First Takes
First Takes
ASIN: B0009IOS3S
Track Listings
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1. Wonder Why
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2. Jitterbug Waltz
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3. Virgo
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4. Driftin'
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5. Yesterdays
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6. Three in One
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7. Oil and Water
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8. Tristeza
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9. Tonk
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10. You Must Believe in Spring
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First Takes,Frank Potenza,Shelly Berg,Azica,Jazz,Jazz Blues,Pop
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Something Takes Over
First Call
Manufacturer: Word -- Word --
ProductGroup: Music
Binding: Audio CD
General
| Christian & Gospel
| Styles
| Music
Christian Contemporary Music
| Christian & Gospel
| Styles
| Music
General
| Christian & Gospel
| Indie Music
| Stores
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Similar Items:
- Sacred Journey
- Human Song
ASIN: B00000IWQM
Release Date: 1987-11-17 |
Tracks:
- Comin' of the Lord
- Somethin' Takes Over
- Reason We Sing
- Billy on the Boulevard
- Forever in His Care
- O Sifuni Mungu (All Creatures of Our God and King)
- Look
- Back to His Heart
- Double Talk
- Lord of All
Customer Reviews:
Classic First Call.......2005-04-03
"Somethin' Takes Over" is a great vintage First Call album, recorded in the days when they still were a trio (1987). This was also the year that I got into Christian Music, and there were lots of other artists out there with fine albums (The Imperials, Phil Keaggy, Heartbeat, etc.). The tracks on "Somethin' Takes Over": 1. The Comin' of the Lord 2. Somethin' Takes Over 3. The Reason We Sing 4. Billy on the Boulevard 5.Forever in His Care 6. O Sifuni Mungu 7.The Look 8. Back to His Heart 9. Double Talk 10. Lord of All.
The standout tracks for me are "The Reason We Sing" (wonderful harmony vocals), and "The Look", a powerful well arranged rocker that spotlights all of the vocalists. "Billy on the Boulevard" has a Manhattan Transfer feel to it. Their next album, "Human Song" was nearly as good, but with one singer gone and another in her place. If you are only familiar with the more current First Call albums, "Somethin' Takes Over" will be a pleasant change for you.
Average customer rating:
- need to pick up some harp chops
- "the world's first smooth jazz harmonica CD"
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Harmonica Dreams
Randy Singer
Manufacturer: Randy Singer Music
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
Smooth Jazz
| Jazz
| Styles
| Music
General
| Pop
| Styles
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General
| Jazz
| Indie Music
| Stores
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General
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Similar Items:
- The Nearness Of You
- Harmonica:Introduction to the Basic
- Lee Oskar Major Diatonic Harmonica, C
ASIN: B0000DC3WX
Release Date: 2003-09-17 |
Tracks:
- Rio Dreams
- My Love
- Jamaica Jam
- The Man
- Bells Of Venice
- The Way To Love
- Infinite Love
- Esperan
- Love Song
- Feelings
- Nows the Time
- Jamaica Jam (Rasta Mix
Album Description
MAKING HISTORY--- "HARMONICA DREAMS"- HARMONICA DREAMS is the world's first smooth jazz harmonica CD. It is radio friendly and contains many commercial songs that have HIT potential while retaining artistic integrity. For those seeking an original voice and concept, this is it. There has never been a harmonica that has captured the sound of "Today" as this CD does Imagine if you could combine the harmonica magic of Stevie Wonder with the production/songwriting skills of Boney James, Dave Koz, Pat Metheny, or Spyro Gyra. This original mix results in a unique sound that instantly identifies the artist and his instrument- a quality surely helpful in today's market of confusing sound-alikes. It is co-produced by Claudio Spiewak, the brilliant Brazilian guitarist/producer who has performed with some of the top Latin acts and currently performs with Nestor Torres
