Face to Face [Original recording remastered] [Import]

Face to Face [Original recording remastered] [Import]

Face to Face [Original recording remastered] [Import]

ASIN: B000025AEQ

Track Listings
 
1. Swinging at Sugar Ray's
2. Goin' Down
3. Whatever Lola Wants
4. Face to Face
5. Somethin' Strange
6. High 'N Low
7. Face to Face [Alternate Take][#]
8. Somethin' Strange [Alternate Take][#]

Editorial Reviews
Product Description
20 bit digitally remastered.

Face to Face,Baby Face Willette,Blue Note Japan,Hard Bop,Jazz,Organ (Hammond),Pop,Soul-Jazz
Kiss Me, Kate (1948 Original Broadway Cast)
Average customer rating: 4.5 out of 5 stars
  • The best and maybe the last CD of this great musical.
  • Beautiful remastering of historic original cast recording
  • the peerless original cast
  • Who Put The Shake In Shakespeare?
  • TIMELESS BROADWAY SHOW
 Kiss Me, Kate (1948 Original Broadway Cast)
Cole Porter , Alfred Drake , and Patricia Morison
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. Kismet (1953 Original Broadway Cast)
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  5. Gypsy - A Musical Fable (1959 Original Broadway Cast)

ASIN: B000007OHT
Release Date: 1998-06-02

Tracks:

  1. Act I: Overture
  2. Act I: Another Op'nin', Another Show
  3. Act I: Why Can't You Behave?
  4. Act I: Wunderbar
  5. Act I: So In Love
  6. Act I: We Open In Venice
  7. Act I: Tom, Dick Or Harry
  8. Act I: I've Come To Wive It Wealthily In Padua
  9. Act I: I Hate Men
  10. Act I: Were Thine That Special Face
  11. Act II: Too Darn Hot
  12. Act II: Where Is The Life That Late I Led?
  13. Act II: Always True To You (In My Fashion)
  14. Act II: Bianca
  15. Act II: So In Love (Reprise)
  16. Act II: Brush Up Your Shakespeare
  17. Act II: I Am Ashamed That Women Are So Simple
  18. Act II: Finale: Kiss Me, Kate
  19. Kiss Me, Kate Overture

Amazon.com

Opening at the tail end of 1948, Kiss Me, Kate became an instant classic--and amazingly didn't receive a full-scale revival until 1999. All the more reason to revel in its original version. With its cunning play-within-a-play premise (a musical update of The Taming of the Shrew reverberates in backstage feuds), brilliant mix of high and low comedy, and of course some of Cole Porter's better-known songs--"So in Love," "I Hate Men," Too Darn Hot," "Always True to You (In My Fashion)"--Kiss Me, Kate remains a funny, zesty hall of mirrors. Hard as you may try to find a fly in the ointment, there's no fault with the cast either--Patricia Morison, for instance, is a perfectly petulant Lilli Vanessi. --Elisabeth Vincentelli

Customer Reviews:

4 out of 5 stars The best and maybe the last CD of this great musical........2006-02-20

Now is the perfect time to buy the CD of this.

Sony's transfer engineers used state-of-the-art restoration software to remove the roughness and surface noise from the originals, but (thankfully) they resisted the urge to tart-up the sound with artificial reverb, faux stereo, and thundering bass. This is by far the best-sounding CD of this ever released, and it may be the last.

The age of music ownership in America could be drawing to a close. Five years from now, this music may only be available by download, you might only be "borrowing" it, and it probably won't come with the the authentic cover art or the 26-page booklet.

(See also the original broadway CD of Out of This World.)

5 out of 5 stars Beautiful remastering of historic original cast recording.......2004-05-24

Recorded in January 1949, this album of KISS ME KATE has remained in print adn a steady best-seller for over 50 years now.

The sound on this newly remastered CD is crisp and clear and easily surpasses all previous issues. Sony even uses the original artwork from the very first LP release.

The performances remain as fresh as ever. Alfred Drake was Broadway's top leading man and sounds just glorious. Pat Morrison had less of a career but sounds just perfect as Lilli. Lisa Kirk is wonderful as Lois, and Harold Lang makes the most of his few moments on the record as her boyfriend, Bill. In an unusual move these peopel reunited 10 years later to re-record the score for Capitol in true stereo. They still sound great on that recording (on CD as part of the Broadway Angel series) but the performances are fresher on this recording made just 2 weeks after KIS ME KATE had opened on Broadway to rave reviews.

The CD booklet has good info about the show, though curiously, no synopsis. There are, however, a half dozen pictures of the original production. This edition featureds longer takes of "We Open in Venice", "I Hate Men" and "Too Darn Hot" though the total extra music adds but a minute to the album's running time. A bonus track of the Overture dates from a 1958 stereo recording by Lehman Engle.

KISS ME KATE was the first Tony Award winner for Best Musical (1949). The 1999 revival won a Tony for Best Revival.

5 out of 5 stars the peerless original cast.......2004-03-04

KISS ME KATE is still regarded as Cole Porter's greatest musical; a charming backstage story detailing feuding ex-spouses Lilli Vanessi and Fred Graham as they star in a musical version of Shakespeare's "The Taming of the Shrew".

Very rarely has the score been bettered than the original 1949 cast album, reissued here on the Columbia Broadway Masterworks label. Patricia Morison plays Lilli, with Alfred Drake (OKLAHOMA!, KISMET, GIGI) as Fred, the feuding, ego-ridden leads. Lisa Kirk (ALLEGRO, MACK AND MABEL) is the sexy young starlet Lois, with Harold Lang (PAL JOEY) as her caddish boyfriend Bill.

