Birk's Works: Verve Big Band Sessions

Birk's Works: Verve Big Band Sessions

Birk's Works: Verve Big Band Sessions

ASIN: B0000046ZO

Editorial Reviews
Amazon.com
Dizzy Gillespie was many things--a great bop trumpeter, superbly prescient vocalist, awesome bandleader, international ambassador, crowd-pleasing humorist, the ultimate master of ceremonies--all sides of his massive talent amply displayed in this cornucopia of Gillespie big bands. The set collects three individual albums from 1956-57--"Birks Works," "Dizzy In Greece" and "World Statesman"--some alternate takes, and a fascinating sequence of attempts at "Left Hand Corner" that shows the band's dedication to perfection. Some of the great players on these sessions include Phil Woods and Ernie Henry on alto saxophones, Lee Morgan and Quincy Jones on trumpets, Al Grey on trombone, Walter Davis Jr., and Wynton Kelly on piano with Charli Persip on drums. And, of course, since it's Dizzy's band, everybody sings. --John Swenson

Birk's Works: Verve Big Band Sessions,Dizzy Gillespie,Polygram Records,Afro-Cuban Jazz,Big Band,Bop,Jazz,Jazz Music,Mainstream Jazz,Pop
Birk's Works: Verve Big Band Sessions
Average customer rating: 4.5 out of 5 stars
  • Be-bop big band magic
  • A Real Legend
  • Magnificent
  • Great material...some strange studio anomalies, though
  • Dizzy's last big band
Birk's Works: Verve Big Band Sessions
Dizzy Gillespie
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Latin Music | Styles | Music
Bebop GeneralBebop General | Bebop | Jazz | Styles | Music
GeneralGeneral | Jazz | Styles | Music
Latin JazzLatin Jazz | Jazz | Styles | Music
Classic Big BandClassic Big Band | Swing Jazz | Jazz | Styles | Music
Contemporary Big BandContemporary Big Band | Swing Jazz | Jazz | Styles | Music
Similar Items:
  1. At Newport
  2. Dizzy Gillespie And His Big Band (Live)
  3. Shaw 'Nuff
  4. Roy and Diz
  5. Sound of Love

ASIN: B0000046ZO
Release Date: 1995-08-22

Tracks:

  1. Dizzy's Business
  2. Hey, Pete
  3. Jessica's Day
  4. Tour de Force
  5. I Can't Get Started
  6. Stella By Starlight
  7. Doodlin'
  8. A Night In Tunisia
  9. The Champ
  10. Yesterdays
  11. Tin Tin Deo
  12. Groovin' For Nat
  13. My Reverie
  14. Dizzy's Blues
  15. Annie's Dance
  16. Cool Breeze
  17. School Days
  18. Jordu
  19. Yo No Quiero Bailar

Tracks:

  1. Birks' Works
  2. Autumn Leaves
  3. Tangorine
  4. Over The Rainbow
  5. Umbrella Man
  6. If You Could See Me Now
  7. Left Hand Corner (False Start)
  8. Left Hand Corner
  9. Left Hand Corner
  10. Left Hand Corner (False Start)
  11. Left Hand Corner
  12. Whisper Not
  13. Whisper Not
  14. Whisper Not
  15. Stablemates
  16. That's All
  17. Groovin' High
  18. Mayflower Rock
  19. Mayflower Rock
  20. Joogie Boogie
  21. I Remember Clifford
  22. You'll Be Sorry
  23. Wonder Why

Amazon.com

Dizzy Gillespie was many things--a great bop trumpeter, superbly prescient vocalist, awesome bandleader, international ambassador, crowd-pleasing humorist, the ultimate master of ceremonies--all sides of his massive talent amply displayed in this cornucopia of Gillespie big bands. The set collects three individual albums from 1956-57--"Birks Works," "Dizzy In Greece" and "World Statesman"--some alternate takes, and a fascinating sequence of attempts at "Left Hand Corner" that shows the band's dedication to perfection. Some of the great players on these sessions include Phil Woods and Ernie Henry on alto saxophones, Lee Morgan and Quincy Jones on trumpets, Al Grey on trombone, Walter Davis Jr., and Wynton Kelly on piano with Charli Persip on drums. And, of course, since it's Dizzy's band, everybody sings. --John Swenson

Customer Reviews:

5 out of 5 stars Be-bop big band magic.......2006-07-19

First class be-bop!
Fabulous music from 3 Gillespie's LP's (plus some alternate takes and previously not published oddities) gives a great insight in the methods of adjusting the big-band format to modern jazz. Constantly exciting, with just a few commercial tracks, this collection is essential to any fan of modern jazz.
Feel free to ignore the comments about less-than-perfect audio engineering.

