Save Our Children
Save Our Children
ASIN: B00000HYHT
Editorial Reviews
Amazon.com
Reading John Szwed's fascinating Space is the Place: The Life and Times of Sun Ra, you meet "Farrell" Sanders, whom the bandleader ardently convinced to pronounce and spell his name "Pharoah" and extend his already woolly tenor saxophone style even further. So developed some of the 1960s' most unbridled free-jazz wails, especially where Sanders and Coltrane teamed up in the latter's late-period band (as on Live in Japan). But Sanders eventually moved into the realms of sultry balladry, especially that caught on Crescent with Love, and then his late-1990s period, where he's squared up with producer Bill Laswell. Here Sanders leads his second Verve-Laswell session, with numerous collaborators (East Indian percussionists Zakir Hussain and Trilok Gurtu; keyboardists Bernie Worrell, William Henderson, and Jeff Bova; and even Tony Cedras on harmonium). All the edges are rounded and unfierce, with Sanders's tone mostly sweet and lilting, and the dub-tinged tunes draw comparisons well beyond ballads and postbop, reaching toward a geographically unspecific Middle Eastern mix. The vibes are cool. But the music seems a bit less than it could be at most points, except during the eerie "Ancient Song" with its mournful double-reed melody and the mbira-backed "Far-Off Sand." --Andrew Bartlett
From Jazziz
Through the years, tenor saxophonist Pharoah Sanders has been one of the great roaming experimenters of jazz, spinning off styles as quickly as they began to adhere to him. Eclecticism has been his proven recipe, so it's disappointing to find that Save Our Children never quite coheres into a full meal. Bill Laswell, who has produced both of Sanders' discs for Verve, is partly to blame. In his hands, sanders seems more spice than main dish. The CD features tablas set against windy ambient backgrounds, repetitive piano comping, choral chanting, a dash of Arabic rap, empowering lyrics like "Now's the moment/For salvation/all we need is/inspiration," and a sort of sweetened, lyrical tenor playing more at home in contemporary jazz. And that's just in the opening minutes of the title cut. It's a little like spinning the radio dial in a town full of college stations. Curiously, it's mostly the melodic sense that goes astray here. Many songs start out with a promising rhythm underlay but then dissolve almost immediately into vague washes of synthesizer or tenor. Sanders has long carried on a love affair with cosmic sweetness, but there was always a redemptive growl to his sax that suggested the Creator's master plan might not be all bliss. Here, it seems, the bliss has won out.
--- JAZZIZ Magazine Copyright © 2000, Milor Entertainment, Inc.
Save Our Children
Save Our Children,Pharoah Sanders,Polygram Records,Avant-Garde,Free Jazz,Jazz,Jazz Music,Pop
Average customer rating:
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100 Hymns & Songs of Inspiration
Manufacturer: Castle Music UK
ProductGroup: Music
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ASIN: B00008GEKT
Release Date: 2003-04-14 |
Tracks:
- Love Divine All Loves Excelling - Choir Of Gloucester Cathedral
- Father Hear the Prayer We Offer - Choir Of Gloucester Cathedral
- Now Thank We All Our God - Choir Of Gloucester Cathedral
- This Day, The First of Days - Choir Of Gloucester Cathedral
- Stars of the Morning So Gloriously Bright - Choir Of Gloucester Cathedral
- God Save the Queen - Choir Of Gloucester Cathedral
- Day of Resurrection - Choir Of Gloucester Cathedral