KISS ME KATE opened at the New Century Theatre on Broadway in 1949, making history in its run of over 1000 performances. Patricia Morison is perfectly-suited to the role of Lilli. She offers a glowing rendition of "So in Love", whilst her duet with Alfred Drake in the tongue-in-cheek "Wunderbar" is sublime. Lisa Kirk gets three of the big showstoppers ("Why Can't You Behave?", "Tom Dick or Harry" and "Always True to You in My Fashion"), and nails each and every one. Harold Lang was a better dancer than he ever was as a singer, but is quite good on this disc.

A must-own.

5 out of 5 stars Who Put The Shake In Shakespeare?.......2001-04-11

Who put the 'shake' in 'Shakespeare'? Cole Porter, of course! Kiss Me Kate is the best of his musicals, and this recording is the best of the recordings! The original Broadway cast performs with much old-style, vaudeville jazz!

The story is set in a Baltimore theatre where a divorced couple, Fred Graham and Lilli Vannessi, are in the two leading roles of a musical version of Shakespeare's Taming of the Shrew. Fred currently dates a colorful light-heart named Lois Lane, while Lilli is about to head off to get maried in the south. Lois, by the way, will 'always be true' to her boyfriend, the gambling player Bill Calhoun. The story takes off from there!

The show originaly opened on Broadway in 1948. It's timelessness has still not worn off after so many years. The classic script by Bela and Sam Spewack, and the best music of Cole Porter, we cannot fail! The show has been performed since then in many many countries, and has been performed in many languages! It has only recently been revived on Broadway.

Kiss Me Kate has become a staple of classic Broadway, and this is the cast that will not be outdone. Patricia Morrison is a perfect, operatic, Lilli Vanesi. She is strong, yet thoughtful. Her voice fills the CD with a lively 'Wunderbar' and the raging 'I Hate Men.' Alfred Drake is a manly and appealing Fred Graham who will have you laughing out loud! His 'Where Is the Live...?' is yet to be surpassed. Harold Lang is a sexy, and hypnotic Bill Calhoun. He takes the role for himself, and his 'Bianca' is done to the point of perfection! His voice is misty and self-confident, and has the qualities all Bill Calhoun's should. And of course, there will be no one as good as Lisa Kirk for the role of Lois Lane! Her tongue-in-cheek performance on this CD is flawless! She is teasing, sympathetic, funny, and has the right voice to win her part! I can't imagine anyone who can do what she has done with 'Alway True to You' and 'Why Can't You Behave.' The classic character songs are very nice! The balladic, and melodic 'So In Love' will ring in your head. 'We Open In Venice' will make you dance! And 'Brush Up Your Shakespeare'(performed with much humor by Jack Diamond and Harry Clark) will give you a laugh the next time you read 'Romeo.' You won't be disapointed!

The nostalgic quality of the 40's is alive and well in this recording. Columbia has done a great job restoring the work, and the scratching that were a part of the original releases. The sound quality is crisp and clear, and the music sounds wonderful! The magic hasn't worn out yet!

There have been a few more recordings of the work, including a complete London recording, and the new Broadway revival cast. None can do as well as the original recording, however. In the revival recordng, however, they come close. Brian Stokes Mitchell has the voice for Fred, but runs through his lines a bit fast, and without much enthusiasm. And the orchestrations for the new recording are a bit overdone, and they sound more like PBS's Jazz, than Broadway.

Altogether, this is great recording. I was very pleased with my buy, and hope that you will add it to your collection right away! It's time to Brush Up Your Shakespeare!

5 out of 5 stars TIMELESS BROADWAY SHOW.......2001-01-11

COLE PORTER'S most famous musical play hasn't lost none of it's power over the years;it's one of those few shows in which all the elements clicks:cast,songs,libretto, to make a great entertainment product.Without getting to cynical,KISS ME KATE has enough good songs to fill 3 BROADWAY shows of today ,and i am not kidding,it's a fact.While the revival is also of interest,it's always a delight to hear the original with PATRICIA MORRISSON and ALFRED DRAKE, both terrific in their parts.I can assure you that you'll play this record more than twice.It's not only WUNDERBAR ,it's WONDERFUL!You can't actually single out one number because they are all good.All right, if we have to choose one, it's SO IN LOVE.
DRG 25th Anniversary Show Stopping Performances
Average customer rating: 2.5 out of 5 stars
  • Great compilation
  • A disappointment
 DRG 25th Anniversary Show Stopping Performances

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005Q6IN
Release Date: 2001-10-23

Tracks:

  1. A Day In Hollywood A Night In Ukraine: Just Go To The Movies - Priscilla Lopez/David Garrison/Frank Lazarus/Stephen James/Peggy Hewett/Kate Draper
  2. Babes In Arms: I Wish I Were In Love Again - Christopher Fitzgerald Jessica Stone
  3. Pal Joey: Bewitched, Bothered And Bewildered - Patti LuPone
  4. Gentlemen Prefer Blondes: Diamonds Are A Girl's Best Friend - KT Sullivan
  5. Nunsense: I Just Want To Be A Star - Christine Anderson
  6. Louisiana Purchase: Wild About You - Debbie Gravitte & New York Voices
  7. Oil City Symphony: Beaver Ball At The Bug Club - Mike Craver/Mark Hardwick/Debra Monk/Mary Murfitt
  8. Falsettoland: The Baseball Game - Michael Rupert/Chip Zien/Faith Prince/Janet Metz/Heather MacRae/Stephen Bogardus
  9. Very Good Eddie: Isn't It Great To Be Married? - Virginia Seidel/Spring Fairbank/Charles Repole/Nicholas Wyman
  10. The Fantasticks: A Perfect Time To Be In Love - Harvey Schmidt
  11. Call Me Madam: You're Just In Love - Tyne Daly/Lewis Cleale
  12. Taking My Turn: Fine For The Shape I'm In - Margaret Whiting/Marnie Nixon/Cissy Houston
  13. A Party With Betty Comden & Adolph Green: The French Lesson - Betty Comdon/Adolph Green
  14. The Madwoman Of Central Park: Better - Phyllis Newman
  15. Greenwillow: Never Will I Marry - Anthony Perkins
  16. Song Of Singapore: I Can't Remember - Loretta Swit & Company
  17. Tintypes: Elite Syncopation/I'm Goin' To Live Anyhow, 'Til I Die - Lynne Thigpen
  18. I Love My Wife: Someone Wonderful I Missed - Joanna Gleason/Ilene Graff
  19. The Good Companions: The Pleasure Of Your Company - Malcolm Rennie/Christopher Gable
  20. Forbidden Broadway 20th Anniversary: Liza One-Note - Christine Pedi
  21. Meet Me In St. Louis: The Trolley Song - Donna Kane & Ensemble

