The Power of the String
The Power of the String
ASIN: B000059Q87
Editorial Reviews
Amazon.com
This recording starts off with Paul Jackson, a chameleon of a musician, slipping into the increasingly faceless George Benson smooth school of octave guitar playing. Jackson checks into the similar styles of Norman Brown and Ronny Jordan on the first two tracks before displaying his own somewhat distinct voice on the third track, the ballad "Pour Noelle," featuring a soulful Boney James on sax. The Power of the String then suddenly makes a sharp turn from smooth jazz onto the R&B road with a funky, radio-friendly version of the Whispers' dance classic, "Rock Steady," complete with clap track. Then comes the beautiful voice of Christian singer and former pop star Deniece Williams on a thinly disguised Jackson hymn, "You Always Satisfy," followed by a rerecording of a tune written by a member of the singing gospel family, the Winans. Jackson sings Marvin Gaye's "Inner City Blues" in surprisingly good voice with members of Take 6. The album ends with a straight-ahead jazz waltz that perhaps only devoted fans of this guitarist or his instrument will have sat through after being faced with such a hodge-podge of styles. --Mark Ruffin
The Power of the String,Paul Jackson Jr.,Blue Note Records,Jazz,Jazz Music,Jazz-Pop,Pop,Smooth Jazz,Urban
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Bach:Build Your Baby's Brain 4
Manufacturer: Sony
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Similar Items:
- Build Your Baby's Brain 5
- Build your baby's brain through the power of Mozart: Brain 2
- Beethoven: Build Your Baby's Brain 3
- Build Your Baby's Brain
- UltraSound - Music for the Unborn Child
ASIN: B00003WGNV
Release Date: 2000-01-11 |
Tracks:
- Cantata No. 147: Jesu, Joy Of Man's Desiring
- Cantata No. 208: Sheep May Safely Graze
- Cantata No. 140: Sleepers Awake
- Orchestral Suite No. 3: Air on the G String
- Aria 'Be Thou But Near'
- Lute Suite in E Major: (Prelude)
- Lute Suite in E Minor: (Bourree)
- Flute Concerto In G Minor: (Largo)
- Cello Suite No. 1: (Prelude)
- Invention No.1 in C Major
- Invention No. 4 in D Minor
- Invention No. 8 in F Major
- 'Little' Fugue In G Minor
- 'Great' Fugue In G Minor
- 'Goldberg' Variations: Variation 30 (Quodibet)
- 'Goldberg' Variations: Aria
- Orchestral Suite No.2: (Badinerie)
- Cantata No. 156: Sinfonia
- Cantata No. 34: Aria
- 'Alleluia' From Cantata No. 51
- Cantata No. 207: March
- Cantata No. 207: Chorus
- Brandenburg Concerto No. 3: I. (Allegro)
- Brandenburg Concerto No. 3: II. Adagio
- Brandenburg Concerto No. 3: III. Allegro
Amazon.com
The thesis that a child's brain can grow from listening to music is inarguable. The science is somewhat simple: for kids hearing music, the real meal of the sound is its connections and structures, both of which teach the brain how to organize phenomena. Johann Sebastian Bach's music is a stunning study in this regard, thanks at certain points to his keenly built, pristinely laid out musical architecture and at other times to the mix of intricate detail and delicate gloss. With this collection, drawn from Columbia Records' vast vaults, you get the best of the gentle scenarios, beginning with "Jesu, Joy of Man's Desiring" and extending to E. Powers Biggs's breathy organ on "Be Thou Art Near." Firecrackers pop a little more cracklingly as Lutz Kirchhof performs a pair of lute suites and Anthony Newman takes on a pair of the famed Goldberg Variations on harpsichord. At its most upbeat, this collection is still reserved and cautious, exciting enough to grab attention but not so much that the music takes over as its own isolated activity. It's strong but still fits nicely into one's routine. And even if a segment on this 78-minute disc isn't to your child's liking, it's easy to move on, as most episodes last less than 3 minutes. --Andrew Bartlett
Average customer rating:
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Beethoven: Build Your Baby's Brain 3
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Build your baby's brain through the power of Mozart: Brain 2
- Build Your Baby's Brain
