One Two Three Four

One Two Three Four

One Two Three Four

ASIN: B00000I0XG

Editorial Reviews
Amazon.com
This recording by veteran bassist Ray Drummond--who has worked with everyone from Art Farmer to Wynton Marsalis--is his eighth project as a leader and it features tenor-soprano saxophonist Craig Handy, the fleet-fingered pianist Stephen Scott, and the time-steady drummer Billy Hart. With Handy's Coltrane-Henderson saxisms, Scott's McCoy Tyner-toned piano, and Hart's articulate drum thunderstorms, Drummond shows that he is a no-nonsense accompanist who lays down deep, strong bass lines that articulate the groove and inspire his bandmates. But that doesn't mean he can't shine as a soloist. His textured solo on the traditional hymn "Goin' Home" highlights his unique tradition-in-transition style, which is also evident on his own modal composition "Driftin'." "Little Waltz" reveals Drummond's debt to the tune's composer, the legendary Ron Carter. John Coltrane's "Mr. P.C." and Wayne Shorter's Brazilian ballad "Ana Maria" are rendered with a moving and modern-sounding nod to the '60s style of improvisation for which Ray Drummond is so well known. --Eugene Holley Jr.

From Jazziz
It's fair to say that Ray Drummond has never made a bad record as a leader, and every one he makes seems better than the last. That he is one of the finest bass players alive goes without saying, but he also brings a certain cosmopolitan taste to his own records - in choice of tunes, of sidemen, of arrangements - which marks them as well above the norm. This quartet recording documents what was briefly a working band (with drummer Billy Hart, pianist Stephen Scott, and saxophonist Craig Handy). And all Drummond's recording virtues are in place again: some standards, some Shorter tunes, some attractive originals (especially the floating "Ballade Poetique"); and for the first time on his own recordings, a good representation of his powerful, no-frills bass on solos (such as Coltrane's "Mr. P.C."). What sets Drummond's solo work apart from others' is the way he integrates it with the band, or in this case, how beautifully he works in duo with Billy Hart. (The 1.2.3.4. of the title refers to Drummond's intention to make this quartet recombinant outside of the usual quartet formation.)

This is the kind of jazz record they used to make: consistent, poised, confident, a pleasure to contemplate.

--- John F. Szwed, JAZZIZ Magazine Copyright © 2000, Milor Entertainment, Inc.

One Two Three Four,Ray Drummond,Arabesque Recordings,Hard Bop,Jazz,Jazz Music,Pop
Brahms at Bedtime: A Sleepytime Serenade
Average customer rating: 4.5 out of 5 stars
  • pre bedtime music
  • Great For Bedtime
  • A true disappointment
  • Naptime
  • A good choice for quiet time and nap.
Brahms at Bedtime: A Sleepytime Serenade

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Bach at Bedtime: Lullabies for the Still of the Night
  2. Beethoven at Bedtime: A Gentle Prelude to Sleep
  3. Mozart for Meditation
  4. Mozart at Midnight
  5. Debussy for Daydreaming: Music to Caress Your Innermost Thoughts

ASIN: B0000041FU
Release Date: 1996-10-15

Tracks:

  1. Lullaby
  2. Piano Concerto In B-Flat - Piu adagio
  3. Violin Concerto In D - Adagio
  4. 'Double' Concerto In A Minor - Andante
  5. Clarinet Quintet In B Minor - Adagio
  6. Piano Quartet In C Minor - Andante
  7. As Melodies Were Passing By
  8. Sonata In D Minor - Adagio
  9. Trio In C Minor - Andante grazioso (Excerpt): Piano Trio In C Minor - Andante grazioso (Excerpt)
  10. Intermezzo No. 1 In E-Flat
  11. Fantasy No. 4 In E
  12. Variations & Fugue On A Theme By Handel - Variation V
  13. Waltz No. 15 In A-Flat
  14. Lullaby: Lullaby (Reprise)

Customer Reviews:

4 out of 5 stars pre bedtime music.......2007-05-30

Great music for helping you unwind after a long day so you can be more relaxed at bedtime.

5 out of 5 stars Great For Bedtime.......2005-12-15

A few years ago I started having trouble sleeping at night. It was probably due to my new husband's snoring! I remembered how when I worked at a daycare, we would play classical music while the children took naps. So I thought I would give it a try. I have tried a couple different CD's and so far this is my favorite! All of the music is soothing. There aren't any songs that get loud or fast. The only weird thing is that the first and last song are the same. I repeat the CD all night and it really does help me to sleep! If the power goes out I notice immediately because my soothing music is gone! I highly recommend this CD!

