A Song for Christmas
A Song for Christmas
ASIN: B00003ETDK
Editorial Reviews
Amazon.com
Bring in your next major celebration with a bang--literally. Crackers are just about the best party diversions there are, next to champagne and those little sausages. Although labeled for the millennium celebration, this set of 10 silver and black crackers will add excitement to any holiday, birthday, or festive gathering. Present them as party favors to guests or to your host, and you'll be immensely appreciated. In case you've never used one, party crackers are decoratively wrapped cardboard cylinders that are filled with pressurized air. They are pulled and twisted at one or both ends (usually by two people) until they make a loud pop that releases the air and issues forth goodies such as candy, party hats, puzzles, or other novelties. As loud as they are, these crackers are perfectly safe. According to the manufacturer, they don't employ gunpowder, and the contents comply with toy safety requirements. --Diane Beall
Product Description
A unique holiday collection for the romantic listener with a beautiful mix of cabaret and standards. BAND_MEMBERS: Tom Lamark - piano
Marshall Wood - bass
Gary Johnson - drums
John Baboian - guitar/mandolin
Jane Hemenway - violin I
Gerald Mordis - volin II
Jennifer Shallenberger - viola
Johann Soults - cello
A Song for Christmas,Ida Zecco,The Orchard,Christmas,Christmas Music,Holiday,Pop,Religious / Contemp. Christian
Average customer rating:
- Disney's greatest hits, volum 3
- Timeless Disney Music
- Disney songs are the best
- Great Disney Music
- Not as good as Vol 1 and Vol 2
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Disney's Greatest 3
Various Artists
Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD
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- Disney's Greatest, Vol. 2
- Disney's Greatest, Vol. 1
- Disney's Greatest Vol. 2
- Disney's Greatest, Vol. 1
- Disney's Greatest Hits 1 & 2
ASIN: B00006EXKT
Release Date: 2002-08-20 |
Amazon.com
Cynical types will accuse Disney of milking the "greatest" concept until it's drier than Tinkerbell's fairy dust ("Supercalafragilisticexpealidocious," "Zip-a-Dee-Doo-Da," and "Heigh Ho" were hits off of Vol. 1; "Bare Necessities," "It's a Small World," and "Some Day My Prince Will Come" stole the show on Vol. 2), but a glimpse of this installment's track listing is all it'll take to squash their suspicions. Once again running reverse-chronologically, Vol. 3 opens with Jonatha Brooke's gorgeously achy ballad "I'll Try," from 2002's arguably not-so-great Return to Neverland, and gradually reaches back through the years to re-raise the curtain on Toy Story 2 ("When She Loved Me," performed by Sarah McLachlan), The Lion King ("Can You Feel the Love Tonight"), Mary Poppins (Julie Andrews's classic "A Spoonful of Sugar"), Pinocchio ("Give a Little Whistle"), and a bundle of treasured others, bottoming out at 1933's "Who's Afraid of the Big Bad Wolf" from The Three Little Pigs. Vol. 3 is not without its weak moments--would a G-rated movie-goers' poll produce Beauty and the Beast's "Gaston" or The Hunchback of Notre Dame's "Topsy Turvy" on a hits list? Seems unlikely. Still, the bulk of these tracks are, as the included Little Mermaid song goes, "Part of Your World," and the spread of decades they represent proves their staying power. Don't expect Disney to latch the lid on its inexhaustible archives until a dozen or so of these records, each as strong as the next, beckon you back for more. --Tammy La Gorce
Customer Reviews:
Disney's greatest hits, volum 3.......2007-05-13
This is one of the better volums for kids and for those who are
above 18 but still have some kid in them
Timeless Disney Music.......2007-05-07
Nothing brings sweet recollection of Disney movies like hearing the wonderful songs. In an age where there so much music with no redeeming qualities, these Disney CDs are priceless. Wonderful for the entire family to listen to around the house or in the car while traveling. We can't help but sing along. We love that these are the original tracks from the movies! Wonderful! We now have all three volumes.
Disney songs are the best.......2006-03-18
I love the songs on this volume. I'll Try by Jonatha Brooke is such an amzing somg. I especially bought this CD fort that song but, was pleasantly surprsed by the rest of the playlist.
Great Disney Music.......2006-02-21
I have bought the first 2 volumes of Disney's Greatest Hits and the 3rd volume doesn't disapoint. My 2 young children love to listen to this CD and talk about the movies that they come from. A definate must have!
Not as good as Vol 1 and Vol 2.......2005-09-11
This Disney CD represents the "leftovers" that didn't make it on Vol 1 and Vol 2 of this series. Although it has some of my favorites, I don't listen to the entire CD often. Disney could have done a better job of editing the which sound files should make the cut on this one. Still, it's nice to have all 3 CDs.
Average customer rating:
- Un gran concierto
- Give em a 3.5
- The Most Enjoyable Evening IN !!!!!!!!!!!
- Hmmmm....
- Last Encore of songs missing off C.D.
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The 3 Tenors in Concert 1994
Manufacturer: Atlantic / Wea
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ASIN: B000002IZE
Release Date: 1994-08-30 |
Tracks:
- Le Cid: O Souverain, O Juge, O Pere
- Maravilla: Amor, Vida De Mi Vida
- Werther: Pourquoi Me Reveiller
- Spring Is Here: With a Song In My Heart
- Granada
- Non Ti Scordar Di Me
- 'A Tribute to Hollywood': My Way
- Tribute To Hollywood: Moon River
- Tribute To Hollywood: Because
- 'A Tribute to Hollywood': Singin' In the Rain
- Tu, Ca Nun Chiagne
- Pagliacci: Vesti la Giubba
- Turondat: Nessun Dorma!
- 'Around the World': America
- 'Around the World': All I Ask Of You
- 'Around the World': Funiculi, Funicula
- 'Around the World': Sous Les Ponts De Paris
- 'Around the World': Brazil
- 'Around the World': Be My Love
- 'Around the World': Marechiare
- 'Around the World': Lippen Schweigen
- 'Around the World': Santa Lucia Luntana
- 'Around the World': Those Were the Days
- 'Around the World': Te Quiero Dijiste
- 'Around the World': Torna A Surriento
- Encores: La Donna E Mobile
- Encores: Libiamo Ne' Lieti Calici
Amazon.com
It's not opera; it's not a pop concert; it's not Broadway. It's all of these and none of them. Once you accept the fact that this sequel to the original blockbuster concert recording is less about music and more about entertainment and the power of musical personalities, you can appreciate what you're hearing as an event--phenomenal and bizarre, momentous and frivolous. This is an occasion to celebrate the voices and egos of three huge superstars, and to have fun listening as Luciano Pavarotti, Placido Domingo, and Jose Carreras interact, bouncing lines off each other and playing to the overwhelmingly enthusiastic audience. Much of the fun and flavor of the concert is dependent on seeing the action, though, and without the visuals you notice flaws in the singing much more. Domingo comes off as the more solid performer, and his voice is in far better shape than the other two. But if you crave big, high, and loud--and you don't take your opera too seriously--you'll love this disc. --David Vernier
Customer Reviews:
Un gran concierto.......2005-07-19
Yo tenia el Cd de este concierto, pero sin duda el DVD presenta la realidad, lo sublime de este evento, porque ademas de ver las interpretaciones, trae varios puntos y canciones extras. Carreras creo que esta bien, saca la tarea. Placido Domingo en Amor vida de mi vida, logra llevar el concierto a su punto mas alto en ese momento, punto superado unicamente por Pavarotti en Nessum Dorma. Pavarotti como siempre sublime como dije en Nessum Dorma, Ave maria y en los popurris. La calidad del DVD es genial, con full screen y sonido digital. Otro punto buenisimo es la aparicion de Frank Sinatra en la cancion My way y de otras luminarias del cine y la política. Espero que este comentario sirva de ayuda para aquellos que quieran este DVD.