- God Rest You Merry Gentlemen - Choir Of Gloucester Cathedral
- Of the Father's Heart Begotten - Choir Of Gloucester Cathedral
- O Come All Ye Faithful - Choir Of Gloucester Cathedral
- Awake My Soul and With the Sun - Choir Of Norwich Cathedral
- Thine Arm O Lord in Days of Old - Choir Of Norwich Cathedral
- All People That on Earth Do Dwell - Choir Of Norwich Cathedral
- Good Christian Men Rejoice and Sing - Choir Of Norwich Cathedral
- There Is a Green Hill - Choir Of Norwich Cathedral
- Lord of Beauty - Choir Of Sheffield Cathedral
- Rejoice Today With One Accord - Choir Of Sheffield Cathedral
- New Every Morning - Choir Of Sheffield Cathedral
- Lead Us Heavenly Father Lead Us - Choir Of Sheffield Cathedral
- O God Our Help in Ages Past - Choir Of Sheffield Cathedral
Tracks:
- Morning Has Broken - Choir Of Marlborough College Chapel
- Happy Are They - Choir Of Marlborough College Chapel
- In Christ There Is No East or West - Choir Of Marlborough College Chapel
- Silent Night - Choir Of Marlborough College Chapel
- Be Thou My Guardian - Choir Of Marlborough College Chapel
- Ye Servants of the Lord - Choir Of Marlborough College Chapel
- At the Name of Jesus Every Knee Shall Bow - Choir Of Marlborough College Chapel
- To Thee O Lord Our Hearts We Raise - Choir Of Marlborough College Chapel
- Behold the Great Creator Makes - Choir Of Marlborough College Chapel
- Rejoice the Lord Is King - Choir Of Marlborough College Chapel
- Creator of the Stars of Night - Ely Cathedral Choir
- He Comes With Clouds Descending - Ely Cathedral Choir
- O Little Town of Bethlehem - Ely Cathedral Choir
- Alleluya Alleyluya Alleyluya - Ely Cathedral Choir
- This Is the Day the Lord Hath Made - Ely Cathedral Choir
- How Sweet the Name of Jesus Sounds - Ely Cathedral Choir
- Lord Thy Word Abideth - Ely Cathedral Choir
- Jesus Lord We Look to Thee - Ely Cathedral Choir
- O Lord Our God Arise - Ely Cathedral Choir
- Lord of All Hopefulness - Ely Cathedral Choir
Tracks:
- Soldiers of Christ Arise - Choir Of Wakefield Cathedral
- Lift Up Your Hearts - Choir Of Wakefield Cathedral
- Holy Father, Cheer Our Way - Choir Of Wakefield Cathedral
- Maker of the Sun - Choir Of Wakefield Cathedral
- O King Most High - Choir Of Wakefield Cathedral
- O Praise Our Great and Glorious Lord - Choir Of Wakefield Cathedral
- Forgive Our Sins as We Forgive - Choir Of Wakefield Cathedral
- We Love the Place O God - Choir Of Wakefield Cathedral
- Let Us With a Gladsome Mind - Choir Of Wakefield Cathedral
- Give Rest O Christ - Choir Of Wakefield Cathedral
- Come Holy Ghost Our Hearts Inspire - Choir Of Truro Cathedral
- O Thou in All Thy Might So Far - Choir Of Truro Cathedral
- O Christ, Who Art the Light and Day - Choir Of Truro Cathedral
- O God Thy Soldiers' Crown and Guard - Choir Of Truro Cathedral
- Strife Is O'er the Battle Done - Choir Of Truro Cathedral
- O Christ Our Hope, Our Hearts' Desire - Choir Of Truro Cathedral
- Jesus Shall Reign - Choir Of Truro Cathedral
- God of Love My Shepherd Is - Choir Of Truro Cathedral
- O Jesu Saviour of Mankind - Choir Of Truro Cathedral
- Immortal Invisible God Only Wise - Choir Of Truro Cathedral
Tracks:
- Ride on Ride on in Majesty - Choir Of All Saints - Margaret Street, London
- All Glory Laud and Honour - Choir Of All Saints - Margaret Street, London
- Come Rejoicing - Choir Of All Saints - Margaret Street, London
- God Is Love and Where True Love Is - Choir Of All Saints - Margaret Street, London
- Magnificat: The Great Advent Antiphons - Choir Of All Saints - Margaret Street, London