2 out of 5 stars A true disappointment.......2004-11-04

Amazingly this compilation has managed to get together some of the most untallented performances of Brahms' music. With a few exceptions the moto of this CD can be summed up as 'no understanding and appreciation for a musical genius'. The choice of music is also quite perfunctory. There are many Brahms pieces that could have served better the bedtime purpose. Buy at your own risk. My only fear is that some people will get their first impressions of Brahms from this CD...

5 out of 5 stars Naptime.......2003-04-18

I love to listen to this cd if I'm tired and need to take a nap or just rest for a while. It is very soothing.

5 out of 5 stars A good choice for quiet time and nap........2000-09-27

This is one of my favorite nap and quiet time choices. It is very mellow and soothing. My three year old frequently falls asleep listening to it, and even turns it on again for herself if she wakes up in the middle of the night and can't get back to sleep!
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Puccini - La Bohème / Freni, Pavarotti, Harwood, Berlin Phil., Karajan [Highlights]
Average customer rating: 5 out of 5 stars
  • Opera
  • Best All-Around Boheme
  • Tebaldi=95% perfect, Freni=110% perfect!!!
  • Incredible!
  • a great recording, but what about Beecham?
Puccini - La Bohème / Freni, Pavarotti, Harwood, Berlin Phil., Karajan [Highlights]
Giacomo Puccini , Elizabeth Harwood , Nicolai Ghiaurov , and Rolando Panerai
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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  1. Puccini: Tosca (Highlights) / Freni, Pavarotti
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  3. Verdi - La Traviata / Sutherland · Pavarotti · Bonynge [highlights]
  4. Bizet: Carmen (Highlights) / Solti, Troyanos, Domingo
  5. Puccini: Turandot (Highlights) / Mehta, Sutherland

ASIN: B0000041TR
Release Date: 1990-10-25

Tracks:

  1. La Boheme, Act 1: Non sono in vena
  2. La Boheme, Act 1: Che gelida manima
  3. La Boheme, Act 1: Si. Mi chiamano Mimi
  4. La Boheme, Act 1: O soave fanciulla
  5. La Boheme, Act ll: La commedia e stupenda.... Quando me'n vo'
  6. La Boheme, Act lll: O mia vita!... Donde lieta usci
  7. La Boheme, Act lll: Dunque e proprio finita
  8. La Boheme, Act IV: In un coupe?... O mimi, tu piu non torni
  9. La Boheme, Act IV: Vecchia zimarra
  10. La Boheme, Act IV: Sono andati
  11. La Boheme, Act IV: Che avvien?

Amazon.com essential recording

These excerpts were taken from the recording that has established itself as the standard by which all others should be measured. Herbert von Karajan's orchestra is no less than perfect, as much a virtuosic performer as the singers, evoking each moment's unique mood. Can there be any doubt that Luciano Pavarotti and Mirella Freni were born to sing Puccini? Their sweet, creamy voices splendidly blend, creating a complete aural portrait of the bohemians' souls. Elizabeth Harwood is a wonderfully high-strung Musetta, with the vocal talent to support her many moods. After hearing these highlights, you won't be able to resist the whole set, which is the greatest recording ever of the world's most beloved opera. --Barbara Eisner Bayer

Customer Reviews:

5 out of 5 stars Opera.......2007-07-07

I ordered this after I heard Paul Potts perform a song from this opera on "Britain's Got Talent". He won, by the way, performing it beautifully.

5 out of 5 stars Best All-Around Boheme.......2007-04-11

Karajan's 1973 stereo version is the best all-around Boheme available. It stars his favorite soprano, Mirella Freni, and a young Luciano Pavarotti at his peak (unlike his post-climatic self these last decades). There is no faulting this version and an ideal way to explore Puccini and Italian opera generally.

5 out of 5 stars Tebaldi=95% perfect, Freni=110% perfect!!!.......2003-10-12

I second what Des Greux said, although I own a set of highlights of Tebaldi (with Bergonzi) in Boheme and feel that it is very close to ideal. In my mind Freni will always be the perfect Mimi, with her perfect phrasing, vocal acting, and pure tones. What more the timbre of her voice optimally suggests a character of vulnerability. Tebaldi sings Mimi very well, but one can't help feeling her big, full voice to suggest health rather than tuberculosis. I enjoy both Freni and Tebaldi in the role of Mimi, but Freni is a step higher. As for Beecham/Bjorling/De Los Angeles. I'd say that version is 90% perfect. I like Los Angeles as Mimi, but she really doesn't hold a candle to Freni OR Tebaldi (or even Callas).

5 out of 5 stars Incredible!.......2003-04-06

The reviewer that criticized Freni doesn't know anything about singing. Freni can sing circles around Tebaldi. This is the best Boheme available. However, get the complete recording. You won't want to miss anything!

