Looking Thru [Import]

Looking Thru [Import]

ASIN: B0000072TF

Track Listings

1. Eternal Spiral

2. Looking Thru

3. Zwischenspiel

4. Rockport

5. Tarantula

6. Ready for Take Off

7. Eloquence

8. Things to Come

Tracks:

Overture
Florida
Nice Baby
Looking For A Boy
Lady Luck
When Do We Dance?
These Charming People
That Certain Feeling
Sweet And Low-Down
Finale-Act I
Entr'acte
Our Little Captain
Looking For A Boy
It's A Great Little World!
Nightie-Night!
Tip-Toes
Finale-Act II
Overture
Tell Me More
Tell Me More
Shopgirls And Mannequins
Mr & Mrs. Sipkin
When The Debbies Go By
Three Times A Day
Why Do I Love You?
How Can I Win You Now?
Kickin' The Clouds Away
Finale-Act I
Love Is In The Air
My Fair Lady
In Sardina
Baby!
Finaletto-Act 2
Opening Ensemble
Ukelele Lorelei
Finale-Act II

Amazon.com

This two-CD set collects a couple of shows by George and Ira Gershwin. Both produced in 1925, the two musicals--Tip-Toes and Tell Me More--are fairly obscure and don't boast as many famous songs as contemporary Gershwin offerings such as Oh, Kay! and Lady Be Good. Still, they are bursting with wit, invention, and joie de vivre. Based on a 1998 concert production, Tip-Toes is delicious, and several songs deserve a place in the Gershwin pantheon: the ballad "Looking for a Boy," the love duet "That Certain Feeling," and the rousing dance number "Sweet and Low-Down." The score is also notable for its spectacular writing for duo pianos. Tell Me More is not as immediately accessible (indeed, it had the shortest run of any Gershwin musical, with 32 performances), but it's delivered with élan by its topnotch cast, which includes Sally Mayes, Christine Ebersole, Diane Fratantoni, and David Garrison. Under the expert musical direction of Rob Fisher (from New York's famed Encores! series), this double set is, of course, essential for Gershwin completists. In fact, just about any fan of zany Jazz Age artifacts should relish it. --Elisabeth Vincentelli

Album Description

Tip-Toes, which made its Broadway debut on December 28, 1925, was produced by Alex A. Aarons and Vinton Freedley, who had been the producers of the Gershwins' smash hit Lady, Be Good! the year before. Attempting to repeat that success, they once again combined the same book writers, Guy Bolton and Fred Thompson, with the Gershwin brothers. Tip-Toes was well received by audiences and the press, and ran for 194 performances. It was given a subsequent production at the Winter Garden Theatre in London, opening August 31, 1926, running for 181 performances.

One of the most overlooked Gershwin shows, Tell Me More was also the most unlikely of Jazz Age musicals. In an era marked by lavish extravaganzas and brash star vehicles, Tell Me More, which opened on April 13, 1925, relied on charm, modesty, and an impish sense of humor. Because it failed to recoup its investment on Broadway, it was relegated to the list of Gershwin flops; because its score was largely forgotten, it has been widely regarded as a minor effort. In truth, it's a key show. As the only full-length collaboration between George and Ira Gershwin and B.G. DeSylva, it combines the delicacy and grace of the scores George had written earlier in the decade with DeSylva and the bold wit he had pioneered in partnership with his brother Ira four months earlier in Lady, Be Good! The best of both worlds, Tell Me More was a one-of-a-kind achievement.

Customer Reviews:

Gifts from musical theater heaven!.......2005-07-24

The restoration of several complete Gershwin scores in recent years has been a gift from the theater gods. These two shows lack the bite of "Strike Up the Band," "Of Thee I Sing" and other earlier releases, but they have no lack of the Ira's wit and George's effortless melodies. Upbeat tuners "Kickin' the Clouds Away" and "Sweet and Low-Down" are especially engaging, and the authentic-sounding orchestrations lend a nostalgic aura. The first-rate casts seem to be having the time of their lives.

Tell Me More and more and more.......2001-12-07

I bought this CD because I had seen the concert of Tip-Toes, which I found enjoyable if uneven: great songs in Act I and not much in Act II. But for me, the real revelation here is Tell Me More, a totally forgotten Gershwin musical from the Twenties. I only knew one of the songs, "Kickin' the Clouds Away," but this score hits all the right notes, from gently melodic to flat-out funny. And the cast couldn't be better. David Garrison and Christine Ebersole are hugely funny in the comic roles, tossing out their one-liners like the Broadway pros that they are. And what a delight to hear the romantic couple on one of these vintage recordings -- in this case, Diane Fratantoni and Philip Chaffin -- sing just like a real period couple: him with the creamy tenor voice and her with the boop-a-doop flapper sound. Their rendition of "Three Times a Day," a lovely ballad with a Kern-like flavor, is, for me, the highlight of this 2-CD set.