Customer Reviews:
need to pick up some harp chops.......2007-02-17
hear of larry adler,toots theilman,bon figlio,nice harmonica chops in the easy or non-traditional listening mode.yes the harmonica can be more than blues and country.sit back and relax maybe add some chops to your repretair.i did
"the world's first smooth jazz harmonica CD".......2005-09-09
Review by Jonathan Widran
In listening to the veteran harmonica player's stylistically eclectic, dreamy and joyous debut--billed on the packaging as "the world's first smooth jazz harmonica CD"--a quote from Clifford Brown about the legendary Toots Thielemans comes to mind: "Toots, the way you play the harmonica, they should not call it a miscellaneous instrument!" While certainly not the household name Thielemans is, Singer has amassed an equally impressive sideman resume working with the best pop, country, Latin and Brazilian singers--from Blondie to Garth Brooks and Djavan! Only time will tell if this winning indie effort can break through the sax/piano/guitar domination of his chosen genre, but catchy, melodic tracks like the zesty samba "Rio Dreams," the reggae-tinged "Jamaica Jam" and soulful, laid back "Bells of Venice" would fit into the format perfectly. Singer shows his romantic side both instrumentally on the lush, moody "My Love" and later on a series of vocals, which are pleasant enough but limit his beautiful instrument to a quieter, supporting role. Although it's not the track most listeners will gravitate to, his best vocal is an eloquent, classically tinged revisit of Lesley Duncan's "Love Song,", first popularized by Elton John on 1971's classic Tumbleweed Connection. Perhaps Singer's biggest dream is that he can bring his instrument into a center stage role for both himself and others who, like him, master the beauty of it. This collection is an impressive first step.
Average customer rating:
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E First Takes
Sam Beeton
Manufacturer: Bmg/RCA
ProductGroup: Music
Binding: Audio CD
General
| Pop
| Styles
| Music
ASIN: B000N69P2U
Release Date: 2007-03-12 |
Tracks:
- Firebird
- Best Friend
- Road
- Charlotte
- Moon
- Blue Rose
Album Details
Dubbed 'a 21st Century Paul Simon' this 19 Year Old Singer Songwriter from Nottingham is Destined for Great Things.
Average customer rating:
- A bargain collection of showtunes
|
Golden Greats: Greatest Broadway Hits
Manufacturer: Golden Greats
ProductGroup: Music
Binding: Audio CD
All Works by Bernstein
| Bernstein, Leonard
| ( B )
| Featured Composers, A-Z
| Classical
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Duke, Vernon
| ( D )
| Featured Composers, A-Z
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All Works by Gershwin
| Gershwin, George
| ( G )
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All Works by Porter
| Porter, Cole
| ( P )
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Rodgers, Richard
| ( R )
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All Works by Weill
| Weill, Kurt
| ( W )
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Film Scores
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ASIN: B00005USEJ
Release Date: 2002-02-26 |
Tracks:
- Ouverture - Orchestra
- Something Wonderfull - Dorothy Sarnoff
- Doin' What Comes Natur'lly - Ethel Merman
- Life Upon the Wicked Stage - Colette Lyons
- So in Love - Patricia Morison
- You'll Never Walk Alone - Jan Clayton, Christine Johnson
- Bill - Carol Bruce
- Hello, Young Lovers - Gertrude Lawrence
- Bloody Mary - Male Chorus
- I Can't Say No - Celeste Holm
- This Was a Real Nice Clambake - Jan Clayton,
- Oklahoma! - Alfred Drake
- Sue Me - Vivian Blaine, Sam Levene
- Woman Is a Sometime Thing - Edward Matthews
- Some Enchanted Evening - Ezio Pinza,
- I Got Plenty O' Nuttin' - Todd Duncan, Todd Duncan
- Guys and Dolls - Douglas Deane, Stubby Kaye, Johnny Silver
- It Ain't Necessarily So - Lawrence Tibbett
- Make Believe - Jan Clayton
- Wonderful Guy - Mary Martin
- They Say It's Wonderful - Ethel Merman
- When the Children Are Asleep - Jean Darling, Eric Mattson
- More I Cannot Wish You - Pat Rooney, Sr., Pat Rooney, Sr.
