The Early Years [Box set]
The Early Years [Box set]
ASIN: B0007ULN8Q
Track Listings
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Disc: 1
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1. Out Of Nowhere
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2. The Squirrel
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3. They Didn't Believe Me
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4. My Old Flame
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5. There Will Never Be Another You
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See all 13 tracks on this disc
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Disc: 2
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1. Isn't It Romantic?
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2. The Lamp Is Low
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3. This Time The Dream's On Me
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4. Maid In Mexico
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5. Imagination
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See all 17 tracks on this disc
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Disc: 3
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1. Band Aid
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2. Bea's Flat
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3. Moon Love
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4. Happy Little Sunbeam
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5. I Fall In Love Too Easily
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See all 26 tracks on this disc
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Disc: 4
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1. The Wind
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2. But Not For Me
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3. Time After Time
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4. I Get Along Without You Very Well
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5. There Will Never Be Another You
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See all 19 tracks on this disc
Editorial Reviews
Product Description
A primary exponent of the West Coast sound during the 1950s, Chet Baker matched this achievement with a secondary career as a singer, achieving considerable fame and success. However, it was as a jazz trumpeter that he first made his name, winning his first Downbeat poll in 1948 and then making the key recordings that launched the West Coast movement, with the Lighthouse Allstars and then Gerry Mulligan. This 4CD set includes tracks that illustrate the meteoric rise to fame that Baker experienced from the late '40s through to around 1952 when the Mulligan quartet was in full flight. This is one of the first Properbox sets to be issued in new slimline packaging - half the thickness of the original sets but with all the same information and produced to the same exceptional quality.
The Early Years,Chet Baker,Proper Box UK,Box Sets (Audio Only),Cool,Jazz,Pop,United States of America,West Coast Jazz
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Great Collection - Ready for more!!!
- Great collection
- Hi-De-Ho! What a deal on the best of Cab Calloway!
- Excellent Compilation
- NICELY DONE, BOYS, NICELY DONE. BUY THIS SET!
|
The Early Years: 1930-34
Cab Calloway , and Cab Calloway
Manufacturer: Jsp Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Vol. 2: 1935-1940
- Louis Jordan & His Tympani Five
- Stomping at the Savoy
- The 1930's Recordings
- Are You Hep to the Jive?
ASIN: B00005O13O
Release Date: 2001-10-09 |
Tracks:
- Gotta Darn Good Reason Now (For Bein' Good)
- St. Louis Blues
- Sweet Jennie Lee
- Happy Feet
- Yaller
- The Viper's Drag
- Is That Religion?
- Some Of These Days
- Nobody's Sweetheart
- St. James' Infirmary
- Dixie Vagabond
- So Sweet
- Minnie The Moocher
- Doin' The Rumba
- Mood Indigo
- Farewell Blues
- I'm Crazy 'Bout My Baby
- Creole Love Song (Creole Love Call)
- The Levee Low-Down
- Blues In My Heart
- My Honey's Lovin' Arms
- The Nightmare
- It Looks Like Susie
- Sweet Georgia Brown
- Basin Street Blues
Tracks:
- Black Rhythm
- Six Or Seven Times
- Bugle Call Rag
- You Rascal, You
- Stardust
- You Can't Stop Me From Lovin' You
- You Dog
- Somebody Stole My Gal
- Ain't Got No Gal In This Town
- Between The Devil And The Deep Blue Sea
- Trickeration
- Kickin' The Gong Around
- Down-Hearted Blues
- Without Rhythm
- Corinne Corinna
- Stack O' Lee Blues
- The Scat Song
- Cabin In The Cotton
- A Strictly Cullud Affair
- Aw You Dawg
- Minnie The Moocher's Wedding Day
- Dinah
- How Come You Do Me Like You Do?
