Mylab

Mylab

Mylab

ASIN: B00019PCUI

Editorial Reviews
Mojo Magazine, April 2004
**** " the two (Martine/Horvitz) mix-and-match an array of elements for the simple joy of conjuring up something intriguingly different."

Product Description
Recording the tracks for what would become Mylab's self-titled debut was also a communal experience, as Wayne and Tucker first got their hands dirty at Horvitz's Other Room studio in Seattle, then shifted over to Martine's own Seattle studio, Flora, for the initial round of overdubbing. The final round of Mylab sessions were held just last summer at Trillium Lane Studios, located in the midst of a pastoral 15-acre spread on Bainbridge Island in Washington.

In the end, Horvitz and Martine's ability to assemble and mix such an incredibly diverse range of pop, rock, jazz, folk, urban, bluegrass, traditional and alternative artists produced the kind of adventurous sonic orchestra that would have made the late, great Sun-Ra proud. The proof, of course, is in the music. From the Henry Mancini-esque bounce of the album opener, "Pop Client" to the Chuck Berry-beat of "Land Trust Picnic" or the spooky, Pet Sounds meets industrial NIN flavor of "Earthbound," Mylab is clearly not afraid to cross-over -- and transcend -- any schools of music.

Mylab

Mylab,Mylab,Terminus Records,Experimental Rock,Jazz,Jazz-Rock,Pop,Post-Rock/Experimental
Mylab
Average customer rating: 4.5 out of 5 stars
  • Pulses with quirky energy channeled through a cerebral amalgam
  • Never tired of listening to this one
  • Electronica jazz
  • Broadening horizons
  • Myreview---Quality!
Mylab
Mylab
Manufacturer: Terminus Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Jazz | Styles | Music
Experimental RockExperimental Rock | Rock | Alternative Styles | Alternative Rock | Styles | Music
Experimental MusicExperimental Music | Miscellaneous | Styles | Music
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ASIN: B00019PCUI
Release Date: 2004-02-03

Tracks:

  1. Pop Client
  2. Master Korean Musicians of Canada
  3. Land Trust Picnic
  4. Varmint
  5. Fancy Party Cakes
  6. Phil and Jerry
  7. Workaholic Song
  8. Old Days
  9. Earthbound
  10. Not In My House
  11. Ask Mickey
  12. Chi-Chi Marina

Album Description

Recording the tracks for what would become Mylab's self-titled debut was also a communal experience, as Wayne and Tucker first got their hands dirty at Horvitz's Other Room studio in Seattle, then shifted over to Martine's own Seattle studio, Flora, for the initial round of overdubbing. The final round of Mylab sessions were held just last summer at Trillium Lane Studios, located in the midst of a pastoral 15-acre spread on Bainbridge Island in Washington.

In the end, Horvitz and Martine's ability to assemble and mix such an incredibly diverse range of pop, rock, jazz, folk, urban, bluegrass, traditional and alternative artists produced the kind of adventurous sonic orchestra that would have made the late, great Sun-Ra proud. The proof, of course, is in the music. From the Henry Mancini-esque bounce of the album opener, "Pop Client" to the Chuck Berry-beat of "Land Trust Picnic" or the spooky, Pet Sounds meets industrial NIN flavor of "Earthbound," Mylab is clearly not afraid to cross-over -- and transcend -- any schools of music.

Customer Reviews:

4 out of 5 stars Pulses with quirky energy channeled through a cerebral amalgam.......2006-12-20

A quick perusal of the guest conspirators on "Mylab" leaves me scratching my head. I know of Danny Barnes and Bill Frisell but only have vague tinges about the others on board, including Skerik, Eyvand Kang, Keith Lowe, and Robin Holcomb. That's enough to confirm that this will be a madcap adventure.

And it is.

Mylab, the self-titled CD, pulses with quirky energy channeled through a cerebral amalgam of music, voices, and noises that are propelled by the efforts of Tucker Martine and Wayne Horvitz. The composites (a better word than compositions in this case) cover and embed distinctive elements from all kinds of music. Some are smooth and other are jagged.

Most are fun.

5 out of 5 stars Never tired of listening to this one.......2006-08-26

This album contains some of the most original music I've heard in a long, long time. It tends to be the first thing I play for friends looking for something new and different, regardless of what kind of music they like. Jazz fans think it's great jazz, a bluegrass musician friend thinks it's great bluegrass, and fans of pop think it belongs to them. The fact is that this music defies classification into traditional categories. I had to order a new copy because a friend loved it so much I just had to give my first copy to him. Don't miss this one.

4 out of 5 stars Electronica jazz.......2006-02-26

Mylab is a sort of electronica jazz. It isn't quite a jazz album, because the focus isn't on improvisation or soloing. Rather the songs are for the purpose of the song (sort of like some of the recent Bill Frisell work). That warning aside, this is a very good album. The sounds and songs work together to simply give you something you've never heard before. Similar to "On The Corner" or "Freak In", Mylab has a certain amount of screetchy or clicky noise in its songs. The songs also groove or sometimes build to a satisfying conclusion (think of Frisell's "Unspeakable", which has some players in common, including Frisell himself). So if you want some jazz-esque music that's certainly not easy background listening, pick up Mylab.

4 out of 5 stars Broadening horizons.......2004-03-12

Is it possible to be too eclectic? Some (notably a reviewer in a prominent mainstream jazz magazine) have thought so, accusing Wayne Horvitz and Tucker Martine, masterminds behind this aural madness, of cleverness without soul.

I beg to differ. In these postmodern times, eclecticism is generally regarded as a virtue. And when it's in the hands of production geniuses such as Martine and Horvitz, one shouldn't be too quick with the clever-but-lacking-soul label.

Me, I'm entirely taken by these guys' wacky weirdness.

The vibe here is somewhere between Garage a Trois's Emphasizer and Sex Mob, with a bit of the Intercontinentals, Joel Harrison's Free Country, and Josh Roseman thrown in. What's not to like about that? Add maybe a dash of Jerry Granelli and you get the picture.

To those who diss this disc because it's mannered without soul, I say, lighten up. Get a life. Open up your ears. Hey, it's just music, not religion.

Yes, it took me about a dozen listens to catch the vibe. But once I did, I was blown away. I for one am thrilled with its wild austerity, its edgy effulgence, its western orientalism, its beguiling simplicity, its cool mixture of country blooze and urban jungle.

And I think you will be too. 4 and 1/2 stars.

5 out of 5 stars Myreview---Quality!.......2004-02-16

I did not know what to expect when I bought this, but I knew with the cast involved it had to be good. It's not good, it's great! Wayne Horvitz and Tucker Martine assembled some of the finest musicians around including: Bill Frisell, Danny Barnes, Bobby Previtte, Skerik, Eyvand Kang, Keith Lowe, Robin Holcomb and more. The music ranges from accesible groove to challenging avant garde. The music is as diverse as the group of musicians involved with the project--jazz, pop, rock, electronica, dub, world music--it all gets cooked up in the lab and it all works. My hat is off to Horvitz & Martine--a project of this nature can often come off disjointed, but Mylab is a grand acheivment. NPR did a great feature on this record and has played the music quite a bit recently. Also worth a mention is the label, Terminus Records--they are producing some mighty fine music--check em' out...

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