First Touch
First Touch
ASIN: B00028HONG
Editorial Reviews
About the Artist
Dominic Miller began playing with Sting in 1989 and has since recorded seven albums with him. Born in Argentina, he grew up influenced by Latin American music as well as the obligatory Beatles and Jimi Hendrix records.
Although he trained briefly at the Guildhall, he was "put off" by the dry approach of music college and turned instead to session playing. Since then, he has appeared on more than 100 albums by the likes of Phil Collins, Tina Turner and Bryan Adams, as well as playing with Nigel Kennedy, Lesley Garrett and Pavarotti.
Product Description
"First Touch" is Dominic Miller's 1995 debut, his first session as a leader.
First Touch,Dominic Miller,Qrious Music,Jazz,Pop,Rock
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Six Decades of Film Music
- Excellent collection with fine performances
- "essential film scores from 1939 to 2004 ~ Incredible Music"
|
The Incredible Film Music Box
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD
All Works by Herrmann
| Herrmann, Bernard
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mascagni
| Mascagni, Pietro
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Morricone, Ennio
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mancini
| Mancini, Henry
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Nyman
| Nyman, Michael
| ( N )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Rota, Nino
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Strauss
| Strauss, Richard
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Vangelis
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Film Scores
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Tone Poems
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
Star Wars
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Classic Big Band
| Swing Jazz
| Jazz
| Styles
| Music
Similar Items:
- Paramount 90th Anniversary Collection: Scores
- The Essential Elmer Bernstein Film Music Collection
- Epics: The History of the World According to Hollywood
- The Ultimate Movie Music Collection
- Jerry Goldsmith: 40 Years of Film Music
ASIN: B0007S687Y
Release Date: 2005-05-10 |
Tracks:
- Gone With The Wind: Overture
- Citizen Kane: Overture
- Casablanca: As Time Goes By
- It's A Wonderful Life: It's A Wonderful Life
- The Third Man: The Harry Lime Theme
- The Searchers: Suite
- The Bridge On The River Kwai: Colonel Bogey March
- Vertigo: Prelude
- Touch Of Evil: Main Title
- Ben-Hur: Parade Of The Charioteers
- North By Northwest: Prelude
- Psycho: Suite
- The Magnificent Seven: The Magnificent Seven
- Lawrence Of Arabia: Overture
Tracks:
- To Kill A Mockingbird: Suite
- The Great Escape: Main Title
- Doctor Zhivago: Main Title & Lara's Theme
- The Good, The Bad And The Ugly: The Good, The Bad And The Ugly
- Once Upon A Time In The West: Jill's Theme
- 2001: A Space Odyssey: Also Sprach Zarathustra
- Midnight Cowboy: Midnight Cowboy
- Get Carter: Main Title
- A Clockwork Orange: Ode To Joy
- The Godfather: Waltz & Love Theme
- Jaws: Jaws
- Rocky: Gonna Fly Now
- Taxi Driver: Suite
- Star Wars: Episode IV: A New Hope
Tracks:
- Superman: Main Theme
- Alien: End Title
- Raging Bull: Intermezzo From Cavalleria Rusticana
- Raiders Of The Lost Ark: Raiders March
- Blade Runner: End Titles
- E.T.: The Extraterrestrial: Adventures On Earth
- Once Upon A Time In America: Deborah's Theme
- Back To The Future: Main Theme
- Witness: Building The Barn
- Aliens: Main Title
- Cinema Paradiso: Cinema Paradiso
- Glory: Charging Frot Wagner
- Dances With Wolves: The John Dunbar Theme
- Unforgiven: Claudia's Theme
Tracks:
- The Piano: The Heart Asks Pleasure First
- Schindler's List: Main Theme
- Braveheart: End Credits
- Titanic: My Heart Will Go On
- Saving Private Ryan: Hymn To The Fallen
- American Beauty: Any Other Name
- Gladiator: Now We Are Free
- Lord Of The Rings: The Fellowship Of The Ring: The Fellowship
- The Girl With The Pearl Earring: Griet's Theme
- Pirates Of The Caribbean: The Curse Of The Black Pearl: Suite
- Harry Potter And The Prisoner Of Azkaban: Suite
- Lemony Snicket's A Series Of Unfortunate Events: The Letter That Never Came
- Finding Neverland: Impossible Opening
- The Incredibles: Overture
Customer Reviews:
Six Decades of Film Music.......2007-05-13
This is film music for the classical music lover. The City of Prague Philharmonic Orchestra presents excellent arrangements of a number of classic film themes (although several pieces of the 56 film classics selected for this 4 CD set are not orchestral arrangements, but rather specialty arrangements). Besides great film composers such as John Williams, Elmer Bernstein, Ennio Morricone, and James Horner, classical composers such as Richard Strauss and Pietro Mascagni make an appearance. On several of the numbers the Crouch End Festival Chorus adds the human voice to the power of the full symphonic orchestra to create true movie magic. If you like the sound of a full symphony orchestra playing some of the most recognized themes ever written, you'll love these CDs.
