100 Years of Latin Love Songs

100 Years of Latin Love Songs

100 Years of Latin Love Songs

ASIN: B00000FDBI

Editorial Reviews
Amazon.com
On paper, setting the irrepressible Cuban saxophonist Paquito D'Rivera with a small group and string orchestra to revisit 10 Latin music hits spanning a century sounds like a promising idea. In practice, there is less in 100 Years of Latin Love Songs than meets the eye. For starters, the criterion for song selection seems to be popularity, which produces a mixed bag. Some of these songs might have made it for their lyrics but are simply not interesting as instrumental vehicles. Not surprisingly, D'Rivera aces Antonio Carlos Jobim's "Corcovado" and Gonzalo Curiel's "Vereda Tropical," playing clarinet on both. But he can't salvage the tango "La Morocha" (in a corny, bolero-like, rose-between-the-teeth arrangement), the Chilean waltz "Ay Ay Ay," or the Colombian vallenato "Tu Mariposa." --Fernando Gonzalez

Los Angeles Times
What makes the performances particularly fascinating is that arranger Bob Belden has written orchestral accompaniments that maintain the flavor of the songs' original eras.... D'Rivera plays the melodies with such a surging jazz sensibility that even the most unlikely combinations work beautifully.

100 Years of Latin Love Songs,Paquito D'Rivera,Heads Up,Afro-Cuban Jazz,Bop,Jazz,Jazz Music,Latin Jazz,Pop
100 Years of Latin Love Songs
Average customer rating: 5 out of 5 stars
  • beautiful
  • Delightfully lyrical and uncommonly sensual
100 Years of Latin Love Songs
Paquito D'Rivera
Manufacturer: Heads Up
ProductGroup: Music
Binding: Audio CD

CubaCuba | Caribbean & Cuba | International | Styles | Music
GeneralGeneral | Latin Music | Styles | Music
Latin PopLatin Pop | Latin Music | Styles | Music
Bebop GeneralBebop General | Bebop | Jazz | Styles | Music
GeneralGeneral | Jazz | Styles | Music
Latin JazzLatin Jazz | Jazz | Styles | Music
Similar Items:
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  2. Portraits of Cuba
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  4. Live at the Blue Note
  5. The Best of Paquito D'Rivera

ASIN: B00000FDBI
Release Date: 1998-11-24

Tracks:

  1. La Morocha
  2. Ay Ay Ay
  3. Tu Mariposa
  4. Vereda Tropical
  5. Acercate Mas
  6. Amor Sin Esperanza
  7. Corcovado
  8. Sin Tu Carino
  9. Amor Sin Medida
  10. Corazon Partio

Amazon.com

On paper, setting the irrepressible Cuban saxophonist Paquito D'Rivera with a small group and string orchestra to revisit 10 Latin music hits spanning a century sounds like a promising idea. In practice, there is less in 100 Years of Latin Love Songs than meets the eye. For starters, the criterion for song selection seems to be popularity, which produces a mixed bag. Some of these songs might have made it for their lyrics but are simply not interesting as instrumental vehicles. Not surprisingly, D'Rivera aces Antonio Carlos Jobim's "Corcovado" and Gonzalo Curiel's "Vereda Tropical," playing clarinet on both. But he can't salvage the tango "La Morocha" (in a corny, bolero-like, rose-between-the-teeth arrangement), the Chilean waltz "Ay Ay Ay," or the Colombian vallenato "Tu Mariposa." --Fernando Gonzalez

Customer Reviews:

5 out of 5 stars beautiful.......1999-04-25

this is really a very passionate cd. I even love to listen to it when I'm alone and vision my love for my boyfriend and how much he means to me.

5 out of 5 stars Delightfully lyrical and uncommonly sensual.......1999-04-07

A brief tour through this collection incited me to search for it and buy it as quickly as possible. I've enjoyed D'Rivera's music for years and this CD is a prime example of excellence in rhythm, harmony, chordal strategies and a highly developed sense of humor and playfulness.

The polyrhythms and subtle nuances tossed back and forth between the percussionists were "killer." I especially liked the bongo work -- it is rare to find bongo playing so melodic.

As a former music critic for the Austin (TX) Chronicle, I instinctively look for flaws. There are no flaws in this collection. Buy it. If you have a developed ear for sensuous music and astounding musicianship, you will play this CD over and over and over . . .

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