The Centennial Collection [Original recording remastered]
The Centennial Collection [Original recording remastered]
ASIN: B0002KQRZ0
Editorial Reviews
Amazon.com
Since Duke Ellington's 1999 centennial actually occurred five years before this release, you would think the well of his unreleased recordings would be dry. But for this package, part of the Centennial Collections series that combines a CD with a DVD of historical material, Bluebird has unearthed seven previously unheard performances from a pair of 1941 radio broadcasts. While there's nothing earthshaking here, anything that further documents the legendary and short-lived Blanton/Webster band, featuring bassist Jimmy Blanton and tenor saxophonist Ben Webster, is worth having. The rest of the CD is mostly '30s and '40s classics available on any number of compilations, but the DVD is chock full of collectible goodies including the impressionistic short film Symphony in Black (1934), which briefly features a young Billie Holiday; a 1937 short, Record Making with Duke Ellington and his Orchestra; five "soundies" from 1941; a "Jamboree" short of four pieces; and a 1941 audio interview in which Duke cheerfully tolerates a clueless questioner. --Lloyd Sachs
The Centennial Collection,Duke Ellington,RCA,Big Band,Classic Jazz,Jazz,Pop,Swing
Average customer rating:
- The Gold By Andrew
- The best of Webber
- THE BEST OF LLOYD WEBBER MADE FOR THE AMERICAN AUDIENCES
- Super good CD
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Gold: The Definitive Hits Collection
Andrew Lloyd Webber
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Similar Items:
- The Very Best Of Andrew Lloyd Webber: The Broadway Collection
- The Andrew Lloyd Webber Collection
- Andrew Lloyd Webber: Now & Forever
- Greatest Songs from the Musicals
- Best of Andrew Lloyd Webber: Original Soundtracks
ASIN: B0000657XY
Release Date: 2002-05-07 |
Tracks:
- Superstar - Murray Head w/ the Trinidad Singers (Jesus Christ Superstar)
- As If We Never Said Goodbye - Barbra Streisand (Sunset Boulevard)
- The Phantom Of The Opera - Sarah Brightman & Michael Crawford (The Phantom Of The Opera)
- You Must Love Me - Madonna (Evita)
- Any Dream Will Do-Donny Osmond (Joseph & The Amazing Technicolor Dreamcoat)
- Memory - Betty Buckley (Cats)
- Pie Jesus - Charlotte Church (Requiem)
- The Music Of The Night - Michael Crawford (The Phantom Of The Opera)
- I Don't Know How To Love Him - Yvonne Elliman (Jesus Christ Superstar)
- Don't Cry For Me Argentina -Patti Lupone (Evita)
- Love Changes Everything - Michael Ball (Aspects Of Love)
- All I Ask Of You - Sarah Brightman (The Phantom Of The Opera)
- The Perfect Year - Glenn Close & Alan Campbell (Sunset Boulevard)
- The Vaults Of Heaven - Tom Jones & Sounds Of Blackness (Whistle Down The Wind)
- No Matter What - Boyzone (Whistle Down The Wind)
- Oh What A Circus - Mandy Patinkin (Evita)
- Whistle Down The Wind - Sarah Brightman (Whistle Down The Wind)
- Amigos Para Siempre (Friends For Life) - Sarah Brightman & Jose Carrerras (1992 Olympics Theme)
Amazon.com
The critical debate over Andrew Lloyd Webber's musical legacy will no doubt rage for decades. Is he the shrewd populist composer who almost single-handedly revived the moribund stage musical--or a crass, Barnum-esque showman (who almost single-handedly revived the moribund stage musical)? This 18-track anthology chronicles the high points of Sir Andrew's enduring songcraft and the irrefutable impact it's made across a remarkably disparate swath of tastes and genres, from Broadway to Top 40 radio and even the classical repertoire.
If some have accused Lloyd Webber's songs--like "The Music of the Night" (from Phantom of the Opera) and the title tune from Whistle Down the Wind, included here--of having all the melodic and lyrical sophistication of a children's lullaby, that's likely the very element that's made them so appealing to a mass audience. If nothing else, it's a compelling argument for that old notion about it being "the singer, not the song." Indeed, there are few contemporary composers whose music could entice divas from Streisand ("As If We'd Never Said Goodbye" from Sunset Blvd.) to Madonna (Evita's "You Must Love Me") and Charlotte Church ("Pie Jesu" from Requiem) to cover it, let alone forge the very careers of artists like Sarah Brightman and Michael Crawford. And if there's any substance to that other criticism of Lloyd Webber lifting the melodic ideas of composers from Verdi to John Williams (we swear that's the theme to Jurassic Park bubbling up in Tom Jones's camped-up take on Whistle's "The Vaults of Heaven"), at least, like virtually every major composer, he's stolen--er, borrowed--from the best. --Jerry McCulley
Customer Reviews:
The Gold By Andrew.......2007-04-23
This cd is a must have for any Webber fan. It has many great songs from his most sucsessful musicals. But something I don't like about this cd is that some of the singer how sings some of the songs arn't the onse that sings the originals. Like "The Phantom Of The Opera" and "Love Changes Everything". Witch is so sad. Couse the original songs are so much better.
