New for Now

New for Now

New for Now

ASIN: B0007Y09NC

Track Listings
 
1. Gone With the Wind
2. New for Now
3. Stardust
4. Peru
5. Five Bucks a Bungalow
6. From the Ashes
7. Ask Me Now
8. All or Nothing at All

New for Now,Jonathan Kreisberg Trio,Criss Cross,Jazz,Pop
Odyssey
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    Odyssey
    Hayley Westenra
    Manufacturer: Decca
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
    1. Celtic Treasure
    2. Hayley Westenra - Live From New Zealand
    3. Lisa
    4. Celtic Woman - A New Journey: Live at Slane Castle, Ireland
    5. Walking in the Air

    ASIN: B000AXWHPI
    Release Date: 2005-10-18

    Tracks:

    1. Prayer
    2. Both Sides Now
    3. Never Saw Blue
    4. Dell' Amore Non Si Sa
    5. What You Never Know (Won't Hurt You)
    6. May It Be
    7. Quanta Qualia
    8. You Are Water
    9. She Moves Through the Fair
    10. My Heart Belongs To You - Hayley Westenra
    11. Ave Maria
    12. I Say Grace

    Album Description

    Hayley Westenra's new album Odyssey was always going to be a different proposition to Pure, the record-breaking 2003 collection which marked her international debut. A lot has happened to the young New Zealander over the past two or three years--and those changes are clearly reflected by a record which encapsulates her growth from a budding teenage prodigy into a mature young woman.

    Now, at 18, Hayley is ready to show the world how much she has grown up, both as an artist and as an individual. Fans of Pure will be pleasantly surprised by her new album. Her wonderful voice retains its crystal-clear purity, but Westenra's singing is now richer and more rounded than before. Touring the world and singing in some of its greatest concert venues, such as the Sydney Opera House, Royal Albert Hall, and Carnegie Hall, has worked wonders for her confidence. Suitably emboldened, she has embraced an even wider range of musical styles including classical, hymns, folk and pop.

    "I was happy with Pure at the time, but I've moved on so much," says Hayley. "It's really exciting to have something new out there for people to listen to. I wanted to make a record that represented me as a person. And I think I've improved as a vocalist."

    Variety is certainly one of the keywords with Hayley's new album. When she first entered a recording studio in New Zealand as a 12-year-old, Westenra restricted herself to classical pieces and show tunes. Now, in addition to impressive takes on classical works, Hayley uses her new album to perform an inspired cover of Joni Mitchell's "Both Sides Now" and has arranged and written much of the material. "I like to push myself, and I'm now confident enough to try different things. I have been much more involved behind the scenes with this album--I wanted to put my individual stamp on each song."

    With her career stretching out promisingly before her, Hayley is also keen to continue experimenting. She is still primarily a classical crossover artist but she also wants to keep broadening those musical horizons. Three years after her international debut CD, Hayley Westenra is still pure: she exudes pure quality and she remains pure class--but her musical journey continues with her new album Odyssey.
    Porgy & Bess
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      Porgy & Bess
      Ella Fitzgerald , and Louis Armstrong
      Manufacturer: Polygram Records
      ProductGroup: Music
      Binding: Audio CD

      All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
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      1. Porgy and Bess
      2. Gershwin: Porgy & Bess [With Members of the Original Cast]
      3. Porgy & Bess: High Performance
      4. George Gershwin - Porgy & Bess / Trevor Nunn · Sir Simon Rattle · W. White · C. Haymon · Glyndebourne Opera
      5. Ella & Louis Again (Dig)

      ASIN: B0000046Z5
      Release Date: 1990-10-25

      Tracks:

      1. Overture
      2. Summertime
      3. I Wants To Stay Here
      4. My Man's Gone Now
      5. I Got Plenty O'Nuttin'
      6. Buzzard Song
      7. Bess, You Is My Woman Now
      8. It Ain't Necessarily So
      9. What You Want Wild Bess?
      10. A Woman Is A Sometime Thing
      11. Oh, Doctor Jesus
      12. Medley: Here Come De Honey Man/Crab Man/Oh, Deh's So Fresh And Fine (Strawberry Woman)
      13. There's A Boat Dat's Leavin' Soon For New York
      14. Bess, Oh Where's My Bess
      15. Oh Lawd, I'm On My Way

      Amazon.com

      Getting the two most personable voices in jazz to sing an hour's worth of George Gershwin's opera Porgy & Bess (Ella doing all the female parts, Satchmo all the male) was a good idea, but not quite as great as it sounded. Armstrong savors the down-and-dirty Charlestonisms that inspired the cadences of the music and lyrics, and they fit his happy rasp like an old shoe; Fitzgerald, conversely, sounds almost prissy every time she has to sing the word "ain't," though her melodic genius gets Gershwin's bold, supple tunes over. The arrangements are full-throttle Broadway, with a few leaps into Dixieland (including some fine Armstrong trumpet solos), but the disc works best when the vocalists break character and let their jazz side out. --Douglas Wolk
      Mendelssohn: Elijah
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        Mendelssohn: Elijah

        Manufacturer: EMI Classics
        ProductGroup: Music
        Binding: Audio CD

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        5. Brahms: Ein deutsches Requiem [A German Requiem]

        ASIN: B0002XV31A
        Release Date: 2005-02-15

        Tracks:

        1. Introduction: As God The Lord Of Israel Liveth
        2. Overture
        3. No.1 Help, Lord! Wilt Thou Quite Destroy Us?
        4. No.2: Lord! Bow Thine Ear To Our Prayer!
        5. No.3: Ye People, Rend Your Hearts
        6. No.4: If With All Your Hearts
        7. No.5: Yet Doth The Lord See It Not
        8. No.6: Elijah! Get Thee Hence
        9. No.7: For He Shall Give His Angels Charge Over Thee
        10. Recitative: Now Cherith's Brook Is Dried Up
        11. No.8: What Have I Do To Do With Thee?
        12. No.9: Blessed Are The Men Who Fear Him
        13. No.10: As God The Lord Of Sabaoth Liveth
        14. No.11: Baal, We Cry To Thee: Hear And Answer Us!
        15. No.12: Call Him Louder, For He Is A God!
        16. No.13: Call Him Louder! He Heareth Not!
        17. No.14: Lord God Of Abraham, Isaac And Israel!
        18. No.15: Cast Thy Burden Upon The Lord
        19. No.16: O Thou, Who Makest Thine Angels Spirits
        20. No.17: Is Not His Word Like A Fire?
        21. No.18: Woe Unto Them Who Forsake Him!
        22. No.19: O Man Of God, Help Thy People!
        23. No.20: Thanks Be To God!

        Tracks:

        1. No.21: Hear Ye, Israel; Hear What The Lord Speaketh
        2. No.22: Be Not Afraid, Saith God The Lord
        3. No.23: The Lord Hath Exalted Thee
        4. No.24: Woe To Him, He Shall Perish
        5. No.25: Man Of God, Now Let My Words Be Precious
        6. No.26: It Is Enough; O Lord Now Take My Life
        7. No.27: See, Now He Sleepeth
        8. No.28: Lift Thine Eyes To The Mountains
        9. No.29: He, Watching Over Israel, Slumbers Not
        10. No.30: Arise, Elijah, For Thou Hast A Long Journey
        11. No.31: O Rest In The Lord
        12. No.32: He That Shall Endure To The End, Shall Be Saved
        13. No.33: Night Falleth Round Me, O Lord!
        14. No.34: Behold! God The Lord Passed By!
        15. No.35: Above Him Stood The Seraphim
        16. No.36: Go, Return Upon Thy Way
        17. No.37: For The Mountains Shall Depart
        18. No.38: Then Did Elijah The Prophet Break Forth
        19. No.39: Then Shall The Righteous Shine Forth
        20. No.40: Behold, God Hath Sent Elijah
        21. No.41: But The Lord, From The North Hath Raised One
        22. No.41a: O Come Everyone That Thirsteth
        23. No.42: And Then Shall Your Light Break Forth
        The Greatest Ragtime of the Century
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          The Greatest Ragtime of the Century

          Manufacturer: Shout Factory
          ProductGroup: Music
          Binding: Audio CD

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          5. Red Hot Ragtime Volume 1

          ASIN: B00009PJST
          Release Date: 2003-06-10

          Tracks:

          1. Shreveport Stomp - Jelly Roll Morton
          2. Sweet Man - Jelly Roll Morton
          3. Tom Cat Blues - Jelly Roll Morton
          4. A New Kind Of Man With A New Kind Of Love For Me - Thomas 'Fats' Waller
          5. Nobody But My Baby - Thomas 'Fats' Waller
          6. Got To Cool My Doggies Now - Thomas 'Fats' Waller
          7. Maple Leaf Rag - Scott Joplin
          8. Weeping Willow Rag - Scott Joplin
          9. Something Doing - Scott Joplin
          10. Steeplechase Rag - James P Johnson
          11. Twilight Rag - James P Johnson
          12. Charleston Rag - Eubie Blake
          13. It's Right Here For You - Eubie Blake
          14. Fare Thee Honey Blues - Eubie Blake
          15. Mr. Freddie Blues - Jimmy Blythe
          16. Regal Stomp - Jimmy Blythe
          An Introduction to Der Ring des Nibelungen
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            An Introduction to Der Ring des Nibelungen
            Deryck Cooke , Georg Solti , Wiener Philharmoniker , Anita Valkki , Berit Lindholm , Birgit Nilsson , Brigitte Fassbaender , Christa Ludwig , Claire Watson , Claudia Hellmann , Dame Gwyneth Jones , Dietrich Fischer-Dieskau , Eberhard Wächter , George London , Gerhard Stolze , Gottlob Frick , Grace Hoffmann , Gustav Neidlinger , Hans Hotter , Helen Watts , Helga Dernesch , Hetty Plumacher , Ira Malaniuk , James King , Jean Madeira , Joan Sutherland , Kirsten Flagstad , Kurt Böhme , Lucia Popp , Marga Höffgen , Marilyn Tyler , Maureen Guy , Oda Balsborg , Paul Kuen , Régine Crespin , Set Svanholm , Vera Little , Vera Schlosser , Waldemar Kmentt , Walter Kreppel , and Vienna Philharmonic Orchestra
            Manufacturer: Decca
            ProductGroup: Music
            Binding: Audio CD

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            Similar Items:
            1. Wagner's Ring: Turning the Sky Round
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            5. Ring of the Nibelung

            ASIN: B00000424H
            Release Date: 2005-09-13

            Tracks:

            1. Of All Great Musical Compositions... (Examples 1-4)
            2. The Fundamental Symbol... (Examples 5-11)
            3. Returning Now To The Nature Motive... (Examples 6, 12-16)
            4. A Number Of Further Motives... (Examples 5, 17-21)
            5. A Second, Much Smaller Family... (Examples 22-25)
            6. So Much For Nature. (Examples 26-38)
            7. The Cause Of The Deterioration... (Examples 39-44)
            8. The Other Transformation... (Examples 45-48)
            9. Several Other Motives... (Examples 49-52)
            10. Two Further Motives... (Examples 41, 53-61)
            11. The Basic Motive Associated With The Spear... (Examples 62-68)
            12. Along Another, More Complex Line... (Examples 69-72)
            13. In Act Two Of Walkure... (Examples 69, 73-75)
            14. Returning Now To Act Two Of Walkure... (Examples 76-79)
            15. Love Is Another Of The Central Symbols... (Examples 80-83)
            16. Later In The Same Scene... (Examples 84-87)
            17. Freia's Motive Has Two Independent Segments... (Examples 88-91)
            18. The Label 'Flight'... (Example 92)
            19. When Fasolt, In Scene Two Of Rhinegold... (Examples 93-98)
            20. A Little Later In The Interlude... (Examples 99-103)

            Tracks:

            1. The Other New Motive... (Examples 104-109)
            2. There Are Several Independent Love-Motives... (Examples 110-114)
            3. The Characters In Whose Lives... (Examples 115-120)
            4. One Further Motive Belongs... (Example 121)
            5. The Sword Motive Recurs... (Examples 122-130)
            6. Ironically, This Phrase... (Examples 131-135)
            7. Closely Associated With Gutrune's Motive... (Examples 136-140)
            8. Here We Come To The End... (Examples 141-146)
            9. Complemtary To This Symbol... (Examples 147-149)
            10. One Last Central Symbol... (Examples 150-157)
            11. One Further Motive Connected... (Examples 158-161)
            12. There Are One Or Two Motives... (Examples 162-168)
            13. These Motives Of Alberich And Mime... (Examples 169-171)
            14. Quite A Number Of The Subsidiary Motives... (Examples 172-176)
            15. Besides This Family Of Motives... (Examples 177-180)
            16. Our Final Example... (Examples 10, 181, 182)
            17. In The Final Scene Of Gotterdammerung... (Examples 181-183)
            18. Even More Masterly... (Examples 184-188)
            19. Now If We Return... (Examples 189-191)
            20. This Masterly Way... (Examples 192, 193)

            Amazon.com

            When Wagner set the Ring to music, he intended the orchestra to act in the fashion of a chorus from a classic Greek tragedy--setting the mood and commenting on the action. In order to allow a nonverbal musical line to reflect on the plot, Wagner developed a psychologically and musically complex symbology to communicate his thoughts to the listener. From the beginning the Ring has spawned numerous written commentaries on the relationships of the motif structure, but by using examples from the Decca Ring recording, Deryck Cooke's thoughtful spoken commentary is by far the most accessible guide for either the fledgling Ring enthusiast or the seasoned veteran. --Christian C. Rix
            Praise to the Lord - Hymns From St. Paul's Cathedral
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              Praise to the Lord - Hymns From St. Paul's Cathedral

              Manufacturer: Hyperion UK
              ProductGroup: Music
              Binding: Audio CD

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              4. Abide With Me
              5. Hymns Through the Centuries

              ASIN: B00002EIUG
              Release Date: 1999-10-12
              Broadway - The American Musical (PBS Series)
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                Broadway - The American Musical (PBS Series)

                Manufacturer: Sony
                ProductGroup: Music
                Binding: Audio CD

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                2. Broadway: The American Musical
                3. Broadway: The American Musical
                4. Broadway - The American Musical (PBS Series)
                5. Somewhere over the Rainbow: The Golden Age of Hollywood Musicals

                ASIN: B00064ADMK
                Release Date: 2004-10-19

                Tracks:

                1. Give My Regards To Broadway- Joel Grey
                2. Swanee- Al Jolson
                3. When The Moon Shines On The Moonshine- Bert Williams
                4. A Pretty Girl Is Like A Melody- John Steel
                5. My Man- Fanny Brice
                6. Fascinating Rhythm- Fred Astaire, Adele Astaire
                7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
                8. Someone To Watch Over Me- Gertrude Lawrence
                9. Bill- 78 rpm Version Helen Morgan
                10. Ol' Man River- Paul Robeson
                11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
                12. Ten Cents A Dance- Ruth Etting
                13. Body And Soul- Libby Holman
                14. Brother, Can You Spare A Dime- Bing Crosby
                15. Night And Day- Fred Astaire
                16. Heat Wave- Ethel Waters
                17. Smoke Gets in Your Eyes- Tamara
                18. You're The Top- Ethel Merman
                19. Summertime- Anne Brown
                20. September Song- Walter Huston
                21. My Heart Belongs To Daddy- Mary Martin
                22. It Never Entered My Mind- Shirley Ross
                23. Bewitched, Bothered, Bewildered- Vivienne Segal
                24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
                25. Oh, What a Beautiful Mornin'- Alfred Drake

                Tracks:

                1. New York, New York- Cris Alexander,Adolph Green,John Reardon
                2. If I Loved You- John Raitt,Jan Clayton
                3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
                4. There's No Business Like Show Business- Ensemble
                5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
                6. Once In Love With Amy- Ray Bolger
                7. Wunderbar- Alfred Drake,Patricia Morison
                8. Some Enchanted Evening- Ezio Pinza
                9. Lost In The Stars- Todd Duncan
                10. Diamonds Are A Girl's Best Friend- Carol Channing
                11. Luck Be A Lady- Robert Alda,Guys
                12. Getting To Know You- Gertrude Lawrence
                13. Who Cares?- Jack Carson,Betty Oakes
                14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
                15. Ballad Of Mack The Knife- Gerald Price
                16. Hey There- from "The Pajama Game" John Raitt
                17. Whatever Lola Wants- Gwen Verdon
                18. I Could Have Danced All Night- Julie Andrews
                19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
                20. The Party's Over- Judy Holliday
                21. Glitter And Be Gay- Barbara Cook
                22. Tonight- Larry Kert, Carol Lawrence

