In 'n Out [Original recording remastered]

In 'n Out [Original recording remastered]

ASIN: B0002KQO1W

Editorial Reviews
Product Description
Every single album produced by the team of Joe Henderson and Kenny Dorham has become a Blue Note classic. "In 'N Out", propelled by the rhythm section of McCoy Tyner, Richard Davis and Elvin Jones is particularly memorable for Henderson's "Punjab" and "Serenity", both of which have become jazz standards. An alternate take of the title tune has been added to the album.

JOE HENDERSON, tenor sax; KENNY DORHAM, trumpet; McCOY TYNER, piano; RICHARD DAVIS, bass; ELVIN JONES, drums

* bonus track, not part of original LP.
Recorded on April 10, 1964 at the Van Gelder Studio, Englewood Cliffs, New Jersey

Tracks:

Seesaw - Orchestra & Company
My City - Street Walkers & Company
Nobody Does It Like Me - Michele Lee
In Tune - Michele Lee/Ken Howard/Company
Spanglish - Giancarlo Esposito/Michele Lee/Ken Howard/Company
Welcome To Holiday Inn - Michele Lee
You're A Lovable Lunatic - Ken Howard
He's Good For Me - Michele Lee
Ride Out The Storm - Lamonte Desfontaines/Cecelia Norfleet/Company
Entr'acte - Orchestra
We've Got It - Ken Howard
Poor Everybody Else - Michele Lee
Chapter 54, Number 1909 - Tommy Tune/Ken Howard/Michael Lee/Company
Seesaw Ballet - Orchestra
It's Not Where You Start - Tommy Tune/Company
Finale: I'm Way Ahead & Seesaw - Michele Lee
Bows: It's Not Where You Start - Entire Company

Customer Reviews:

It deserved better.......2007-07-05

I've often wondered if I'm the only person alive who saw "Seesaw!" It's been sadly neglected. Michele Lee was wonderful, and it was a great introduction to a guy named Tommy Tune.. The music is very enjoyable. Highly recommended for Broadway show lovers!

SEESAW (1973 ORIGINAL BROADWAY CAST).......2007-01-27

I SAW THIS SHOW AND LOVED EVERY MOMENT. I TILL REMEMBER HOW MUCH FUN I HAD. I WAS IN COLLEGE AT THE TIME AND HAD THE GREAT OPPORTUNITY TO SEE IT AGAIN. THE SCORE IS WONDERFUL, TUNEFUL AND MEMORABLE.

A Broadway nadir........2004-09-14

With all due respect to Cy Coleman and Dorothy Fields, both of whom made major contributions to the Broadway canon, this must be one of the weakest musical scores ever committed to vinyl. Worst of all, it bears no relation to the poignant two-character play on which it is based. Just who was it who wanted that tender little play to be enhanced by a big campy production number starring Tommy Tune?

Michele Lee sings Cy Coleman's most underrated score.......2004-01-28

SEESAW was a musical version of William Gibson's rueful comedy-drama TWO FOR THE SEESAW, which originally starred Anne Bancroft. For the musical version, the leading lady was the delightful Michele Lee (BRAVO GIOVANNI) who earned a Tony nomination for her performance.

The Cy Coleman-Dorothy Fields score includes great numbers like "Nobody Does It Like Me", "In Tune" and the 11 o'clock number "Poor Everybody Else".

The supporting cast includes the always-reliable Tommy Tune, as well as Ken Howard, Cecelia Norfleet and LaMonte DesFontaines.

Highly-recommended for fans of Broadway musicals as well as the incantory Miss Michele Lee. [DRG CDRG6108]

This Seesaw is merely quirky fun.......1999-08-22

Cy Coleman's Seesaw overture is a wonderful start to a wonderfully breezy CD. Most of the chorus numbers are very poor ( Spanglish, Ride Out the Storm), but the spotlighted Michele Lee, Ken Howard, and Tommy Tune are preserved fantastically. Michele Lee's husky voice is capable of making your heart soar and break at the same time. Her comedic timing is wonderful (Welcome to Holiday Inn), her down-on-her-luck song is perfection(Nobody Does It Like Me), and Poor Everybody Else will have you rooting for Michele instantly. Ken Howard is truly a Lovable Lunatic. And Tommy Tune's Tony Award winning performance is captured here with "It's Not Where You Start." It is typically Coleman music, but he is wonderfully aided with Dorothy Fields's lyrics. If you can find it for a discount, don't resist!

42nd Street (2001 Revival Broadway Cast)

Average customer rating:

What's The Big Deal?
it's just fluff, not a lot of impressive substance
Not the greatest, but good.
The Big Parade
Truly the musical for those who love Broadway musicals

42nd Street (2001 Revival Broadway Cast)
Al Dubin , and Michael Cumpsty
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

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42nd Street (1980 Original Broadway Cast)
42nd Street (Keep Case)
42nd Street: Piano/Vocal/Chords
West Side Story (1997 Studio Cast) (First Complete Recording)
Grey Gardens - A New Musical (2006 Original Broadway Cast)

ASIN: B00005K9KC
Release Date: 2001-06-12

Tracks:

Act 1: Overture
Act 1: Audition
Act 1: Young And Healthy
Act 1: Shadow Waltz
Act 1: Go Into Your Dance
Act 1: You're Getting To Be A Habit With Me
Act 1: Getting Out Of Town
Act 1: Dames
Act 1: Keep Young And Beautiful
Act 1: Dames (Continued)
Act 1: I Only Have Eyes For You
Act 1: We're In The Money
Act 1: Act One Finale
Act 2: Entr'acte
Act 2: Sunny Side To Every Situation
Act 2: Lullaby Of Broadway
Act 2: About A Quarter To Nine
Act 2: Overture For 'Pretty Lady' / With Plenty Of Money And You
Act 2: Shuffle Off To Buffalo
Act 2: 42nd Street
Act 2: 42nd Street (Reprise)
Act 2: Finale Ultimo

Amazon.com

Mounting a revival of 42nd Street seemed a bit premature--after all, the show had closed in 1989 after nearly nine years on Broadway. But as a giddy love letter to the musical theater, it can't be beat, so we're not going to complain. Inspired by Busby Berkeley's movie, the show includes one great Warren-Dubin number after another, making it a feast of titanium-plated hits that include "You're Getting to Be a Habit with Me," "Dames," "We're in the Money," "Lullaby of Broadway," and, of course, the title song. The leads are on the bland side, but the rest of the cast--most notably Mary Testa, Jonathan Freeman, and 2001 Tony-winner Christine Ebersole--has more than enough spunk to fuel this revival. This is one of the most joyous albums you're likely to hear in a while. Just close your eyes and prepare to be swept into a wondrous world of sassy dames and high-kickin' chorus girls. --Elisabeth Vincentelli

Customer Reviews:

