Live at the Jazz Workshop--Complete [Live]

Live at the Jazz Workshop--Complete [Live]

ASIN: B00005M0MX

Editorial Reviews
Amazon.com
The tapes of these two 1964 San Francisco shows stayed locked up at Columbia Records until the label drew a double-LP from them shortly after Monk's death in 1982. Never issued on CD in the U.S., that album is now superseded by this packed document that nearly doubles its length, restores edited portions of several performances, and adds a dozen performances that sometimes better the original recordings. Monk, saxophonist Charlie Rouse, bassist Larry Gales, and drummer Ben Riley are unsurprisingly on point for the dates, which are filled with numerous classics from the Thelonious book. Disc one, which features most of the original release, is highlighted by a solo "Memories of You" and a full-quartet "Just You, Just Me" that say much about Monk's emotive capabilities; playful and beautiful, the back-to-back standards are some of the finest gems of his Columbia tenure. Seven of the second CD's first eight cuts, apparently done on the somewhat less shaky sophomore evening, would themselves have made a five-star single album in themselves. The exuberance and care of these renditions of "Well You Needn't," "Bright Mississippi," "Nutty," and other Monk inventions make the Complete Jazz Workshop a linchpin in the genius's onstage catalog. --Rickey Wright

Tracks:

Don't Blame Me
Ba-Lue Bolivar Ba-Lues-Are
Well You Needn't
Evidence/Rhythm-A-Ning
Epistrophy (theme)
Hackensack
Bright Mississippi
Evidence
Epistrophy
'Round Midnight
I'm Getting Sentimental Over You
Memories Of You
Just You, Just Me
Epistrophy

Tracks:

Blue Monk
Well You Needn't
Bright Mississippi
Bemsha Swing
'Round Midnight
Nutty
Straight, No Chaser
Thelonious
Hackensack
Misterioso
Ba-Lue Bolivar Ba-Lues-Are
Epistrophy (theme)

Amazon.com

The tapes of these two 1964 San Francisco shows stayed locked up at Columbia Records until the label drew a double-LP from them shortly after Monk's death in 1982. Never issued on CD in the U.S., that album is now superseded by this packed document that nearly doubles its length, restores edited portions of several performances, and adds a dozen performances that sometimes better the original recordings. Monk, saxophonist Charlie Rouse, bassist Larry Gales, and drummer Ben Riley are unsurprisingly on point for the dates, which are filled with numerous classics from the Thelonious book. Disc one, which features most of the original release, is highlighted by a solo "Memories of You" and a full-quartet "Just You, Just Me" that say much about Monk's emotive capabilities; playful and beautiful, the back-to-back standards are some of the finest gems of his Columbia tenure. Seven of the second CD's first eight cuts, apparently done on the somewhat less shaky sophomore evening, would themselves have made a five-star single album in themselves. The exuberance and care of these renditions of "Well You Needn't," "Bright Mississippi," "Nutty," and other Monk inventions make the Complete Jazz Workshop a linchpin in the genius's onstage catalog. --Rickey Wright

Customer Reviews:

This is jazz!.......2001-09-18

This is the way jazz is supposed to sound! There is not one bad song on here and a lot that will stick in your head and keep you humming all day/night. I can imagine monk spinning on stage like he did and like i feel like doing when i listen to these albums. If you like drum solos, they are here. If you like piano, it is here. The bass is here. And all three combined make for an excellent album.

Monk at his best - you can't go wrong with this one.......2001-08-13

Back in March of 1998, the folks at Legacy released the excellent Live at the It Club - Complete, a double CD of Monk and his quartet recorded in Los Angeles in 1964. Monk's concerts during that year were consistently first-rate, and these shows were no exception. If you own a copy of the It Club CDs, you probably noticed in the liner notes that there were plans to reissue the legendary performances from the Jazz Workshop. Well, after almost three and a half years, they're finally in the stores.

The tapes from these shows sat in the vaults at Columbia Records until shortly after Monk's death in 1982. Never issued on CD in the U.S., the new CDs feature thirteen previously unreleased tracks, plus three that were restored to their original lengths. For those of you keeping track of this sort of thing, that adds up to twice as much music as the original double LP. Monk's quartet on this tour was made up of the inimitable Charlie Rouse on tenor sax, Larry Gales on bass, and Ben Riley on drums.

The quartet is spot on throughout the two CDs, loaded with classics from the Thelonious songbook. Comparing this to the Monk in Tokyo set is like night and day. Aside from the fact that there is an additional hour of music on the Jazz Workshop CDs, the band is much more dynamic as well. Gales' bass work is much livelier than Butch Warren's ever was, and while Riley's drumming emulates some of the trademark Blakey fills, he still manages to retain his own style.

Disc one features most of the songs from the original release, and is loaded with Monk brilliance. After an inspired workout from Rouse on "Ba-Lue Bolivar Ba-Lues-Are," Monk turns in what can only be described as a classic solo--quoting a brief chorus of "Blue Monk" in the process. On "Well You Needn't," Rouse again leads the solos, followed by Monk, Gales and Riley. After the drum solo, Rouse and the others come in to bring it to a close. A slightly faster (and shorter) rendition of the song also appears on the second disc.

With the exception of "I'm Getting Sentimental Over You," the second CD is the better of the two. Not that anything on disc one is a slouch, but disc two may as well be titled Monk's Greatest Hits. It's hard to go wrong with tunes like "Blue Monk," "'Round Midnight," "Straight, No Chaser," "Bemsha Swing"... This list goes on and on.

The sound quality on the CDs is crystal clear. These sessions could have been recorded yesterday. Like the recording at the It Club, this set of tunes is chock full of playfully beautiful renditions of back-to-back jazz standards. My only real complaint (like Monk in Tokyo) is the use of the bulky double-disc packaging, as opposed to a slim-line jewel box. Aside from that (which is really immaterial--after all, it's the music that matters), Live at The Jazz Workshop is essential for both seasoned Monkophiles and newbies alike.

A JAZZ GENIUS AT HIS FINEST!!!.......2001-07-14

I have been waiting for this reissue for 3 years now; the liner notes of "Live at the It Club" mentioned this material and that it would be released soon. Well, soon turned into three years, but it was well worth the wait! Let's start with the sound, which is crystal clear, that sounds like it was recorded yesterday. All of the players (Monk, Rouse, Riley, Gales) turn in top-notch performances which flow very niceley from tune to tune. Only a couple of songs are repeated, though it is nice to hear them twice; this CD set is loaded with music (2.5 hours long). My only question is why Legacy decided to release this in the bulky two-disc packaging, as opposed to the more modern type with the plastic insert? If you like Monk, or just jazz in general, you will want to get this set.

Very nice recording.......2001-07-12

Monk's live repertoire was always somewhat limited. Therefore, there isn't much of a difference between different live albums. Like the recording at the "It Club", this set of tunes, recorded at the "Jazz Workshop" is plainly stellar. On top of that, the two performances on the two CDs don't really overlap track-wise. Therefore, if you're looking for a first good live recording of Monk's music, this set is definitely highly recommended. The performance itself is also very nice. On the average, the songs are a little bit shorter than on, say, the "It Club" or on the newly released "Tokyo" set - less drum and bass solos. That makes the set a little bit more enjoyable because after the fifth bass solo or drum solo I usually get a little bit bored you know. Anyway, this is a great set and I recommend it to collectors as well as to newbies.

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