- Bach:Build Your Baby's Brain 4
- Build Your Baby's Brain 5
- UltraSound - Music for the Unborn Child
ASIN: B00003WGNR
Release Date: 2000-01-11 |
Tracks:
- 'Pastoral' Symphony (Allegro ma non troppo)
- The Ruins Of Athens: Turkish March
- Twelve Contredanses, Wo0 14: NO.1 IN C Major
- Twelve Contredanses, Wo0 14: NO.2 IN A Major
- Twelve Contredanses, Wo0 14: NO.3 IN D Major
- Twelve Contredanses, Wo0 14: NO.4 IN B-Flat Major
- Twelve Contredanses, Wo0 14: NO.5 IN E-Flat Major
- Twelve Contredanses, Wo0 14: NO.6 IN C Major
- Twelve Contredanses, Wo0 14: NO.7 IN E-Flat Major
- Twelve Contredanses, Wo0 14: NO.8 IN C Major
- Twelve Contredanses, Wo0 14: NO.9 IN A Major
- Twelve Contredanses, Wo0 14: NO.10 IN C Major
- Twelve Contredanses, Wo0 14: NO.11 IN G Major
- Twelve Contredanses, Wo0 14: NO.12 IN E-Flat Major
- Fur Elise, Wo0 59
- Minuet In G Major, Wo0 10, NO.2
- Violin Concerto (Larghetto)
- 'Pathetique' Sonata (Adagio cantabile)
- Rondino For Wind Octet, Wo0 25
- Quintet For Piano And Winds, Op.16 (Rondo)
- Overturn To Fidelio
- Symphony No. 8 (Allegretto scherzando)
- 'Razumovsky' Quartet, Op. 59, No.3: Menuetto grazioso
- 'Razumovsky' Quartet, Op. 59, No.3: Allegro Molto
Customer Reviews:
NOT JUST FOR BABIES!.......2004-06-02
This is a beautiful CD, and my husband and I (fortyish and empty nesters) listen to this CD every night when we go to bed. It is gentle and very soothing and puts us right to sleep. I primarily bought this album because of "Turkish March/Ruins of Athens." I am writing a children's book and that particular piece embodies my little pixie heroine just right! I recommend this CD to everyone...not just babies!
Average customer rating:
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The String Quartet Tribute to Clapton
Manufacturer: Vitamin Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- String Quartet Tribute to the Rolling Stones
- The String Quartet Tribute to the Beatles
- The String Quartet Tribute to Queen
- The String Quartet Tribute to Elton John
- The String Quartet Tribute to the Eagles
ASIN: B00008NGDV
Release Date: 2003-04-08 |
Tracks:
- Motherless Children
- Layla
- Bell Bottom Blues
- Wonderful Tonight
- Blues Power
- Tears In Heaven
- Sunshine Of Your Love
- Presence Of The Lord
- Let It Rain
- Change The World
- Sea Of Change
Product Description
1. Motherless Children
2. Layla
3. Bell Bottom Blues
4. Wonderful Tonight
5. Blues Power
6. Tears In Heaven
7. Sunshine Of Your Love
8. Presence Of The Lord
9. Let It Rain
10. Change The World
11. Sea Of Change (Original Composition)
Format: CD
Average customer rating:
- Great music/stories as well as sound quality
- Fabulous for Kids
- Music Box Series
|
Music Box V. 2
Classical Kids , Johann Sebastian Bach , Wolfgang Amadeus Mozart , Christian Pezold , Pyotr Il'yich Tchaikovsky , Spiritual Traditional , Matthias Weckmann , Errol Gay , Walter Babiak , Studio Arts Orchestra , Adriana Braun , Gordon McLeod , Marjorie Sparks , Monica Whicher , and Nils Brown
Manufacturer: Children's Group
ProductGroup: Music
Binding: Audio CD
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| Bach, Johann Sebastian
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| Mozart, Wolfgang Amadeus
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Similar Items:
- Music Box, Vol. 1
- Mozart's Magnificent Voyage
- Song of the Unicorn
- Classical Kids Christmas
- Beethoven Lives Upstairs
ASIN: B00000212W
Release Date: 1997-09-30 |
Tracks:
- Lost In The Opera House: Oh Help Me (Zu Hilfe) - The Studio Arts Orchestra/Walter Babiak
- Papageno And The Birds: The Best Bird-Catcher (Der Voglefanger) - The Studio Arts Orchestra/Walter Babiak
- The Queen Of The Night: You Must Journey (O Zitt're Nicht) - The Studio Arts Orchestra/Walter Babiak
- Pamina Arrives, Papageno's Magic Bells: A Girlfriend (Ein Madchen) - The Studio Arts Orchestra/Walter Babiak
- The Castle Of Sarastro: O Endless Night (O Ew'ge Nacht) - The Studio Arts Orchestra/Walter Babiak
- The Magic Flute: O Listen, Hear The Song (Wie Stark) - The Studio Arts Orchestra/Walter Babiak