What's The Big Deal?.......2006-08-02

Call me an old curmudgeon, but I never understood why everyone thought 42nd St was so wonderful. I saw the original cast and except for the two big songs, Lullaby of Broadway and 42nd St.( which, okay, were pretty spectacular ensemble dance numbers), the rest was kind of ho-hum, cornball nonsense set to a bunch of standards. Nothing original or ground breaking. Mindless fluff and very often done better. Had director/choreographer, the great Gower Champion not died on opening night (and which David Merrick shamelessly, grossly and tastelessly exploited), the show would have had a mild run and been gone and forgotten. But it became something of a theatrical legend and an incredibly, long running hit. Oh well, that's show biz! This recording is no better or worse than the original, pleasant if forgettable.

it's just fluff, not a lot of impressive substance.......2005-04-13

there are some very good songs in this show, but overall the content and many songs did not impress me at all. let me quote one for you-
what's cute about a little cutie?
it's her beauty, not brains
old father time will never harm you
if your charm still remains...

keep young and beautiful
it's your duty to be beautiful
keep young and beautiful
if you want to be loved

does anyone feel a little bit uncomfortable with these lyrics? i know it was written awhile ago, but not so long ago that these kind of messages were readily accepted... i hope. i personally can't say i loved the show when i went to see it two years ago. the plot was unconnvincing and the themes personally bothered me. i'll admit that there are some winning songs in the album. some of my favorites being 'you're getting to be a habit with me' 'i only have eyes for you' and the title song, but my disliking for the actual show makes me regard the soundtrack in a negative light. if you will buy a cd for a handful of good songs amid many other, well, not so good, then buy it. first read up on the plot though. compared with the good, moving broadway plays, this one just doesn't measure up. it's all fluff. if you enjoy fluff, by all means get the cd.

Not the greatest, but good........2004-04-03

Out of the many soundtracks I own, I can't say 42nd street is my favourite. However, it gets a listen every now and then. The length of it isn't so much a problem [I can listen to the 2001 The Producers and restrain from growing tired], there are a few songs I don't care for. Not to mention, some I blatantly skip over. However, "You're Getting To Be a Habit with Me", "Only Have Eyes For You", "Lullaby of Broadway", "A Quarter to Nine", and "42nd Street" are all excellent, and worh the 20 bucks. The beginning of the sdtk isn't the most enthralling show tunes I've heard, but the latter half makes up for it. If you're aim is to work towards completing your broadway collection, by all means, get this album! But if you're not much of a fan of musicals, there are better. 3.5 stars.

The Big Parade.......2003-08-23

Even though the original performace only closed in 1989, after a nine year run(one of the longest-running shows in Broadway history), its really no suprise to see 42nd Street back in action. With catchy, classic songs such as the perky, slighty corny "We're in the Money", the comedic "Keep Young and Beautiful", the classic "You're Getting to Be a Habit with Me", the wonderful title song, and of course the big one, the turning point, the always great "Lullaby of Broadway", the show is larger than life. Christine Ebersole is truly a star, with an amazing vocal range. If you listen to all of her songs, you will hardly believe you are hearing the same person. David Elder has a perfect tenor voice, Michael Cumpsty, although everyone says he is no Jerry Orbach, has excellent acting skills, Mary Testa and Jonathan Freeman are the perfect pair, and Kate Levering is a talented Peggy Sawyer. The addition of some new songs, such as "Keep Young and Beautiful", "I Only Have Eyes for You", "With Plenty of Money and You" and the new verse to "42nd Street", make the show even greater. The "grandaddy of all backstage musicals" will never die: 42nd Street, that big parade, really will go on for years.

Truly the musical for those who love Broadway musicals.......2003-08-23

I discovered 42nd Street only this year, as it was my middle school musical. The music is catchy and fun, the lines are cute and funny, and the amount of dancing in the show is just amazing. Although I have yet to see the Broadway Revival,(unfortunately I was born too late for the original, I will never get over that)the CD carries the spirit of the show. Although the tapping is stronger on the original cast recording, the songs are just as beautifully done for the most part.(The original Lullaby of Broadway was better, but I liked the fact that you got to hear what I think is one of the mpost powerful lines in the show before the song). Along with the old favorites are some new ones, such as Keep Young and Beautiful and I Only Have Eyes for You. If you have heard both CDs, you will notice that some songs have different lyrics, like Maggie's verse of Shuffle of to Buffalo, and the added lyrics to 42nd Street. Christine Eberdsole's voice is amazing in range, in fact, if you listen to Shadow Waltz and then skip to the Act I Finale, you will hardly believe you are hearing the same person. Mary Testa and Jonathan Freeman are the perfect Maggie and Bert. Michael Cumpsty, although he is no Jerry Orbach, is a very good Julian Marsh. David Elder has a good tenor voice for Billy. Kate Levering, however, is a little disappointing. While a good singer, she isn't quite a Peggy Sawyer. From what I have heard, Meredith Patterson, the understudy, is more talented than Levering. All in all, if you consider yourself a lover of Broadway musicals, you HAVE to see and hear 42nd Street--Truly the Broadway musical for people who love Broadway musicals.

Average customer rating:

I waited for this for five years
Excellent collection but BIG PUBLISHING MISTAKE!
ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS
SUCH MAGICAL MUSIC OF THE NIGHT!
A Must Have for Sir Andrew fans

Andrew Lloyd Webber: Now & Forever
Various Artists
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Gold: The Definitive Hits Collection
The Very Best Of Andrew Lloyd Webber: The Broadway Collection
Evita (Original London Cast)
Andrew Lloyd Webber - The Royal Albert Hall Celebration
Andrew Lloyd Webber - Masterpiece (Collector's Edition) (Bonus CD)

ASIN: B00005R5UJ
Release Date: 2001-11-20

Tracks:

Jesus Christ Superstar: Overture - Andrew Lloyd Webber
Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
Jesus Christ Superstar: Superstar - Murray Head
Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
Evita: Another Suitcase In Another Hall - Barbara Dickson
Evita: Don't Cry For Me Argentina - Julie Covington
Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
Cats: The Jellicle Ball - Andrew Lloyd Weber
Cats: Memory - Elaine Paige
Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
Cats: Mr Mistoffelees - Paul Nicholas
Song And Dance: Take That Look Off Your Face - Marti Webb
Song And Dance: Tell Me On A Sunday - Marti Webb
Song And Dance: Unexpected Song - Sarah Brightman
Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
Song And Dance: Introduction - Andrew Lloyd Webber
Song And Dance: Variations 1 -4 - Andrew Lloyd Webber

Tracks:

Starlight Express: Starlight Express - El Debarge
Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
Starlight Express: Light At The End Of The Tunnel - The Company
Requiem: Hosanna - Placido Domingo
Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
The Phantom Of The Opera: The Music Of The Night - Michael Crawford
The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
The Phantom Of The Opera: Masquerade - The Company
The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
Aspects Of Love: Love Changes Everything - Michael Ball
Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
Aspects Of Love: Anything But Lonely - Sarah Brightman
Aspects Of Love: Chanson D'Enfance - Sarah Brightman

Tracks:

Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
By Jeeves: Half A Moment - Sarah Brightman
Sunset Boulevard: With One Look - Glenn Close
Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
Sunset Boulevard: Sunser Boulevard - Alan Campbell
Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
Whistle Down The Wind: Cold - Everly Brothers
Whistle Down The Wind: No Matter What - Children/Adult Chorus
Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
The Beautiful Game: Overture - Andrew Lloyd Webber
The Beautiful Game: The Beautiful Game - The Company
The Beautiful Game: Our Kind Of Love - Hannah Waddingham
The Beautiful Game: Dont Like You - Josie Walker/David Shannon
The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir

Tracks:

Oh What A Circus - David Essex
Memory - Betty Buckley
The Phantom Of The Opera - Sarah Brightman/Steve Harley
All I Ask Of You - Sarah Brightman/Cliff Richard
Love Changes Everything - Michael Ball
Any Dream Will Do - Donny Osmond
Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
As If We Never Said Goodbye - Barbra Streisand
The Perfect Year - Dina Carroll
With One Look - Petula Clark
You Must Love Me - Madonna
The Heart Is Slow To Learn - Kiri Te Kanawa
A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
Whistle Down The Wind - Tina Arena
No Matter What - Boyzone
The Vaults Of Heaven - Tom Jones
Try Not To Be Afraid - Boy George
Pie Jesu - Charlotte Church

Tracks:

Make Believe Love - Wes Sands
Down Thru' Summer - Ross Hannaman
I'll Give All My Love To Southend - Ross Hannaman
Believe Me I Will - Sacha Distel
Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
Try It And See - Rita Pavone
Come Back Richard Your Country Needs You - Time Rice And The Webber Group
Goodbye Seattle - Paul Raven
John 19:41 - The Andrew Lloyd Webber Orchestra
What A Line To Go Out On - Yvonne Elliman
Disillusion Me - Gary Band
The Ballad Of Robert And Peter - Tim Rice
Christmas Dream - Maynard Williams
It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
Magdalena - Tony Christie
Buenos Aires - The Roja Rockers
Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
I Could Have Given You More - Petula Clark
I've Been In Love Too Long - Marti Webb
Benedicite - The Stephen Hill Singers

Album Description

Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance

Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love

Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game

CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church

Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers

Customer Reviews:

I waited for this for five years.......2006-06-30

Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
It was worth the wait.

The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.

I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.

There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."

But the selections on CDs 1-3 don't make sense.

First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.

Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?

On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?

The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).

There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.

With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?

Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.

In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.

Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10

Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.

ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21

Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.

Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.

Here are my basic impressions and comments regarding the material on the discs:

* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.

* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.

* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.

* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.

* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.

Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.

SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19

"Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.

A Must Have for Sir Andrew fans.......2002-05-21

This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!

Average customer rating:

Beware; Excerpts
THE HIGHLIGHTS DISC OF THE ORIGINAL LONDON PRODUCTION
Not the Original Broadway Cast, but not bad
Misleading CD cover
MISSING SO MANY GOOD SONGS

Evita (Original London Cast)
Tim Rice
Manufacturer: Mca Import
ProductGroup: Music
Binding: Audio CD

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Evita: An Opera Based On The Life Story Of Eva Peron 1919-1952 (1976 Studio Cast)
Evita (1978 Original Broadway Cast)
Evita (2006 London Cast)
Cats (1981 Original London Cast)
Encore

ASIN: B00000B9FS
Release Date: 1998-08-19

Tracks:

Requiem for Evita - David Essex, Elaine Paige
Oh! What a Circus/Requiem - David Essex, Elaine Paige
On This Night of a Thousand Stars - Mark Ryan
Buenos Aires - Elaine Paige
Goodnight and Thank You - David Essex, Elaine Paige
I'd Be Surprisingly Good for You - Joss Ackland w/ Peter Bayliss, Elaine Paige
Another Suitcase in Another Hall
New Argentina - Joss Ackland w/ Peter Bayliss, David Essex, Elaine Paige
Don't Cry for Me Argentina - Elaine Paige
High, Flying Adored - David Essex, Elaine Paige
Rainbow High - Elaine Paige
And the Money Kept Rolling (In and Out) - David Essex
Waltz for Eva and Che - David Essex, Elaine Paige
She Is a Diamond - Joss Ackland w/ Peter Bayliss
Lament - David Essex, Elaine Paige

Album Details

Original London Cast of Andrew Lloyd Webber's Evita.

Customer Reviews:

Beware; Excerpts.......2006-12-05

I bought this thinking it was the entire show. It's missing some of my favorite songs, such as "Rainbow Tour." Elaine Paige is great, but I don't care much for David Essex as Che.

THE HIGHLIGHTS DISC OF THE ORIGINAL LONDON PRODUCTION.......2005-09-17

Over the years Andrew Lloyd Webber has made many musicals, some more successful and appealing to the public than the others. Most people will, however, agree that "Evita" remains one of his most satisfying works to this date. Numerous reasons confirm this statement. Just like in its predecessor "Jesus Christ Superstar", "Evita" is almost entirely sung-through; the lyrics are witty and appropriate; the subject matter is again a personality larger-than-life who rises from obscurity and dies at the peak of its fame, thus becoming a legend; the score is captivating and appealing to the listener, at home or in the theatre.

Following the suit of the Superstar, ALW and Tim Rice first published Evita as an album, which appeared in 1976. It was an instant success and soon afterwards the preparations began to put it on the stage. The veteran of the musical theatre direction, Hal Prince, accepted the offer to adapt the original album and Elaine Paige, then an unknown actress and musical theatre performer was cast in the role of Evita. The show premiered in London in 1978, winning acclaiming reviews and numerous awards. And yet, since the concept album was selling so well, the authors felt it unnecessary to release another full version of Evita, with the London cast. That is why we only have this highlights 53-minute recording of the original London production. The story of Evita is widely known, but for those who are new to this let's repeat the essentials: We follow the life story of Eva Duarte Peron, wife of post-World war two president of Argentina, Juan Peron. However, the musical is very loosely based on the actual life of the real Evita. The story follows Evita from the day of her death in July 1952, and then we have flashbacks until that moment, covering her coming to Buenos Aires, alleged love affairs, meeting Peron, being the first lady and dying of cancer at 33.

Being the first theatre version of the somewhat revised concept album material, this disc is not the best recording available. There are several drawbacks. First, it lacks a great part of the show, since all we have here are snippets, i.e., the main musical numbers, meaning it is a bit difficult to follow the story if you are a first-time listener, even though the booklet provides a basic story outline. One of the other obvious weaknesses is the minimalist orchestrations used on this recording. After the lush and epic sound of the concept album featuring the London philharmonics and a rock band, here we have the usual pit orchestra, consisting of only the basic instruments. Thus the beauty of the score remains somewhat lost and is only traceable in hints. The authors seem to be aware of it, since for the upcoming Broadway recording of the show, the orchestrations were improved and sounded clearer.

