Turn It Out (Reissue)

Turn It Out (Reissue)

ASIN: B00004WLOL

Track Listings

1. Steppin'

2. Uncle Junior (live)

3. Azucar

4. Tabasco

5. Rudy's Way

6. Jesus Children (live)

7. Nealization

8. So Live! (live)

9. Arruga de Agua

10. Turn It Out

11. Arruga (reprise)

Editorial Reviews
Amazon.com
The resurgence of interest in the Hammond B-3 organ during the 1990s has led to at least one major commercial breakthrough for Medeksi Martin & Wood.

Product Description
70 minutes of grinding soul groove, ranging from the frenzied energy of the live Uncle Junior to the contemplative Arruga De Agua. The CD is remixed and remastered and includes two new tracks featuring guitarist John Scofield, as well as tracks with Oteil Burbridge and Sam Kininger.

Turn It Out (Reissue)

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Intro
Azucar
Cash's Dream
Turn It Out
Nealization
S.O.U.L.I.V.E.
Arruga de Agua
Tabasco
Uncle Junior
Doin' Something
Steppin' Remix
Outro

Customer Reviews:

totally unexpected and good.......2003-12-07

I saw the band this morning on the CBS news show and dug it so I picked this up today. I was expecting to hear the tight grooves they were playing and instead was treated to a long-form hip hop jazz journey.

Took a second to get used to but damm cool, just ordered the live album from amazon, interested to hear the evolution.

Highly recommend remixed though.

A Darn Good Album!!!.......2003-10-17

If I could sum up this whole entire album, I would say that it's superb. I've never heard anything like this album. It's like they've took hip-hop and jazz to a whole different level.
Take Hip-Hop& Jazz throw in some Meshell N'degeocello seasoned with The Beatnuts a fresh can of Chali 2na& Akil (from Jurassic 5) glazed with some Wordsworth and you have yourself a dish of hip-hop soul. You get your $'s worth on this b/c it's good from start to finish, take track 2 "Tabasco Remix" as an example.
If you know good music, then this is the album for you.
Take my word, you won't be dissapointed...

Solid new CD from Soulive.......2003-10-08

I pre-ordered this album so it arrived in my mailbox on the day of its release (October 7th). I've been listening to it all day and it's a decent album.

Take the original Turn It Out album, re-think all the tunes, throw in samples from the originals, add some bumping bass & turntables, overlay it all with a heavy hip-hop beat and sprinkle some rap on top. That's Turn It Out Remixed.

Fans of Next will appreciate this album, it's got a similar feel (although it takes Next's "concept" even farther). My personal favorite tracks are Doin' Something Remix (feat. Meshell Ndegeocello on electric bass - wicked!), Cash's Dream Remix, and Arruga De Agua Remix.

If you aren't familiar with Turn It Out, I recommend you listen to that first - the tunes on Turn It Out Remixed are cool, but you can appreciate it more when you know the originals.

Tracks:

Steppin'
Uncle Junior (live)
Azucar
Tabasco
Rudy's Way
Jesus Children (live)
Nealization
So Live! (live)
Arruga de Agua
Turn It Out
Arruga (reprise)

Album Description

70 minutes of grinding soul groove, ranging from the frenzied energy of the live Uncle Junior to the contemplative Arruga De Agua. The CD is remixed and remastered and includes two new tracks featuring guitarist John Scofield, as well as tracks with Oteil Burbridge and Sam Kininger.

Customer Reviews:

One of their best.......2007-01-29

This is one of my favorite albums produced by Soulive. Any fan of the Hammond B-3 organ will be amazed by the talent and style that Neal Evans brings to the organ. Having said that, the BEST song on this album is Azucar. Azucar has a real groovy beat to it, and I can't get enough of the B-3 on this song. Steppin' also has a superba beat that will get anyone out of their chair. The last song I'll speak about is So Live!. This song is 11+ minutes of pure improvisation. About to the 5 minute mark is where you can hear Neal's wailing organ; trembling over the beat. Overall, this album is a great start for anyone just getting a feel for Soulive.

77:13.......2005-05-22

there's some tight jams on this album. i used to think it ruled. then i started listening to lots of different kinds of music and haven't really listened to this again since then. i did once not too long ago and rather enjoyed it. these guys look sharp in concert, they actually just came through my town but i didn't go.