- The Escape: Let Us Hurry (Schnelle Fusse)/What Twinkles So Brightly (Das Klinget)/Sarastro's ... - The Studio Arts Orchestra/Walter Babiak
- Sarastro's Welcome: The Gods Above (O Isis) - The Studio Arts Orchestra/Walter Babiak
- The Attack Of The Queen: The Powers Of Night (Der Holle Rache)/Tamino's Trial: This Path... - The Studio Arts Orchestra/Walter Babiak
- Pamina's Lament: Oh My Heart Is Broken (Ach, Ich Fuhl's) - The Studio Arts Orchestra/Walter Babiak
- In The Labyrinth: O Seekers Of The Light (Der, Welcher Wandert)/Tamino Mine/We Pass Proctected... - The Studio Arts Orchestra/Walter Babiak
- Papageno And Papagena: Ring, O Bells (Klinget Glockchen)/Pa-Pa-Papagena - The Studio Arts Orchestra/Walter Babiak
- Conclusion: Our Journey Is Over (Bei Mannern)/Overture - The Studio Arts Orchestra/Walter Babiak
Tracks:
- Piano Concerto #1, 1st Movt/Danse Napolitaine (Swan Lake) - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
- Trepac (Nutcracker) - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
- Swing Low, Sweet Chariot/Turkey In The Straw/Waltzes (Serenade, And Swan Lake) - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
- Tea (Nutcracker)/Coffee (Nutcracker)/Chocolate (Nutcracker) - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
- Danse Des Cygnes, Allegro (Swan Lake) - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
- 1812 Overture (Excerpt) - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
- Silver (Sleeping Beauty)/Ragtime - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
- Overture Act II (Swan Lake) - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
- Girls' Chorus (Eugene Onegin) - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
- Coda, Act II (Nutcracker)/Rag On Tchaikovsky Theme - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
- Marche Slav - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
- Violente (Sleeping Beauty)/Sugar Plum Fairy (Nutcracker) - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
- Le Sommeil, Panorama (Sleeping Beauty) - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
- Long, Long Ago/Onegin (Girls' Chorus)/Waltz Op.20 - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
- Amazing Grace - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
- Serenade For Strings: Movt 1/Finale/1812 Overture: Finale - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
Tracks:
- Orchestral Suite #3, Mvt. 1/Minuet In G/Gigue In G (French Suite #5) - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
- Jesu, Joy Of Man's Desiring/Chromatic Fantasy/Prelude In B Minor - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
- Introducing The Orchestra/Organ Chorale Prelude: 'Allein Gott' - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
- Brandenberg Concerto #5, Movt. 3 - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
- Flute Sonata in C, Mvt. 2/Organ: 'Es Ist Das Heil'/Orch Ste #2, Mvt. 6/Violin Sonata In E, Mvt. 2 - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
- Prelude In C (Book 1 Of WTC)/Orchestral Suite #2, Mvt. 2 - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
- Bist Du Bei Mir - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
- Orchestral Suite #2, Badinerie - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
- Orchestral Suite #3, Air For G String - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
- Orchestral Suite #3, Gigue - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
- 'Adventure In Music' - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
- Goldberg Variations/Art Of Fugue - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
- 'Liebster Jesu': Flute Sonata In C, Mvt. 4 - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
- 'We Hasten,' Cantata #78 - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
Customer Reviews:
Great music/stories as well as sound quality.......2004-02-11
The stories on CD are well written and very entertaining. I listened through all 3 CDs in one sitting when I got them! What's more, its sound quality is very good. I have other classical music CDs for kids and almost always I'm disappointed with the sound quality. (Violines sound like they have flu!)