5 out of 5 stars a great recording, but what about Beecham?.......2001-09-18

there is little doubt that this is a great recording, but don't let the editorial review blind you to the fact that there is considerable dispute over whether this is the "greatest recording ever" of this opera. Beecham's classic 1950s recording with De Los Angeles and Bjorling is very much in contention. Beecham's vocal performances are superior, and even though it is in mono this does not detract from the sheer quality of the recording. I have both sets, and enjoy the differing qualities of each, Karajan's orchestra is better, but then again opera is all about voice....listen to both sets, it will give you more perspectives of this wonderful opera.
The Harry Partch Collection, Volume 1
Average customer rating: 4 out of 5 stars
  • Now it's possible to get your Partch all in a row
The Harry Partch Collection, Volume 1

Manufacturer: New World Records
ProductGroup: Music
Binding: Audio CD

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  1. The Harry Partch Collection, Volume 2
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  3. The Harry Partch Collection, Volume 4
  4. Genesis of a Music: An Account of a Creative Work, Its Roots and Its Fulfillments (Da Capo Paperback)
  5. Harry Partch: Enclosure 7

ASIN: B0002WZTKC
Release Date: 2004-09-28

Tracks:

  1. Eleven Intrusions (1949-50)
  2. Eleven Intrusions (1949-50)
  3. Eleven Intrusions (1949-50)
  4. Eleven Intrusions (1949-50)
  5. Eleven Intrusions (1949-50)
  6. Eleven Intrusions (1949-50)
  7. Eleven Intrusions (1949-50)
  8. Eleven Intrusions (1949-50)
  9. Eleven Intrusions (1949-50)
  10. Eleven Intrusions (1949-50)
  11. Eleven Intrusions (1949-50)
  12. Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Castor & Pollux---A Dance for the Twin Rhythms of Gemini
  13. Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Castor & Pollux---A Dance for the Twin Rhythms of Gemini
  14. Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Ring Around the Moon---A Dance for Here and Now
  15. Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Ring Around the Moon---A Dance for Here and Now
  16. Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Ring Around the Moon---A Dance for Here and Now
  17. Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Ring Around the Moon---A Dance for Here and Now
  18. Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
  19. Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
  20. Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
  21. Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
  22. Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
  23. Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
  24. Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
  25. Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
  26. Ulysses at the Edge (1955)

Album Description

This newly remastered reissue marks a welcome return to the catalog of the first volume of the classic 4-CD collection that was formerly available on the CRI label. The works recorded on this disc span the first six years of what Harry Partch (1901-1974), slightly tongue-in-cheek, called the "third period" of his creative life. They show him moving away from the obsession with "the intrinsic music of spoken words" that had characterized his earlier output (the vocal works of 1930-33 and 1941-45) and towards an instrumental idiom, predominantly percussive in nature. This path was to take him through the "music-dance drama" King Oedipus (1951)—-the culmination of his "spoken word" manner—to the "dance satire" The Bewitched (1954-55), in which his new percussive idiom manifests itself. The three works on this disc show Partch before, during, and after this period of transition. In their quiet, forlorn way, the Eleven Intrusions are among the most compelling and beautiful of Partch's works. The individual pieces were composed at various times between August 1949 and December 1950, and only later gathered together as a cycle. Nonetheless they form a unified whole, with a nucleus of eight songs framed by two instrumental preludes and an essentially instrumental postlude. Although foreshadowed by the dance sequences of King Oedipus, the Plectra and Percussion Dances (1952) are the first of Partch's major works to be wholly instrumental in conception. They stand in relation to Oedipus as a satyr play in relation to a Greek tragedy—hence the work's subtitle, "Satyr-Play Music for Dance Theater." He felt that after the prolonged period of composition and production of Oedipus it was "almost a necessity to give vent to feelings and ideas, whims and caprices, even nonsense, that seem to have no place in tragedy." The final work on this disc is Ulysses at the Edge, written at Partch's studio at Gate 5 in July 1955. Ulysses, which Partch describes as a "minor adventure in rhythm," is unique among his mature compositions in that, in its original form, it did not call for any of his own instruments. The version recorded here, for alto and baritone saxophones, Diamond Marimba, Boo, Cloud-Chamber Bowls, and speaking voice, is considered the third version of the piece.

Customer Reviews:

4 out of 5 stars Now it's possible to get your Partch all in a row.......2006-02-20

Harry Partch is the quintissential mad genius of music--his image of music that was non-Eurocentric led to him devising his own tonal scale based on ancient Greek and Asian methods and then creating his own instruments. This series release of Partch music lets one organize his Partch tastes and get a real sense of his progress through time. This disc is superb for the Intrusions, ghostly little pieces that were my first introduction to this fine composer. I would also highly recommend volume 3, which has Barstow, one of my favorite Partch pieces.

