Love Approach [Original recording remastered] [Import]

Love Approach [Original recording remastered] [Import]

ASIN: B00005MI89

Track Listings

1. Funkin' for Jamaica (N.Y.)

2. Her Silent Smile

3. Forever More

4. Dreams of Lovin' You

5. Nocturne

6. Martha

7. Moon Rise

8. Weak in the Knees

Editorial Reviews
Product Description
Japanese exclusive K2 24-bit remastered reissue of the crossover jazz artist's 1980 album for GRP. Eight tracks including, 'Funkin' For Jamaica (N.Y.)', 'Her Silent Smile' & 'Forever More'. 2001.

Tracks:

Overture/Prologue
Honey, Honey
Money, Money, Money
Thank You For The Music
Mamma Mia
Chiquitita
Dancing Queen
Lay All Your Love On Me
Super Trouper
Gimme! Gimme! Gimme!
The Name Of The Game
Voulez-Vous
Entr'acte
Under Attack
One Of Us
S.O.S.
Does Your Mother Know
Knowing Me, Knowing You
Our Last Summer
Slipping Through My Fingers
The Winner Takes It All
Take A Chance On Me
I Do, I Do, I Do, I Do, I Do
I Have A Dream

Amazon.com

Put together by Abba's own Benny Andersson and Björn Ulvaeus, Mamma Mia! manages to cram over 20 of the Swedish supergroup's songs into a threadbare plot. It goes a little like this: Young Sophie is getting married and she's trying to identify which of three men is her father. That's about it. Wisely, the musical doesn't mess around with the songs, save for the insertion of some dialogue or for having some of them performed by a man (it works amazingly well). Abba fans will jump on this import of the London production, but traditional fans of musical theater should consider it as well. After all, Andersson and Ulvaeus's songs have always felt as if they were more than isolated pop gems and actually belonged to a longer narrative. --Elisabeth Vincentelli

Customer Reviews:

Mamma Mia.......2007-03-22

I have not stopped playing this cd. It is just great! It makes any trip in my car most enjoyable Happy I bought it!

Mamma Mia Musical CD.......2007-03-21

This is a grand list of songs from the original musical when it was first introduced in England. The songs from ABBA are very recognizable even if you haven't seen the show. But, making a trip to NY to see the Broadway production is a plus. ENJOY!

JUST GREAT MUSIC.......2007-03-08

I RECENTLY SAW THE SHOW MAMMA MIA IN LAS VEGAS. ALWAYS LIKES THE MUSIC OF ABBA, AND THOUGH THE PLOT WAS THIN, THE MUSIC WAS WELL PERFORMED. IN THIS PARTICULAR ALBUM, THE ENGLISH ACCENTS WERE A BIT MUCH, BUT THE SONGS WERE GREAT. ALL I CAN SAY IS THANK YOU FOR THE MUSIC, ABBA.

Mamma Mia.......2007-01-29

Every time I hear the music and songs it brings back memories of seeing the Broadway Show

Not good at all.......2007-01-09

This is not what we wanted. The British accents throw it was off. We just saw it in NY and this is not what we were looking for.

Thoroughly Modern Millie (2002 Original Broadway Cast)

Average customer rating:

A must to add to your collection
Delightful
YOU WILL LOVE IT
Stellar cast in a first rate musical
Thoroughly Modern Millie

Thoroughly Modern Millie (2002 Original Broadway Cast)
Jeanine Tesori , Dick Scanlan , and Sutton Foster
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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Thoroughly Modern Millie
Thoroughly Modern Millie: Vocal Selections
Little Women The Musical (2005 Original Broadway Cast)
Hairspray (2002 Original Broadway Cast)
The Drowsy Chaperone (2006 Original Broadway Cast)

ASIN: B000066B4Y
Release Date: 2002-06-11

Tracks:

Overture (Orchestra)
Not for the Life of Me (Sutton Foster)
Thoroughly Modern Millie (Sutton Foster and Ensemble)
Not for the Life of Me (Sutton Foster, JoAnn M. Hunter, Alisa Klein, Jessica Grove, Megan Sikora, Catherine Brunell and Kate Baldwin)
How the Other Half Lives (Angela Christian and Sutton Foster)
Not for the Life of Me (reprise) (Ken Leung and Francis Jue)
The Speed Test (Marc Kudisch, Sutton Foster, Anne L. Nathan and Ensemble)
They Don't Know (Harriet Harris)
The Nuttycracker Suite (Orchestra)
What Do I Need with Love? (Gavin Creel)
Only in New York (Sheryl Lee Ralph)
Jimmy (Sutton Foster)
Back at Work (Orchestra with Sutton Foster, Anne L. Nathan and Ensemble)
Forget About the Boy (Sutton Foster, Anne L. Nathan and Ensemble)
Ah! Sweet Mystery of Life/I'm Falling in Love with Someone (Marc Kudisch and Angela Christian)
I Turned the Corner/I'm Falling in Love with Someone (quartet/reprise) (Gavin Creel and Sutton Foster, Marc Kudisch and Angela Christian)
Muqin (Harriet Harris, Francis Jue and Ken Leung)
Long as I'm Here with You (Sheryl Lee Ralph and Male Ensemble)
Gimme Gimme (Sutton Foster)
Finale (Thoroughly Modern Millie) (Gavin Creel, Angela Christian and Ensemble with Sheryl Lee Ralph and Sutton Foster)
Final Bows (Entire Company)

Amazon.com

Although it's based on the 1967 movie of the same name, Thoroughly Modern Millie is almost thoroughly new. Composer Jeanine Tesori (Violet) and lyricist Dick Scanlan wrote a whole batch of songs, while retaining a couple from the movie--including the Jimmy van Heusen-Sammy Cahn title tune--and recycling even older material (look for Victor Herbert's "I'm Falling in Love with Someone" and the inventively arranged "Nuttycracker Suite"). Miraculously, the show, set during the jazz age, doesn't feel stitched together, and Tesori does a great job cranking out swinging melodies. Sutton Foster is appropriately brassy as Millie, but she can also tone it down, as in the beginning of "Gimme Gimme" (of course, she then proceeds to project up to the last rafters as the song builds to its climax). Harriet Harris, as nasty Mrs. Meers, steals the show with "They Don't Know." Close your eyes, listen to her, and you'll be back in Broadway's golden age. --Elisabeth Vincentelli

Customer Reviews:

A must to add to your collection.......2007-05-18

I was very fortunate enough to see this on Broadway. It was one of the best shows I've ever seen! The music has just enough jazz and contemporary vive that any musical lover would enjoy! It's also got tapping in it! Sutton is simply awesome in this role and all of the cast can really belt out their songs. Harriet Harris is phenominal in her role as Mrs. Meers. I highly recommend this to all broadway lovers! It's one to add to your collection!

Delightful.......2006-06-12

The music takes a little bit to grow on you, but boy, does it! It's wonderful, charming, romantic, funny--just like the play itself. I loved almost every song and I was really impressed with "Long As I'm Here With You"-- I thought it was an old song written back in the twenties, because it so sounded like one. The cast is absolutely energetic and endearing, and Sutton Foster just *rocks*. Definitely worth the money.