Give em a 3.5.......2004-01-25
The Three Tenors has/have become a cottage industry, churning out one CD after another for every imaginable event and in every combination. This does not mean that the results are necessarily inferior but it does imply a commercial, layman's approach. And maybe this is better - spreading the joys of fine music to the masses. After all, where besides figure skating and cartoons do most people have a chance to even hear opera?
This event, like the first one in Rome, has a magnificent setting but, like Rome, the show was marketed mainly to the American audience. They still include the dreadful "Maria" with the hilarious pronunciation and even added "With a Song In My Heart" (or, as Carreras is wont to sing, "Weeth a Soeeng een My Haht"). Though some may deride the choice of encores, they were almost perfect. The Three Tenors, despite their prior celebrity, are creations of our culture of entertainment in ways that Caruso could only dream about.
Synopsis: Carreras stands out, Domingo substitutes volume for quality and Pavarotti soars when he doesn't have to.
The Most Enjoyable Evening IN !!!!!!!!!!!.......2003-05-01
I am not a regular Opera fan, hoever these THREE are the Best. their songs they sing together are SUPER!!! And the range of NOTES REACHED ARE REMARKABLE. tHE MIXTURE of songs is a treat for all, even if you are not an OPERA FAN!!!! Great show!!!!!!
Hmmmm...........2002-04-21
Not what I thought it was going to be. I like only about 4 of the 20+ tracks on this CD. I shoudl have just bought the DVD instead and actually watched them perform. Much, much more entertaining.
Last Encore of songs missing off C.D........2002-02-06
The Three Tenors are my absolute favourite singers. The 1994 Concert was undoubtedly their best in my view. I taped this live concert from the television, and have played and played and played it!! I also taped it on a cassette, however, when I bought the C.D. I was really disappointed that they did not include the last set of encore songs, which included O Sole a Mio (don't know if I've spelt that correctly), where Placido and Jose try and outdo Luciano!! It received such a fantastic reception from the crowd, (one of the many standing ovations), and really showed how much the Three Tenors seemed to enjoy performing the concert. How come this was not included? I don't know if it was on the Video because I play my own.
Many thanks for your time,
With kind regards,
Pam Sargeant.
Average customer rating:
- Beautiful
- A few bright spots, but also some disappointments
- This CD Deserves SIX Stars!
- every good adjective
- Fabulous!
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Peace Like a River
James Lucas , Janice Kapp Perry , John Rutter , Jean Sibelius , John Tavener , American Traditional , English Traditional , Spiritual Traditional , Mack Wilberg , Craig D. Jessop , Clay Christiansen , John Longhurst , Richard L. Elliott , Daron Bradford , and Meredith Campbell
Manufacturer: Mormon Tabernacle
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ASIN: B00020H9W0
Release Date: 2004-06-22 |
Tracks:
- Sweet Peace
- Be Still, My Soul
- Peace Like a River
- All Things Bright and Beautiful
- Lord Is My Shepherd
- This Is My Father's World
- Wayfarin' Stranger
- Lord, Make Me an Instrument of Thy Peace
- Swing Low, Sweet Chariot
- Deep River
- Lamb
- Child's Prayer
- It Is Well With My Soul
- Count Your Blessings Instead of Sheep
- Gaelic Blessing
- Thou Gracious God, Whose Mercy Lends
- Come, Let Us Anew
Customer Reviews:
Beautiful.......2007-06-14
This CD is a must have for any Mormon Tabernacle Choir fans. The music is very reverent and gentle, and should also appeal to those not from the LDS church, seeing as how most of the music is common to the wider Christian community. This CD is a fantastic addition to any music collection.
A few bright spots, but also some disappointments.......2007-01-19
It Is Well With My Soul is one of my favorite-favorites and that is the main reason why I bought the CD; it turned out to be a huge let down on this album, they rearranged it so much that I almost didn't recognize it. Be Still My Soul is another reason why I bought it and it's good, but not great. Swing Low Sweet Chariot is where it starts to get good. The last two songs "Thou Gracious God, Whose Mercy Lends"
and "Come, Let Us Anew" are very good reasons to buy this CD, they each have truely powerful passages and make the CD worth having. The Mormon Tabernacle Choirs 2006 release entitled Then Sings My Soul is by far the best that I've heard from them.
This CD Deserves SIX Stars!.......2005-11-05
However, the rating scale has a limit of five. I own over 700 CDs of virtually every type of music. Peace Like A River belongs in a class by itself! I've never written a review before but, after listening to this STUNNING performance by the Mormon Tabernacle Choir, I feel compelled to share my praise with that of the five other reviewers. If I were limited to one word, I would use the word "SUPERB" to describe this beautiful and moving CD. SIX stars for Peace Like a River! BRAVO!!!
every good adjective .......2005-08-06
This album is all beauty and solace. The singing is pristine, the arrangements lush and often stirring--never saccharine. As with the previous reviewer, my first listing of "Peace Like a River" brought me to tears (especially "Peace Like a River," the sopranos in "Swing Low," and the bagpipes in "Thou Gracious God"). Buy this one.
Fabulous!.......2005-05-29
The perfect recording to help you recover from a long, hard day. Showcasing the MTC's "new" sound in contemporary choral arrangements with its own orchestra and conductor, "Peace Like a River" brought tears to my eyes in selection after selection during my first listen -- and I'm not normally an emotional person! The title song together with "Deep River," "Swing Low" and "Be Still My Soul" are alone worth the cost of the recording. Get this one!