This is a great buy for kids of all ages!!!
Fabulous for Kids.......2002-01-01
My two children, ages 7 and 5 received the Classical Kids Music Box, volumes 1 & 2 for Christmas this year and they can't seem to get enough of it! Each box contains 3 CD's, each on a different composer. Some are narrated by children and tell a story of the particular composer. Their popular compositions play in the background - this way the listener hears a partial biography of the composer as well as some music. Volume 1 contains stories of Handel, Beethoven and Vivaldi, and Volume 2 contains stories of Mozart, Bach and Tchaikovsky. I highly recommend this for all children who listed to music CD's, whether they're musically inclined or not.
Music Box Series.......2001-04-23
To say this series of music is "CAPTIVATING" is a total understatement. We have enjoyed these immensely for 2 years now and are hoping they will continue to release more composers. These well-told stories will hold the interest of everyone at any age while introducing them to these brilliant composers. My son is a 12 year old AAA travel hockey player and listens to these CD's while going to sleep, every night, without fail! Last week he asked if he could go online to find music and I thought he was looking for something along the line of latest hits. What a surprise to find him looking for more of the Music Box Series. These collections are as valuable to classical music as Harry Potter has become to children's reading! The story of Beethoven is especially poignant, when you realize what he accomplished with his gift in spite of his many challenges. I won't give away the plots of these wonderful stories told in this series, however I will say they will be listened to over and over again! And just like Harry Potter, you can't wait for the next one!
Average customer rating:
- absolutely worth owning
- Impeccable playing
- Terrific collection of pieces
- Gorgeous world music, in the truest sense....
- Mantis and the Moon
|
The Mantis & the Moon: Guitar Duets
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B0000029NY
Release Date: 1996-12-10 |
Tracks:
- La Vida breve: Dance
- Goyescas: Intermezzo
- Danza espanola No. 6
- Sonata in A Major, R84
- Songs From The Forest
- 3 Duets: I. The Mantis and the Moon
- 3 Duets: II. Lament
- 3 Duets: III. Alchemy
- Carolan's Concerto: Allegro giocoso
- Fanny Power
- Planxty Madam Maxwell: Fast And Light
- Micropiezas
- Monte Carlo
- Capitola
- Prayer
- Jongo
- 'Bad Boy' For Two Guitars
- The Gad Fly, Op. 97: 'Guitars'
Customer Reviews:
absolutely worth owning.......2003-02-15
I have many classical guitar albums, including several by John Williams in solo, duet and concerti, and this is one of my favorites. The playing is virtuosic as is expected from Williams, but the repertoire is varied and includes litte known works, including a Shostakovich duet written for guitar! Some reviewers haven't cared for the "mediocre" compositions from Australia, Ireland and the Americas, but I have to strongly disagree. Brouwer can at times be difficult, but he's hardly a slouch. Besides, if these compositions were worthy to draw the attention of one of the greatest guitarists of all time (and a fine composer in his own right), I think they're worthy of ours!
Buy this album, listen to it a few times for familiarization, and enjoy it for years to come.
Impeccable playing.......2002-08-16
Williams and Kain display their considerable talents in playing with fire and reserve,virtuosity and taste and are generally close to perfect.The De Falla,Granados,Takemitsu,Hand,Soler and Shostakovich works are the standouts.The disappointing part of the album comes with the Westlake,Houghton,Brouwer and Verdery pieces.The greatest playing in the world can't disguise mediocre compositions.This is an overall good album but it does require skipping around a lot of superfluous stuff.
Get this one if you happen across a used copy.
Terrific collection of pieces.......2002-04-01
I have had this CD for several years, and still enjoy it as much as when it was first given to me. It is being passed around the family, as my son owned a copy, then bought me one, and I have just ordered a copy for my daughter-in-law.
Some of the pieces are familiar, but if you persevere, I am sure you will come to enjoy the works that are new to you.
I was sorry to see that one reviewer did not enjoy the Australian works. The Westlake piece [Songs from the Forest] is fairly light and very melodic. If you enjoy it, you should check out his Antarctica music, which exists in several different versions.
Kain's Guitar Trek recordings are also worth hunting for.