YOU WILL LOVE IT.......2006-02-17

If you like musicals, you will NOT REGRET purchasing this musical soundtrack. JUST DO IT. It's so great, you will be listening to it forever. I also saw the show at the Kennedy Center in D.C. and it's one of the best I've ever seen. (And I've seen A LOT.)

Have Fun!

Stellar cast in a first rate musical.......2006-01-29

A sparkling Broadway lead debut from Sutton Foster (run, don't walk to any live performances given by Ms. Sutton) with superb comedic support given by Mark Kudisch and Harriet Harris (who won the Tony Award for this performance)

Thoroughly Modern Millie.......2006-01-27

Truth be told it took me a while to warm up to this cast Album beacuse at first listen it is dull, bland , and completly boring.
But after a few listens I really got into it althought there are still problems and I only like a few songs I don't completly detest it like I did the first time I heard it.

The songs I enjoy are:
Not For The Life of Me
Thoroughly Modern Millie
They Don't Know
The Speed Test
What Do I need With Love
Forget About the Boy
Long As I'm here With You

The problem with Millie is that the slow songs are boring or from another show which is annoying. it seems the the people who wrote the music and lyrics for this show only used their talent on the up-beat songs but slacked on the slow ballads.

Buy this album only if you are a super Broadway fan like me , other-wise you will probably be dissapointed.

Hair - The American Tribal Love Rock Musical (1968 Original Broadway Cast)

Average customer rating:

Great Soundtrack
Hair the musical - orignal cast
Volume pathetically low
nostalgia
Can't beat the original

Hair - The American Tribal Love Rock Musical (1968 Original Broadway Cast)
Galt MacDermot , James Rado , and Gerome Ragni
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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Jesus Christ Superstar (Original London Concept Recording)
Godspell (1971 Original Off-Off-Broadway Cast)
Hair
Hair: Original Soundtrack Recording - Special Anniversary Edition
A Chorus Line (1975 Original Broadway Cast)

ASIN: B000002W1S
Release Date: 1990-10-25

Tracks:

Aquarius - Ronald Dyson
Donna - Gerome Ragni
Hashish - Melba Moore
Sodomy - Steve Curry
Colored Spade - Lamont Washington
Manchester England - James Rado
I'm Black - Steve Curry
Ain't Got No - Melba Moore
I Believe In Love - Melba Moore
Ain't Got No (Reprise) - Melba Moore
Air - Melba Moore
Initials - Melba Moore
I Got Life - James Rado
Going Down - Gerome Ragni
Hair - James Rado
My Conviction - Jonathan Kramer
Easy To Be Hard - Lynn Kellogg
Don't Put It Down - Steve Curry
Frank Mills - Shelley Plimpton
Be-In - Melba Moore
Where Do I Go? - James Rado
Electric Blues - Paul Jabara
Manchester England (Reprise) - James Rado
Black Boys - Diane Keaton
White Boys - Melba Moore
Walking In Space - Melba Moore
Abie Baby - Ronald Dyson
Three-Five-Zero-Zero - Melba Moore
What A Piece Of Work Is Man - Ronald Dyson
Good Morning Starshine - Melba Moore
The Bed - Melba Moore
The Flesh Failures (Let The Sunshine In) - Melba Moore

Amazon.com

"America's First Tribal Love-Rock Musical," went the advertising, and nobody could argue with that. Hair opened on Broadway in 1968 and immediately became a smash, although no one could quite discern what it was about. Something like, "War is bad, drugs are good, racism bites the big one, and nudity is nice." Although all these sentiments are expressed on this album which, like the show, has not dated well, the quality of the music makes it forgiveable. The songs weren't really rock, but they accomplished what all good pop songs set out to do; stick in the craw. In fact, several of its tracks later became hits for pop acts, including "Aquarius/Let the Sunshine In" (The Fifth Dimension), "Hair" (The Cowsills), and "Good Morning Starshine" (Oliver). --Dawn Eden

Customer Reviews:

Great Soundtrack.......2007-07-03

While I will admit that I don't think that Hair will stand up as long as the Soundtrack to 'Rent' will, I do think that this is an amazing and brilliant collections of songs of a specific time that has little if no meaning for somebody like me who was born in the 1970s.

Hair the musical - orignal cast.......2007-06-27

Ah those were the days, marching on Washington, geting gassed, and gettig really fed up with it all And Hair recalls those time perfectly. The music and the philosophy fit perfectly. The cast is talented, the music is edgy and the lisening experience is not only very enjoyable but thought provking in light of today's unpopular war. Listen and love and learn. Peace

Volume pathetically low.......2007-06-19

I had to rip the tracks to my HDD, then raise the volume and burn it back to a CDR. Poor quality for a commercial CD!

nostalgia.......2007-04-15

This is a fun CD of the original broadway production of HAIR. The only thing I didn't like were the extra songs they've included. Oddly enough, I felt that they distracted from the original coherence of the piece. But, anyway, it is a very enjoyable CD

Can't beat the original.......2007-01-25

I was really glad to find this. We already have the cd from the movie but this is 100 times better.

Urinetown (2001 Original Off-Broadway Cast)

Average customer rating:

An Amazing Find
Urinetown the Musical
Not for Everyone
"DON'T BE THE BUNNY!"
Now my favorite CD, EVER!

Urinetown (2001 Original Off-Broadway Cast)
John Cullum , Mark Hollmann , Danny Marcus , and Hunter Foster
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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Urinetown: The Musical
Urinetown: Vocal Selections
The 25th Annual Putnam County Spelling Bee (2005 Original Broadway Cast)
Avenue Q (2003 Original Broadway Cast)
The Drowsy Chaperone (2006 Original Broadway Cast)

ASIN: B00005LZR8
Release Date: 2001-08-07

Tracks:

Overture
Too Much Exposition
Urinetown
It's A Privilege To Pee
Mr. Cladwell
Cop Song
Follow Your Heart
Look At The Sky
Don't Be The Bunny
Act One Finale
What Is Urinetown?
Snuff That Girl
Run, Freedom, Run!
Why Did I Listen To That Man?
Tell Her I Love Her
We're Not Sorry
We're Not Sorry (reprise)
I See A River

Amazon.com

"How about a bad title?" wonders Spencer Kayden's Little Sally in "Too Much Exposition." "That could kill a show pretty good." It's a tribute to the skill deployed by the Urinetown creative team (Mark Hollman, music and lyrics; Greg Kotis, book and lyrics) that its title doesn't kill the show. Set in a near-future in which water depletion has led to a ban on private toilets, this may be the only musical in history in which one of the leads makes a fortune on pee. But the show (which originated Off-Broadway before graduating to the big league) limits its subversive intent to subject matter and is refreshingly classic in approach and structure--think Weill-meets-Lewis Carroll. Backed by a small ensemble, the cast (with John Cullum in a turn nothing short of brilliant as the evil urinal magnate) has a field day with Kotis and Hollman's frequently hilarious score. --Elisabeth Vincentelli

Customer Reviews:

An Amazing Find.......2007-04-03

I just recently discovered this gem of a musical. It's a stand out show with a unique touch. If heard a few outside musicals (The Rocky Horror Show, Hedwig and the Angry Inch...) but this one stands out from them. The music is amazing, the lyrics are creative, and the humor is ripe.