                Tracks:

                1. Seventy-Six Trombones- Robert Preston
                2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
                3. Everything's Coming Up Roses- Ethel Merman
                4. My Favorite Things- from "The Sound Of Music" Mary Martin
                5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
                6. Try To Remember- Jerry Orbach
                7. Camelot- from "Camelot" Richard Burton
                8. Love Makes The World Go 'Round- Anna Maria Alberghetti
                9. I Believe In You- Robert Morse And Co.
                10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
                11. Comedy Tonight- Zero Mostel
                12. What Kind Of Fool Am I?- Anthony Newley
                13. As Long As He Needs Me- Georgia Brown
                14. Hello, Dolly!- Carol Channing,Cast
                15. People- Barbra Streisand
                16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
                17. If I Were A Rich Man- Zero Mostel
                18. Night Song- Sammy Davis, Jr.
                19. The Impossible Dream- Richard Kiley
                20. If My Friends Could See Me Now- Gwen Verdon
                21. Open a New Window- from Mame Voice

                Tracks:

                1. Willkommen- from "Cabaret" Joel Grey
                2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
                3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
                4. The Ladies Who Lunch- from "Company" Elaine Stritch
                5. Tea For Two- Roger Rathburn,Susan Watson
                6. I'm Still Here- Yvonne De Carlo
                7. I Don't Know How To Love Him- Yvonne Elliman
                8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
                9. Corner Of The Sky- John Rubinstein
                10. Send In The Clowns- Glynis Johns
                11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
                12. One- from "A Chorus Line" Cast
                13. All That Jazz- Chita Rivera,Ensemble
                14. Tomorrow- Andrea Mcardle
                15. Don't Cry For Me Argentina- Patti Lupone
                16. Come Follow The Band
                17. Lullaby Of Broadway- Jerry Orbach
                18. And I'm Telling You I'm Not Going- Jennifer Holliday
                19. The Bells Of St. Sebastian- Raul Julia

                Tracks:

                1. Memory- Betty Buckley
                2. I Am What I Am- George Hearn
                3. Move On- Bernadette Peters,Mandy Patinkin
                4. Do You Hear The People Sing?- Michael Maguire,Cast
                5. The Music Of The Night- Michael Crawford
                6. You're Nothing Without Me- James Naughton,Gregg Edelman
                7. The American Dream- Jonathan Pryce,Cast
                8. Doctor Jazz- Gregory Hines,Company
                9. With One Look- Glenn Close
                10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
                11. Le Jazz Hot- Julie Andrews,Ensemble
                12. Seasons Of Love-
                13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
                14. I Wanna Be A Producer- Matthew Broderick,Ensemble
                15. Dancing Queen- Louise Plowright,Jenny Galloway
                16. Good Morning Baltimore- Marissa Jaret Winokur
                17. Movin' Out- Michael Cavanaugh,Band
                18. I Go To Rio- Hugh Jackman,Company
                19. Defying Gravity- Kristin Chenoweth,Idina Menzel
                Colonial America
                Average customer rating: Not rated
                  Colonial America

                  Manufacturer: Maggie's Music
                  ProductGroup: Music
                  Binding: Audio CD

                  GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
                  LuteLute | Instruments | Early Music | Historical Periods | Classical | Styles | Music
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                  LuteLute | Strings | Instruments | Classical | Styles | Music
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                  GeneralGeneral | Folk | Styles | Music
                  Irish FolkIrish Folk | Traditional British & Celtic Folk | Folk | Styles | Music
                  Traditional FolkTraditional Folk | Folk | Styles | Music
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                  GeneralGeneral | Celtic | International | Styles | Music
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                  CelticCeltic | Europe | International | Indie Music | Stores | Music
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                  Similar Items:
                  1. Early American Roots
                  2. The World Turned Upside Down
                  3. Music of the American Revolution: The Birth of Liberty
                  4. Celtic Roots
                  5. The Spirit of '76 and Ruffles and Flourishes

                  ASIN: B0000C9Z9X
                  Release Date: 2003-09-01

                  Tracks:

                  1. Rickett's Hornpipe/ Fishers Hornpipe
                  2. Maiden Lane/ Jack O' Lent/ Chestnut/Bonny Broom
                  3. Parting Friends/Primrose
                  4. Flowers of Edinburgh/East Neuke of Fife
                  5. Prelude / La Catherine
                  6. Planxty Browne/Planxty Burke
                  7. Cutie Clat Her
                  8. John Come Kiss me Now
                  9. Scots Tune
                  10. Carolan's Farewell to Music
                  11. A Port
                  12. Yeil, yeil
                  13. Kedron/Saint's Delight/Promised Land
                  14. Gird the Logie
                  15. La Belle Cavalier
                  16. La Luxillier/La Balanje
                  17. Federal Overture
                  18. Death & Life