But besides that this cd is very good. With manye nice and difficult songs (I've sung some of the myself in siningclass).
So if you like Andrew's music this most sertanly is a most have.
The best of Webber.......2005-09-12
Although I like Andrew Llloyd Webber and his music very much, this collection earns only 4 stars and it's not because of the quality of the music but the level of performers. If a best of collection is made it should contain the best version ever done and this time it's not true. I could write the same review for the European edition (labeled import here) because the blend of the two would be a perfect best of.
Some examples: this version contains Memory sung by Betty Buckley while the Elaine Page version is light years better. Then it contains Patti Lupone's version of Don't Cry For Me Argentina. Even though Madonna wasn't the best Evita, she definitely sung Argentina in a way no-one could before or will ever. Whistle Down The Wind is represented with 3 songs - the place of the Tom Jones song is not here (the same could be said of Tina Arena's song o the European edition). Instead of the TJ song they could have included Take That Look Off Your Face by Marti Webb - one of the best songs by Webber. Pie Jesu from the Requiem is much better sung by Sarah Brightman. These are the faults.
What about the rest? Pure joy and material worth of 6 stars. Superstar, Phantom Of The Opera, Music Of The Night, I Don't Know How To Love Him, All I Ask Of You, No Matter What, Oh What A Circus - wonderful songs and wonderful performers. My all-time favorite from Webber will always be Music Of The Night and the version included here is the mesmerizing adaptation of Michael Crawford.
I don't advise anyone not to buy this album - it's good material, however it's far from being perfect.
THE BEST OF LLOYD WEBBER MADE FOR THE AMERICAN AUDIENCES.......2005-01-31
There are numerous compilations out on the market full of Andrew Lloyd Webber's music. As most people know, Lloyd Webber is the most successful musical composer of all time and many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. This compilation captures some of the best songs he has ever written, he personally supervised it and it is the best thing to have if you can't afford his five-CD compilation called "Now and forever", which was selected and supervised by him as well. You should bear in mind, however, that there are two compilations called Gold out there: The one made for the European and the British market, and this one, made for the American buyers. Some of the songs on both of them are the same, the others are performed by different artists and some can be found only in one of the two. This one here was issued later and it is digitally remastered. Therefore you should check your favourites and buy accordingly, or, if you can, buy them both, since both of them contain interesting songs and performers.
So here are my thoughts about the tracks in this one:
1. "Superstar" and "I don't know how to love him" are both from the concept album of "Jesus Christ Superstar". They sound wonderful as ever, although the orchestrations may seem a bit dated by now.
2. "Sunset Boulevard" is marked here with two songs. Barbra Streisand's powerful voice shines all the way through in "As if we never said goodbye"; it's a shame she never played Norma Desmond on Broadway, since Patti LuPone wasn't allowed to take her Norma to New York, and Glenn Close butchered the role. Her limited vocal abilities were hardly suited for the material, as it is shown by the second Sunset song, "The perfect year", performed by Close and Alan Campbell. They both lack a decent singing voice, so this is the one song I skip regularly. The song itself sounds much better in its single version with pops orchestration, as can be heard on the European version of this compilation, where it is performed by Dina Carroll. This version here can hardly be considered a gold one.
3. "The Phantom of the Opera" is represented by three songs. Michael Crawford and Sarah Brightman performance in the song of the same title is amazing. They were both born to play their roles in this show and their voices fit together perfectly. Sarah can hit the high notes in the end like no other Christine. Cliff Richard and Sarah sing the lovely ballad "All I ask of you" with passion, and Cliff has a wonderful warmth in his voice. Finally, Michael Crawford gives his unique and mesmerising interpretation in "The music of the night".
4. The 1996 movie version of "Evita" is Madonna's best role to date and it brought an Academy Award for Lloyd Webber and Tim Rice, who wrote "You must love me" especially for the big screen. This is another wonderful ballad with the haunting cello and piano solo. It just proves that Lloyd Webber and Tim Rice were the best collaborators. They really should do another musical together.
5. "The Joseph and his amazing Technicolor dreamcoat" was Webber's first musical and the signature song "Any dream will do" is performed here by Donny Osmond, who also appeared in the video version. I find his rendition even better than London's Jason Donovan, since Donny isn't strictly bound by the notes and so sings it more casually. A wonderful pop piece.
6."Memory" from "Cats" is probably the most famous of all Webber's songs, recorded by numerous artists. This version is sung by Betty Buckley, who was Broadway's Grizabella. Although Betty's performance can't be considered bad, I prefer Elaine Paige, who sung the song first, in the London production. Elaine has a note of sorrow in her at times husky voice, which I found very intriguing. Her performance can be considered definite, as heard on "Cats" DVD or in her latest two-disc compilation, "Centre stage: The very best of Elaine Paige", issued in May 2004. Still, those who prefer Ms. Buckley or who saw her on stage in this role won't be disappointed.
7. "Pie Jesu" is the best known song from Webber's "Requiem", written in 1985 to commemorate the death of his father. I'm not too keen on the version included here, performed by Charlotte Church, because her voice isn't as pretty as Sarah Brightman's on the original recording and the tempo is somewhat faster here.
