Guitar Virtuoso [Box set]
Guitar Virtuoso [Box set]
ASIN: B000000XHV
Editorial Reviews
Amazon.com
Guitar Virtuoso distills the work Joe Pass did for Pablo records and producer Norman Granz between 1973 and 1992 into one terrific 4 CD package. Disc one culls some of his finest solo studio performances. Disc two places him in small group studio contexts, including duets with guitarist Herb Ellis, a trio with Oscar Peterson on piano and Ray Brown on bass, and a quartet with Duke Ellington on piano, Brown on bass, and Louis Bellson on drums. Disc three consists of live solo and group performances. Disc four features Pass accompanying vocalists Ella Fitzgerald and Sarah Vaughan, plus duet tracks with guitarist John Pisano, tenor saxophonist Zoot Sims, and bassist Niels-Henning Orsted Pederson. --John Swenson
Jazz Times
[W]hat really sets Pass apart from most of his highly accomplished peers is his astonishing split-brain facility that allows him to simultaneously and seamlessly integrate walking basslines, lush chords and deft single note phrases. In the hands of a master like Pass, [his technique] has resulted in more than a few breathtaking moments. Several of those moments are compiled in [this] extraordinary 4 CD boxed set.
Guitar Virtuoso,Joe Pass,Pablo,Bop,Jazz,Jazz Music,Pop
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- One of the Finest "Neo-Classical" Guitar Efforts
- Great Bargain!
- From Rock to Classical
|
From Here to Eternity
Uli Jon Roth
Manufacturer: Dressed to Kill
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Transcendental Sky Guitar
- Metamorphosis
ASIN: B00000HZ9A
Release Date: 1999-02-09 |
Tracks:
- Electric Sun
- Lilac
- Burning Wheels Turning
- Japanese Dream
- Sundown
- Winterdays
- Still So Many Miles Away
- Earthquake
Tracks:
- Cast Away Your Chains
- Indian Dawn
- I'll Be Loving You Always
- Fire Wind
- Prelude In Space Minor
- Just Another Rainbow
- Children Of The Sea
- Chaplin And l
- Hiroshima: Enola Gay/Tune Of Japan/Attack/Lament
Tracks:
- Bridge To Heaven
- Thunder Bay
- Pegasus
- Starships Of Dawn
- Winds Of War
- Sky Valley
- The Wings Of Avalon
- Until The End Of Time
- Tod Und Zerstorung
- E Lucevan Le Stelle
- Starlight
- Aquila/The Eagle And The Rainbow
- Zephyrus/The Southwind/Je Reviens
- Endymion/The Eternal Sleeper/Balahe
- Ballerina/Dance With Infinity
- Aprilis/Melting Snow Of The North
- Cygnus/The Swan Of The West
- Aeolos/Father Of Winds/Autumn Leaves
- Flora/Bride Of The Summer Wind
- Boreas/Northeast Winter Wind
- Lethe/River Of Oblivion/Arpege
- Galatea/Daughter Of Oceans
- Aqua Vitae/Poseidon's Water Of Life/Eau Sauvage
Album Details
Rare, Out of Print Triple CD Collection from the Guitar Viruoso Uli Roth. Discs One and Two Contain the Earthquake and Firewind Albums Respectively While Disc Three Contains Prologue to the Symphonic Legends (1995) and the Previously Unreleased Aguila Suite (12 Arpeggio Concert Etudes for Solo Piano 1991).
Customer Reviews:
One of the Finest "Neo-Classical" Guitar Efforts.......2001-10-29
The title of this review refers primarily to Uli's "Prologue to Symphonic Legends", one of the three CDs in this collection. The set also includes Uli's first two Electric Sun Albums from '79 and '80. The Electric Sun recordings definitely have bright spots - Uli's awesome and crafty guitar solos which are brilliant compositions in themselves, his Hendrixisms, and his beautiful Strat tone. Unfortunately, they also have rough spots - the production, the vocals (Uli is a great player but an awful singer who makes music sometimes sound like karaoke - a great band backing up an ameteur vocalist, but Uli can be forgiven since his playing is so stellar, his vocals don't matter), and in my opinion, inconsistent songwriting. In spite of weaknesses, they are great to listen to for electric guitar fans and offer an education on where certain developments in rock guitar sprang from during the eighties.
The best part of this collection is the Prologue, which unlike most other "neo-classical" efforts, is mainly orchestral music with Uli interjecting beautiful, violin-like guitar solos on his six octave guitar. The opening piece is a familiar Puccini piece which Uli rewrote the lyrics for. His solo is breathtaking. His tone and use of the wah are about is perfect as it gets for this genre. The other pieces are Uli's own compositions and reveal him to be among the foremost composers whose primary instrument is electric guitar. The cadenza in "Pegasus" is the most perfect distorted electric guitar solo I have ever heard and it alone is worth the price of this entire 3 CD collection. Uli not only plays the right notes for classical pieces, but has the right feel - the right rubato. That is something lacking amongst most electric players who attempt classical pieces. The drawback to "Prologue" is that the orchestration is synthesized, but the timbre isn't too thin in spite of this. There is also a nice bonus after the "Prologue" of Uli's incredible piano compositions. And best of all...Uli doesn't sing!