Average customer rating:
|
The Most Soothing Lullabies In The Universe
Manufacturer: Denon Records
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Similar Items:
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ASIN: B0001NBNE8
Release Date: 2004-04-06 |
Tracks:
- CHOPIN: Piano Concerto No. 1, Larghetto
- DEBUSSY: Clair de Lune
- MANFREDINI: Concerto grosso in C, I. Largo (Pastorale)
- MOZART: Eine Kleine Nachtmusik, Andante
- BEETHOVEN: Moonlight Sonata, Adagio
- BACH: Goldberg
- SIBELIUS: Swan of Tuonela
- LISZT: Liebestraume
- SCHUMANN: Dreaming
- MASSENET: Meditation from "Thais"
- VAUGHAN WILLIAMS: Greensleeves
Tracks:
- HANDEL-WEINER: Sicilienne
- A. CORELLI: Concerto grosso in G, Pastorale
- VERDI: "When the evening becomes peaceful"
- CHOPIN: Three Preludes
- MOZART: Clarinet Concerto in A, II. Adagio
- BRAHMS: Piano Sonata No. 3, II. Andante espressivo
- TCHAIKOVSKY: Swan Lake (excerpt)
- MENDELSSOHN: Three Songs Without Words
- MAHLER: Symphony No. 3, IV. Sehr Langsam
Average customer rating:
- A Beautiful, Relaxing Project
- It just cannot be the end for Charlotte's classical career! :(
- Charlotte Church
- Somewhat decent but still mediocre
- R&B For Charlotte
|
Prelude: The Best of Charlotte Church
Charlotte Church
Manufacturer: Sony
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Binding: Audio CD
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- Enchantment
- Voice of an Angel
- Charlotte Church
- Tissues and Issues
- Dream a Dream
ASIN: B00006LFGG
Release Date: 2002-11-26 |
Tracks:
- Pie Jesu from Requiem
- My Lagan Love
- In Trutina (from Carmina Burana)
- Panis Angelicus
- Amazing Grace
- Just Wave Hello
- La Pastorella (The Little Shepherdess)
- She Moved Through The Fair
- Ave Maria
- Dream A Dream (w/ Billy Gilman)
- The Flower Duet
- Haba
- The Prayer (w/ Josh Groban)
- All Love Can Be
- It's The Heart That Matters Most
- Tantum Ergo
- Bridge Over Troubled Water
- Sancta Maria
Amazon.com
Need more evidence of the record industry's obsession with youth? Consider that budding Welsh diva Charlotte Church was a ripe, old 16 when this, her first greatest-hits anthology was released. Spanning her first four releases, as well as some outside collaborations and unreleased material, this 18-track collection underscores the soprano's seemingly boundless potential--as well as some potential career obstacles ahead. Her crystalline, still-maturing voice is best showcased on classically oriented works like Andrew Lloyd Webber's "Pie Jesu," Franck's "Panis Angelicus," and her now-ubiquitous rendering of Delibes' "Flower Duet." She also excels on folk traditionals such as "She Moved Through the Fair" and "My Langan Love." But overwrought productions like the already-dated "Dream a Dream" and "Habanera," a faux-flamenco take on Bizet, nearly get the best of her. Still, her promising duet with fellow young phenom Josh Groban on "The Prayer" and her mature, dreamy reading of A Beautiful Mind's "All Love Can Be," as well as strong performances on the previously unreleased "It's the Heart That Matters Most" and "Bridge over Troubled Waters," are ample evidence of her potential for rewarding pop crossover--if she doesn't retire by 21. --Jerry McCulley
Customer Reviews:
A Beautiful, Relaxing Project.......2007-06-15
My only other experience with Charlotte Church was seeing part of a PBS special on her, where she sang songs like "Some Enchanted Evening". I actually enjoy her voice on this style of music.
I love her rendition of "Amazing Grace". She also did good on covering "Bridge Over Troubled Water", though I was disappointed she didn't try the high note on the verses as Garfunkel did. My favorite on the project was "It's the Heart That Matters Most".
If I want some beautiful sounding music to relax to while I'm working, this would be a very good project for that.
It just cannot be the end for Charlotte's classical career! :(.......2006-08-20
I'm just shocked that Charlotte has decided to end her classical career with this mediocre assortment of her most loved pieces from her other albums! I wish that she had re-sung all of the pieces to make them sound better than ever with her mature voice! To me, it seems disgusting that anyone would want to end their career with a last album that sounds the way this album does!
Her beginning pieces (Pie Jesu, My Lagan Love, In Trutina, Panis Angelicus, and Amazing Grace) were sung at the beginning of her classical career, and you can hear her flat vowels and shaky low notes. You can also hear it in "She Moved Thru the Fair". It's really annoying!
La Pastorella is a beautiful song to sing, and Church masters it beautifully! Just Wave Hello - the Ford Anthem, is also a beautiful piece, with amazing work from the orchestra.
Ave Maria is a complete annoyance! Church lays on the high notes too much, putting too much emphasis on them, and it's an annoyance! Her vowels are also flat on the high notes - I just hate it!
Dream a Dream is a very nice piece, leaning more towards the pop scene. Church still seems to make it work, and I would listen to it all day!
The Flower Duet is a beautiful song, but Church's vocals are strained, which makes it hard to listen to with a smile on your face! It's still beautiful!
The Prayer (w/ Josh Groban) is a very nice piece, originally sung by Celine Dion. She's still a little bit flat here!
All That Love can Be is sung beautifully, completely smooth and connected. The vocals are flawless and have a mezmerizing effect.
It's the Heart that Knows is a pop piece that Church sings with strong vocals. It's just showing us that she's ending her career as a classical superstar!
Tantum Ergo, Bridge Over Troubled Water, and Sancta Maria, are all beautiful pieces!
I am a Charlotte Chruch fan, no doubt, but I really didn't like this album! I still wish that she would stay with opera, but I guess dreams don't come true! I wouldn't advise you to buy this CD - but as long as you have Voice of an Angel, Charlotte Church (the Self Titled Album) and Enchantment, there's no need for this CD!
Sorry Charlotte!
Charlotte Church.......2006-07-29
Love that voice!! This is a great CD and any one who had not heard this young lady sing should buy it and prepare for some musical enjoyment.
Somewhat decent but still mediocre.......2006-06-07
I am well aware of Charlotte's age. However, I am also aware of her amazing vocals and powerful range. But these things don't make you a good singer. Charlotte chose to stick to opera in most of her songs. And face it, not just anyone can do opera.
Charlotte's voice is very well trained - maybe too trained. From a very young age she's been hitting the same notes as Sarah Brightman. But I feel that Charlotte's over-worked and not to mention overdone voice has been declining tremendously.
But I guess none of this really matters now because I haven't heard her do anything classical for a while. If you want to listen to Charlotte now, go find the song 'Crazy Chick.'
If you want to listen to other angel voiced sopranos, I'd go with Sarah Brightman or Renee' Fleming.
R&B For Charlotte .......2006-05-07
If a bird can be annoying as in a Rooster Crowing in the morning, some people will like it. A dog can bark in the nights we sleep, some People will like it. A human voice so light, so vibrated within their own dimensions, people will like it, but not I. I never really saw the beauty of opera, agitating to the ears, just like a Rooster calling on it's hens. With that said, Charlotte needs to turn to Blues Rock or R&B. Yes, Boogie style Blues Rock, she has the voice for it. No matter how many here perceive Opera or know what should sound good, no opera singer could ever sing Blues without a voice and a heart for it. Not One! So why should a girl with soulful music embedded in her, do the same? I say, "it's time to really Rock Charlotte!"