8. "Don't cry for me Argentina" is among my all-time Lloyd Webber's favourites. I like all the ladies who performed "Evita" on the stage and on the screen (Julie Covington, Elaine Paige, Patti LuPone and Madonna), but on this disc is the version I am most satisfied with, since it is sung by Patti LuPone. Ms. LuPone has a very powerful voice with an amazing range and she deserved her Tony Award for this role. She was able to sound both vulnerable and decisive while singing this, whereas the other leading ladies emphasized one or the other in their interpretation. Mandy Patinkin's "Oh what a circus" is not the best, the orchestration is a little bit weak and his voice sounds thin to me. David Essex on the London cast recording is more suitable.
9. "Aspects of love" boast here with its top song, "Love changes everything", performed wonderfully by Michael Ball. It was his #1 hit and is probably one of the most beautiful love anthems ever written.
10. Three songs come from "Whistle down the wind". The studio release of the same title is one of the reasons I bought this compilation, although I already have the European one. It is performed by Sarah Brightman with Lloyd Webber playing the piano and a symphonic orchestra who nicely takes the lead of the main melody. Sarah voice is angelic; she sings it like a little bird. Very charming. Boyzone's "No matter what" was a huge pop hit in the charts. Again, we have a song with the suitable orchestrations and vocals. And lastly, Tom Jones' deep voice in combination with the back vocals of "The Sounds of Blackness" gives a rocking rendition of the church hymn "The vaults of heaven". It can't be found on the European version and Tom's voice shows it hasn't aged. Way to go.
11. For the 1992 Barcelona Olympics, Webber wrote, together with his long-time lyricist Don Black, this last song, "Amigos para siempre or Friends for life". It's a nice duet between Sarah Brightman and Jose Carreras, their voices sore when bound together. The melody itself is neat, especially when the orchestra takes the lead.
Besides the fact that some of the performers here were not the best for my taste, there is also the fact that some of Lloyd Webber's shows are omitted in this version, most notably, "Tell me on a Sunday". Also, unlike its European counterpart, this compilation isn't aligned chronologically, so we have 1970 Superstar being the first song, 1993 Sunset Blvd comes the second, followed by The Phantom from 1986 and so on. None the less, this CD is excellent as an introduction to Lloyd Webber's music and one can continue with his cast recordings from there. It's also very handy as a single disc compilation for the American fans.
Super good CD.......2004-12-31
The songs on this CD are great. If you also play piano, the book of the same title goes perfectly with the CD. You can following along with the music and learn the songs on the piano.
Average customer rating:
- Pablo Casals: Early Recrdings, a defective product
- It is good!!
- Amazing touch of personality
- Outstanding
- amazing Casals
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Pablo Casals: Early Recordings 1925-1928
Manufacturer: RCA
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Similar Items:
- The Legendary Casals / Casals, Schulhof, Horszowski
- Encores
- J. S. Bach: Suites for Cello, 1, 2 & 3; Pablo Casals
- Casals Edition - Beethoven: Complete Cello Sonatas
- Robert Schumann: Cello Concerto/Piano Trio No 01
ASIN: B000003FGB
Release Date: 1994-12-13 |
Tracks:
- Toccata In C: Adagio
- Melody, Op.3, No.1, In F
- Moment Musical
- Nocturne, Op.9, No.2 In E-Flat
- Goyescas: Intermezzo
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- Tannher: Lied an den Abendstern
- Serenata napoletana, Op.24, No.2
- Die Meistersinger: Preislied
- Chanson villageoise, Op.62, No.2
- Abendlied, Op.85, No.12
- Petite Suite: Menuet
- Romance, Op.35
- English Suite No.6: Gavotte I: Musette
Amazon.com
These early electrical recordings show a very different Pablo Casals from the grunting old man most people remember. At the height of his technical and musical powers, he plays these mostly charming little encores and transcriptions with exquisite musicianship and breathtaking technical command that remains outstanding today. Whether you want to hear Chopin piano pieces or Wagner arias played on the cello is another issue; there is very little real cello music on this disc. But for what is here, one could hardly imagine better performances. The transfers are outstandingly lifelike, the program very generous (76:19), the price reasonable. --Leslie Gerber
Customer Reviews:
Pablo Casals: Early Recrdings, a defective product.......2007-03-09
The Pablo Casals: Early Recordings 1925-1928 is a fine recording with a production defect. The playing is obviously great but near the end of the CD numerous tracks are missing. I returned the CD and was sent a replacement that had the same defect indicating that there was a production error.
It is good!!.......2005-10-09
I can't buy it in the Austerlia,and it is a good recording. I like it.
Amazing touch of personality.......2005-01-25
This album is perhaps one of my favorite. It features Pablo playing some very romantic and melancholic songs from various composers. It also features Pablo's amazing technique and his capacity of interpretation which gies beyond just reading and playing musical notes.
But also, the fact that this album was recorded so long ago, the original format was gramophone, I think it gives this album very important historical value, the background noise never interrupts the musics, but help listeners to get involved and place himself in the timeline.
