One, Two, Three & BJ4: The Legendary Albums [Import]
One, Two, Three & BJ4: The Legendary Albums [Import]
ASIN: B000089HCI
Track Listings
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Disc: 1
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1. Valley of the Shadows
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2. In the Garden
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3. Soulero
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4. Night on Bald Mountain
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5. Feel Like Making Love
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6. Nautilus
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7. Take Me to the Mardi Gras
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8. I Feel a Song (In My Heart)
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9. Golden Apple
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10. Farandole (L'Arlesienne Suite No. 2)
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See all 12 tracks on this disc
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Disc: 2
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1. On Mint Julep
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2. Women of Ireland
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3. Westchester Lady
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4. Storm King
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5. Jamaica Farewell
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6. Pure Imagination
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7. Where the Wind Blows Free
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8. Tappan Zee
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9. Nights Are Forever Without You
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10. Treasure Island
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See all 11 tracks on this disc
Editorial Reviews
Product Description
Subtitled - The Legendary Albums. An essential CD incorporating James' first four classic albums. Features such much sampled classics as 'Nautilus' & 'Take Me To the Mardi Gras', used in Missy Elliot's 'Work It'. Slipcase. Metro. 2003.
One, Two, Three & BJ4: The Legendary Albums,Bob James,Import [Generic],Crossover Jazz,Jazz,Jazz-Pop,Pop,Smooth Jazz
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Music for Two (Bonus DVD)
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ASIN: B0001XAMS6
Release Date: 2004-04-27 |
Tracks:
- Bug Tussle
- Invention 10, BWV 796
- Pile Up
- Prelude No.24, BWV 869
- Solar
- Blue Spruce
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- Woolly Mammoth
- Wishful Thinking
Amazon.com
On Music for Two, banjo wizard Béla Fleck and stand-up bass maestro Edgar Meyer effortlessly sail through a challenging program that includes compositions by Bach, a sonata by Henry Eccles, a Miles Davis tune, and a number of self-composed finger twisters. The amazing thing about this varied selection is not its eclecticism--which is only to be expected with these two--but that it all blends together so seamlessly. Fleck's jazz-tinged compositions (like "The Lake Effect") and Meyer's bluegrass-inspired tunes (like "Wishful Thinking") sit so comfortably next to Bach's baroque jewels and Davis's cool jazz that it makes you question the entire of concept of musical classification. (In fact, the Bach preludes, inventions, and partitas translate so well to the banjo/bass arrangements, you have to wonder if old JSB might not have had a bit of bluegrass in his soul.) Music for Two was recorded live at a series of 2001 concerts, where Fleck and Meyer proved conclusively that the banjo and the bass were capable of remarkable subtlety and not just twang and boom. --Michael John Simmons
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Brahms at Bedtime: A Sleepytime Serenade
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ASIN: B0000041FU
Release Date: 1996-10-15 |
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
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- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
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- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
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- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
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- The Four Seasons (Winter, Mvt 1)
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- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
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- The Planets (Mars - The Bringer Of War)
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- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
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- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
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- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
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- The Protecting Veil (Opening)
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- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
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- Symphony No.9 (Finale)
- Introduction To The Double-Bass
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Tracks:
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- Sa'Dawi
- Other Flutes: The Bass And Alto
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- La Naissance D'Osiris (Mvt 6)
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- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
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Puccini - La Bohème / Freni, Pavarotti, Harwood, Berlin Phil., Karajan [Highlights]
Giacomo Puccini , Elizabeth Harwood , Nicolai Ghiaurov , and Rolando Panerai
Manufacturer: Decca
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Similar Items:
- Puccini: Tosca (Highlights) / Freni, Pavarotti
- Verdi: Rigoletto (Highlights) / Sutherland, Pavarotti
- Verdi - La Traviata / Sutherland · Pavarotti · Bonynge [highlights]
- Bizet: Carmen (Highlights) / Solti, Troyanos, Domingo
- Puccini: Turandot (Highlights) / Mehta, Sutherland
ASIN: B0000041TR
Release Date: 1990-10-25 |
Tracks:
- La Boheme, Act 1: Non sono in vena
- La Boheme, Act 1: Che gelida manima
- La Boheme, Act 1: Si. Mi chiamano Mimi
- La Boheme, Act 1: O soave fanciulla
- La Boheme, Act ll: La commedia e stupenda.... Quando me'n vo'
- La Boheme, Act lll: O mia vita!... Donde lieta usci
- La Boheme, Act lll: Dunque e proprio finita
- La Boheme, Act IV: In un coupe?... O mimi, tu piu non torni
- La Boheme, Act IV: Vecchia zimarra
- La Boheme, Act IV: Sono andati
- La Boheme, Act IV: Che avvien?