- Old Yazoo
Tracks:
- Angeline
- I'm Now Prepared To Tell The World It's You
- Swanee Lullaby
- Reefer Man
- The Old Man Of The Mountain
- You Gotta Ho-De-Ho (To Get Along With Me)
- Strange As It Seems
- This Time It's Love
- Git Along
- Hot Toddy
- I've Got The World On A String
- Harlem Holiday
- Dixie Doorway
- Wah-Dee-Dah
- Sweet Rhythm
- Beale Street Mama
- That's What I Hate About Love
- The Man From Harlem
- I Gotta Right To Sing The Blues
- My Sunday Gal
- Eadie Was A Lady
- Gotta Go Places And Do Things
- Hot Water
Tracks:
- Evenin' - Cab Calloway And His Cotton Club Orchestra
- Harlem Hospitality - Cab Calloway And His Cotton Club Orchestra
- The Lady With The Fan - Cab Calloway And His Cotton Club Orchestra
- Harlem Camp Meeting - Cab Calloway And His Cotton Club Orchestra
- Zaz Zuh Zaz - Cab Calloway And His Cotton Club Orchestra
- Father's Got His Glasses On - Cab Calloway And His Cotton Club Orchestra
- Minnie The Moocher - Cab Calloway And His Cotton Club Orchestra
- The Scat Song - Cab Calloway And His Cotton Club Orchestra
- Kickin' The Gong Around - Cab Calloway And His Cotton Club Orchestra
- There's A Cabin In The Cotton - Cab Calloway And His Cotton Club Orchestra
- I Learned About Love From Her - Cab Calloway And His Cotton Club Orchestra
- Little Town Girl - Cab Calloway And His Cotton Club Orchestra
- 'Long About Midnight
- Moon Glow
- Jitter Bug
- Hotcha Razz-Ma-Tazz
- Margie
- Emaline
- Chinese Rhythm
- Moonlight Rhapsody
- Avalon
- Weakness
Amazon.com
As a young singer Cab Calloway was at his most exuberant, and The Early Years: 1930-1934 has plenty of that exuberance on offer. In 1930, just before his recording debut, he took over a powerful band called the Missourians, and their best soloists (R.Q. Dickerson on trumpet and Thornton Blue on clarinet) can be heard on the first of these four CDs, which includes a startling "St. Louis Blues" as well as the original version of the famous "Minnie the Moocher." Calloway, in spite of a rather nasal tone, was a technically gifted singer who approached songs with the improvising skills of a jazz musician. No doubt because of this he ensured that his bands always swung and contained soloists of character. His repertoire here mixes well-known songs such as "Somebody Stole My Gal" and "I've Got the World on a String" with obscure delights like "Black Rhythm" and "Eadie Was a Lady," but Calloway imparted a unique flavor to whatever he sang. The value of this bargain package is enhanced by the audio restoration work of the expert John R.T. Davies, who has extracted more sonic detail from these old recordings than one would have thought possible. --Graham Colombé
Customer Reviews:
Great Collection - Ready for more!!!.......2004-12-27
While I'm a big fan of this collection, along with the continuing collection "1935-1940", I'd be really interested in knowing if JSP is planning on putting out a collection of Cab's 1940-1947 stuff. If such a collection exists from JSP & I'm just being ignorant, please let me know!
Great collection.......2004-11-12
I'm a very big Calloway fan and this is a very complete collection. Wonderfully put together and sounds just like I'm listening to an actual record. Amazing.
I will highly suggest this four disc set to everyone, a four disc set of one of the greatest jazz/blues singer and performer of the 1930's.
Hi-De-Ho! What a deal on the best of Cab Calloway!.......2004-04-01
JSP Records from the U.K. has really been doing a bang-up, first-rate job with these CD box sets of classic swing jazz: they offer complete chronological catalogs of great artists, re-mastered with terrific sound, and sold at amazing prices! I've enjoyed their Django Rheinhardt, Bill Wills, and Louis Jordan box sets, and this collection of Cab Calloway and His Orchestra (the first of two) is another triumph.