Excellent collection with fine performances.......2007-03-28
Silva Screen Records, based in England, has been issuing some fine collections of film scores, more in one box than we have the right to expect. This four-CD box contains scores by many of the best writers, including Max Steiner, Bernard Herrmann, Dimitri Tomkin, Kenneth J. Alford (The Bridge on the River Kwai), Elmer Bernstein, Maurice Jarre, Ennio Marricone, John Barry, Nino Rota, John Williams, James Horner, and more. We can all think of additional film scores we wished were included, but then there's no way this collection could be all-inclusive. The City of Prague Philharmonic Orchestra, supplemented by Crouch End Festival Chorus on some numbers, does a very competent job...The liner notes give the basic information without any commentary, and as far as I can see, contain only one error. Am I wrong or are tracks 9 and 10 on the fourth CD mislabeled? Track 9, which runs 7:33, seems to have the excitement of "Pirates of the Caribbean" (which I did not see) and track 10, which runs 4:22, the more sedate "The Girl with the Pearl Earring (which I also did not see). Listings seem to have them reversed.
"essential film scores from 1939 to 2004 ~ Incredible Music".......2005-05-16
When I think of the "Golden Age" of Hollywood, many composers come to mind...you gave the usher your ticket in the theater and sat down, knowingly you were going to get your moneys worth...when the curtain opened and you heard those first few notes...you sat back, watched and listened as the film score and orchestra worked their magic...now we have the ultimate from Silva Screen Classics "The Incredible Film Music Box", featuring a four disc set of the essential film scores of the past 60 years...covering several decades from 1939 through and up to the present 2004
There are compilations and then there are "Compilations" beginning with a classic that even the youngsters today recognize "GONE WITH THE WIND" (1939) (Max Steiner), sweeping score that captures the tragic history of the South during the Civil War, one great cue after another, it doesn't get any better than this, nominated by the Academy for Best Original Score...and closing on Disc 4 with "THE INCREDIBLES" (2004) (Michael Giacchino), the big hit in computer animation from Walt Disney & Pixar that once again pit Super-Heroes against the forces of evil...our family of five Supers prove crime doesn't pay, but box-office receipts do...gotta love it!
Silva Screen Classics as usual, has put quality into this 4-CD-Set featuring The City Of Prague Philarmonic Orchestra and the Crouch End Festival Chorus conducted by Kenneth Alwyn, Bill Ashton, Paul Bateman, James Fitzpatrick, Mario Klemens, Derek Wadsworth, and Nic Raine. Recorded in "Dolby Surround" with the new technology of "HDCD", this is a "film-score-buffs" dream, one to treasure now and years to come.
Some selections are missing, but when you think of what Silva has included, it is impossible to please everyone...was happy to see "TOUCH OF EVIL" (1958) from composer Henry Mancini, as I feel this composer deserves all the recognition that has been overlooked recently in the music world...This collection is aimed directly at the "Serious Film Score" music fans and collectors...Silva is as always, perfect in every way...just the way we like 'em!
Total Time: 4-CD-Set ~ Silva America 1181 ~ (5/10/2005)
Average customer rating:
|
British Film Classics
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
All Works by Alwyn
| Alwyn, William
| ( A )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Arnold
| Arnold, Malcolm
| ( A )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Goodwin, Ron
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Vaughan Williams, Ralph
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Walton
| Walton, Sir William
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rachmaninov
| Rachmaninov, Sergei
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
Film Scores
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Marches
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Vaughan Williams, Ralph
| Composers
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Piano
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
London Philharmonic Orchestra
| ( L )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Marches
| Miscellaneous
| Styles
| Music
Similar Items:
- Film Music of Ron Goodwin
- 633 Squadron: The Dambusters March etc.
- Battle of Britain
- The God Delusion
ASIN: B0000A2ZVD
Release Date: 2003-08-26 |
Tracks:
- Main Titles from 'The Trap'
- March from 'Things To Come'
- Valse Caprice from 'Uncle Silas'
- Prelude from 'Hamlet'
- Suite from 'Murder on the Orient Express'
- March from 'The Dam Busters'
- Ship's Waltz from 'In Search of the Castaway'
- Rumba from 'In Search of the Castaways'
- Main Titles from 'The Belles of St. Trinian's'
- Dawn Patrol from 'Coastal Command'
- Warsaw Concerto from 'Dangerous Moonlight'
- Scorched Earth from 'The Overlanders'
- Waltz from 'Moulin Rouge'
- Main Titles from 'David Copperfield'
- Suite from 'The Battle of Britain'
Tracks:
- Colonel Bogey from 'The Bridge on the River Kwai'
- Main Titles from 'Scott of the Antarctic'
- Luftwaffe March from 'The Battle of Britain'
- Prologue from 'Henry V'
- Prelude from 'Odd Man Out Suite'
- Elegy for Viola & Orchestra (2nd Movement) from 'Lady Caroline Lamb'
- Rachmaninoff: Piano Concerto No. 2 (1st Movement) from 'Brief Encounter'
- London Prelude from 'The Inn of the Sixth Happiness' Suite
- Touch Her Soft Lips & Part from 'Henry V'
- Love Scene from 'Four Weddings & A Funeral'
- Main Titles from '633 Squadron'
- Main Titles & Nocturne from 'The Cruel Sea'
- Prelude from 'Richard III'
- Main Titles from 'Those Magnificent Men and Their Flying Machines'
- Finale from 'Oliver Twist'
- Spitfire Prelude from 'The First of the Few'
- Fugue from 'The First of the Few'
Customer Reviews:
Homesick.......2004-03-06
Perfect
I found this CD in chicago, where this brit now lives, and the tunes and themes are such a retrieval cue for sunday afternoons watching these old stiff upper lip black and white movies on tv. Just what I needed, although the addition of 4 weddings is slightly odd. Good quality recordings...:-)
Average customer rating:
|
Classical Chillout
Manufacturer: Union Square Music
ProductGroup: Music
Binding: Audio CD
Ballets
| Ballets & Dances
| Classical
| Styles
| Music
Pavanes
| Ballets & Dances
| Classical
| Styles
| Music
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Barber
| Barber, Samuel
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Britten
| Britten, Sir Benjamin
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Bruch
| Bruch, Max
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Chopin
| Chopin, Frédéric
| ( C )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Delius, Frederick
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Dukas
| Dukas, Paul
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Dvorák, Antonín
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Debussy
| Debussy, Claude
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Elgar
| Elgar, Sir Edward
| ( E )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gershwin
| Gershwin, George
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Grieg, Edvard
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Handel
| Handel, George Frideric
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Holst
| Holst, Gustav
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Khachaturian
| Khachaturian, Aram
| ( K )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mussorgsky
| Mussorgsky, Modest
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mendelssohn
| Mendelssohn, Felix
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Offenbach
| Offenbach, Jacques