Amazon.com essential recording
These excerpts were taken from the recording that has established itself as the standard by which all others should be measured. Herbert von Karajan's orchestra is no less than perfect, as much a virtuosic performer as the singers, evoking each moment's unique mood. Can there be any doubt that Luciano Pavarotti and Mirella Freni were born to sing Puccini? Their sweet, creamy voices splendidly blend, creating a complete aural portrait of the bohemians' souls. Elizabeth Harwood is a wonderfully high-strung Musetta, with the vocal talent to support her many moods. After hearing these highlights, you won't be able to resist the whole set, which is the greatest recording ever of the world's most beloved opera. --Barbara Eisner Bayer
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(Not) Your Standard Spike Jones Collection
Spike Jones
Manufacturer: Collector's Choice
ProductGroup: Music
Binding: Audio CD
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ASIN: B00007JR3K
Release Date: 2003-04-08 |
Album Description
Holiday blues comin' on? Well, put a spike in `em! Here's the zaniest, wildest and just plain sickest Collectors' Choice Music exclusive yet79 tracks from Spike Jones and his City Slickers! These represent Spike's complete Standard Transcription sides, but these tunes are anything but standard; Mr. Jones brought his full bag of tricks for these non-commercial recordings (made in Hollywood during the early `40s). Add to that the fact that most of these have never been on CD or even LP, and any lover of Spike's mayhem-filled mixture of laughs and hot licks is going to flip over this set! Notes and great pictures accompany this 3-CD walk on the wacky side from the greatest novelty band of all time.
Average customer rating:
- Wonderful Soundtrack! Please remaster!
- I cannot recommend this enough!
|
Star Trek: Music From The Original Television Soundtracks, Volumes One, Two And Three
Various Artists
Manufacturer: Gnp Crescendo
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Star Trek: Sound Effects From The Original TV Soundtrack
- Star Trek: Newly Recorded Music From Selected Episodes Of The Paramount TV Series (Charlie X, The Carbomite Maneuver, Mudd's Women, The Doomsday Machine)
- Star Trek, Volume Two: Newly Recorded Music From Selected Episodes Of The Paramount TV Series (Mirror Mirror, By Any Other Name, The Trouble With Tribbles, The Empath)
- The Best Of Star Trek: 30th Anniversary Special! Original TV Soundtrack [Enhanced CD]
- Star Trek - Nemesis
ASIN: B000001OZS
Release Date: 1993-06-30 |
Tracks:
- Star Trek Theme (Main Title) - Alexander Courage
- Doctor Bartender - Alexander Courage
- Survivors - Alexander Courage
- Prime Specimen - Alexander Courage
- Bottled - Alexander Courage
- Probed - Alexander Courage
- Monster Illusion - Alexander Courage
- Monster Fight - Alexander Courage
- The Kibitzers - Alexander Courage
- Vena's Punishment - Alexander Courage
- Pike's Punishment - Alexander Courage
- Picnic - Alexander Courage
- True Love - Alexander Courage
- Vena's Dance - Alexander Courage
- Torchy Girl - Alexander Courage
- Under The Spell - Alexander Courage
- Primitive Thoughts - Alexander Courage
- Wrong Think - Alexander Courage
- To Catch a T. - Alexander Courage
- Going Up - Alexander Courage