Average customer rating:
- Rennaissance music at it's finest!
- a voice teacher and early music fan
- A good sampler of New London Consort's work
- Excellent renditions of lively 'old music'.
- A Treasure of the Time Period
|
Sinners & Saints: The Ultimate Medieval and Renaissance Music Collection
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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- Music for a Medieval Banquet
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- Panorama: Dances of the Renaissance
- Codex Faenza: Instrumental Music of the Early 15th Century
ASIN: B00000428D
Release Date: 1996-07-23 |
Tracks:
- Dum pater familias
- La Bouree
- The Sylvan And Oceanic Delights Of Posilipo: Gagliarda
- Quen a Virgen ben servira
- Bransles de Villages
- Carmina Burana: Katerine collaudemus
- The Sylvan And Oceanic Delights Of Posilipo: La scesa de' Pastori dal Monte
- Orientis partibus
- Volte
- Llibre Vermell: Stella Splendens
- Carmina Burana: Tempus est iocundum
- The Sylvan And Oceanic Delights Of Posilipo: Ballo de Cigni
- Carmina Burana: Bache, bene venies
- Lux optata claruit
- Ballet Incerti
- Non e gran causa
- Passo e mezzo - Saltarello Giorgio
Customer Reviews:
Rennaissance music at it's finest!.......2007-06-29
This was my first Renaissance music album and the broad styles of several composers were very well represented, especially Michael Pretorius, probably the most well-known composer of his time. The tonal quality sparkles and the latin language comes alive (along with English translation in the included booklet); be prepared for an aural "feast" of some of the more eclectic music from the Renaissance period!
a voice teacher and early music fan.......2007-02-04
To quote from the accompanying booklet seems to be in order to start this review: "This collection attempts to wipe the dust from some old ideas and restore music from the Middle Ages and Renaissance to its roots deep in the human soul.........What you're listening to on this disc is not the domain of museums, but the music of the people,born of faith and the love of song and dance".
This is a varied group of works, some dances, some strictly instrumental and some accompanied vocal.
The role of dancing, as you might suspect, was enormously important in this era. 'Le Bouree' showcases the dance music of the composer Michael Praetorius. The 'Bransles de Villages' is of French origin and features 2 violins, 2 violas, a cello, a great bass viol, hurdy-gurdy and 2 lutes. 'La scesa de Pastori dal Monte' is an Italian dance by Andrea Ansalone. Another dance written by Michael Praetorious was the 'Volte' which actually involved 4 short dances. It was considered not respectable because of the close contact between the dancers.
The strictly instrumental songs are : 'Dum pater familias' is called a pilgrim song, and it was religious in nature. And, of course, all the dance songs are instrumental.
The vocally oriented songs are: 'Quen a Virgin ben servira' is a song taken from a collection of songs about the miracles attributed to the Virgin Mary.-Three of the songs are from the famous 'Carmina Burana' manuscript.- 'Orientis partibus' is from the 'Feast of fools'which was a feast held by the church itself in which the status of the church herarchy was reversed as inferior clergy assumed the role of their superiors.-'Stella Splendours' is another pilgrim song; this song was sung by pilgrims who went to worship as the Shrine of the Virgin at Montserrat.
I always trust the quality of a CD when Philip Pickett and the New London Consort are involved. This album is very interesting, but I would hope that this would be classified as the more "pop" type music of the period. Also, I don't think that I personally would call it early music, as is indicated in the accompanying booklet. Today that term brings to mind Monteverdi, Cavalli, Palestrina, the Scarlatti's, up to and including Handel and Bach etc.. Just a personal reaction on my part. This is a very well put together disc.
A good sampler of New London Consort's work.......2006-12-20
Although there's nothing special about this disc as a compilation, it does provide a value-priced sampling of 17 tracks from the New London Consort's excellent recorded work. Given that so many of their recordings are difficult to find on CD at a reasonable price, and that one of my personal favorites ("Bache bene venies", from their masterful 4-CD recording of the Carmina Burana) is included here, I'd recommend this CD as a great place to start while you search for the original releases.
Excellent renditions of lively 'old music'........2005-11-23
'Sinners & Saints' by Philip Pickett and the New London Consort is just a bit too ambitious with their subtitle, 'The Ultimate Medieval and Renaissance Music Collection' as I find it hard to believe that 70 minutes can be the ultimate anything on 500 years of history. This is especially true since they seem to focus a lot more on the sinners than the saints, as there is virtually no liturgical music here. But, since there are so many good recordings of medieval liturgies, we aren't missing much.
This is really the sort of thing you would expect to hear from a travelling troupe of minstrals, but not from a solo artist, as practically every performance involves several instruments and voices.
Some tracks will sound especially familiar, as they are very similar to Carl Orff's 'Carmina Burana', inspired by medieval texts.
Compared to many recordings of music from Shakespeare's time, this collection is superior and well worth the investment.
A Treasure of the Time Period.......2005-08-11
I bought this CD with a children's history class in mind. We are studying the Dark Ages to the Rennaisance. I was delighted to hear the variety of selections which span the spectrum of genres during this period of history. My children and I have been listening to it in the car as well as at home for the simple enjoyment of the music. It will be exciting to present these pieces to my class as I feel it is a very accurate display of the cultures, instrumentation, languages, and styles of the Middle Ages. I am a proffesional musician and thoroughly enjoy most types of music so it wasn't hard to get me interested but I was surprised to hear my eight-year-old and five-year-old sons asking to hear this CD. The former child said it made him feel "important" to listen!!
Average customer rating:
- Bryn Terfel's beautiful voice.
- Why do people think this guy can sing??