Tracks:

  1. 4 Guys Named Jose...And Una Mujer Named Maria!: Feel It - Philip Anthony/Henry Gainza/Allen Hidalgo/Ricardo Puente
  2. Fame - The Musical: There She Goes!/Fame - Natasha Rennalls & Ensemble
  3. Do Re Mi: What's New At The Zoo? - Heather Headley/The Animal Girls
  4. High Society: Once Upon A Time/True Love - Melissa Errico/Daniel McDonald
  5. Tenderloin: Artificial Flowers - Patrick Wilson
  6. State Fair: Driving At Night/Our State Fair - Company
  7. Kiss Me, Kate: Were Thine That Special Face - Brian Stokes Mitchell
  8. Black And Blue: Black And Blue - Linda Hopkins/Ruth Brown/Carrie Smith
  9. The Green Bird: O Foolish Heart - Company
  10. Out Of This World: From This Moment On - Marin Mazzie/Gregg Edelman
  11. The Boys From Syracuse: This Can't Be Love - Davis Gaines/Sarah Berry
  12. Snoopy!!!: Poor Sweet Baby - Pamela Myers
  13. SeesawNobody Does It Like Me - Michele Lee
  14. March Of The Falsettos: I Never Wanted To Love You - Michael Rupert/Stephen Bogardus/Alison Fraser/Chip Zien/James Kushner
  15. Lunch: Perfectly Alone - Carol Burnett
  16. 3hree: Foolish Dreamin'/Something Beautiful/Real Enough To Change My Mind - Jessica Molaskey/Will Gartshore/Rachel Ulanet
  17. Lucky In The Rain: Love Me As If There Were No Tomorrow - Barbara Cook
  18. Godspell: All Good Gifts - Sal Sabella & Company
  19. The Act: Walking Papers - Liza Minnelli & Company

Customer Reviews:

4 out of 5 stars Great compilation.......2002-05-10

I don't actually own this particular compilation, however, since I own nearly every recording represented on these discs...I think I'm qualified to comment. This is a wonderful representation of the high quality of work that DRG Records does.
The previous review is way off the mark. This is definitely not a waste of time or money. This is 25 years of preserving Broadway shows, Off-Broadway shows, studio recordings (mostly from the city center concerts), etc. So what if they "aren't as good as the original", DRG is preserving many recordings and artists that other mainstream labels don't or won't. You have wonderful recordings from Brian Stokes Mitchell, Nathan Lane, Debbie Gravitte, Tyne Daly, Anthony Perkins, Joanna Gleason, Marin Mazzie, Carol Burnett, Heather Headley, Patti LuPone, Barbara Cook, etc., and many of these are from Original Cast Recordings just as they appeared on Broadway. This is an excellent sampler of the work going on at DRG. No...I'm not an employee...just an avid listener and collector of theatre recordings.

1 out of 5 stars A disappointment.......2001-12-15

There's a reason you've probably never heard of most of the songs and shows on this album, not to mention most of the artists. This is a second-rate collection of second-rate numbers performed by mostly second-rate artists. In the case of the shows that were revivals, the performances on the original cast recordings were better. Don't waste your money.
Andrew Lloyd Webber: Now & Forever
Average customer rating: 4.5 out of 5 stars
  • I waited for this for five years
  • Excellent collection but BIG PUBLISHING MISTAKE!
  • ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS
  • SUCH MAGICAL MUSIC OF THE NIGHT!
  • A Must Have for Sir Andrew fans
 Andrew Lloyd Webber: Now & Forever
Various Artists
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005R5UJ
Release Date: 2001-11-20

Tracks:

  1. Jesus Christ Superstar: Overture - Andrew Lloyd Webber
  2. Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
  3. Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
  4. Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
  5. Jesus Christ Superstar: Superstar - Murray Head
  6. Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
  7. Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
  8. Evita: Another Suitcase In Another Hall - Barbara Dickson
  9. Evita: Don't Cry For Me Argentina - Julie Covington
  10. Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
  11. Cats: The Jellicle Ball - Andrew Lloyd Weber
  12. Cats: Memory - Elaine Paige
  13. Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
  14. Cats: Mr Mistoffelees - Paul Nicholas
  15. Song And Dance: Take That Look Off Your Face - Marti Webb
  16. Song And Dance: Tell Me On A Sunday - Marti Webb
  17. Song And Dance: Unexpected Song - Sarah Brightman
  18. Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
  19. Song And Dance: Introduction - Andrew Lloyd Webber
  20. Song And Dance: Variations 1 -4 - Andrew Lloyd Webber

Tracks:

  1. Starlight Express: Starlight Express - El Debarge
  2. Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
  3. Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
  4. Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
  5. Starlight Express: Light At The End Of The Tunnel - The Company
  6. Requiem: Hosanna - Placido Domingo
  7. Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
  8. The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
  9. The Phantom Of The Opera: The Music Of The Night - Michael Crawford
  10. The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
  11. The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
  12. The Phantom Of The Opera: Masquerade - The Company
  13. The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
  14. Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
  15. Aspects Of Love: Love Changes Everything - Michael Ball
  16. Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
  17. Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
  18. Aspects Of Love: Anything But Lonely - Sarah Brightman
  19. Aspects Of Love: Chanson D'Enfance - Sarah Brightman

Tracks:

  1. Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
  2. Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
  3. Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
  4. By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
  5. By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
  6. By Jeeves: Half A Moment - Sarah Brightman
  7. Sunset Boulevard: With One Look - Glenn Close
  8. Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
  9. Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
  10. Sunset Boulevard: Sunser Boulevard - Alan Campbell
  11. Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
  12. Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
  13. Whistle Down The Wind: Cold - Everly Brothers
  14. Whistle Down The Wind: No Matter What - Children/Adult Chorus
  15. Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
  16. The Beautiful Game: Overture - Andrew Lloyd Webber
  17. The Beautiful Game: The Beautiful Game - The Company
  18. The Beautiful Game: Our Kind Of Love - Hannah Waddingham
  19. The Beautiful Game: Dont Like You - Josie Walker/David Shannon
  20. The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir

Tracks:

  1. Oh What A Circus - David Essex
  2. Memory - Betty Buckley
  3. The Phantom Of The Opera - Sarah Brightman/Steve Harley
  4. All I Ask Of You - Sarah Brightman/Cliff Richard
  5. Love Changes Everything - Michael Ball
  6. Any Dream Will Do - Donny Osmond
  7. Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
  8. As If We Never Said Goodbye - Barbra Streisand
  9. The Perfect Year - Dina Carroll
  10. With One Look - Petula Clark
  11. You Must Love Me - Madonna
  12. The Heart Is Slow To Learn - Kiri Te Kanawa
  13. A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
  14. Whistle Down The Wind - Tina Arena
  15. No Matter What - Boyzone
  16. The Vaults Of Heaven - Tom Jones
  17. Try Not To Be Afraid - Boy George
  18. Pie Jesu - Charlotte Church

Tracks:

  1. Make Believe Love - Wes Sands
  2. Down Thru' Summer - Ross Hannaman
  3. I'll Give All My Love To Southend - Ross Hannaman
  4. Believe Me I Will - Sacha Distel
  5. Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
  6. Try It And See - Rita Pavone
  7. Come Back Richard Your Country Needs You - Time Rice And The Webber Group
  8. Goodbye Seattle - Paul Raven
  9. John 19:41 - The Andrew Lloyd Webber Orchestra
  10. What A Line To Go Out On - Yvonne Elliman
  11. Disillusion Me - Gary Band
  12. The Ballad Of Robert And Peter - Tim Rice
  13. Christmas Dream - Maynard Williams
  14. It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
  15. It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
  16. Magdalena - Tony Christie
  17. Buenos Aires - The Roja Rockers
  18. Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
  19. Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
  20. I Could Have Given You More - Petula Clark
  21. I've Been In Love Too Long - Marti Webb
  22. Benedicite - The Stephen Hill Singers

Album Description

Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance

Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love

Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game

CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church

Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers

Customer Reviews:

3 out of 5 stars I waited for this for five years.......2006-06-30

Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
It was worth the wait.

The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.

I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.

There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."

But the selections on CDs 1-3 don't make sense.

First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.

Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?

On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?

The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).

There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.

With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?

Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.

In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.

5 out of 5 stars Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10

Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.

4 out of 5 stars ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21

Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.

Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.

Here are my basic impressions and comments regarding the material on the discs:

* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.

* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.

* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.

* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.

* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.


Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.

5 out of 5 stars SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19

"Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.

4 out of 5 stars A Must Have for Sir Andrew fans.......2002-05-21

This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!
Put on a Happy Face: Broadway 1959-1967
Average customer rating: Not rated
    		Put on a Happy Face: Broadway 1959-1967

    Manufacturer: Decca Broadway
    ProductGroup: Music
    Binding: Audio CD

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    3. Center Stage: Broadway 1947-1958
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    ASIN: B0007ZEO1Y
    Release Date: 2005-04-26

    Tracks:

    1. The Impossible Dream
    2. Love Makes The World Go 'Round
    3. Try To Remember
    4. Put On A Happy Face
    5. I Say Hello
    6. Happiness
    7. She Loves Me
    8. What Kind Of Fool Am I?
    9. Shy
    10. Consider Yourself
    11. Poor Little Person
    Sweet Charity (1969 Film Soundtrack)
    Average customer rating: 4 out of 5 stars
    • Sammy Davis Jr. is awesome
    • Great Memories (better than current 2005 Broadway Revival)
    • long-overdue reissue of the classic soundtrack
    • Sweet Charity
    		 Sweet Charity (1969 Film Soundtrack)
    Cy Coleman , Shirley MacLaine , and Sammy Davis Jr.
    Manufacturer: Decca
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    ASIN: B0000AYL1W
    Release Date: 2003-08-26

    Tracks:

    1. Overture
    2. My Personal Property
    3. Big Spender
    4. The Pompeii Club
    5. If My Friends Could See Me Now
    6. There's Gotta Be Something Better Than This
    7. It's A Nice Face
    8. Rhythm Of Life
    9. Sweet Charity
    10. I'm A Brass Band
    11. I Love To Cry At Weddings
    12. Where Am I Going?
    13. Finale

    Customer Reviews:

    4 out of 5 stars Sammy Davis Jr. is awesome.......2007-01-10

    I have been converting my old LP's into CD's then putting them on my Ipod. I am picky about what I put on my Ipod, selecting only certain tracks from each CD. This CD, however, I put all tracks onto my Ipod except the overture. While I find Shirley MacLaine's voice a bit weak, the songs overcome any such problems with their energy. And one of the main reasons I wanted the movie rather than broadway CD was because of Sammy Davis Jr. His contributions to this album are worth every penny.

    4 out of 5 stars Great Memories (better than current 2005 Broadway Revival).......2005-08-06

    I saw the movie version for the first time a couple of years ago and continue with fond memories. I saw the 2005 Broadway Revival in June. Trust me, stick with the movie cast recording. Paula Kelly, Chita Rivera, and even Shirley MacLaine have a magic and zeal that is lost in the current revival. My main disappointment is that the movie soundtrack's version of The Rich Man's Frug is too short and doesn't have the best parts of the full number from the movie. That aside, who could ever top Sammy Davis' performance in Rythm of Life. Chita and Paula are beyond comparison in Something Better Than This.

