Bird [Soundtrack]

Bird [Soundtrack]

ASIN: B000065APY

Editorial Reviews
Amazon.com
What we have here is either a jazz purist's worst techno-heresy or a sublime pipedream of progress. When life-long jazz aficionado Clint Eastwood made his 1988 Charlie Parker biopic Bird, he faced a more daunting challenge than casting and dramatic nuance: who would play Bird's epochal sax solos? Eastwood ultimately decided that only Bird could play Bird, and so gave his longtime musical director Lennie Niehaus the task of digitally extracting Parker's four-decade-old solos from often primitive sources, then sonically upgrading them and recasting them anew within ensembles consisting of a mix of contemporary players and veteran Parker sidemen. Where the results are masked by a little club ambience, as in "Lester Leaps In," "Cool Blues," and "Ornithology," they can be remarkably convincing--even "Now's the Time" rendered within the naked confines of a small group sounds convincing. Only Niehaus's efforts to conjure up Bird's own unrealized dreams by wrapping large string sections around the standards "Laura" and "April in Paris" clearly belie the wizard behind the curtain. Perhaps not the best introduction to the Parker legend, but a compelling "what if?" nonetheless. --Jerry McCulley

Bird,Original Soundtrack,Sony,Bop,Film Music,Pop,Soundtrack,Soundtracks,Soundtracks & Film Scores

Man of La Mancha: A Decca Broadway Original Cast Album (Original 1965 Broadway Cast)
Average customer rating:

Check out Other Versions. Don't be swayed by Others' Reviews.

beautiful music for a haunting story.....

Man of LaMancha As Good As Ever

Don Quixote

Magnificent voices

Man of La Mancha: A Decca Broadway Original Cast Album (Original 1965 Broadway Cast)
Mitch Leigh , Joe Darion , Richard Kiley , and Joan Diener
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
General | Musicals | Broadway & Vocalists | Styles | Music
General | Broadway & Vocalists | Styles | Music
General | Soundtracks | Styles | Music
General | Classical | Styles | Music
General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
The Decca Records Store | Specialty Stores | Music
Similar Items:

Camelot (1960 Original Broadway Cast)

Man of La Mancha

Fiddler on the Roof (1964 Original Broadway Cast)

My Fair Lady (1956 Original Broadway Cast)

The Music Man (1957 Original Broadway Cast)

ASIN: B00005A8KE
Release Date: 2001-03-06

Tracks:

Overture
Man Of La Mancha (I, Don Quixote)
It's All The Same
Dulcinea
I'm Only Thinking Of Him
I Really Like Him - Joan Diener
What Do You Want of Me - Joan Diener
Little Bird, Little Bird
Barber's Song/Golden Helmet
To Each His Dulcinea (To Every Man His Dulcinea)
The Impossible Dream
The Combat (Previously Unreleased Reissue Track)
Dubbing (Knight of the Woeful Countenance) - Joan Diener
The Abduction
Aldonza - Joan Diener
A Little Gossip
Dulcinea (Reprise) /The Impossible Dream (Reprise) /Man of Mancha (Repr - Joan Diener
Finale (The Impossible Dream) - Joan Diener

Amazon.com

Man of La Mancha, the show that introduced "The Impossible Dream" to the world (and lounge singers everywhere), was the hit of the 1965 Broadway season. Richard Kiley is magnificent in his career-defining performance as the deluded wannabe knight Don Quixote. His leading lad Joan Diener sings the role of the kitchen wench Aldonza with just the right balance of dignity and vulgarity. Irving Jacobson turns in a fine comic performance as the Don's faithful squire, Sancho Panza. The score, with music by Mitch Leigh and lyrics by Joe Darion, was revolutionary in its time. The orchestra had no violins--just brass, woodwinds, percussion, and flamenco guitars. Man of La Mancha is one of Broadway's most inspiring musicals and it well deserves its high reputation. --Michael Simmons

Customer Reviews:

Check out Other Versions. Don't be swayed by Others' Reviews........2007-06-09

I've never seen this show on stage and my first exposure to the music was the Sony CD Man of La Mancha featuring Placido Domingo, Pandy Patankin, and Julia Migenes-Johnson. Despite lackluster reviews of the disk, I enjoy it, and when I saw this version at a second hand book/music store, I decided check it out too. My initial impression was that the Sony version was the better disk but decided to compare both versions by setting up a playlist in Media Player, playing tracks from both version back-to-back.

After that test, I have to agree with the reviews here that Richard Kiley is the superior Don Quixote. Domingo's voice is, of course wonderful, but Kiley acts the role better on the CD and Domingo's accent is a major distraction.

In the role of Aldonza - no contest. Julia Mingenes-Johnson's singing and performance on the Sony version is far superior to Joan Diener's. I didn't have to hear the tracks back-to-back to realize that. Ms. Diener's performance just grated on my ears from the beginning.

Bucking the crowd, I prefer Mandy Patankin's Sancho (Sony version) to Irving Jacobson's. I may be biased, having had more exposure to the Sony version, but Patankin seemed to be trying to inject a bit more feeling into the character. Jacobson, singing in an annoying, scratchy voice, came across almost like a cartoon trying to fit in among live characters. It seems like most people either like Patankin or hate him. Guess I'm one of the former.

The Orchestration does seem brighter/clearer in this version compared to the Sony version, but, in general, the tempo on most tracks seems slower than the same tracks on the Sony version. I preferred the up-tempo, Sony versions of "The Barber Song", "Little Bird, Little Bird", "The Dubbing" and "A Little Gossip".

In Summary: For Kiley's Don Quixote, you'll probably want this version, but for tracks featuring Aldonza (and maybe Sancho) you'll want to check out the Sony version. Since I have both disks, I will probably come up with a mix of my favorite tracks, in general, favoring the Sony disk but substituting the tracks that feature Richard Kiley's Don Quixote where I can.

beautiful music for a haunting story............2007-06-07

I remember reading excerpts from Cervantes' DON QUIXOTE, as a Spanish student, way back in junior high school. The saga of the madman fighting windmills and pursuing his illusions [and delusions] was very sad, but very romantic at the same time. When the musical adaptation, MAN OF LA MANCHA, was brought to the stage in 1965, Richard Kiley (as the title character, Don Quixote) absolutely transfixed the audience with his sensitively heartfelt portrayal of the tragic madman. The plight of Don Quixote, who travels on horseback, with his faithful companion, Sancho Panza (Irving Jacobson), and absolutely lovestruck by kitched wench Aldonza (Joan Denier), is alternately pathetic and profound. Perhaps one of the best known (and most remade) songs in the repertoire from LA MANCHA, is "The Impossible Dream." Richard Kiley really make it his own, here, and after you hear his version, it's hard to listen to others' versions of it. It's just not the same. Though, this story is anything but joyful, the music will glide through your ears and carry you on a surrealistic journey through attempted triumph and (ultimately) tragedy.

