Not Just Another Pretty Bass

Not Just Another Pretty Bass

Not Just Another Pretty Bass

ASIN: B00000J8B0

Editorial Reviews
Amazon.com
Bassist and singer Jim Ferguson is undoubtedly a minority: people who sing and play an instrument in the jazz world are very few and far between. They might sell a whole lot of CDs (think Diana Krall and Harry Connick Jr., if not 1998's surprise breakthrough Patricia Barber), but there aren't a lot of instrument-handling crooners about. Ferguson is even odder, playing acoustic bass while singing. But he's a wonder. He holds a great Southern-tinged voice, something that alternately echoes Lyle Lovett in its inflections, Mose Allison in its phrase shapes, and a mix of Mel Tormé and Chet Baker in its moods. The tunes Ferguson calls denote the chain of influence (note Allison's "Swingin' Machine" and the "The Real Thing," coauthored by Tormé and accorded Baker collaborator Gerry Mulligan), with swing pervading the CD as a shade rather than a full color, a vibe rather than a frank rhythm. Tenor saxophonist Chris Potter is in great form, caressing his phrases rather than bolting them to the floor. If it's a fine croon set into a slender jazz quartet context that you're after, check this out. --Andrew Bartlett

Terry Teachout, New York Times, August 8, 1999
New jazz singers are as thick on the ground these days as blockbuster movies, and just about as interchangeable. Not so Jim Ferguson, whose first album, "Not Just Another Pretty Bass," is the most distinctive recording debut since Diana Krall came along four years ago with "Only Trust Your Heart." ... though he can swing hard, he prefers to amble lazily through such wistful songs as "I Get Along Without You Very Well" and "Early Autumn," which he sings in the pensive manner of a man who has spent his share of sleepless nights wondering what might have been....The vocals are warm and irresistibly tender, and the band plays with the telepathic confidence of a longtime working group; the feel is that of a relaxed, intimate late-night set by a jazz singer of the first rank, backed up by a formidable quartet of instrumentalists who are at the top of their game...

Not Just Another Pretty Bass,Jim Ferguson,Challenge,Jazz,Jazz Music,Pop
Not Just Another Pretty Bass
Average customer rating: 5 out of 5 stars
  • top notch singer
  • Smooth & cool
  • A Great Album
  • Not Just Another Pretty Jazz Album
  • A breath of musical fresh air
Not Just Another Pretty Bass
Jim Ferguson
Manufacturer: Challenge
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000J8B0
Release Date: 1999-06-01

Tracks:

  1. Not Just Another Pretty Bass
  2. Early Autumn
  3. Blame It On My Youth
  4. While We're Young
  5. South To A Warmer Place
  6. Swingin' Machine
  7. Lazy Afternoon
  8. Charade
  9. The Real Thing
  10. Autumn Serenade
  11. I Get Along Without You Very Well

Amazon.com

Bassist and singer Jim Ferguson is undoubtedly a minority: people who sing and play an instrument in the jazz world are very few and far between. They might sell a whole lot of CDs (think Diana Krall and Harry Connick Jr., if not 1998's surprise breakthrough Patricia Barber), but there aren't a lot of instrument-handling crooners about. Ferguson is even odder, playing acoustic bass while singing. But he's a wonder. He holds a great Southern-tinged voice, something that alternately echoes Lyle Lovett in its inflections, Mose Allison in its phrase shapes, and a mix of Mel Tormé and Chet Baker in its moods. The tunes Ferguson calls denote the chain of influence (note Allison's "Swingin' Machine" and the "The Real Thing," coauthored by Tormé and accorded Baker collaborator Gerry Mulligan), with swing pervading the CD as a shade rather than a full color, a vibe rather than a frank rhythm. Tenor saxophonist Chris Potter is in great form, caressing his phrases rather than bolting them to the floor. If it's a fine croon set into a slender jazz quartet context that you're after, check this out. --Andrew Bartlett

Customer Reviews:

5 out of 5 stars top notch singer.......2006-01-17

I buy new artists' CD's with great trepidation. With all due respect to other reviewers and the lttle sound samples that I check out on my computer, only once I am alone in the car with the CD do the "warts" show themselves. Let me assure you, there are no warts on this CD. Jim's voice is lyrical, flexible, musical and spot on the note. As well as lovely intonation, he has beautiful diction, so you can understand every word of every song - yet it is as easy and natural as speech. If you like smooth voices (Torme, Buble) I will be very surprised if you don't like Jim. With something of the jazz looseness of Kenny Rankin and the richness of timbre of Tom Lellis, Jim has a totally beguiling sound of his own. The supporting musicians are always tasteful and Jim's bass playing is superb. This album shows great diversity (the title track's a hoot) and may well take you from laughter to tears.

5 out of 5 stars Smooth & cool.......2000-03-26

Nashville jazz--I love it! Jim Ferguson has a voice as smooth as silky velvet.

5 out of 5 stars A Great Album.......2000-01-19

One of the best jazz albums of the past decade. Loved the bass playing and title track. Good job on the piano Pat Coil.

5 out of 5 stars Not Just Another Pretty Jazz Album.......2000-01-19

This cd is simply amazing. I bought it while I was in Nashville after a music teacher at MTSU suggested that I listen to it. With all due respect to the New York jazz scene, this album is such a breath of fresh air in comparison to most modern jazz. The Nashville delivery and the stripped down quartet setup (the jazz quartet is almost a lost art) make this an incredible blend of the old and the new. If you have any interest at all in vocal jazz, this is above and away one of the top ten jazz albums of the ninties. Great job, JIM.

5 out of 5 stars A breath of musical fresh air.......1999-12-29

As a terrific change of pace from rap, hip-hop, pretty-boy vocal groups with boring harmonies and country singers in big black hats, Jim Ferguson's Not Just Another Pretty Bass cd is a breath of musical fresh air. More than a virtuoso on the bass along with an open and inviting vocal style, Mr. Ferguson takes the musical form of jazz-influenced "standards" and delivers each song with an irresitable contemporary flair. From the whimsy in the title track, Not Just Another Pretty Bass, written by Mr. Ferguson, to the heartfelt performance of Blame it On My Youth, and all of the other cuts, we never tire of listening to it. We give it 5 stars.

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