With a chamber music-esque overture, the tone is set. 'Too Much Exposition' is a great introduction to Urinetown (the musical). Officer Lockstock addresses the audience about what they should expect from the show. Little Sally wants to let the audience in on the water shortage but Lockstock stops her. ("You're too young to understand it now, but nothing can kill a show like too much exposition." "How 'bout bad subject matter? Or a bad title, even? That could kill a show pretty good.")

I've read what others have written: you don't get the whole humor of the show unless you've seen it. I haven't seen it, but this recording is enough to get me see it. (That is, if a production nearby, even a high school production, is put on.)

The songs that I find myself listening to over and over are:

Too Much Exposition (not really a song, but still...)
Urinetown
It's A Privilage to Pee
Mr. Cladwell (a wonderfully sweet villain song)
Cop Song (a wonderfully fun villain song)
Follow Your Heart
Don't Be the Bunny
Act 1 Finale
What Is Urinetown?
Run, Freedome, Run!
Why Did I Listen to That Man?
We're Not Sorry (a great 20's sound, reminds me of 'Chicago')
I See A River (I really love this song... the feeling gotten across, before Lockstock comes out to comment, is 'Oh, everything is going to be okay', but Lockstock informs us that all is NOT well)

With a cry of "Hail Mathus!" the show ends. I just have to listen again, after making a trip to the bathroom.

Urinetown the Musical.......2007-03-10

This CD has all the songs from the show. The show is great and this rendition is about the best.

Not for Everyone.......2006-12-28

This musical is a great piece for the 21st century no doubt, that being said it takes some getting used to. The musical cannot be taken at face value, there are lots of things happening under the surface and it takes some bites at things musical theater doesn't usually take, like itself. On the surface it is strange, and not really something people would listen to over and over. However, once you figure it out, it's fun to listen to it again to find all the things that are really going on. It is very funny, and says some good things about the current state of the world. For musical theater fans this is questionable, if you just like the toe-tapping happy go lucky feel, this isn't it. But if you like the social commentary that goes along with that toe tapping, this is a must. NOT FOR FIRST TIME BROADWAY LISTNERS. Favorite Song: "Look at the Sky"

"DON'T BE THE BUNNY!".......2006-12-04

My son, a high school senior, told me his first show of this year's theatrical season was going to be "Urinetown". My response was something like ... No, really, what shows are you doing this year? Then he brought home a recording of it, and I was hooked right away by the lyrics. Over the years my son has been involved in many performances, but he and the rest of the cast had a real blast preparing for, and performing, this show! He wanted Lockstock, but was cast as Cladwell ... Owned it ... Loved it!
I am no Broadway expert by any stretch of the definition, but this show is wonderfully entertaining! You will see (and hear) snippets from other shows, you will pick up on some of even the more subtle stabs at musicals as a whole, you will groan, you will laugh and you will enjoy ... But only if you try not to take it too seriously.
Get past the title (in this case I certainly think it did not "...kill a show pretty good"), relax, and be entertained. And for goodness sake, if you have a chance to see it performed live, do so! A musical that pokes fun at itself? Yes, a refreshing departure from the norm, and worth the price of admission.

Now my favorite CD, EVER!.......2006-10-03

After reading Urinetown (never having seen it), I wondered what on earth it sounded like. Most of the book is just lyrics, and I had no idea what they sounded like. When I finally listened to the music, I found an incredibly complex, catchy, and moving CD.

The music isn't so much complex as it is creative and works with the lyrics. Keep in mind this is a comedy, but this comedy does have soaring melodies and very great simulataneous singing moments (I can't remember what that is specifically called, but think of "Tonight Reprise" from West Side Story). These songs not only entertained me, it moved the story along.

My favorite song is "Why Did I Listen to that Man?" as it is the song where everything comes together and reaches the climax (both in story-line and musically). However, I have a soft spot for every Cladwell song (and I haven't found a person yet who doesn't love "Don't Be the Bunny) as well as every song. What's best about this musical is the range of genres (but not so much as one would find in Joseph and the Amazing Technicolor Dreamcoat).

The cast is truly talented and can perform these songs. It's a very strong recording for what I feel (after finally getting to see it) is the best contemporary musical to date. Not only will your sides split, but you'll learn something too. Best of all, it's a musical for everyone. Unlike other equally hilarious comedies (*cough*The Producers*cough*), Urinetown never relies on "unappropriate" and "adult" material to deliver laughs, although you will have to get over the "really awful title."

Once Upon A Mattress (1959 Original Broadway Cast)

Average customer rating:

"Mattress" CD was excellent
an oldie but a goodie
Nothing like the original --
Awesome
I saw the original on Broadway

Once Upon A Mattress (1959 Original Broadway Cast)
Marshall Barer
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

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Once Upon a Mattress
Once Upon a Mattress (1997 Broadway Revival Cast)
Once Upon a Mattress : Vocal Selections
Bye Bye Birdie (1960 Original Broadway Cast)
The 25th Annual Putnam County Spelling Bee (2005 Original Broadway Cast)

ASIN: B000002ONH
Release Date: 1993-04-13

Tracks:

Overture - Orchestra
Many Moons Ago - Harry Snow
An Opening For A Princess - Joe Bova and Ensemble
In A Little While - Allen Case, Anne Jones
Shy - Carol Burnett, Joe Bova And Ensemble
Sensitivity - Jane White, Robert Weil
The Swamps Of Home - Carol Burnett, Joe Bova And Ensemble
Normandy - Harry Snow, Matt Mattox, Anne Jones
Spanish Panic - Jane White
Song Of Love - Carol Burnett, Joe Bova And Ensemble
Quiet - Jane White And Ensemble
Studio Dialogue - Carol Burnett
Happily Ever After - Carol Burnett
Man To Man Talk - Matt Mattox, Joe Bova
Very Soft Shoes - Matt Mattox And Ensemble
Yesterday I Loved You - Allen Case, Anne Jones
Nightingale Lullaby - Ginny Perlowin
Finale - Joe Bova, Matt Mattox, Jack Gilford And Ensemble

Amazon.com

Based on Hans Christian Andersen's tale The Princess and the Pea, Once Upon a Mattress opened in May 1959 and was a solid success, if not a huge blockbuster. It did well enough, in any case, to warrant a 1997 revival starring Sarah Jessica Parker. The show was far from revolutionary, but it provided a really fun vehicle for a cast of top stage personalities, including black actress Jane White, who played Queen Aggravain (a part originally written for comedienne Nancy Walker) in whiteface. But of course, Once Upon a Mattress's heart and soul was Carol Burnett, who, in her Broadway debut created the part of Princess Winnifred and delivered two of Mary Rodgers's best songs, the hilarious "Shy" and the spunky "Happily Ever After," which sounds a bit like Jule Styne at his most rhythmic. Burnett's timing and performance remain as sharp as they were 40 years ago. --Elisabeth Vincentelli

Customer Reviews:

"Mattress" CD was excellent.......2007-01-09

I've really enjoyed this CD. I only wish the play was available on DVD.

an oldie but a goodie.......2006-03-15

Loved Carol Burnett then and love her now. This original cast CD is a lovely trip down memory lane.