Gorgeous world music, in the truest sense...........2002-01-03
John Williams and Timothy Kain, two masters of their chosen instrument, with more in common than just the country of their birth. Kain's guitar teacher at the conservatory in Australia had studied with Williams' father, Len. Williams and Kain first worked together in 1992, and enjoyed the experience. The two men form a complimentary duo in both technique and approach to music. Their playing is flawless. Their duets are seamless.
On this disk, Williams and Kain "journey outside the confines of the classical guitar repertoire." What a magnificent journey it is, too! The Mantis & The Moon contains 18 selections by 12 composers, grouped together by the cultures of the 6 lands they represent...Spain, Australia, Ireland, the Americas, Japan, and Russia.
This is beautiful music performed by two of the greatest guitarists of our generation. These performances go beyond classical, folk, pop or the usual guitar "genre" pieces. Yet the music is lovely, enjoyable, and accessible to the listener. If you love guitar music, you owe it to yourself to pick up this CD.
Mantis and the Moon.......2001-12-13
Williams and Kain play very well as a duo. My favorite pieces on this CD are "Sonata in A," "Capitola," and "Jongo." "Sonata in A" is acoustical honey for the ears, as it epitomises Chopin's comment that nothing sounds sweeter than a guitar--except two guitars. "Jongo" is simply dazzling (but far from simple to perform). However, I don't like the Australian compositions (sorry about that critique of your Aussie mates, Mr. Williams). A few other selections are uninspiring as well. It may come as a surprise, but I prefer the Parkening and Brandon duo's performances of "La Vida Breve" and "Intermezzo" over Williams and Kain. Nonetheless, Williams and Kain put in some fine performances on this CD.
Average customer rating:
- Pretty Good
- Solid Solid Solid
- This deserves a better review than I'm able to write
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Boomerang/Shoes on Ice
Shoes
Manufacturer: Elektra
ProductGroup: Music
Binding: Audio CD
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ASIN: B000001LB0
Release Date: 1982-01-01 |
Tracks:
- In Her Shadow
- Curiosity
- Mayday
- Too Soon
- Double Talk
- Summer Rain
- Under the Gun
- Tube
- What Love Means
- Bound to Be a Reason
- Shake It Away
- Tested Charms
- Too Late [Live]
- Hangin' Around With You [Live]
- Cruel You [Live]
- In My Arms Again [Live]
- She Satisfies [Live]
- Hate to Run [Live]
Album Description
1990 reissue of 1982 album, originally released on Elektra and now featuring six live tracks that were previously only available on a promo 12 inch single, 'Too Late', 'Hangin' Around With You', 'Cruel You', 'In My Arms Again', 'She Satisfies' and 'Hate T
Customer Reviews:
Pretty Good.......2005-11-01
Their simple melodies and simple words were entertaining in my high school and early college years. I can see why I liked them back then. They did some nice harmonies and their music was fun.
Solid Solid Solid.......2002-01-22
Although not as good as Present Tense, Boomerang is still one hell of an album. Shoes on Ice really helps, too - they sound so tight and the drumming is so reserved compared to their later incarnations that if it weren't for the crowd, you'd have trouble identifying it as a live EP. If you like melodic pop, triple harmonies, almost enough fuzz, and solid boy-loses-girl lyrics, definitely give this a listen.
This deserves a better review than I'm able to write.......2001-05-22
I can't believe no one has written a review of this yet. If you don't own it, buy it now. If you have the vinyl version, get the cd. All the songs are great, and there are also live versions of 6 songs from Present Tense and Tongue Twister which are also great.
Average customer rating:
- Taco Bell all the way...
- Finally, Good Music
- Smoking Hot!!!