Any fans of virtuoso electric guitar music who have not yet heard Uli or who only know him from his early Scorpion days, must check him out. In my opinion, he makes Yngwie sound like a kindergartner - and I speak as an Yngwie fan!
Great Bargain!.......2000-06-18
Okay, Uli Roth started out copying Jimi Hendrix. This compilation shows what he was trying to do when he left the Scorpions (and both parties went very separate directions). Yes, Uli's voice (like Jimi's) is nothing extraordinary (the last disc has classically-trained singers, not Uli). But his guitar melodies are straight from Heaven. Uli took himself from a Hendrix follower, to an innovator himself, and his work has taken the guitar to places that I know even Jimi would be amazed, and pleased. The last disc and the new direction is very much symphonic rock opera, but the backbone of all Uli's work is beautiful solos. Not wanking like Yngwie, but rather ethereal music. Uli has a sound like no one else, and his custom 7 string guitar is more like a violin (here you see the classsical direction). This collection is a must for guitar fans. Beyond that, I am not sure I'd recommend it. But if you are prone to buying Steve Vai, Yngwie, Satriani, Eric Johnson, Santana, or any of these guys...They know and admire Uli. Buy this and see why.
From Rock to Classical.......2000-02-29
The first two discs were exactly what I expected of Uli, very Scorpionslike. If you like songs like Fly To The Rainbow,Evening Wind and Polar Nights then, you will like these two discs. The vocals are a little week especially on the Fire Wind disc. Disc three is different. If you like classical music you should enjoy this disc, if not you won't. It's that simple. The last song "AQUILA SUITE" is a piano composition, I think it is a very good change of pace. Not that I don't enjoy blisstering guitar work because I do, it's just that in my advacing years I am becoming a more rounded music fan (I will not ever become a top 40 fan). For the money this is a very wise purchase, three for the price of one. Buy this set, reminisce about days gone past and enjoy some good classical music with your favorite beverage or herb.
Average customer rating:
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From Here to Eternity
Uli Jon Roth
Manufacturer: Cleopatra
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000061A2
Release Date: 1998-03-31 |
Tracks:
- Electric Sun - Earthquake: Electric Sun
- Electric Sun - Earthquake: Lilac
- Electric Sun - Earthquake: Burning Wheels Turning
- Electric Sun - Earthquake: Japanese Dream
- Electric Sun - Earthquake: Sundown
- Elecrtic Sun - Earthquake: Winterdays
- Electric Sun - Earthquake: Still So Many Miles Away
- Electric Sun - Earthquake: Earthquake
Tracks:
- Electric Sun - Fire Wind: Cast Away Your Chains
- Electric Sun - Fire Wind: Indian Dawn
- Electric Sun - Fire Wind: I'll Be Loving You Always
- Electric Sun - Fire Wind: Fire Wind
- Electric Sun - Fire Wind: Prelude In Space Minor
- Electric Sun - Fire Wind: Just Another Rainbow
- Electric Sun - Fire Wind: Children Of The Sea
- Electric Sun - Fire Wind: Chaplin And I
- Electric Sun - Fire Wind: Hiroshima: Enola Gay/Tune Of Japan/Attack/Lament
Tracks:
- Prologue To The Symphonic Legends/Aquila Suite: Bridge To Heaven
- Prologue To The Symphonic Legends/Aquila Suite: Thunder Bay
- Prologue To The Symphonic Legends/Aquila Suite: Pegasus
- Prologue To The Symphonic Legends/Aquila Suite: Starships Of Dawn
- Prologue To The Symphonic Legends/Aquila Suite: Winds Of War
- Prologue To The Symphonic Legends/Aquila Suite: Sky Valley
- Prologue To The Symphonic Legends/Aquila Suite: The Wings Of Avalon
- Prologue To The Symphonic Legends/Aquila Suite: Until The End Of Time
- Prologue To The Symphonic Legends/Aquila Suite: od Und Zerstorung
- Prologue To The Symphonic Legends/Aquila Suite: E Lucevan Le Stelle
- Prologue To The Symphonic Legends/Aquila Suite: Starlight
- Aquila Suite 12 Arpeggio Concert Etudes For Solo Piano: Aquila/The Eagle And The Rainbow