In addition, the cast performance here is also mixed. Although the role of Eva Peron raised Elaine Paige to stardom, I find her performance not the best, simply because her voice sounds too young. With time her vocal abilities matured, but here she just doesn't reach a much needed uncompromising determination of the character, the way Patti LuPone did on Broadway or Julie Covington on the original album. That is not to say that Elaine performance here is altogether bad, but it could have been much better. David Essex, on the other hand, is a very good Che. He has the strong vocal power Colm Wilkonson and Antonio Banderas both demonstrated in their interpretation, which leaves one wondering why was Mandy Patinkin cast in the role when the show was transferred to Broadway, since he had a very light and unpleasant voice. Joss Ackland, an esteemed British actor is a well chosen Peron, with a suitable dark note in his performance.

The CD comes with a couple of the production photos, but no lyrics are included.

For those of you who are getting acquainted with the story of Eva Peron for the first time I must point out: Bear in mind that this musical is only loosely based on the life of the real Evita. As much as Tim Rice's lyrics are craftily made, they lack a lot of historical accuracy. As a historian I became very interested in Eva Peron's life story so I did some research after seeing the movie. It turned out that the authors based their entire work on a single book called EVITA: THE WOMAN WITH A WHIP by Mary Main. It was based on rumors, lies and myths, written with the single purpose of slandering Eva Peron as much as possible. It contains no footnotes and no bibliography. The authors used it mainly because it was one of the few books available on the subject in the English language during the 70-is. So one should be very careful in making any conclusions based on the musical or the movie alone.

So this disk is more of a welcomed addition for the collectors of the Evita cast recordings, rather than a first-choice album for the new listeners. The latter should get one of the three available 2-CD albums: the 1976 concept recording with Julie Covington, the 1979 Broadway cast with the best Evita of them all, the Tony-winning Patti LuPone, or the very good 1996 movie soundtrack with Madonna in the lead. They all have the complete score and are much more satisfying than this highlights album.

Not the Original Broadway Cast, but not bad.......2005-08-17

This soundtrack does not, in my opinion, rate as high as the Original Broadway Cast album with Mandy Patinkin and Patti Lupone, but it is not too bad. It is incomplete, which was a disappointment. Elaine Page doesn't hold a candle to Patti Lupone as Evita, and the Che leaves much to be desired. The highlight of this album is "Another Suitcase in Another Hall" which is simply superb. It was worth buying the cd just for that song. Some of the lyrics are different, which was interesting to hear, because they changed them around a bit when Evita was brought to the US. If you are an Evita lover I would suggest this album, but if you are just being introduced to Evita I would suggest going with the Patti Lupone and Mandy Patinkin cd.

Misleading CD cover.......2005-05-07

I wanted the complete Evita soundtrack, and this rendition was terribly disappointing. The cd ends abruptly mid story. Voices are spectacular of course, but the cover suggests this is the original London peformance and a buyer, like me, expects the entire musical score. I wouldn't buy this again.

MISSING SO MANY GOOD SONGS.......2004-07-11

THANK GOODNESS FOR THE BROADWAY PRODUCTION OF EVITA! THIS MUSCIAL IS VERY GOOD, YET IT HAS SOME WEAK SPOTS, BUT THAT DOSN'T MEAN LONDON SHOULD TAKE THEM OUT IN THE FIRST STAGE PRODUCTION OF EVITA. THERE ARE A LOT OF MISTAKES AND THINGS THEY SHOULD OF ADDED. HERE'S A LIST.

*THEY SHOULD OF ADDED 'RAINBOR TOUR' I LOVE THAT SONG
*BUENOS AIRES SHOULD OF BEEN LONGER
*A NEW ARGETINA SHOULD OF BEEN LONGER
*THEY SHOULD OF ADDED 'DICE ARE ROLLING" ANYTHING THAT HAS THE 'A NEW ARGETINA' MUSIC I JUST LOVE.
*THE COVER LOOKS TOO OLD. IF THEY WERE GONNA PUT IT ON A CD, THEY SHOULD OF MADE A NEW LOOK OR COVER.
*IT SHOULD OF HAD 23 SONGS INSTEAD OF 15

Tracks:

Overture [From Do Re Mi]
Make Someone Happy [From Do Re Mi] - Heather Headley, Brian Stokes Mitchell
All My Life [From Do Re Mi] - Nathan Lane
Tommy, Tommy [From Tenderloin] - Sarah Uriarte Berry, Patrick Wilson
Good Clean Fun [From Tenderloin] - David Ogden Stiers
My Gentle Young Johnny - Debbie Gravitte
Hostess With the Mostes' on the Ball [From Call Me Madam] - Tyne Daly
It's a Lovely Day [From Call Me Madam] - Lewis Cleale, Melissa Errico
Where or When [From Babes in Arms] - David Campbell, Erin Dilly
Johnny One Note [From Babes in Arms] - Melissa Rain Anderson
I Wish I Were in Love Again [From Babes in Arms] - Christopher Fitzgerald, Jessica Stone, Jessica Stone
Bewitched, Bothered and Bewildered [From Pal Joey] - Patti LuPone
Zip [From Pal Joey] - Bebe Neuwirth
I'm Talkin' to My Pal [From Pal Joey] - Peter Gallagher
I Am Loved [From Out of This World] - Marin Mazzie
Nobody's Chasing Me [From Out of This World] - Andrea Martin
From This Moment On [From Out of This World] - Gregg Edelman, Marin Mazzie
Falling in Love With Love [From the Boys from Syracuse] - Rebecca Luker
He and She [From the Boys from Syracuse] - Mario Cantone, Debbie Gravitte
Sing for Your Supper [From the Boys from Syracuse] - Sarah Uriarte Berry, Debbie Gravitte, Rebecca Luker

Customer Reviews:

great singers, great songs.......2006-05-03

Some of broadway's best singers are on this album, including Brian Stokes Mitchell, Debbie Gravitte, Marin Mazzie, and Rebecca Luker. (The cd is worth buying for Rebecca Luker's song alone!) The songs are beautifully orchestrated and sung. Most are light hearted and fun, leaving me with a good feeling when listening.
If you're a fan of broadway showtunes, I believe you'll enjoy this album.

Show Boat (1988 Studio Cast): Von Stade; Hubbard; Hadley; McGlinn

Average customer rating:

An American Treasure
DON'T DESPAIR. IT'S BEEN REISSUED!!!!!
An American tragedy....
Gorgeous!
Defective disc.