Be prepared. This is classical music you have not been prepared for. If you're already a fan of Partch, aren't you glad SOMEONE is getting all his amazing stuff together in one tightly knit package?
Classical Music
Average customer rating: 5 out of 5 stars
  • Relaxing and wonderful music
  • Excellent CD for bedtime
Classical Music

Manufacturer: Twin Sisters Prod.
ProductGroup: Music
Binding: Audio CD

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  1. Traditional Lullabies
  2. Nature Sounds
  3. Hymns & Bible Songs
  4. Softly We Sing
  5. Baby's Best: Lullabies

ASIN: B000006MZI
Release Date: 1998-04-21

Tracks:

  1. Canon In D
  2. Fur Elise / Ode To Joy
  3. Sonata In C Major - (Mozart's Lullaby)
  4. On The Beautiful Blue Danube
  5. Andante Con Variazioni
  6. Two German Dances
  7. Rondino
  8. Sonata In C Minor
  9. Largo
  10. Minuet / Organ Fugue In G Minor
  11. Waltz (Opus 39-No. 15)
  12. Serenade
  13. To A Wild Rose
  14. Spring Song

Product Description

Studies prove that playing music to children at a young age will set them up for a lifetime of learning achievement. Play music to: Increase IQ Performance Enhance Spatial Reasoning Inspire Creative Development Watch Minds Grow Listen to original artistic arrangements of the renowned music of Bach, Mozart, Pachelbel, Beethoven, Strauss, Haydn, Brahms and other famous composers. Simple melody lines coupled with creative instrumentation provide children with a refreshing classical music introduction and experience. Perfect for playtime, dinnertime, travel time or bed time! Canon in D (Johann Pachelbel) Fur Elise/Ode to Joy (Ludwig Van Beethoven) Sonata in C Major/Mozart's Lullaby (Wolfgang Amadeus Mozart) On the Beautiful Blue Danube (Johann Strauss) Andante con Variazioni (Karl Maria von Weber) Two German Dances (Franz Joseph Haydn) Rondino (Antonio Diabelli) Sonata in C Minor (Domenico Scarlatti) Large (George Frederick Handel) Minuet/Organ Fugue in G Minor (Little Fugue) (Johann Sebastian Bach) Waltz (Opus 39-No.15) (Johannes Brahms) Serenade (Franz Schubert) To a Wild Rose (Edward MacDowell) Spring Song (Felix Mendelssohn) Approximate running time: 60 minutes

Customer Reviews:

5 out of 5 stars Relaxing and wonderful music.......2002-12-11

I bought this cd when I was pregnant with my baby and listened to it frequently and I also used it during and after labor to help relax. It was the perfect thing. And I have played it for my baby ever since at naptime and bedtime. She is a year old now and it still relaxes her.

5 out of 5 stars Excellent CD for bedtime.......2001-09-03

My daughter and I have listened to this CD hundreds of times since she was born. It is very soothing and great for bedtime and naptimes. The songs just flow along and put her (and sometimes me) right to sleep.
Unsung Musicals - The Ultimate Collection
Average customer rating: 3.5 out of 5 stars
  • Great gems from musicals that dissapeared
  • some gold mixed with dross
Unsung Musicals - The Ultimate Collection

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
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Similar Items:
  1. Unsung Musicals II (Studio Cast)
  2. Unsung Sondheim
  3. The Drowsy Chaperone (2006 Original Broadway Cast)
  4. Unsung Musicals (Studio Cast)
  5. Lost in Boston, Vol. 4

ASIN: B00005K9SG
Release Date: 2001-06-05

Tracks:

  1. Smile (from "Smile") (Hamlisch-Ashman) - Harry Groener et al.
  2. Hero (from "Babe") (Menken-Ashman) - Debbie Gravitte
  3. Didin't Leave It Here (from "Brownstone") (Larson-Rubins) - Kristine Fraelich and Jolie Jenkins
  4. Starfish (from "La Strada") (Lawrence-Charnin) - Judy Kuhn
  5. Sherry! (from "Sherry!") (Rosenthal-Lipton) - Christine Baranski and Jonathan Freeman
  6. Smashing New York Times (from "A Broadway Musical") (Strouse-Adams) - Jason Graae
  7. Silverware (from "We Take the Town") (Karr-Dubey) - Lee Wilkof and Timothy Jerome
  8. Hundreds of Hats (from "Diamonds") (Sheffer-Ashman) - Jason Workman
  9. At the Same Time (from "Freaky Friday") (Rodgers-Forster) - Tammy Minoff and Patrick Levis
  10. When It Happens to You (from "The Red Shoes") (Styne-Stryker) - Lynne Wintersteller
  11. Lawyers (from "A Broadway Musical") (Strouse-Adams) - Gregory Jbara and Lee Wilkof
  12. At My Side (from "Welcome to the Club") (Coleman-Hotchner) - Sally Mayes and Michael Rupert
  13. In a State (from "A Wonderful Life") (Raposo-Harnick) - Brent Barrett
  14. Disneyland (from "Smile") (Hamlisch-Ashman) - Jodi Benson
  15. Reveille Sun (from "Here's Where I Belong") (Waldman-Uhry) - Glory Grampton
  16. The Memory of Tonight (from "Arthur, The Musical") (Skloff-Kauffman-Crane) - Carolee Carmello and Gregg Edelman
  17. Stomp the Blues Away (from "Honky Tonk Nights") (Valenti-Allen-Campbell) - Melba Joyce et al.
  18. New Words (from "One, Two, Three, Four, Five") (Yeston) - Liz Callaway