Two restored little Gershwin gems.......2001-11-10

Although the Princess shows of Kern, Bolton and Wodehouse back in 1917 tried to introduce a solid plot into the American musical comedy, the story lines still did not amount to much until "Show Boat " set the standard. So when George and Ira Gershwin opened with two musicals in 1925, the first was based on a mistaken-identity situation already a cliché in the genre (Bolton did the book); and the second (again with Bolton, plus B.D. de Sylva) was about the Florida land boom that also formed the basis of Berlin's "The Coconuts" the very same year.

Both "Tell Me More" and "Tip-Toes" were part of the discovery of many Gershwin manuscripts buried in a New Jersey warehouse; and we can be most thankful to New World Records for restoring the scores and bits of the dialogue in a two-CD boxed set (80598-2). The music is what you would expect from Gershwin: 1920s jazzy with that special core of Gershwin genius. Yes, a good deal of it sounds like Berlin and Kern--as did just about every other contemporary composer except Romberg (who sounded like Herbert). On the other hand, "Kickin' the Clouds Away" from the earlier show seems to be the inspiration for Berlin's "Shakin' the Blues Away" written two years later! "Tell Me More" also does not shy away from ethnic jokes (i.e., mistaking a request to disguise oneself as British for doing so as Yiddish) that do not offend at all. And if we moderns grow impatient with the rich bubbleheads of the F. Scott Fitzgerald crowd, they are still a breath of fresh air after the population of "Miss Saigon" and plays of that sort.

The game casts have voices just right for this sort of characterization and delivery. The "Tip-Toes" production is taken from the Carnegie Hall Concert version and is outstanding.

Tracks:

Lollapalooza
John's Book Of Alleged Dances: Judah To Ocean
John's Book Of Alleged Dances: Toot Nipple
John's Book Of Alleged Dances: Dogjam
John's Book Of Alleged Dances: Pavane: She's So Fine
John's Book Of Alleged Dances: Rag The Bone
John's Book Of Alleged Dances: Habanera
John's Book Of Alleged Dances: Stubble Crotchet
John's Book Of Alleged Dances: Hammer & Chisel
John's Book Of Alleged Dances: Alligator Escalator
John's Book Of Alleged Dances: Standchen: The Little Serenade
John's Book Of Alleged Dances: Judah To Ocean (Reprise)
Slonimsky's Earbox

Tracks:

Two Fanfares For Orchestra - Tromba Lontana
Two Fanfares For Orchestra - Short Ride In A Fast Machine
Common Tones In Simple Time
El Dorado - Part I. A Dream Of Gold
El Dorado - Part II. Soledades

Tracks:

Harmonielehre - Part I
Harmonielehre - Part II The Anfortas Wound
Harmonielehre - Part III Meister Eckhardt And Quackie
Violin Concerto - Part I
Violin Concerto - Part II Chaconne:
Violin Concerto - Part III Toccare

Tracks:

Chamber Sympony - Mongel Airs
Chamber Sympony - Aria With Walking Bass
Chamber Sympony
Hoodo Zephyr - Tundra
Hoodo Zephyr - Dissappointment Lake
Hoodo Zephyr - Hoodo Zephyr
Gnarly Buttons - The Perilous Shore
Gnarly Buttons - Hoe-Down (Mad Cow)
Gnarly Buttons - Put Your Loving Arms Around Me

Tracks:

Ensemble - I Was Looking At The Ceiling And Then I Saw The Sky
A Sermon On Romance
Consuelo's Dream
Mike's Song About Arresting A Particular Individual
Tiffany's Solo
Song About The On-Site Altercation
Song About The Bad Boys And The News
Your Honor My Client He's A Young Black Man
Leila's Song; Alone (Again Or At Last)
Three Weeks And Still I'm Outta My Mind
Crushed By The Rock I Been Standing On
Dewain's Song Of Liberation And Surprise
!Este Pais! / This Country
One Last Look At The Angel In Your Eyes
Finale

Tracks:

Lollapalooza
John's Book Of Alleged Dances - Judah To Ocean
John's Book Of Alleged Dances - Toot Nipple
John's Book Of Alleged Dances - Dogjam
John's Book Of Alleged Dances - Pavane: She's So Fine
John's Book Of Alleged Dances - Rag The Bone
John's Book Of Alleged Dances - Habenera
John's Book Of Alleged Dances - Stubble Crotchet
John's Book Of Alleged Dances - Hammer & Chisel
John's Book Of Alleged Dances - Alligator Escalator
John's Book Of Alleged Dances - Standchen: The Little Serenade
John's Book Of Alleged Dances - Judah To Ocean (Reprise)
Slonimsky's Earbox

Tracks:

Harmonium - Negative Love
Harmonium - Becuase I Could Not Stop For Death
Harmonium - Wild Nights
Shaker Loops - Shaking and Trambling
Shaker Loops - Hymning Slews
Shaker Loops - Loops and Verses
Shaker Loops - A Final Shaking

Tracks:

The Chairman Dances - Foxtrot For Orchestra
Grand Pianola Music - First Movement
Grand Pianola Music - Second Movement
Grand Pianola Music - Third Movement: On The Dominant Divide
Fearful Symmetries

Tracks:

Nixon In China - Opening
Nixon In China -
Nixon In China -
Nixon In China - Landing Of The Spirit Of '76
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China - Cheers
Nixon In China -
Nixon In China - Opening
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -

Tracks:

The Wound-Dresser
Christian Zeal And Activity
Five Songs - Thoreau
Five Songs - Down East
Five Songs - Cradle Song
Five Songs - At The River
Five Songs - Serenity
Eros Piano

Amazon.com

Having earned his composing stripes after the 1960s, John Adams had the pioneering work of Steve Reich, Philip Glass, and Terry Riley close at hand as he ventured into his trade. And, while minimalism's historical continuum helps place Adams, he used Reich, Glass, and Riley (among others) only as a starting point. And here's proof: a 10-CD retrospective of nearly all Adams's recorded compositions on Nonesuch Records, the label that also issued Steve Reich 1965-1995 and Kronos Quartet: 25 Years. Adams's Harmonium, a choral work of startling energy and effervescence, appears here in a new recording, as do distillations of both The Death of Klinghoffer and Nixon in China, two path-clearing operas. Over the span of a career covered by Earbox, Adams has returned minimalism to traditional instrumental ensembles as well as to projects that at once advanced a political commentary and took that commentary back to orchestral audiences. And so, in far less time than his predecessors, Adams created works that now play like standard repertoire pieces: The Wound Dresser and Shaker Loops and the Violin Concerto--all of them are here. What these works demonstrate is a fierce creativity on the one hand and perhaps a hunger for commercial advances on the other. Adams may at times be a bustling free thinker, but he sounds ever conscious of what audiences are listening to. As for the works themselves, they remain every bit as daunting as when written.

Some may object to particular selections. I Was Looking at the Ceiling and Then I Saw the Sky, for example, hardly ranks with Adams's best work. But this box isn't a mere best-of; it's an almost-all-of. At times terrifically American--especially in the news-aware operas and their narrative pragmatism--Adams well deserves a major box set, and its coverage is appropriate to his varied, stylistically diverse output. As with any large-scale retrospective, Earbox--which fairly bristles with Adams's new composition, Slonimsky's Earbox--has spots where fans might balk at the quality of the composer's writing. But it's got a fantastic accompanying booklet along with its many hours of inarguably modern and thoroughly listener-friendly music. --Andrew Bartlett

Customer Reviews:

Moved to tears.......2004-03-18

Never before in my life was i moved so intensely and directly by classical music. I put the first cd in my player and a few minutes later tears are flowing. I find myself dancing and moving to a rythm i already seem to know. Wow, i just have to share that.

Nonesuch delivers.Again.......2002-11-27

John adams is one of the most popular living composers of"modern" classical music[I believe the cutoff point, though arbitrary is usually WWII}.I came to him late, through my husband. Modersn classical music , I said? What the hell is that?My husband kept playing bits and pieces of adams for me, and more and more i found myself amazed. and swayed. His operas have been groundbreaking{Nixon in China} controversial{Death Of klinghoffer},his compostions sublimely beautiful{shaker Loops or harmonium].HIS STATURE IS WORTHY THEN OF SUCH A MONUMENTAL CAREER SPANNING BOX SET.This 10 disc set[great value, again from NONESUCH}encompasses Adams' entire career,and though there are some misses here{I was looking at the ceiling and then i saw the sky doesnt quite fit},it is still magnificent. the Highlights are ,{for me} the Wound Dresser, Chamber symphony,Violin Concerto, of course, Shaker Loops and Harmonuim are wonderful. The true jewels here are Nixon in China,the Chairman dances and the Death of Klinghoffer,which is simply a masterpiece. The set comes with a wonderful book, which contains essay's by Robert Hurwitz {An Uncommon Man}renaud Machart[John adams as seen from europe} and Essays before an earbox by Adams himself.A Chronology and dicography are included. A wonderful study of an American original,worth the investment, Highly highly recommended

harmonia in excelsis.......2001-11-12

I must agree with Mr. Bartlett, particularly with regard to "Ceiling." It may well be because his Violin Concerto and Harmonielehre are so powerful. 4.5 stars.
Interesting, and likely intentional, is that two names in the extensive liner book fail to mention two great and glaringly obvious precursors: Carl Orff and Raymond Scott. Without "Carmina Burana," there would be no "Harmonium." Orff has his mark all over Adams's gifted and epic compositions. Similarly, though there are glib references to "cartoon music," the polymath engineer/musician Scott is a seminal figure in American music, and casts a large shadow over the witty juxtapositions and sense of play one loves in Adams's work. In all, an excellent career overview.