Show Boat (1988 Studio Cast): Von Stade; Hubbard; Hadley; McGlinn
Frederica von Stade , Jerome Kern , Jerry Hadley , Bruce Hubbard , Teresa Stratas , David Garrison , Leslie Fyson , John McGlinn , and London Sinfonietta
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002SJL
Release Date: 1990-10-25

Tracks:

Overture
Show Boat: Act One, Scene One - Cotton Blossom: Niggers all work on d Mississippi... (Stevedores, Gals, Queenie, Steve, Pete, 1st Mincing Miss, 2nd Mincing Miss, Beaux, Girls & Boys)
Show Boat: Act One, Scene One - Cotton Blossom: 'Andy!!!...' (Parthy, Windy, 1st Mincing Miss, 2nd Mincing Miss)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Here comes the Show Boat parade!...' (Boy, Girls, Boys, Andy, Parthy)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Hey Julie...' (Pete, Julie, Steve, Parthy, Andy, Ellie)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'It's a man...' (Ellie, Ravenal, Vallon)
Show Boat: Act One, Scene One - Where's the Mate for Me?: Who cares if my boat goes upstream... (Ravenal, Magnolia)
Show Boat: Act One, Scene One - Make Believe: Only make believe I love you... (Ravenal, Magnolia, Vallon)
Show Boat: Act One, Scene One - Ol' Man River: 'Oh, Joe!...' (Magnolia, Joe, Men)
Show Boat: Act One, Scene Two - Can't Help Lovin' Dat Man: 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
Show Boat: Act One, Scene Three - Life on the Wicked Stage: Why do stage struck maidens clamor... (Ellie, Girls)
Show Boat: Act One, Scene Three - Till Good Luck Comes My Way: The man who ventures with chance... (Ravenal, Men)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': Mis'ry's comin' aroun'... (Queenie, Women, Joe Magnolia, Julie, Men, Solo Bass)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Take her up, Rubberface!...' (Andy, Julie, Steve, Magnolia, Parthy, Ellie, Windy)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Hello, Windy...' (Vallon, Andy, Magnolia, Steve, Julie, Windy, Ellie, Parthy)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'You needn't all look at us...' (Steve, Colored Chorus, Andy, Parthy, Magnolia, Ellie, Frank)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Looks like a swell...' (Andy, Parthy, Frank, Ravenal, Julie, Magnolia, Steve, Joe)

Tracks:

Show Boat: Act One, Scene Five - I Would Like to Play a Lover's Part: Her face is fair to look upon... (Boys, Girls, Ellie, Frank)
Show Boat: Act One, Scene Five - I Might Fall Back on You: Little girl, you are safe with me... (Frank, Ellie, Girls)
Show Boat: Act One, Scene Five - Queenie's Ballyhoo: 'Is de theatre fillin' up, Cap'n Andy?...' (Queenie, Andy, Colored Chorus)
Show Boat: Act One, Scene Six - Villain Dance
Show Boat: Act One, Scene Seven - You Are Love: 'That you, Nola?...' (Ravenal, Windy, Magnolia, Parthy)
Show Boat: Act One, Scene Eight - Finale Act One: Oh tell me, did you ever!... (Firls, Boys, Chorus, Andy, Women, Men, Negro Women, Magnolia, Parthy, Vallon, Pete)
Show Boat: Act Two, Scene One - At the Fair: When we tell them about it all... (All, 1st Barker, Boys, Girls, Chorus, 2nd Barker, Men, 3rd Barker)
Show Boat: Act Two, Scene One - Why Do I Love You?: I'm walking on the air, dear... (Magnolia, Ravenal, Chorus, Andy)
Show Boat: Act Two, Scene One - In Dahomey: Dyunga doe!... (Dahomey Villagers, White Chorus)
Show Boat: Act Two, Scene Three - Convent Scene: Alma Redmptoris Mater... (Nuns, Mother Superior, Ravenal, Kim)
Show Boat: Act Two, Scene Four: 'All right, Jake...' (Jim, Jake, Julie)
Show Boat: Act Two, Scene Four - Bill: I used to dream... (Julie)
Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): Fish gotta swim, birds gotta fly... (Magnolia)
Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): 'Whaddaya say, boss?...' (Frank, Jim, Magnolia, Jake)
Show Boat: Act Two, Scene Six - Trocadero Opening Chorus: Let's make the new year... (Chorus)
Show Boat: Act Two, Scene Six - Apache Dance
Show Boat: Act Two, Scene Six - Goodbye, My Lady Love: So you're going away... (Frank, Ellie)
Show Boat: Act Two, Scene Six - After the Ball: 'Ladies and Gentlemen...' (Jim, Drunk, Andy, Magnolia, A Man, All)
Show Boat: Act Two, Scene Seven - Ol' Man River (Reprise): Ol' Man River... (Joe)
Show Boat: Act Two, Scene Seven - Hey, Feller!: When you yen for a gent... (Queenie, Chorus)
Show Boat: Act Two, Scene Eight - You Are Love (Reprise): 'That you, Nola?...' (Ravenal)

Tracks:

Show Boat: Act Two, Scene Nine: Cottom Blossom (Reprise): Cotton Blossom... (Chorus)
Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: Now up in the northern land... (Kim, Chorus)
Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: 'Say, Cap'n Andy...' (Frank, Ellie, Andy)
Show Boat: Act Two, Scene Nine - Finale Ultimo: 'Hello, Gay...' (Andy, Hope, Ravenal, Girl, Man, Magnolia, Old Lady, Chorus)
Show Boat: Appendix - Pantry Scene (Act One, Scene Two; deleted - 1927): 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
Show Boat: Appendix - Waterfront Saloon Scene (Act One, Scene Three; deleted - 1927): 'Number four, black!...' (Voice (off), Ravenal, Loungers, Gambler)
Show Boat: Appendix - Yes, Ma'am (Act One, Scene Three; unused - 1927): Bet your hat... (Girls, Ellie)
Show Boat: Appendix - Kim's Imitations (Why Do I Love You?): (Act Two, Scene Nine; Ziegfeld Production - 1927): Why do I love you?... (Kim, Chorus)
Show Boat: Appendix - Dance Away the Night (Act Two, Scene Nine; London - 1928): Music in the air... (Kim, Girls, Boys)
Show Boat: Appendix - A Pack of Cards (Act One, Scene Six?; unused - 1927): One night as I sat by my fireside so weary... (Magnolia)
Show Boat: Appendix - The Creole Love Song (Act One, Scene Seven; unused - 1927): 'That you, Nola?...' (Ravenal, Windy, Magnolia)
Show Boat: Appendix - Out There in an Orchard (Act Two, Scene Four; unused - 1927): There was a sun sinking slowly in the west... (Julie)
Show Boat: Appendix - Gallivantin' Aroun' (Universal Film - 1936): Liza Matilda HIll... (Magnolia, Chorus)
Show Boat: Appendix - I Have the Room Above Her (Universal Film - 1936): 'Seems to me I've seen that stocking someplace...' (Ravenal, Magnolia)
Show Boat: Appendix - Ah Still Suits Me (Universal Film - 1936): 'Joe! Dere you go again!...' (Queenie, Joe)
Show Boat: Appendix - Nobody Else But Me (Act Two, Scene Nine; 1946 Revival): I was a shy, demure type... (Kim, Chorus)

Amazon.com

John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number "Mis'ry's Comin' Aroun'," as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening night and every song subsequently written for the show's many productions, most notably the love duet "I Have the Room Above Her," written for the 1936 film. (The recording is also available in a one-disc reduction called the "Broadway Show Album.")