Customer Reviews:

4 out of 5 stars Great gems from musicals that dissapeared.......2004-11-30

Songs from 1987's "Smile" make this well worth the price. The previously unreleased material from the late, great Howard Ashman deserves to have it's moment in the spotlight.

Also, there's Judy Kuhn's beautiful performance on "Starfish", Christine Baranski's vampy turn on "Sherry".

Finally, there's" New Words" from "One, Two, Three, Four, Five". This show has been restaged, by small theatre groups, under the title "History Loves Company". "New Words" is by far the best number of this show and Liz Callaway's voice fills with love as she sings this lullaby.

For a consummate musical theatre fan who's heard it all, this disc is a refreshing look at what has been lost over the years.

3 out of 5 stars some gold mixed with dross.......2003-12-21

Some of these songs desrve to be unsung. But then you get a showstopper like Sherry and you wonder how could this show have flopped? That number alone makes this cd worth purchasing.I also enjoyed Marvin Hamlisch's toe tapping title song - Smile.There are also a few other lovely melodies which makes this cd a nice addition to a Broadway collection.
Poulenc: Complete Chamber Music, Vol. 3
Average customer rating: 5 out of 5 stars
  • This is my favorite of the series if that's possible
Poulenc: Complete Chamber Music, Vol. 3

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

DuetsDuets | Chamber Music | Classical | Styles | Music
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Similar Items:
  1. Poulenc: Complete Chamber Music, Vol. 2
  2. Poulenc: Complete Chamber Music, Vol. 4
  3. Poulenc: Complete Chamber Music, Vol. 1
  4. Poulenc - Complete Chamber Music, Vol. 5 ~ The Story of Babar, L'Invitation au Château, Léocadia
  5. Poulenc: Nocturnes No1-8; Intermezzi No1-3

ASIN: B00004TQOP
Release Date: 2000-07-18

Tracks:

  1. Capriccio D'apres Le Bal Masque - Alexandre Tharaud
  2. Prologue: Extremement Lent Et Calme - Alexandre Tharaud
  3. Allegro Molto: Tres Rythme - Alexandre Tharaud
  4. Andante Lyrico: Lentement - Alexandre Tharaud
  5. Epilogue: Allegro Giocoso - Alexandre Tharaud
  6. Elegie - Alexandre Tharaud
  7. Valse-Musette For Two Pianos - Alexandre Tharaud
  8. Prelude: Modere - Alexandre Tharaud
  9. Rustique: Naif Et Lent - Alexandre Tharaud
  10. Final: Tres Vite - Alexandre Tharaud
  11. Presto - Ronald Van Spaendonck
  12. Andante: Tres Lent - Ronald Van Spaendonck
  13. Vif: Vite, Avec Joie - Ronald Van Spaendonck
  14. Allegro: Tres Rythme - Ronald Van Spaendonck
  15. Romance: Andante Tres Doux - Ronald Van Spaendonck
  16. Final: Tres Anime - Ronald Van Spaendonck
  17. Allegro Moderato: Grazioso - Guy Touvron
  18. Andante: Tres Lent - Guy Touvron
  19. Rondeau: Anime - Guy Touvron

Customer Reviews:

5 out of 5 stars This is my favorite of the series if that's possible.......2002-05-10

I discovered the music of Francis Poulenc quite by accident when I was a youngster when I heard his Model Animals on the radio. I bought an old Columbia Records recording of the composer playing and conducting some of the works on this CD. A good mixure of small group playing and duo piano compositions which I think I like the best. Thank you Naxos for giving us this great opportunity to enjoy these works which have been ignored by the big record companies for so many years. You can go wrong with this.
Craig
One Two Three Four
Average customer rating: Not rated
    One Two Three Four
    George Garzone
    Manufacturer: Stunt
    ProductGroup: Music
    Binding: Audio CD

    Bebop GeneralBebop General | Bebop | Jazz | Styles | Music
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    ASIN: B000MTFFCC
    Release Date: 2007-02-06