Nothing like the original -- .......2006-01-30

No offense to any of the subsequent "Freds" but Carol Burnett OWNS this role. The recording is as fresh and funny as anything being done today and this is the version musical theatre fans should have in their library. Get it.

Awesome.......2006-01-22

My school did this musical last year (Spring 2005) and I had never heard of it before, so I bought both the Revial and the Original Cast Recordings. Fell in love. I was Sir Harry and loved both songs that I sang in. In my opinion, those are the two best songs in the entire musical, but then again, I'm biased.

Once Upon A Mattress OCR is by far the best out there. Don't get me wrong, the Revival Cast did a wonderful job (soundtrack at least) But There is something about Carol Burnett. She was meant to sing be Fred. But one thing that I didn't like is that "The Minstrel, the Jester & I" wasn't in this recording. But that is really the only problem I had with this.

My fav songs include:
In a Little While (because I sang it)
Yesterday I Loved You (again, I sang it)
Many Moons Ago
Shy

Would I recomend this CD? YES I WOULD!! I would shout it from the rooftops that people should by this CD! It's a funny, quaint little musical that people need to know about. I LOVE IT!

I saw the original on Broadway.......2005-12-19

Once Upon a Mattress was one of the first Broadway shows that I ever saw and I was totally mesmorized and laughed so hard that my side hurt. Carol Burnett was the perfect person to play Fred and it was one of those magical performances that stays with you for a lifetime. The original cast album captures the fun and spirit of the show.

Later during the run of the show a friend of mine joined the chorus and when we talked about the experience, he told me that the joy that was on stage was similar to that felt by the cast and that was apparent on the album. They especially liked working with Ms. Burnett as she was a giving and caring actress.

I recommend this album to anyone who wants to spend some time just feeling good.

The Producers (2001 Original Broadway Cast)

Average customer rating:

Just what I wanted
I Want to be a producer
Spring Time for "The Producers"
Mel Brooks = Brilliant
it won 11 (if im correct) TONY awards for a reason!

The Producers (2001 Original Broadway Cast)
Mel Brooks , Matthew Broderick , Nathan Lane , Roger Bart , Gary Beach , Cady Huffman , Jesse Levy , and Grace Paradise, Jennifer Smith Tony Kadleck
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Monty Python's Spamalot (2005 Original Broadway Cast)
Hairspray (2002 Original Broadway Cast)
Wicked (2003 Original Broadway Cast)
The Producers (2005 Movie Soundtrack)
Dirty Rotten Scoundrels (2005 Original Broadway Cast)

ASIN: B00005AY6I
Release Date: 2001-04-17

Tracks:

Overture
Opening Night
The King of Broadway
We Can Do It
Unhappy
I Wanna Be a Producer
In Old Bavaria
Der Guten Tag Hop-Clop
Keep It Gay
When You Got It, Flaunt It
Along Came Bialy
That Face
Have You Ever Heard the German Band?
It's Bad Luck to Say Good Luck on Op'ning Night
Springtime for hitler
Where Did We Go Right?
Betrayed
'Til Him
Prisoners Of Love (Leo & Max)
Goodbye!

Amazon.com's Best of 2001

The Producers was the vehicle that first proclaimed Mel Brooks's decidedly singular comic vision as a film director in 1968. At the time, the world may not have been entirely ready for the depth charges of hilarity he unleashed; but more than three decades later, it seemed almost foreordained that the film's retooling as a full-fledged musical--directed and choreographed by Susan Stroman--would become the smash hit of the 2000-2001 Broadway season (even before opening at the St. James Theatre in April). Brooks is, of course, no stranger to the Broadway musical genre or to songwriting, but skeptics might find themselves taken by surprise at just how outrageously well all the threads come together for the new show.

The film's absurd core vignette--the infamous "Springtime for Hitler"--if anything gains a few notches in hilarity when framed by a character-rich musical that comes off as both parody and valentine in its mimicry of Broadway's "golden age." Brooks (with the help of idiomatically expert arrangements by Glen Kelly) has cooked up a variety of numbers constituting a virtual primer of old-fashioned American musical comedy styles (there's even a toying with Cabaret-style decadence), but they're always coated with an extra layer of zaniness. In fact, the whole show becomes a Chinese box of parodies within parodies. But what really gets the whole mix working is a surefire cast headed by Nathan Lane playing Max Bialystock and Matthew Broderick doing a delightfully nebbish turn with delusions of misplaced glory as his sidekick, Leo Bloom.

From his first big number (musically winking at Fiddler on the Roof), Lane hungrily lays claim to the role, undaunted by his formidable predecessor, Zero Mostel. Even on disc, you can visualize his over-the-top mugging as a dethroned "king of Broadway" who was "the first producer ever to do summer stock in the winter." Comedy, as they say, is all about timing, and that's exactly what Lane gets right. His interactions with Bloom, Franz Liebkind (Brad Oscar), and Roger de Bris (Gary Beach) are priceless, even when only in sound. As for the tunes, Brooks crafts a number of truly memorable ones--don't be surprised to find yourself horrified as you hum along with "Der Guten Tag Hop-Clop" and, of course, "Springtime for Hitler." --Thomas May

Customer Reviews:

Just what I wanted.......2006-11-06

I saw the making of the CD on TV. The cast does a great job. I have the CD in my car stereo and listen to it often.

I Want to be a producer.......2006-03-06

This recording is great! I saw the play in november and loved the music. I bought the CD a little later and i am still listing to it. The cast are all great singers and did a great job. The songs are witty and catchy and never get old. You should listin to this.(Warning:See the movie or the play before you listin to this, you might hate it if you've have not.)

Spring Time for "The Producers".......2005-12-13

While I'll abmit that Nazi regemes and Hitler are probably some of the least funny thing in the world...i have to admit that the words to Springtime for Hitler are hilarious, just like the rest of the songs on this cast recording.

While "The Producers" Is not as musically complex or mature as other "Best Musical" scores of recent years (Spamalot, Avenue Q, Hairspray,) It is funnier than all of those put together. Nathan lane And Matthew Broderick Are perfectly cast in their roles and Caddy Hoffman is great, and when Ulla belt, she Belts!
the rest of the cast is amazing.

As for the song I can't think of one that I don't like, They are all great!

I would hope that the fact that the show makes light of Hitler doesn't turn you off, because you would be missing somthing great.

Mel Brooks = Brilliant.......2005-12-12

My theatre group went to New York two years ago, adn we did a marathon 4 shows in 3 days. Each show got progressively better, finally culminating in seeing Nathan Lane and Matthew Broderick's final performance of "The Producers." I have been a fan of Brooks' since I saw "Robin Hood: Men in Tights" 5 years ago. Naturally, I was beyond excited to see the show he made of his most brilliant film.

I was not disappointed. It was funny, racy, and downright fabulous. I bought the soundtrack at intermission and have been listening to it ever since. I highly recommend it to anyone who loves musicals. Lane and Broderick play off each other perfectly, Cady Huffman has one of the best belting voices I've heard in ages, and the songs are actually FUNNY.