This set encompasses the earliest recordings in Cab's incredible career, starting with his first session with the musicians who had once been the Missourians (they changed to the Cab Calloway orchestra when he became their singer) through his years as the top act at the Cotton Club. Before Benny Goodman made swing a commercial smash, Cab and his orchestra were swingin' hard, and you can hear in these first four years of recordings. His band leaps from hot jazz to hard swing to Cab's bizarre slow blues that became his trademark (exemplified in "Minnie the Moocher," heard in two different versions in this set). Cab Calloway was a remarkable showman, a born entertainer, a funny guy, and a unique singer. He was also an exceptional bandleader, and this extensive collection of songs lets you savor the musicianship of the boys in the band in a way that wasn't previously possible.
The first CD shows the band and Cab finding their identity. Cab seems a bit hesitant on the first track, his first recording as a leader, "Gotta Darn Good Reason (For Bein' Good)," but with the second track, a recording of the already old "St. Louis Blues," he finds his groove and starts having fun. And the fun never stops after this.
Here are some of the classic and un-earthed gems and other delightful treasures you'll find here:
Two recordings of "Minnie the Moocher," the first of which is extremely different from what people usually think of the song. (The most famous version wasn't recording until 1942). You'll also hear two of the sequels to "Minnie the Moocher": "Kickin' the Gong Around" (two versions) and "Minnie the Moocher's Wedding Day." Cab does some great nonsense scatting with "Zaz Zuh Zaz," "Hotcha Razz-Ma-Tazz," "The Scat Song," and "Wah-Dee-Dah." Some of the songs have strong racial overtones that reflect the kind of shows the Cotton Club put on for the white patrons: "Yaller," "Black Rhythm," and "Strictly Cullud Affair." These are somewhat unpleasant songs if you focus on the lyrics, but extremely interesting from the historical perspective. (The excellent liner notes discuss Cab's opinion about having to sing songs like this.) And then there's the extremely naughty, but red-hot song about marijuana, "Reefer Man." Cab also croons quite well on some very pretty, slow blues numbers, even though ballad singing wasn't his strength: "I Gotta Right to Sing the Blues," "Stardust," and "Six or Seven Times" are among the best tracks on these CDs. Some other personal favorites of mine: "Aw You Dog," instrumentals like "Moon Glow" and "Mood Indigo" that show how great a band was backing up Cab, and the defiant "I Gotta Go Places and Do Things," and...
Oh, there's just too much that's good on these CDs! And how can you turn it down at this price? You also get four informative booklets (actually, it's one continuous set of liner notes spread over four booklets) that detail the history of band, it's many exceptional players, and background on the racial situation of the times, which ties very closely into Cab Calloway's music. This information will help you appreciate the genius of Cab Calloway and His Orchestra even more.
And if you like this, make sure to get JSP's Volume 2 set of Cab Calloway, covering 1935-1940.
Excellent Compilation.......2003-11-07
This compilation of early (31-34) Calloway features excellent sound quality and a first-rate band backing up the King of Jive. At a great bargain price, this set is recommended for those who like their 30s swing served hot.
NICELY DONE, BOYS, NICELY DONE. BUY THIS SET!.......2003-04-29
Cab came out of the gate at full hepcat jive when these recordings were made. His youthful exuberance is well-represented by this great five-disc set, which has a price even someone who only knows "Minnie the Moocher" can love. BUY THIS SET and you will hear everything that made Cab an icon: a well-arranged hot band with some of the best soloists around, great songs, from standards to the famous novelty and scat classics, and a joy that will bring you out of the lowest mood. Thank you, JSP! BUY THIS SET! And then go out and buy a big white wide-brimmed hat and a zoot suit so you can jive with the best. GO CAB, GO!
Average customer rating:
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Great Voices of the Early Years (Box Set)
Manufacturer: Deutsche Grammophon
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Binding: Audio CD
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Deutsche Grammophon: Music
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ASIN: B00000DI2N
Release Date: 1998-11-10 |
Tracks:
- Rigoletto: 'Pari siamo!
- Rigoletto: 'Cortigiani, vil razza dannata'
- Otello: 'Niun mi tema'
- Pagliacci: 'Recitar!...Vesti la giubba'
- Cavalleria Rusticana: Siziliana 'O Lola ch'hai di latti la cammisa'
- Mattinata
- Otello: 'Tu?! Indietro! fuggi!'