Our greatest living composer.......2001-07-22

As a composer, I'm staggered that anyone could fail to be gripped by this music.

That anyone can use the words "spoiled, overrated" amazes me. I emphatically disagree with "A music fan"'s review.

I don't think it's "mind-numbing"; I think it's spiritual and exciting. To me it's the most substantial music being created in our times.

I'm really sorry that anyone could fail to enjoy it, and really recommend others to listen for themselves.

Wonderful CD.......2000-04-02

This compilation should turn even the most curmudgeonly listerner into a fan. Beautifully recorded, great notes -- and it's a heck of a bargain!

Average customer rating:

Premier Pops

Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Lounge | Easy Listening | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

General | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
ASIN: B000008I2M
Release Date: 1994-08-05

Tracks:

Overture To A 'Pops' Concert
The Thorn Birds: The Thorn Birds Theme
The Thorn Birds: Arrival At The Vatican
The Thorn Birds: Meggie's Theme
The Thorn Birds: It's Shearing Your Hearing
Movie Song Medley: Life In A Looking Glass
Movie Song Medley: Crazy World
Movie Song Medley: Song from '10'
Hong Kong Fireworks
Sunflower
The 'Inspector Clouseau' Theme
Charade
Glass Menagerie, Pt. 1 (Tom's Theme)
Glass Menagerie, Pt. 2 (Blue Roses/Laura's Theme)
Three TV Themes: Hotel
Three TV Themes: Newhart
Three TV Themes: Remington Steele
The Sons Of Italy
Ohio Riverboat
Main Title From 'The Great Mouse Detective'
Moon River

Average customer rating:

Neglected masterpieces
A truly special and beautiful CD
Killer music.
Sublime

Music for Quiet Listening

Manufacturer: Mercury Living Presence / Philips
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music
Similar Items:

Music for Quiet Listening, Vol 2
Paul Paray Conducts Dances of Death
Hanson Conducts Hanson

ASIN: B0000057MJ
Release Date: 1994-11-15

Tracks:

Sarabande: For Katherine In April
Christ Looking Over Jerusalem
Adagio Cantabile
Pavane
Autumn Landscape
Gymnopedie
Larghetto
And On The Seventh Day...
In Memoriam Abraham
Night Soliloquy For Flute And Strings
The Winter's Past
Night Song

Customer Reviews:

Neglected masterpieces.......2006-01-23

The reviewer Mr. Fitzwilliam captured what I have felt when listening to "For Katherine in April." He said -- "Most people can remember, with joy, and longing, and perhaps regret for what might have been, the first time they were ever in love. This is that feeling, expressed in music." Ron Nelson has had a distinguished career as a composer, but this piece, written in his youth, I think is his best. The rest of the music is calming, but with a rapturous quality about it. The sound is good -- but is the only weak link in the album. There is a lack of bloom in the recording at times. I wish some smart music executive would redo this with a world class orchestra. However, Howard Hanson conducts here, and he excels. I doubt anyone could exceed his fine work. (But I'd like to see someone try.) Most of these pieces should be concert hall staples. I sometimes wonder about the breadth of knowledge of our major orchestra directors and managers. Why isn't the Nelson work as famous as, e.g., Rachmaninov's Vocalise? It's that good. Most highly recommended.

A truly special and beautiful CD.......2005-02-02

The music on this CD has been a part of my life in so many different ways I almost don't know where to begin. It is probably the most treasured CD I own. This is a collection of music of Eastman (School of Music) composers. Two of my favorite music teachers in high school, husband and wife, had both of their children study at the Eastman School. So, one day one of these teachers of mine plays me a bit of this album -- when it still WAS an "album", that is, the Mercury LP -- and I fell in love with it literally from the first minute. I could not obtain my own copy, however, as the LP had long been out of print.

A few years later, I attended the Eastman School of Music myself. The bookstore often had rare Eastman recordings, including some of the Mercury LPs, for sale -- but NEVER this one. (Everyone wanted it, you see!) However, pursuing leads, I learned that one of the deans of the school had a secret personal stash of brand-new, unopened, Mercury LPs of which he might sell you one if you asked him REALLY nicely. For me, getting my hands on that LP copy of Music For Quiet Listening still in its shrink wrap was like finding a gold double eagle in your loose change.

Fast-forward a few decades, and finally, the Mercury Living Presence LPs are being re-issued on CD! But Music For Quiet Listening never seemed to be in stock. Finally a record store clerk, who knew the CD himself, took pity on me and found a copy that had been mis-shelved. Again, it was like finding the Holy Grail.