Aside from raving about one of my favorite shows, I would like to address the comments made about the show downplaying Hitler and being racist towards Germans. In no way does this show downplay Hitler's terrible deeds. Bialystock and Bloom make several comments about how disgusted they are about the play- the fact that it is so insulting to our sensibilities is the reason why it was chosen in the first place. I am Jewish and have studied the Holocaust and WWII for years. I was not offended in the least, nor did I feel the Brooks was promoting or trivializing Hitler's war crimes. Brooks himself is Jewish for god's sake.

Second, I see nothing in the show that is racist towards Germans. Yes there is a Nazi in it who is German. How is that racist? The Nazis went all over the world after WWII- it is possible that several ended up in New York City. And no one will argue that some Nazi's were German. You might as well say that the show is discriminatory towards Swedes, or gay directors, or producers, or the countless number of things made fun of in the show.

it won 11 (if im correct) TONY awards for a reason!.......2005-12-08

This is by far the funniest thing I have ever seen. I got the chance to see it on broadway with Lane (unfortunatly not Broderick) and most of the original cast. For some reason, certain people seem to think this play is racist. First off, the whole thing is pure 100% SATIRE. I'm 15 and I can realize that. Also, are you aware that Mel Brooks is jewish? Yeah, so lighten up. I realize what Hitler did, and it will never be forgotten. But my God, get a sense of humor. In case you never saw the play, the Bavarian guy breaks his leg (making "It's bad luck to say good luck on opening night funny) and is replaced by the gay director for the song "Springtime for Hitler". ITS HILARIOUS! BROOKS MADE HITLER A GAY GUY! And why do you think he did that? Geeze... just lighten up!

So about the CD...awesome. I love these songs, and I am very much looking forward to seeing the movie version of the musical coming out in late December! GO SEE IT!

I Love You Because (2006 Original Off-Broadway Cast)

Average customer rating:

Amazing little musical
I love this because:
Beautiful Music- Not so hot performances!
Wonderful Show- wonderful music
Great Soundtrack!

I Love You Because (2006 Original Off-Broadway Cast)

Manufacturer: P.S. Classics
ProductGroup: Music
Binding: Audio CD

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[title of show] (2006 Original Off-Broadway Cast)
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ASIN: B000HDZJYC
Release Date: 2006-10-03

Tracks:

Another Saturday Night in New York
Oh What a Difference
The Actuary Song
...But I Dont Want to Talk About Her
Coffee
The Perfect Romance
Because of You
Were Just Friends
Maybe We Just Made Love
Just Not Now
Alone
Thats Whats Gonna Happen
Even Though
But I Do
What Do We Do It For?
Marcys Yours
Goodbye
I Love You Because

Amazon.com

I Love You Because is sort of a Company for the 21st century, a romantic comedy examining the dating scene in New York City. Opening off-Broadway at the Village Theater in February 2006, I Love You Because originated as Ryan Cunningham and Joshua Salzman's thesis project at NYU's graduate musical theatre writing program. It's obvious their talent bears watching. Salzman's pop-jazz score is melodic, bright, and fresh sounding, and Cunningham's lyrics (he also wrote the book) are witty and natural. Colin Hanlon and David A. Austin play brothers Austin and Jeff who fall into relationships with best friends Marcy (Farah Alvin) and Diana (Stephanie D'Abruzzo), navigating through tricky issues such as their exes, rebound time, and being "just friends with benefits." I Love You Because is more than a coming-out party for a promising new musical-theater team; it's simply a lot of fun to listen to. --David Horiuchi

Description

A modern-day musical love story, I LOVE YOU BECAUSE is a sweet and funny romantic comedy about contemporary dating in New York City. The Wall Street Journal called it "everything an off-Broadway musical should be ... a charming piece of work that will send you home smiling," and The New York Times concurred, praising it as "terrific, refreshing fun - filled with wit and zest." And the acclaimed score by the new writing team of Ryan Cunningham & Joshua Salzman was hailed as "impressive, distinctive, tuneful and smart."

Customer Reviews:

Amazing little musical.......2007-03-13

What a surprise! This cast album is fresh, exciting, and simply wonderful. Every song is fun and touching in its own way, though the authors tend to end a lot of their songs in the same style. But that's being picky. Most of the time I don't even notice. Very cute!

I love this because:.......2007-03-09

A fresh new musical with an original score, now on my playlist for good. This 2006 off-broadway show incorporates humour with some strong messages about love, you get the humourous songs (We're just friends) and you get the love ballads (maybe we just made love) really a show id recommend to anyone. Favourite tracks include:
*Maybe we just made love
*Marcy's yours
*I love you because
*Because of You
*Just Not Now
*But I do
*Even though
Beautiful score, singers, lyrics and storyline, a must have of 2006 shows

Beautiful Music- Not so hot performances!.......2007-03-09

I bought this recently and have fallen in love (no pun intended) with this score. Some songs like "maybe we just made love" and "Alone" are stunners. The only complaint is the performances- they aren't that great. Sometimes the tone is constant (and not in a good way) and the ends of phrases aren't completely developed. But the Musical is great- well worth a listen.

Wonderful Show- wonderful music.......2007-01-08

I saw this show last year and instantly fell in love with it. Its initmate setting, its loveable characters and hummable music really resonated with me. I was surprised that more of a buzz wasn't generated around this musical. When I saw the soundtrack was available, I immediately got it! What a wonderful show!

Great Soundtrack!.......2006-11-08

I saw this show in April and feel instantly in love with the music. It's a great score and the music is catchy and heartfelt. It's been a while since a really good (off)broadway sountrack has come out.

Average customer rating:

The Gold By Andrew
The best of Webber
THE BEST OF LLOYD WEBBER MADE FOR THE AMERICAN AUDIENCES
Super good CD

Gold: The Definitive Hits Collection
Andrew Lloyd Webber
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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The Very Best Of Andrew Lloyd Webber: The Broadway Collection
The Andrew Lloyd Webber Collection
Andrew Lloyd Webber: Now & Forever
Greatest Songs from the Musicals
Best of Andrew Lloyd Webber: Original Soundtracks

ASIN: B0000657XY
Release Date: 2002-05-07

Tracks:

Superstar - Murray Head w/ the Trinidad Singers (Jesus Christ Superstar)
As If We Never Said Goodbye - Barbra Streisand (Sunset Boulevard)
The Phantom Of The Opera - Sarah Brightman & Michael Crawford (The Phantom Of The Opera)
You Must Love Me - Madonna (Evita)
Any Dream Will Do-Donny Osmond (Joseph & The Amazing Technicolor Dreamcoat)
Memory - Betty Buckley (Cats)
Pie Jesus - Charlotte Church (Requiem)
The Music Of The Night - Michael Crawford (The Phantom Of The Opera)
I Don't Know How To Love Him - Yvonne Elliman (Jesus Christ Superstar)
Don't Cry For Me Argentina -Patti Lupone (Evita)
Love Changes Everything - Michael Ball (Aspects Of Love)
All I Ask Of You - Sarah Brightman (The Phantom Of The Opera)
The Perfect Year - Glenn Close & Alan Campbell (Sunset Boulevard)
The Vaults Of Heaven - Tom Jones & Sounds Of Blackness (Whistle Down The Wind)
No Matter What - Boyzone (Whistle Down The Wind)
Oh What A Circus - Mandy Patinkin (Evita)
Whistle Down The Wind - Sarah Brightman (Whistle Down The Wind)
Amigos Para Siempre (Friends For Life) - Sarah Brightman & Jose Carrerras (1992 Olympics Theme)