- Relaxing
- Bryn Terfel's Simple Gifts
- A Heartfelt Offering Reminiscent of An Earlier Era
|
Bryn Terfel - Simple Gifts
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Bryn Terfel Sings Favorites
- Bryn Terfel - If Ever I Would Leave You (Songs from My Fair Lady, On a Clear Day, Camelot, The Little Prince, Brigadoon)
- Sacred Songs
- Bryn Terfel - Something Wonderful (Bryn Terfel sings Rodgers & Hammerstein)
- Bryn Terfel - We'll Keep a Welcome
ASIN: B000B8ISN2
Release Date: 2005-10-11 |
Tracks:
- Ave Verum Corpus, K.618 - Adapted by Chris Hazell
- Deep River - Arranged by Chris Hazell
- The Lord Bless You and Keep You
- I'll Walk Beside You - Arranged by Chris Hazell
- Stabat Mater
- Still, Still, Still Weils Kindlein Schlafen Will
- Simple Gifts - Arranged by Chris Hazell
- How Great Thou Art
- Panis Angelicus - Arranged by Chris Hazell
- Bless This House - Arranged by Chris Hazell
- Ave Verum Corpus
- Cavatina - Arranged by Chris Hazell
- The Rose
- Amazing Grace - Arranged by Chris Hazell
- God's Mercy
- Morning Has Broken - Arranged by Chris Hazell
- Nearer My God To Thee - Arranged by Chris Hazell
- Ave Maria
- Send In The Clowns - Arranged by Jonathan Tunick
- God Will Be With You
Amazon.com
Everything about Bryn Terfel is over-life-size: his physique, his personality, his breath-control, and of course his extraordinarily beautiful voice. This recording displays his stunning vocalism and versatility to full advantage, but its title belies its content. Alhough it does include some simple pieces, the execution is fussy, overdone, and calculated for maximum external effect. The program ranges from Mozart, Pergolesi and pseudo-Bach to Sondheim in arrangements that are pure Hollywood, complete with throbbing strings and rolling drums, often destroying the spirit as well as the letter of the original compositions. It begins with Mozart's heavenly "Ave verum" arranged for baritone solo and chorus, frustratingly cut off after a few phrases (another setting of the same text by Karl Jenkins, written for Terfel, is more satisfying, being complete and original). The splendid baritone Simon Keenlyside joins him here as well as in the opening number of Pergolesi's "Stabat Mater;" originally for soprano and alto, this must be the baritones' revenge on female singers who usurp songs written for men, like Schubert's and Schumann's cycles. Franck's "Panis angelicus" also inexplicably becomes a duet; unfortunately, Terfel's and tenor Aled Jones' voices do not match. Bach-Gounod's popular "Ave Maria" is all swells and exaggerations. The rest of the program consists of folksongs, hymns, show and film tunes, inflated to operatic proportions and generally ending in a fade-out or a flourish. Even the title song is anything but simple. This record is not for purists who like their music performed the way the composer wrote it, but aficionados of great singing will love it. --Edith Eisler
Customer Reviews:
Bryn Terfel's beautiful voice........2007-05-13
Bryn Terfel has a beautiful voice. Listening to him is very pleasant and definitely something to look forward to. I read a review saying he would replace tenor Pavroti. However, I believe that Mr. Terfel is a Baritone and not a Tenor. That does not detract from the fact that he should be considered one of the world's top male singers. His voice is truly impressive. This CD by Bryn Terfel is one from our collection that is outstanding and a favorite.
Why do people think this guy can sing??.......2007-04-27
Sorry, I think this guy is one of the most overrated singers out there today. He always sounds like he is singing holding his nose shut. VERY nasal sounding.
If you want to listen to an incredibly beautiful voice, buy one of Josh Groban's CD's--you won't regret it! He has the voice of the century!
Relaxing.......2007-02-03
Excellent selection of music. It covers many different types. My wife likes being able to hear the words with out instruments drowning out the vocals. I find it relaxing and many of the songs are familiar and very well done.
Bryn Terfel's Simple Gifts.......2006-02-25
Simply superb. I don't know what our local (Wash DC) paper was talking about when they said Deep River was the weakest link. I was enthralled from beginning to end. I have had the pleasure of hearing Bryn Terfel live in recital at the Kennedy Center. I can assure you that his voice has only improved with age. He was wonderful then and is spectacular now!
A Heartfelt Offering Reminiscent of An Earlier Era.......2006-02-15
Bryn Terfel harkens back to earlier American operatic stars such as Richard Tucker and Robert Merrill who crossed grenres to satisfy their unquenchable need to sing any and all songs that moved them to an appreciative public. These great singers all had their origins singing sacred music from their respective religions and learned to lay their considerable talents before the altar of the simple inspirational song.
This recording is wonderful on many levels. The selections are an unusual mixture of classical sacred music, spirituals, hymns, Lieder, Austrian Christmas and Gaelic songs, musical numbers and movie theme songs harmoniously combined to touch the soul of the listener in a gentle ebb and flow of devotion, intensity and tenderness. All of these songs are beautiful in and of themselves and in his hands, we experience them anew.
Bryn Terfel sings with the commitment necessary to make the awesome challenge of simplicity look easy. To my way of thinking, he is the most communicative and articulate singer today, bar none. He is a poet who savors the sound, feeling and meaning of each and every word and marries it uniquely and faithfully to the music. He transports the listener into the life of a song and transfixes us each and every moment. His enormous talent is not overwhelming or distractive and is inextricably and wholly intertwined with the music. This is greatness and it is very, very rare today.
I like the inclusion of the choir in several of the numbers as it reflects on the nature and context of the songs. I am less fond of the selections with the guest soloists as I feel they do not match his ability to "get inside" a song. The orchestra and orchestations are sensitive and enhancing.
This recording is simply wonderful and should have a broad appeal. It will move and inspire the believer, satisfy and fulfill the otherwise spiritual, calm the troubled and renew a flagging soul.
Average customer rating:
- FORGOTTEN (BY ME) BEAUTIES
- MENDELSSOHN'S 48
- Portraits at exhibition!
- Second-tier Mendelssohn and Boringboim to boot
- Excellent!
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Mendelssohn: Songs Without Words, etc.
