Sometimes I Feel Like a Motherless Child [Import]
Sometimes I Feel Like a Motherless Child [Import]
ASIN: B00005UVUL
Track Listings
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1. East Of The Sun (And West Of The Moon)
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2. No Smokes Blues
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3. Interlude (A Night In Tunisia)
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4. Signing Off
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5. I'd Rather Have A Memory Than A Dream
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6. Mean To Me
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7. If You Could See Me Now
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8. I Can Make You Love Me If You'll Let Me
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9. You're Not The Kind
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10. My Kinda Love (One Way To Paradise)
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11. Body & Soul
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12. I Cover The Waterfront
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13. Tenderly
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14. Lord's Prayer
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15. Sometimes I Feel Like A Motherless Child
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16. Love Me Or Leave Me
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17. I'm Gonna Sit Right Down & Write Myself A Letter
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18. One I Love Belongs To Somebody Else
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19. Don't Blame Me
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20. Man I Love
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See all 22 tracks on this disc
Sometimes I Feel Like a Motherless Child,Sarah Vaughan,Jazz Hour,Jazz
Average customer rating:
- World's best trumpet player
- Credit Wynton Marsalis
- stylistically wrong
- Wynton, Wynton, Wynton.
- Good, but not the best
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Carnaval
Manufacturer: Sony
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Similar Items:
- Cornet Favorites
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ASIN: B0000026EN
Release Date: 1990-10-25 |
Tracks:
- Carnaval: Variations Sur 'Le Carnaval De Venise'
- Carnaval: The Debutante (Caprice Brillant)
- Carnaval: Believe Me, If All Those Endearing Young Charms
- Carnaval: Grand Russian Fantasia
- Carnaval: Moto Perpetuo, Op 11
- Carnaval: 'Tis the Last Rose of Summer
- Tsar Saltan: The Flight of The Bumblebee
- Carnaval: Napoli -- Variations on a Neapolitan Song
- Carnaval: Fantaisie Brillante
- Carnaval: Sometimes I Feel Like a Motherless Child
- Carnaval: Valse Brillante
Customer Reviews:
World's best trumpet player.......2007-05-12
The incredible Wynton Marsalis plays the classics of the brass solo genre.
If you want to hear some very delightful music played by a most impressive instrumentalist, get this album.
Listening to this will make you realize the mediocrity of most of today's popular music. They don't grow people like Jean-Baptiste Arban any more.
Credit Wynton Marsalis.......2007-01-25
This outstanding collection of turn-of-the-last-century cornet solos is a collector's item. Mr. Marsalis (and the ensemble) makes it all sound so easy and enjoyable. As an instrumental music teacher I find hearing these inspires many of my high school high brass players to work on them.
stylistically wrong.......2005-05-29
Having studied with an international authority on cornet playing I can con fidently say that Wynton's cornet playing is ok at best. More than anything hes tryying to sell CDs rather than capture the essence of Cornet playing, like most of wyntons playing its alot of flash but no substance. Great if your a trumpet head and you get off on empty virtuostic fluff.
Wynton, Wynton, Wynton........2005-01-01
There are times, when I'm listeing to Wynton, I get depressed like the flash of a 64th note played. His sounds is so pure and wonderful. He rocks. I don't mind realizing that there aren't many other trumpeteers out there like him.
I met him once actually. In Alice Tully Hall, after a holiday concert. He stood on the stage towering over my dad, brother and I. He called us "the frontline", after my dad telling him we play the trumpet, trombone, and clarinet. What a cool guy.
Good, but not the best.......2004-11-28
Marsalis is an excellent trumpet player, there is no question as to that. He is certainly not the best in the world, however. I prefer a better recording of Carnival of Venice and many other cornet solos by Gerard Schwarz. The spirit of such solos is lost when they are put to ensemble accompaniment, Schwarz interprets them far better in my opinion. Also, his technical mastery is at least equal to that of Wynton's, or was when he made the album. His sound is sweeter and more perfect to my ear. And this is not the only album in which you can hear dazzling technical pieces, either. Sergei Nakariakov, Rafael Mendez, and Allen Vizzutti are the most proficient players with recordings out there. Nakariakov and Mendez both do better readings of the Paganini, playing the entire song double-tonguing and circular breathing. The Mendez Flight of the Bumblebee has a much better sound and fits the piece more, too. The most amazing song I have ever heard is the Carnival of Venus, by Vizzutti. Listen to anything by Wynton and then this song, you will be absolutely amazed. The last variation of the Marsalis is Vizzutti's first, and they get harder from there. Simply put, this is a good recording and the most accessible, but there are better ones out there. I wouldn't buy this to hear cornet solos or amazing technical pieces, but for hearing other interpretations. I prefer Schwarz, Mendez, Vizzutti, and Nakariakov.
Average customer rating:
- LOVE IN ANY LANGUAGE
- A serene peaceful album of children's songs and lullabies
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Love Is Spoken Here
Manufacturer: Mormon Tabernacle
ProductGroup: Music
Binding: Audio CD
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- Peace Like a River
- Consider the Lilies
- Sing, Choirs of Angels!