Man of LaMancha As Good As Ever.......2007-05-07

Very pleased with ourchase of this item. Quality is great as was the price. Delivery was timely. Easy transaction! A++++++++

Don Quixote.......2006-09-14

Back in High School my band leader, Mr. DeYoung, decided (agianst much opposition from those of us in the band let me tell you) to have us perform select pieces from this musical

I hated the idea. But when we began to play, he even had us watch the musical, I fell in love with the melody. The many songs of a man who believes the best in the world. YOu find that in Dulcinea, The Impossible Dream, etc.

From one maginificently rendered song to another, you can be lost in its melodic elegance.

My favorite song is the initial rendition of 'Little Bird, Little Bird'. It's a soft song, sung as a love ballad. In the musical you discover it's being sung to a local whore by a bunch of randy men. Despite that, I still like it.

This along with others are among the great works of the stage!

Magnificent voices.......2006-07-05

Voices and music make a revival of this beautiful play. Full of passion.

Average customer rating:

A good soundtrack...
One of my favorite film scores from Mark Isham
broken box
One of the Best ever
a profound disappointment,,,

Crash
Mark Isham , Bird York , and Stereophonics
Manufacturer: Superb Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Bebop General | Bebop | Jazz | Styles | Music

General | Jazz | Styles | Music

Modern Postbebop | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

Smooth Jazz | Jazz | Styles | Music

General | Opera & Vocal | Styles | Music

Britpop | British Alternative | Alternative Rock | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Vocal Pop | Pop | Styles | Music
Similar Items:

Crash: Music from and Inspired by Crash
Wicked Little High
Crash (Widescreen Edition)
The Constant Gardener
Memoirs of a Geisha

ASIN: B0009F79NM
Release Date: 2005-06-07

Tracks:

Crash
Go Forth My Son
Hands In Plain Sight
...Safe Now
No Such Things As Monsters
Find My Baby
Negligence
Flames
Siren
A Really Good Cloak
A Harsh Warning
Saint Christopher
Sense Of Touch
In the Deep - Bird York
Maybe Tomorrow - Stereophonics

Album Description

Mark Isham's highly emotional score for the film CRASH will move you in ways you never expected. Beautiful cinematic passages collide with ethnic voices evoking the powerful imagery of the film. The album is complimented by the original song "In the Deep" by Bird York and "Maybe Tomorrow" by Stereophonics.

Customer Reviews:

A good soundtrack..........2007-05-06

...to a great movie. It's not as good as his soundtrack to "Afterglow" but a nice listen nonetheless. Without the great band members like Gary Burton & Charles Lloyd what can one expect?

One of my favorite film scores from Mark Isham.......2007-02-25

Mark Isham is quickly becoming one of my favorite composers. His work on the indie film "The Cooler" introduced me to his talents and I enjoyed what I heard. It wasn't until "Crash" did I really start taking notice of his work. Mark's work on "Crash" is a mix of ambient and classical with a glimmer of Middle Eastern (like on the song "Flames"). A lot of film composers have a terrible habit of creating loud, bombastic music that simply overwhelms the film and the person watching the film. Mark avoids the bombastic trappings of Hans Zimmer and John Williams by creating a more lush, haunting, minimal score that will leave a profound, moving effect on the filmgoer. One of the best songs on the album is "Flames" a gorgeous Middle Eastern-influenced track with ethereal female vocals that reminded me of Azam Ali and Lisa Gerrard of Dead Can Dance. My other favorite song on the cd is "In the Deep" by Bird York. The song is a lovely folk/pop/jazz song that captures the emotional turmoil that occurs through out the film. I wasn't too wild about The Stereophonics track. It kinda killed the intimate sound Mark Isham created. At least Bird York's song had that same lush, intimate, atmospheric sound. While "Crash" wasn't perfect by all means, the music itself is perfect in every sense of the word at least to me it is. Too bad I can't say the same for his recent work for "The Black Dahlia".

broken box.......2007-02-21

Although the album is a perfect piece of art and the music has a total efect on the whole movie, tha box that came the cd was broken inside.. the teeth that holds the cd were not there and the cd was loose ready to fall when i opened the box..
Thats very unfortunate but still hasn't happened in the past, I'm amazon oriented customer, have ordered lots of stuff from amazon never had problems in the past! My best regards, Alex

One of the Best ever.......2007-01-09

Every now and again a movie comes along that impacts you so personally and deeply, you cannot ignore, or ever forget what it meant to you. This is one of those movies.
Crash will take you down to your very soul then drag you back kicking and screaming to reality and wanting to run away and hide.
Dealing with society's inability to overcome prejudice on a very personal level, Crash exhibits the ability to make you examine not only yourself, but everyone around you. You ARE racist. Every thought you have tells you that, good or bad.
There is no one actor that stands out above the rest in this movie, all are treated by the director as being of the same importance, but the viewer WILL identify with at least one of them. All put in performances well above that expected. From Sandra Bullocks affluent life down to Matt Dillons survival in a dingy apartment, through Don Cheadles family dynamic to Jennifer Espisito's implicit Racism, you will see what ordinary America is really like. How we all interact with each other on a day-to-day basis, how the decisions we make effact not only ourselves, but others around us.
It would be impossible to give the plot in less than 5,000 words, but this film has gained 3 Oscars, 36 other awards and has 56 nominations, and it was worth more.
THE film of 2005, will be in the top 250 for all time movies.

a profound disappointment,,,.......2006-12-27

There just isn't enough variety here to make the music memorable, and the mood is similar throughout. One looks in vain for a memorable melody or piquant harmony. anything but the doodling we have here which sounds like that of a 3rd rate composer. Perhaps this music works as background; as the "main event" the Cd is a "crash" ing bore!

