The 2nd John Handy Album

The 2nd John Handy Album

The 2nd John Handy Album

ASIN: B000005YOZ

Editorial Reviews
Jazz Times
The group chemistry is the main point of interest for jazz listeners.... Handy is also a master of the sax and his cohorts rate high as soloists and even higher as group players, all of which assures a deserved continued interest, and three previously unheard tracks add to that. But if one long (13:46) piece version made a record worth buying, "Scheme #1") here is surely that piece.... The group's togetherness raises this performance to a level no other third stream music ever reached.

The 2nd John Handy Album,John Handy Quintet,Koch Records,Jazz,Jazz Music,Pop,Post-Bop
The 2nd John Handy Album
Average customer rating: 5 out of 5 stars
  • Superb cutting edge jazz
The 2nd John Handy Album
John Handy Quintet
Manufacturer: Koch Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000005YOZ
Release Date: 1997-09-16

Tracks:

  1. Dancy Dancy
  2. Theme X
  3. Blues For A Highstrung Guitar
  4. Dance For Carlo B
  5. Scheme #1
  6. A Bad Stroke Of Luck
  7. Blues For A Highstrung Guitar (Alternate Take)
  8. Debonair

Customer Reviews:

5 out of 5 stars Superb cutting edge jazz.......2000-10-19

Handy put together one of jazz's most unique cooperatives for an unfortunately short-lived period in the mid-'60s. While the commercial climate wasn't kind to the band, they nonetheless produced some superb music, originally recorded on Columbia and now reissued on Koch. This release finds the quintet continuing to explore new ground.

Handy, one of our finest and most underappreciated altoists, surrounded himself with musicians no less free-thinking than himself, most notably the superb guitarist Jerry Hahn and the fine violinist Michael White. The band was capable of moving effortlessly through through jazz, rock, blues and free material. Their willingness to push the boundaries of jazz is demonstrated most clearly on "Scheme #1," which concluded the original vinyl release. It is a wonderfully realized exercise in musical abstraction, but its free quality doesn't mean that it's aimless or chaotic. In fact, Handy wrote several sections for the piece. Rather, the piece moves about in ways that invite the listener to make his own connections between the statements made by each band member.

The freedom of "Scheme #1" is balanced by some serious cooking from all involved. Hahn is astonishing on "Blues for a High-Strung Guitar" and Handy's playing on "Dancy Dancy" should make everyone wonder why he has received so little recognition during the course of his career.

The best blendings of jazz talents show the listener that telepathy does indeed exist. This tightly fused band deserved many more opportunities to weave their magic.

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