Amazon.com

The critical debate over Andrew Lloyd Webber's musical legacy will no doubt rage for decades. Is he the shrewd populist composer who almost single-handedly revived the moribund stage musical--or a crass, Barnum-esque showman (who almost single-handedly revived the moribund stage musical)? This 18-track anthology chronicles the high points of Sir Andrew's enduring songcraft and the irrefutable impact it's made across a remarkably disparate swath of tastes and genres, from Broadway to Top 40 radio and even the classical repertoire.

If some have accused Lloyd Webber's songs--like "The Music of the Night" (from Phantom of the Opera) and the title tune from Whistle Down the Wind, included here--of having all the melodic and lyrical sophistication of a children's lullaby, that's likely the very element that's made them so appealing to a mass audience. If nothing else, it's a compelling argument for that old notion about it being "the singer, not the song." Indeed, there are few contemporary composers whose music could entice divas from Streisand ("As If We'd Never Said Goodbye" from Sunset Blvd.) to Madonna (Evita's "You Must Love Me") and Charlotte Church ("Pie Jesu" from Requiem) to cover it, let alone forge the very careers of artists like Sarah Brightman and Michael Crawford. And if there's any substance to that other criticism of Lloyd Webber lifting the melodic ideas of composers from Verdi to John Williams (we swear that's the theme to Jurassic Park bubbling up in Tom Jones's camped-up take on Whistle's "The Vaults of Heaven"), at least, like virtually every major composer, he's stolen--er, borrowed--from the best. --Jerry McCulley

Customer Reviews:

The Gold By Andrew.......2007-04-23

This cd is a must have for any Webber fan. It has many great songs from his most sucsessful musicals. But something I don't like about this cd is that some of the singer how sings some of the songs arn't the onse that sings the originals. Like "The Phantom Of The Opera" and "Love Changes Everything". Witch is so sad. Couse the original songs are so much better.
But besides that this cd is very good. With manye nice and difficult songs (I've sung some of the myself in siningclass).
So if you like Andrew's music this most sertanly is a most have.

The best of Webber.......2005-09-12

Although I like Andrew Llloyd Webber and his music very much, this collection earns only 4 stars and it's not because of the quality of the music but the level of performers. If a best of collection is made it should contain the best version ever done and this time it's not true. I could write the same review for the European edition (labeled import here) because the blend of the two would be a perfect best of.

Some examples: this version contains Memory sung by Betty Buckley while the Elaine Page version is light years better. Then it contains Patti Lupone's version of Don't Cry For Me Argentina. Even though Madonna wasn't the best Evita, she definitely sung Argentina in a way no-one could before or will ever. Whistle Down The Wind is represented with 3 songs - the place of the Tom Jones song is not here (the same could be said of Tina Arena's song o the European edition). Instead of the TJ song they could have included Take That Look Off Your Face by Marti Webb - one of the best songs by Webber. Pie Jesu from the Requiem is much better sung by Sarah Brightman. These are the faults.

What about the rest? Pure joy and material worth of 6 stars. Superstar, Phantom Of The Opera, Music Of The Night, I Don't Know How To Love Him, All I Ask Of You, No Matter What, Oh What A Circus - wonderful songs and wonderful performers. My all-time favorite from Webber will always be Music Of The Night and the version included here is the mesmerizing adaptation of Michael Crawford.

I don't advise anyone not to buy this album - it's good material, however it's far from being perfect.

THE BEST OF LLOYD WEBBER MADE FOR THE AMERICAN AUDIENCES.......2005-01-31

There are numerous compilations out on the market full of Andrew Lloyd Webber's music. As most people know, Lloyd Webber is the most successful musical composer of all time and many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. This compilation captures some of the best songs he has ever written, he personally supervised it and it is the best thing to have if you can't afford his five-CD compilation called "Now and forever", which was selected and supervised by him as well. You should bear in mind, however, that there are two compilations called Gold out there: The one made for the European and the British market, and this one, made for the American buyers. Some of the songs on both of them are the same, the others are performed by different artists and some can be found only in one of the two. This one here was issued later and it is digitally remastered. Therefore you should check your favourites and buy accordingly, or, if you can, buy them both, since both of them contain interesting songs and performers.

So here are my thoughts about the tracks in this one:

1. "Superstar" and "I don't know how to love him" are both from the concept album of "Jesus Christ Superstar". They sound wonderful as ever, although the orchestrations may seem a bit dated by now.

2. "Sunset Boulevard" is marked here with two songs. Barbra Streisand's powerful voice shines all the way through in "As if we never said goodbye"; it's a shame she never played Norma Desmond on Broadway, since Patti LuPone wasn't allowed to take her Norma to New York, and Glenn Close butchered the role. Her limited vocal abilities were hardly suited for the material, as it is shown by the second Sunset song, "The perfect year", performed by Close and Alan Campbell. They both lack a decent singing voice, so this is the one song I skip regularly. The song itself sounds much better in its single version with pops orchestration, as can be heard on the European version of this compilation, where it is performed by Dina Carroll. This version here can hardly be considered a gold one.

3. "The Phantom of the Opera" is represented by three songs. Michael Crawford and Sarah Brightman performance in the song of the same title is amazing. They were both born to play their roles in this show and their voices fit together perfectly. Sarah can hit the high notes in the end like no other Christine. Cliff Richard and Sarah sing the lovely ballad "All I ask of you" with passion, and Cliff has a wonderful warmth in his voice. Finally, Michael Crawford gives his unique and mesmerising interpretation in "The music of the night".

4. The 1996 movie version of "Evita" is Madonna's best role to date and it brought an Academy Award for Lloyd Webber and Tim Rice, who wrote "You must love me" especially for the big screen. This is another wonderful ballad with the haunting cello and piano solo. It just proves that Lloyd Webber and Tim Rice were the best collaborators. They really should do another musical together.

5. "The Joseph and his amazing Technicolor dreamcoat" was Webber's first musical and the signature song "Any dream will do" is performed here by Donny Osmond, who also appeared in the video version. I find his rendition even better than London's Jason Donovan, since Donny isn't strictly bound by the notes and so sings it more casually. A wonderful pop piece.

6."Memory" from "Cats" is probably the most famous of all Webber's songs, recorded by numerous artists. This version is sung by Betty Buckley, who was Broadway's Grizabella. Although Betty's performance can't be considered bad, I prefer Elaine Paige, who sung the song first, in the London production. Elaine has a note of sorrow in her at times husky voice, which I found very intriguing. Her performance can be considered definite, as heard on "Cats" DVD or in her latest two-disc compilation, "Centre stage: The very best of Elaine Paige", issued in May 2004. Still, those who prefer Ms. Buckley or who saw her on stage in this role won't be disappointed.