    Tracks:

    1. Ballad for Trane
    2. Head Now
    3. I Remember You
    4. Central Park West
    5. Hey, Open Up
    6. Falling Grace
    7. Stablemates
    8. Fox in the Woods
    9. Melody of Ayn, Pt. 1
    10. Giant Steps
    11. Tribute to Trane
    12. Melody of Ayn, Pt. 2
    The John Adams Earbox: A 10-CD Retrospective
    Average customer rating: 5 out of 5 stars
    • Moved to tears
    • Nonesuch delivers.Again
    • harmonia in excelsis
    • Our greatest living composer
    • Wonderful CD
    The John Adams Earbox: A 10-CD Retrospective

    Manufacturer: Nonesuch
    ProductGroup: Music
    Binding: Audio CD

    DancesDances | Ballets & Dances | Classical | Styles | Music
    QuartetsQuartets | Chamber Music | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    All Works by AdamsAll Works by Adams | Adams, John | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
    Ives, CharlesIves, Charles | ( I ) | Featured Composers, A-Z | Classical | Styles | Music
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    EnglishEnglish | Languages | Opera & Vocal | Styles | Music
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    1. Steve Reich 1965-1995
    2. Naive & Sentimental Music
    3. John Adams: The Dharma at Big Sur/My Father Knew Charles Ives
    4. 25 Years: Retrospective
    5. Century Rolls

    ASIN: B00001SID1
    Release Date: 1999-10-19

    Tracks:

    1. Lollapalooza
    2. John's Book Of Alleged Dances: Judah To Ocean
    3. John's Book Of Alleged Dances: Toot Nipple
    4. John's Book Of Alleged Dances: Dogjam
    5. John's Book Of Alleged Dances: Pavane: She's So Fine
    6. John's Book Of Alleged Dances: Rag The Bone
    7. John's Book Of Alleged Dances: Habanera
    8. John's Book Of Alleged Dances: Stubble Crotchet
    9. John's Book Of Alleged Dances: Hammer & Chisel
    10. John's Book Of Alleged Dances: Alligator Escalator
    11. John's Book Of Alleged Dances: Standchen: The Little Serenade
    12. John's Book Of Alleged Dances: Judah To Ocean (Reprise)
    13. Slonimsky's Earbox

    Tracks:

    1. Two Fanfares For Orchestra - Tromba Lontana
    2. Two Fanfares For Orchestra - Short Ride In A Fast Machine
    3. Common Tones In Simple Time
    4. El Dorado - Part I. A Dream Of Gold
    5. El Dorado - Part II. Soledades

    Tracks:

    1. Harmonielehre - Part I
    2. Harmonielehre - Part II The Anfortas Wound
    3. Harmonielehre - Part III Meister Eckhardt And Quackie
    4. Violin Concerto - Part I
    5. Violin Concerto - Part II Chaconne:
    6. Violin Concerto - Part III Toccare

    Tracks:

    1. Chamber Sympony - Mongel Airs
    2. Chamber Sympony - Aria With Walking Bass
    3. Chamber Sympony
    4. Hoodo Zephyr - Tundra
    5. Hoodo Zephyr - Dissappointment Lake
    6. Hoodo Zephyr - Hoodo Zephyr
    7. Gnarly Buttons - The Perilous Shore
    8. Gnarly Buttons - Hoe-Down (Mad Cow)
    9. Gnarly Buttons - Put Your Loving Arms Around Me

    Tracks:

    1. Ensemble - I Was Looking At The Ceiling And Then I Saw The Sky
    2. A Sermon On Romance
    3. Consuelo's Dream
    4. Mike's Song About Arresting A Particular Individual
    5. Tiffany's Solo
    6. Song About The On-Site Altercation
    7. Song About The Bad Boys And The News
    8. Your Honor My Client He's A Young Black Man
    9. Leila's Song; Alone (Again Or At Last)
    10. Three Weeks And Still I'm Outta My Mind
    11. Crushed By The Rock I Been Standing On
    12. Dewain's Song Of Liberation And Surprise
    13. !Este Pais! / This Country
    14. One Last Look At The Angel In Your Eyes
    15. Finale

    Tracks:

    1. Lollapalooza
    2. John's Book Of Alleged Dances - Judah To Ocean
    3. John's Book Of Alleged Dances - Toot Nipple
    4. John's Book Of Alleged Dances - Dogjam
    5. John's Book Of Alleged Dances - Pavane: She's So Fine
    6. John's Book Of Alleged Dances - Rag The Bone
    7. John's Book Of Alleged Dances - Habenera
    8. John's Book Of Alleged Dances - Stubble Crotchet
    9. John's Book Of Alleged Dances - Hammer & Chisel
    10. John's Book Of Alleged Dances - Alligator Escalator
    11. John's Book Of Alleged Dances - Standchen: The Little Serenade
    12. John's Book Of Alleged Dances - Judah To Ocean (Reprise)
    13. Slonimsky's Earbox