Soulive's True Sound.......2005-01-04

I have listened to every one of soulive's albums. I have been a fan of theirs for years and I like them a lot. I think that they're best album is TURN IT OUT. I think this because it has a nice calm and quiet sound. It is their original, small club sound and it is laid back. It is an album you can just pop in when you are relaxing at home or something you can play at a party. You can lounge or dance to it. It is a Soulive album for all people and shows their distinct, original sound. Eric Krasno uses a little of pedals to change the sound of his guitar, but mostly it is just the true sound of Soulive and the true sound of the band members playing their instruments when they first started out. The band members being Alan Evans-Hammond B3 Organ, Neal Evans-Drums, and Eric Krasno-guitar. This is the true, hip sound of soulive. This album still has the top spot on my list.

funky stuff.......2002-10-21

If you like a funky groove and something new, then anything Soulive does is fantastic. This CD is no exception.

now this is the album.......2002-03-12

I know Soulive hit it pretty big with Blue Note Records and that Doin Something album, but this is where it started, in my opinion. I really dig this album. It is a tiny bit muddy as far as how it was mixed/produced, but I'd rather have that than the overbrite overproduced sounding Blue note release. And a lot of the grooves on the newer release are just rehashed grooves from this one, but with horns or a new head. So I think this is where it's at. Some damn great tunes and a couple firey live tracks. Wow. Track #2 is Hot! So is Jesus (I think that's the name of it.). Good stuff.

Average customer rating:

more great 12" hinrg classics and amazing sound quality

Gay Classics, Vol. 10: Turn It Out
Various Artists
Manufacturer: Hot Productions
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music

General | Dance & DJ | Indie Music | Stores | Music
Similar Items:

Gay Classics, Vol. 7: Out There
Gay Classics, Vol. 8: Far Out
Gay Classics, Vol. 4: Outrageous { Various Artists }
Gay Classics, Vol. 3: Out Loud Proud
Gay Classics, Vol. 11: Hangin' Out

ASIN: B000001RLY
Release Date: 1996-05-28

Tracks:

The Love I Lost - Seventh Avenue
Cha Cha Heels - Eartha Kitt
Don't Stop The Train - Phyllis Nelson
Jump Shout - Lisa
Shame - You Were The Big Sensation - B. Blase
For All We Know - Norma Lewis
Take A Chance On Me - Waterfront Home
Caught In The Act - Earlene Bentley
Close To Perfection - Miquel Brown
I'm Gonna Love You Forever - Jimmy Ruffin & Jackson Moore
Get On Up And Do It Again - Carol Jiani

Customer Reviews:

more great 12" hinrg classics and amazing sound quality.......2005-08-26

the series continues with another outstanding set. The only issue I had was that the version of Cha Cha Heels was not the same mix I have on my 12", but hey, it's another mix to add to the collection. Track times:
1. love i lost (7:55)
2. cha cha heels (6:40)
3. don't stop the train (5:33)
4. jump shout (5:37)
5. shame (6:08)
6. for all we know (9:44)
7. take a chance on me (5:40)
8. caught in the act (7:46)
9. close to perfection (8:09)
10. I'm gonna love you forever (8:26)
11. get on up and do it again (6:05)

Average customer rating:

The best ever version
The Golden Cast of D'Oyly Carte!
The Definitive Recording

Gilbert & Sullivan: Patience
Philip Potter , Kenneth Sandford , Mary Sansom , Jennifer Toye , and D'Oyly Carte Opera Company
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music
Similar Items:

Gilbert & Sullivan: The Gondoliers

ASIN: B0000041VE
Release Date: 1989-07-21

Tracks:

Overture
Act One: Twenty love-sick maidens we
Act One: Still brooding on their mad infatuation
Act One: I cannot tell what this love may be
Act One: Twenty love-sick maidens we
Act One: The soldiers of our Queen
Act One: If you want a receipt for that popular mystery
Act One: In a doleful train two & two we walk all day
Act One: Twenty love-sick maidens we
Act One: When I first put this uniform on
Act One: Am I alone & unobserved?
Act One: If you're anxious for to shine
Act One: Long years ago-fourteen, maybe
Act One: Prithee, pretty maiden-prithee
Act One: Though to marry you
Act One: Let the merry cymbals sound
Act One: Now tell us, we pray you
Act One: Heart broken at my Patience's barbarity
Act One: Stay, we implore you, before our hopes are blighted
Act One: Your maidens hearts, ah, do steel