- La Boheme: 'Quando men vo soletta per la vie'
- Rigoletto: 'Caro nome'
- La Fille Du Regiment: Tirolienne: 'Qu'est-ce que c'est que j'entends?'
- Rigoletto: 'La donna e mobile'
- TOSCA: 'Recondita armonia'
- La forza del destino: 'Oh, tu che in seno agli angeli'
- Aida: 'I sacri nomi di padre'
- TOSCA: 'E lucevan le stelle'
- L'Elisir d'Amore: 'Una furtiva lagrima'
- Il Barbiere di Siviglia: 'Una voce poco fa'
- Il Barbiere di Siviglia: 'La calunnia e un venticello'
- TOSCA: 'Vissi d'arte'
- Madame Butterfly: 'Un bel di vedremo'
- Turandot: 'Nessun dorma'
Tracks:
- Parsifal: 'Ich sah das Kind an seiner Mutter Brust
- Lohengrin: In fernem Land
- Die Meistersinger von Nurnberg: Morgenlich leutchtend im rosigen Schein
- Parsifal: Des Weihgefasses gottlicher Gehalt
- Das Rheingold: Weiche, Wotan, weiche!
- Rienzi's Prayer: Allmacht'ger Vater, blick herab
- Die Meistersinger von Nurnberg: Was duftet doch der Flieder
- Die Meistersinger von Nurnberg: Wahn, Wahn, uberall Wahn
- Der fliegende Hollander: The Dutchman's monologue
- Die Walkure: Ein Schwert verhiess mir der Vater
Tracks:
- Undine: Nun ist's vollbracht!
- The Merry Wives of Windsor
- The Magic Flute
- The Magic Flute: Ein Madchen oder Weibchen
- The Magic Flute: In diesen heil'gen Hallen
- The Magic Flute: O Isis und Osiris
- The Abduction From The Seraglio: Konstanze, dich wiederzusehen
- Gasparone: O wenn ich doch ein Rauber war
- Maria, mari: Schon strahlt die Nacht im Silberschein
- Martha: Letzte Rose
- Martha: Ach so fromm
- Liebe bei Hof: Man nehme zwei Herzen
- Chianti Song: Chianti-Lied
- Eine Nacht In Venedig: The Gondolier's Song
- The Land Of Smiles: Dein ist mein ganzes Herz
- Der Rosenkavalier: Hab' mir's gelobt - Ist ein Traum, kann nicht wirklich sein
- Der Freischutz: Einst traumte meiner sel'gen Base ... Trube
- Die Lustigen Weiber von Windsor: Als Bublein Klein an der Mutterbrust
- Ariadne auf Naxos: An Ihre Platze, meine Damen und Herrn!
Tracks:
- Feldeinsamkeit Op. 86 no. 2
- Epiphanias
- Fruhlingsfahrt Op. 45 - No. 2
- Auftrage Op. 77 No. 5
- Adelaide Op. 46
- An die Hoffnung Op. 32
- An Schwager Kronos D 369
- Erlkonig D 328
- Auf Flugeln des Gesanges Op. 34 No. 2
- Eifersucht und Stolz from Die schone Mullerin D 795
- Die drei Zigeuner, Searle 320
- Meeresleuchten Op. 145 No. 1
- Verborgenheit
- Wiegenlied Op. 49 No. 4
- Traum durch die Dammerung Op. 29 No. 1
- Allerseelen Op. 10 No. 8
- An die Musik D 547
- Der Musensohn D 764
- Am Grabe Anselmos D 504
- Traume from Wesendonck - Lieder
- Des Kindes Gebet from Schlichte Weisen Op. 76 No. 22
- Herzenstausch from Schlichte Weisen Op. 76 No. 5
Tracks:
- Winterreise D 911: Gute Nacht
- Winterreise D 911: Die Wetterfahne
- Winterreise D 911: Gefrorne Tranen
- Winterreise D 911: Erstarrung
- Winterreise D 911: Der Lindenbaum
- Winterreise D 911: Wasserflut
- Winterreise D 911: Auf dem Flusse
- Winterreise D 911: Ruckblick
- Winterreise D 911: Irrlicht
- Winterreise D 911: Rast
- Winterreise D 911: Fruhlingstraum
- Winterreise D 911: Einsamkeit
- Winterreise D 911: Die Post
- Winterreise D 911: Der greise Kopf
- Winterreise D 911: Die Krahe
- Winterreise D 911: Letzte Hoffnung
- Winterreise D 911: Im Dorfe
- Winterreise D 911: Der sturmische Morgen
- Winterreise D 911: Tauschung
- Winterreise D 911: Der Wegweiser
- Winterreise D 911: Das Wirtshaus
- Winterreise D 911: Mut!