    Tracks:

    1. Harmonium - Negative Love
    2. Harmonium - Becuase I Could Not Stop For Death
    3. Harmonium - Wild Nights
    4. Shaker Loops - Shaking and Trambling
    5. Shaker Loops - Hymning Slews
    6. Shaker Loops - Loops and Verses
    7. Shaker Loops - A Final Shaking

    Tracks:

    1. The Chairman Dances - Foxtrot For Orchestra
    2. Grand Pianola Music - First Movement
    3. Grand Pianola Music - Second Movement
    4. Grand Pianola Music - Third Movement: On The Dominant Divide
    5. Fearful Symmetries

    Tracks:

    1. Nixon In China - Opening
    2. Nixon In China -
    3. Nixon In China -
    4. Nixon In China - Landing Of The Spirit Of '76
    5. Nixon In China -
    6. Nixon In China -
    7. Nixon In China -
    8. Nixon In China -
    9. Nixon In China - Cheers
    10. Nixon In China -
    11. Nixon In China - Opening
    12. Nixon In China -
    13. Nixon In China -
    14. Nixon In China -
    15. Nixon In China -
    16. Nixon In China -
    17. Nixon In China -
    18. Nixon In China -
    19. Nixon In China -
    20. Nixon In China -
    21. Nixon In China -
    22. Nixon In China -

    Tracks:

    1. The Wound-Dresser
    2. Christian Zeal And Activity
    3. Five Songs - Thoreau
    4. Five Songs - Down East
    5. Five Songs - Cradle Song
    6. Five Songs - At The River
    7. Five Songs - Serenity
    8. Eros Piano

    Amazon.com

    Having earned his composing stripes after the 1960s, John Adams had the pioneering work of Steve Reich, Philip Glass, and Terry Riley close at hand as he ventured into his trade. And, while minimalism's historical continuum helps place Adams, he used Reich, Glass, and Riley (among others) only as a starting point. And here's proof: a 10-CD retrospective of nearly all Adams's recorded compositions on Nonesuch Records, the label that also issued Steve Reich 1965-1995 and Kronos Quartet: 25 Years. Adams's Harmonium, a choral work of startling energy and effervescence, appears here in a new recording, as do distillations of both The Death of Klinghoffer and Nixon in China, two path-clearing operas. Over the span of a career covered by Earbox, Adams has returned minimalism to traditional instrumental ensembles as well as to projects that at once advanced a political commentary and took that commentary back to orchestral audiences. And so, in far less time than his predecessors, Adams created works that now play like standard repertoire pieces: The Wound Dresser and Shaker Loops and the Violin Concerto--all of them are here. What these works demonstrate is a fierce creativity on the one hand and perhaps a hunger for commercial advances on the other. Adams may at times be a bustling free thinker, but he sounds ever conscious of what audiences are listening to. As for the works themselves, they remain every bit as daunting as when written.

    Some may object to particular selections. I Was Looking at the Ceiling and Then I Saw the Sky, for example, hardly ranks with Adams's best work. But this box isn't a mere best-of; it's an almost-all-of. At times terrifically American--especially in the news-aware operas and their narrative pragmatism--Adams well deserves a major box set, and its coverage is appropriate to his varied, stylistically diverse output. As with any large-scale retrospective, Earbox--which fairly bristles with Adams's new composition, Slonimsky's Earbox--has spots where fans might balk at the quality of the composer's writing. But it's got a fantastic accompanying booklet along with its many hours of inarguably modern and thoroughly listener-friendly music. --Andrew Bartlett

    Customer Reviews:

    5 out of 5 stars Moved to tears.......2004-03-18

    Never before in my life was i moved so intensely and directly by classical music. I put the first cd in my player and a few minutes later tears are flowing. I find myself dancing and moving to a rythm i already seem to know. Wow, i just have to share that.