    This cast recording makes me wish I was old enough to have seen them during the original Broadway run.

    Consider buying the DVD to the movie to accompany this DVD. That way, you'll also get to see Ben Vereen at his best. I will warn you that the movie was a bit indulgent with extended scenes whose length is not justified by their contribution to the overall film. It's about 20-30 minutes too long. But the musical and dance numbers are really great. Who doesn't love Fosse?

    4 out of 5 stars long-overdue reissue of the classic soundtrack.......2003-10-09

    SWEET CHARITY was turned into a not-so-successful film in 1969, starring Shirley MacLaine. Originally appearing on Broadway in 1966 starring Gwen Verdon, the musical is based on the classic Fellini film "Nights of Cabiria".

    The score was heavily revised for the move to celluloid. "You Should See Yourself" was replaced by "My Personal Property", "I'm the Bravest Individual" was replaced by "It's a Nice Face". The melody for "Sweet Charity" was re-jigged for a more uptempo feel. Songs cut from the score altogether included "Baby Dream Your Dream", "Too Many Tomorrows" and "Charity's Soliloquy".

    Shirley MacLaine was joined by a cast including veteran Broadway talents Paula Kelly and Chita Rivera, John McMartin (recreating the role he originated on Broadway opposite Gwen Verdon) as Oscar Linquist, Sammy Davis Jr. as Daddy Brubeck, Stubby Kaye as Herman and Ricardo Montalban.

    Shirley MacLaine sings her numbers with her sweet pixie-esque voice, gliding through showstoppers like "I'm a Brass Band" and "If My Friends Could See Me Now" with great ease.

    Another fantastic package from Decca Broadway. Peter Filichia, as always, offers comprehensive liner notes, and sound quality is quite good. In addition to this CD I also recommend the still-superb 1966 original Broadway cast album with Gwen Verdon.

    3 out of 5 stars Sweet Charity.......2003-09-14

    I've been waiting for this version of Sweet Charity to come out for years. My parents use to listen to the Decca LP many years ago and the tunes grew on me. From hey Big Spender, If My Friends Could See Me Now, I'm A Brass Band, etc, etc Great music all around with not one bad track. Before this version I had brought the Broadway Show versions and to me they were all kind of flat. Maybe because I grew up on the film version I couldn't appreciate the show versions as much. The vocals and the scoring are great. Shirley MacClaine doesn't have the greatest voice in the world but she's still great.
    My biggest complaint about this CD release is that it is not complete. You think that Decca Records would do a complete Cd release as previous musical soundtracks have done. This is a direct copy of the Lp released so many years ago. There is so much more music in this film that I was disapointed when I found it it was only a Cd of the original album. With Cd's fitting up the 80 minutes of music it is very surprising that this truncated version was released. Maybe because it's not considered a classic. This is am underrated film as far as I am concerned and in my opinion a far better score than Chicago (with all due respect to Bob Fosse who directed this film) This would be a great CD if only it wasn't abbreviated.
    My Fair Lady (1959 Original London Cast)
    Average customer rating: 4 out of 5 stars
    • Precise, pointed and peerless !!!
    • the "Fair Lady" in London...
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    		 My Fair Lady (1959 Original London Cast)
    Alan Jay Lerner
    Manufacturer: Sony
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    Binding: Audio CD

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    ASIN: B000007OHU
    Release Date: 1998-06-02

    Tracks:

    1. Act I: Overture
    2. Act I: Why Can't The English?
    3. Act I: Wouldn't It Be Loverly
    4. Act I: With A Little Bit Of Luck
    5. Act I: I'm An Ordinary Man
    6. Act I: Just You Wait
    7. Act I: The Rain In Spain
    8. Act I: I Could Have Danced All Night
    9. Act I: Ascot Gavotte
    10. Act I: On The Street Where You Live
    11. Act II: You Did It
    12. Act II: Show Me
    13. Act II: Get Me To The Church On Time
    14. Act II: A Hymn To Him
    15. Act II: Without You
    16. Act II: I've Grown Accustomed To Her Face
    17. The Embassy Waltz

    Amazon.com

    My Fair Lady is without question one of the greatest shows ever created for the musical theater. It's a charming, hilarious, and touching adaptation of George Bernard Shaw's Pygmalion, pitting flower girl Eliza Doolittle against Prof. Henry Higgins, the self-absorbed and ill-tempered linguist who bets that he can turn her into a lady by improving her diction. Lerner and Loewe's score includes some of the best-loved songs in the canon: "Why Can't the English," "Wouldn't It Be Loverly," "The Rain in Spain," "I Could Have Danced All Night," "On the Street Where You Live," "Get Me to the Church on Time," and "I've Grown Accustomed to Her Face," among others. The 1959 London-cast stereo recording is generally held in lower regard than its Broadway counterpart, recorded three years earlier in mono. But why quibble? The principals are all the same--Rex Harrison as Higgins, Julie Andrews as Eliza, Stanley Holloway as her dad, and Robert Coote as Col. Pickering (Leonard Weir replaced Michael King as Freddy Einsford-Hill)--and it's still a classic recording in its own right that you'll treasure for years. --David Horiuchi

    Customer Reviews:

    5 out of 5 stars Precise, pointed and peerless !!!.......2007-01-03

    One listen to the London original cast recording of My Fair Lady and you know why this CD still sells. Despite the decades, the recording sounds fresh, clear and crisp. There is no background noise on this CD! Moreover, the songs by Lerner and Loewe are brilliantly composed and the lyrics are clever, witty and poignant. This CD proves it.