Outstanding.......2003-10-20
funny, I hear plenty of "real" music coming from this CD ;)
amazing Casals.......2002-04-07
This recording is for anyone who has dismissed Casals as an ancient cellist who never truly mastered the technique of the instrument. These works are all admittedly light fluff, but Casals is truly dazzling, as both a technical virtuoso and a true musician. This is worth owning if you're a cellist or a Casals fan, but the low quality of the actual compositions should keep everyone else away.
Average customer rating:
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Classic Crooners: A Romantic Collection of Original Recordings
Various Artists
Manufacturer: Green Hill Productions
ProductGroup: Music
Binding: Audio CD
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- Crooners and Divas
- The Crooners Collection, Vol. 1
- The Crooners Collection, Vol. 2
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ASIN: B0001XE0XY
Release Date: 2000-01-01 |
Tracks:
- For All We Know (Nat King Cole)
- You Belong To Me (Dean Martin)
- The Nearness of You (Mel Torme)
- Night & Day (Frank Sinatra)
- My Foolish Heart (John Gary)
- Try to Remember (Perry Como)
- The More I See You (Vic Damone)
- The Second Time Around (Brook Benton)
- Moon River (Andy Williams)
- La Vie En Rose (Tony Martin)
- Wrap Your Troubles in Dreams (Bing Crosby)
- One for My Baby (Harry Belafonte)
Product Description
The CLASSIC CROONERS series was created to pay homage to the lost art of romantic balladry. Emerging in the post big band era of the late 40s, flourishing in the early 50s, and for some, surviving the rapidly changing music landscape of the 60s, these classy gentlemen of song were romance and elegance defined. Although not all of the great crooners are represented in this collection, some of the very best are highlighted. So light a candle, pour a glass of wine, snuggle up to your special someone and let the crooners do the rest.
Average customer rating:
- Great gems from musicals that dissapeared
- some gold mixed with dross
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Unsung Musicals - The Ultimate Collection
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD
General Modern
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ASIN: B00005K9SG
Release Date: 2001-06-05 |
Tracks:
- Smile (from "Smile") (Hamlisch-Ashman) - Harry Groener et al.
- Hero (from "Babe") (Menken-Ashman) - Debbie Gravitte
- Didin't Leave It Here (from "Brownstone") (Larson-Rubins) - Kristine Fraelich and Jolie Jenkins
- Starfish (from "La Strada") (Lawrence-Charnin) - Judy Kuhn
- Sherry! (from "Sherry!") (Rosenthal-Lipton) - Christine Baranski and Jonathan Freeman
- Smashing New York Times (from "A Broadway Musical") (Strouse-Adams) - Jason Graae
- Silverware (from "We Take the Town") (Karr-Dubey) - Lee Wilkof and Timothy Jerome
- Hundreds of Hats (from "Diamonds") (Sheffer-Ashman) - Jason Workman
- At the Same Time (from "Freaky Friday") (Rodgers-Forster) - Tammy Minoff and Patrick Levis
- When It Happens to You (from "The Red Shoes") (Styne-Stryker) - Lynne Wintersteller
- Lawyers (from "A Broadway Musical") (Strouse-Adams) - Gregory Jbara and Lee Wilkof
- At My Side (from "Welcome to the Club") (Coleman-Hotchner) - Sally Mayes and Michael Rupert
- In a State (from "A Wonderful Life") (Raposo-Harnick) - Brent Barrett
- Disneyland (from "Smile") (Hamlisch-Ashman) - Jodi Benson
- Reveille Sun (from "Here's Where I Belong") (Waldman-Uhry) - Glory Grampton
- The Memory of Tonight (from "Arthur, The Musical") (Skloff-Kauffman-Crane) - Carolee Carmello and Gregg Edelman
- Stomp the Blues Away (from "Honky Tonk Nights") (Valenti-Allen-Campbell) - Melba Joyce et al.
- New Words (from "One, Two, Three, Four, Five") (Yeston) - Liz Callaway
Customer Reviews:
Great gems from musicals that dissapeared.......2004-11-30
Songs from 1987's "Smile" make this well worth the price. The previously unreleased material from the late, great Howard Ashman deserves to have it's moment in the spotlight.
Also, there's Judy Kuhn's beautiful performance on "Starfish", Christine Baranski's vampy turn on "Sherry".
Finally, there's" New Words" from "One, Two, Three, Four, Five". This show has been restaged, by small theatre groups, under the title "History Loves Company". "New Words" is by far the best number of this show and Liz Callaway's voice fills with love as she sings this lullaby.
For a consummate musical theatre fan who's heard it all, this disc is a refreshing look at what has been lost over the years.
some gold mixed with dross.......2003-12-21
Some of these songs desrve to be unsung. But then you get a showstopper like Sherry and you wonder how could this show have flopped? That number alone makes this cd worth purchasing.I also enjoyed Marvin Hamlisch's toe tapping title song - Smile.There are also a few other lovely melodies which makes this cd a nice addition to a Broadway collection.
Average customer rating:
- Absolutely Fabulous!