- Winterreise D 911: Die Nebensonnen
- Winterreise D 911: Der Leiermann
Amazon.com
Deutsche Grammophon is lucky in that World War II didn't slow classical recordings in Germany as it did in the United States but stimulated them: It was essential for wartime morale. Thus, if you can get past any repugnance related to these recordings' genesis, there's a huge amount to enjoy. There's a disc of lieder by all the prewar greats (Franz Volker, Tiana Lemnitz, Erna Berger, and Heinrich Schlusnus), a disc of Wagner featuring young Hans Hotter, opera and operetta performances by Berger and Helge Roswaenge, and a disc showing how the German singers gave Italian opera a distinctively Nordic but highly communicative edge. The set is crowned by a complete Winterreise that was recorded by Peter Anders in 1945 (and sounds it): the cultivated tenor's anguished performance embodies a Germany facing the abyss. --David Patrick Stearns
Average customer rating:
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Sanctus: 1000 Years of Sacred Music (Box Set)
Manufacturer: Musica Di Angeli
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005AU4Y
Release Date: 2001-04-24 |
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Bach Edition Leipzig [Box Set]
Manufacturer: Capriccio
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Binding: Audio CD
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ASIN: B000028DFA
Release Date: 1999-11-02 |
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Beethoven: Early Years through the "Eroica" (Box Set)
Manufacturer: Smithsonian Collect.
ProductGroup: Music
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ASIN: B00008FRF1
Release Date: 1994-12-08 |
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Credo: 1000 Years of Sacred Music (Box Set)
Manufacturer: Brilliant Classics
ProductGroup: Music
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ASIN: B000G9RNG4
Release Date: 2006-04-04 |
Product Description
Four CD Set Digitally Remasered From Original Radio Recordings cd#1 SUDDENLY IT'S SPRING - LILLI BOLERO - I WISH IDIDN'T LOVE YOU SO YOU'RE THE TOPS - LILLY BELLE - WING & A PRAYER - IT'S ALL UP TO YOU - SOME OTHER TIME - YOU'RE GOT A HOLD ON ME - A GOOD MAN IS HARD TO FIND - RIGHT KIND OF LOVE cd#2 YOU MAKE ME FEEL SO YOUNG - SOMEBODY LOVES YOU - NIGHT AND DAY - JUST ONE OF THOSE THINGS - NEVERTHELESS - ON THE SUNNY SIDE OF THE STREET - LOVE ME OR LEAVE ME - YOU ARE LOVE - THEY DON'T BELIEVE ME - OUT OF NOWHERE - I'VE GOT MY LOVE TO KEEP ME WARM - FOR YOU cd#3 MIMI - HOW SOON -I'LL STRING ALONG WITH YOU - AFTER I SAY I'M SORRY - A LOVER IS BLUE - SPEAK LOW - DANCE BALLERINA DANCE - SERENADE OF THE BELL - DEVIL & THE DEEP BLUE SEA - MY HEART TELLS ME - I WONDER WHO'S KISSING HER NOW - LONG AGO AND FAR AWAY cd#4 S'WONDERFUL - THEY SAY IT'S WONDERFUL - BLUE SKIES - BEGIN THE BEGUINE - OL'MAN RIVER - DON'T BLAME ME - LAURA - IT ALL DEPENDS ON YOU - I FALL IN LOVE WITH YOU EVERYDAY - THE MUSIC STOPPED - I DON'T STAND A GHOST OF A CHANCE - YOU SO SOMETHING TO ME -
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