Brubeck a La Mode

Brubeck a La Mode

Brubeck a La Mode

ASIN: B000000YB9

Editorial Reviews
Amazon.com essential recording
It's easy to forget that Dave Brubeck ever recorded any fascinating music with a horn player other than Paul Desmond. But in clarinetist William O. Smith, Brubeck had another foil, another thorough, highly developed (and well-regarded) composer with aerated tone and brilliance of ideas. This 1960 set, like Near Myth, features only Smith's compositions, all of them modal, and all of them showing melted edges and gentle bursts of creative improvising. Brubeck is his usual stalwart player, with his stark chords played so that they sound charming. Drummer Joe Morello and bassist Eugene Wright, Brubeck's best rhythm section, step up to Smith's demanding works, playing latticed harmony so that it rumbles a bit beneath the wood-toned clarinet--whose range sounds ever so Desmond-like. This is a sleeper in the Brubeck catalog, but don't let that imply anything negative. It's astounding. --Andrew Bartlett

Brubeck a La Mode,Dave Brubeck with Bill Smith,Ojc,Cool,Jazz,Jazz Music,Pop,West Coast Jazz
Brubeck a La Mode
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    Brubeck a La Mode
    Dave Brubeck with Bill Smith
    Manufacturer: Ojc
    ProductGroup: Music
    Binding: Audio CD

    Cool JazzCool Jazz | Jazz | Styles | Music
    GeneralGeneral | Jazz | Styles | Music
    Similar Items:
    1. Near-Myth
    2. Folk Jazz
    3. Jazz Impressions of New York
    4. The Dave Brubeck Quartet at Carnegie Hall
    5. Jazz at Oberlin

    ASIN: B000000YB9
    Release Date: 1991-07-01

    Tracks:

    1. Dorian Dance
    2. Peace, Brother
    3. Invention
    4. Lydian Line
    5. Catch-Me-If-You-Can
    6. Frisco Fog
    7. The Piper
    8. Solilquy
    9. One For The Kids
    10. Ballade

    Amazon.com essential recording

    It's easy to forget that Dave Brubeck ever recorded any fascinating music with a horn player other than Paul Desmond. But in clarinetist William O. Smith, Brubeck had another foil, another thorough, highly developed (and well-regarded) composer with aerated tone and brilliance of ideas. This 1960 set, like Near Myth, features only Smith's compositions, all of them modal, and all of them showing melted edges and gentle bursts of creative improvising. Brubeck is his usual stalwart player, with his stark chords played so that they sound charming. Drummer Joe Morello and bassist Eugene Wright, Brubeck's best rhythm section, step up to Smith's demanding works, playing latticed harmony so that it rumbles a bit beneath the wood-toned clarinet--whose range sounds ever so Desmond-like. This is a sleeper in the Brubeck catalog, but don't let that imply anything negative. It's astounding. --Andrew Bartlett

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