- Come, Christ's Beloved - Choir Of All Saints - Margaret Street, London
- Children of the Hebrews (Palm Procession) - Choir Of All Saints - Margaret Street, London
- Veneration of the Cross/The Reproaches (Veneratum and Reproaches) - Choir Of All Saints - Margaret Street, London
- Once in Royal David's City - Choir Of Keble College
- God Be in My Head - Choir Of Keble College
- O Thou Who Camest from Above - Choir Of Keble College
- Judge Eternal Throned in Splendour - Choir Of St Edmunsbury Cathedral
- Christ the Lord Is Risen Again - Choir Of St Edmunsbury Cathedral
- For All the Saints - Choir Of St Edmunsbury Cathedral
- Thy Hand O God Has Guided - Choir Of St Edmunsbury Cathedral
- Christ the Dawn of Our Salvation - Choir Of Eastbourne College Chapel
- I Was Glad - Choir Of Eastbourne College Chapel
- Dear Lord and Father of Mankind - Choir Of Eastbourne College Chapel
- Locus Iste - Choir Of Eastbourne College Chapel
- Praise My Soul the King of Heaven - Choir Of Eastbourne College Chapel
Tracks:
- Stand Up! Stand Up for Jesus! - The Choir of the Abbey School, Tewkesbury
- While Shepherds Watched Their Flocks - The Choir of the Abbey School, Tewkesbury
- O Worship the King - The Choir of the Abbey School, Tewkesbury
- O Heavenly Word of God on High - Choir Of The Collegiate Church Of St Mary
- Praise to the Lord, The Almighty - Choir Of The Collegiate Church Of St Mary
- Jesus Christ Is Risen Today - The Choir of York Minister
- First Nowell - The Choir of York Minister
- Abide with Me - The Choir of York Minister
- Breathe on Me Breath of God - Choir Of Keble College
- Rock of Ages - Choir Of Keble College
- On This Day, The First of Days - Choir Of Keble College
- Jesu Sweet and Mary - Choir Of Eastbourne College Chapel
- O Quam Gloriosum - Choir Of Eastbourne College Chapel
- Ye Holy Angels Bright - Choir Of Eastbourne College Chapel
- O for a Closer Walk With God - Choir Of Eastbourne College Chapel
- Prayer of St Patrick - Choir Of Eastbourne College Chapel
- Lord's Prayer - Choir Of Eastbourne College Chapel
- Blessed Be the God and Father - Choir Of Eastbourne College Chapel
- Day Thou Gavest Lord Is Ended - Choir Of Eastbourne College Chapel
- Jerusalem (And Did Those Feet in Ancient Times) - Choir Of Eastbourne College Chapel
Album Description
Full Title - 100 Hymns & Songs Of Inspiration. UK box-set featuring 100 tracks performed by Britain's finest Cathedral Choirs including, Gloucester Cathedral, Norwich Cathedral, Sheffield Cathedral, & many more. Five standard jewel cases housed in a slipbox. Castle Pulse. 2003.
Customer Reviews:
The picture.......2006-12-11
I haven't purchased the CD but the picture of the inside of a church on the cover is not of a British church, like one would assume since it says its a recording of British choirs. This picture is of Notre Dame Basilica in Montreal, Quebec, Canada. Just thought i'd let you know. I'll be honest; I'm one to judge things by it's cover and if the company took such care to choose a 'British' church for their British choir CD, I'm willing to bet the music is equally well selected... I'm being sarcastic. But I gave the product 5 stars because I didn't want to hurt its ratings just because i'm cynical. But check out the church if you're ever in Montreal, it's truly beautiful... here I'm not being sarcastic.
Average customer rating:
- What's all this twaddle about Liberal Jazz police?
- A great record.
- The jazz police were out in force when this released . . .
- Beyond the reach of Jazz snobs, RIP.