- Showtime! Music of Broadway and Hollywood
- Choose Something Like a Star
ASIN: B000AE8G5M
Release Date: 2005-09-13 |
Tracks:
- Love is Spoken Here
- For the Beauty of the Earth
- I Feel My Savior's Love
- Our Savior's Love
- All through the Night
- Homeward Bound
- Home Is a Special Kind of Feeling
- I Am a Child of God
- A Child's Prayer
- Suo-gan
- Oh, What Songs of the Heart
- I Often Go Walking
- Simple Gifts
- I'm Trying to Be Like Jesus
- My Heavenly Father Loves Me
- Turn Around
- Where Love Is
- Love at Home
- May the Good Lord Bless and Keep You
Product Description
Songs of heart and home set the tone for the newest album by the world-famous Mormon Tabernacle Choir. The album features beloved Primary songs such as "I Feel My Savior's Love," "I Am a Child of God," "Where Love Is," and "My Heavenly Father Loves Me." Favorite hymns such as "Love at Home," "Our Savior's Love," and "O What Songs of the Heart" are also included, along with familiar classics such as "May the Good Lord Bless and Keep You" and "Turn Around (Where Are You Going, My Little One?)" With many new arrangements by associate director Mack Wilberg, Love Is Spoken Here is destined to become another bestseller.
Customer Reviews:
LOVE IN ANY LANGUAGE.......2006-12-26
I bought this CD for the song "Love Is Spoken Here" which was sung at my father's funeral, to celebrate his life and love of music, especially Church music. Our soloist was a friend whose voice warmed our breaking hearts. But when I saw that I could also get the Mormon Tabernacle Choir version along with many other beautiful American songs, I ordered this. I highly recommend MTC if you are seeking choir music to lift your spirit.
A serene peaceful album of children's songs and lullabies.......2005-09-13
"Love is Spoken Here" is the newest released by the Mormon Tabernacle Choir and Orchestra at Temple Square. Featuring children's primary songs, well-known lullabies, and popular favorites, this is a unique entry in the Choir's repetoire, and the albums breathes serenity and peace. The track listing is as follows:
1 Love is Spoken Here
Music: Janice Kapp Perry, 1938-
Text: Janice Kapp Perry, 1938-
Arrangement: Sam Cardon 3:25
2 For the Beauty of the Earth
Music: Conrad Kocher, 1786-1872
Text: Folliott S. Pierpoint, 1835-1917
Arrangement: Mack Wilberg 3:03
3 I Feel My Savior's Love
Music: K. Newell Dayley, 1939-
Text: Ralph Rodgers Jr, K. Newell Dayley, Laurie Huffman
Arrangement: Sam Cardon 3:30
4 Our Savior's Love
Music: Crawford Gates, 1921-
Text: Edward L. Hart, 1916-
Pacific Publications 4:37
5 All through the Night
Music: Welsh Folk Song
Text: Welsh Traditional
Arrangement: Mack Wilberg 4:57
6 Homeward Bound
Music: Marta Keen Thompson
Text: Marta Keen Thompson
Arrangement: Mack Wilberg 5:46
7 Home Is a Special Kind of Feeling
Music: John Rutter
Text: David Grant
Arrangement: From "The Wind in the Willows"
Hinshaw Music (ASCAP) 3:11
8 I Am a Child of God
Music: Mildred Tanner Pettit, 1895-1977
Text: Naomi Ward Randall, 1908-
Arrangement: Nathan Hofheins 3:36
9 A Child's Prayer
Music: Janice Kapp Perry, 1938-
Text: Janice Kapp Perry, 1938-
Arrangement: Barlow Bradford 3:46
10 Suo-Gân
Music: Welsh lullaby
Text: David Warner
Arrangement: Mack Wilberg 5:07
11 Oh, What Songs of the Heart
Music: William Clayson, 1840-1887
Text: Joseph L. Townsend, 1849-1942
Arrangement: Mack Wilberg
Jackman Music Corporation 4:45
12 I Often Go Walking
Music: Jeanne P. Lawler, 1924-
Text: Phyllis Luch, 1937-
Arrangement: Nathan Hofheins 2:58
13 Simple Gifts
Music: Shaker song
Text: Traditional Shaker, additional text: David Warne
Arrangement: Mack Wilberg
Oxford University Press (ASCAP) 3:04
14 I'm Trying to be Like Jesus
Music: Janice Kapp Perry, 1938-
Text: Janice Kapp Perry, 1938-
Arrangement: Barlow Bradford
Nature Sings Publishing 4:38
15 My Heavenly Father Loves Me
Music: Clara W. McMaster, 1904-
Text: Clara W. McMaster, 1904-
Arrangement: Nathan Hofheins 2:48
16 Turn Around
Music: Harry Belafonte, Malvina Reynolds, Alan Greene
Text: Harry Belafonte, Malvina Reynolds, Alan Greene
Arrangement: Michael Davis 3:24
17 Where Love Is
Music: Joanne Bushman Doxey and Marjorie Castleton Kjar
Text: Joanne Bushman Doxey and Norma B. Smith
Arrangement: Sam Cardon 4:23
18 Love at Home
Music: John Hugh McNaughton, 1829-1891
Text: John Hugh McNaughton, 1829-1891
Arrangement: Mack Wilberg 3:36
19 May the Good Lord Bless and Keep You
Music: Meredith Willson, 1902-1984
Text: Meredith Willson, 1902-1984
Arrangement: Mack Wilberg 5:59
This album follows on the heels of the #1 charting album "Choose Something Like A Star" and shows the choir hewing closely to their signature sound and style, while adding a new dimension to their repetoire. This album is perfect for families and is especially suited for young children.