Full Metal Jacket: Original Motion Picture Soundtrack

Average customer rating:

BORING
Only One Good Track..
Not for everyone
Boot Camp scenes are hauntingly realistic
Full Metal Jacket

Full Metal Jacket: Original Motion Picture Soundtrack

Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Rock | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Pop Rock | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 Pop | 4-for-3 Music | Stores | Music

4-for-3 Rock | 4-for-3 Music | Stores | Music

4-for-3 Soundtracks | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

Platoon (1986 Film) - And Songs From The Era
Vietnam Generation: 36 Rock & Pop Hits
Vietnam: A Musical Retrospective
Apocalypse Now Redux
Good Morning Vietnam: The Original Motion Picture Soundtrack

ASIN: B000002LCG
Release Date: 1990-10-25

Tracks:

Full Metal Jacket - Abigail Mead/Nigel Goulding
Hello Vietnam - Johnny Wright
Chapel Of Love - The Dixie Cups
Wooley Bully - Sam The Sham And The Pharoahs
I Like It Like That - Chris Kenner
These Boots Are Made For Walking - Nancy Sinatra
Surfin' Bird - The Trashmen
The Marines' Hymn - The Goldman Band
Transition - Abigail Mead
Parris Island - Abigail Mead
Ruins - Abigail Mead
Leonard - Abigail Mead
Attack - Abigail Mead
Time Suspended - Abigail Mead
Sniper - Abigail Mead

Customer Reviews:

BORING.......2006-02-15

I am yet to understand why this movie is compared to the likes of Platoon. There is no question which of the two is the better one. I was bored out of my mind after an hour. I turned it off and then when I had time to waste, I finished it. I am sorry I did. 2 Hours I will never get back. I know that evertone is different, but if you have not seen this movie and are thinking about viewing it, do so on a Sunday when you have NOTHING else to do. The only highlight was the Drill Instructor. He managed to crack a smile out me on occasion.

Only One Good Track.........2002-10-14

The first one... The rest of the CD is movie instrumentals that are excellent for falling asleep to, but that's about it.

Not for everyone.......2002-02-21

Abigail Mead, the composer of eight songs of this soundtrack, is actually Vivian Kubrick, daughter of Stanley Kubrick.
The disc has 15 tracks:

The first song is a hip-hop/techno mix of the cadences sung by Sgt Hartman in the first part of the movie, it is not a beautiful or good and I don't think it was necessary to include it.

The songs 2 to 7 are songs from the sixties and hear them during the movie creates a "mood" for the movie, for example, the song These Boots Are Made For Walking, by Nancy Sinatra and the scene in Vietnam which a prostitute is walking fits just perfectly and watch the movie without this song would have much less effect. Although they are not complex songs and most of the lyrics are foolish it's worth to have them in the score because they made a good part in the movie.

Song number 8 is the Marine's Hymn, a nice inclusion even thought it's not likely that someone would play this song very often at home.

The rest of the score are the instrumental themes composed by Abigail Mead, some of them are quiet and peaceful like Leonard, and others are more aggressive like Parris Island, with some nice stereo effects.

This is not the best score for a Stanley Kubrick movie and I suggest you to listen to it before you buy or you can have some bad surprises like not listening to Paint it Black, because it was not included or odd songs like Time Suspended. Actually I would suggest this soundtrack for Collectors, Kubrick fans or people with eclectic musical taste.

Boot Camp scenes are hauntingly realistic.......2000-08-04

The best part of this movie is the beginning, when they show what a raw recruit goes through at Boot Camp. It brings back a lot of memories because it was so well done. Lee Ermey just is exactly what a DI is at Paris Island. All the nuances, the lingo, the discipline. The acting is all first rate. Also, the combat portrayals in Hue City showed the type of frustration that vets faced in Vietnam. Snipers were nightmares to deal with. By the time you snuffed 'em out, you lost three or four men. The other movie that, in my opinion is the best war movie ever made, is Hamburger Hill. That movie showed what real grunt life was like in the bush.

Full Metal Jacket.......2000-05-16

Full metal jacket is by far one of the best movies I have ever seen. Although the language is too strong for many people (not for me), it definately puts the point across about the harsh life of Marines during training on the Island. The sniper scene is very well done as well. Gunnery Sergeant Hartman is portrayed by an excellent actor who is able to scream obscenities at his troops without even cracking a smile, I would like to see the bloopers reel from Full Metal Jacket.

Dances with Wolves: Original Motion Picture Soundtrack [SACD]

Average customer rating:

The movie it ain't!
Dances With Wolves
Dances With Wolves Soundtrack
not all SACD are surround
SACD, but NO surround sound

Dances with Wolves: Original Motion Picture Soundtrack [SACD]

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Movie Scores | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

Dances with Wolves
Dances With Wolves: Original Motion Picture Soundtrack
Out Of Africa: Music From The Motion Picture Soundtrack
Braveheart: Original Motion Picture Soundtrack
The Last Of The Mohicans: Original Motion Picture Soundtrack

ASIN: B00004THDI
Release Date: 2000-02-22

Tracks:

Main Title - Looks Like a Suicide
John Dunbar Theme
Journey to Fort Sedgewick
Ride to Fort Hays
Death of Timmons
Two Socks - The Wolf Theme
Pawnee Attack
Kicking Bird's Gift
Journey to the Buffalo Killing Ground
Buffalo Hunt
Stands With a Fist Remembers
Love Theme
John Dunbar Theme
Two Socks at Play
Death of Cisco
Rescue of Dances With Wolves
Loss of the Journal/The Return to Winter Camp
Farewell and End Title

Customer Reviews:

The movie it ain't!.......2007-06-21

I purchased this SACD after reading the glowing reviews and was disappointed when I listened to the recording. Despite being the soundtrack to a VERY LONG film, there was very little contrast in the 18 offerings on the disc. Unlike numerous classical SACDs that have greatly moved me, "Dances With Wolves" merely lulled me to sleep.

Dances With Wolves.......2006-03-03

this wonderfull score is the bast score of all time. You must have this score in your movie music collection.