- Aquila Suite 12 Arpeggio Concert Etudes For Solo Piano: Zephyrus/The Southwind/Je Reviens
- Aquila Suite 12 Arpeggio Concert Etudes For Solo Piano: Endymion/The Eternal Sleeper/Balahe
- Aquila Suite 12 Arpeggio Concert Etudes For Solo Piano: Ballerina/Dance With Infinity
- Aquila Suite 12 Arpeggio Concert Etudes For Solo Piano: Aprilis/Melting Snow Of The North
- Aquila Suite 12 Arpeggio Concert Etudes For Solo Piano: Cygnus/The Swan Of The West
- Aquila Suite 12 Arpeggio Concert Etudes For Solo Piano: Aeolos/Father Of Winds/Autumn Leaves
- Aquila Suite 12 Arpeggio Concert Etudes For Solo Piano: Flora/Bride Of The Summer Wind
- Aquila Suite 12 Arpeggio Concert Etudes For Solo Piano: Boreas/Northeast Winter Wind
- Aquila Suite 12 Arpeggio Concert Etudes For Solo Piano: LetheRiver Of Oblivion/Arpege
- Aquila Suite 12 Arpeggio Concert Etudes For Solo Piano: Galatea/Daughter Of Oceans
- Aquila Suite 12 Arpeggio Concert Etudes For Solo Piano: Aqua Vitae/Poseidon's Water Of Life/Eau Sauv
Customer Reviews:
If you like Uli.......2002-03-08
The music was great! If you are in it for Uli's amazing fretwork, you won't be disappointed. The only problem is that Uli also does all the vocals. If you have heard Uli sing then you know what I am talking about. His vocals are one of two things keeping my rating from being 5 stars. The other is the 3rd CD. Uli's attempt at Opera/Symphony. I haven't given the whole thing a chance, but it was pretty weird for an Uli fan who wants to hear him SHRED!!! If you are a die-hard Uli fan you should have this set; however, it would not be my choice if I was trying to make a true believer out of someone new to his genius.
Average customer rating:
|
Guitar Heroes [3 CD]
Various Artists
Manufacturer: Riviere International
ProductGroup: Music
Binding: Audio CD
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ASIN: B000009PUD
Release Date: 1998-08-25 |
Tracks:
- The Man's Too Strong - Dire Straits
- Guitar Jamboree - Chris Spedding
- Stone Free - Jimi Hendrix
- The Rocket Man - Spotnicks
- Oh Well - Guitar Army
- Slabo Day - Peter Green
- Early Learning - Upp-The Jeff Beck Band
- West Coast Idea - Eric Clapton
- Don't Let Me Be Misunderstood - Gary Moore
- Twilight Cruiser - Kingdom Come
- Going Down Slow - Johnny Winter
- A Little Bit Of Love - Alvin Lee
- There's A Man (There's A Lady) - Peter Frampton & The Heavy Metal Boys
- Dr. Slingshot - Ted Nugent
- Mama Kin - Aerosmith
- Boom Boom-Out Goes The Light - John Lee Hooker
Tracks:
- I'm Your Witchdoctor - John Mayall
- Red Hot Mama - Marc Bolan & T-Rex
- Think It Over - Jimmy Page
- Jin-Go-Lo-Ba (Jingo) - Santana
- C. C. Rider - Travelling Blues
- Train Man - Bob Seger & The Silver Bullet Band
- Life In The Fast Lane - The New Eagles
- Roosevelt And Ira Lee - Tony Joe White
- Early Morning Rain - Gordon Lightfoot
- Stagger Lee - Taj Mahal
- Love Hurts - Nazareth
- Windy And Warm - Doc Watson
- Talk Don't Bother Me - George Harrison & Alvin Lee
- Really Gonna Rock Tonight - Gary Moore
- Who Do You Love - Ritchie Blackmore, Big Jim Sullivan, Albert Lee
- Foxy Lady - Jimi Hendrix
Tracks:
- Draggin' My Tail - Eric Clapton
- Doctor, I'm Getting Better - Upp-The Jeff Beck Band
- In The Skies - Peter Green
- Spanish Castle Mix - Jimi Hendrix
- It Don't Come Easy - Alvin Lee
- You Alone - Guitar Army
- Motorbikin' - Chris Spedding
- Roadshow - John Mayall
- Burn Up - Jimmy Page
- La Puesta Del Sol - Santana
- Grits And Cornbread - Peter Frampton
- Nuclear Attack - Gary Moore
- Telegram Sam - Marc Bolan & T-Rex
- Fighter - Snake
- Heart Full Of Soul - Jeff Beck
- Kilten Castle - Jack Lancaster, Gary Moore, Rod Argent, Rick Van Der Linden, Phil Collins
Jazz Music:
- Impure Thoughts [Enhanced]
- In Concert [Live]
- In Disneyland [Live] [Import]
- Innuendo out the Other
- J.S. Bach's Preludes & Fugues V.3 [Import]
- Jack Jones Sings Michel Legrand
- Jodoji Brightness
- Kudu
- Lennie Tristano [Import]
- Let's Cook!
Jazz Music
Jazz Music