Average customer rating:
- Robeson on wax
- The voice, the sound quality and the interpretation
- A Voice from the 40s, often dated, often moving
- Robeson at his best
- some of the greatest songs of the last century
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Songs of Free Men/ A Paul Robeson Recital
Manufacturer: Sony
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- Spirituals
ASIN: B0000029YJ
Release Date: 1997-12-09 |
Tracks:
- Balm in Gilead
- Chassidic Chant
- Quiet Flows The Don: From Border To Border
- Quiet Flows The Don: Oh, How Proud Our Quiet Don
- Elijah, Op. 70: The Lord God Of Abraham
- The Purest Kind Of Guy
- Joe Hill
- The Peat-Bog Soldiers
- The Four Insurgent Generals
- Native Land
- Song Of The Plains
- Cradle Song
- Within Four Walls
- By An' By
- Sometimes I Feel Like A Motherless Child
- John Henry
- Water Boy
- My Curly Headed Baby
- Mah Lindy Lou
- Wagon Wheels
- The House I Live In
- Showboat: I Still Suits Me
- Sylvia
- Showboat: Ol' Man River
- Porgy And Bess: It Ain't Necessarily So
Amazon.com
There was nothing like the Robeson sound, ever. To describe his deep, rich, perfectly equalized instrument is futile. Go instead to "Balm in Gilead," the opening track, and see if you can listen to the last pianissimo phrase without falling to pieces. Robeson was at his best when the music was slow and the words contained spiritual or social messages. Faster, lighter fare like Kern's "I Still Suits Me" or Gershwin's "It Ain't Necessarily So" find the serious-minded singer out of his element, lacking irony and swing. "Old Man River," though, gets a simple, dignified treatment. It's Songs of Free Men, though, that will just keep Robeson's artistry rolling along, especially in Sony's astonishing transfers. --Jed Distler
Customer Reviews:
Robeson on wax.......2007-06-19
I found this album in a thrift store last week, for a couple of dollars. It's the original pressing on four 78 RPM records, in a gatefold format. It's in pristine condition. I really bought it for the incredible cover art, although I hope to be able to listen to it in this format at some point.
The voice, the sound quality and the interpretation.......2004-09-24
Put this on your stereo and if it is good enough the depth and richness of Robeson's voice will make your fillings rattle and your chest rumble. The power of his voice is awesome. This CD is superbly recorded with no audible noise at normal listening levels.
A Voice from the 40s, often dated, often moving.......2002-09-01
"Red diaper babies" have greeted this disc with nostalgic joy, and it captures a time and an aesthetic and a political belief with precision. Anyone interested in the emotional life of the pro-Soviet left of the 1940s should buy this disc. It's something like Henry Wallace set to music. There is much more to Robeson than that, however, and Sony has given us Robeson whole: there are songs by American masters of the musical, there are labor songs, religious songs, as well as the kind of faux-folk songs which the butcher supreme Josef Stalin encouraged and which were not taken seriously inside the USSR (except at gunpoint!!) but which were taken up by dupes around the world. This is Robeson at his least savory - willing propagandist for a vile mass murderer. Songs such as "Native Land" (fittingly, Robeson is referring to the Soviet Union) and the Red Army song are the equivalent of the "Horst Wessel Song", anthems of murder, and it is difficult to listen to the worst of them without retching. On the other hand, Robeson's commitment to American folk culture was real. "Balm in Gilead" is deeply beautiful; "John Henry" is heroic; "By an' By" is both resigned yet hopeful. "Joe Hill" captures an era in labor history. Anyone interested in American popular song should hear these. Turning to Broadway, his "Old Man River" is very fine, though Robeson changed the lyrics for political reasons and Leonard Warren has done the song better. I disagree with the editorial reviewer: "I Still Suits Me" is wonderfully playful and shows Robeson using his gorgeously rich voice to tease and poke fun. However, Marc Blitzstein's "Purest Kind of a Guy" is beyond saving - another example of Robeson recording an unworthy song by a political fellow-traveller. Ugh. But for every miss there are two hits. Robeson performs Mendelssohn's Elijah with nobility, and sings his favorite song, "Water Boy", with joyous pride: "There ain't no hammer that's on these mountains that rings like mine, boys, that rings like mine."
No one need have any fears about the mono sound quality. The orchestra in the second half of the program is at times a little dwarfed by Robeson's voice, but it generally sounds clean and colorful, and the great artist's voice rings like no other.
Robeson at his best.......2000-05-12
It's hard to believe that most of these recordings pre-date the advent of magnetic tape: the CD transfer is superlative. The songs and performance are beyond reproach. Notable is the imaginative packaging in miniature 'record album' format, complete with the original cover art, and a replica of the original Columbia record label applied to the CD.
In response to a previous question: Robeson's performance of Danny Boy (Londonderry Air) can be found on the Vanguard LP entitled "Robeson" (VRS-9037).
some of the greatest songs of the last century.......2000-05-05
In the 1940s, before rabid McCarthyism and racism had taken its toll on him, Robeson made these wonderful recordings of spirituals, classics and pop tunes. Accompanied by the solo piano of the incomparable Lawrence Brown, or by an orchestra, the songs ring out with pride, dignity, skill and unmatched integrity. The shameful treatment that Robeson was subject to from American authorities certainly seem grotesquely absurd to a modern listener. The wonderful version of "The House I Live In" included on this cd should forever kill off any suspicion that Robeson did not love his country deeply. This album ought to be heard by millions of people, world wide. Robeson's voice is nothing less than a glorious high point in 20th century music, and it's hard to think of any recording capturing it to greater advantage.
Average customer rating:
- Nice Voice
- a voice teacher and early music fan
- Sumi Jo- coloratura supreme
- Prayerful and beautiful
- A spectalce of voice and vocalization
|
Sumi Jo - Prayers / James Conlon
Gioachino Rossini , Wolfgang Amadeus Mozart , Richard Strauss , Giulio Caccini , Maurice Ravel , Gabriel Fauré , Anonymous , Franz Schubert , Charles Gounod , Gaetano Donizetti , Zbigniew Preisner , Leonard Bernstein , Johann Strauss II , Frederick Loewe , James Conlon , Sumi Jo , and Susan Graham
Manufacturer: Erato
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ASIN: B0000560N6
Release Date: 2001-03-20 |
Tracks:
- Kaddisch
- Laudate Dominum
- Ave Maria
- Amazing Grace
- Breit' Uber Mein Haupt
- L'assedio Di Corinto: L' Ora Fatal S'appressa... Guisto Ciel !