Dances With Wolves Soundtrack.......2005-09-23

This is beautiful haunting music. One of the best all-time movie scores.

not all SACD are surround.......2005-05-05

I just wanted to let everyone know who read that review that he doesnt know what he is talking about. Yes this is a STEREO only SACD. SACD was first made only in stereo. There was no surround or hybrid SACD. And if you listen to SACD dont buy the regular CD this will blow it away.Im not trying to be mean just stating the facts. Ive been listining to SACD since 1999 when sony released this format and when I heard Billy Joel I was hooked. Have fun and buy them all because Sony is thinking of not doing SACD anymore and that would be awful.

SACD, but NO surround sound.......2005-02-13

Very nice music - nothing wrong with that.
But.... this is a stereo CD. It has SACD written all over it and my new Denon DVD-3910 DVD player does recognise this as an SACD, but it only has 2 channels, instead of 5.1. I do own several other SACD's and these DO play 5.1 channel. Very strange....
So perhaps it's smarter to order the Stereo CD, the one with the special bonus tracks (Dances with Wolves (Special Extended Edition).

Average customer rating:

Driving Synthesizers
To Add and to Drop - WHY?
Beach Scene+Beach Theme = a lack of Confrontation?
dun da da dun dun dun dun da da dun dun dun da DA DAA!
Nice to finally have, but.......

Thief
Original Soundtrack
Manufacturer: Wounded Bird Records
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

Electronica | Dance & DJ | Styles | Music

General | New Age | Styles | Music

General | Rock | Styles | Music

Progressive Rock | Progressive | Rock | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Pop Rock | Pop | Styles | Music
Similar Items:

Sorcerer (1977 Film)
Thief
Tangram
Stratosfear
Hyperborea

ASIN: B0001XAQXW
Release Date: 2004-04-13

Tracks:

Beach Theme
Dr. Destructo
Diamond Diary
Burning Bar
Scrap Yard
Trap Feeling
Igneous
Confrontation

Customer Reviews:

Driving Synthesizers.......2007-04-09

Tangerine Dream is a German group that specializes in electronic music. This sound track is structurally conventional as an extended tone poem with a very much modernized "orchestration" of synthesizers and percussion. Insofar as the source movie was a "caper", the tone is dark and the rhythms drive forward.

To Add and to Drop - WHY?.......2006-06-25

For those who were fortunate enough to aquire one of the first two releases of the THIEF soundtrack (like myself) congratulations - you have the version of the CD that contains the best song on the soundtrack, Beach SCENE. It has been dropped for this US release.

For those who were interested in obtaining the Thief soundtrack being mainly interested in the one song, Beach SCENE (most of the other songs can be found on other Tangerine Dream albums), please realise the following differences between Beach THEME and the now dropped, Beach SCENE.

The song, Beach THEME is a much shorter track (almost by half) and there is a very cheesy, acoustic, "rock n' roll", drum beat that was mixed/dubbed over the original Beach SCENE song which has the much more mellow and less invasive electronic, sequenced drum beat in it. It's Beach SCENE that was both heard in the movie and over the airwaves back in 1981. If that is the song you remember (fell in love with) and are looking for, do NOT buy this latest release. Keep looking for those Out Of Print CDs - they are out there.

On a lighter "note", it's very nice to see they added the ending/end-credits song, CONFRONTATION.

This is a lose/win scenario for THIEF soundtrack fans - it all depends on which song is more important to you. If you already have the earlier releases with Beach SCENE on it then buying this latest version will now complete a defninitve soundtrack for them as that last song in the movie has now finally been added to the official soundtrack.

Beach Scene+Beach Theme = a lack of Confrontation?.......2006-05-07

Other reviewers have mentioned the lack of the longer Beach Scene on this release, being replaced by the shorter, more of a "single edit" Beach Theme. I found my copy of this CD has Beach Theme at Track 1 (3:44 run time), Beach Scene at Track 5 (where the insert says Scrap Yard should be)(6:50 run time), but no Confrontation anywhere. The last track on my CD is listed as Confrontation, but knowing the film as well as I do, this music starts in the night scene where Frank (Caan), along with his associate Joseph send Chicago's not-so-finest on a wild goose chase to Des Moines, then the scene immediately cuts to the vault heist in LA, also at night. The aftermath of the vault heist has at least another 10-12 minutes of film to go before the final credits roll.

I don't know what has caused this reissue to have what appears to be multiple versions, or for the music to differ from the track listing. As another reviewer pointed out, there's plenty of space on the CD for both the longer Beach Scene and Confrontation. Maybe somebody didn't listen to the tracks that carefully. I give it three stars for what's actually on the CD, and penalize two stars for what's supposed to be there but isn't.

dun da da dun dun dun dun da da dun dun dun da DA DAA!.......2005-04-05

Those relentless sequence patterns, like only TD could handle them, make a full-on appearance here.

This is the newer, US release of the soundtrack to the 1981 Michael Mann film. This time, we actually do get the Craig Safan-composed 'Confrontation', the long, Floyd-esque track that played over the end sequence of the film, you know, where Michael Mann uses excessive slow motion, blood splattering, and bodies flying to bring the story home.

I think the star track here is Diamond Diary, a 10-minute piece that plays in the opening sequence of the film as Frank pulls a diamond heist. It builds and builds with that sequencer working overtime, and the drilling synths and whiiiiiiiiiiiiiiiiiizzz sounds and whiiiiiiiiiiiiiiiiiiiirrr sounds all over, with some big, fat guitar chords thrown in. Then it comes down, settles with some keyboard overtures, and then it cranks up relentlessly again, with some thumping thrown in to match the on-screen suspense. It's a masterful track, perfectly edited into the film, as is most of the score.

For some reason, the track Beach Scene is not included here, but it is included on the original UK release. Since it's a Tangerine Dream track, it's not like they had licensing issues like with Confrontation, which wasn't available on the UK release but is here. Beach Scene is the longer version of Beach Theme, a more fully-realized track. Perhaps they thought it was just 'bonus' so they chucked it? Perfect example of 'soundtrack madness' and the endless quest for the music you like from a particular film.

Some of the music here isn't heard in the film, or is heard briefly, but Diamond Diary, Beach Theme, Dr Destructo, and some of Burning Bar are all memorable from certain scenes. No weak tracks really, though note that some of Igeneous appeared on Force Majeure, two years before.

Some of this is reminiscent of Sorcerer, the excellent album to the William Friedkin film. Fans of that will enjoy Thief. The disc is indeed short, and it's not presented as a real soundtrack album, actually. The order of tracks appear random, or in a more album-listening sequence, rather than presenting a score from beginning to ending as most soundtracks do. Note other frustrated Amazon reviews, but music-wise it's a good disc.