                  Album Description

                  Spirited new sounds from across the sea to the shores of the New Land. From the first colonists to the American Revolution and the birth of our republic Hesperus Early Music Ensemble's music reflects a time of new ideas, freedom and vitality. In town and village, parlor and ballroom, from the Appalachians to the great concert halls hear the musical pulse of early American music performed on a wide variety of folk and early music instruments. Includes: lively country-dance tunes, evocative Shape Note Hymns, old time Appalachian fiddle tunes, graceful European parlor music, French cotillions, divisions and improvisations. Introduction -The English Colonies in America were a patchwork-not just of territories whose boundaries became state lines, but of people from different places and classes with widely different values and experiences. This recording presents music from that patchwork; from England, the Colonial homeland; Scotland and Ireland, the homes of the largest groups of immigrants outside England; and France, the ally of the Patriots, and music written in the United States. More recordings by HESPERUS from Maggie's Music are Celtic Roots featuring Scottish fiddler, Bonnie Rideout and Early American Roots. Hesperus Ensemble is THE sought after musical group for period music that is both authentic, and most important fun, lively and spirited. They are frequent performers at the Smithsonian's Institute of American Music and can be heard on the soundtrack or the Paramount film with Johnny Depp entitled Sleepy Hollow! Excerpts from liner notes:2.A Set of English Country Dance Tunes: Maiden Lane, Jack O'Lent, Chestnut, Bonny Broom - The visionary London music publisher John Playford first published his English Dancing Master in 1651. It was reprinted 18 times over the next 77 years and is still popular today. 3. Parting Friends/Primrose - These tunes have come down to us in choral arrangements called shape-note hymns .
                  All That Jazz (1979 Film)
                  Average customer rating: Not rated
                    All That Jazz (1979 Film)
                    Ralph Burns
                    Manufacturer: Polygram Int'l
                    ProductGroup: Music
                    Binding: Audio CD

                    GeneralGeneral | Jazz | Styles | Music
                    Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
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                    2. A Chorus Line
                    3. Fosse
                    4. Fame
                    5. Chicago (Widescreen Edition)

                    ASIN: B000008115
                    Release Date: 2000-04-25

                    Tracks:

                    1. Main Title (Instrumental) - Ralph Burns
                    2. On Broadway - George Benson
                    3. Michelle (Instrumental) - Ralph Burns
                    4. Take Off With Us - Sandahl Bergman & Chorus
                    5. Vivaldi Concert In G (Instrumental) - Ralph Burns
                    6. Ponte Vecchio (Instrumental) - Ralph Burns
                    7. Everything Old Is New Again - Peter Allen
                    8. South Mt Sinai Parade (Instrumental) - Ralph Burns
                    9. After You've Gone - Leland Palmer
                    10. There'll Be Some Changes Made - Ann Reinking
                    11. Who's Sorry Now - Chorus
                    12. Some Of These Days - Erzsebet Foldi
                    13. Going Home Now (Instrumental) - Ralph Burns
                    14. Bye Bye Love - Ben Vereen & Roy Scheider

                    Album Description

                    1995 reissue of the soundtrack to director Bob Fosse's acclaimed 1979 musical co-starring Roy Scheider and Jessica Lange. Ralph Burns arranged & conducted all 14 tracks, whichinclude performances by George Benson, Sandahl Bergman and Ben Vereen with Scheider. A Spectrum/ Karussell release.

                    Album Details

                    Accompanying Music to the Critically Acclaimed, Oscar Winning (For Best Art Direction, Best Score and Best Costume Design) 1979 Musical which features Musical Performances by Roy Scheider and Ben Vereen and also Stars Jessica Lange and Johnathan Lithgow. Includes the George Benson Standard "On Broadway", plus a Piece of Vivaldi's "Concert in G" and More.
                    Instruments of the Orchestra
                    Average customer rating: Not rated
                      Instruments of the Orchestra
                      Various Artists
                      Manufacturer: Naxos
                      ProductGroup: Music
                      Binding: Audio CD

                      GeneralGeneral | Symphonies | Classical | Styles | Music
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                      Similar Items:
                      1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
                      2. The Life and Works of Ludwig van Beethoven
                      3. What to Listen for in Music
                      4. Study of Orchestration, Third Edition
                      5. The Life and Works of Frédéric Chopin

                      ASIN: B00006O0NT
                      Release Date: 2002-12-03

                      Tracks:

                      1. Overture To 'Tannhauser'
                      2. Domna, Pos Vos Ay Chausida
                      3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
                      4. Hungarian Dance No.7
                      5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
                      6. Violin Concerto In D Major (Adagio)
                      7. But For A Long Time It Was Seen As The Instrument Of The Devil.
                      8. The Soldier's Tale: Triumphal March Of The Devil
                      9. The Manipulative Seductiveness Of The Gypsy Violin.
                      10. Csardas Music
                      11. The Violin And The Initiation Of Nature
                      12. The Four Seasons (Spring, Mvt 1)
                      13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
                      14. The Four Seasons (Summer, Mvt 1)
                      15. Like The Devil, The Violin Is A Master Of Disguise.
                      16. Old Viennese Dance No.3 'Schon Rosmarin'
                      17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
                      18. Tzigane
                      19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
                      20. Caprice No.24
                      21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
                      22. Variations On A Theme Of Frank Bridge (No.7)
                      23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
                      24. Romeo And Juliet: Act IV
                      25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
                      26. The Four Seasons (Winter, Mvt 1)
                      27. The Violin Muted
                      28. Clair De Lune
                      29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
                      30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
                      31. The Pizzicato Violin
                      32. Pizzicato Polka
                      33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
                      34. Violin Concerto No.2 In G Minor (Slow Mvt)
                      35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
                      36. The Planets (Mars - The Bringer Of War)
                      37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
                      38. Hungarian Dance No.4
                      39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
                      40. The Four Seasons (Autumn, Mvt 1)
                      41. Now The Same Technique, But The Sound Might Have Come From Another World.
                      42. Bolero
                      43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
                      44. Cadenza To The Violin Concerto By Brahms
                      45. Now Compare That With A Real Violin Duet.
                      46. Forty-Four Duos (No. 1: Teasing Song)
                      47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
                      48. Forty-Four Duos (No.2: Maypole Dance)
                      49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
                      50. Concerto In D Minor For Two Violins (Largo)
                      51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
                      52. Violin Concerto No.1 In D Major (Mvt 2)
                      53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
                      54. Symphony No.1 'Titan' (Mvt 1, Opening)
                      55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
                      56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
                      57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
                      58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
                      59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
                      60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
                      61. Also Sprach Zarathustra (Of The Afterworldsmen)
                      62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
                      63. Variations On A Theme Of Frank Bridge (No. 4)
                      64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
                      65. Four Sea Interludes (Dawn) From 'Peter Grimes'
                      66. To End This Outing With The Violins, A Charming Little Elfin Dance
                      67. Elfenreigen