Tracks:

Act One: Come, walk up, and purchase with avidity
Act One: We've been thrown over, we're aware
Act One: And are you going a ticket to buy?
Act One: Hold! Stay your hand!
Act One: True love must single-hearted be
Act One: I hear the soft note of the echoing voice
Act One: But who is this, whose god-like grace
Act One: List Reginald, whilst I confess a love
Act Two: On such eyes as maidens cherish
Act Two: Sad is a woman's lot who, year by year
Act Two: Silvered is the raven hair
Act Two: Turn, oh turn in this direction
Act Two: A magnet hung in a hardware shop
Act Two: Love is a plaintive song
Act Two: So go to him & say to him
Act Two: It's clear that the mediaeval art
Act Two: If Saphir I choose to marry
Act Two: When I go out of the door
Act Two: I'm a Waterloo House young man
Act Two: After much debate internal, I on Lady Jane decide

Customer Reviews:

The best ever version.......2002-06-07

The wonderful cast transports you to the realms of Gilbert and Sullivan, to make you feel that you are experiencing a first night in 1881! John Reed, as Bunthorne, an aesthetic poet is superb, camp, subversive and a complete fraud. If anyone is not aware, the story of the opera is based upon the idiosyncracies of the Aesthetic movement in England of the 1880's and Gilbert used the public parodies of his friend Oscar Wilde as his major source. The rest of the cast, chorus and orchestra , under the long experienced 'Goddie' are superlative and make for one of the finest line-ups in D'Oyly Carte history. Revel and enjoy, for this is quite the best.

The Golden Cast of D'Oyly Carte!.......1999-04-13

My wish had always been to see John Reed and the D'Oyly Carte Company in a performance of Patience. My mother had done so, remarking that, 'You'd need patience to watch it', she was coloured in her opinion, since she wanted to see 'The Mikado', but had gotten the wrong tickets! The recording, made in 1961, is superb in every detail. You are with the cast, on stage, in the auditorium, it is such a 'live' performance. The dialogue is delivered exquisitely, whilst the singing is uniformerly of the highest standard. I recently portrayed 'Bunthorne' and throughout my performances, I felt that I was continuing the legacy of Gilbert and Sullivan. All the past history of performers were there. I feel that Patience is a magical Savoy Opera. Do not miss the opportunity to own such a definitive performance. Maybe the subject of the 'Art Nouveau' periodof Victorian England is dated, but as one critic has already stated, every generation 'throws up' its poseures, to be knocked. 'Ah, me! lack aday!' BUY IT!

The Definitive Recording.......1998-12-09

For those who prefer the traditional Savoyard renderings of the G&S canon, this is far and away the best recording of this parody of the cult of celebrity. John Reed leads the cast as a delightful Bunthorne, and the recording contains all of the opera's dialogue. "HMS Pinafore," "The Mikado," and "The Pirates of Penzance" may be better known, but "Patience" is deserving of a wider audience.

Average customer rating:

Turn It Out

Manufacturer: Velour Music Group/Universal
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music
Similar Items:

The Nightfly

ASIN: B00008UE73
Release Date: 2002-04-09

Tracks:

Steppin'
Uncle Junior (Live)
Azucar
Tabasco
Rudy's Way
Jesus Children (Live)
Nealization
So Live!
Arruga De Agua
Turn It Out
Bonus Track

Average customer rating:

Symphony 9: Introduction to Dvorak
Dvorak
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Instructional | Miscellaneous | Styles | Music
Similar Items:

An Introduction to Brahms' Piano Concerto No. 2
Classics Explained: Pastoral Symphony
Classics Explained: Brandenburg Concertos 4 & 5
An Introduction to Vivaldi's "The Four Seasons"
Classics Explained: Rite of Spring

ASIN: B000069HGK
Release Date: 2002-09-17

Average customer rating:

I'm a bit biased, but...
This is a Great CD, Just like all the rest
Brad Yoder, a man like the rest of us
ehhh
Awesome