    The CD opens with the overture to the musical stage play and then goes right into the first song entitled "Why Can't The English?" More spoken than sung by Rex Harrison, "Why Can't The English" fleshes out his character's lament that too many British people don't speak English well. The melody is catchy and the lyrics are funny at times even if some of the humor is dated.

    The lesser educated British have their say in the next number, "Wouldn't It Be Loverly." In this song, sung by Julie Andrews as Eliza Doolittle with male backup singers and a chorus of whistlers, demonstrates how these persons really do want to lead a much more sophisticated life with more luxuries.

    Other great songs on this CD include the rousing "Get Me To The Church On Time" sung by the memorable Stanley Holloway; the beautiful love ballad "On The Street Where You Live" performed by Leonard Weir; "I Could Have Danced All Night" which is performed flawlessly by Julie Andrews who belts out those incredibly high notes; and "The Rain In Spain" delivered by Julie Andrews, Rex Harrison and Robert Coote. Excellent!

    One especially amusing song is entitled "A Hymn To Him" performed mostly by Rex Harrison with some assistance from Robert Coote. The violins at the beginning of this number are beautiful in the musical arrangement.

    The CD concludes with a extra bonus monophonic track of the waltz music for the scene in which Henry Higgins takes Eliza Doolittle to the Embassy ball. "The Embassy Waltz," conducted by Percy Faith, offers a beautiful musical arrangement that leaves you wanting more--so don't be surprised if you get the urge to play the CD all over again from the very beginning and enjoy it once more.

    The musical arrangements are carefully planned and executed throughout; only Lerner and Loewe were capable of producing such a fine score to go with this stage play. The tempo of the score is faster overall than it was for the original Broadway production; this is especially evident in the opening notes of the overture. Nevertheless, it all works brilliantly.

    The liner notes boast terrific black and white photos of the actors in the stage play along with a special color photo of Julie Andrews and Rex Harrison. Didier C. Deutsch contributes a lengthy essay about the history and production of My Fair Lady as well.

    The music and lyrics to the original London cast recording of My Fair Lady are timeless. Even today, more than four decades later, the soundtrack still sells well. The musical is one with which many people can identify as it illustrates through words and music the blossoming love affair between Henry Higgins and Eliza Doolittle. Indeed, the story and the music add to the enchantment as we realize that even Higgins and Doolittle themselves are unaware of the full power of their mutual attraction until the very end of the stage play. My Fair Lady will remain a classic musical; and the score to the stage play on this album is priceless. May you enjoy this soundtrack as much as I did!

    4 out of 5 stars the "Fair Lady" in London..........2006-09-23

    In 1956, Lerner and Loewe's MY FAIR LADY swept into Broadway and quickly captured the hearts of critics and audiences alike, the perfect transformation of George Bernard Shaw's play "Pygmalion" into the world of the musical theatre. Both Rex Harrison and Julie Andrews played the show for two years on Broadway before yielding to replacements (Edward Mulhare and Sally Ann Howes), and in 1959 traveled across the pond to headline the London company. The show opened at the Drury Lane Theatre in April 1959, and ran for 2,281 performances.

    While both Julie Andrews and Rex Harrison had laid down their definitive performances as Eliza Doolittle and Prof. Henry Higgins for the 1956 original Broadway cast album of MY FAIR LADY, the subsequent 1959 London production allowed them to record another album, in the brand-new stereophonic format.

    Despite this 1959 recording having a sweeter sound than the earlier 1956 mono album, this sadly remains the lesser of the two, because a lot of the energy and flash had disappeared from Julie Andrews' voice in the years she had performed the role. On the Broadway album, Andrews gives a rich performance that runs the gamut from cockney guttersnipe to regal high society, but comparing the two albums directly, she does not sound at her optimal best on the London set. Andrews has acknowledged that she found the role of Eliza both physically and vocally exhausting, even more so because of the lack of body-mikes, and the projection must have been gruelling at times. No wonder that so much of the bloom in Andrews' voice had vanished by the time she reprised her role in London. Despite Andrews, the album does have a few merits including breezy orchestrations under the direction of Cyril Ornadel (the Overture is given a much faster tempo than is heard on the Broadway set).

    The supporting cast includes Stanley Holloway (also reprising his Broadway role) as Eliza's dustman father Alfie. The role of Freddy is played by Leonard Weir (his "On the Street Where You Live" is very charming), and Robert Coote also repeats his Broadway role as Colonel Pickering.

    The 1959 London cast of MY FAIR LADY, just like the 1956 Broadway album, has never been out of the catalogue, though the confusion between the two albums still exists, despite the fact that the London album sports a gold-brown cover and the Broadway album is white. Sony Broadway Masterworks' edition features a bonus track of the "Embassy Waltz", a mono recording from 1956.

    4 out of 5 stars My Fair Lady again?.......2005-06-04

    I have heard the Columbia Masterworks recording of this show as it was produced in Isreal. Same orchestrations, different lyrics! In Hebrew of course. I wish it were still available.

    4 out of 5 stars Broadway vs London vs Movie.......2003-10-02

    Let's begin by comparing both the Broadway and London scores to the 1964 movie soundtrack-- actually there is no comparison! Both Broadway and London surpass the movie recording by far, only demonstrating the HUGE mistake Hollywood made by not casting Julie Andrews as Eliza Doolittle. Andrews' purely delightful soprano voice and perfect diction cannot even be compared to Marni Nixon's voice dubbing in the film. In addition, Andrews is British, which is critical to this play, unlike Nixon's purely American accent heard in the film.

    As far as Broadway vs London MFL recordings, I would have to agree with the others who are in favor of the "white" Broadway album. While both are very good, the Broadway album does appear to be less "forced" than the London album due, most likely, to the fact that it was recorded before the cast had exhausted themselves singing the score after a few years on the stage. Both Rex Harrison and Julie Andrews appear to be more "natural" in the Broadway album, and Andrews does definitely lose a bit of the innocence in her voice in this recording.