5 out of 5 stars A Real Legend.......2005-11-03

This is probably the best and only real documentation of Dizzy's big band of the late 1950's available on CD today.
It includes all the material they recorded on three albums released back then. Along with live at Newport, grab this while you can!

I'm not real big on the vocal numbers, but that's just Dizzy and the band having fun - once the band kicks in, it makes up for it all. Why shouldn't it? with a lineup of Wynton Kelly, Lee Morgan, Benny Golson, Quincy Jones - and the list goes on and on of great musicians on this CD, it will dazzle you.

Dizzy is in top form - his playing will bring a smile to your face on every tune!

5 out of 5 stars Magnificent.......2004-01-28

One word: MAGNIFICENT !!!

This 2CD represents enormous value in terms
of music (minutes played), and also, in terms
of quality of sound, clarity in the various
instruments, etc.

The big band sound, is slightly reminiscent
of Duke Ellington's Newport, or Thelonious
Monk's Big Band CD (orchestrated by Oliver
Nelson, I believe, called Plays the Blues),
for example.

There's several numbers with vocals accompanying
the music, and they are well thought out and
interesting in their own right, both male
and female voices.

As I said in the title...magnificent.

4 out of 5 stars Great material...some strange studio anomalies, though.......2003-08-29

Reviewer Nate Dorward has covered it well - all I would add is that another studio anomaly is the 'mysterious missing first line' in "School Days". Seriously though, for some real live fun on some of these same tunes from the same band, Check out the "Live at Newport 1957" recording. It covers a lot of this good territory.

4 out of 5 stars Dizzy's last big band.......2000-07-29

Dizzy Gillespie always hankered to lead a big band, but like most post-war big band leaders he found that they just were no longer economically viable. His first big-band efforts, recorded on Savoy & RCA Victor, date from the heyday of bop; that band broke up, but this later band, from 1956-57, is made up of a terrific mix of hungry up-and-coming hard boppers like Lee Morgan, Benny Golson & Ernie Henry and other musicians like Phil Woods, Al Grey, Wynton Kelly & Joe Gordon. This band was decidedly a Cold War-era band: its three albums (compiled on this 2-fer set) were called _Dizzy Gillespie: World Statesman_, _Dizzy in Greece_ and _Birks' Works_, & the band basically survived by touring around the world, sponsored by the US Government. (For more information on Gillespie's bandleading & its background, the curious should look at Scott DeVeaux's marvellous book _The Birth of Bebop_.) After they returned to the US the band broke up in 1958--ironically enough, as an interview in the liner notes points out, just before their recording of "Over the Rainbow" became their first jukebox hit.

OK, so what of the music? Well, it's hard-hitting big band material, with charts by Ernie Wilkins, Benny Golson, Quincy Jones, Melba Liston & others. Surprisingly there's little material showing the interest in Afro-Cuban fusion which Gillespie elsewhere showed. There's a certain amount of throwaway material--silly nonsense songs like "Umbrella Man", or the disappointing "The Champ" which after a terrific Gillespie scat intro becomes a long drum solo for Charlie Persip. Melba Liston inexplicably provides the umpteenth jazz reorchestration of Grieg's "Anitra's Dance" and Debussy's "Reverie". But the rest is prime Gillespiana--often revisiting past tunes like "A Night in Tunisia" but also providing first hearing to important material like Golson's "Whisper Not" and "Stablemates". The man himself solos mightily, & the rest of the band is superb too.

One caveat, however: there are two serious remastering problems with the release. First: the previously unreleased take of "Whisper Not" is afflicted with bad reverb, to the point of unlistenability. Second: the master take of "Whisper Not" has several odd volume fluctuations, including a strange moment where the rhythm section triples in volume for a second. One wishes that record companies paid closer attention to the products they released--in every other respect this CD is a model reissue.

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