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Mendelssohn: Piano Concertos
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- Mendelssohn: Sonata for Piano; Prelude & Fugue; Variations Sérieuses; Rondo Capriccioso
- Songs Without Words
- Schumann: Complete Piano Trios
ASIN: B000001GYC
Release Date: 1997-04-15 |
Tracks:
- Lieder ohne Worte op. 19: No. 1 In E Major - Andante con moto
- Lieder ohne Worte op. 19: No. 2 In A Minor - Andante espressivo
- Lieder ohne Worte op. 19: No. 3 In A Major 'Hunting Song' - Molto allegro e vivace
- Lieder ohne Worte op. 19: No. 4 in A Major - Moderato
- Lieder ohne Worte op. 19: No. 5 In F Sharp Minor - Piano agitato
- Lieder ohne Worte op. 19: No. 6 In G Minor 'Venetian Gondola Song' - Andante sostenuto
- Lieder ohne Worte op. 30: No. 1 In E Flat Major - Andante espressivo
- Lieder ohne Worte op. 30: No. 2 In B Flat Minor - Allegro di molto
- Lieder ohne Worte op. 30: No. 3 In E Major - Adagio non troppo
- Lieder ohne Worte op. 30: No. 4 In B Minor - Agitato e con fuoco
- Lieder ohne Worte op. 30: No. 5 In D Major - Andante grazioso
- Lieder ohne Worte op. 30: No. 6 In F Sharp Minor 'Venetian Gondola Song' - Allegretto tranquillo
- Lieder ohne Worte op. 38: No. 1 In E Flat Major - Con moto
- Lieder ohne Worte op. 38: No. 2 In C Minor - Allegro non troppo
- Lieder ohne Worte op. 38: No. 3 In E Major - Presto e molto vivace
- Lieder ohne Worte op. 38: No. 4 In A Major - Andante
- Lieder ohne Worte op. 38: No. 5 In A Minor - Agitato
- Lieder ohne Worte op. 38: No. 6 In A Flat Major - Andante con moto
- Lieder ohne Worte op. 53: No. 1 In A Flat Major - Andante con moto
- Lieder ohne Worte op. 53: No. 2 In E Flat Major - Allegro non troppo
- Lieder ohne Worte op. 53: No. 3 In G Minor - Presto agitato
- Lieder ohne Worte op. 53: No. 4 In F Major - Adagio
- Lieder ohne Worte op. 53: No. 5 In A Minor 'Folksong' - Allegro con fuoco
- Lieder ohne Worte op. 53: No. 6 In A Major - Molto allegro, vivace
Tracks:
- Lieder ohne Worte op. 62: No. 1 In G Major - Andante espressivo
- Lieder ohne Worte op. 62: No. 2 In B Flat Major - Allegro con fuoco
- Lieder ohne Worte op. 62: No. 3 In E Minor 'Funeral March' - Andante maestoso
- Lieder ohne Worte op. 62: No. 4 In G Major - Allegro con anima
- Lieder ohne Worte op. 62: No. 5 In A Minor 'Venetian Gondola Song' - Andante con moto
- Lieder ohne Worte op. 62: No. 6 In A Major 'Spring Song' - Allegretto grazioso
- Lieder ohne Worte op. 67: No. 1 in E Flat Major - Andante
- Lieder ohne Worte op. 67: No. 2 In F Sharp Minor - Allegro leggiero
- Lieder ohne Worte op. 67: No. 3 In B Flat Major - Andante tranquillo
- Lieder ohne Worte op. 67: No. 4 In C Major 'Spinning Song' - Presto
- Lieder ohne Worte op. 67: No. 5 In B Minor - Moderato
- Lieder ohne Worte op. 67: No. 6 In E Major 'Wiegenlied' - Allegretto non troppo
- Lieder ohne Worte op. 85: No. 1 In F Major - Andante espressivo
- Lieder ohne Worte op. 85: No. 2 In A Minor - Allegro agitato
- Lieder ohne Worte op. 85: No. 3 In E Flat Major - Presto
- Lieder ohne Worte op. 85: No. 4 In D Major - Andante sostenuto
- Lieder ohne Worte op. 85: No. 5 In A Major - Allegretto
- Lieder ohne Worte op. 85: No. 6 In B Flat Major - Allegretto con moto
- Lieder ohne Worte op. 102: No. 1 In E Minor - Andante, un poco agitato
- Lieder ohne Worte op. 102: No. 2 In D Major - Adagio
- Lieder ohne Worte op. 102: No. 3 In C Major - Presto
- Lieder ohne Worte op. 102: No. 4 In G Minor - Un poco agitato, ma andante
- Lieder ohne Worte op. 102: No. 5 In A Major - Allegro vivace
- Lieder ohne Worte op. 102: No. 6 In C Major - Andante
- Kinderstucke op. 72: Allegro non troppo
- Kinderstucke op. 72: Andante sostenuto
- Kinderstucke op. 72: Allegretto
- Kinderstucke op. 72: Andante con moto
- Kinderstucke op. 72: Allegro assai
- Kinderstucke op. 72: Vivace
- Gondellied: Allegretto non troppo
- 2 Klavierstucke: Andante cantabile
- 2 Klavierstucke: Presto agitato
- Albumblatt op. 117: Allegro
Customer Reviews:
FORGOTTEN (BY ME) BEAUTIES.......2007-05-14
Until I purchased this bargain (two discs for the price of one), recording of Mendelssohn's "Songs without Words" that are played exquisitely by Daniel Barenboim, I, in the past, have listened mainly to Mendelssohn's chamber music, Concertos and/or Symphonies kind of forgetting about these most beautiful compositions, What a real pleasure this recording has been for me. I believe that Mendelssohn composed these" Songs without Words" (also included are Mendelssohn's "Kinderstucke", op 72, "Albumblatt", op. 117 and 2 short pieces) through out his short life. Daniel indeed plays all of the works including the "demanding" ones (there are surprisingly for me some very demanding ones) most beautifully never forgetting that the compositions are above all else "Songs". Daniel Barenboim always lets the melodies be heard above all else and there are some very beautiful melodies to hear.
This recording was made in the early 1970s; however, DGG has done a wonderful job of transferring them to the CD format--the sound is rich, lush and clear.
If you want to hear some beautiful compositions that are played most beautifully, buy this recording.
MENDELSSOHN'S 48.......2006-09-01
Bach's 48 preludes and fugues seem to me to be to some extent a diary of the composer's feelings, and I get much the same impression from Mendelssohn's Songs Without Words, which are also 48 in number. To me, they are beautiful and touching minor masterpieces and when I hear them I am not disturbed, or even visited, by the thought that they are not masterpieces to rank with Bach's. However I am not as exacting in evaluating a performance of them as I would be with Bach either, and when I willingly award this set 5 stars I know that I'm setting the bar lower. There are limits to what any interpreter, even the greatest, of the Songs Without Words can find in them, but for all that some interpreters are greater than others, and I happen to know even better accounts of some of these pieces than you will find on these two discs from Barenboim.
It was high time in any case that I had a complete set of these lovely works. My collection up to now had only stretched to 14 of them, but - I have to say it again - those 14 are enough to teach me the difference between fine performances and great ones. Barenboim's accounts should be easily good enough for most of us most of the time, and in addition to the Songs he throws in the Children's Pieces plus a few other short numbers that Mendelssohn, for reasons known principally to himself, chose not to publish. With one solitary exception, Barenboim's touch is affectionate, warm and beautiful, and is well served by the 1974 recording. Speeds adopted sound about right to me in general, and the interpretations offered are full of insight and loving care, and free from eccentricity or egotism. Barenboim can be powerful when he needs to be, but the requirement for power is very limited in what we have here, and the overall impression that the set leaves is rightly one of tact, sympathy and enthusiasm. My single regret concerns my own favourite of all the Songs - the Duetto op 38/6. Something goes quite unaccountably wrong here. I'd call the speed too fast in the first place, and I would have liked the pseudo-voices brought out more strongly against the arpeggio accompaniment, but the real affront to my sensibilities comes when the two voices sing forte in octaves, and Barenboim bangs out the melody in a bad-tempered and cacophonous way that reminds me of one of Kissin's off-days.
One botched effort out of 58 is not a bad ratio nevertheless. I can play the Duetto to my own satisfaction anyway, or I can listen to it on my old Turnabout LP played by Guiomar Novaes. Novaes seems to be all but forgotten these days, but she was a great player, recognised as such by no less than Debussy when she was a teenager. Her idea of the Duetto is slower than mine, indeed for an amateur like me the piece, which lies beautifully and naturally under the hands, seems practically to dictate its own speed. However it's not the tempo that makes the impression. In this piece as in many others starting with the very first of all the Songs, what transfixes me is the haughty and highlighted clarity of Novaes's melodic line and the magnificence of her left-hand tone. It also happens that in the disc that accompanies the biography of Serkin by Stephen Lehmann and Marion Faber there are two of the Songs in Novaes's selection - a solemn and gripping op 62/1 and a coruscating Spinning Song worthy of Horowitz or Cziffra for virtuosity. The point is simply this - there is an aura of greatness that surrounds the playing of Serkin and Novaes in practically anything they do. Admirable as he is, Barenboim is not quite in that league, although I don't consider the balance of advantage to be totally one-sided, and it may be that Barenboim actually makes a more appealing job of the Spring Song.