    All in all, I would recommend that any MFL collector invest in both the Broadway and London cast recordings to make your own opinions. Yet, for someone looking to buy only one album, I would stick with the Broadway version. In all situations, save yourself some money and skip buying the film soundtrack.

    4 out of 5 stars It's good but,.........2003-07-26

    If I had never heard the 1956 recording I would have thought this one was great....but to me, compared to its mono counterpart, this performance sounds more like a Wednesday matinee in the middle of a long run. The performers are all still wonderful, but it's very relaxed and and lacks the vivid characterizations found in the original. Any fan of "My Fair Lady," however, will want to have them both and decide for themselves!
    The Ultimate Cole Porter, Vol. 3
    Average customer rating: Not rated
      		The Ultimate Cole Porter, Vol. 3

      Manufacturer: Pearl
      ProductGroup: Music
      Binding: Audio CD

      All Works by PorterAll Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
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      ASIN: B00008XS3Q
      Release Date: 2003-05-20

      Tracks:

      1. Goodbye, Little Dream, Goodbye (Orig. Cast) [O Mistress Mine] - Pierre Fresnay,
      2. Who Knows? ( of Orig. Cast) [Rosalie] - Nelson Eddy
      3. I've a Strange New Rhythm in My Heart ( of Orig. Cast) [Rosalie] - Marjorie Lane
      4. Rosalie ( of Orig. Cast) - Nelson Eddy
      5. It's De-Lovely ( of Orig. Cast) [The Fleets Lit Up] - Frances Day
      6. River God - Todd Duncan
      7. Most Gentlemen Don't Like Love ( of Orig. Cast) [Leave It to Me] - Mary Martin
      8. My Heart Belongs to Daddy ( of Orig. Cast) [Leave It to Me] - Mary Martin
      9. Do I Love You? [Dubarry Was a Lady] - Frances Day
      10. But in the Morning, No! [Dubarry Was a Lady] - Frances Day, Bud Flanagan
      11. Friendship [Dubarry Was a Lady] - Bert Lahr, Ethel Merman
      12. Most Gentlemen Don't Like Love (Of Orig. Cast) [Black Velvet] - Pat Kirkwood
      13. My Heart Belongs to Daddy ( of Orig. Cast) [Black Velvet] - Pat Kirkwood
      14. My Mother Would Love You (Of Orig. Cast) (Panama Hattie) - Ethel Merman
      15. I've Still Got My Health (Of Orig. Cast) (Panama Hattie) - Ethel Merman
      16. Let's Be Buddies (Of Orig. Cast) (Panama Hattie) - Joan Carroll, Ethel Merman
      17. Make It Another Old Fashioned, Please (Of Orig. Cast) (Panama Hattie) - Ethel Merman
      18. Everything I Love (Of Orig. Cast) [Let's Face It] - Mary Jane Walsh
      19. I Hate You Darling [From Let's Face It] - Mary Jane Walsh
      20. Farming (Of Orig. Cast) [Let's Face It] - Danny Kaye
      21. Let's Not Talk About Love (Of Orig. Cast) [Let's Face It] - Danny Kaye
      22. Ace in the Hole (Of Orig. Cast) [Let's Face It] - Mary Jane Walsh
      23. Farming (Of Orig. Cast) [Let's Face It] - Mary Jane Walsh
      24. Let's Be Buddies [Black Vanities] - Chesney Allen, Bud Flanagan
      Best of Broadway: There's No Business
      Average customer rating: 5 out of 5 stars
      • "Richard Alden", best of the best!
      		 Best of Broadway: There's No Business

      Manufacturer: Reader's Digest
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B00006313P
      Release Date: 2002-03-12

      Tracks:

      1. Annie Get Your Gun: There's No Business Like Show Business - London Promenade Orchestra
      2. Walk A Little Faster: April In Paris
      3. On Your Toes: There's A Small Hotel
      4. Oklahoma: Oh, What A Beautiful Mornin'
      5. Can-Can: It's All Right With Me
      6. Showboat: Bill
      7. Cotton Club Parade: I've Got The World On A String - Ed Ames
      8. My Fair Lady: I've Grown Accustomed To Her Face - Richard Alden, His Piano and Orchestra
      9. Stop The World - I Want To Get Off: What Kind Of Fool Am I? - Douglas Gamley, His Orchestra And Chorus
      10. A Chorus Line: One
      11. The Most Happy Fella: Medley: My Heart Is Full Of You / Standing On The Corner - London Promenade Orchestra
      12. Knickerbocker Holiday: September Song - London Promenade Orchestra

      Customer Reviews:

      5 out of 5 stars "Richard Alden", best of the best!.......2006-10-15

      I bougth this CD only for the track #8, from my Fair Lady "I've grown accustomed to her face", played, arranged and directed by Richard Alden, the same Ronnie Aldrich. The arrange has a little more rithm than the version of Phase 4 Stereo in "The magic moods of Ronnie Aldrich". It sounds spectacular!
      The CDs from Readers Digest have some themes from Ronnie and "Richard Alden", inedits and a treasures for who loves the music of that genius od the piano
      The rest of the CD has pretty songs.
      Bye Bye Birdie (1961 London Cast)
      Average customer rating: 3.5 out of 5 stars
      • Why Can't the English?
      • a fine recording
      • A very welcome re-issue
      		 Bye Bye Birdie (1961 London Cast)
      Charles Strouse , Lee Adams , and Chita Rivera
      Manufacturer: Decca Broadway
      ProductGroup: Music
      Binding: Audio CD

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      5. Hairspray (Soundtrack to the Motion Picture)

      ASIN: B00005O6KV
      Release Date: 2001-09-25

      Tracks:

      1. Overture
      2. An English Teacher
      3. The Telephone Hour
      4. How Lovely to Be a Woman
      5. Put On a Happy Face
      6. Normal American Boy
      7. One Boy
      8. Honestly Sincere
      9. Hymn for a Sunday Evening
      10. One Last Kiss
      11. What Did I Ever See in Him?
      12. A Lot of Livin' to Do
      13. Kids
      14. Baby, Talk to Me
      15. Kids (Reprise)
      16. Spanish Rose
      17. Rosie

      Customer Reviews:

      2 out of 5 stars Why Can't the English?.......2004-09-10

      This disc has the same content as was heard on the original Broadway cast album. The score is still enjoyable. the performances here are disappointing. Chita Rivera sounds tired and seems to be forcing her voice. Peter Marshall wrestles with his musical segments and lacks the charisma that Dyke Van Dick brought to the role. The kids are all terrible here, and several wrong notes slip through in the orchestra. Why is it that the British just can't do justice to American musicals??