Talk to Total Strangers
Brad Yoder
Manufacturer: Rêverie
ProductGroup: Music
Binding: Audio CD

General | Folk | Styles | Music

Singer Songwriters | Folk | Indie Music | Stores | Music
ASIN: B000028F44
Release Date: 1999-07-01

Tracks:

I'm Not Setting the World on Fire
Skyler
intro to...
Takin' in the Sights
Brother
Hair Loss Blues
intro to...
Wake the Dragon
Watching You Sleep
Waiting for the Motion
Ashland
Ordinary Splendor
intro to...
Turn Around and Smile
Out of This Town
Thoughts of You
Greener Pastures
The Smoking Song
This World
Wake Me

Album Description

A live CD, with 17 songs chosen from 12 different shows, "Talk to Total Strangers" features many of Brad's most requested songs, including "Skyler" and "I'm Not Setting the World on Fire." The next best thing to Brad playing solo at your house...

Customer Reviews:

I'm a bit biased, but..........2000-10-12

This is a great CD. His lyrics are catchy. At times they go by a little too fast. You may have to read the liner notes to fully appreciate them. I like "Turn Around and Smile" and of course, "Skyler" the most.

This is a Great CD, Just like all the rest.......2000-09-06

This is a great album, just like all the other albums released by Brad Yoder. Talk to Total Strangers has a bunch of my favorite songs from his old albums that I hadn't heard in years and was glad that they resurfaced. It's just a great album all the way through, I highly recommend it.

Brad Yoder, a man like the rest of us.......2000-04-04

As always, in this CD Brad is able to capture the simple things in life that we all understand, word them and put them to the right music. Everyone can relate to these songs and that is what makes them so wonderful.

ehhh.......2000-02-12

Overall it's a cool disc. Unfortunatly, the biggest disappointments are Skyler and Turn Around and Smile, songs I always loved. They went from pretty and catchy to melodramtic reinterpretations. Paled incredibly to his original tape versions. Also, the little sing along intros could've been cut, expecially noting there's an "overdub choir". I dunno, it has some high points, but it could've been a lot better.

Awesome.......1999-11-25

This CD is fantastic. Not a big surprise. I was thrilled to find a bunch of Brad's old songs on it, and the new ones are just as great. His songs are thoughtful and emotional, and the music and lyrics match perfectly. Buy this CD, or his other one (or both) now. It isn't a choice anyone could regret.

Average customer rating:

Turn It Out-Remixed

ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

Jazz | Imports | Stores | Music
ASIN: B000GLKO5O
Release Date: 2007-05-08

Average customer rating:

You're Gonna Like It
Bradley Gailey
Manufacturer: Bradley Gailey
ProductGroup: Music
Binding: Audio CD

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

Pop Rock | Pop | Indie Music | Stores | Music
ASIN: B000BGQT08
Release Date: 2005-08-05

Tracks:

Always Be With You
No Fat Chics
Before I Hang
Simple Life
You're Gonna Like It
I'm Not Buying It
Thank You
Up Her Sleeve
Leaving
Smile
Mess With Me
Memories Remain

Product Description

earBuzz Review: Metal distorted guitars and vocals that cut the air with a timbre that marries three rock powerhouse voices - Ozzy, Paul Stanley, and Perry Farrel - with lyrics of love, sex, and testosterone - all wound up in a package of 12 tunes for Bradley Gailey's first CD, "You're Gonna Like It". Guitars eat Nugent crunch and the sequenced drum parts, combined with guitar player gut bass, support Gailey's vocals. Track 2, "No Fat Chics", Gailey sings, 'i don't care if you're drunk or straight, who you love when you're on a date, i don't care about beginner's luck, it all comes down to how good she sucks. .i have a problem when I'm drinkin you see, keep the fat chics away from me'. Rock reality. Track 3, "Before I Hang", is an ode to a prisoner on death row - and the rhythm of the vocals along with the chorus is metal magic. The title track, "You're Gonna Like It", is a throwback to 80's hair rock - complete with the acapella-ish chorus mp3'd here as a clip.! Track 9, "Leaving", gives us the Jane's comparison - cool. Track 10, in an audible departure from the rest of the CD, has Gailey crooning to a clean and well recorded acoustic guitar in "Smile". We look forward to hearing more.

Jazz Music:

Jazz Music

Jazz Music