                      Tracks:

                      1. Introduction To The Viola
                      2. Viola Concerto (Mvt 1)
                      3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
                      4. Gayane Suite No.1 (Armen's Solo)
                      5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
                      6. Passacaglia, Op.33b From 'Peter Grimes'
                      7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
                      8. Harold In Italy (Mvt 4)
                      9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
                      10. Cypresses (No.9)
                      11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
                      12. Symphony No.4 (Mvt 3)
                      13. The 'Period' Viola In Bach
                      14. Brandenburg Concerto No.6 (Last Mvt)
                      15. The Cello: A Voice Of Unique Nobility
                      16. Suite No.1 For Unaccompanied Cello (Prelude)
                      17. Brahms And The 'Soul' Of The Cello
                      18. Piano Concerto No.2 In B Flat Major (Mvt 3)
                      19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
                      20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
                      21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
                      22. Symphony No.3 'Eroica' (Finale)
                      23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
                      24. Elfentanz, Op.39
                      25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
                      26. The Protecting Veil (Opening)
                      27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
                      28. Flamenco
                      29. Double-Stopping In The Lower Reaches Of The Cello's Range
                      30. Solo Suiet For Cello And Piano (Sardana)
                      31. It's In The Middle Register That The Cello Really Comes Into Its Own.
                      32. Oriental Dance, Op.2 No.2
                      33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
                      34. Symphony No.9 (Finale)
                      35. Introduction To The Double-Bass
                      36. The Carnival Of The Animals (The Elephant)
                      37. But The Double-Bass Can Be Intensely Expressive And Graceful.
                      38. Elegy No.1 In D Major
                      39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
                      40. Capriccio Di Bravura
                      41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
                      42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
                      43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

                      Tracks:

                      1. The Antiquity And Magic Of The Flute
                      2. Prelude A L'Apres-Midi D'Un Faune
                      3. The Versatility And Agility Of The Flute
                      4. Orchestral Suite No.2 In B Minor (Badinerie)
                      5. The Flute In Fifteenth-Century Spain
                      6. Sa'Dawi
                      7. Other Flutes: The Bass And Alto
                      8. Chamber Music No.II
                      9. The Piccolo - Aptly Named
                      10. La Naissance D'Osiris (Mvt 6)
                      11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
                      12. Suite No.1 For Small Orchestra (Valse)
                      13. A Variety Of Techniques
                      14. Chamber Music No.II
                      15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
                      16. The Nutcracker (Act II, No.2: Scene)
                      17. From The Transverse To The Vertical: The Baroque Recorder
                      18. Recorded Suite In A Minor (Menuet II)
                      19. An Unfamiliar, Early Vision Of The Instrument
                      20. Naelden, Naelden
                      21. The Bachian Oboe
                      22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
                      23. Introduction To The Cor Anglais Or 'English Born'
                      24. Symphony No.9 'From The New World' (Mvt 2)
                      25. The Loneliness Of The Cor Anglais
                      26. The Swan Of Tuonela
                      27. The Cor Anglais Joins The French Horn In Haydn.
                      28. Symphony No.22 'The Philosopher' (Opening)
                      29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
                      30. Bolero
                      31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
                      32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
                      33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
                      34. Gayane Suite No. 1 (Mvt 5)
                      35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
                      36. The Range Of The Normal Clarinet Parts Goes Quite High...
                      37. The Snow Maiden (Scene 5: Melodrama)
                      38. ...And Quite Low.
                      39. Peter And The Wolf (The Cat)
                      40. The Clarinet As Concerto Soloist
                      41. Clarinet Concerto In A Major (Rondo)
                      42. But That's Not The Instrument Mozart Wrote It For; This Is:
                      43. Clarinet Concerto In A Major (Rondo)
                      44. Introduction To The Saxophone
                      45. Hary Janos Suite (Mvt 4)
                      46. The Soprano Saxophone Has Quite A Different Feel To It.
                      47. L'Arlesienne Suite No.1 (Minuet)
                      48. The Little Sopranino Sax Goes Even Higher.
                      49. Bolero
                      50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
                      51. Pictures At An Exhibition (The Old Castle)
                      52. The Saxophone Can Be Quite Contagiously Good-Humoured.
                      53. Sax-O-Phun
                      54. The Puffa-Puffa Image Of The Bassoon
                      55. Peter And The Wolf (Grandfather)
                      56. The Bachian Bassoon, In Accompanimental Mode
                      57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
                      58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
                      59. And Ravel, Also In Spanish Mode, Does Likewise.
                      60. Bolero
                      61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
                      62. Symphony No.3 (Opening)
                      63. The Eerie Bassoon In Its Highest Register
                      64. The Rite Of Spring (Opening)
                      65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
                      66. The Firebird Suite (1919, Berceuse)
                      67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
                      68. Bassoon Concerto In G Minor (Finale)
                      69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
                      70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
                      71. The French Horn Under Its Woodwind Hat
                      72. Wind Quintet, Op.43 (Last Mvt)
                      73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
                      74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
                      75. The Horn In Harmonious Blend With Strings In Another Quintet
                      76. Horn Quintet, K.407 (Finale)