Nevertheless I have only 14 of the Songs from Novaes, and all of two from Serkin, in somewhat antiquated sound at that. Barenboim gives me all 48 plus some bonus extras, played with love and appreciation of the soul of this beautiful and affecting music. This is a set I am going to be returning to for solace and balm to the spirit, I can tell already. The recorded sound is not wondrous, but it's good 1974 quality. The liner note is from the distinguished pen of Joan Chissell, but I can't say it seems to me to amount to much. Moreover she nails her colours to the mast with the ringing challenge `No 19th-century composer exceeded Mendelssohn in respect for Classical tradition, and such ordered modes of expression as fugue...' I dispute this strenuously. Not only are Mendelssohn's fugues not his best or most professional work, as Tovey makes very clear, they are inferior in respect for classical precedent and thoroughness of workmanship to Schumann's, as the same sage also points out. Besides which Brahms was a musical scholar of minute and profound learning, particularly steeped in the great German musical tradition, to an extent that Mendelssohn never rivalled. What Mendelssohn can claim is to be sui generis, what he does best he does better than anyone, and some of his most intimate musical thoughts are to be found in the Songs Without Words. For the pleasure and comfort they bring me I thank Mendelssohn's shade and the loving and expert guidance of Barenboim.
Portraits at exhibition!.......2006-04-09
In contrast to many other musicians, Mendelssohn had an evident, fruitful and fortunate association with the visual arts. Keeping in mind his education was conceived as part of the Renascence man, so we should not ignore his classical-humanistic education, so that explains why his Symphonies maybe basically, considered such arresting visual landscapes: the Scottish, Italian and Reform would seem confirm it.
The Songs without words conform ostensibly, a great stylistic and conceptual unity. It could not be other way, noticing the fact John Field was essentially the grandfather of the nocturnes for piano and Chopin the most expressive and intimate explorer of the human soul, Mendelssohn had all those variables in mind and decided to create a portrait album. As other artists as Liszt and Goethe the exerted fascination after being in Venice would work out as febrile inspiration. Every little page of this kaleidoscopic reflects different state anima; they are structured and interweaved similarly respect Robert Schumann with his Carnival or Childhood scenes; with profound lyric and evocative accent, destined to recreate the tourist memory. He achieved then to make a voluminous album of feelings but without that marked introspective mood of Frederic Chopin, for instance.
Daniel Barenboim decided to record these ebb tide piano pieces with personal conviction and lyric imagination. The result was simply refulgent and deeply inspiring.
Second-tier Mendelssohn and Boringboim to boot.......2002-10-21
The majority of Mendelssohn's works consisted of fluff and flutter reminisent of Mozart on an off-day and these piano pieces certainly aren't among Mendelssohn's small number of masterworks.The fact that these compositions are no more than trifles is made worse by Barenboim's insistence in trying to infuse an element of profundity to them.The result is tedium and annoyance.I owned this 2 disk set for more than 2 years and didn't listen to it more than 7-8 times.Every time I would try and listen boredom would set in and within a few minutes listening became a matter of endurance.I finally traded it off and haven't missed it in the least.It may be a 2 for the price of 1 set but,as usual,such "bargains" are hardly a bargain.
Excellent!.......2002-02-18
This is one of my top 5 classical piano CDs. It has a relaxing, easy-to-listen-to sound that I never get tired of. Every song in this 2-cd set is great.
Average customer rating:
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America's Choir
Mormon Tabernacle Choir
Manufacturer: Mormon Tabernacle
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Rodgers, Richard
| ( R )
| Featured Composers, A-Z
| Classical
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Fugues
| Forms & Genres
| Classical
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General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
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General
| Classical (c.1770-1830)
| Historical Periods
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Mormon Tabernacle Choir
| ( M )
| Featured Performers, A-Z
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General
| Symphonies
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General
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General
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Gospel
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General
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Oratorios
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Folk Songs
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
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| Music
Hymns
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Oratorios
| Vocal Non-Opera
| Opera & Vocal
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| Music
General Christmas
| Holiday
| Miscellaneous
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General Christmas
| Holiday Music
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Similar Items:
- Peace Like a River
- Rock of Ages: 30 Favorite Hymns
- The Mormon Tabernacle Choir's Greatest Hits: 22 Best-Loved Favorites
- Sing, Choirs of Angels!
- Songs from America's Heartland
ASIN: B0002CX1LQ
Release Date: 2004-07-13 |
Tracks:
- Fanfare Alleluia/Praise To The Lord, The Almighty
- Come, Thou Fount Of Every Blessing
- This Is My Father's World
- Hallelujah Corus
- Fugue In C Major
- Come, Come, Ye Saints
- O Home Beloved
- Come Let Us Anew
- Bound For The Promised Land
- Shenandoah
- Cindy
- Danny Boy
- Climb Ev'ry Mountain
- Battle Hymn Of The Republic
- Praise TO The Lord, The Almighty (Reprise)
- God Be With You Till We Meet Again
Customer Reviews:
Perfect starter CD!.......2005-02-12
I'm surprised that no one has reviewed this CD yet. Released in conjuction with the Nationally-released PBS documentary "America's Choir" - this album is a perfect starting place for people who wish to have a sampler of the Mormon Tabernacle Choir. Serving as both a latter-day "greatest hits" and a stand alone album, this CD gathers six tracks from the Choir's recently released albums "Consider The Lilies," "Spirit Of America" and "Peace Like A River" and adds TEN brand new tracks recorded specially for this project, creating a perfect sampler of both the Choir's magnificent history and it's current sound. It highlights the strengths of the Choir's repetoire, from well-known hymns ("Come Thou Fount Of Every Blessing") to patriotic standards ("Battle Hymn Of The Republic") to folk songs ("Shenandoah," "Bound For The Promised Land") and even some surprises, like the traditional Welsh anthem "O Home Beloved" and the "Fugue In C Major (Jig)" for organ and orchestra. A wonderful, wonderful CD, with startling changes in mood and tempo, but with the unifying artistry of the Tabernacle Choir and Orchestra at Temple Sqare.