Rest assured this 221-minute blockbuster is not just dry scholarship; it's also terrific listening, with McGlinn conducting a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." Also included are exhaustive production notes, a history of the show, a detailed synopsis, and a libretto. John McGlinn's Show Boat is a staggering achievement and a recording for the ages. --David Horiuchi

Customer Reviews:

An American Treasure.......2007-03-03

When PBS showed the 1989 Paper Mill Playhouse production of Showboat, my five year old daughter fell in love with musical theater. To this day we never miss a production of Showboat, West Side Story, Music Man, Oklahoma or the rest of the great American musicals. These 3 discs are the closest you can ever hear to the original in 1927 and the recordings are leaps and bounds above any movie version or revival cast. Listening to Bill or Make Believe you almost want to cry at what Kern and Hammerstein were able to create.

I defy anyone to come up with another Broadway production that has three songs in a row better than Make Believe, Ol' Man River and Can't Help Lovin' Dat Man (West Side Story's Maria, America and Tonight are the best three in a row of a movie musical) and it's a shame that no movie version of Showboat can compare to this version. The first act is full of songs that are as good as any ever sung on a stage and I can't think of another production with a first act that compete against the big 3 plus Cotton Blossom, Where's The Mate For Me, Life On The Wicked Stage, Till Good Luck Comes My Way, Misry's Comin' Aroun', You are Love, Act One finale and Why Do I Love You?. You just don't want to have the music stop.

If you don't like opera you won't like this version. Sung the way Kern and Hammerstein wrote them, you can't help but feel the operatic nature of these songs. Tough noogies because Showboat is above all an opera disguised as a Broadway play and no sweetening should be allowed.

The four leads are all superb, Frederica von Stade as Nola especially. The booklet contains the complete libretto and allows a different way to appreciate the music.

If you buy just one version of Showboat you need this one. If you have other versions of Showboat you need this one. As a matter of fact, anyone with ears to hear needs this version. A true American treasure.

DON'T DESPAIR. IT'S BEEN REISSUED!!!!!.......2006-11-16

One of the great recordings of musical theatre ever. Although it's no longer available on EMI Angel, it was reissued in October, 2006, as an EMI Classic's "Great Recordings of the Century." It's been "Digitially Remastered at Abbey Road Studios from the Original Masters" and "noise-shaped via the Prism SNS system for optimum sound quality." If ART remastering does for this recording what it has done for other EMI Classics in my library, then it should sound superb. However, I understand the booklet is not as detailed as the one in the original 3-disc release.

Thank you, EMI.

I would hope other labels would follow suit and remaster and reissue other examples of classic American musical theater. It would be a pity if our children, grandchildren, and future generations were unable to savor "110 in the Shade" or "Little Mary Sunshine" or . . . . . . . . . (fill in the blanks.)

An American tragedy...........2006-02-06

This is the first of the great American musical plays, and probably remained unchallenged until the mid-1950s when West Side Story appeared. The term "musical comedy" does not apply. The few laugh lines are subsumed by the terrible sense of loss and disaster that work throughout the story. At its core is homelessness, the destruction wrought by racism, bad choices, human weakness, and reconciliation. The cast?--this was one of the few crossover recordings I've ever heard that actually worked. The trio of Jerry Hadley, Frederica von Stade, and Teresa Stratas is a marvel; Stratas in particular seems to have had a patented Dark Cloud that shadowed her. It's perfect for Julie Dozier Laverne. And the late Bruce Hubbard brings a magnificent dignity and voice to Joe--his singing of "Ol' Man River" amy not efface Paul Robeson, but can stand beside it.

Gorgeous!.......2005-08-26

Simply gorgeous! The most unforgetable music and the best voices! An album for all time!
M. J. Conrades

Defective disc........2005-08-15

I received this item on July 27, 2005. I played it on my portable CD player and found out that Disc 2 of the set was defective. It kept on skipping on my CD player. So, I returned it for a refund.

Evita (Highlights from the 1978 Original Broadway Cast)

Average customer rating:

The Dream Cast
Musical Admirer
Good but not complete
a subset but worth it
An Excellent Recording

Evita (Highlights from the 1978 Original Broadway Cast)
Andrew Lloyd Webber , Tim Rice , Patti LuPone , and Mandy Patinkin
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

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Evita
Evita (1978 Original Broadway Cast)
Evita: The Complete Motion Picture Music Soundtrack
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ASIN: B0000630ZR
Release Date: 2002-03-26

Tracks:

Requiem For Evita/Oh What A Circus
On This Night Of A Thousand Stars/Eva And Magaldi/Eva Beware Of The City
Buenos Aires
Charity Concert/I'd Be Surprisingly Good For You
Another Suitcase In Another Hall
A New Argentina
On The Balcony Of The Casa Rosada/Don't Cry For Me Argentina
High Flying Adored
Rainbow High
And The Money Kept Rolling In (And Out)
Waltz For Eva And Che
She Is A Diamond
Lament

Customer Reviews:

The Dream Cast.......2007-05-13

The legendary Mandy Patinkin plus the incredible Patti LuPone. Its only a shame that we've been deprived of the complete recording.

Musical Admirer.......2005-08-31

Evita is easily one of my Favorite musicals. Madonna was a better Evita then I thought she would be, but Patti Lupone was amazing as Evita. Her vioce is great!!

Good but not complete.......2005-05-01

This might be a good CD to buy if you are not sure you even like the genre of music, but otherwise go with the complete 2-disk set. They left out some very good songs in 'Highlights'. The extra 10 or 20 dollars spent WILL be worth it,

a subset but worth it.......2004-11-07

The story behind the songs from the play is about Evita Peron, her life and rise to power and demise.
Yes this is a classic from the beginning. This play is one of the, if not the high point for Andrew Lloyd Webber and Tim Rice. Everything comes together to tell of this point in history. The inflections of the singers leave you with the question of who was Evita and does not sway you to any one point of view. The Songs themselves have more of a feel of the time than originals from that time would have.
Being a play and not a movie the singers had to sing and be heard and understood. All of the performers are professionals in their own right; especially Patti LuPone Who has to perform with very little breathing room. She also has a good range and depth. So be sure to look for "1978 Original Broadway Cast"

An Excellent Recording.......2004-09-02

This is an excellent recording if you don't want to spend the money on the full set. However, the full set IS worth the money, and is highly recommended. As far as the recorded songs go the selections on this album are superb, and if for whatever reason you decide to go with the highlights album, Patti LuPone will not displease.

The previous poster, however, is absolutely incorrect about the London Cast CD. Elaine Paige is by far the best Evita ever recorded, and that album is worth every penny. It's a shame they never put the full musical from the London cast, because that would be the definitive recording to own. But it doesn't exist, and the London Cast highlights album is the only one available with Ms. Paige. This recording only gets 4 stars because the Ms LuPone simply is not as absolutely stunning as Ms Paige, and hers is the definitive Evita.

And don't even mention the pop singer's name in the company of those two superstars.