                      Tracks:

                      1. The Trumpet As Virtuoso Soloist
                      2. Brandenburg Concerto No.2 (Last Mvt)
                      3. The Special Brillance Of Paired Trumpets
                      4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
                      5. The Ceremonial Trumpet
                      6. Fanfare For The Common Man
                      7. Trumpets And Drums - An Incomparable Alliance
                      8. Messiah (The Trumpet Shall Sound)
                      9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
                      10. Piano Concerto In F (Slow Mvt)
                      11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
                      12. Carmen Suite No.2 (Habanera)
                      13. The Trumpet As The Voice Of Strength And Courage
                      14. Carmet Suite No.2 (Toreador's Song)
                      15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
                      16. Billy The Kid
                      17. The Trumpet As Character Actor
                      18. Pictures At An Exhibition (No.6)
                      19. The Trumpet As The Voice Of God
                      20. Mass In B Minor ('Et Exspecto')
                      21. The Birth Of The Trombone
                      22. Aenmerckt Nu Hier
                      23. The Birth Of The Brass As A Family
                      24. Canzon 12 In Double Echo
                      25. The Trombone In The Eighteenth Century
                      26. Trombone Concerto In B Flat Major (Finale)
                      27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
                      28. Hosannah
                      29. The Trombones Become Part Of The Orchestra.
                      30. Symphony No.5 (Finale)
                      31. The Wagnerian Trombone:/Overture To 'Tannhauser'
                      32. The Trombone As Caricaturist
                      33. Pulcinella (No.19: Vivo)
                      34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
                      35. The Horn And The Hunt
                      36. Horn Concerto No.4 In E Flat, K.495 (Finale)
                      37. The Challenging Horn Of The Baroque
                      38. Abaris Ou Les Boreades (Menuet)
                      39. The Scarcity Of First-Rate Players In Handel's Time
                      40. Walter Music (Minuet 1)
                      41. The Horn As Magician/The Firebird Suite (1919, Finale)
                      42. Horns And The Sound Of Nobility
                      43. Overture To 'Tannhauser' (Opening)
                      44. The Special Sound Of The Horn In Its Higher Register
                      45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
                      46. The Trumpet-Like Sound Of Massed Horns
                      47. Symphony No.3 (Mvt 1, Opening)
                      48. The Tuba - Unfairly Maligned?
                      49. Symphony No.6 (Mvt 3)
                      50. The Tuba Perfectly Cast By Ravel
                      51. Pictures At An Exhibition (Bydlo)

                      Tracks:

                      1. Introduction. And We Begin With A Bang.
                      2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
                      3. At The Opposite Extreme Is The Triangle.
                      4. Piano Concerto No.1 In E Flat (Scherzo)
                      5. Categories Of Percussion: Tuned And Untuned. The Side Drum
                      6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
                      7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
                      8. The Tambourine. One Of The Oldest Instruments In The World
                      9. Den Hoboecken Dans
                      10. Even Older Is The Originally Oriental Gong.
                      11. Ma Mere L'Oye - Mother Goose (Laideronette)
                      12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
                      13. Gymnopedie No.2
                      14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
                      15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
                      16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
                      17. Rodeo (Hoe-Down)
                      18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
                      19. Scherzi Musicali (Damigella Tutta Belle)
                      20. A Still Earlier Example From Fifteenth-Century Spain
                      21. Yo M'Enamori D'Un Aire
                      22. The Birth Of The Bongo
                      23. Symphonic Dances From 'West Side Story'
                      24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
                      25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
                      26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
                      27. Onwards To The Tuned Percussion. First, The Timpani
                      28. Also Sprach Zarathustra (Introduction)
                      29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
                      30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
                      31. Taking Advantage Of Tunability
                      32. Music For Strings, Percussion And Celeste (Mvt 2)
                      33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
                      34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
                      35. Saint-Saens And The Xylophone
                      36. The Carnival Of The Animals (Fossils)
                      37. Ravel And The Xylophone
                      38. Ma Mere L'Oye - Mother Goose (Laideronette)
                      39. Introducing The Marimba/Carmen Suite (First Intermezzo)
                      40. Introducing The Vibraphone
                      41. The Treasure Of The Sierra Madre (Narange Dolce)
                      42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
                      43. Introducing The Hungarian Cimbalom
                      44. Folk Dances
                      45. The Cimbalom And The Symphony Orchestra
                      46. Hary Janos Suite (Mvt 3)
                      47. Introducing The Tubular Bells
                      48. Hary Janos Suite (Viennese Musical Clock)
                      49. A More 'Up-Front' Approach From Rodion Shchedrin
                      50. Carmen Suite (Introduction)
                      51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
                      52. Introducing The Celeste
                      53. The Nutcracker (Dance Of The Sugar Plum Fairy)
                      54. Magic, In The Use Of Collective Percussion
                      55. Miroirs (La Vallee Des Cloches)
                      56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
                      57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
                      58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
                      59. Brandenburg Concerto No.2 (Slow Mvt)
                      60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
                      61. Petrushka (Russian Dance)
                      62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
                      63. Music For Strings, Percussion And Celeste (Last Mvt)