What really captivated me about this recording on first hearing all those years ago was the very first piece, Ron Nelson's "For Katherine In April", a beautiful melody in the strings, with lush harmony and heart-wrenching counterlines in the inner voices. Later, after a more melancholy passage in the english horn and oboe, the sun bursts forth, and there is an almost unbearably beautiful climax with the full orchestra, strings still most prominent, with some ecstatic birdcalls from the flutes running through it all. The only description I can come up with is: Most people can remember, with joy, and longing, and perhaps regret for what might have been, the first time they were ever in love. This is that feeling, expressed in music.

And that is just the FIRST FIVE MINUTES of this CD.

This recording is a collection of pieces from the 1950s by Eastman School of Music composers which were awarded the Benjamin Prize at the school. This was a composition prize founded by a philanthropist who wanted to encourage music that inspired a feeling of quiet beauty in the listener. And "quiet" does NOT mean flat and lifeless, or bland elevator music. These pieces, as you can tell from my description of For Katherine In April, DO have highs and lows in them. And, they have different moods. Some are dark or mysterious, some melancholy, some light and peaceful, but they are all soothing to the mind, and the heart, and the soul.

And as for the quality of the CD itself: ALL re-issues of beloved, classic LPs should be this good. For one thing, the original Mercury studio recordings were captured either on a 35 millimeter film recorder, or on a custom-made three-track Ampex reel-to-reel recorder. For the CD mastering of these Mercury re-issues, they found and restored to original working condition THE VERY SAME RECORDERS from which the LP masters had been made. (You can thank Ros Ritchie, head of the Eastman Recording Services department for many years, for having the foresight to keep that priceless, one-of-a-kind equipment intact.) Thus, the CD has exactly the same timbre and frequency balance as the original LP.

But it gets better! Not only do they give you the original cover art, and the original liner notes, but there are also new, expanded liner notes telling you what the composers went on to do in the years after the original LP was made. This is a really thoughtful, very nice touch.

And, if THAT wasn't enough, since there is more room on a CD than on an LP, there are three bonus tracks on the CD! All were also winners of the Benjamin prize, and all were recorded on the same mastering equipment as the original LP contents. One of the new additions is an early recording of Kent Kennan's "Night Soliloquy", which has become a staple of 20th century flute repertoire.

Well, I have gone on enough. This is a truly special recording, one that has beautified my own quiet, thoughtful moments for years, and the fact that it is available to us on CD in such pristine condition is really fortunate. I hope that it comes to mean as much to you.

Killer music........2001-05-11

"Killer" is a household term for music which is so beautiful, so luscious, that it, well, just kills you. I'm a music school graduate, 50 years old, and my partner and I have amassed hundreds and hundreds of LPs, tapes and CDs over the decades. This is one of the handful of albums which gets played repeatedly. The music is sometimes melancholy, sometimes bitter-sweet, but always "accessible" yet spiritually fulfilling. I don't want you to think that it will make you depressed--it won't. But it's great for those times you want something to think by, remember by, mourn by. (I'm buying it for a friend who just lost a close relative). I'm thrilled to see there is a second volume available on CD. Listen to what beautiful music Americans were creating at mid-Century even while the "challenges" of Milton Babbitt and Elliot Carter were the only things being proselytized in music schools. Vindication is sweet and so is this album.

Sublime.......2000-07-07

Each of these is a lovely work. All range from Romantic to Impressionist. Each is special.

Hanson takes works by Eastman students and makes up a restful compendium. Rest assured, these aren't current--the original LP came out in the late 50s, so this is an outstanding document of what was going on in composition at Eastman during that period.

Taken either as history, or strictly as music, this Mercury classic is one every serious lover of American music should have. It's pure, sonic balm.

Looking Back
Average customer rating:
Looking Back
Three % Hero
Manufacturer: Hibiscus Zombie Records
ProductGroup: Music
Binding: Audio CD

Hardcore | Hardcore & Punk | Alternative Rock | Styles | Music
ASIN: B000LXISCI
Release Date: 2003-06-01

Tracks:

Memories
Wasting Time
Not Today
Now I Wish
Someday
Butterflies

Product Description

The first release from Three % Hero on Hibiscus Zombie Records, this EP contains re-recorded material from previous releases as well as some new songs.

Average customer rating:

The Ultimate George Gershwin, Vol. 2

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Jazz | Styles | Music

General | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Pop | Styles | Music

General | Oldies | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

Tin Pan Alley | Oldies | Pop | Styles | Music

Traditional Vocalists | Compilations | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

The Ultimate George Gershwin, Vol. 1
Tip-Toes/Tell Me More
Rodgers & Hart, Vol. 1
Ultimate Irving Berlin, Vol. 1
The Ultimate Irving Berlin, Vol. 2

ASIN: B00008KCMO
Release Date: 2003-04-08

Tracks:

Fascinating Rhythm [From Lady, Be Good!] - Cliff Edwards
Fascinating Rhythm/So Am I [From Lady, Be Good!][Instrumental] - Victor Arden, Phil Ohman
Oh, Lady Be Good [From Lady Be Good] - Cliff Edwards
Hang on to Me [From Lady, Be Good!] - Adele Astaire, Fred Astaire
I'd Rather Charleston [From Lady, Be Good!] - Adele Astaire, Fred Astaire
Fascinating Rhythm [From Lady, Be Good!] - Adele Astaire, Fred Astaire
Half of It Dearie Blues [From Lady, Be Good!] - Fred Astaire
Oh, Lady Be Good - Buddy Lee
Oh, Lady Be Good [From Lady Be Good]
Swiss Miss [From Lady, Be Good!] - Adele Astaire, Fred Astaire
So Am I [From Lady, Be Good!] - Adele Astaire, George Vollaire
Fascinating Rhythm - Buddy Lee
Three Times a Day [From Tell Me More!] - Alexander Gray
Tell Me More! [From Tell Me More!] - Alexander Gray
That Certain Feeling/When Do We Dance? [From Tip-Toes][Instrumental] - Victor Arden, Phil Ohman
Looking for a Boy/Sweet and Low-Down [From Tip-Toes][Instrumental] - Victor Arden, Phil Ohman
That Certain Feeling [From Tip-Toes] - Dorothy Dickson, Allen Kearns
Sweet and Low-Down [From Tip-Toes] - Laddie Cliff
Nightie-Night - Dorothy Dickson, Allen Kearns
It's a Great Little World [From Tip-Toes] - Laddie Cliff
Nice Baby [From Tip-Toes] - Evan Thomas
When Do We Dance? [From Tip-Toes] - Allen Kearns
These Charming People [From Tip-Toes] - Laddie Cliff, Dorothy Dickson, John Kirby
Looking for a Boy [From Tip-Toes] - Dorothy Dickson

Average customer rating:

Not to be missed
Excellent, fun music

Cowgirls (1996 Original Cast)

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

General | Classical | Styles | Music

Colette Collage (1994 Studio Cast)
Brownstone the Musical (2003 Studio Cast)
Listen to My Heart: The Songs of David Friedman
The Drowsy Chaperone (2006 Original Broadway Cast)
Mary Poppins (2005 Original London Cast)

ASIN: B0000014ZE
Release Date: 1996-07-16

Tracks:

Overture (Beethoven's Sonata Pathetique, Opus 13)
Three Little Maids (Gilbert And Sullivan)
Jesse's Lullaby (Music By j. Brahms)
Ode To Connie Carlson
Sigma, Alpha, Iota
Ode To Jo
From Chopin To Country (Music By Frederic Chopin)
Kingdom Of Country (Music By C. Converse/M. Murfitt)
Songs My Mama Sang (Traditional Hymn, Addidtional Music By M. Murfitt)
Heads Or Tails
Love's Sorrow
Don't Call Me Trailer Trash
Honky Tonky Girl
Every Saturday Night
Don't Look Down
They're All Cowgirls To Me
Saddle Tramp Blues
It's Time To Come Home
We're A Travelin' Trio
Sunflower
Concert Medley
House Rules
Cowgirls

Customer Reviews:

Not to be missed.......2007-06-24

I never tire of listening to this CD. I saw the show in Atlanta several years ago and then again in Nashville--featuring Mary Murfitt herself--and think it is wonderful. I'm always surprised at how such a hilarious/silly premise can set the stage for a moving exploration of friendship, relationships between parents and children, and the joy that comes in facing and conquering our fears. I remember sitting at the side of the theater in Nashville and watching the audience, which previously had been rolling with laughter, be spellbound when the cast began "Songs My Mama Sang" with that gentle mandolin strumming in the background. It was magic--and this "little" show with great writing and thoughtful performances made it happen. I only wish it were performed more often, but then it takes a really talented cast to make it work. There will always be the CD, though.

Excellent, fun music.......2000-05-03

This is a strong woman's musical with great music that doesn't get tiring to listen to. I'd recommend it for anyone wanting to perform a great musical for theatre.

Sweet and Low-Down - Richard Dowling plays George Gershwin

Average customer rating:

This guy is AMAZING!
He's Got Rhythm!
Richard Dowling has found teh Gershwin Way to play

Sweet and Low-Down - Richard Dowling plays George Gershwin

Manufacturer: Klavier
ProductGroup: Music
Binding: Audio CD

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World's Greatest Piano Rags
Richard Dowling Plays Chopin, Volume II

ASIN: B00005N9Z9
Release Date: 2001-07-01

Tracks:

Sweet and Low-Down
Looking for a Boy
Someone to Watch Over Me
That Certain Feeling
'S Wonderful/Funny Face
Maybe
Swanee
Clap Yo' Hands
Drifting Along with the Tide
"Andantino moderato" theme from Rhapsody in Blue
So Am I
Kickin' the Clouds Away
My One and Only
Prelude No. 1 in B-flat Major
Novelette in Fourths
Sleepless Night
Rubato
Promenade
Three-Quarter Blues
Prelude No. 2 in C-sharp Minor
Impromptu in Two Keys
Prelude No. 3 in E-flat Minor
I Got Rhythm
Oh, Lady Be Good!
Liza
Embraceable You
Somebody Loves Me
Fascinatin' Rhythm
The Man I Love

Album Description

American pianist Richard Dowling performs virtually all of Gershwin's original works for solo piano along with several new transcriptions of Gershwin improvisations from disc recordings and player piano rolls. Dowling transcribed several of the tracks himself including a world premiere of Gershwin's own three-minute rendition of the main theme of "Rhapsody in Blue." Rounding out the disc are Earl Wild's Seven Virtuoso Etudes on Themes by Gershwin.

Customer Reviews:

This guy is AMAZING!.......2002-12-08

I heard one of Dowling's concerts and he's awesome! I play this CD in my car and almost got a speeding ticket because of it. Richard really knows the Gershwin style. It's upbeat and a lot of fun to listen to over and over.

He's Got Rhythm!.......2001-08-31

Richard's got the most amazing fingers (and ears)! He's such a good pianist that you'll swear you're hearing old George playing himself. If you love music from 1920s and 30s New York, this is about as authentic as it gets. The Earl Wild pieces at the end will blow you away. You'll want to listen to this CD over and over because the music is happy and the execution is perfect.

Richard Dowling has found teh Gershwin Way to play.......2001-08-17

The masterful work displayed on this CD is a pleasure to listen to. The speed with which the keystrokes are perfectly executed is simply astounding. I have only had the CD for about a week and have enjoyed it completely many times.

Average customer rating:

OrchestraPro Bassoon, vol. 2

Manufacturer: Summit(Classical)
ProductGroup: Music
Binding: Audio CD

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Orchestral Excerpts for Bassoon
French Music For Bassoon

ASIN: B000009D4N
Release Date: 1998-07-07

Tracks:

Intro
Pno Con, K.491
Sym No.41
Sym No.5
Sym No.7
Sym No.8
Emperor Con
Unfinished Sym
Pno Concerti
Scottish Sym
Pno Con No.1
Double Tonguing
Sym No.2
Sym No.3
Requiem
Sym No.3
Sym No.1
Also Sprach Zarathustra
Don Quixote
Sym No.2
Petrouchka
Sym No.5
Sym No.5
Through the Looking Glass
Three Cornered Hat
Pictures at an Exhibition
Pulcinella
Dance Ste
Trittico Bottecelliani
Con for the Left Hand
Peter and the Wolf
Sym No. 1
Carmina Burana
Young Person's Guide
Sym No.7
Sym No.8
Sym No.10

Average customer rating:

Excellent performer
A unique project
Gershwin historical, manic, perfect, archival
Definative

Authentic George Gershwin, Vol. 1-4

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

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ASIN: B0001Z2RSC
Release Date: 2004-08-24

Tracks:

Swanee
Come To the Moon
I Was So Young (You Were So Beautiful)
Tee-Oodle-Um-bum-Bo
Nobody But You
Limehouse Nights
Drifting Along With The Tide
Rhapsody In Blue
Oh Lady Be Good!
Fascinating Rhythm
Hang On To Me
I'd Rather Charleston
The Man I Love
The Half Of It, Dearie, Blues
So Am I
Kickin' The Clouds Away
Concerto In F

Tracks:

Sweet And Low-Down (I)
That Certain Feeling (I)
Looking For A Boy
When Do We Dance?
Sweet And Low-Down (II)
That Certain Feeling (II)
Irish Waltz
Do, Do, Do
Someone To Watch Over Me
Clap Yo' Hands
Maybe
Three Preludes: I. No.1: Allegro Ben Ritmato E Deciso / II. No.2: Andante Con Moto / III No.3: Allegro Ben Ritmato E Deciso
Meadow Serenade
My One And Only
'S Wonderful/Funny Face
He Loves And She Loves
An American In Paris
Liza
Strike Up The Band
Embraceable You
I Got Rhythm (I)
I Got Rhythm (II)

Tracks:

Of Thee I Sing
Jilted
Second Rhapsody
For You, For Me, For Evermore
Cuban Overture
Isn't It A Pity?
Variations On 'I Got Rhythm'
I. Catfish Row: Introduction - Jazzbo Brown - First Chorus, 'Summertime'
II. Porgy Sings: 'I got Plenty O' Nuthin' - 'Bess, You Is My Woman Now'
III. Fugue: Murder Of Crown, Act III Scene 1
IV. Hurricane: Introduction, Act II Scene 3 - Hurricane, Act II Scene 3
V. Good Morning, Brother: Occupational Humoresque, Act III Scene 3 - 'Good Morning, Brother' - Children's Song 'Sure To Go To Heaven' - 'I'm On My Way' (Finale)
They Can't Take That Away From Me
Let's Call The Whole Thing Off
Our Love Is Here To Stay