- Los Lonely Boys - The Real Deal
- my all time favorite
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Los Lonely Boys
Los Lonely Boys
Manufacturer: Or Music
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000AINKA
Release Date: 2003-08-12 |
Tracks:
- Senorita
- Heaven
- Crazy Dream
- Dime Mi Amor
- Hollywood
- More Than Love
- Nobody Else
- Onda
- Real Emotions
- Tell Me Why
- Velvet Sky
- La Contestacion
Amazon.com
California's Los Lobos are the reigning kings of Tex-Mex/Rock Espanol. But this debut CD by the San Angelo, Texas band Los Lonely Boys might herald a changing of the guard. This is truly a band of brothers, led by guitarist/vocalist Henry Garza and his younger, bass-and-drum-playing siblings Jojo and Ringo (no kidding). Like a lot of groups, they had to move away to achieve fame--in their case, to Nashville. But after the release of their EP, Willie Nelson heard them, put them on tour as his opening act, and recorded them at his studio--and the rest may be history. Stylistically, the Garza brothers' bilingual songs about love and life combine Stevie Ray Vaughan blues, Santana-style guitar licks and R&B. Nelson helps out on guitar, with Reese Wynans on keyboards. Produced by Keb Mo and B.B. King producer John Porter, the music is honest, driving, and down home, especially on the organ-filled uptempo tracks "Senorita" and "Tell My Why." The stinging guitar solo on the Afro-anthemic "Onda" recalls the '70s grooves Santana built his chops on, while "The Answer" and "More than Love" are raw power ballads that show off this group's dynamism and diversity. --Eugene Holley, Jr.
Customer Reviews:
Taco Bell all the way..........2004-12-23
Somehow my previous review of this facile cd has dropped off the screen. Since I feel so strongly about it, I have rewritten this (its all just a joke doncha get it?)I glanced at the reviews and this album scored as high as it did because that is the state of pop music today. Welcome to the Britanny (sp)nation...Really this music lacks any depth, its a pale echo of Los Lobos and Santana...I like the lead guitarist tho, and I am told they are very good live...But the lyrics are banal and really most of the music is unoriginal...But you have to understand I also believe Garth Brooks and Shannia Twain (whatever her name is) were the logical extension of the Nashville country music machine and as the result of their mass popularity, we have disco pop computer non melodic airwave crap that is dominated by image and lack of substance..but you know to each their own..its all relative...my opinion is no better than anyone elses...So in my opinion, if you really wanna hear what this music should be all about listen to Los Lobos' cuts "One time, One night" or Don't Worry Baby"....or check out Lila Downs... Yeah, I love Willie Nelson too...but clearly everyone needs to make a buck...have at it...But if you could just return CDs because you don't like them...this would be at the top of my list.Taco Bell here we come..yes I'll have the fajita in the tortilla, extra velveta please...
Finally, Good Music.......2004-07-04
I had lost hope. A music lover, I bought on average one new album every week, wishing that it will be the One.
A decade passed. Then Los Lonely Boys came along. WOW...
I am hooked, my wife is hooked, my kids too.
Thank you LLB.
They are the best thing that happened to rock n'roll since...I can't even remember.
I just hope that they will keep producing good music.
Keep bringing us joy.
Smoking Hot!!!.......2004-06-25
I haven't heard music this good for a while. Every single track on this CD is awesome, which is rare for new bands these days. Vocals, guitar, bass, and percussions are solid, these guys can really play, unlike most of todays bands. I've travelled 5 straight hours listening to just this one CD and never got tired of it. In fact I'm listening to it right at this moment. Thinking of buying CD's, put this on your list. Can't wait till the next album comes out.
Los Lonely Boys - The Real Deal.......2004-06-24
I just got back from seeing los lonely boys live for the first time (first, because I will definitely see them at every possble opportunity in the future.) Despite being relatively new and having little material to their catalogue, they put on quite an impressive show. MASSIVE jamming, I haven't seen amazing guitar like that since I saw the Crossroads Guitar Festival a few weeks ago, but that's another story. First of all, these guys are amazing, one day I'll be saying "yeah I saw the Los Lonely Boys for free in Dallas before they ever made it big." The first power trio was Cream, and these guys do great honor to the power trio tradition (underscore POWER!) The drums and bass are very good, but I am enthralled by the guitar capability of Henry Garza, this guy truly shreds the guitar with amazing capability. He was doing wah wah like I've only heard on Clapton albums and much more! At one point the bassist and lead guitarist were playing their instruments with one hand and changing chords by dropping or pulling the guitar up/down to change notes. They were showing off their musicianship and it was great. Henry even brought out a harmonica and was showing some mad skills. I bought the CD after seeing someone on audioscrobbler who liked the Jayhawks play their music alot so I checked them out at the music store and really enjoyed their CD and the single heaven. Now that I have seen them live, and heard Onda live with ~2 min. guitar solo intro to the song, I know that these guys will be around for a long time. One thing that always distinguished the really greats- Clapton, Santana, SRV for example- was the ability to create amazing catchy riffs and powerful songs that caught people's attention and drew them to the rest of their blues/rock output. "Heaven" is like that, it has an amazing riff that will draw people to an amazing musical talent. Quite refreshing!
my all time favorite.......2004-06-23
i am not exaggerating - these guys are my all time favorite music. i am 45 years old and love all kinds of music. this is the best! i am in love with this amazingly talented band. every song..................this is it!