- Half & half
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The Sondheim Collection (Studio Cast Re-recordings)
Stephen Sondheim
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD
Sondheim, Stephen
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ASIN: B00000IGRH
Release Date: 1999-04-20 |
Tracks:
- More - Tom Fay/Lanny Meyers
- You'll Never Get Away From Me - Michael Skioff/Larry Moore
- I Remember - Tom Fay/Larry Moore
- Mama's Talkin' Soft - Tom Fay/Steven Orich
- No One Is Alone - Laurie Beechman
- Old Friend Part II - Michael Rafter/Jonathan Tunick
- Opening - Terry Trotter
- Tht Old Piano Roll - James Stenborg/Larry Moore
- Children Will Listen - Ron Abel/Steven Orich
- You Could Drive A Person Crazy - Peter Matz
- Loving You - Lanny Meyers
- There's Always A Woman - Larry Moore
- What Can You Lose? - Tom Fay/Larry Moore
- By The Sea - Terry Trotter
- Every Day A Little Death - Todd Ellison/David Siegel
- Marry Me A Little - Todd Ellison/David Siegel
- Send In The Clowns - Peter Matz
- Sooner Or Later - Tom Fay/Lanny Meyers
- Goodbye For Now - James Stenborg/Larry Moore
Amazon.com
The Sondheim Collection samples tracks from Varèse Sarabande's vast stable of recordings, including Sondheim at the Movies, Sondheim: A Celebration, and Unsung Sondheim. In addition, tracks are culled from solo recordings by Laurie Beechman, Petula Clark, and Christiane Noll, as well as the duet of Emily Skinner and Alice Ripley. Also included are jazz instrumentals by Terry Trotter and even some songs from the Styne-Sondheim collaboration Gypsy. There's not a lot here to surprise most Sondheim fans, but it's a solid sampler. --David Horiuchi
Customer Reviews:
Absolutely Fabulous!.......1999-10-02
When I got home after finding yet another Sondheim CD, I immediately put this one into the player. And I loved every second of it! Those of you who are against modifications to traditionality of songs might not enjoy a couple of the numbers... like Children Will Listen (Which has a nifty arrangement) or You'll Never Get Away From Me (which I personally haven't heard before... bad me!) But it's all VERY good either way and I found it to be absolutley glorious! I raved on for weeks to my friends about how I loved this new CD my mom got me. And the "Every Day A Little Death" performed by Emily Skinner and Alice Ripley is almost to die for!!! Absolutely beautiful! I recommend anyone and everyone to get this wonderful CD NOW!!!
Half & half.......1999-06-14
There are a lot of wonderful tracks on this that show why Sondheim is considered such a genius. His songs from the motion picture "Dick Tracy", including Jane Krakowski's stunning rendition of "Sooner or Later", are all wonderful, as are the songs from "Unsung Sondheim", such as "The Old Piano Rag". Also, Christiane Noll's "Marry Me A Little" is charming. However, Petula Clarck's version of "Children Will Listen" (a beautiful, sweet song, turned into plain icky) and Judy Kuhn's "You'll Never Get Away From Me" (if I were Jule Styne, I'd have her shot for turning that beautiful song into a jazzy salsa piece of grabage) make it dangerously close to being bad. I'd say go for it if you're seriously interested in Sondheim.
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- Historically Significant Folk Talent from the 60's
- Chad Mitchell Trio
- Chad Mitchell Trio
- Folk's Finest
- Seventeen of the very best of the Chad Mitchell Trio Songs
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The Chad Mitchell Trio Collection: Original Kapp Recordings
Chad Mitchell Trio
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Best Of The Chad Mitchell Trio: The Mercury Years
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ASIN: B0000014ZM
Release Date: 1997-02-11 |
Tracks:
- Leave Me If You Want To
- Blowin' In The Wind
- The Ballad Of The Greenland Whalers
- The John Birch Society
- Hello Susan Brown
- Blues Around My head
- Alberta
- Golden Vanity
- Come Along Home (Tom's Song)
- You Can Tell The World
- Last Night I Had The Strangest Dream
- Mighty Day
- The Whistling Gypsy
- Dona, Dona, Dona
- Whup jamboree
- Johnnie
- Puttin' On The Style
Customer Reviews:
Historically Significant Folk Talent from the 60's.......2007-05-26
This collection of Chad Mitchell Trio songs may be a little dated when they sing of things that happened 40 years ago, but the talent and humor come through loud and clear. While the era may have been identified with more famous groups like The Kingston Trio or The Limeliters, one cannot truly appreciate the folk & protest music of the 1960's without giving the Chad Mitchell Trio a good listen. I promise you'll play it again and again and still want more.
Chad Mitchell Trio.......2004-07-25
This is a great collection of the early Chad Mitchell Trio. The only question I have about the collection is the exclusion of Lizzie Borden. Along with The John Birch Society (which is included), I considered Lizzie Borden to be one of the Trio's signature tunes, and it should have been included.
Chad Mitchell Trio.......2000-06-22
I am back in the 60's again. I can close my eye's and see them singing on stage. There aren't words enough to describe how really good they are.