Average customer rating:

Another fine addition to the series

Lost in Boston III
Various Artists - Soundtracks , Cy Coleman , Stephen Flaherty , Frank Loesser , Ralph Martin Hugh / Blane , Richard Rodgers , Harvey Schmidt , Stephen Sondheim , Charles Strouse , Jule Styne , Meredith Willson , Tom Fay , Dan Shaheen , Debbie Gravitte , Dennis Kelley , Gannon McHale , Guy Haines , Harry Groener , Jason Graae , Lindsay Ridgeway , Liz Callaway , Liz Larsen , Lynne Wintersteller , Lynnette Perry , Malcolm Gets , Michele Pawk , Patricia Ben Peterson , Paul Blankenship , Rebecca Luker , Rod Raines , Sal Viviano , Sarah Chapman , Tammy Minoff , Tim Ewing , Walter Willison , and Steve Orich
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

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Lost in Boston, Vol. 4
Lost in Boston II Unsung Musicals
Unsung Musicals II (Studio Cast)
Unsung Musicals - The Ultimate Collection
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ASIN: B0000014VK
Release Date: 1995-04-25

Tracks:

Gypsy: Mama's Talkin' Soft - Lindsay Ridgeway/Sarah Chapman
Guys & Dolls: Travelin' Light - Malcolm Gets
Meet Me In St. Louis: A Bell Will Ring - Patricia Ben Peterson
Seesaw: Big Fat Heart - Debbie Shapiro Gravitte
Sweet Charity: Pink Taffeta Sample Size 10 - Lynne Wintersteller
The Music Man: You Don't Have To Kiss Me Goodnight - Lynnette Perry/Sal Viviano
110 In The Shade: Inside My Head - Ton Raines
She Loves Me: Tell Me I Look Nice - Rebecca Luker
Where's Charley?: The Bee - Guy Haines
Bye, Bye, Birdie: Older And WIser - Michelle Pawk/Tammy Minoff
Flower Drum Song: My Best Love - Dennis Kelley
Where's Charley?: Your Own College Band - Walter Willison/Paul Blankenship/Tim Ewing/Gannon McHale/Dan Shaheen
Merrily We Roll Along: Honey - Liz Callaway/Jason Graae
Oklahoma!: When I Go Out Walkin' With My Baby - Liz Larsen/Harry Groener
Once On This Island: When Daniel Marries - La Chanze
Seesaw: Pick Up The Pieces - Michelle Nicastro

Customer Reviews:

Another fine addition to the series.......2001-02-13

After a bit of a slip with the second, this series was back on track with this third CD of songs cut from well-known musicals. As I mentioned in a previous review, just about any successful musical has had songs cut from it, not always because the song wasn't good, but because it no longer fit the show as updated, or a character or scene was cut (the booklet explains why each song was removed from its show). Once again, the songs are all good and the performances are wonderful. My favorites are "Mama's Talking Soft" (cut from Gypsy), "Big Fat Heart" (Seesaw), "Your Own College Band" (Where's Charley?), "When I Go Out Walkin' with my Baby" (Oklahoma!), and "Pick Up the Pieces" (also Seesaw). Bruce Kimmel was smart in using show singers instead of pop singers. I recommend the entire series. This CD features some fine songs that deserve renewed appreciation.

Fade Out Fade In (1964 Original Broadway Cast)

Average customer rating:

An Interesting Styne, Comden, Green Flop
AT LAST!
I Feel My Pulse Beat Quickening
Brassy Burnett !
FADE IN: A LONG-LOST, LITTLE-KNOWN GEM RETURNS

Fade Out Fade In (1964 Original Broadway Cast)
Jule Styne , Betty Comden , Adolph Green , Carol Burnett , and Jack Cassidy
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

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ASIN: B000095J93
Release Date: 2003-05-20

Tracks:

Overture
Oh, Those Thirties
It's Good To Be Back Home
Fear
Call Me Savage
The Usher From The Mezzanine
I'm With You
My Fortune Is My Face
Lila Tremaine
Go Home Train
Close Harmony
You Mustn't Be Discouraged
(a) Dangerous Age (b) L.Z. In Quest Of His Youth
(a) My Heart Is Like A Violin (b) The Fiddler And The Fighter
Fade Out-Fade In
Finale

Amazon.com

In the 1950s, lyricists Betty Comden and Adolph Green tackled Hollywood's transition from silent movies to talkies in Singin' in the Rain; a few years later, they teamed up with composer Jule Styne to revisit Tinseltown with Fade Out Fade In, a musical set in the '30s. While that 1964 show isn't the creative team's best, a second-rate effort by Comden, Green, and Styne is still a fabulous treat. And of course this one also starred Carol Burnett, back on Broadway four years after Once Upon a Mattress. To say that she steals the show (and the cast album) is an understatement. She makes all her numbers memorable, infusing them with unparalleled timing and the ability to wring the last comic drop from every line--her turns on "Call Me Savage" and "Lila Tremaine" should be required listening for every aspiring comedienne. The cast recording also includes Tina Louise, who left the show in the middle to star on Gilligan's Island. --Elisabeth Vincentelli

Customer Reviews:

An Interesting Styne, Comden, Green Flop.......2004-09-27

As the liner notes indicate, this show was doing well until legalities stopped the show from becoming a big hit. Problems aside, this is one of Styne's better collaborations with the team of Comden and Green. Songs like "Im with You" send up the genre of 1930's musicals very well. "Call me Savage" is a wonderful comedic number.

As other reviewers have pointed out, Comden and Green were enjoying the rewards of the monster hit movie "Singin' in the Rain". You can detect some similarities between that film and this show. It has an extended dance sequence (The Dangerous Age) and they even get to send up that film at the end of "Fiddler and the Fighter". Jack cassidy sings "Thats a Broadway Rhapsody", and most movie buffs will recall Gene Kelly singing "thats a broadway Melody" at the end of the ballet.

The cast takes the material and runs with it. All the performances are wonderful. A few uninteresting songs appear, but overall a wonderful score.

Decca did their usual good packaging job. The Synopsis is helpful, and the notes give you a better understanding of the legal turmoil backstage. Overall, a great album and worth your money.

AT LAST!.......2003-08-07

FADE OUT-FADE IN is the most-requested cast-album in the Decca catalogue. Finally, after years and years of legal problems and copyright issues, it has finally been released!...and it has been well worth the wait.

Carol Burnett stars as aspiring movie actress Hope Springfield, whose dreams of Hollywood stardom start to come true when she is discovered by big-wig Hollywood moguls who change her name to Lila Tremaine.

The score by Jule Styne, Betty Comden and Adolph Green has a few gems, including "The Usher From the Mezzanine", "Lila Tremaine", "Go Home Train" and "It's Good to Be Back Home", all sung and belted to perfection by Carol Burnett. Jack Cassidy plays a prissy Hollywood rake who sings the comical "My Fortune is My Face", while the supporting cast includes Lou Jacobi, Dick Patterson, Tiger Haynes, Mitchell Jason and a pre-GILLIGAN'S ISLAND Tina Louise.