Average customer rating:
- My first PJ CD and it's great!
- Whats so wrong with eclecticism?
- I like it, But!!!
- Excellente!
- Disappointing :(
|
The Power of the String
Paul Jackson Jr.
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B000059Q87
Release Date: 2001-03-13 |
Tracks:
- On Eagle's Wings
- Bounce Wid' It
- Pour Noelle
- Rock Steady
- You Always Satisfy
- Tomorrow
- P.J. III
- You Don't Have To Tell Her
- T.J.O.
- Inner City Blues
- Waltz For Wanda
Amazon.com
This recording starts off with Paul Jackson, a chameleon of a musician, slipping into the increasingly faceless George Benson smooth school of octave guitar playing. Jackson checks into the similar styles of Norman Brown and Ronny Jordan on the first two tracks before displaying his own somewhat distinct voice on the third track, the ballad "Pour Noelle," featuring a soulful Boney James on sax. The Power of the String then suddenly makes a sharp turn from smooth jazz onto the R&B road with a funky, radio-friendly version of the Whispers' dance classic, "Rock Steady," complete with clap track. Then comes the beautiful voice of Christian singer and former pop star Deniece Williams on a thinly disguised Jackson hymn, "You Always Satisfy," followed by a rerecording of a tune written by a member of the singing gospel family, the Winans. Jackson sings Marvin Gaye's "Inner City Blues" in surprisingly good voice with members of Take 6. The album ends with a straight-ahead jazz waltz that perhaps only devoted fans of this guitarist or his instrument will have sat through after being faced with such a hodge-podge of styles. --Mark Ruffin
Customer Reviews:
My first PJ CD and it's great!.......2004-05-23
Just picked it up and I'm greatly enjoying it. (Thanks for the recommendation Amazon!)
That said, I'm a little displeased with the above Amazon review, as the variety is what makes this CD stand out. Jackson can play ballads, up-tempo, classic jazz, or smooth jazz. Enjoyed the cover of "Rock Steady" -- one of my favorite tunes.
I'm glad I was exposed to this tremendous artist. He's very skilled and listenable! I look forward to purchasing more of his music.
Whats so wrong with eclecticism?.......2003-04-15
Hey, I happen to like a variety of styles, especially when masterfully played. Paul Jackson jr is a musician's musician which is probably why so many folks nab him in the studio to add just the right touch to their tracks. He comes from the 'less is more' school of guitar playing which leaves me wanting more not less. If variety is the spice of life then this album has plenty of life about it whether you like the soulful re-workings of "Rock Steady" and "Inner city blues" or the gospel tinged "you always satisfy" featuring the incredible range of Deniece Williams. Using both electric and acoustic leads, Paul succeeds where many fail in his ability to keep the groove going while switching effortlessly from style to style - he remains one of the premier jazz/ r&b guitarists of our time.
Other standout tracks for me: "On Eagles Wings" and "Pour Noelle" but it's all good!
I like it, But!!!.......2002-01-04
Paul Jackson is a wonderful guitatist. However, Paul has become a victim of the smooth jazz slide toward electronic drums and bass. The drums sound tinny and the bass makes no contribution. Paul has a nice voice, but he trys to hip-hop it. I know the trend in smooth jazz is toward R&B cross-over and I hate it. Money talks I guess. I loved Denise Williams on "You Always Satisfy". I also liked "Rock Steady" from a 'just jamming' perspective, but it wasn't earth shattering. As Doc Powell put it, "don't let the smooth jazz fool you". I will continue to listen to this CD, but I pray that REAL smooth jazz comes back.(with real instruments)
Excellente!.......2001-09-18
This is the first CD that I've purchased in quite a while and I must say it was a brilliant and superb choice. Although I was utterly and unpleasently surprised to see it featured in the BMG Jazz Club in such a brisk manner. Undoubtedly my choice of music is highly eclectic as I enjoy such artists as George Benson, Richard Eliott, Art Porter (#1-RIP), Najee, Pamela Williams, Joseph Vincelli, Gerald Albright, Hiroshima, Paul Taylor, Norman Brown, George Howard and so,so,so many countless others. I must say that Paul Jackson rates up there with the best. I highly recommmend this album to any Jazz afficionado. You will not be disappointed.
