West Coast: 1945-1949
ASIN: B000056O1D
Track Listings
| 1. Texas Hop |
| 2. Baby, Take a Chance With Me |
| 3. Lonesome Woman Blues |
| 4. Swingin' an Echo |
| 5. Ain't Jivin' Blues |
| 6. Baby, Take a Chance With Me |
| 7. Shuffle Bass Boogie |
| 8. Weird Nightmare |
| 9. Make Believe |
| 10. Honey, Take a Chance With Me |
| 11. Bedspread |
| 12. This Subdues My Passion |
| 13. Pipe Dream |
| 14. Mingus Fingers |
| 15. These Foolish Things |
| 16. Story of Love |
| 17. He's Gone |
| 18. Pennies from Heaven |
| 19. Lyon's Roar |
| 20. Say It Isn't So |
Editorial Reviews
Amazon.com
This unprecedented set compiles a dozen cleanly remastered rare 78s of Charles Mingus's earliest sessions as a leader of combos in the Bay Area. Most of the 24 tracks fall squarely in the postwar small-band (four to 10 pieces plus singer) era, moving incautiously from swing to bebop. A-side jump tunes are backed with B-side ballads, as the opening "Texas Hop" is backed with the first of three versions of "Baby, Take a Chance with Me." There's a lot to like, from Mingus's already commanding bass taking on the band ("Shuffle Bass Blues") to lusty choruses by tenormen Maxwell Davis and William Woodman, and singers Claude Trenier and Herb Gayle. It's instructive to hear the strong Ellingtonian influence on Mingus's writing (he models "Make Believe" on "Everything But You") and enjoyable to hear ur-versions of oft-recorded Mingus classics, like "Weird Nightmare" (featuring Lucky Thompson and appearing later in the set as "Pipe Dream" with pianist Will Carr) and "Mingus Fingus." Two tunes--"The Story of Love" and "Inspiration"--feature Mingus fronting a 22-piece band of mostly Stan Kenton's sidemen, with Eric Dolphy and Art Pepper on altos. Here's clear anticipation of his later ambitious works, like "Epitaph." The 96-page booklet by historians Andrew Homzy and Bob Sunenblick lovingly documents the players (photos and bios of Buddy Collette and a dozen sidemen) and discography, including a historical overview of the earliest record labels to document Mingus: Dolphins of Hollywood, Excelsior, Fentone, Hollywood, and Rex. --Fred Bouchard
West Coast: 1945-1949,Charles Mingus,Uptown Jazz,Bop,Jazz,Jazz Music,Pop
Average customer rating:
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West Coast: 1945-1949
Charles Mingus Manufacturer: Uptown Jazz ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000056O1D Release Date: 2001-01-02 |
Tracks:
Amazon.com
This unprecedented set compiles a dozen cleanly remastered rare 78s of Charles Mingus's earliest sessions as a leader of combos in the Bay Area. Most of the 24 tracks fall squarely in the postwar small-band (four to 10 pieces plus singer) era, moving incautiously from swing to bebop. A-side jump tunes are backed with B-side ballads, as the opening "Texas Hop" is backed with the first of three versions of "Baby, Take a Chance with Me." There's a lot to like, from Mingus's already commanding bass taking on the band ("Shuffle Bass Blues") to lusty choruses by tenormen Maxwell Davis and William Woodman, and singers Claude Trenier and Herb Gayle. It's instructive to hear the strong Ellingtonian influence on Mingus's writing (he models "Make Believe" on "Everything But You") and enjoyable to hear ur-versions of oft-recorded Mingus classics, like "Weird Nightmare" (featuring Lucky Thompson and appearing later in the set as "Pipe Dream" with pianist Will Carr) and "Mingus Fingus." Two tunes--"The Story of Love" and "Inspiration"--feature Mingus fronting a 22-piece band of mostly Stan Kenton's sidemen, with Eric Dolphy and Art Pepper on altos. Here's clear anticipation of his later ambitious works, like "Epitaph." The 96-page booklet by historians Andrew Homzy and Bob Sunenblick lovingly documents the players (photos and bios of Buddy Collette and a dozen sidemen) and discography, including a historical overview of the earliest record labels to document Mingus: Dolphins of Hollywood, Excelsior, Fentone, Hollywood, and Rex. --Fred BouchardCustomer Reviews:
Superb reissue of important recordings.......2002-07-14
Ultra Rare Early Recordings By Charles Mingus.......2001-03-15
Given the minuscule size of the record companies for which he recorded, perhaps it's a miracle that these sides survived at all. Mingus led his own group on most of these sessions, which featured mostly originals compositions. Amazingly, Mingus was already composing unusually complex and ambitious works that reflected some of the harmonic development of the then-current bebop movement, yet the music itself cannot be classified as bebop. Instead, Mingus seems to be exploring the implications that bebop harmonies could have on jazz composition. Tadd Dameron and Miles Davis, among others, would pursue similar ideas in the late Forties, but Mingus, as usual, seems to be moving in his own individual direction.
