cheers!!!

war rocks.......2005-02-17

Eric Burdon can be a little annoying on some of the tracks, he seems a little full of himself. But when he works with War in a more integrated fashion, it is a fantastic match. The song cycle of Pretty Colors, Jimbo and Gun is one of the most powerful marraiges of psychedelia and soul ever. Feel the heat rise.

The cover of "Paint It Black" is also really cool, but a little out there with the wacky Burdon lyrics. Recommended album!

Boring.......2004-01-21

This is the worst of the 3 albums Eric made with War. Way too long songs that keep on repeating themselves. The Paint It Black Medley is explosivly energetic, and makes at least disc 1 wort to own. The relatively short track 'Out Of Nowhere' is also found here with a lot of deep lyrics. The rest of the album is just too boring to me. Eric himself hates this album, and so do I (almost). The other two albums, Love Is All Around and Eric Burdon Decleares War, is much better. Especially Love Is All Around.

Just one outstanding song........2002-10-11

I bought this CD only for "They Can't Take Away Our Music," which is a very powerful and beautiful song about black music in America. It got a fair amount of radio play at the end of 1970, which is when I started liking it. Interestingly, I still have never heard a single comment about what African-Americans thought about this song. I'm white and I love the song. The rest of the album was definitely disappointing, although a few songs have a nice Caribbean sound with guiro, like "Pretty Colors." The cover songs "Paint It Black" and "Nights in White Satin" are pointlessly long, too loosely structured, and add no new interest; they seem like trashy afterthoughts meant only as filler. However, Eric Burdon does all these songs with soul and seriousness, so the album's not really bad, just not very commercial.

Average customer rating:

Beautiful album by excellent musicians.
This CD is My TREASURY!!

Visions

Manufacturer: RCA
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Binding: Audio CD

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Dreams
Begin Sweet World
Aria
The Essential Clarinet
Worldbeat Bach

ASIN: B000003FU7
Release Date: 1995-02-28

Tracks:

The Piano: The Promise - A Bed Of Ferns
A Room With A View: O mio babbino caro
La Strada
Black Orpheus: Manha de Carnaval
Sleepless In Seattle: When I Fall In Love
Singin' In The Rain
The Last Temptation Of Christ: With This Love
The Lion King: Can You Feel The Love Tonight?
Out of Africa: Adagio (From Clarinet Concerto)
Sophie's Choice: Love Theme - I'll Never Leave You
West Side Story: Somewhere
Spartacus: Spartacus Love Theme
Once Upon a Time in America: Once Upon A Time In America (Deborah's Theme - Cocky's Song)
Bagdad Cafe: Calling You
Schindler's List: Theme From Schindler's List
Philadelphia

Customer Reviews:

Beautiful album by excellent musicians........2006-03-11

I had not heard of Richard Stoltzman (Clarinet) but this is a generous (66+ minutes)and wonderful CD. The musicians such as guitarist Gene Bertoncini and the English Chamber Orchestra are
excellent. "Sleepless in Seattle" is an upbeat tune and "Out of Africa" is simply beautiful. An excellent variety and treatment of these movie themes. Highly recommended. P.S. - The above
album title shows artist as "Eddie Gomez" - he does play on the album but Mr. Stoltzman is the "headliner."

This CD is My TREASURY!! .......2006-01-08

First tune "The piano" made me get stuck.
And, I was moved to tears.

All the other tunes impress me,too.

This item made Richard Stoltzman to became My Most Favorite Artist of the world.

Now,10years have passed after I boght it.
But it never fades.

Mozart: Clarinet Quintet, etc / Academy Chamber Ensemble

Average customer rating:

great mozart
Reference Recording
Musical bliss

Mozart: Clarinet Quintet, etc / Academy Chamber Ensemble

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Mozart - Clarinet Concerto & Oboe Concerto / Pay, Piguet, AAM, Hogwood
Mozart: The Complete Piano Trios
Mozart: Sinfonia Concertante
Mozart: The Six String Quintets
Mozart: Complete String Trios & Duos

ASIN: B00000411T
Release Date: 1989-09-26

Tracks:

Clarinet Qunintet In A, K. 581: 1. Allegro
Clarinet Qunintet In A, K. 581: 2. Larghetto
Clarinet Qunintet In A, K. 581: 3. Menuetto
Clarinet Qunintet In A, K. 581: 4. Allegretto con variazioni
Horn Quintet In E Flat, K. 407: 1. Allegro
Horn Quintet In E Flat, K. 407: 2. Andante
Horn Quintet In E Flat, K. 407: 3. Allegro
Oboe Quartet In F, K. 370: 1. Allegro
Oboe Quartet In F, K. 370: 2. Adagio
Oboe Quartet In F, K. 370: 3. Rondeau: Allegro

Customer Reviews:

great mozart.......2005-10-12

In my opinion the clarinet quintet is one of Mozart's best chamber works. I am familiar with two other versions and this is the best of the three not so much for the strings - which are beautiful here - but for the wonderful tone in Antony Pay's clarinet. It is deeper and richer than that of the players in the other versions. Specifically I recently purchased Talich on Calliope records as part of their string quintets collection and while the string tone on that recording is wonderful the clarinet pales beside Pay's.
The other two pieces here are also quite enjoyable but do not rise above the general run of Mozart's generally good chamber works.
The sound is good.

Reference Recording.......2004-01-25

Anthony Pay's rendition of the Mozart Quintet is one for the ages. A flawless performance well worthy for the title of being the reference benchmark recording of the piece.

The quintet, a beautiful piece itself indeed, is played here with an incredible warm tone brought forth by not only Mr. Pay but the string quartet as well, led by violinist Iona Brown.

The other unforgettable recording of this piece out there, Dave Shifirin's rendition, is also a classic, but a completely different rendition than Pay's. The preference over which performance is better is completely up to the tastes of the listener. Sihirin's version is more clear, where this one is, as I have already said, more warmer.

Musical bliss.......2000-07-20

Of all the classical discs in my collection, this is the one that I reach for when I am looking for some guaranteed musical bliss. There is a quintessential serenity about Antony Pay's performance of the Clarinet Quintet that defies any kind of criticism. Also included on this generous disc is the enchanting Horn Quintet, given an ebullient account by Timothy Brown. The last work is the Oboe Quartet, deliciously performed by Neil Black. In fact all the performers communicate a great love of this music. This is nearly 70 minutes of musical heaven, a heaven that deepens with repeated listenings.

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