- Pharoah of the World
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Save Our Children
Pharoah Sanders
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD
Avant Garde & Free Jazz
| Jazz
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- Spirits
ASIN: B00000HYHT
Release Date: 1999-02-02 |
Tracks:
- Save Our Children
- Midnight In Berkeley Square
- Jewels Of Love
- Kazuko
- The Ancient Sounds
- Far-Off Sand
Amazon.com
Reading John Szwed's fascinating Space is the Place: The Life and Times of Sun Ra, you meet "Farrell" Sanders, whom the bandleader ardently convinced to pronounce and spell his name "Pharoah" and extend his already woolly tenor saxophone style even further. So developed some of the 1960s' most unbridled free-jazz wails, especially where Sanders and Coltrane teamed up in the latter's late-period band (as on Live in Japan). But Sanders eventually moved into the realms of sultry balladry, especially that caught on Crescent with Love, and then his late-1990s period, where he's squared up with producer Bill Laswell. Here Sanders leads his second Verve-Laswell session, with numerous collaborators (East Indian percussionists Zakir Hussain and Trilok Gurtu; keyboardists Bernie Worrell, William Henderson, and Jeff Bova; and even Tony Cedras on harmonium). All the edges are rounded and unfierce, with Sanders's tone mostly sweet and lilting, and the dub-tinged tunes draw comparisons well beyond ballads and postbop, reaching toward a geographically unspecific Middle Eastern mix. The vibes are cool. But the music seems a bit less than it could be at most points, except during the eerie "Ancient Song" with its mournful double-reed melody and the mbira-backed "Far-Off Sand." --Andrew Bartlett
Customer Reviews:
What's all this twaddle about Liberal Jazz police?.......2006-04-18
There is no such thing as the Jazz Police ..There is no such thing as a jazz audience,not around these parts anyway .. most people talk over the band whenever i'm out,and i'm out a lot ...Do some of these reviewers ever go out to see live music? try Trios Enoteca in Denver Colorado on a Wednesday night , great music , nobody there. Then go round the corner to Sullivans .. same thing .. cigar smoking yuppies talking LOUDLY over the most brilliant jazz trio .Back to Pharoah .. this, as are most of Pharoahs' varied efforts over the years is a wonderful listen ; Tablas ,adventurous grooves all the elements that a Pharoah fan would want to hear ...BUT ...Certain reviewers political rantings certainly don't interest me when I want to read about a music recording , can we stick to talking about the music ? The soundshapes contained here do not conjure up any desire in me to slam left or right wing opinions politically .. I just like the music I love this disc and I have yet to be introduced to an officer of the jazz police!! I would love to meet one ..It's the uniform ! Mind you; the Gestapo is out there on the streets in cars marked 'To Serve and Protect' Ha Ha!!
A great record........2005-10-14
In the mid-1990s, Pharoah Sanders began a movement into a new direction on his studio records, exploring world influences and elements of his past (his time on Impulse!) that he'd neglected for a long while-- it was almost as though Sanders was trying to come to grips with his legacy. With producer Bill Laswell, Sanders had available to him a host of musicians normally outside his sphere who could provide these sorts of rhythms and ideals with a sense of authenticity.
And so, "Save Our Children", an album soaked in Indian, Middle-Eastern and Northern African rhythms appeared, the second (and sadly, last, courtesy of a catalog slash) album by Pharoah Sanders on Verve. With a host of musicians including longtime Sanders pianist William Henderson, Parliament keyboardist (and Laswell regular) Bernie Worrell, bassist Alex Blake, tabla master Zakir Hussein and drummer Trlok Gurtu, Sanders constructed a unique and varied album, wrappd and world percussion, where the presence of Laswell as overseer and Hussein is felt, but understated. This is clearly a Pharoah Sanders album.
The record covers a number of moods, and probably the opener and title track best displays this-- mixing chanted vocals, an African rap, and a positively triumphant vocal harmony-laden chorus over a funky backbeat soaked in percussion with Sanders positively transcendent on soprano sax, the piece is at the same time both light and yet filled with depth (it's also nearly universally hated by everyone else I've ever talked to). Other standouts include "Midnight in Berkeley Square"-- a retake on "A Nightengale Sang in Berkeley Square", with Sanders really getting inside the ballad over a haze, a superb tabla performance and Henderson's framing chords, and "The Ancient Sounds", which finds Sanders over drone then beats, first on an anonymous double reeded instrument then wailing away as freely as he ever has on tenor.