- Pie Jesu
- Der Vierjahrige Posten: Gott! hore Meine Stimme!
- Sanctus
- Maria Stuarda: Preghiera Di Maria
- Lacrimosa
- 1600 Pennsylvania Avenue: Take Care Of This House - Sumi Jo/Phil Chor Koln/Susan Graham
- Nun's Chor/Casanova: Laura's Song
- Gigi: Say A Prayer For me Tonight
- Sometimes I Feel Like A Motherless Child
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This program seems designed primarily to display soprano Sumi Jo's fabulous singing and famous stylistic eclecticism. However, it also exhibits an admirable religious inclusiveness, encompassing expressions of faith from the Latin liturgy to Negro spirituals; there is even a Richard Strauss song that is essentially a paean to love. An incongruous note is struck by a nun's song from an operetta by Benatzky that is a corny Viennese waltz and by a soundtracklike arrangement of a 16th-century Ave Maria. Ranging from Mozart to Broadway, this musical mix is held together by Sumi Jo's ravishingly beautiful, pure, warm voice and the way she can color and inflect it, and by her mastery of every style (though not every language; her German in particular is unintelligible). Her intonation is impeccable, her breath control incredible. Jo's top notes soar triumphantly, and she can sustain them indefinitely, with enough power left to make a crescendo at the end. Highlights include Ravel's "Kaddisch," which sends shivers down the spine; arias from operas by Rossini and Donizetti; and arias from sacred works by Gounod and Fauré. Of two spirituals, the second one is simpler and more convincing. The accompanying forces are excellent; James Conlon doubles as pianist when not conducting. Susan Graham also makes an appearance in the moving invocation "Take Care of This House" from Bernstein's 1600 Pennsylvania Avenue. --Edith Eisler
Customer Reviews:
Nice Voice.......2007-05-06
Sumi Jo has a beautiful voice but her renditions of Motherless Child and Amazing Grace were not impressive at all. The vibrato was too uncontrollable. The Ave Maria was so,so. I did not hear the richeness others have declared in their assesments. Don't get me wrong, the instrument is quite beautiful but only in some selected selections.
a voice teacher and early music fan.......2007-02-17
"Music and poetry emerge from man's desire to give thanks, to praise and to pray to his gods. One of the magical powers of the human voice is that it can fly, on the wings of songs (a la Mendelssohn) to heaven and appear to be in direct communication with God." Therefore, it is no surprise that prayer is omnipresent throughout the history of music. Sumi Jo has chosen an excellent representation of songs including most styles and periods which include : Baroque (Caccini)-Classical (Mozart)-Contemporary (Preisner)-Romantic Opera (Rossini,Donizetti)-German 'Singspiel'(Schubert)-Lieder (Richard Strauss)-French church music (Gounod ,Faure)-traditional music (spiritual)-Jewish melodies (Ravel)-Viennese operetta (Johann Strauss) and the American musical (Bernstein).
Sumi Jo, born in Korea,is a much sought after coloratura soprano, having triumphed on stage, and in recitals all over the world. Not being fond of coloraturas, I make an exception for her voice, because of its depth along with the very high register. She shows a great deal of sensitivity to all of her varied selections on this disc, and each delivery is a 'gem' unto itself.
I must personally comment on those works that I particularly enjoy. Hearing her sing Mozart's 'Laudate Dominum' was a real treat; it doesn't matter how often one hears that lovely piece, just like all of his music, it 'wears' well. The 'Pie Jesu' was absolutely stunning as Sumi Jo sang it, and it is a pleasure for me to hear the selection from "GIGI" by Lerner & Loewe; not being a great broadway fan, I have always liked that specific musical. I think because it was well-done when I saw it years and years ago.
This disc is abolutely totally enjoyable. There is something for all musical tastes, and the conductor/pianist James Conlon does a great job pulling it together!!!!!
Sumi Jo- coloratura supreme.......2006-04-09
One word: Lacrimosa. It haunts you and will stay with you long after you hear it. I actually forced several if my coworkers to listen to it many of which are not opera fans and even they could not argue the beauty of it. One of my coworkers was actual on the verge of tears by the end of the song.
The rest of the album is enchanting as well as breath taking. I am a harsh critic when it comes to singers so I do not give those compliments very often, nor am I easily moved by singers but Sumi Jo has certainly done that with this album.
My only complaint is that I would have liked to hear her take of "Ave Maria" by Schubert which, while recorded many times over, would complimented her voice perfectly due to it's simplicity. "Sing low sweet chariot" would have been another great one to hear but as far as spirtuals are concerned I was very happy with her acepella version of "Amazing Grace." I was never a huge fan of "Amazing Grace" since it's been done a thousand times over but she brought such seetness and emotion to it. Of course I am kind of biased becuase I offically hate the "belting" version of this song and that's how it's usually done. It's nice to hear a simple, straight forward version.
My last comment is that it's nice to hear Sumi Jo sing less operatic pieces considering most opera singers are rarely bold enough to sing anything other than classical pieces, excluding Renee Fleming of recent.
Prayerful and beautiful.......2005-11-14
It is a refreshing change to have a collection of arias on a CD with a title that actually bears some relevance to the contents. This is indeed a prayerful collection. That means, of course, that you have to be in the appropriately contemplative mood in order to appreciate it.
Another nice change is that the orchestral accompaniment enhances the singing rather than just tagging along as an afterthought, which often seems to be the case. It is fitting that James Conlon gets equal billing here. This is splendid singing to splendid music.
Sumi Jo is comfortable in any language and in a broad range of styles. I was uncertain how she would tackle songs like Amazing Grace and Sometimes I Feel Like a Motherless Child. I need not have worried. In the latter she reveals a soulfulness that fits the lyrics perfectly.
The only track not worthy of this collection is Bernstein's Take Care of This House. I suppose, as it is a prayer, it was an obvious song to include, and Jo sings it very well, but it is just a very poor song. That still leaves 14 excellent tracks that, if you are a lover of good singing, you will want in your collection.
A spectalce of voice and vocalization.......2004-12-29
I bought this used from an Amazon.com dealer and it came with a cutout on the left side of the CD box. Can this specacular CD possibly have gone out of print by Christmas 2004? If so we have lost one of the benchmark recordings of this splendid artist.
Never is there a weak moment in this incredibly beautiful collection of classical bleeding chunks and spirituals. I don't think you'll confuse Sumi for your favorite spiritual singer in "Amazing Grace" and "Sometimes I feel like a motherless child" but she is magnificent singing the complete and incomplete tunes elsewhere on the CD by famous classical composers including Mozart, Richard Strauss, Rossini, Schubert and Donizetti, to name some of them.
She is in wonderful voice and fresh-faced for the Loewe-Lerner "Say a prayer for me tonight" and does an equally nice job with Susan Graham accompanying Leonard Bernstein's "Take care of this house" from "1600 Pennsylvania Avenue". I'm not much for this kind of music -- I bought this exclusively for her rendition of Mozart's "Laudate Dominum" -- but it adds a dimension to the concert that brings it into the realm of popular Broadway tunes.
This is a wonderful concert of familiar and not so familiar songs from a singer whose voice is eloquent, beautiful and rich, with significant range and span from PPP to FFF. Sumi Jo controls her voice well throughout the concert, giving everyone something to think about regardelss of musical preference. This might have been improved if she'd included a Beatles tune -- maybe "Elenor Rigby" or "Yesterday" -- accompanied by the orchestra and James Conlon's direction. But it stands with any similar collection by any singer as it is.
Average customer rating:
- CELEBRATE Marian Anderson's powerful, liberated voice with JOY!
- Timeless performances
- My favorite singer
- Honest Transfer of Great Material from 78s
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Prima Voce - Marian Anderson / Shaw
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Similar Items:
- Marian Anderson
- Spirituals
- Marian Anderson Rare and Unpublished Recordings, 1936 - 1952
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- He's Got the Whole World in His Hands
ASIN: B0000037L2
Release Date: 1997-01-07 |
Tracks:
- Cantata No. 81: Jesus schlaft, was soll ich hoffen
- Cantata No. 112: Zum reiner wasser
- St. Matthew Passion: Erbarme dich, mein gott
- Cantata No. 12: Kreuz und krone
- Messiah: He Shall Feed His Flock
- St. John Passion: Es Ist Vollbracht (English)
- Christmas Oratorio: Bereite dich, zion
- City Called Heaven
- Lord, I Can't Stay Away
- Heaven, Heaven
- Trampin
- Oh What A Beautiful City
- Were You There?
- Sometimes I Feel Like A Motherless Child
- I Don't Feel No-Ways Tired
- Deep River
- Go Down Moses
- My Soul's Been Anchored In The Lord
Amazon.com
Marian Anderson's rich contralto tinged with sadness touched the hearts of many and made her one of the most-loved American singers. She's probably best known for her spirituals on recordings made in the twilight of her career. In these good transfers, she sings an ample selection of those favorites made in her prime, the late 1930s; they're no less touching and made even more compelling by the freshness of her voice, which is just as fresh in the Handel and Bach arias from the Messiah, St. Matthew Passion, and more. - -Dan Davis
Customer Reviews:
CELEBRATE Marian Anderson's powerful, liberated voice with JOY!.......2006-03-25
On April 9, 1939, the voice of Marian Anderson shook my whole being unforgettably. She began her concert by singing our nation's hymn, "Our Country 'Tis of Thee, Sweet Land of Liberty,"
a prayer for all to give voice to.
Two events that took place on the steps of the Lincoln Memorial in Washington, D.C., had a profound effect on my life. In a minister's family any political discussion was usually 'careful'. But when the Daughters of the American Revolution ruled that Marian Anderson could not give a concert in their Constitution Hall my parents spoke passionately about Anderson's rebuff, and then praised First Lady Eleanor Roosevelt to the skies for her immediate response which was to invite Marian Anderson to sing at the Lincoln Memorial.
What happened had charged the air with electricity. The hush was palpable. To listen we were limited to the radio, but we would see the newsreel before many days.
All this is an introduction to this CD which shows the power and range of Marian Anderson's talents. Among these offerings are several from cantatas, and some 'spirituals' - - and I mention the familiar because they make me feel as though I am truly in her presence once more: The 23rd Psalm; "He shall feed his flock like a shepherd"; "Sometimes I feel like a motherless child"; "Deep River"; and "My soul's been anchored in the Lord."
The latter could be said to describe both Marian Anderson and Martin Luther King. I have felt the unshakeable presence of each, Marian with her glorious contralto, Martin with his baritone. Noone could miss the reality of justice & faith overcoming hate & ignorance. Reviewer mcHAIKU can still feel the impact, and their influences on my life have been part of me for decades.
Timeless performances.......2005-12-08
Marian Anderson suffered from several circumstances, but always endured them, it appeared, with grace and dignity. She suffered from being black at a time when black persons were not taken seriously as classical artists, and she was simply not allowed to sing in many venues. She was forbidden the stage of the Metropolitan Opera until past her prime (1955). After she became an icon of the civil rights movement, her reputation as a singer became overshadowed. Miss Anderson's treatment by her own countrymen for much of her life was an abomination, but it had nothing to do with music. Modest as she was about all aspects of her life, I don't think she would want her artistry relegated to a footnote in social history!
This is a fine collection of Marian Anderson's singing in oratorio and spirituals. None of her wonderful opera arias or lieder are here, and those call for a separate volume. Miss Anderson stood out from many great singers in her fine understanding of the subtle differences among all of these genres. She used different tone colors and types of vocal production for each of them, as appropriate, a nicety seldom enough observed today. In other words, she was no "belter." We have singers nowadays making millions for yelling at the top of their lungs, and sometimes making multi-millions for trying to out-yell their colleagues in giant arena events closely simulating cattle-call competitions. Perhaps one needs to meditate quietly for an hour or so before attempting to share the more inward and spiritual artistry of Marian Anderson.
From the first selection here (out of over 72 minutes of music included), "Jesus schläft, was soll ich hoffen" from Bach's Cantata No. 81, one can only marvel at the tonal beauty, depth of feeling, immediacy of communication, and technical accomplishment of the great contralto. In this aria, the long-held word "schläft" is not just thrilling as a piece of vocalism, but does just what Bach meant it to: express the gentle, timeless, cosmic-yet in this case ominous-slumber of the Savior. Seldom, outside of Miss Anderson's singing, have these Bach arias so risen above the "sewing-machine" school of performance. Her style is freer and warmer in the spirituals, which no one but Paul Robeson sang as impressively. There are eleven of them here, though not her most famous, "He's got the whole world in his hands." That too must be acquired elsewhere, as is easily done. There are no cheap shots in this anthology, just great performances of great music with no playing to the grandstands.
My favorite singer.......2005-09-27
This is a great CD. Despite the obvious technical limitations at the time of original recording, the sound quality on this CD is really good. I love Marian Anderson (as a contralto myself,I strive to be like her)and I think this CD does her justice. It's great to hear the range of her vocal talent. The combination of opera and spirituals is wonderful. The songs also vary in vocal range. I was happy to hear a collection of songs that showcased the strength of her voice at its lower and upper ends. Overall, I'd say this was an excellent CD.
Honest Transfer of Great Material from 78s.......2001-03-24
There are eleven spirituals on this CD, but it opens with a stunning traversal of seven sacred selections from the Baroque era, six selections of Bach and one of Handel. Ms. Anderson's sweetness, sincerity and artistry are complemented nicely by a young Robert Shaw conducting the RCA Symphony Orchestra (you can clearly hear the later Shaw of the Bach B Minor Mass in places, and the selection from the St. Matthew Passion is a haunting reminder that Shaw was never able to commit a complete Matthew to disc for posterity, though it was his favorite work and its recording a goal in his life - but I stray). What the Baroque selections lack in the latest in musicological authenticity they more than make up for in heartfelt simplicity and directness. It's Baroque music for the ages, and it may move you to tears.
The eleven spirituals, on the other hand, are accompanied only by an unidentified pianist, one who is certainly quite accomplished and gives Ms. Anderson a superb level of support. The question will need to be asked, I suppose, "Is there perhaps more inspiration present in the singing of the spirituals than in the Baroque selections?" Not at all; the artistry in both is equal. Indeed, modern audiences, used to hyped-up versions of these spirituals, may be slightly disappointed at the plainness of these renditions. I wasn't; I was enchanted.
Average customer rating:
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Velvet Brown, Tuba
Manufacturer: Crystal Records
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ASIN: B00000JQJG
Release Date: 1999-06-29 |
Tracks:
- Son: Defile - Velvet Brown/Roberto Arosio
- Son: Ser - Velvet Brown/Roberto Arosio
- Son: Final - Velvet Brown/Roberto Arosio
- Salve Venre, Salve Marte - Velvet Brown
- Acis And Galatea: As When The Dove - Velvet Brown
- Con: Allegro Con Brio - Velvet Brown
- Con: Romanza E Scherzino - Velvet Brown
- Con: Rondo Bavarese - Velvet Brown
- Son: Allegro Moderato - Velvet Brown/Roberto Arosio
- Son: Aria - Velvet Brown/Roberto Arosio
- Son: Allegro Leggero - Velvet Brown/Roberto Arosio
- Stars In A Velvety Sky - Velvet Brown
- Four Negro Spirituals: Deep River - David Garcia/Massimo Oldani/Emily Harris/Fabio Costa
- Four Negro Spirituals: The Gospel Train - David Garcia/Massimo Oldani/Emily Harris/Fabio Costa
- Four Negro Spirituals: Sometimes I Feel Like A Motherless Child - Velvet Brown
- Four Negro Spirituals: Joshua Fought The Battle Of Jerico - David Garcia/Massimo Oldani/Emily Harris/Fabio Costa
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American Portraits-The American Music Sampler
Gian Carlo Menotti , Paul Creston , Bernard Herrmann , Quincy Porter , Franz Waxman , Howard Hanson , Miklos Rozsa , William Schuman , James Sinclair , James Sedares , Andrew Schenck , Donald Teeters , Jordania, Vakhtang , Clark, Richard Auldon , and Falletta, Joann
Manufacturer: Koch Int'l Classics
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ASIN: B000001SH2
Release Date: 1994-08-23 |
Tracks:
- Country Band March - J. Sinclair/Orch New England
- Fall River Legend Movt III-Church Social - J. Sedares/New Zealand SO
- Sym No.3 in a Movt III-Allegro vivace - A. Schenck/New Zealand SO
- Christmas Cantata Movt III-Allegro - B. Cecilia/D. Teeters
- To the Green Mountains Movt I-Prelude - V. Jordania/KBS SO
- Adagio for Strs - J. Sedares/New Zealand SO
- Persian Set Movt IV-Presto - R.A. Clark/Manhatten CO
- I Sometimes I Feel Like a Motherless Child - Alexa Still/Susan DeWitt Smith
- The Last Judgement Movt I-The Resurrection of Eve - J. Falletta/London SO
- Three Latin American Sketches Third Sketch-Danza de Jalisco - J. Sedares/Pheonix SO
- Some Other Time - New York Festival of Song
- Apocalypse Movt III-Gli Angel Militanti - J. DePreist/Oregon Sym
- Fanfare for Paratroopers - J. Mester/London PO
- The Lovers-Close Your Eyes - A. Schenck/Chicago SO & Chorus
- Sym Movt II-Scherzo - J. Sedares/Pheonix SO
- Blue Lontains - Alexa Still/Susan DeWitt Smith
- Sin for Str Orch & Timp Movt II-Lento - I. Jackson/Berliner Sym
- Serenade, Op.35 - N. Braithwaite/A. Still/New Zealand CO
- The Vintner's Daughter Variation 7-Alla marcia ongarese - J. Sedares/New Zealand SO
- New England Tryptich Movt III-Chester - J. Sedares/Pheonix SO
Customer Reviews:
A Must-Have CD.......2000-11-14
This is a must-have album. Why is this not available? You have Copland, Ives, Gould, Herrmann, Moross and others. These are great American composers. I have never seen such a well rounded and representive body of works from so many great Americans. Go out and find a copy of this one. It's great!
Average customer rating:
- What ??
- Nice Voice, but not a nice person...(read on, pls.)
- A let down
- The definitive Paul Robeson compilation
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The Essential Paul Robeson
Manufacturer: Asv Living Era
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ASIN: B00005B15R
Release Date: 2001-05-22 |
Tracks:
- Ol' Man River
- Steal Away
- Joshua Fit De Battle Ob Jericho
- Water Boy
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- Mighty Lak' A Rose
- Rockin' Chair
- When It's Sleepy-time Down South
- Mah Lindy Lou
- My Curly Headed Baby
- Carry Me Back To Green Pastures
- Lazy Bones
- St. Louis Blues
- Congo Lullaby
- Canoe Song
- Shenandoah
- I Still Suits Me
- Summertime
- It Ain't Necessarily So
- Just A-Wearyin' For you
- Song Of The Volga Boatmen
- Little Man, You've Had A Busy Day
Tracks:
- Sometimes I Feel Like A Motherless Child/Minstrel Man
- Git On Board, Li'l Children/Dere's No Hidin' Place
- Go Down, Moses
- Bear De Burden/All God's Chillun Got Wings
- Nobody Knows The Trouble I've Seen
- Got The South In My Soul
- Blue Prelude
- Fat Li'l Feller Wid His Mammy's Eyes/Shortnin' Bread
- Wagon Wheels
- The Banjo Song
- Love Song
- Climbing Up (Mountain Song)
- All Through The Night
- Mood Indigo
- At Dawning
- An Eriskay Love Lilt
- Trees
- Jerusalem
- The Cobbler's Song
- A Perfect Day
- Sylvia
- Sea Fever
- King Joe (The Joe Louis Blues)
- The Old Folks At Home (Swanee River)
- My Old Kentucky Home
Customer Reviews:
What ??.......2006-12-10
The idiot from Virginia thought it a bit strange that an American black man would give the communists a chance. Looking back from modern perspective is easier than what he had to go on in the thirtes. Gee, I wonder why a black man would do that after all that southern hospitality, segregation, and steady work you gave the "black folk". Not to mention all those nighttime campfires you had going in their honor.
While I might be from New York I certainly would not be called a bleeding heart liberal but I can certainly understand why the poor soul was looking elsewhere. You are either ignorant of history and its influences on people or you are a totally unsympathetic jackass!!
Nice Voice, but not a nice person...(read on, pls.).......2006-01-07
Paul Robeson, who was brainwashed into
beleiving Communist rhetoric (which is
strange as hell for an Amer-I-can black
man). A good singing voice but all cover
songs! Come on, Paul!
A let down.......2004-09-24
I own several Robeson recordings and purchased this one with high hopes as it has a great selection of tracks. Unfortunately given the excellent recording quality of "Songs for Free Men" and "The Paul Robeson Oddyssey", the remasters from what I assume are 78's and possibly radio are a let down and mar what could have been an excellent album.
The definitive Paul Robeson compilation.......2003-09-19
This 2 CD set of Paul Robeson is the definitive collection providing a decent overview of his work in 50 tracks all wonderfully restored from 78s as usual for ASV, with spirituals, show tunes, Shakespeare-like readings, and more done with a trademark bass voice and orchestration that backs up Paul perfectly and he would later be one of the first civil rights activists. The first disc is a reissue of the single disc "Ol' Man River-His 25 Greatest" on ASV containing "Ol' Man River," "Mighty Like a Rose," "Joshua Fit De Battle Ob Jericho," "Carry Me Back To Green Pastures," "Lazy Bones," and many more classics which is also available here at Amazon for those who only want a single disc of Paul's work and the 2nd disc contains 25 more classics including "Nobody Knows The Trouble I've Seen," "The Old Folks At Home," "My Old Kentucky Home," "Wagon Wheels," "Git On Board, Little Children," and many more. In other words, all 50 of these tracks are essential to any early pop, folk, gospel, blues, etc. music fan and this is the set to introduce yourself to his work in a convenient 2 CD package with the usual great liner notes and details on the original 78s ASV provides with each CD released in their Living Era series.
Average customer rating:
- This is the voice of Free Men....
|
Songs for Free Men 1940-1945
Manufacturer: Pearl
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Binding: Audio CD
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| Blitzstein, Marc
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| Romantic (c.1820-1910)
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Robeson, Paul
| ( R )
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Similar Items:
- Best of Communism: Revolutionary Songs
ASIN: B000000WRW
Release Date: 1997-05-20 |
Tracks:
- Ballad For Americans
- Spring Song
- Oh, Give Me Your Hand
- Chee La!
- Fengyang
- Chinese Soldiers Song
- Riding The Dragon
- 'Quiet FLows The Don': From Border To Border
- 'Quiet Flows The Don': Oh, How Proud Our Quiet Don
- 'No For An Answer': The Purest Kind Of Guy
- Joe Hill
- The Peat-Bog Soldiers
- The Four Insurgent Generals
- Native Land
- Song Of The Plains
- Op. 1 No. 5: Cradle Song
- Within Four Walls
- Anthem Of The USSR
- The United Nations
- By An' By
- Sometimes I Feel Like A Motherless Child
- John Henry
- Water Boy
- Go Down Moses
- Balm In Gilead
- Nobody Knows De Trouble I've Seen
- Joshua Fit De Battle Of Jericho
Customer Reviews:
This is the voice of Free Men...........2001-11-03
I've had most of these songs on vinyl and they provide me with many wonderful memories. Paul Robeson had an unusual voice: a bass with baritone colorations, huge and powerful, with what can best be described as a mellow urgency. If that description confuses, then you'll just have to get this album and hear for yourself what I mean.
Robeson championed the cause of the working man through his music. Joe Hill is one of my favorites, in which Paul sinks down to the vocal depths with an astounding ease. The Song of the Plains is a rouser, and, if I remember correctly, it's sung in two languages. The Ballad For Americans is here, and it's a classic... and, for me, it's the very definition of America and the great spirit and soul of its people and its greatness. By and By is one of my favorite spirituals, and this is the version I remember. Who sang spirituals with as much richness and depth of feeling as Paul Robeson? Maybe Marian Anderson, whose voice was unique and whose life broke through so many barriers.
This is an album for those who love freedom and the many races who seek it. God bless Paul Robeson for his incredible contribution to humanity.
Average customer rating:
- Delicious!
- Yes -- they still make great albums
- Yes -- they still make great albums
- A Dignified and Welcome Contribution to Spiritual Music!
- An amazing piece of work!
|
Feather & Bone
Manufacturer: Premonition (Emd)
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Binding: Audio CD
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ASIN: B00005AKII
Release Date: 2001-03-27 |
Tracks:
- How Can I Keep From Singing?
- I Am The Mountainy Singer
- O Virtus Sapientiae
- Minuet
- Gigue
- Hymn To The Muse
- Sometimes I Feel Like A Motherless Child
- Ave Maria
- Radiant Flame Of Gold
- Mother, It Is Night
- N'Da
- Lone Wild Bird/MacIntosh's Lament
Customer Reviews:
Delicious!.......2002-02-12
I love this CD. Laurel Masse has a remarkable voice which she uses with great expertise on this collection of beautifully performed and arranged songs. Listening to this collection is a very special experience you won't want to miss.
Yes -- they still make great albums.......2002-01-19
I collect a great deal of music, and this album is superb. Mixing genuine spiritual intensity with unmatched musicality, this musical experience is beyond compare. There is not a weak moment, and it includes possibly the best recording of "Motherless Child" I've heard. A must have.
Yes -- they still make great albums.......2002-01-19
I collect a great deal of music, and this album is superb. Mixing genuine spiritual intensity with unmatched musicality, this musical experience is beyond compare. There is not a weak moment, and it includes possibly the best recording of "Motherless Child" I've heard. A must have.
A Dignified and Welcome Contribution to Spiritual Music!.......2001-10-22
Those of us who adore spiritual albums are very lucky that one of the founding members of the Manhattan Transfer has decided to turn her talents to a cause that interests us so!
In this album, Laurel Masse baptizes an old music hall with her GORGEOUS voice and spiritual impromptu songs that spill right from her beating heart.
Some of my favorite pieces on the album were "Radiant Flame of Gold", a very powerful safety/comfort chant embracing either "Saint Brigit" or "the Goddess, Brigit" depending on your religion. I also enjoyed "The Mountainy Singer" which is just a lively, spirited, catchy tune. And her improvisational pieces are absolutely divine.
I'm very into voices, and this is a STRONGLY voice-centered album, so let me try to describe her voice in case it's helpful to anyone. Her singing style is NOT opera on most pieces. It's a Streisand-like voice, very clear and powerful with only light vibrato. It'll draw you in on the very first song and make you wish you could sing like that!
I'm glad she made this album and I would recommend it to others who like very dignified spiritual music.
An amazing piece of work!.......2001-06-18
This CD is truly amazing. What a gift! Laurel Masse's willingness to expand her musical horizons has brought forth an astoundingly varied and beautiful piece of work. From the opening notes of the Quaker hymn "How Can I Keep From Singing?" to the closing track, "Lone Wild Bird/MacIntosh's Lament," this ia multi-layered, richly hued CD filled with intensity and heart. The range of selections alone defies classification, and the beauty with which she infuses these songs is thrilling. This is not "background music"--like all true art, "Feather and Bone" challenges your senses...and, eventually, opens your heart and mind. Thank you, Laurel, for following your own sacred heart as an artist, and taking your audience along on the journey.
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