    5 out of 5 stars Nonesuch delivers.Again.......2002-11-27

    John adams is one of the most popular living composers of"modern" classical music[I believe the cutoff point, though arbitrary is usually WWII}.I came to him late, through my husband. Modersn classical music , I said? What the hell is that?My husband kept playing bits and pieces of adams for me, and more and more i found myself amazed. and swayed. His operas have been groundbreaking{Nixon in China} controversial{Death Of klinghoffer},his compostions sublimely beautiful{shaker Loops or harmonium].HIS STATURE IS WORTHY THEN OF SUCH A MONUMENTAL CAREER SPANNING BOX SET.This 10 disc set[great value, again from NONESUCH}encompasses Adams' entire career,and though there are some misses here{I was looking at the ceiling and then i saw the sky doesnt quite fit},it is still magnificent. the Highlights are ,{for me} the Wound Dresser, Chamber symphony,Violin Concerto, of course, Shaker Loops and Harmonuim are wonderful. The true jewels here are Nixon in China,the Chairman dances and the Death of Klinghoffer,which is simply a masterpiece. The set comes with a wonderful book, which contains essay's by Robert Hurwitz {An Uncommon Man}renaud Machart[John adams as seen from europe} and Essays before an earbox by Adams himself.A Chronology and dicography are included. A wonderful study of an American original,worth the investment, Highly highly recommended

    4 out of 5 stars harmonia in excelsis.......2001-11-12

    I must agree with Mr. Bartlett, particularly with regard to "Ceiling." It may well be because his Violin Concerto and Harmonielehre are so powerful. 4.5 stars.
    Interesting, and likely intentional, is that two names in the extensive liner book fail to mention two great and glaringly obvious precursors: Carl Orff and Raymond Scott. Without "Carmina Burana," there would be no "Harmonium." Orff has his mark all over Adams's gifted and epic compositions. Similarly, though there are glib references to "cartoon music," the polymath engineer/musician Scott is a seminal figure in American music, and casts a large shadow over the witty juxtapositions and sense of play one loves in Adams's work. In all, an excellent career overview.

    5 out of 5 stars Our greatest living composer.......2001-07-22

    As a composer, I'm staggered that anyone could fail to be gripped by this music.

    That anyone can use the words "spoiled, overrated" amazes me. I emphatically disagree with "A music fan"'s review.

    I don't think it's "mind-numbing"; I think it's spiritual and exciting. To me it's the most substantial music being created in our times.

    I'm really sorry that anyone could fail to enjoy it, and really recommend others to listen for themselves.

    5 out of 5 stars Wonderful CD.......2000-04-02

    This compilation should turn even the most curmudgeonly listerner into a fan. Beautifully recorded, great notes -- and it's a heck of a bargain!
    Weather
    Average customer rating: 4.5 out of 5 stars
    • Love it
    • Ingenuity and Variety
    • Accidental Pleasures
    • A well made album
    • Powerful and atmospheric.
    Weather

    Manufacturer: Nonesuch
    ProductGroup: Music
    Binding: Audio CD

    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Symphonies | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Jazz | Styles | Music
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    4. Ethel
    5. The Passing Measures

    ASIN: B00000I8TJ
    Release Date: 1999-03-30

    Tracks:

    1. Weather: Weather One
    2. Weather: Weather Two
    3. Weather: Weather Three
    4. Weather: Weather Four

    Customer Reviews:

    5 out of 5 stars Love it.......2007-01-15

    It is so simplistic and repetative, and yet I love listening to it. Any Phillip Glass fan's should really like this.

    5 out of 5 stars Ingenuity and Variety.......2001-07-20

    This piece of Music shows forth the many diverse Musical effects and abilitys this composer has a firm grasp of. The Music is densely packed with Rhythmic patterns, ostinatos, and minimalist shifting motifs, which leave a listener spellbound, as the dramatic effects unfold.

    5 out of 5 stars Accidental Pleasures.......1999-12-15

    While using Tower's listening station for classical music, I thought I selected a Phillip Glass CD. When I heard the first section of Gordon's work I was transfixed, I stood there listening well into the second track.

    I had to have this CD. Imagine my delight to find this was a new artist I had not heard before. I hope I will find more work by Gordon to purchase soon.

    While bearing some resemblence to Glass's cycling movements, this album combines more variety of instruments and moods. And yes I am also a fan of the horns on track 3, unique and enchanting.

    4 out of 5 stars A well made album.......1999-06-16

    I love the whole album including track 3. The sirens soung like opening tulips - opening and withering away in brown heat.

    4 out of 5 stars Powerful and atmospheric........1999-06-03

    The first track, "Weather One," has the force of an impending, violent storm. The quick, cutting sounds of the violin ensemble remind me a bit of the music from "Psycho." The weakest track is "Weather Three." The air raid sirens are eerie in small doses, but they are nerve-wracking in large ones. The last track, "Weather Four," is my favorite. The violins surge along in a minor key in a rhythm that I can only descibe as something like the rhythm of running.

    Jazz Music:

    1. Perception
    2. Perugia Suite [Live] [Import]
    3. Polar Ac [Import]
    4. Rambler
    5. Rarities and U.S. Recordings, Vol. 10
    6. Reality Check
    7. Reflections [Import]
    8. Reminiscing With Erika and Lisa
    9. Romance Latino V.1 [Import]
    10. Round Midnight at the Cafe Bohemia

    Jazz Music

    Jazz Music