- Max's Factor - Alexander Courage
- Star Trek Theme (End Title) - Alexander Courage
- Main Title - Alexander Courage
- Star Date - Alexander Courage
- Episode Titles - Alexander Courage
- Force Field - Alexander Courage
- Silvery Orbs - Alexander Courage
- Crippled Ship - Alexander Courage
- Speedy Reader - Alexander Courage
- Hit The Button - Alexander Courage
- On Delta-Vega - Alexander Courage
- When Your Eyes Have Turned To Silver - Alexander Courage
- Instant Paradise - Alexander Courage
- End Title and Credits - Alexander Courage
- Additional Credits - Alexander Courage
Tracks:
- Star Treck Main Title - Alexander Courage
- Approach Of Enterprise/The Constellation - Sol Kaplan/Alexander Courage
- Going Aboard - Sol Kaplan/Alexander Courage
- Commander Matt Decker/The Crew That Was - Sol Kaplan/Alexander Courage
- What Is Doomsday Machine/The Planet Killer - Sol Kaplan/Alexander Courage
- Strange Boom/Decker Takes Over - Sol Kaplan/Alexander Courage
- The New Commander/Light Beams/Tractor Beam - Sol Kaplan/Alexander Courage
- Violent Shakes - Sol Kaplan/Alexander Courage
- Spock Takes Command/Decker's Foil/Sneaky Commodore - Sol Kaplan/Alexander Courage
- Goodbye Mr. Decker - Sol Kaplan/Alexander Courage
- Condolences/Power Drain - Sol Kaplan/Alexander Courage
- Kirk Does It Again - Sol Kaplan/Alexander Courage
- One's Enough - Sol Kaplan/Alexander Courage
- Vulcan Fanfare/Prying - Sol Kaplan/Alexander Courage
- Mr. Spock - Sol Kaplan/Alexander Courage
- Contrary Order - Sol Kaplan/Alexander Courage
- T' Pring - Sol Kaplan/Alexander Courage
- Marriage Council - Sol Kaplan/Alexander Courage
- Vulcan - Sol Kaplan/Alexander Courage
- The Processional - Sol Kaplan/Alexander Courage
- The Challenge - Sol Kaplan/Alexander Courage
- The Ritual/Ancient Battle/2nd Kroykah - Sol Kaplan/Alexander Courage
- Remorse/Marriage Council II - Sol Kaplan/Alexander Courage
- Resignation/Lazarus Return/Pig's Eye - Sol Kaplan/Alexander Courage
- Star Trek End Title - Sol Kaplan/Alexander Courage
Tracks:
- Star Trek Main Title - Alexander Courage
- New Planet/Rabbit/School Chum - Gerald Fried/Alexander Courage
- Old English - Gerald Fried/Alexander Courage
- Ruth - Gerald Fried/Alexander Courage
- Knight/Joust - Gerald Fried/Alexander Courage
- A Clue/Finnegan's Return/Leg Trick/Dirt Trick/Tiger's Thougths/2nd Samurai - Gerald Fried/Alexander Courage
- Caretaker/Lazarus - Gerald Fried/Alexander Courage
- 2nd Ruth - Gerald Fried/Alexander Courage
- Trailer - Gerald Fried/Alexander Courage
- Brass Monkeys - Gerald Fried/Alexander Courage
- Joe Berserk - Gerald Fried/Alexander Courage
- Sulu Finks Out - Gerald Fried/Alexander Courage
- D'Artagnan/Banana Farm - Gerald Fried/Alexander Courage
- Out Of Control/Lurch Time/Punchy Kid - Gerald Fried/Alexander Courage
- Party Time - Gerald Fried/Alexander Courage
- Medicine Girl - Gerald Fried/Alexander Courage
- Hot Sun/Off The Cloud - Gerald Fried/Alexander Courage
- Captain's Wig - Gerald Fried/Alexander Courage
- The Big Go - Gerald Fried/Alexander Courage
- Time Reverse/Future Risk - Gerald Fried/Alexander Courage
- Star Trek End Credit - Gerald Fried/Alexander Courage
Customer Reviews:
Wonderful Soundtrack! Please remaster!.......2006-10-03
If you are a Star Trek TOS fan like I am, these CD's will be a nice addition to your original series DVD collection.
Though I enjoy watching the other Star Trek series, especially Deep Space Nine, I can't help put feel that the original series is still so much more fun and enjoyable to watch.
On thing that definately sets the original series apart from the spin offs is the wonderful soundtrack music and score. The music really sets the mood and compliments the action in each episode.
When I listen to each CD, I find myself visualizing the episodes that featured each track. I don't think the stories would have been as memorable to me without this wonderful music.
I highly recommend these CD's, but I do hope that they will be remastered soon to improve the overall audio quality.
I cannot recommend this enough!.......1999-04-09
To be honest, I cannot hear this music without thinking about the TV show. But the difference is that I do not think about any particular scenes from the shows when I hear the music -- it has a great quality on its own. Hearing it apart from the show makes me realize just how good the compositions were in evoking mood -- and on the show's tight budget too! Anyway, I highly recommend this to anyone who, like me, was mesmerized by the show when it originally aired on TV in the 1960's.
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The Harry Partch Collection, Volume 1
Manufacturer: New World Records
ProductGroup: Music
Binding: Audio CD
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- The Harry Partch Collection, Volume 2
- The Harry Partch Collection Volume 3
- The Harry Partch Collection, Volume 4
- Genesis of a Music: An Account of a Creative Work, Its Roots and Its Fulfillments (Da Capo Paperback)
- Harry Partch: Enclosure 7
ASIN: B0002WZTKC
Release Date: 2004-09-28 |
Tracks:
- Eleven Intrusions (1949-50)
- Eleven Intrusions (1949-50)
- Eleven Intrusions (1949-50)
- Eleven Intrusions (1949-50)
- Eleven Intrusions (1949-50)
- Eleven Intrusions (1949-50)
- Eleven Intrusions (1949-50)
- Eleven Intrusions (1949-50)
- Eleven Intrusions (1949-50)
- Eleven Intrusions (1949-50)
- Eleven Intrusions (1949-50)
- Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Castor & Pollux---A Dance for the Twin Rhythms of Gemini
- Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Castor & Pollux---A Dance for the Twin Rhythms of Gemini
- Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Ring Around the Moon---A Dance for Here and Now
- Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Ring Around the Moon---A Dance for Here and Now
- Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Ring Around the Moon---A Dance for Here and Now
- Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Ring Around the Moon---A Dance for Here and Now
- Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
- Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
- Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
- Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
- Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
- Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
- Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
- Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
- Ulysses at the Edge (1955)
Album Description
This newly remastered reissue marks a welcome return to the catalog of the first volume of the classic 4-CD collection that was formerly available on the CRI label. The works recorded on this disc span the first six years of what Harry Partch (1901-1974), slightly tongue-in-cheek, called the "third period" of his creative life. They show him moving away from the obsession with "the intrinsic music of spoken words" that had characterized his earlier output (the vocal works of 1930-33 and 1941-45) and towards an instrumental idiom, predominantly percussive in nature. This path was to take him through the "music-dance drama" King Oedipus (1951)-the culmination of his "spoken word" mannerto the "dance satire" The Bewitched (1954-55), in which his new percussive idiom manifests itself. The three works on this disc show Partch before, during, and after this period of transition. In their quiet, forlorn way, the Eleven Intrusions are among the most compelling and beautiful of Partch's works. The individual pieces were composed at various times between August 1949 and December 1950, and only later gathered together as a cycle. Nonetheless they form a unified whole, with a nucleus of eight songs framed by two instrumental preludes and an essentially instrumental postlude. Although foreshadowed by the dance sequences of King Oedipus, the Plectra and Percussion Dances (1952) are the first of Partch's major works to be wholly instrumental in conception. They stand in relation to Oedipus as a satyr play in relation to a Greek tragedyhence the work's subtitle, "Satyr-Play Music for Dance Theater." He felt that after the prolonged period of composition and production of Oedipus it was "almost a necessity to give vent to feelings and ideas, whims and caprices, even nonsense, that seem to have no place in tragedy." The final work on this disc is Ulysses at the Edge, written at Partch's studio at Gate 5 in July 1955. Ulysses, which Partch describes as a "minor adventure in rhythm," is unique among his mature compositions in that, in its original form, it did not call for any of his own instruments. The version recorded here, for alto and baritone saxophones, Diamond Marimba, Boo, Cloud-Chamber Bowls, and speaking voice, is considered the third version of the piece.