The one even nicer thing about this record is that there's nothing bad or dull-- some of the pieces don't really standout too far ("Far-Off Sand"), but they're all quite listenable. It's not quite a masterpiece, but it's a fine album, well worth investigation for folks who can put Sanders' past behind him and see him as a forward looking musician.
The jazz police were out in force when this released . . ........2004-02-21
. . . making sure this trancendent music would be heard by as few people as possible. Much to my chagrin, I heeded them and let this ravishing recording languish in the backwaters of my aural soundstream.
What about this disc made the jazz police go ballistic? I think it's its sentimental, heart-on-its-sleave vibe so prominently present on the title cut, with its arm-chair Liberal, arm's-length expression of perfectly legitimate sentiments: a desire to see that the needs of the world's children are met.
What's wrong with this approach is that it's aesthetically inept for the Nobly Liberal Public Virtues the song intends to put forward. Frankly, it's an embarrassment. Ironically, in a strange twist of logic, we're in Shelby Steele territory, where Liberal truisms are exposed for the idiocy they actually are, environs entirely uncongenial to Liberals, who form the vast majority of the jazz police camp.
What's going on here is a naive, unwitting deconstruction of Liberalism's shame concern for burning social issues. Thus, the disc is profoundly politically incorrect because it expresses core Liberal sensibilities in a bathetic, ham-fisted way. But, not being a card-carrying Liberal, I'm free of sham Liberal social orthodoxies, and can thus encounter this music on its own terms, sans the rose-colored Liberal glasses.
What I find here is glorious world jazz of the absolute highest order. Perhaps even better and more fully realized than another Sanders disc, With a Heartbeat, Save the Children operates in a similar vibe and features some of Bill Laswell's richest and most fully realized production. I confess, I'm just completely taken by this disc. Actually, it's probably a little unfair to ground the jazz police's objections to this disc in its naive politics (though I'm pretty convinced that played a prominent part); there's also the wild mixture of (seemingly) alien music aesthetics: Fender Rhodes with tablas and synthesizer drones, deeply sincere (though, admittedly, naive) vocal espressions, and quite simple melodic material.
But you know what? If you've got big enough ears, and can overcome stupid and wrong-headed cultural assumptions, this can be an entirely enjoyable, even revelatory disc. For one thing, it contains brilliant passages of that late-Sanders impossibly rich tenor sax tone, which, for me, would probably work even if he were playing German Polkas or an entire disc of Kenny G compositions. For another, when the Laswell approach works, it tends to work fabulously, as it does here. So forget about the synth washes, the ambient vibe, the politically incorrectness.
Just do it.
Beyond the reach of Jazz snobs, RIP........2003-10-13
This is not a Jazz album. This is not an album to have as background music. This is not a hip-hop venture to capture the ears of a younger audience. This is the world class drumming of Trilok Gurtu, beyond duplication. This the incredible fluid and furious bass lines of Charnet Moffett. This the unique production quality of Bill Laswell, one of his better more focused efforts, without question. This is the freaky deaky sounds from the Mothership Connection as provided by Bernie Warell, (yet another original.) This album is full of the whose who of unique progressive musicians to date. The effort is focused on creating new unique spiritual music with plenty of cosmic extacy. Pharoah is saying more with his playing at this point in his career than he ever had before. Critics will always hold on to their personal past associations as a measuring stick for new invention that has little to do with the past. This CD is like nothing you have ever heard before. So get over it!
I am now my second copy of this CD. I can't get enough of it.
Pharoah of the World.......2003-04-04
That's right: this is the Pharoah's world-music album. And it succeeds brilliantly (especially in contrast to recent world-music outings by other jazzmen, like Joe Zawinul's "Faces and Places," which is confused, flat and sometimes even "smooth" a la "smooth jazz"). Some purists may be put off by the neo-hip-hop chanting at the front end of the title cut (the only reason I don't rate it 5 stars). But with maestros like Trilok Gurtu (from the later Oregon) and Zakir Hussain (John McLaughlin, Ravi Shankar etc.), both playing tablas & assorted percussion, backing up the sweet, melodious sound of the Pharoah's tenor (especially cut 4, "Kazuko"), how could this album be anything less than brilliant? No way! Check out the North African reed sounds, dry and passionate at the same time, the subtly driving bass, the mysterioso keyboards and Ra-like bells--all on cut 5, "The Ancient Sound." And he never goes outside, with the squealing and wailing often found on his other albums. This CD is truly a "Jewel of Love" in the crown of the Pharoah.