                      Tracks:

                      1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
                      2. Symphony No.3 'Organ' (Finale)
                      3. But Things In Handel's Day Were Very Different.
                      4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
                      5. The Organ Is Difficult To Classify.
                      6. An Unexpected, Organ-related Guest
                      7. Concerto Pour Zampogna (Last Mvt)
                      8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
                      9. Les Miserables (Drink With Me)
                      10. Outside Artefacts And The Power Of Association
                      11. Mahler's Sleighbells
                      12. Symphony No.4 (Opening)
                      13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
                      14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
                      15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
                      16. Don Quixote (Variation VIII)
                      17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
                      18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
                      19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
                      20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
                      21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
                      22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
                      23. The Sitar Of India/Evening Raga: Bhapoli
                      24. The Accordion For France (Especially Paris)/Paris Canaille
                      25. The Zither For Vienna/The Third Man (Theme)
                      26. The Cimbalom For Hungary/Folk Dances
                      27. The Guitar As An Integral Part Of The Orchestra/Rondena
                      28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
                      29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
                      30. Nocturnes
                      31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
                      32. The Carnival Of The Animals (The Cuckoo)
                      33. The Flute As An All-purpose Aviary
                      34. The Carnival Of The Animals (The Aviary)
                      35. The Oboe As Duck
                      36. Peter And The Wolf (The Duck)
                      37. The Recording Of Reality. Does It Work As Well?
                      38. The Pines Of Rome (The Pines Of The Janiculum)
                      39. The Recording Of Reality Electronically Reborn In New Guises
                      40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
                      41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
                      42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
                      43. Some Improbable Casting: The Violin As Braying Donkey
                      44. The Carnival Of The Animals (Persons With Long Ears)
                      45. A Truly Orchestral Hee-haw To Be Reckoned With
                      46. Overture To 'A Midsummer Night's Dream'
                      47. A Thunderstorm In A Million
                      48. Symphony No.6 'Pastoral (Allegro-Allegretto)
                      49. the Instrumental Depiction Of A Silent World
                      50. The Carnival Of The Animals (The Aquarium)
                      51. Saint-Saens' Menagerie Takes A Curtain Call.
                      52. The Carnival Of The Animals (Finale)

                      Tracks:

                      1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
                      2. Forty-Four Duos (No.4)
                      3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
                      4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
                      5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
                      6. String Trio In B Flat (Menuetto)
                      7. The String Quartet: Two Violins, Viola, And Cello
                      8. String Quartet In F, Op.18 No.1 (Mvt 3)
                      9. The String Quintet - When The Extra Instrument Is A Second Viola
                      10. String Quartet No.5 In D, K.593 (Adagio)
                      11. The String Quintet - When The Extra Instrument Is A Second Cello
                      12. String Quintet In C (Mvt 3)
                      13. The String Sextet: Two Violins, Two Violas, And Two Cellos
                      14. String Sextet In B Flat (Mvt 2)
                      15. The String Octet: The Standard String Quaret Times Two
                      16. Octet In E Flat, Op.20 (Mvt 1)
                      17. Double The String Octet: A Fully Fledged String Orchestra
                      18. String Symphony No.2 (Finale)
                      19. The Massed Strings Of A Symphony Orchestra
                      20. Fantasia On A Theme Of Thomas Tallis
                      21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
                      22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
                      23. In The First Variation It's The Horn That Gets The Lion's Share.
                      24. Wind Quintet In A Minor, Variation 1
                      25. In Variation Two The Torch Is Handed To The Bassoon.
                      26. Wind Quintet In A Minor, Variation 2
                      27. In Variation Three The Oboe Leads.
                      28. Wind Quintet In A Minor, Variation 3
                      29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
                      30. Wind Quintet In A Minor, Variation 4
                      31. And Variation Five is Dominated By The Clarinet.
                      32. Wind Quintet In A Minor, Variation 5
                      33. The Next To Be Featured Is The Virtuoso Flute.
                      34. Wind Quintet In A Minor, Variation 6
                      35. Individual Farewells And A Closing Chorus
                      36. Wind Quintet In A Minor, Variation 7
                      37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
                      38. Octet In F (Mvt 3)
                      39. The Early Classical Symphony Orchestra Of Haydn And Mozart
                      40. Symphony No.29 In A, K.201 (Finale)
                      41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
                      42. Canzon 28
                      43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
                      44. Symphony No.5 (Finale)
                      45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
                      46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
                      47. Symphoy No.6 'Tragic' (Mvt 1)
                      48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
                      49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
                      50. When Large Doesn't Necessarily Mean Loud: Debussy
                      51. Images (Gigues)
                      52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
                      53. Turangalila Symphony (Chant D'amour 1)
                      54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
                      55. Balle De Xerxes (Gavotte En Rondeau)
                      56. Computer And Synthesiser: Friends Or Foes?
                      57. Concerto In D Minor For Two Violins (Largo)
                      58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

                      Jazz Music:

                      1. One Alone
                      2. Organology: April in Paris, Vol. 1 [Enhanced]
                      3. Partido Out
                      4. Past, Present & Futures
                      5. Places
                      6. Power to the People
                      7. Pre-Bird [Original recording remastered]
                      8. Process & Reality [Import]
                      9. Public [Enhanced] [Live]
                      10. Que Viva La Musica

                      Jazz Music

                      Jazz Music