Given Mingus' musical background, his individualistic approach to jazz composition is hardly surprising. Classically trained, Mingus was writing classical/jazz hybrids even as a teenager. In a more racially tolerant era, he would almost certainly have pursued a career as a classical cellist or composer. Fortunately, jazz gave him a forum to pursue his musical aspirations. These seminal recordings are an intriguing peak at his ability to wed jazz harmonies, instrumentation and rhythms to classically-influenced musical forms. His ambitions were enormous, perhaps only exceeded by Duke Ellington among jazz musicians. If Mingus could be accused of inconsistency in his music, he could never be accused of complacency.
That said, these early works are not the equal of his classic recordings of the mid to late Fifties. Some of these tracks feature vocalists, in an obvious if unlikely attempt at a hit record, while other numbers are interesting experiments at best. Still, it's a revelation to hear so many elements of Mingus' later style already at work in his music. Every serious fan of Charles Mingus will want to hear these recordings, and the compilers of this set have done a magnificent job. The CD comes with an extraordinary booklet.
Fascinating Early Mingus Music.......2001-03-06
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Complete 1945-1949 West Coast Recordings
Charles Mingus Manufacturer: Jazz Factory ProductGroup: Music Binding: Audio CD ASIN: B00005NQLJ Release Date: 2002-10-01 |
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Album Description
Ultra-rare Californian recordings leading typical postwar small-band format.
Average customer rating:
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Cool Bebop: 1945-1949
Stan Getz Manufacturer: Epm Musique ProductGroup: Music Binding: Audio CD ASIN: B00004SVIP Release Date: 2000-05-16 |
Tracks:
Amazon.com
This 20-song compilation documents the early development of tenor Stan Getz from a Lester Young disciple into a unique and compelling voice. The set kicks off with three 1945 recordings from Kai Winding's sextet, when Getz, a mere 18 years old, still seemed to be under Young's spell. The four cuts from July 1946 mark Getz's first session as a leader; on one, he brought in bebop heavies Hank Jones, Curley Russell, and Max Roach. It's clear from his choice of sidemen and the increased fire in his playing that Getz was falling under the influence of Charlie Parker. The collection wends through three cuts featuring Getz with the Woody Herman Orchestra--two uptempos and an exquisite ballad, "Early Autumn," which offers supremely delicate solos from both Herman (on Johnny Hodges-inspired alto) and Getz. Six cuts follow, from spring 1949, by Getz-led octets including fellow tenors (and Herman vets) Zoot Sims and Al Cohn. It concludes with four quartet cuts with pianist Al Haig. Even by this last 1949 session, Getz hadn't quite found his signature sound yet, that uniquely superb fusion of Young's feathery poise and Parker's fiery tide, but he was well on his way. --Marc GreilsamerCustomer Reviews:
your "one-stop" CD for very early Stan Getz.......2000-07-08
Stan went from big bands to soloing with his own combos at an age when most kids were going to high school and college!
Getz very early playing is spread out through four or five other CD's (Woody Herman "Keeper of the Flame", "Brothers" etc). If you want the best of the lot this is the greatest hit's from Stan at age eighteen to twentytwo from 1945-49.
The outstanding cut is Getz solo on "Early Autumn" with Woody Herman's Second Herd, the song that catapulted Getz to public attention at a still very young age.
The rest is mostly energetic bebop,or Cool. The recording quality is probably as good as can be expected for the period, runs the gamet from murky and muddy to OK. Mono.
Three stars for performance, 2 for sound quality.
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Complete 1945-1949
Buddy Banks Manufacturer: Blue Moon ProductGroup: Music Binding: Audio CD ASIN: B0000250JU Release Date: 2004-11-16 |
Average customer rating: |
Rhythms and Blues from California 1945-1949
Roy Milton & His Solid Senders Manufacturer: Epm Musique ProductGroup: Music Binding: Audio CD ASIN: B00004WKBO Release Date: 2000-10-03 |
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Average customer rating: |
Rhythms and Blues from California 1945-1949
Roy Milton & His Solid Senders Manufacturer: EPM Musique ProductGroup: Music Binding: Audio CD ASIN: B00007GX1E Release Date: 2000-09-12 |
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Average customer rating: |
Complete 1945-1949 West Coast Recordings
Charles Mingus Manufacturer: Jazz Factory Spain ProductGroup: Music Binding: Audio CD ASIN: B00006K0B5 Release Date: 2002-10-01 |
Tracks:
Average customer rating: |
Cool Bebop: 1945-1949
Stan Getz Manufacturer: Epm Musique ProductGroup: Music Binding: Audio CD ASIN: B00004S3KA Release Date: 2000-05-16 |
Tracks:
Jazz Music: