NY LA

NY LA

ASIN: B000069DIY

Editorial Reviews
Product Description
Returning to the pure smooth jazz vibe of his best-selling first album, saxman Steve Cole conquers the country with 'NY LA'. Soulfully rooted in richly textured R&B grooves, Cole has earned three #1 smooth jazz hits from his first two albums. Warner Brothers. 2003.

NY LA,Steve Cole,Warner Bros / Wea,Contemporary Jazz,Crossover Jazz,Jazz,Jazz Music,Jazz-Funk,Jazz-Pop,Pop,Smooth Jazz

Dave Grusin & The NY-LA Dream Band
Average customer rating:

Drums and Bass Lesson

In Continous Rotation

ELEVATOR Music????

A Jazz Classic

Someone is on the wrong elevator

Dave Grusin & The NY-LA Dream Band
Dave Grusin
Manufacturer: Grp Records
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music
Smooth Jazz | Jazz | Styles | Music
GRP | Verve Music Group | Specialty Stores | Music
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One of a Kind

Night-Lines

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Harlequin

ASIN: B0000001PK
Release Date: 1990-10-25

Tracks:

Shuffle City
Count Down
Serengetti Walk
Theme From 'The Champ': What Matters Most
Number 8
Three Days Of The Condor
Summer Sketches '82

Customer Reviews:

Drums and Bass Lesson.......2004-08-15

Here we have some of the greatest musicians to ever grace the earth. Anthony Jackson (one of the top five bass players of our time) who considerably raised the standard , and Steve Gadd, the greatest drummer in the world. If one wants to learn how to play music in it's purest form listen to this recording among the countless other recordings these incomparably brilliant musicians have touched with their genius.

In Continous Rotation.......2003-02-13

I've been enjoying the LP for many years. I'm waiting for a CD re-master with super duper treatment like a remix & HDCD. The Lp is early digital..... lets bring this great work up to date.

ELEVATOR Music????.......2003-02-04

I haven't heard this particular CD, so am not in a postion to rate it. However, I am familiar with and impressed by many other Grusin pieces, hence, my reason for searching this site for ANYTHING and EVERYTHING composed/performed by him. He is a first rate Jazz artist, able to blend with amazing dexterity, and diversity, the intellectual sophistication of jazz with melodious strains that ultimately make music not only palatable but enjoyable. Grusin is one of the few artists whose works I would purchase, unheard, with no fear of disappointment. If Jack's Theme (Main Theme) from the Fabulous Baker Boys is not Jazz, I don't know what is! Unfortunately, I think our good friend Steve typfies the type of Jazz aficionado who makes the words "Jazz" and "snob" synonymous. If this is elevator music, push no "floors" for me, baby - I'm in it for the l-o-n-g ride!

A Jazz Classic.......2002-07-04

This is a "must have" item for the complete jazz collector. I have seen the video version, but do not have a copy. Thus, my question is: when are we going to see a DVD version of this memorable Tokyo concert? Even though I have the audio CD, I would definitely buy a video edition on DVD. GRP, get on it!

Someone is on the wrong elevator.......2000-04-30

I just read the review, "Elevator Music in Disguise" and I have to go on line to disagree. This is an exceptional gathering of some fine musicians including Dave Grusin, Don Grusin, Lee Ritenouer, Tiger Ripoche, and a few others I don't remember right now. I owned this record in a vinyl edition and was looking for a replacement CD. Grusin plays some mellow stuff on various recordings, but this recording is anything but elevator music. Check out cuts like Shuffle City and Countdown. This recording may not be a certain type of jazz, but is unquestionably jazz and a real treasure as far as I am cancerned.

Average customer rating:

Oh my gawd....
Bo Knows Opera
ANOTHER WONDERFUL BARITONE
Bo Skovhus at his best
Light years beyond Hampson

Bo Skovhus Sings Opera Arias
Erich Wolfgang Korngold , Ambroise Thomas , Charles Gounod , Jules Massenet , Giuseppe Verdi , Benjamin Britten , Richard Wagner , Pyotr Il'yich Tchaikovsky , English National Opera Orchestra , James Conlon , and Bo Skovhus
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Arias | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

Bo Skovhus - Schwanengesang & Schubert's Last Songs
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HOMAGE: The Age of the Diva
Lehar - Merry Widow / Kenny, Skovhus, Kirchschlager, Turay, Kunzel, San Francisco Opera

ASIN: B00000AG7L
Release Date: 1998-09-15

Tracks:

Die tote Stadt: 'Da Ihr befehlet, Konigin...Mein Schnen, mein Wahnen'
Hamlet: 'Spectre infernal!'
Hamlet: 'C'est en croyant revoir...O vin, dissipe la tristesse!'
Hamlet: 'J'ai pu frapper le miserable...Etre ou ne pas etre'
Hamlet: 'La fatigue alourdit mes pas...Comme une pale fleur'
Faust: 'Avant de quitter ces lieux'
Werther: 'Pourquoi me reveiller, o souffle du printemps?'
Don Carlos: 'C'est moi Carlos...Oui, Carlos! Oui, c'est mon jour supreme...Carlos, ecoute'
Billy Budd: Look! Through The Port... And Farewell To Ye, Old Rights O' Man!'
Tannhauser: 'Blick' ich umher in diesem edlen Kreise'
Tannhauser: 'Wie Todesahnung Dammrung deckt die Lande...O du, mein holder Abendstern'
Eugene Onegin: 'Vy mne pisali'
Eugene Onegin: 'Uzel ta samaja Tat'jana'
Pique Dame: 'Vy tak pecal'ny, dorogaja...Ja vas ljublju'

Customer Reviews:

Oh my gawd...........2004-06-24

What a wondrous singer...I absolutely agree with all the other reviews here but add:

1) he sounds as though he's singing in his First Language, whether it be French, English, German or Russian.

2) he lets his soul come out (simce Mme Callas this remains a rare event).

3) Sidebar: the San Francisco Merry Widow, whilst a delight and a wonder, is NOT fair to this man's voice.

A magnificent recital album. Every prominent opera singer out there should be jealous.

Bo Knows Opera.......2002-08-28

In the forward to this cd, John Bell Young, makes the argument that the darker, mellow baritone is an often underated part of the opera repetoire. I don't fully agree with him - there are fantastic, exciting lead roles for these men: Hamlet, Nabucco, Rigoletto, and The Barber of Seville - all glittering showcases of virtuoso. And even the supporting roles they often play, are thrilling - Scarpia can easily steal the show away from Tosca and her hero with his magnicent, albeit short, scenes; and Escamillo often wins not only the affection of Carmen, but that of an entire opera house... Still, all said and done, this is an interesting introduction to a man who is every bit as dashing, musical, and talented as any tenor to grace the stage.
Bo Skovhus showcases such extreme range in vocal talents and emotion. His tone is beautiful. His breath control and phrasing are astounding. Diction is clear and defined - especially the German arias. This is an extremely talented man.
The Korngold aria is mesmerizing in it's romantic beauty. But my favorite selections on this album are the pieces from "Hamlet"; this is french lyricism at its most marvelous, glorious, heart-sweeping grandeur. I can not imagine a better man to play this most famous anti-hero.
I cannot recommend this cd highly enough. While some Italian arias would have been a nice addition, I won't hold it against my recommendation. Skovhus's interpretation of the tenor's aria from "Werther" makes up for this.
Next time you are out purchasing yet another famous tenor's album, to hear the one hundreth version of "Celeste Aida", buy this cd instead. Give this baritone a chance, and soon you'll be humming songs a minor third lower.

ANOTHER WONDERFUL BARITONE.......2002-08-23

I first heard Bo Skovhus on a Laser Disc recording of the War Requem. I was very impressed. However until this opera recital I had not heard him again. This is truly an impressive recording. I place him up there with my other favorite baritones! He's still young so, hopefully, he has many more good years left in him!

Bo Skovhus at his best.......2002-05-17

Bo Skovhus' lovers undoubtedly awaited this comprehensive choice of arias, which almost concludes his (still young) operaic work. Well known alongside less known operas constitutes a perfect choice. From Verdi through Thomas, from Korngold to Britten and the Russian arias, mastering the variety of languages, and dealing with every single role in a very sensitive way. This unique choice and the qualities of his full, beautiful and warm voice makes one regret, that the entire opera was not recorded with him in the relevant roles, like Thomas's Hamlet for example, or Britten's Billy Budd. It leaves a taste of wanting to hear more of this young and talented Baritone, whose repertoire is much larger than could be presented in one - indeed excellent - CD.

Light years beyond Hampson.......2001-12-09

I just can't heap enough praise on Skovhus. I saw him for the first time at the Houston Grand Opera in a production of Billy Budd and was sold. This CD demonstrates very well what an immensely expressive and flexible voice Skovhus possesses. He has incredible core to his voice which allows him to attack bravado sections with zeal, but also has the musical expressivity to pull back and caress piano lines with ease and artistry while still maintaining his core sound. Hampson, who is notorious for becoming breathy and pop-like in pianissimo passages, can't touch Skovhus with a 10, 100, or 1000 foot pole.

Tracks:

Il Barbiere di Siviglia: Largo al factotum
Il Trovatore: Il balen del suo sorriso
I Puritani: Or dove fuggo... Ah! Per sempre io ti perdei
Eugene Onegin: Vy mne pisali...Kagda by zhyzn
Eugene Onegin: Uzhel' ta samaja Tat'jana
Russian Folk Songs: (Dark Eyes)
Russian Folk Songs: (The Little Box)
Russian Folk Songs: (Elegia)
Sadko: Gorat Kamennyi
Pique Dame: Vy tak pichal'ny, daragaja
Lucia di Lammermoor: Cruda funesta smania
L'Elisir d'Amore: Come Paride Vezzoso
Don Pasquale: Bella siccome un angelo
La Traviata: Di Provenza il mar
Don Carlo: Per me giunto, O Carlo, ascolta

Customer Reviews:

Best of Dmitri.......2002-04-11

This exserts from various CDs that previously released came out in 97'. This collection includes the most favorite Hvorostovsky repertories. If you are starter as his fan, this is a good introduction for you. You can taste his great flexibility and beautiful, high artistic quality of his voice. Who else could handle Verdi, Bell Cantos, Tchaikovsky and Russian traditional folks so well. And he can do whole lot more. He has good deal of recital discography, I recomend those individual recital CDs. Dmitri Hvorostovsky is one of the best and most appreciated baritone now. He'll take you to Heaven while you listening to him.

The Perfect Don Giovanni!.......2002-02-26

Rene Pape has said that tenors have "ruined the landscape" for the other voices. If that is so then Dmitri Hvorostovsky is rapidly restoring the baritone area! This is one of his eary CD's-he set a high standard for himself and lives up to it. Here he does beautiful, touching and fun baritone arias from Verdi, Rossini and of course Tchaikovsky's especially beautiful "Yevgany Onegin" with cool precision, never sacrificing accuracy for emotion. A perfect technition. But my favorites are the Russian folk songs where he gives us a taste of his passion and fire and a hint of maddness! He is not afraid to let us hear him sweat! You detect an ache or throb in his voice. I love how he tosses off the last note of "Karabejniki" makes me smile every time! I also love the delicate, complex beauty of the Ossipov Russian Folk Orchestra.

This review is totally influenced by the fact I got to hear Dmitri in recital (you know you have been sung to!) He is a consumate professional-handsome, poised, bringing the audience along to warm to him. After a particularily arduous Verdi aria, he leaned back against the piano in mock exhaustion and blew his hair off his forehead. The audience was his!

Also recommended is "Credo", his disc of Russian sacred music where he affirms that "beauty will save the world". Amen.

Try it once, you will be hooked.......2001-08-08

The first song you should play on this album is "Dark Eyes." Hvorostovsky sings it like a man being driven insane. I think I would buy the album just to hear that piece. After playing it a half dozen times, I moved on to the Tchaikovsky, Rimsky-Korsakov, and the terrific "Figaro" -- all outstanding, sung with feeling and wonderful shading. The other Italian pieces are good too, I'm just not sure they're the best choices as some of them are rather staid set pieces. After a lifetime of tenors, I am hooked on Hvorostovsky!

a Dmitri intro.......2001-02-12

This compilation runs the gamut of many styles, from Donizetti to folk songs, recorded between '90 and '94, and sung by this extraordinary and versatile Siberian baritone. Though it doesn't include some of his finest work, the songs with solo piano accompaniment...my favorite being "Russian Romances" with music by Tchaikovsky and Rachmaninoff.