- Puzzlement - Yul Brynner
- I Got Lost in His Arms - Ethel Merman
Tracks:
- Overture...Summertime - Anne Brown
- Why Can't You Behave? - Lisa Kirk, Harold Lang
- Can't Help Lovin' Dat Man - Carol Bruce
- There's No Business Like Show Business - Chorus
- If I Were a Bell - Isabel Bigley
- People Will Say That We're in Love - Alfred Drake, Joan Roberts
- Bess, You Is My Woman Now - Anne Brown
- Luck Be a Lady Tonight - Robert Alda
- Shall I Tell You What I Think of You? - Gertrude Lawrence
- Girl That I Marry - Ray Middleton
- Nobody Else But Me - Jan Clayton
- Carousel Waltz - Orchestra
- Dites-Moi - Barbara Luna
- Ol' Man River - Kenneth Spencer
- Summertime
- Many a New Day - Joan Roberts
- Blow High, Blow Low - Murvyn Vye
- It Takes a Long Pull to Get There - Edward Matthews
- You've Got to Be Carefully Taught - Billy Tabbert
- We Open in Venice - Alfred Drake
- I'm Gonna Wash That Man Right Outa My Hair - Mary Martin
- Who Do You Love, I Hope? - Kathleen Carnes, Robert Lenn
- I've Never Been in Love Before - Robert Alda
- Tom, Dick or Harry - Lisa Kirk
- I Whistle a Happy Tune - Gertrude Lawrence
Tracks:
- New York, New York - Lynn Murray, Lynn Murray
- Almost Like Being in Love - Marion Bell, Dave Brooks, David Brooks
- Bewitched, Bothered and Bewildered - Vivienne Segal
- Beat out Dat Rhythm on a Drum - June Hawkins
- How Are Things in Glocca Morra? - Ella Logan
- Old Devil Moon - Ella Logan
- South American Way - Carmen Miranda
- September Song - Walter Huston
- This Is the Army, Mister Jones - Irving Berlin
- Takin' a Chance on Love - Ethel Waters
- My Heart Belongs to Daddy - Mary Martin
- Anything Goes - Jeanne Aubert & The Four Admirals
- You're the Top - Jeanne Aubert & The Four Admirals
- I Get a Kick Out of You - Ethel Merman
- Night and Day - Fred Astaire
- I Got Rhythm - Red Nichols & His Orchestra
- Someone to Watch Over Me - Gertrude Lawrence
- Fascinatin' Rhythm - Adele Astaire, Fred Astaire
- Strike Up the Band - Red Nichols & His Orchestra
- Makin' Whoopee - Eddie Cantor
- Heatwave - Ethel Waters
- Easter Parade - Clifton Webb
- She Didn't Say Yes - Peggy Wood
- I've Told Every Little Star - Mary Ellis
- Johnny One Note - Lynn Murray, Lynn Murray
Album Description
Import exclusive, budget price compilation featuring Broadway classics like 'You'll Never Walk Alone', 'Summertime', & There's No Business Like Show Business', performed by Ethel Merman, Gertrude Lawrence, Celeste Holm, & many more. 75 tracks in all. Standard double jewel case. Disky. 2001.
Album Details
3 CD set
Customer Reviews:
A bargain collection of showtunes.......2005-08-19
This bargain collection of showtunes is highlighted by the composition of Kurt Weill and the uniquely rolling tongue of Colette Lyons. I have a complaint about this compilation. It includes "Ol' Man River", but it excludes Al Jolson's rendition of "Ol' Man River." Otherwise, this collection gives you ample bang for your buck.
Average customer rating:
- Elliott Ranney is a natural!
- A musical breath of the ocean
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An Aging Sailor's Dream
Elliott Ranney
Manufacturer: Wildstone Audio
ProductGroup: Music
Binding: Audio CD
General
| Folk
| Styles
| Music
General
| Jazz
| Styles
| Music
General
| Folk
| Indie Music
| Stores
| Music
General
| Jazz
| Indie Music
| Stores
| Music
ASIN: B00005JY5B
Release Date: 2001-05-01 |
Tracks:
- A Good Life
- Prelude
- Together
- Sailing Through
- Ellen Claire
- I Still Remember You
- Becoming The Sun
- Innervoice
- St. Louis In One More Day
- What Am I To Do?