Nice to finally have, but..............2005-01-07

It's great that someone finally released this version on CD but it's a day late...I already compiled music from this disc, the import disc, and from the Tangerine Dream disc "Force Majuere" into my own version of the "complete" soundtrack of Thief. It turned out great. I'd love to just give copies of it away to anyone willing to pay for the shipping but I don't know if that's a good idea. I'm fed up with tracking down out of print albums and CD's on Ebay for $40 - $80 per bootleg disc. I think someone should put a stop to all the bootlegging and start giving this stuff away! I've got a killer "Manhunter" compilation that I'd love to just give to people for free (all shipping fees would have to be paid for) just so I can try to put a stop to all this overpriced bootlegging going on. Just yesterday a bootleg of "The Keep" sold on Ebay for over $90.00--if I ever get my hands on a copy of this disc I would be more than happy to give it away to any interested parties!

Give me your thoughts!

John Brune
steadicamjr@yahoo.com

Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)

Average customer rating:

Great CD
Simply the Best
Inconsistent, but mostly excellent
"Celebration" is not strong enough a word
A maginificent evening, a magnificent album

Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)
Stephen Sondheim , Betty Buckley , Paul Gemignani , Patti LuPone , Liza Minnelli , and Bernadette Peters
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

1990s | By Decade | Soundtracks | Styles | Music

1990s | By Decade | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

Side By Side By Sondheim (1976 Original London Cast)
Sondheim Evening: A Musical Tribute (1973 Concert Cast)
Send in the Clowns: The Ballads of Stephen Sondheim
Sondheim - A Celebration at Carnegie Hall
Sondheim, Etc.: Bernadette Peters Live at Carnegie Hall

ASIN: B000003FDW
Release Date: 1993-02-23

Tracks:

Symphonic Sondheim: Sweeney Todd--orchestra, Jerry Hadley ("Johanna"), Eugene Perry,Herbert Perry ("Pretty Women")
Evening Introduction--Bill Irwin
Loveland/Getting Married Today--Ensemble, Jeanne Lehman, Mark Jacoby, Madeline Kahn
Waiting for the Girls Upstairs--George Lee Andrews, Michael Jeter, James Naughton/Love, I Hear--Michael Jeter/Live Alone and Like It--James Naughton
Someone Is Waiting--Richard Muenz/Symphonic Sondheim: Barcelona--orchestra
Being Alive--Patti LuPone
Good Thing Going--The Tonics
Losing My Mind/You Could Drive a Person Crazy--Dorothy Loudon
Our Time--Boys Choir of Harlem/Children Will Listen--Betty Buckley
Anyone Can Whistle--Billy Stritch
Water Under the Bridge--Liza Minnellli, Billy Stritch
Back in Business--Liza Minnellli, Billy Stritch, Ensemble

Tracks:

Symphonic Sondheim: Comedy Tonight--Bill Irwin, orchestra
Sooner or Later--Karen Ziemba
Pretty Lady--Mark Jacoby, Eugene Perry, Herbert Perry
Green Finch and Linnet Bird--Harolyn Blackwell
The Ballad of Booth--Patrick Cassidy, Victor Garber
Broadway Baby--Daisy Eagan
I Never Do Anything Twice--BETTY
With So Little to Be Sure Of--Jerry Hadley, Carolann Page
Not a Day Goes By--Bernadette Peters
Remember?--Ron Baker, Peter Blanchet, Carol Meyer, Bronwyn Thomas, Blythe Walker (Quintet)/A Weekend in the Country--Kevin Anderson, George Lee Andrews, Mark Jacoby, Beverly Lambert, Maureen Moore, Susan Terry, Quintet
Send in the Clowns--Glenn Close
Old Friends--Liza Minnelli
Sunday--Bernadette Peters, Broadway Chorus

Customer Reviews:

Great CD.......2006-08-06

This is a wonderful double CD of fabulous musical numbers performed by theatre greats and directed by a legandary musical director.

Simply the Best.......2005-06-29

First, to the person who criticizes the recording b/c of "Broadway Baby." Daisy Egan (who sings in in this recording) sounds like she's 10 becuase she IS young. She had just appeared on Braodway in Secret Garden and won a Tony for it. It's a joke...Broadway BABY...hello, it's a joke.

In a compilation of songs like this you're always going to have tracks that you prefer over others, but the majority of the renditions in this CD are great. This is simply one of the best collections of Sondheim out there. You get interpretations that span from "classical" (Green Finch), to bordering on insane (Anything Twice). This is to demonstrate how versatile this composer really is.

In my opinion, some of the best renditions are "Not a Day Goes By," "Anyone Can Whistle", "Girls Upstairs Medley," "Losing My Mind/Drive a Person Crazy," and "Weekend inthe Country." Makes me wish I had been there to witness it first hand.

If you love Sondheim and enjoy hearing Broadway performers, get this CD. A great recording.

Inconsistent, but mostly excellent.......2004-03-21

I am sure no knowledgeable person would deny how absolutely perfect all these songs are. However, the performances on this album are extremely inconsistent. It will go from an excellent rendition (Waiting for the Girls medley, Sunday, With So Little To Be Sure Of, Sooner or Later, Green Finch, Send in the Clowns, Pretty Lady) to the weird (I never Do Anything Twice), to the bad (Broadway Baby, Our Time). I still have absolutely no idea how they managed to butcher one of the best songs ever written--Good Thing Going--and turn it into smooth jazz elevator music. Why would they give Broadway Baby to someone who sounds like she's 10? That said, Liza Minelli, Glenn Close, Karen Ziemba, Dorothy Laudon and the "Waiting for the Girls" performers are all very good. And ending with Bernadette Peters and "Sunday" ends the set on a absolutley fabulous note.

"Celebration" is not strong enough a word.......2003-04-30

This review is by Crosley.

I have been a major Sondheim fan for quite some time, and I finally obtained a copy of this album. I was blown away by the excellent cast and phenomenal selection of music. It is obvious how much work went into this production, considering that this is the live recording of a one time show, and it's flawless. The songs cover all of his shows with the exception of "Passion," which was released 3 years after this show. Also, the shows for which he wrote only lyrics are ommited, like West Side Story, Gypsy, etc. Thus, you can find material from A Funny Thing Happened on the Way to the Forum, Anyone can Whistle, Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd: The Demon Barber of Fleet Street, Merrily we Roll Along, Sunday in the Park with George, Into the Woods, and Assassins.