Folk's Finest.......2000-04-20
No one touches The Chad Mitchell Trio. Finest harmonies, musicianship, musicians, songs, content, you name it. These fellows give you the best kind of goosebumps. I can't begin to give them their due. And Chad's soaring harmonies are to die for. Just glorious ... and tasteful!
Seventeen of the very best of the Chad Mitchell Trio Songs.......1999-08-13
Every one of the seventeen tracks is a jewel, reflecting a different facet of the trio. The signature irreverence of the trio is reflected in "The John Birch Society," and more idealistic times reflected in "Last Night I had The Strangest Dream." Those of us of a certain age remember Hootenanies and Happenings where we did our best to emulate the trio singing "The Gypsy Rover" and "The Golden Vanity." All the magic of the Chad Mitchell Trio is here. This is a must for your nostalgia collection.
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The 20th Century Masters - The Millennium Collection: The Best of Broadway
Manufacturer: Hip-O Records
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Binding: Audio CD
Rodgers, Richard
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- The Essential Judy Garland
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ASIN: B000FOQ10Y
Release Date: 2006-06-20 |
Tracks:
- Magic To Do featuring Ben Vereen From Pippin
- I Go To Rio [Finale] featuring Hugh Jackman From The Boy From Oz
- Luck Be A Lady featuring Robert Alda From Guys & Dolls
- On My Own featuring Frances Ruffelle From Les Miserables
- Try To Remember featuring Jerry Orbach From The Fantastiks
- The Impossible Dream (The Quest) featuring Richard Kelly From Man Of La Mancha
- I Wont Send Roses featuring Robert Preston From Mack & Mabel
- Oh! What A Beautiful Mornin featuring Alfred Drake From Oklahoma!
- If I Loved You featuring Jan Clayton & John Raitt From The Carousel
- You Cant Get A Man With A Gun featuring Ethel Merman From Annie Get Your Gun
- Shall We Dance? featuring Yul Brenner & Gertrude Lawrence From The King & I
- Theres A Small Hotel featuring Bobby Van & Coulter From On Your Toes
- Suddenly, Seymour featuring Lee Wilkof, Ellen Greene,Jennifer Leigh Warren, Sheila Kay Davis & Leilani Jones From Little Shop Of Horrors
- Me And My Girl featuring Robert Lindsay & Maryann Plunkett From Me And My Girl
- Whatever Lola Wants (Lola Gets) From Damn Yankees
- Oh, The Thinks You Can Think featuring David Shiner From Seussical
Customer Reviews:
Well done.......2006-12-15
Of all the assorted Broadway Musical Various Artist CDs this is my favorite. Probably because there's no Andrew Lloyd Weber.
Average customer rating:
- Music like this is hard to come by
- A good album
- A smattering of Cirque
- Cirque du Soleil ~ Fantastique, Mysterious, Addictive.... ~
- Correction
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- Dralion
- Mystere
- Alegría
- O
- Saltimbanco
ASIN: B0000064YJ
Release Date: 1998-03-24 |
Tracks:
- Ouverture
- Egypte
- Kumbalawe
- Suite Chinoise
- Querer
- Entracte
- Pokinoi
- Alegria
- Kalimando
- Grosse Femme
Customer Reviews:
Music like this is hard to come by.......2002-10-29
I don't normally write reviews for CD's. I usually stick to books, however, I have to make an exception for Cirque Du Soliel.
My dance teacher had first used the song Mystere for one of her performances and ever since then, I have been hooked on their music. I'm sad to see Rene Dupere leave Cirque. In my opinion, and in the opinion of many other musicians and composers, Rene is one of the best living composers. This album is perhaps a collection of his greatest peices. It does have one piece from Benoit Jutras but in my opinion, it doesn't match quite the level that Rene's are at.
If you are interested in Cirque's music, I think this CD would be the way to go.
A good album.......2001-06-01
This is a good way to start your Cirque Du Soleil music collection. Although it has some old music, it is still a good album.
A smattering of Cirque.......2001-05-01
Cirque de Soleil's colelction is in affect a best of CD, but it is hardly that. Certainly the pieces on this disc are the most memorable of each show, they seem to lack something. this is because Cirque de Soleil is an experience, each song on an album influences another, they must be listened to in order to truly experience them. The songs on this album aren't bad, in fact, they are excellent, but they aren't quite as good as if one were to purchase the albums tehy are taken from and listen to the whole album from start to finish.
Cirque du Soleil ~ Fantastique, Mysterious, Addictive.... ~.......2000-11-18
I bought this CD just last night. When I was little, I remember seeing Le Cirque Reinvente on television. I loved it so - the music, the performances - but I didn't know it's name, what it was called. I forgot about it for a time, seeing snippets of it whenever I just barely caught the end credits while surfing the channels. Forgot about it again and then the yearning to hear that distant yet familiar music came back and I did some research, finally discovering what the show was after so many years: Cirque du Soleil! The rest is history - I got hooked instantly and this is my first CD of the music. I wanted to know what the music was like before I bought it so I listened to sound samples from Amazon of the CDs and then decided to buy Collection at my music store. I listened to it last night, am listening to it now as I write this and here are my detailed impressions... You put the CD in and relax... The first sounds are those of a solitary basoon over " Ouveture " from the excellent "Le Cirque Reinvente." The drums pick up and it turns into a majestic melody of strength, dignity, and lingering of what's to come; it gave me spine tingles the moment I heard it! " Egypte " begins, seducingly quiet and calm and working into the delvement of the Egyptian gods and goddesses that rule this mysterious ancient land. The main voice could be a goddess herself, her voice is sweet and clear as she sings the primary lyrics of the song coyly, sure of herself, gently.
"Kumbalawe" is very pretty, carefree and reminded me strangely of 'haps a family of lions relaxing in the grassy savannah awaiting sleep to overtake them underneath the midday sun. It was a very good piece but one though I didn't particularily care for though you might be a different case altogether. "Suite Chinoise" starts as if a theme for royalty and if that was Dupere's mark he DID hit it. Another spine-tingler that turns into a loving, warm melody. Falling rain, then, and a worn, wood flute resounds through the rain forest. All of it collides to form a lovely piece that envelopes so many grand emotions in but only 10 minutes of sheer joy. " Querer" is passionate and sounds to me as being a very nice love song though not in my tastes. "Entracte" I was doubtful at the beginning but it wouldn't let me not like it - it took my chin in it's hand and made me look at it long and clear, to listen to it just for a few seconds more And there it was. I heard the drums kick in and the amazing melody begin in full throttle, pulsing with fun and energy and good humour. You could almost see the act going on in the stage of your mind. "Pokinai" was undescribably gorgeous! It reminded me of a lady hanging on the trapeze with her legs in almost completely darkness as a curled up ball and then unfolding very beautifully, silver rain falling all around her. Slowly, she begins to move and discover hands and feet. That innocence and curiousity gives way slightly to her complete joy that she's ALIVE! Then a young man appears and she discovers young love, they doing various moves in the air.... These are the impressions I get when I listen to this song. "Alegria" was impressive music-wise as well as impressive in vocal. The main voice has a strong, sultry voice that seems to have every possible element in perfect feminity. Even though it probably wasn't meant as a love song, it comes across as such and I have no hesitation in saying it was a flawless piece that reminded me of tan-shaded shadows floating over two lovers... "Kalimando" starts camly with natural sounds taking the spotlight, birds singing, the light and gentle strains of water. It was a ground-centring piece after all the energy and fast-paced pieces before it. The lyrics almost seem to say in their foreign, mysterious tongue, " Time to rest." "Grosse Femme" was a lively melody that sounded a bit like a carousel-horse tune that if you play really loud *grin* it sounds as if you are truly on a merry-go-round at a circus during the night, the cool air swirling around you like mist...
So, in conclusion of my journey into Cirque du Soleil, I have gone into ectasy and back again. I have been happy, sad, nostalgic, dignified, mysterious, and a whole lot more in the expanse of this one CD. If that isn't magic, nothing is.
Correction.......1999-07-22
just wanted to fix a slip in my review- I said Kalandero is in Mystere- it is actually in Alegria. When I said Mystere I was thinking of the song Birimbau- both are track 3 on their respective CDs.
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- Super-human virtuosity of young Horowitz
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Recordings 1930-1951
Manufacturer: Angel Records
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Binding: Audio CD
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- Horowitz Plays Schumann
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- So Far from Real
- Modesty Blaise
ASIN: B000002S1W
Release Date: 1990-07-18 |
Tracks:
- Choral Prld, BWV 734: Nun freut euch, leiben Christen
- Son in b, KK 87
- Son in G, KK 87
- Son in a, KK 188
- Son in A, KK 188
- Son in E flat
- Etude in c#, Op.10
- Etude in G flat, Op.10
- Etude in F, Op.10
- Etude in F, Op.25
- Impromptu in A flat, Op.29
- Nocturne in e, Op.72
- Mazurka in f, Op.7
- Mazurka in e, Op.41
- Mazurka in c#, Op. 50
- Mazurka in E, Op. 54
- Etude No.11: 'pour les arpeges composes'
- Pastourelle (L'Eventail de Jeanne, No.8)
- Toccata (3 peices for pno, No.2)
Tracks:
- 32 Vars in c, WO 80
- Arabeske, Op.18
- Toccata in C, Op.7
- Traumeswirren (Fantasiestucke Op.12 No.7)
- Presto passionato (Original Finale of Son No.2 Op.22)
- Funerailles (Harmonies poetiques et religieuses, No.7)
- Son in b
Tracks:
- Con for pno in d, No.3 Op.30: I. Allegro
- Con for pno in d, No.3 Op.30: II. Intermezzo-Adagio
- Con for pno in d, No.3 Op.30: III. Finale (Alla breve)
- Prld in g, Op.23 No.5
- The Flight of the Bumble-Bee
- Petrouchka: Danse Russe
- Toccata, Op. 11
Amazon.com
The drawback to this comprehensive feast of prime Vladimir Horowitz is EMI's overzealous noise reduction, which smoothes the edges off of the great pianist's unique sonority. This is less bothersome in the 1951 sessions, which produced two delicious Scarlatti Sonatas not reissued elsewhere. The high-voltage Horowitz of the thirties was a more direct, less mannered artist than his older self. But his classic Liszt Sonata, Chopin Fourth Scherzo, and other solo EMI jewels are best heard via APR's superior (albeit more expensive) transfers. This erratic but exciting Rach 3 (with cuts, and a momentary third movement memory lapse) still awaits a CD transfer to match that of a bygone Seraphim LP. --Jed Distler
Customer Reviews:
Super-human virtuosity of young Horowitz.......2007-06-15
I give 5 stars for this 3CD set despite the old recording sound. Sound of piano itself is reasonably well for the day once you are used to the background noise, good enough to convey the subtlty and delicacy of his playing.
Prokofiev's Toccata is still fastest and most exciting on records, verging on super-human. Rachmaninov's 3rd concerto is the best performance by Horowitz with more argency and intensity than his later recordings. The incandescent account of Liszt Sonata is one of the most compelling and beautiful along side Richter and Pogorelich's classic accounts.
Haydn and Scarlatti sonatas, Beethoven variations, Schumann's Toccata, Chopin Etudes, Stravinsky's Petrushka and so much more display Horowitz' keen sense of tonal colours and mind blowing fluency of playing.
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Backhaus: The Complete British Acoustic Recordings, 1908-25
Manufacturer: Pearl
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- Pablo Casals: Festivals at Prades Vol. 1
ASIN: B0000542HD
Release Date: 2001-02-27 |
Tracks:
- Prelude In C Sharp Minor, Op. 3, No. 2
- Liebestraum No. 3 In A Flat
- 'Harmonious Blacksmith' Vars
- Prelude No. 1 In C, Op. 28, No. 1
- Etude No. 1 In C, Op. 10, No. 1
- Norwegian Bridal Procession, Op. 19, No. 2
- Finale: Perpetuum Mobile
- Fantasy-Impromptu In C Sharp Minor, Op. 66
- La Cam-panella
- Etude No. 20 In D Flat, Op. 25, No. 8
- Etude No. 21 In G Flat, Op. 25, No. 9
- Etude No. 5 In G Flat, Op. 10, No. 5
- Prelude
- Fugue
- Etude No. 18 In G Sharp Minor, Op. 25, No. 6
- Etude No. 13 In A Flat, Op. 25, No. 1
- Etude In E Flat Minor, Op. 10, No. 12
- First Movement (Abridged)
- Third Movenment (Abridged)
- Novelette No. 7 In E, Op. 21, No. 7
- Waltz No. 11 In G Flat, Op. 70, No. 1
- Waltz No. 14 In E Minor, Op. Posth.
- Waltz No. 5 In A Flat, Op. 42
- Polka In F
- Sonata In F, L. 188 (Kk. 525)
- Sonata In G, L. 490 (Kk. 523)
- Etude No. 7 In C, Op. 10, No. 7
- Waltz No. 6 In D Flat, Op. 64, No. 1
- Moment Musical No. 3 In F Minor, Op. 94, No. 3
- Hark! Hark! The Lark!
Tracks:
- Hungarian Rhapsody No. 2 (Abridged)
- Polka In F
- Naila Waltz
- Polonaise No. 6 In A Flat, Op. 53 (Abridged)
- Caprice Espagnol, Op. 37
- Don Juan Seranade
- Widmung
- Liebestraum No. 3 In A Flat
- Waltz No. 5 In A Flat, Op. 42
- Variations On A Theme Of Paganini, Op. 35, Book I
- Variations On A Theme Of Paganini, Op. 35, Book II
- Berceuse In D Flat, Op. 57
- Moment Musical No. 3 In F Minor, Op. 94, No. 3
- Traumeswirren, Op. 12, No. 7
- Scherzo
- Triana, No. 6
- Don Juan Serenade
Amazon.com
Backhaus was among the giants of 20th-century keyboard artists, renowned for his solid--some would say stolid--Beethoven and Brahms interpretations. The younger Backhaus was a more overtly virtuosic pianist with a wide repertory. This invaluable Pearl set covers his British recordings, starting in 1908 when he was only 24, and it includes composers and works he abandoned in later years when he pared his programs down to essential masterworks. So we get his only recordings of Rachmaninoff, whom he admired as the greatest among living piano composers, along with Bach, Scarlatti, and others. Backhaus's dazzling virtuosity can be heard in his abridged Brahms Paganini Variations, the Liszt, La Campanella, with its marvelously even runs, and the Weber, Perpetuum Mobile, with precise articulation at fast speeds, among many other examples. Some of his early electrical recordings fill out disc two, sounding fresher than most of the acoustics. Seth Winner's transfers on both well-filled discs are uniformly fine. Collectors of historical recordings will want these rarities. --Dan Davis
Jazz Music:
- The Giant Pin
- The Herbie Hancock Box [Box set] [Original recording remastered]
- The Jim Seeley/Arturo O'Farrill Quintet
- The Trumpet Sounds
- The Very Best of John Coltrane
- The Young Lions
- Tijuana Moods [Original recording remastered]
- Tomorrow: Barretto Live [Live]
- Tuxedo Junction: Big Band Swing Classics
- Two's Company
Jazz Music
Jazz Music