7. "Pie Jesu" is the best known song from Webber's "Requiem", written in 1985 to commemorate the death of his father. I'm not too keen on the version included here, performed by Charlotte Church, because her voice isn't as pretty as Sarah Brightman's on the original recording and the tempo is somewhat faster here.

8. "Don't cry for me Argentina" is among my all-time Lloyd Webber's favourites. I like all the ladies who performed "Evita" on the stage and on the screen (Julie Covington, Elaine Paige, Patti LuPone and Madonna), but on this disc is the version I am most satisfied with, since it is sung by Patti LuPone. Ms. LuPone has a very powerful voice with an amazing range and she deserved her Tony Award for this role. She was able to sound both vulnerable and decisive while singing this, whereas the other leading ladies emphasized one or the other in their interpretation. Mandy Patinkin's "Oh what a circus" is not the best, the orchestration is a little bit weak and his voice sounds thin to me. David Essex on the London cast recording is more suitable.

9. "Aspects of love" boast here with its top song, "Love changes everything", performed wonderfully by Michael Ball. It was his #1 hit and is probably one of the most beautiful love anthems ever written.

10. Three songs come from "Whistle down the wind". The studio release of the same title is one of the reasons I bought this compilation, although I already have the European one. It is performed by Sarah Brightman with Lloyd Webber playing the piano and a symphonic orchestra who nicely takes the lead of the main melody. Sarah voice is angelic; she sings it like a little bird. Very charming. Boyzone's "No matter what" was a huge pop hit in the charts. Again, we have a song with the suitable orchestrations and vocals. And lastly, Tom Jones' deep voice in combination with the back vocals of "The Sounds of Blackness" gives a rocking rendition of the church hymn "The vaults of heaven". It can't be found on the European version and Tom's voice shows it hasn't aged. Way to go.

11. For the 1992 Barcelona Olympics, Webber wrote, together with his long-time lyricist Don Black, this last song, "Amigos para siempre or Friends for life". It's a nice duet between Sarah Brightman and Jose Carreras, their voices sore when bound together. The melody itself is neat, especially when the orchestra takes the lead.

Besides the fact that some of the performers here were not the best for my taste, there is also the fact that some of Lloyd Webber's shows are omitted in this version, most notably, "Tell me on a Sunday". Also, unlike its European counterpart, this compilation isn't aligned chronologically, so we have 1970 Superstar being the first song, 1993 Sunset Blvd comes the second, followed by The Phantom from 1986 and so on. None the less, this CD is excellent as an introduction to Lloyd Webber's music and one can continue with his cast recordings from there. It's also very handy as a single disc compilation for the American fans.

Super good CD.......2004-12-31

The songs on this CD are great. If you also play piano, the book of the same title goes perfectly with the CD. You can following along with the music and learn the songs on the piano.

With a Song In My Heart (from the 1952 film)/ Pal Joey (with 1952 cast members)

Average customer rating:

with a song in my heart/pal joey sound tracks
With A Song In My Heart CD
A Jane Froman double feature.
"Pal Joey's" Pal
another great twofer from DRG

With a Song In My Heart (from the 1952 film)/ Pal Joey (with 1952 cast members)

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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Jane Froman: With A Song In My Heart / Yours Alone - Original Recordings 1930-1952
My Heart Speaks
I'll Cry Tomorrow
I'll Cry Tomorrow
Susan Hayward Double Feature: Smash-Up/Tulsa

ASIN: B0000AGWH6
Release Date: 2003-08-26

Tracks:

Opening
It's A Good Day
Tea For Two
Blue Moon
That Old Feeling
Embraceable You
Get Happy
I'll Walk Alone
They're Either Too Young Or Too Old
I'm Thru With Love
An American Medley
WIth A Song In My Heart
Overture
You Mustn't Kick It Around
I Could Write A Book
Chicago
That Terrific Rainbow
What Is A Man?
Happy Hunting Horn
Bewitched
Pal Joey
The Flower Garden Of My Heart
Zip
Plan You Now, Dig You Later
In Our Little Den
Do It The Hard Way
Take Him
Bewitched (Reprise)
Finale

Album Description

First time collection on CD! This Jane Froman package features the 1952 Broadway Revival of "Pal Joey" (where Jane provided the lead vocals for Vivienne Segal) along with the original soundtrack to "With Song in My Heart" - the 1952 film starring Susan Hayward in the life story of Jane Forman (Jane provided vocals for the film). The classic Rodgers & Hart "Pal Joey" album also features a standout performance from a young Elaine Stritch singing her showstopper "Zip." Digitally Remastered.

Customer Reviews:

with a song in my heart/pal joey sound tracks.......2007-03-31

I actually was so pleased to see a CD available because I have been longing for the movie "with a song in my heart" to become available on VHS and then on DVD, and it never has, so now at least I can enjoy the songs from the movie. The cast track from Pal Joey was just an added bonus.

With A Song In My Heart CD.......2007-03-19

I saw the film, "With A Song In My Heart" when I was twelve or thirteen years old and have wanted the sound track for many years. As an impressionable teenager in the 1950s, I have collected over time many of the films from that time on VHS or DVD, to satisfy my memories of the period. I regret that this particular film is not available on VHS or DVD, but, this CD is the next best choice. It is really enjoyable to hear the richness and depth of the voice of Jane Froman, who was one of the best singers of the time. I can still recall many scenes from the film and this CD revives the memories so well.

A Jane Froman double feature........2006-09-16

This DRG CD pairs two recordings starring Jane Froman.

WITH A SONG IN MY HEART

Susan Hayward played Jane Froman in the film but Froman herself dubbed the vocals. This album of songs was originally issued as a 10" Lp. None of the tracks are taken from the film: They are all studio re-recordings. Later, Capitol re-released it as a 12" LP with two extra songs added. It is that expanded [program included here. Froman is in great voice, though the orchestrations are overly lush and string heavy. Still, the songs include such standards as "It's a Good Day", "Get Happy", and "Embraceable You" making for an enjoyable mini-concert.

PAL JOEY

Capitol's cast album of the 1952 revival has long been a collector's item. The original Lp was deleted in 1960 and did not resurface until Broadway Angel released it on CD (briefly) in 1993. As the stars of the revival Harold Lang and Vivienne Segal had already made a studio cast album for Columbia - an album that helped inspire the revival - they were unable to re-record their songs for Capitol, and the label turned to Jane Froman and Dick beavers to fill in. The revised orchestrations sound dated now, but here is a chance to hear Elaine Stritch singing "Zip" and to enjoy the lusty voice of Helen Gallagher early in her career.

In the end it's the WITH A SONG IN MY HEART selections (making their debut on CD here) that make this CD worthwhile. For PAL JOEY the studio recording (available from SONY) is preferable, however if one is so inclined you can assemble your own cast album of the '52 revival by combining tracks from both releases.