There are two striking things about this CD (besides the music and performers themselves). First of all, some of the songs are completely stylistically reworked. The most obvious are "Good Thing Going" and "I Never do Anything Twice." Both are traditionally very ballady with a piano accompaniment, but here they have been redone as jazzy tunes. The result is excellent. Such reworkings demonstrate that Sondheim writes music for virtually any style, and in these cases, across several styles. It's a great example of his variety. The other interesting thing is how many songs have overlapping melodies of songs from different shows. Case in point, "Our Time" and "No one is Alone" are sung seperately by the Harlem Boys Choir and Betty Buckley (the original Grizabella in Webber's atrocious "CATS," although Buckley was excellent) respectively, and then combined. Putting these two songs together offer different meanings to each, and the music is only enhanced. Another example, the trio of "Waiting for the Girls Upstairs," "Love, I Hear," and "Live Alone and Like It" are sung in that order, and then the latter two are combined. Again, the meanings of the songs change, this time in an almost narrative style, and offering different takes on love in the same montage. Lastly (at least for this review, there are more), Dorothy Laudon's (the original Ms. Hannigan in Annie) combination of "Losing my Mind" and "You Could Drive a Person Crazy" is brilliant. Those who are familiar with these songs will wonder how exactly they fit, but trust me, they do. She swtiches back and forth between melodies to create a number that starts poignant and beautiful, and soon moves to become uproariously funny. Both the song reworkings and overlapping melodies of unrelated songs are all for the better.

I recommend this recording to anyone wanting to get better acquainted with some of Sondheim's best work, or those already familiar who want to hear a tour de force of phenomenal music. It has been said that Sondheim is a masterful lyricist (which he is), but lacks real talent for music. This CD is the final proof that such critics are wrong. His music may take a few listenings to get into, contrary to Webber or Wildhorn, but unlike those two, he doesn't cater to the audience. He challenges them to think outside of traditional musical theater in a glorious repertoise of shows that reach for a smarter, more sophisticated form.

A maginificent evening, a magnificent album.......2001-12-16

There's something to be said for the first concert you ever see at Carnegie Hall. I was fortunate enough to have this be my first. This entire evening was devoted to his genius and the performers did not disappoint.

This wonderful double CD shows off the best and brightest of the musical theatre composer and it is, as one person put it, "an embarassment of riches." With songs from his finest works done in amazing arrangements (listen to that harmony in "We Had a Good Thing Going"!) combined with fabulous performers this is a Sondheim lovers delight.

Tracks:

Grouch Anthem - Carroll Spinney
Big Bird's Goodbye/The Runaway - Carroll Spinney
Ain't No Road Too Long - Waylon Jennings, Jerry Nelson, Roscoe Orman, Frank Oz, , Carroll Spinney
Big Bird on the Farm/One Little Star - Benjamin Barrett, , Jerry Nelson, , Martin P. Robinson, Carroll Spinney
Easy Goin' Day - Benjamin Barrett, , Carroll Spinney
Don't Drop Inn/Workin' on My Attitude - Ronnie Milsap
Upside Down World - Jim Henson, Frank Oz
I'm So Blue - Carroll Spinney
Chase/Sesame Street Theme - Roscoe Orman, , Carroll Spinney
All Together Now - Alabama

Customer Reviews:

LOVE IT.......2007-03-09

I loved this movie when I was a kid, now it's my daughter's favorite! Timeless, sweet songs.

Made me cry........2007-01-17

I grew up with this movie and hearing the songs brought back the awesome childhood memories. "One little star" and "I'm so blue" brought tears to my eyes. "Upside down world" on the other hand cracked me up. I didn't think about it much when I was little, but when Ernie and Bert flew that airplane upside down I don't think they realized that they were asking for certain death. lol

The only downside is there are monologues for a lot of the songs and I'm not really into that kind of thing. Plus the "One Little Star" song starts one minute into the track.

I loves it.......2007-01-13

I may be 18 now but I grew up on this movie and the soundtrack is a great addition to any cd library

Music for All Ages.......2006-10-19

You don't have to be five years old to enjoy this kind of music. This CD appeals to every person of any age. Kids and adults alike will get a kick out of listening to this amazing soundtrack from the equally amazing movie. Every song is perfectly appropriate, and you'll be happy to know that none of these songs are too babyish either.

Probably the best song on the whole soundtrack is "Easy Goin' Day". Very catchy tune, with catchy and yet squeaky-clean lyrics. Not every song on the soundtrack is happy, though. The song "I'm So Blue" is enough to make anybody want to cry. Altogether, the CD has just the right balance of happiness and sorrow.

Make sure you check this CD out sometime. You'll be glad you did.

I love that bird.......2005-06-12

I had this album on cassette when I was younger, my mom gave it away about 18 years ago, but I still remember all the words to all the songs. Once in a while one will come back to me and I'll start singing out loud. No one else seems to remember them! I bought the cd to prove I'm not crazy.

Average customer rating:

Quite good, but not a stellar "Trek"
Love The Soundtrack
Best ST recording in the Alpha Quadrant
I must disagree
Middle-Trek

The Star Trek Album
Various Artists
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

Star Trek | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

The Ultimate Star Trek
Best of Star Trek: Original Film Scores
Symphonic Star Trek
The Best of Star Trek, Volume Two
Star Trek V: The Final Frontier - Original Motion Picture Soundtrack

ASIN: B0000DJYNZ
Release Date: 2003-11-11

Tracks:

Theme (TV Series)
End Titles (The Motion Picture)
Klingon Attack (The Motion Picture)
Warp Drive (Sound Effect)
Overture (The Wrath Of Khan)
Bird Of Prey Decloaks (The Search For Spock)
End Titles (The Voyage Home)
Away Team (Sound Effect)
End Titles (First Contact)
Tasha's Farewell (The Next Generation)
Theme (Deep Space Nine)
He's Toast (Deep Space Nine)
End Titles (The Final Frontier)

Tracks:

End Titles (The Undiscovered Country)
Theme (Voyager)
Battle Stations (Sound Effect)
Overture (Generations)
One Last Visit (Deep Space Nine)
End Titles (Insurrection)
Dogfight In Space (Sound Effect)
The Menagerie (The TV Series)
Opening (Star Fleet Academy)
Crash Landing (Sound Effect)
Suite (Nemesis)

Customer Reviews:

Quite good, but not a stellar "Trek".......2007-05-18

Silva Screen Records has made a name for itself releasing reproductions of modern orchestral soundtracks, with most of its products centering around a particular genre or composer. Star Trek has a history of quality music, so its no suprise Silva has taken a crack at music in the final frontier. This is a fine release, with some strong points and some weak ones as well.