P.S. Go KXCR 89.5! Keep pumping out the Great Programming!
Disappointing :(.......2001-08-07
I have almost everything Paul Jackson has released solo, and many of the albums on which he has played, as special guest (impossible to have them all, they're too numerous). This new album was a must for me, especially since "Never alone" is already five years old.
This album happens to be disappointing. The reason is that I don't really feel the energy former albums have. Too many tracks are too woolly and uninnovative. Of course, Paul Jackson still is Paul Jackson. A maestro ! But what can you say about tracks such as "For Noelle" or the closing Waltz ? The cover versions (I don't know why there seems to be this trend in the smooth jazz world to NECESSARILY make two cover versions per release...) aren't that great. "Rock steady" is somewhat flavourless when compared to the original version, and "Inner City Blues" has been played by too many people (from different genres) to add something special or new here. Good for a jam in a club, but not here ! Doc Powell made a much better version on his first album, for instance.
The good things on this album : the opening track ("Eagle's wings") and "PJ III" (What a "progression" on this one !) are tonic and lively, "Satisfy" has Deniece Williams (Remember "Free", produced by Maurice White, or the poppy "Let's hear it for the boy", produced by George Duke ?) singing fabulously, "You don't have to tell her" is a great track (vocals and ambiance remind me of Stephen Simmonds and Frank Mc Comb).
Overall, the album is uneven and too "pasty". I don't know what is really going on with smooth jazz. Maybe I have become too demanding, maybe everybody is sounding the same, or the genre has reached its limits. The music is not tonic as it was up to four-five years ago and it has become very much a "middle of the road " thing, if you see what I mean. Maybe it's a record company thing, reluctant to take any risks with music. Well, we'll just have to wait for P.J.'s next album because he is capable of MUCH MUCH better...
Average customer rating:
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Wedding Collection
Manufacturer: Madacy Records
ProductGroup: Music
Binding: Audio CD
Polkas
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ASIN: B000000KGE
Release Date: 1997-06-03 |
Tracks:
- Wedding Chor From 'Lohengrin' - Choir Of Belgrad Nat Opr
- Matrimonial Benediction in F, Op.9 - Joseph Berger
- 'A Midsummer Night's Dream': Wedding March - LPO/Alfred Scholz
- The Beautiful Blue Danube: Waltz Op.314 - Vienna Opr Orch/Carl Michalski
- Wedding March: Mazurka Op.20a - London Festival Orch/Alberto Lizzio
- Champagne Polka From 'The Bat' Op.211 - RPO London/Frank Shipway
- Flower Waltz Op.71a/8 - London Festival Orch/Alberto Lizzio
- Str Qt Op.13: Menuett in A - Stuttgart CO/Bernhard Guller
- Radetzky March Op.228 - Vienna Opr Orch/Carl Michalski
- Menuett in D - Stuttgart CO/Bernhard Guller
- Emperor Waltz Op.437 - Vienna Opr Orch/Peter Falk
- Ave Maria - Ernst Riedlinger
Tracks:
- I Finally Found Someone
- Power Of Love
- Tonight I Celebrate My Love For You
- Unchained Melody
- Just The Way You Are
- You Are So Beautiful
- My Love
- (Everything I Do) I Do It For You
- You're In My Heart
- Always
- Love Is All Around
- Enless Love
Customer Reviews:
wedding songs.......2005-10-12
I don't think this CD is for weddings....I personaly didn't care for it. It's to circus like music...
Jazz Music:
- The Valley
- These Are the Vistas [Import]
- This Is What I Do
- To Sweden With Love/Live at the Half Note [Live]
- Turn It Out (Reissue)
- Universal Language
- Wave Motion
- When Skies Are Grey
- Where You'll Find Me
- 2005
Jazz Music
Jazz Music