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Classical Music
Manufacturer: Twin Sisters Prod.
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Similar Items:
- Traditional Lullabies
- Nature Sounds
- Hymns & Bible Songs
- Softly We Sing
- Baby's Best: Lullabies
ASIN: B000006MZI
Release Date: 1998-04-21 |
Tracks:
- Canon In D
- Fur Elise / Ode To Joy
- Sonata In C Major - (Mozart's Lullaby)
- On The Beautiful Blue Danube
- Andante Con Variazioni
- Two German Dances
- Rondino
- Sonata In C Minor
- Largo
- Minuet / Organ Fugue In G Minor
- Waltz (Opus 39-No. 15)
- Serenade
- To A Wild Rose
- Spring Song
Product Description
Studies prove that playing music to children at a young age will set them up for a lifetime of learning achievement. Play music to: Increase IQ Performance Enhance Spatial Reasoning Inspire Creative Development Watch Minds Grow Listen to original artistic arrangements of the renowned music of Bach, Mozart, Pachelbel, Beethoven, Strauss, Haydn, Brahms and other famous composers. Simple melody lines coupled with creative instrumentation provide children with a refreshing classical music introduction and experience. Perfect for playtime, dinnertime, travel time or bed time! Canon in D (Johann Pachelbel) Fur Elise/Ode to Joy (Ludwig Van Beethoven) Sonata in C Major/Mozart's Lullaby (Wolfgang Amadeus Mozart) On the Beautiful Blue Danube (Johann Strauss) Andante con Variazioni (Karl Maria von Weber) Two German Dances (Franz Joseph Haydn) Rondino (Antonio Diabelli) Sonata in C Minor (Domenico Scarlatti) Large (George Frederick Handel) Minuet/Organ Fugue in G Minor (Little Fugue) (Johann Sebastian Bach) Waltz (Opus 39-No.15) (Johannes Brahms) Serenade (Franz Schubert) To a Wild Rose (Edward MacDowell) Spring Song (Felix Mendelssohn) Approximate running time: 60 minutes
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Unsung Musicals - The Ultimate Collection
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD
General Modern
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Similar Items:
- Unsung Musicals II (Studio Cast)
- Unsung Sondheim
- The Drowsy Chaperone (2006 Original Broadway Cast)
- Unsung Musicals (Studio Cast)
- Lost in Boston, Vol. 4
ASIN: B00005K9SG
Release Date: 2001-06-05 |
Tracks:
- Smile (from "Smile") (Hamlisch-Ashman) - Harry Groener et al.