The musical is perhaps best-known for all the events that happened off-stage. Carol Burnett was involved in a nasty car-accident, sidelining her for several weeks in the hospital, with producers bringing in Betty Hutton to cover the role in her absence. When Burnett did eventually return to the tuner she was involved in her husband's television show THE ENTERTAINERS and quickly left again, with producers threatening legal action if she did not honor her legal obligations to FADE OUT-FADE IN's run. The show later closed and re-opened, again with Burnett, but closed again soon after when the box-office took a major slide.

And so FADE OUT-FADE IN slipped into Broadway history...

Die-hard cast album collectors have been waiting patiently for many years for this classic musical...snap up your copy today!

I Feel My Pulse Beat Quickening.......2003-06-26

Musical theatre fanatics can rejoice - "Fade Out Fade In" has FINALLY arrived on CD. Few shows are as legendary as this one; the star (Carol Burnett) was great, the director (George Abbott) was great, and the writers (Jule Styne, Betty Comden & Adolph Green) were great. The reviews were generally enthusiastic, box office records previously set by "My Fair Lady" were broken, and for a while it was outgrossing two other new shows down the block - "Hello Dolly!" and "Funny Girl." But somewhere along the way it turned into one of the biggest financial disasters of the 1960s. Huh? How did that happen?

All the travails, mishaps, and lawsuits involving "Fade Out Fade In" became the stuff of Broadway legend, and though we may never know the entire story, the liner notes by Peter Filichia give you a fairly good idea of what went down; you can glance at them while you're listening to this (for the most part) wonderful score, which begins with one of the best overtures Jule Styne ever composed (right up there with "Gypsy" and "Funny Girl"). The plot involves Hope Springfield (Carol Burnett) and her unexpected leap into 1930's Hollywood stardom - OK, it's little more than a frothy spoof, and some of the material is pretty standard, but the songs are well-crafted, clever, and frequently inspired. Listening to "It's Good To Be Back Home," "The Usher From The Mezzanine," "Go Home Train," "Call Me Savage," and "Fade Out Fade In" is to be reminded once again of Carol Burnett's tremendous talents as a singer AND an actress (in the latter two numbers she is ably assisted by the gifted Dick Patterson). Looking for comic genius? Look no further than "My Fortune Is My Face," Jack Cassidy's side-splitting paean to movie-star self-absorption. Most critics, however, singled out "You Musn't Be Discouraged" as the show's undisputed showstopper, and when you hear Carol Burnett and Tiger Haynes doing their hilarious salute to Shirley Temple & Bill "Bojangles" Robinson - well, they're stopping the show all over again.

"Fade Out Fade In" may have had a troubled history, but this CD goes a long way toward focusing our attention where it belongs - on some great performers singing some terrific material. Ultimately, that's the only way "Fade Out Fade In" should be remembered.

Brassy Burnett !.......2003-06-11

Perhaps not the best Comden/Green/Styne effort, but a lot of campy fun, sending up the Hollywood of the 30s. Ms. Burnett is at her best vocally, belting out her great, glitzy numbers.

FADE IN: A LONG-LOST, LITTLE-KNOWN GEM RETURNS.......2003-05-20

Fade in, many a year ago: Fans clamor for Decca to release "Fade Out-Fade In" on CD. Fade out, 2003: It finally happens! The most requested original cast recording is finally available here, proving again, that good things do come to those who wait. So the book and lyrics by Betty Comden and Adolph Green (music by Jule Styne) is far from their best. But they do manage to bring the glamour of Tinseltown to the stage in this hilarious homage to the Golden Age of Hollywood of the '30s. (Let us not forget the Betty and Adolph took on the world of silent flicks in "Singin' in the Rain.") There are glorious touches in this tale of Hope Springfield, a girl pulled from the chorus and mistaken for a star. When the show opened on Broadway in 1964, it marked the return of hot new star Carol Burnett, and critics roared their approval ... sort of in the same way Carol roars like the MGM lion in her opening number "It's Good to Be Back Home." And so "Fade Out-Fade In" was expected to be a huge hit; it even outgrossed Barbra in her new show, "Funny Girl." Then, fate stepped in rather nosily when Burnett suffered whiplash while riding in a taxi. The show closed prematurely. Betty Hutton replaced Carol and bombed; Carol then sued to leave for TV. She lost, and returned to the stage, even though Cassidy had been replaced (by Dick Shawn) and Tina Louise left to star in the series "Gilligan's Island." And so "Fade Out-Fade In" faded out for good. And so we have the CD to remind us of what once was ... briefly. Jack Cassidy is a delight as Movie Star Byron Prong. (Trivia alert: Comden and Green used Byron's name six years earlier in a scene from the flick "Auntie Mame" ... he gets billing in the Mame Dennis/Vera Charles show "Midsummer Madness.")And it is a delight to hear the egomaniac Prong sing about his virtues in "My Fortune is My Face" ... the rhyming of "actor" with "Max Factor" is priceless. It is Burnett who
steals the show, even on a teeny circular disc. Her take on Shirley Temple in "You Musnt't Be Discouraged" would become the springboard for her love letter to the moppet on Carol's long-running TV series. Fade in: To a smash hit!

Average customer rating:

Entire production by Mary (boring) Martin!

Anything Goes/The Bandwagon

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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ASIN: B000060PC6
Release Date: 2002-04-09

Tracks:

Overture - Orchestra
You're The Top
All Through The Night
There'll Always Be A Lady Fair - Chorus
Anything Goes
I Get A Kick Out Of You
Blow, Gabriel, Blow
Finale
Overture - Orchestra
Opening/It Better Be Good - Chorus
Hoops
High And Low
Confession
New Sun In The Sky
Dancing In The Dark
I Love Louisa - Chorus
Where Can He Be?
Finale
(I Wonder Why) You're Just In Love (Bonus Track 1)

Customer Reviews:

Entire production by Mary (boring) Martin!.......2004-01-25

This CD reissues two ancient 10" Lps from the early 1950s of selections from ANYTHING GOES and THE BANDWAGON.

ANYTHING GOES - with so many other better recordings this collection is little needed. Mary Martin was a poor choice for the album since the show was written for Ethel Merman, and just a Ethel would not have been appropriate in SOUND OF MUSIC or PETER PAN, Mary should not have been cast in this recorded version of ANYTHING GOES. Also with no one else in the cast the duets lack theatrical context. The orchestrations are not the originals from 1934, and now sound very dated.

THE BANDWAGON - This collection seems better suited to Mary Martin, although again the original theatrical context is lost since it's just her and the chorus performing. Those familiar with the 1953 movie THE BANDWAGON may be surprised that only 3 songs from the revue were used in the film, so this disc offers a chance to hear the opening chorus:"It Better Be Good"; the delightful "Hoops"; and "Where Can He Be?" This last number is perfectly suited to Ms. Martin's voice and talents. She also makes the most of "Dancing in the Dark" and the slightly risque "Confession." But, a little Mary goes a long way!!!

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