      4 out of 5 stars a fine recording.......2003-03-11

      This reissue of the London cast of BYE BYE BIRDIE is most welcome to any cast-album collector. Though I do prefer the Broadway cast (available on the Sony Broadway Masterworks label), the cast here is quite excellent.

      Chita Rivera reprises her role of Rose Grant; partnering her as Albert Peterson is Peter Marshall. Rivera's performance is a tad more polished on this recording, and the arrangements are paced a little more slowly here. When Rivera left the Broadway company she was replaced by Gretchen Wyler.

      However, those people who have criticised Susan Watson's performance as Kim on the Broadway recording should reserve their judgement for this Kim - namely Sylvia Tysick. Tysick has a terribly-thin upper register and really struggles with most of her material. Getting back to Susan Watson...she sounds so much better on the revival cast-album of NO, NO, NANETTE (available on the Sony Broadway Masterworks label) that her lack of vocal finesse in BIRDIE can be attributed to her young age.

      The rest of the cast are fantatic, with Angela Baddeley (Mrs Bridges in "Upstairs Downstairs") as Mae Peterson, and Marty Wilde as Conrad Birdie himself.

      Highly-recommended. (Decca Broadway)

      5 out of 5 stars A very welcome re-issue.......2001-10-23

      In terms of content, this album is identical to the Broadway recording (apart from that recording's bonus tracks which aren't enought to tip the balance). Chita Rivera gives a definitive performance as Rosie in both recordings but is even better in the London recording. Peter Marshall sings better than Dick Van Dyke although as Van Dyke has a touch more personality, it is a close run thing. Susan Watson on the Broadway recording outsings Sylvia Tysack on the London but Tysack is the more convincing teenager. Broadway's Paul Lynde reigns supreme as Harry Mcafee but London's Robert Nichols isn't far behind. Marty Wilde as Birdie is a definite improvement on Broadway's Dick Gautier and "Honestly Sincere" and "One Last Kiss", the two rock 'n roll parodies, come off much better in his hands. He's helped in this because Alyn Ainsworth and his orchestra are also more in tune with this particular misical idiom than their Broadway counterparts. Up to this point, it's a very close run thing as to which is the better album. The deciding factor for me is the quality of the London recording which let's through much more orchestral detail than the Broadway. There isn't a huge amont of difference between the Broadway and London recordings. If you are about to buy your first "Birdie" recording, go for the London. If you have the Broadway and want another, again get the London. In any event, it is important to have a recording that features Chita Rivera as Rose. The TV soundtrack album has extra songs but Vanessa Williams is not Chita Rivera and most of the new material isn't as good as the original score. So it's a very big welcome back for the London recording.
      This Is the Army & Call Me Mister
      Average customer rating: Not rated
        		This Is the Army & Call Me Mister

        Manufacturer: Jasmine Music
        ProductGroup: Music
        Binding: Audio CD

        GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
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        ASIN: B00006J9M1
        Release Date: 2002-11-19

        Tracks:

        1. Overture: This Is The Army, Mr. Jones/I Left My Heart At The Stage Door/Canteen/That Russian Winter/This Is The Army, Mr. Jones (Reprise) - All-Soldier Chorus
        2. This Is The Army, Mr. Jones - Irving Berlin & Chorus
        3. I'm Getting Tired So I Can Sleep - Private Stuart Churchill
        4. I Left My Heart At The Stage Door Canteen - Corporal Earl Oxford
        5. Dialog With Staff Sergent Ezra Stone, Corporal Philip Truex & Private Julie Oshins - Staff Sergent Ezra Stone
        6. The Army's Made A Man Out Of Me - Staff Sergent Ezra Stone
        7. What The Well Dressed Man In Harlem Will Wear - Corporal James 'Stump' Cross
        8. How About A Cheer For The Navy - All-Soldier Chorus
        9. American Eagles/With My Head In The Clouds - Soldier Chorus
        10. Oh, How I Hate To Get Up In The Morning - Irving Berlin
        11. My British Buddy - Irving Berlin & Chorus
        12. This Time - Cote Glee Club
        13. Going Home Train - Lawrence Winters & Male Chorus
        14. Along With Me - Danny Scholl
        15. Little Surplus Me - Betty Garrett
        16. The Red Ball Express - Male Quartet
        17. Military Life - Harry Clark
        18. Yuletide, Park Avenue - Betty Garrett
        19. When We Meet Again - Paula Bane
        20. The Face On The Dime - Lawrence Winters
        21. South America, Take It Away - Betty Garrett
        22. Call Me Mister - Bill Callaghan

        Jazz Music:

        1. Far Cry (20 Bit Mastering) [Original recording remastered]
        2. For the Love
        3. From The Ashes
        4. Gettin' It Together
        5. Great Tokyo Meeting [Import]
        6. Green's Blues
        7. Harlem to Hollywood
        8. Introducing Sasha Dobson
        9. Jazz in Paris: Saint-Germain-Des-Prés, Vol. 3 1946-1956 [Box set] [Original recording remastered]
        10. Jazz in Paris: Sammy Price & Doc Cheatham Play George Gershwin

        Jazz Music

        Jazz Music