Average customer rating:
- Great collection of sacred music
- An Inspiring and Heartening Compilation
- making a joyous sound
- A correction
- I AM A SIMPLE WOMAN
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Kiri Te Kanawa - Ave Maria
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
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General
| Franck, César
| ( F )
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| Gounod, Charles
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| Handel, George Frideric
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| Mozart, Wolfgang Amadeus
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All Works by Mendelssohn
| Mendelssohn, Felix
| ( M )
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Purcell, Henry
| ( P )
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| Classical
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All Works by Schubert
| Schubert, Franz
| ( S )
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General
| Purcell, Henry
| Composers
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General
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Te Kanawa, Dame Kiri
| ( T )
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Gounod, Charles
| C to G
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Franck, Cesar
| C to G
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| H to L
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Mendelssohn, Felix
| M to P
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Mozart, Wolfgang Amadeus
| M to P
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Purcell, Henry
| M to P
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| Q to T
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Te Kanawa, Kiri
| Divas
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- Kiri
- Kiri Te Kanawa Classics
- Kiri Te Kanawa - Greatest Hits ~ 14 Favorites of Opera, Popular & Traditional Song
- Ave Maria
- Christmas with Kiri
ASIN: B0000040X1
Release Date: 1990-10-25 |
Tracks:
- O Divine Redeemer
- Laudate Dominum
- Bist Du Bei Mir
- Jesu, Joy Of Man's Desiring
- Sanctus
- Auf Flugeln Des Gesanges: On Wings Oof Song
- Panis Angelicus
- Ave Verum K. - KV 618
- Ave Maria Op.52-6
- Trumpet Tune
- Let The Bright Seraphim
- Let Their Celestial Concerts
Customer Reviews:
Great collection of sacred music.......2005-12-23
What a great collection, many real sacred classics, all delivered in very heartfelt, but simple way, and Kiri's voice is just so beautiful. And I like the fact that there are many different moods, there are some songs which are very soothing, slow pieces but also different ones, and the the final songs are Let The Bright Seraphim which is so uplifting and bright and Let Their Celestial Concerts. They are both from Samson, it's refreshing to hear these tracks instead of the usual pieces from Messiah.
My favourite songs are Bist du bei mir and especially Mozart's Ave Verum, so perfect when sung by Kiri, I know so many different versions but these are probably the best I have heard.
Mozart's Laudate Dominum is done very nicely, good tempo and such great singing. Kirir has a great trill! Panis Angelicus is good too, I wish Kiri would do something else instead of this worn classic, but her version of Schubert's Ave Marias on this album is actually very good. This is a great, refreshing collection overall, well put together, with very tasteful arrangements. There is also a nice chorus, they only sing in few pieces but they sound really good.
There is a small problem with the sound level on this album, it's true, but Kiri's voice still sounds beautiful, just crank up the volume a little bit, so you can hear her better. Maybe the bright seraphim will hear her too!
An Inspiring and Heartening Compilation.......2004-07-12
Kiri Te Kanawa voice never fails to inspire me and uplift my spirit. Her rendition of "Ave Maria" is just so beautiful and moving that its effect on the listener can not be expressed in mere words. Kiri's voice and intuitive nature of delivering the inner strength and emotion of each selection on this CD is just inspiring.
making a joyous sound.......2003-07-03
Dame Kiri's voice shines in these beautiful sacred pieces, and as her biographer David Fingleton, in his excellent liner notes for this CD points out, that going back to her youth and first voice teacher, who was a Sister of Mercy, church music has always been a part of her repertoire, even though she is mostly noted as an operatic soprano.
Favorites include Gounod's exquisite "O Divine Redeemer" ("Repentir"), the two Mozart pieces, "Laudate Dominum" (from "Vesperae solennes de confessore" KV 339), and "Ave Verum" KV 618, and the luminous performance of Schubert's popular "Ave Maria".
Track # 11, Purcell's "Trumpet Time", is a trumpet solo by Crispian Steele-Perkins, and there is also a good and jolly trumpet on track # 11, Handel's "Let the Bright Seraphim" from "Samson", which is the piece Dame Kiri sang in St. Paul's Cathedral for the Prince and Princess of Wales, at their wedding in 1981, and has become one of her most often requested songs.
This recording was made in 1984, at the All Saints' Church in Tooting, England, and the sound is not great but quite adequate. The boys of the Choir of St. Paul's Cathedral sing like little angels, and the English Chamber Orchestra is led by Barry Rose. Total time is 47:40.
This would make a nice change of pace CD during the Christmas Season, and for fans of this wonderful soprano, hearing her voice is a joy any time of the year.
A correction.......2003-05-28
I don't know where this comment belongs, but I have a correction to make:
Track 2 is Laudate Dominum from Vespearae solennes de confesore (K.337) and not Vespeare de Dominica (K.321) as the listing says.
Both Mozart's arias are beautiful, though.
I AM A SIMPLE WOMAN.......2003-02-08
I LEARNED TO PLAY CHOPSTIX AND THE RIGHT HAND PART OF BLUE MOON FROM MY FATHER WHEN I WAS LITTLE. I LEARNED TO SING FRERE JAQUES FROM HIM TOO AND WE SANG IT TOGETHER IN ROUNDS. I KNOW WHERE MIDDLE C IS ON THE PIANO AND THIS IS THE EXTENT OF WHAT I KNOW ABOUT MUSIC. SO YOU EXPERTS CAN JUST GO TO THE NEXT REVIEW IF YOU LIKE AND I WONT BE OFFENDED. I AM A KNUCKLEHEAD BY YOUR STANDARDS AND I WOULDN'T PAY ATTENTION TO ME EITHER IF I WERE YOU. BUT FOR THE REST OF YOU, LET ME SAY THAT THIS WOMAN'S VOICE IS LIKE NOTHING YOU HAVE EVER HEARD. THE MUSIC SHE CHOSE TO SING FIRST OF ALL, IS BEATUIFUL, JUST BEAUTIFUL. YOU'LL GET GOOSEBUMPS. BUT HER VOICE IS THE THING. IT'S LIKE GOOD COLD SPRING WATER. IT'S CLEAN AND CONFIDENT, NO FUZZY EDGES OR BIG SHOWY SWOOPS. IT'S SOFT AND STRONG AND BIG AND TINY JUST WHEN IT SHOULD BE, I THINK. YOU WILL JUST FIND YOURSELF LISTENING AND SOMETIMES YOU WILL JUST BE HOLDING YOUR BREATH, HARDLY BELIEVING YOUR GOOD LUCK THAT YOU ARE HEARING THIS. I ACTUALLY SHUSHED MY HUSBAND AND TOLD HIM TO STOP TRYING TO TALK TO ME WHEN I FIRST HEARD IT BECAUSE I WAS AFRAID I WOULD MISS SOMETHING. I LOVE A GOOD VOICE AND/OR A GOOD SINGER. THEY AREN'T ALWAYS THE SAME THING. SO I WILL ADD THIS WOMAN AND HER MUSIC TO MY COLLECTION OF FAVORITES THAT INCLUDE THE MUSIC OF JANIS JOPLIN, NINA SIMONE, JONI MITCHELL, CECILIA BARTOLI, MARIAH CAREY, MR. PAVOROTI AND SOME OTHER GOOD GIRLS AND GUYS. AND POUR YOURSELF A GLASS OF WINE THE FIRST GO AROUND...
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