"Pal Joey's" Pal.......2006-07-30

While the legubrious and over-orchestrated songs from the film "With a Song in My Heart" are typical of their era (and Jane Froman's stilted renditions are what once stood for emoting) the "Pal Joey" cast recording is an absolute delight. The orchestrations are bouncy and jazzy in a way that has long been forgotten, and the performances (except for the aforementioned Ms. Froman, whose Vulgnarian renditions are at times quite disconcerting, and who hits the sonic notes like lazer beems but misses the emotional ones by a country mile) are exceptional. Helen Gallagher deserved her Tony from the evidence of this recording, with Elaine Stritch not far behind her. But the overall impact surpasses any recording of "Joey" including the historic one that lead to this revival. There's energy, intensity and a whole lot of fantastic song writing (leave it to to Rogers and Hart) to satisfy any musical theater fan. A must have for anyone who loves "Old Broadway."

another great twofer from DRG.......2004-01-21

Jane Froman was one of the top vocalists of her era. Froman's greatness is celebrated in this new 2-on-1 album, which comprises the film soundtrack of WITH A SONG IN MY HEART as well as the 1952 Broadway revival cast album of PAL JOEY.

WITH A SONG IN MY HEART was the life story of Jane Froman, with the lovely Susan Hayward in the lead role. Froman herself supplied the singing for the film. Numbers include "It's a Good Day", the bittersweet and humorous "They're Either Too Young or Too Old", "Blue Moon", "Get Happy", "Tea for Two" and "I'm Thru with Love".

The 1952 Broadway revival of PAL JOEY was the result of the huge success of a studio album released by Columbia the year before (which featured Vivienne Segal reprising her original role of Vera and Harold Lang as Joey). Segal and Lang headlined the new revival with Helen Gallagher (SWEET CHARITY, HAZEL FLAGG) as Gladys Bumps and Elaine Stritch (ON YOUR TOES, GOLDILOCKS) as reporter Melba Snyder.

Having already recorded their roles for the Columbia album, Segal and Lang saw little need in re-recording them for the revival album on the Capitol label. Instead, the roles of Vera and Joey were covered by Jane Froman and Dick Beavers.

The cast album suffers on many levels. First, the absence of Segal and Lang is quite distracting, and secondly the new Overture can't even compare with the scintillanting original.

The Columbia studio album is the version to buy in addition to this, though both albums have their strong and weak points. As per usual, Elaine Stritch brings her impressive and formidable comic timing to the fore in the show-stopping "Zip", and Helen Gallagher's silvery voice is perfect for "That Terrific Rainbow".

A fine addition to your collection. [DRG 19054]

Average customer rating:

Everybody should own this CD.

Great show & GREAT CD

I Love You, You're Perfect, Now Change

Change the disc please

Funny, but Forgettable.

I Love You, You're Perfect, Now Change (1996 Original Off-Broadway Cast)
Jimmy Roberts , and Joe DiPietro
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music
General | Broadway & Vocalists | Styles | Music
General | Soundtracks | Styles | Music
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I Love You, You're Perfect, Now Change: P/V/G Vocal Selections

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The 25th Annual Putnam County Spelling Bee (2005 Original Broadway Cast)

Songs for a New World (1996 Original New York Cast)

ASIN: B000001508
Release Date: 1996-11-26

Tracks:

Prologue/Cantata For A First Date
A Stud And A Babe
Single Man Drought
Why? 'Cause I'm A Guy
Tear Jerk
I Will Be Loved Tonight
Hey There, Single Guy/Gal
Satisfaction Guaranteed
He Called Me
Cantata Reprise/Wedding Vows
Cantata Reprise/Always A Bridesmaid
The Baby Song
Marriage Tango
On The Highway Of Love
Waiting Trio
Cantata Reprise
Shouldn't I Be Less In Love With You?
I Can Live With That
Epilogue/I Love You, You're Perfect, Now Change

Customer Reviews:

Everybody should own this CD........2007-05-13

This show quickly became my second favorite musical of all time. (Phantom of the Opera is number one.) I listened to this CD three times and was then able to sing along with all of the songs. This show is all about dating and mating which makes it appropriate for all young and older adults. I highly recommend this CD to everybody!

Great show & GREAT CD.......2007-03-27

I enjoyed the show so much I went to see it twice, I was delighted to find there was a CD. This is a great quakity item.

J.

I Love You, You're Perfect, Now Change.......2007-03-23

My wife and I had just gotten back from New York and we had seen the off-broadway play "I Love You, You're Perfect, Now Change" and thoroughly enjoyed it. This CD is great and whenever we hear it we think of that great night at the play and we laugh as if we were at the play itself.

Change the disc please.......2007-01-04

ILYYPNC is neither a great musical revue nor a bad revue. It is simply a very good attempt at trying to make a bad situation look good (or a good situation look bad). It isn't a CD that I will listen too very often (such as PERSONALS - London Cast or RENT) but it also isn't one that will end up in a future yard sale of long forgotten CDs either. It is a bit above a mediocre musical, a bit contrived and somewhat predictable in its presentation, but you still should give it a shot to form your own opinion. As for me, perhaps I will attempt my own production with my theatre troupe in the future as it does have some good material along with some of its shortcomings. Purchasing this CD has at least cemented this on my list of "plays to look into further".

Funny, but Forgettable........2006-11-20

I LOVE YOU, YOU'RE PERCECT, NOW CHANGE is a musical revue about love, dating, and marriage. The musical is composed of short scenes that begin with the creation of Adam & Eve, then fastforwards through history to the present day where a set of people are preparing to go on a date. The trials of dating and the single scene are explored, as well as what people loose when they get married. The second half of the show deals with married relationships as well as love among the elderly.

I know that there are many people who really like this show. It is a smaller show which is a nice switch from huge-casts and big production number musicals. There really isn't a storyline either, which makes for a different and somewhat interesting experience. However, I really don't like the show. There are some things I can relate to and there are some snippets that I find funny. Overall, though I found the show to basically be a bunch of stereotypical mishmashed scenes without any purpose. I like stories with a plot. I like stories with a purpose. If something has a plot and no purpose, I can deal with it. If it has a purpose, but little plot, I can deal with it. Take away the plot and the purpose and then I have trouble dealing with it.

There are some who would refer to the show as being wholesome. That's not true. The show is somewhat harmless, but it is not wholesome. It's not a show you can take a family to see. Much of the material is in the PG-13 range, though some definitely flies in R-rated territory. There's some minor foul language and lots and lots of sexual innuendo. The scenes are built upon a secular post-modern American worldview and if you don't share this worldview, some of the material is offensive.

The only song on the soundtrack that I thoroughly enjoyed is the song "Shouldn't I Be Less In Love With You?" The song is sung by a married man singing to his wife about his wonderment at how much he still loves her after all the years they've been married and all the things they've gone through. It's a wonderful, touching song. It's the only song that is memorable.

There are a few other tunes that are enjoyable, though not as memorable. These include:

"Why? `Cause I'm a Guy"

"On the Highway of Love"

I LOVE YOU, YOU'RE PERFECT, NOW CHANGE is an original musical revue. The lyrics are mostly funny and the cast members have great voices. However, the lack of plot and purpose make most of the material here forgettable.

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Jazz Music

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