IN GENERAL: For the purist looking for a "best of" compilation taken from the original soundtracks take note: this isn't that product. Rather, these are reproductions by Nic Raine conducting the City of Prague Philharmonic. That said, this is a quality group, and the general sound is professional and comes off quite well (for the most part..I'll mention a few exceptions). It is superior to the other releases I have heard from the Cincinnati Pops Orchestra.

SELECTION: The biggest advantage here is variety of sources. The Trek feature films are all represented here, as well as the various series (except for the last one, "Enterprise"). The thouroughness seems to match or excel the oher Star Trek Compilation CDs that have been released. There are a few other offbeat additions..notably a four minute suite from the videogame Star Fleet Academy. Personally, I found this bland track to be four minutes of wasted disk space. The original series has many memorable moments (listen to the Amok Time/The Doomsday Machine soundtrack) which would be be more exciting and also a better fit on this album.

Jerry Goldsmith's standard Star Trek March is heard far too often on these 2 CDs. The march itself is terrific, but it has been used so much it has become the franchise's major theme and the album's producers rely on it by representing many movies by their "End Titles". Unfortunately, Goldsmith's end titles consistently use a three-section approach: two sections of the "standard" Star Trek March sandwich a middle section of music that is unique for that particular film. This is OK if you are listening to a single movie's soundtrack, but for a compilation album, the fourth or fifth time you hear the march, it is too much. It would have been a better idea to cut a few "End Title" performances in favor of other selections from the films' soundtracks.

PERFORMANCE QUALITY: For the most part it is very good and captures the spirit of the original soundtracks. Selections from Horner's scores for the second and third films stand out as particularly well done. The last movie, "Nemesis" also has a terrifically arranged suite, and most of the movie soundtrack reproductions are very good quality. The only exception is from "Klingon Attack" in which the awesome bass of the "blaster-beam" from the original cannot be matched by the comparatively hollow synthesized atempt here.

PERSONAL GRIPE: the inclusion of sound effects. Every so often a special effect like "Warp Drive" or "Dogfight in Space" pops up between tracks. This by itself would be extremely cheesy. Add to this that these are not the actual sound effects from the TV shows or movies and the cheesiness levels reach a level I think only a Wisconsin resident could appreciate. Sci Fi music (and Star Trek in particular) seems to inspire some labels to add special effects inclusions like this. Who knows why.

Love The Soundtrack.......2007-04-03

I bought this soundtrack and I love it.A great edition to the star trek fans.

Best ST recording in the Alpha Quadrant.......2007-01-10

Great collection of Star Trek series and Movie themes; only a Klingon
Opera is missing.

I must disagree.......2005-07-17

I own all the original recordings, and I still enjoy this re-recording. It is good. It is better than the Cincinatti Pops "Symphonic Star Trek", it is better than the Richard Hayman "Star Trek" compilation from 89, its better than the Sci Fi compilation on the Edel label from 93 and for the most part is better than Varese's Ultimate Star Trek from 1998.

This collection has music you will not find anywhere else. The Tasha's Farewell track is beautiful and the only other place its avialable is the Edel "Best of Science Fiction" compilation from 1993, and while that was recorded by the same orchestra, it was with a different conductor, and comparing the two, you can tell that Nic Raine was more successful with Prague than William Motzing was. That said Edel release is also more than $30 here on amazon. Also this release is in HDCD Dolby which is a plus. There's also two cues from Star Trek: Deep Space Nine; one of them is on The Best of Star Trek: 30th Anniversary Special, the other is not on any other album. In addition, there is music from Ron Jones "Starfleet Academy" video game which is pretty cool to listen to, and not availble anywhere else that I know of. Finally, Jerry Goldsmith's main theme can get boring after a while, I mean, its repetitive that it is in all the end credit suites, it would have been nice for Insurrection to have maybe an action cue instead of the end credits suite...And Nic Raine, did just that, only for Star Trek: Nemesis. Instead of the tradition end credit suite, Mr. Raine arranged a professional suite with the main Nemesis theme, some action cues, as well as the Goldsmith Star Trek march, and it is a wonderful 8 minutes. If you already have the 3 space and beyond albums, the Star Trek Nemesis track as well as Birds of Prey Decloaking from Star Trek III are the only new tracks on this CD.

This is a must-buy for fans of star trek in general, and hardcore star trek fans should buy this album for the aforementioned cues that aren't available anywhere else.

Middle-Trek.......2005-01-13

I rate this album as fair-to-middlin' for Trek score tributes.
After Star Trek: The Motion Picture's ground breaking and intensely serious dramatic score, the other Trek filmscores slide downhill somewhat and like the films themselves became less spectacular. Goldsmith himself never even re-captured the grandness of the first film's music and it shows in this album. The playing by the orchestra is fairly competent but it suffers a bit by being a smaller ensemble and these scores need at least 90 or 100 pieces to do them justice. Also the "Blaster Beam" instrument is so integral to a couple of the scores as to be alarming by it's absence. Only Craig Huxley and Micheal Stearns still use one as they built each-other's instrument in the late seventies.

What would have rescued this album from the admittedly 'high end' of mediocrity would have been if the producers could have recorded some of the missing cues from ST-1 and ST-2 and maybe a couple of the others.

This would have made it much more valuable to soundtrack collectors and Star Trek music buffs.

What we are left with is a nicely produced somewhat 'ho-hum' in an endless series of Trek music covers...