- Hero (from "Babe") (Menken-Ashman) - Debbie Gravitte
- Didin't Leave It Here (from "Brownstone") (Larson-Rubins) - Kristine Fraelich and Jolie Jenkins
- Starfish (from "La Strada") (Lawrence-Charnin) - Judy Kuhn
- Sherry! (from "Sherry!") (Rosenthal-Lipton) - Christine Baranski and Jonathan Freeman
- Smashing New York Times (from "A Broadway Musical") (Strouse-Adams) - Jason Graae
- Silverware (from "We Take the Town") (Karr-Dubey) - Lee Wilkof and Timothy Jerome
- Hundreds of Hats (from "Diamonds") (Sheffer-Ashman) - Jason Workman
- At the Same Time (from "Freaky Friday") (Rodgers-Forster) - Tammy Minoff and Patrick Levis
- When It Happens to You (from "The Red Shoes") (Styne-Stryker) - Lynne Wintersteller
- Lawyers (from "A Broadway Musical") (Strouse-Adams) - Gregory Jbara and Lee Wilkof
- At My Side (from "Welcome to the Club") (Coleman-Hotchner) - Sally Mayes and Michael Rupert
- In a State (from "A Wonderful Life") (Raposo-Harnick) - Brent Barrett
- Disneyland (from "Smile") (Hamlisch-Ashman) - Jodi Benson
- Reveille Sun (from "Here's Where I Belong") (Waldman-Uhry) - Glory Grampton
- The Memory of Tonight (from "Arthur, The Musical") (Skloff-Kauffman-Crane) - Carolee Carmello and Gregg Edelman
- Stomp the Blues Away (from "Honky Tonk Nights") (Valenti-Allen-Campbell) - Melba Joyce et al.
- New Words (from "One, Two, Three, Four, Five") (Yeston) - Liz Callaway
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The Taking of Pelham One Two Three
David Shire , and Original Soundtrack
Manufacturer: Film Score Monthly
ProductGroup: Music
Binding: Audio CD
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- Taking of Pelham One Two Three
- Bullitt (1968 Film)
- Diamonds
ASIN: B00007FON1
Release Date: 2002-11-01 |
Tracks:
- Main Title
- The Taking
- Dolowitz Takes a Look/Dolowitz Gets Killed
- Blue and Green Talk
- Money Montage
- Fifty Seconds/The Money Express
- Conductor Killed/The Money Bag
- The Pelham's-Moving-Again Blues
- I'm a Police Officer/Renewing Disguises/Goodbye Green, Hello Garber, Goodbye Hippie/Smoking More, Enjoying It Less
- Mini-Manhunt
- End Title
Album Description
The Taking of Pelham One Two Three is a superb urban thriller: four men, dressed alike in trenchcoats and calling each other Mr. Blue, Mr. Green, etc., take a subway car hostage and demand $1 million in ransom. Walter Matthau stars as the transit cop assigned to the case; Robert Shaw is the leader of the terrorists. It's a brilliant '70s hostage movie with biting New York humor. For the score, David Shire came up with a stroke of genius. He wanted to do some kind of funk/jazz/big band, but wanted a way of making it dissonant and powerful -- not too light, but not too random. So for his melodic materials he utilized the 12-tone method of composition, a technique devised by Arnold Schoenberg in the early 20th century in which you make a theme by using all 12 pitches in a specific order, and then create other themes by playing that "row" backwards, upside-down, backwards and upside-down, or transposed. Shire ended up with a monster two-note bass line with these 12-tone themes running on top. For our CD, the first-ever release of this music, we have utilized the complete score, including around 15 minutes of music not included in the film. The 12-page booklet includes movie stills, composer photos, and track-by-track notes by Doug Adams.
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- Pithecanthropus Erectus [Limited Edition] [Import]
- Pow!/Big Band Spirituals
- Putting It Together [Import] [Original recording remastered]
- "REMOTE CONTROL"
- Rides Again
- Rose Colored Glasses
- Seven Boats, Music for Two Guitar
- Sheriff [Original recording remastered] [Import]
- Siboney
- Simply Said
Jazz Music
Jazz Music