Tracks:

Girl Crazy Overture
French Ballet Class
Dance Of The Waves
Slap That Bass
Walking The Dog
I've Got Beginner's Luck
They All Laughed
They Can't Take That Away From Me
Shall We Dance
By Strauss
I Can't Be Bothered Now
The Jolly Tar And The Milkmaid (1st Version)
Put Me To The Test
The Jolly Tar And The Milkmaid (2nd Version)
Stiff Upper Lip
A Foggy day (In London Town)
Nice Work If You Can Get It
Things Are Looking Up
I Was Doing All Right
Love Walked In

Customer Reviews:

Excellent performer.......2007-03-09

This plates are wonderful. I was charmed, and when I close my eyes now, I see scenes with American in Paris or Porgy and Bess but my favorite piece of music is Rhapsody in Blue. It's more than excellent is fantastic. Jack Gibbons perfectly feels the unique tone Gershwin's music, the mixture rythms of jazz with influences of impressionists and clear and beauty melodies.
I'm fascinating.

A unique project.......2006-11-23

Gibbons' undertaking is unique: to reconstruct and then execute and record the note-for-note playing of Gershwin as documented on the composers' piano rolls, sound recordings and certain published arrangements. I agree with the reviewer who points out that the result is like a library and not a recital you sit back and listen to (or get up and dance to). In fact Gibbons does some editing of his "library" now and then, and clearly documents it in his liner notes: in some reconstructions he augments accompaniment effects and even the melodic line itself. I don't mind that at all, especially as Gibbons scrupulously accounts for such tampering in his liner notes; but it seems to me that it is in this area of "tampering" that Gibbons the artist is asserting himself...which of course undermines the "library", the "historical archive": you have to search and read a bit to find out when you're hearing only Gershwin and when you're hearing some added Gibbons. I don't mind; Gibbons is a remarkable artist in his own right, not merely an impeccable documentarian. For sheer generosity of production Gibbons' Gershwin must also be unique: 4 cd's, scholar-level liner notes (yes, you need a magnifying glass to read them), and rock-bottom bargain price.

Gershwin historical, manic, perfect, archival.......2006-06-12

First: this is 4 high-end produced cd's (in low-end jewel cases) for the price of 2. The liner notes of all 4 cd's are condensed in a booklet of microscopic print, so you may need to spend the savings on a magnifying glass. MONEY WELL SPENT.
Second: Jack Gibbons plays (and has recorded) the Alkan op 39 etudes (he probably plays a lot more Alkan than that). For those of you not in the know, this is to say he has world-class chops, indeed history-class (Liszt, who never played his friend Alkan, at least in public). But it's also to say that Gibbons knows how to interpret and personalize fantastically difficult piano music. For me, his Alkan op 39 is personal and passionate and real (contrast the facile and over-pedalled Hamelin and the just-the-notes-ma'me Ringeissen). An appreciation of Gibbons' Alkan is important here because while his Alkan is uniquely personal (as such music must be, no matter how hard it is to play) his Gershwin is deliberately impersonal...which is to say: no pianist, no singer would want to reproduce what Gibbons has given us in these 4 cd's, and in fact few listeners will be able to listen for long to these 4 cd's without a respite, a break , some silence, some minimal styling from somebody (anybody) else...which brings me to
Third: This is an archive, not a recital. This is a library, not a program. There is no track-by-track contrast of moods here, no track-by-track concession to easy listening, varied delight, any more than a library shelf of novels is alphabetized by authors' last names as a concession to mood or fancy or taste of the searching patron. This is the documented Gershwin in his recording mode: manic, notey, clever, "on", and never, as generations of stylists found in him, ravishing, tender, longing, sweet, glad, hopeful...person-to-person, in a word. I can listen to these cd's about half an hour at a time, max. This is Gerwhsin, not Gibbons. And this is just one side of Gershwin. He died at 38, in the summer. Brain tumor. A lot of pain.
Finally, Jack Gibbons has given the world a uniquely valuable and easily available resource. Gibbons could now do us a service by playing us some Gershwin as he feels it, as it hits him and makes him sing (as Gershwin, our American Schubert, does to all of us, and as I think Alkan has done to Gibbons). I would love to see a Gershwin stylings by Gibbons now that Gibbons himself has made sure Gershwin in his authenticity is safe and sound.

Definative.......2005-07-23

Here's the whole Gershwin catalog at a great price... Five plus hours of bliss. Definately five stars!

Gibbons, according to a family friend and biographer Edward jablonski "recreates Gershwin's style." I'll never know. I can say this is a lively recording and has the perfect balance. It's neither stuffy and plodding or cute.

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