Lost In The Stars (1949 Original Broadway Cast)

Average customer rating:

One of Weill's best American scores!
I love it!!
Can we get someone to put this label back in stock?
Powerful performance,historically significant
"THE MOST MOVING MUSIC AND SACRIFICE OF A NATION

Lost In The Stars (1949 Original Broadway Cast)
Maxwell Anderson , and Alan Paton
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

The Decca Records Store | Specialty Stores | Music
Similar Items:

Street Scene: An American Opera
A Tree Grows In Brooklyn (1951 Original Broadway Cast)
Allegro (1947 Original Broadway Cast)
Lady In The Dark (1997 Original London Cast)
Knickerbocker Holiday

ASIN: B000002OGX
Release Date: 2001-05-15

Tracks:

Hills Of Ixopo
Thousands Of Miles
The Train To Johannesburg/Reprise: Thousands Of Miles/The Search
The Little Gray House
Who'll Buy/Trouble Man
Murder In Parkwold/Fear
Lost In The Stars
O Tixo, Tixo, Help Me
Stay Well
Cry, The Beloved Country
Big Mole/Chapel Scene
A Bird Of Passage/Reprise: Thousands Of Miles

Customer Reviews:

One of Weill's best American scores!.......2005-10-16

`Lost in the Stars' and `Johnny Johnson' are two Broadway shows scored by Kurt Weill in collaboration with Maxwell Anderson and Paul Green respectively for the librettos, both in English. Both are distinguished works and both were, I believe, fairly popular when they were first performed. What these two works have in common is that they are both works aimed at our social conscience.

`Johnny Johnson' is a mildly anti-war play dealing with America's entering the First World War, written in the mid 1930s, when Germany was already uncomfortable for Jews, but not yet on the brink of precipitating World War II. What is most interesting to me about the libretto is the reluctance of the principle character, Johnny, to enlist in the army, while his fiancée (contrary to many famous antiwar works of the past), is all in favor of his enlisting and threatens to break their engagement if he does not enlist. As a work of art, I believe the work is more interesting as a milepost in American antiwar sentiments than as an important artistic work for either the composer or the lyricist. To my ear, there is not a single song from this work that finds its way into the repertoire of balladeers. This is from a composer who has given us `September Song', `Speak Low', `Lost in the Stars', `Saga of Jenny', and `Lonely House', not to mention all the great songs from his German works such as `Mack the Knife' and `Pirate Jenny'. On top of this, there is my feeling that much of the instrumental music sounds very similar to earlier German works, especially `Mahagonny'.

`Lost in the Stars' is based on Alan Paton's novel, `Cry, the Beloved Country' and was written after World War II, in 1948-1949, and has much of the musical interest of what is missing from `Johnny Johnson'. Throughout the play, the instrumental music is much less similar to earlier Weill works and all songs seem stronger. At least two of these songs, `Lost in the Stars', `Trouble Man' and `Stay Well' are often performed by Lotte Lenya and other vocalists. While it may be pushing it a bit, this work seems almost as strong as Gershwin's `Porgy and Bess'.

I bought both because I am a big fan of Kurt Weill's music, and I would recommend both recordings to any and all Weill enthusiasts, especially as both have extensive notes and complete librettos. But, to the person mostly interested in Broadway in general, I would recommend only `Lost in the Stars'.

I will say that the performances of both vocalists and orchestra are excellent on both; however the vocalists on `Lost in the Stars' seem to give just a little extra, possibly because their material is just a bit more substantial.

I love it!!.......2002-07-12

It is so easy to get some of these songs in your head...I love this soundtrack..

Can we get someone to put this label back in stock?.......1999-12-28

With great hope in the powerful amazon.com's Jeff Bezos, the person of the year by Time magazine, we wish you can urge someone to put this title back into circulation! I have sung the piece "Lost in the Stars" and was drawn by the wonderful music and intriguing lyrics. Is there a way to locate the music score of the soundtrack?

Powerful performance,historically significant.......1999-06-04

After 50 years the little snippet heard on this site brings back the original emotions.I would love to purchase this recording in any format. The original performance, a life-changing event for me as a young girl, is recaptured.

"THE MOST MOVING MUSIC AND SACRIFICE OF A NATION.......1999-06-01

I saw the oringinal Musical "Lost in the Stars", and have the 33 album. Would love to have a CD to play on my "modern" equipment. When Todd Duncan was asked to do the part of the "Efunsdi", he read the part and broke an existing contract to go into rehearsal. He said "I have to do this for my people." I was enthralled at the libretto and zest of the choreography. So when I hear the music I am taken right back to the Opera stage and see and hear the glorious presentation. Please put it back into circulation, or if someone out there has a copy (cd) I would love to talk to you about it. CT

Bernard Herrmann: Music From Great Film Classics

Average customer rating:

Bernard Herrmann: Music From Great Film Classics
Bernard Herrmann , Bernard Herrman , Bernard Hermann , Tony D'Amato , London Philharmonic Orchestra , and National Philharmonic Orchestra
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Music from the Great Hitchcock Movie Thrillers
Great Film Music
Essential Film Music
North By Northwest: Original Motion Picture Soundtrack

ASIN: B00000428X
Release Date: 1996-11-19

Tracks:

Citizen Kane: Ov - Bernard Herrmann, London PO
Citizen Kane: Var - Bernard Herrmann, London PO
Citizen Kane: Ragtime - Bernard Herrmann, London PO
Citizen Kane: Finale - Bernard Herrmann, London PO
Jane Eyre - Bernard Herrmann, London PO
The Devil & Daniel Webster: Sleigh-ride - Bernard Herrmann, London PO
The Devil & Daniel Webster: Swing your partners - Bernard Herrmann, London PO
The Snows of Kilimanjaro: Inter - Bernard Herrmann, London PO
The Snows of Kilimanjaro: The memory waltz - Bernard Herrmann, London PO
Mysterious Island: Prld - Bernard Herrmann, NPO
Mysterious Island: The balloon - Bernard Herrmann, NPO
Mysterious Island: The giant crab - Bernard Herrmann, NPO
Mysterious Island: The giant bee - Bernard Herrmann, NPO
Mysterious Island: The giant bird - Bernard Herrmann, NPO
Jason & the Argonauts: Prld - Bernard Herrmann, NPO
Jason & the Argonauts: Talos - Bernard Herrmann, NPO
Jason & the Argonauts: Talo's death - Bernard Herrmann, NPO
Jason & the Argonauts: Triton - Bernard Herrmann, NPO

Jazz Music:

Jazz Music

Jazz Music