- Norah
- An Aging Sailor's Dream
Album Description
From the first track Elliott takes listeners on a delightful trip through an album of songs I can only call folk inspired jazz. Often built on a rhythmic touch of Brazil, the collection reminds me of raindrops dancing across a richly textured landscape. Light and airy music...I think you will find that this album becomes part of the soundtrack for cozy Sunday afternoons. Tom Shipley (Brewer & Shipley)
Customer Reviews:
Elliott Ranney is a natural!.......2003-07-21
We were fortunate to hear Elliott Ranney in person AND have purchased "An Aging Sailors Dream." He's a fantastic performer and we hope to hear more from him soon.
A musical breath of the ocean.......2001-08-03
This debut CD by Elliott Ranney has been in my player all summer long! It's breezy melodies and fine instrumental work are perfect for hot summer days (and it will be a welcome reminder this coming winter). Reminds me a bit of Jobim, a bit of Michael Franks but has original qualities that make it sound like nothing else. Great melodic mellow music!!
Average customer rating:
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First Takes
Frank Potenza , and Shelly Berg
Manufacturer: Azica
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
Similar Items:
- Blackbird
- Will: A Tribute to Oscar Peterson
- In My Dreams
- Thelonious Monk Quartet with John Coltrane at Carnegie Hall
- From This Moment On
ASIN: B0009IOS3S
Release Date: 2005-05-24 |
Tracks:
- Wonder Why
- Jitterbug Waltz
- Virgo
- Driftin'
- Yesterdays
- Three in One
- Oil and Water
- Tristeza
- Tonk
- You Must Believe in Spring
Average customer rating:
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Symphony 9: Introduction to Dvorak
Dvorak
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Instructional
| Miscellaneous
| Styles
| Music
Similar Items:
- An Introduction to Brahms' Piano Concerto No. 2
- Classics Explained: Pastoral Symphony
- Classics Explained: Brandenburg Concertos 4 & 5
- An Introduction to Vivaldi's "The Four Seasons"
- Classics Explained: Rite of Spring
ASIN: B000069HGK
Release Date: 2002-09-17 |
Average customer rating:
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An Introduction to Schubert's Piano Quintet "Trout"
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
General
| Music
| Entertainment
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| Books
Quintets
| Chamber Music
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General
| Chamber Music
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All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
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| Classical
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General
| Saint-Saëns, Camille
| ( S )
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| Schubert, Franz
| ( S )
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Spoken Word
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Similar Items:
- Classics Explained: Pastoral Symphony
- An Introduction to Brahms' Piano Concerto No. 2
- Classics Explained: Rite of Spring
- Classics Explained: Brandenburg Concertos 4 & 5
- Symphony 9: Introduction to Dvorak
ASIN: B000076FX6
Release Date: 2003-01-21 |
Average customer rating:
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First Takes
Tony Campise
Manufacturer: Heart Music
ProductGroup: Music
Binding: Audio CD
General
| Blues
| Styles
| Music
Bebop General
| Bebop
| Jazz
| Styles
| Music
Hard Bop
| Bebop
| Jazz
| Styles
| Music
General
| Jazz
| Styles
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Modern Postbebop
| Jazz
| Styles
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Bebop & Post-Bop
| Compilations
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General
| Blues
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| Music
ASIN: B00000164N
Release Date: 1995-02-28 |
Tracks:
- I Got It Bad and That Ain't Good
- Goodbye Pork Pie Hat
- When Sunny Gets Blue
- I Love You
- How Insensitive
- Sometime Ago
- Prelude To A Kiss
- Serenade To A Cuckoo
Jazz Music:
- FIVE
- For Musicians Only
- Free Ride
- Gallianissimo
- Harmony and Abyss
- Hip to Bop
- Hot Comb & Tin Can
- Hot Sonatas
- Huellas en la Luz [Import]
- I Remember Bill: A Tribute to Bill Evans
Jazz Music
Jazz Music