Average customer rating:
- A children's album even I love...
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Save Our Planet
Eddie Coker
Manufacturer: Big Kids Productions
ProductGroup: Music
Binding: Audio CD
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ASIN: B00004YRRK
Release Date: 2000-09-01 |
Tracks:
- Save Our Planet
- I Believe
- Beautiful World
- One Big Family
- Be As You Are
- Just People
- If Mama Ain't Happy
- Fishin' Hole
- Don't Hit
- The Words
- Give It Away
- Life Is What You Make It
- Time For Everything
- Happy Home
Album Description
Eddie's latest and greatest lets kids know that taking care of other people is the first step in taking care of the Earth.
Customer Reviews:
A children's album even I love..........2002-04-26
This album is full of wonderful songs - some funny and upbeat and some sincere and sweet - all are good. My son's favorite track is "Beautiful World" - it gets him dancing every time! All of the songs on this album have a message, whether to be eco-friendly, to not make fun of people or that "Life Is What You Make It" (my favorite song on the album). This is by far my son's favorite children's album... and mine!
Average customer rating:
- great, great!!!
- ALL THE MUSIC YOU EVER NEED!!
|
Sacred Music Complete
Purcell , King , and Kings Consort
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
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ASIN: B00006RHQJ
Release Date: 2002-12-10 |
Customer Reviews:
great, great!!!.......2006-12-05
This is the way ,I think, Purcell should sound. No pomp and surcomstance but only great music.
ALL THE MUSIC YOU EVER NEED!!.......2003-05-23
This boxed set is by far one of the best purchases I have ever made. As a Purcell freak, this hits every button I have. The cast of characters include the inequitable Robert King, New College Choir, Bowman, and a host of other venerable persons. Likewise the attention to period performance of these works makes it an essential addition to the library of any serious anglophile/Musicologist etc. Now if only the Britten Realizations of all Purcell's songs could be recorded alongside the originals! You will Love this set!
Average customer rating:
- a voice teacher and early music fan
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Purcell: Anthems for the Chapel Royal
Manufacturer: Conifer
ProductGroup: Music
Binding: Audio CD
Purcell, Henry
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ASIN: B0000024CO
Release Date: 1995-04-11 |
Customer Reviews:
a voice teacher and early music fan.......2007-03-04
Henry Purcell(1659-1695) 'looked like a Florentine prince, was hail-fellow-well-met in tavern and taproom, wrote for the church and also for the stage and salon, was in fact a most likeable young man, as well as a great Master of Musick'.
It is absolutely amazing,that apart from the funeral anthem 'Thou knowest Lord', Purcell has composed every piece that is here recorded by the time he had reached his 25th birthday. He was already composing by the age of eight. When he was only 18 he was appointed 'Composer in Ordinary' to the king and by the time he was 23 he was organist of the Chapel Royal.
The Englishness of Purcell's music is represented magnificently in these pieces, and his use of Italianate turns of phrase enliven the 'English' settings. Purcell's interest in foreign styles is best seen in the dozen of so 'orchestral' anthems that he wrote after 1683.
Popular as Purcell's church music evidently was during the late 17th and early 18th centuries, several of his finest anthems do not seem to have been known outside the Chapel Royal. None of his church music was ever printed, and our knowledge of it depends on the fortuitous survival of manuscript copies. How much of it-we may well wonder-has been altogether lost in the sands of time?
The selections on this disc are well-chosen and well-performed, as one would expect from the Choir of Trinity College,Cambridge, under the very capable direction of Richard Marlow. I have many of these pieces on other recordings, and this one fares very well by comparison!
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