You've probably heard "Largo al Factotum" one too many times, and here it is again. It's kind of a yardstick for a singers technique, and he passes with flying colors. The folk songs ! You've probably heard "Ochi Chornyje" ("Dark Eyes") a million times too...but who can get enough of it ? And here it's sung with unbridled passion. The arias from "Eugene Onegin" and "Pique Dame" are a glory, the "Di Provenza il Mar" incredibly smooth, and the CD ends with a lovely "O Carlo, Ascolta".

Tracks:

Skorbit Dusha!
Yeshcho Odno Poslyedneye Skazanye
Nye Syetuy, Brat
Kak Vo Gorode Bylo Vo Kazane
Dostig Ya vyshey Vlasti
Uf! Tyazhelo!
Prosnulsa Ya... Oh/Dushno!
Zvon! Pogrebal Ny Zvon!
Nateshilsya Li Knyaz?
O Net, Net, Drug
U Lyudey-To V Domu'
dlya Beregov Otchizni Dal'Noy
Song Of The Viking Guest
Prince Yuri's Aria
Prince Gremin's Aria
Song Of The Volga boatmen
Mephistopheles' Song Of The Flea

Tracks:

Le Veau D'or Est Toujours Debout
Siegneur, Daignex Permettre
Qu'Attendez-Vous Encore?... Vous Qui Faites L'Endormie
Decidesti Il Suo Destin... Con Le Mie Guardie... O Tu La Cosa Mia Piu Cara
Uldino! Non Hai Veduto?... Mentre Gonfiarsi L'anima
Ella Giammai M'Amo!
Son Lo Spirito Che Nega
Berceuse, Op.16 No.1
None But The Lonely Heart, Op.6 No.6
Along The Petersky
I. With Nanny
II. In The Corner
III. The Beetle
IV. With The Doll
V. At Bedtime
I. Trepak
IV. The Field-Marshal

Average customer rating:

This CD Is Hot!!!!!
Great CD 'cept the last track
Don't Bother
This is jazz????
This Is A Classic!

NY LA
Steve Cole
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music
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ASIN: B000069DIY
Release Date: 2003-03-25

Tracks:

NY LA
Everyday
Tonight It's On - featuring Mauli B. and Charlean Hines)
Love Letter
Off Broadway
Interlude IV
Every Little Thing - featuring Mauli B.
Missing You
Close Your Eyes, Free Your Mind
Keep It Live - featuring Brevi and Aloe Blacc)

Album Description

Returning to the pure smooth jazz vibe of his best-selling first album, saxman Steve Cole conquers the country with 'NY LA'. Soulfully rooted in richly textured R&B grooves, Cole has earned three #1 smooth jazz hits from his first two albums. Warner Brothers. 2003.

Customer Reviews:

This CD Is Hot!!!!!.......2005-09-29

This is one of Steve Cole's greatest CD's. This stayed in my CD player for two years. Every track is great and very diverse.

Great CD 'cept the last track.......2004-07-15

I really enjoyed this CD but I did find the last song...well not in line with the rest of his CD. Really great music overall but not Brian Culbertson/Dave Koz or Richard Elliot

Cheers

Don't Bother.......2004-04-15

This is a rap CD with a little sax thrown in. Already been sold to the used CD store.

This is jazz????.......2004-04-08

Did the other reviewers listen to the same CD that I did? Sorry -this is nothing more than well-played crap - and by crap I don't mean any disrespect. But if I want to hear this kind of elevator music, I'll dial up some company's customer service line and listen to the music on hold. To even call this stuff jazz is an insult to any real jazz musician (or, frankly, any other musician, as well).

This Is A Classic!.......2003-11-09

Every now and then, an artist creates something that is so beautiful and enduring that it sets a standard for others to reach. This is such an effort. Steve Cole has created a Smooth Jazz masterpiece. I am glad to see that creative musicians such as he are taking the genre to new and different places with their music. If you are a Smooth Jazz fan, NY LA should have a place of promenence in your collection. It is highly recommended!

Dmitri Hvorostovsky - Tchaikovsky & Verdi Arias

Average customer rating:

Tchaikovsky fine, but Verdi...
Superb!

Dmitri Hvorostovsky - Tchaikovsky & Verdi Arias

Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Arias | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music
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Verdi Arias

ASIN: B00000412V
Release Date: 1990-05-16

Tracks:

Eugene Onegin: Vy mne pisali Kagda by zhyzn'
Eugene Onegin: Uzhel' ta samaja Tat'jana Uvy, samnem'ja net
The Queen Of Spades: Vy tak pichal'ny, daragaja
La Traviata: Di Provenza il mar
Macbeth: Perfidi!...Pieta, rispetto
Luisa Miller: Sacra la scelta
The Sorceress: Dela, pravlenija A obraz toj prigozhnitsy
Iolanthe: Kto mozhet
Mazeppa: O, Marija, Marija!
Il Trovatore: Tutto e deserto Il balen del suo sorriso
Don Carlos: Son io, mio Carlo Per me giunto O Carlo, ascolta

Customer Reviews:

Tchaikovsky fine, but Verdi..........2003-10-25

Hvorostovsky has a beautiful voice, and he is evidently at ease singing the arias from Russian operas. But I have my doubts about his technique and interpretation of the arias by Verdi. Especially il balen from il trovatore is interesting: throughout the aria he tries singing two phrases with one breath, with the result that he forces his voice, and then has a sharp intake of breath before snatching at the next phrase- very exhausting to listen to! Why he should do it, I don't know- maybe trying to impress with his ability to hold a note? Certainly, it doesn't enhance the music or drama, and I'm sure Verdi would not have approved. Cappuccilli often combines two phrases where other singers take a breath, but he does it effortlessly, and it enhances rather than detracts from the flow of the music; even he sings il balen as it is written, with appropriate pauses for breath.

Superb!.......1999-10-21

This is baritone singing as good as I've heard for a long time. The singing and the sound quality are both amazing and I highly recommend this CD!

Average customer rating:

beautiful palate of sound
chamber music ??an ongoing challenge

James Dillon: East 11 Street 10003 NYC

Manufacturer: Nmc Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
Similar Items:

James Dillon: The Book of Elements, Vols. 1-5
Brian Ferneyhough: Fourth String Quartet; Kurze Schatten II; Trittico per g.s.; Terrain
Richard Barrett: Transmission
The Music of Elliott Carter Vol. 7; Boston Concerto, Cello Concerto, ASKO Concerto, Dialogues
Pascal Dusapin: Concertos - Watt, Galim, Celo

ASIN: B00000DD6W
Release Date: 2000-09-15

Tracks:

East 11th St. NY 10003
Windows And Canopies
La Femme Invisible

Customer Reviews:

beautiful palate of sound.......2004-10-30

James Dillon's music can be described as a blend of the New Complexity and Spectralism. Despite the dense bundles of notes that characterize Dillon's works, he is always concerned with the sound color that is produced by them. He seems, like Spectralists Tristan Murail and Gerard Grisey, to be preoccupied with the nature of sound itself -- its physical properties -- and allowing that influence to guide the composition.

"La Femme Invisible" is a feast of spinning, twittering notes that are generated by sonorous bell sounds. Something like the fall leaves swirling in the wind, the colors that Dillon generates are downright sumptuous. The sections of this piece (and all of the work on this disc, for that matter) proceed by defining themselves in terms of density of activity. The bells mark out different sections, usually separated by a pause. This might seem simple, but the clarity of expression is necessary for the complex blending of instruments within the sections. A gorgeous piece.

"Windows and Canopies" is even more complex, alternating thickets of swarming sounds (the "Canopies") with fairly transparent sections (the "Windows"). Plenty of unusual timbres are used and it is amazing that the orchestra here is about the same size as Mozart's.

The only disappointment on the disc is "East 11th Street." The piece goes on too long without enough differentiation in the piece. Working with the more limited sound color world of the percussion, Dillon seems to not have as many ideas as in the other exciting works on the disc.

The performances are very good and the "La Femme Invisible" and "Windows and Canopies" recommend this recording highly.

chamber music ??an ongoing challenge.......2001-07-30

music for small ensemble, some call it chamber music for orchestra has been a well preserved/reserved situation inhabiting a richness of conceptual challenge that composers can explore. Chamber works of the avant-garde, (a relative label and an inadequete one) has from its inception seems never to have abandoned the conceptual seduction,a temptuousness genre of its inherent complexity,timbral technical and conceptual. One only need to simply ponder the early masterworks in this genre,as Stockhausen's Kontrapunkt, or Kreuzspiel,or Boulez's Le Marteau sans Maitre, Berio's Circles,or Nono's Canto sospeso. Dillon here seems to find his own voice in this difficult genre, for if you step too hastily or with too much arrogance of your supposed composer technical skills, this ensemble genre can bury you forever,cast you into oblivion, an outcast renegade of mediocrity. Dillon's 'East 11th St. NY' (1982) is for six percussionists, and obviously Edgar Varese's 'Ionization'hovers in the flux and comes readily to mind. Dillon here to circumvent this, (whether he thought of that or not)and proceeds to create these massive richly diverse sheets of percussion sound, largily with the aid of rolls on metal instruments as tam-tam, gong, various sized cymbals,and chimes. Chimes seems to stick out awkardly at times,and perhaps it is a timbre which strikes him personally of his native Scotland. The liner notes reveal the work's premise as an exchange and contrast of percussive timbre. A simple premise, yet one filled with treacherous associations and obvious manipulations, predictable on hearing. Dillon who had studied linguistics here seems to know the durational longevity of his materials, and doesn't overtax their frames,allowing the unique percussive timbre to be heard. Much of the work comes across as a giant behemoth wind chime, flowly quietly at times, other times violently as the indeterminate wind kicks it to and fro. Dillon has worked within the realm of electronic means, and you sense this in his 'Windows and Canopies'(1985) here, Although written for a modest Haydnesque like chamber grouping, the timbres are very much electronic in their mixtures or effect. Again we find pure textures of micropolyephony, dense filigrees, yet light, nothing overwhelmingly heavy, 2 Flutes,2 Oboes, Bassoon,2 Horns,one percussionist with 7 Violins, 2 Violas, 2 Violoncellos,and a Contrabass, Wind players doubling upwards or downwards as the Contrabassoon, which works very well here. Dillon knows how to work magical charms, his music is deeply evocative and image building. His 'La femme invisible' (1989) after Salvador Dali has a bit of a comedic sense. Freely tossed trills, and tremoli and anxiety-ridden linear materials. Dillon summons the French occult philosopher Nicolas Flamel for some conceptual impetus, that of "rivers" flowing, emanating, rushing,spiraling, timbral landscapes disappearing as quickly as they assert themselves.Again Dillon favors a deeply classical instrumentation with double winds,three percussion and piano.

Average customer rating:

Now I See
Agnes Gooch
Manufacturer: ATM Records
ProductGroup: Music
Binding: Audio CD

Pop Rock | Pop | Styles | Music

General | Classic Rock | Styles | Music
ASIN: B000CADF6Y
Release Date: 2005-01-25

Average customer rating:

Slammin, Da Bomb Diggity!, Definitely Worth The Money

Somewhere Between NY & LA

ProductGroup: Music
Binding: Audio CD
ASIN: B00005NNC5
Release Date: 2000-08-25

Tracks:

Intro
Hell on Earth
I Got Played
Somewhere Between NY and LA
So You Taxin'
Here He Comes
U See Me
Stressed Out
The Verse
Dip
No Warrant, No Get In
Torch and Blaze
My Click
The Gold Digger Interview
You Know
Deeper Feelings
U, Me, & He

Album Description

Konglomerate Inc. is located in Columbus Ohio. Curtis Ingram, CEO

Customer Reviews:

Slammin, Da Bomb Diggity!, Definitely Worth The Money.......2001-11-03

Man, these cats have the tightest first album I have ever heard. I liked damn near all of the songs. Tha beats are off the hook! Lyrical skills are above most emcees who are famous right now. Plus ya'll song concepts is different. Holla Trey-sum.

Average customer rating:

Court of Music for King Matthias

Manufacturer: Hungaroton
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music
ASIN: B00004TYA3
Release Date: 2000-06-28

Jazz Music:

Jazz Music

Jazz Music