Kansas City Stomp: The Library of Congress Recordings, Vol. 1

Kansas City Stomp: The Library of Congress Recordings, Vol. 1

Kansas City Stomp: The Library of Congress Recordings, Vol. 1

ASIN: B0000002SX

Editorial Reviews
Amazon.com
Mr. Jelly Lord was long past his prime when Alan Lomax happened upon him in 1938, tending bar, playing piano and working as a cook at Washington, D.C.'s Jungle Inn. No longer the struttin' dandy who had redefined jazz in the 1920s, Morton, having lost almost everything in the '30s, had disappeared from the music scene completely. Bedraggled countenance aside, he still possessed a luminous soul and sharp memory. Here, on the first of the volumes of Lomax's Library of Congress recordings, he goes about recounting (orally and instrumentally) the history, both his and the music's--its roots, its evolution, and the distinctions between what was there when he showed up and how he changed it forever. An invaluable, moving document that amply illustrates the breadth and depth of Morton's intellect. --David McGee

Kansas City Stomp: The Library of Congress Recordings, Vol. 1,Jelly Roll Morton,Rounder / Pgd,Blues Music,Classic Jazz,Jazz,Jazz Traditional,New Orleans Jazz,Pop
Kansas City Stomp: The Library of Congress Recordings, Vol. 1
Average customer rating: 4.5 out of 5 stars
  • an older relaxed jelly roll.
  • Great Jazz Piano
  • The Original Jelly Roll
Kansas City Stomp: The Library of Congress Recordings, Vol. 1
Jelly Roll Morton
Manufacturer: Rounder / Umgd
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Blues | Styles | Music
Traditional BluesTraditional Blues | Blues | Styles | Music
GeneralGeneral | Jazz | Styles | Music
New Orleans JazzNew Orleans Jazz | Jazz | Styles | Music
Traditional Jazz GeneralTraditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music
Rounder RecordsRounder Records | Specialty Stores | Music
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  3. Winin Boy Blues
  4. Last Sessions: The Complete General Recordings
  5. Birth of the Hot

ASIN: B0000002SX
Release Date: 1993-11-17

Tracks:

  1. I'm Alabama Bound No.1
  2. I'm Alabama Bound No.2
  3. King Porter Stomp No.1
  4. You Can't Have It, I Don't Want It
  5. The Miserere, 'Straight', Begun
  6. The Miserere, 'Straight', Concluded
  7. Sammy Davis's Style
  8. Pretty Baby
  9. Tom Jackson's Naked Dance
  10. Honky Tonk Blues
  11. Levee Man Blues
  12. Aaron Harris Blues
  13. Game Kid Blues, Begun
  14. Game Kid Blues, Concluded
  15. Buddy Carter Rag
  16. Steal Away And Nearer, My God, To Thee
  17. Flee As A Bird To The Mountain
  18. Oh! Didn't He Ramble, Begun
  19. Oh! Didn't He Ramble, Concluded
  20. Tiged Rag: The Quadrille, Begun
  21. Tiged Rag: The Quadrille, Concluded
  22. Tiger Rag, Begun
  23. Tiger Rag, Concluded
  24. Panama, Incomlete
  25. Kansas City Stomp, Begun
  26. Kansas City Stomp, Concluded
  27. (Darktown) Strutter's' Ball
  28. Sweet Jazz Music
  29. Salty Dog
  30. Hesitating Blues
  31. My Gal Sal
  32. Randall's Tune
  33. Maple Leaf Rag, St. Louis Tempo, Begun
  34. Maple Leaf Rag, St. Louis Tempo, Concluded
  35. Maple Leaf Rag, Morton Style
  36. The Miserere, 'Swung'
  37. Low-Down Blues (New Orleans Blues)

Amazon.com

Mr. Jelly Lord was long past his prime when Alan Lomax happened upon him in 1938, tending bar, playing piano and working as a cook at Washington, D.C.'s Jungle Inn. No longer the struttin' dandy who had redefined jazz in the 1920s, Morton, having lost almost everything in the '30s, had disappeared from the music scene completely. Bedraggled countenance aside, he still possessed a luminous soul and sharp memory. Here, on the first of the volumes of Lomax's Library of Congress recordings, he goes about recounting (orally and instrumentally) the history, both his and the music's--its roots, its evolution, and the distinctions between what was there when he showed up and how he changed it forever. An invaluable, moving document that amply illustrates the breadth and depth of Morton's intellect. --David McGee

Customer Reviews:

4 out of 5 stars an older relaxed jelly roll........2007-02-22

recorded in 1938, an older jelly roll morton sings and plays solo piano on a variety of blues, rags, and folk tunes that harken back to the early days of the 20th century. listening to these relaxed, wonderful performances is like evesdropping in on somebody playing at a beer joint back in the days when ragtime and the blues were forces in popular music. mr morton's voice is easy and pleasing, and his piano playing a joy. he may have been up in years when he recorded this stuff but his enthusiasm for music still comes through like that of a young man. i can almost taste the cheap beer and hear the clacking of pool balls as i listen to this stuff. music to transport you into america's past. a real treat.

5 out of 5 stars Great Jazz Piano.......2001-11-14

(...)

First, this CD features some of Morton's finest piano performances. The two versions of "Maple Leaf Rag" constitute Morton's demonstration of the transformation of ragtime into jazz, with the second version a magnificently swinging jazz performance. Similarly, Morton shows how "Tiger Rag" was allegedly created from a French quadrille, before delivering a stomping version, complete with tiger imitation. "Panama" is a concise masterclass in Morton's complex piano style, "King Porter Stomp" is given a rather frenetic reading which creates more excitement than the entire Benny Goodman orchestra, whilst for a change of pace the three chorus "Naked Dance" takes us back to the bordellos of Storyville.

Second, Morton's under-appreciated skill as a jazz singer is well illustrated here. "Lowdown Blues" is a splendid performance, with piano accompaniment based on his "New Orleans Blues"

Third, the sound quality is not brilliant, but is a vast improvement on previous LP issues.

Recommended to anyone interrsted in the history of
jazz.

5 out of 5 stars The Original Jelly Roll.......1999-12-16

Wonderful. Jelly Roll's voice is awesome and so is his brillant playing. These are the roots of jazz, he also makes some comments about the songs too. Fairly clear recording, sound is a little scratchy, but very minimal, but it does not detract at all from the performances. Very moving. A must for anyone who is literate in jazz or who wants to be.

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