| ( O )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Pachelbel
| Pachelbel, Johann
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Puccini
| Puccini, Giacomo
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Prokofiev
| Prokofiev, Sergei
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Ravel, Maurice
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rachmaninov
| Rachmaninov, Sergei
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Saint-Saëns, Camille
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Satie
| Satie, Erik
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Vaughan Williams, Ralph
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Vivaldi
| Vivaldi, Antonio
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Walton
| Walton, Sir William
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Serenades & Divertimentos
| Forms & Genres
| Classical
| Styles
| Music
| Divertimentos
Bagatelles
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
Sonatinas
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
Classical
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
Romantic
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
Incidental Music
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Overtures
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Scherzo
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Vaughan Williams, Ralph
| Composers
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Symphonies
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Contemporary
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Ballets & Dances
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
Piano
| Keyboard
| Instruments
| Classical
| Styles
| Music
Clarinet
| Reeds & Winds
| Instruments
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
Modern & 20th Century
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
London Philharmonic Orchestra
| ( L )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Compilations
| Classical
| Styles
| Music
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Baroque (c.1600-1750)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
English
| Languages
| Opera & Vocal
| Styles
| Music
French
| Languages
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Russian
| Languages
| Opera & Vocal
| Styles
| Music
Anthems
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Choruses
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Similar Items:
- Classic Chillout, Vol. 2
- Classical Chillout
ASIN: B0000C7PSS
Release Date: 2003-09-23 |
Tracks:
- Adagio - Angela Malmsbury
- O Mio Babbino Caro - J. Michael Leonard
- Piano Concerto No.2. 2nd Movement - Jorge Luis Prats
- Gnossiennes No.1 - Pro Arte Guitar Trio
- Touch Her Soft Lips And Part - Black Dyke Mills Band
- Canon - Harold Britton
- Barcarolle - Kenneth Smith
- Rhapsody In Blue - Jack Gibbons
- Adagio, Orchestral Version - London Symphony Orchestra
- Hebrides Overture - London Symphony Orchestra
- Zadok The Priest - Huddersfield Choral Society
Tracks:
- Symphony No.40. 1st Movement - London Mozart Players
- Gymnopedies, No.1 - Pro Arte Guitar Trio
- Spring - Allegro - Moscow Virtuosi
- Night On The Bare Mountain - Loris Tjeknavorian
- Morning - John Lubbock
- The Entertainer - Philip Dyson
- The Sorcerer's Apprentice - Enrique Batiz
- Aquarium - Royal Philharmonic Orchestra
- Nocturne In E Flat - Peter Frankl
- Capulets And Montagues - Loris Tjeknavorian
- Pastoral Symphony, 5th Movement - Richard Hickox
Tracks:
- Symphony No.9, 2nd Movement - London Philharmonic Orchestra
- Dam Busters March - London Philharmonic Orchestra
- O Sole Mio - Beniamino Gigli
- Waltz Of The Flowers - Royal Philharmonic Orchestra
- Moonlight Sonata, 1st Movement - John Lill
- Jupiter - London Festival Orchestra
- Dance Of The Swans - Royal Philharmonic Orchestra
- Simple Symphony - Richard Hickox
- Fur Elise - Alan Schiller
- Air On A G String - John Lubbock
- Flight Of The Bumblebee - Loris Tjeknavorian
- Symphony No.1. 1st Movement - Halle Orchestra
Tracks:
- Prelude A L'Apres Midi D'Un Faune - Enrique Batiz
- Serenade For Strings In E Major - The Northern Sinfonia Of England
- Concerto For Violin & Oboe, 2nd Movement - Chamber Orchestra Of Europe
- Pavane Pour Une Infante Defunte - Mexico State Symphony Orchestra
- Violin Concerto In G Minor, 3rd Movement - Xue-Wei
- A Walk To Paradise Garden - The Philharmonia Orchestra
- Spartacus Suite - The Armenian Philharmonic Orchestra
- Fantasia On A Theme Of Thomas Tallis - Sir Neville Marriner
- Summertime - Graham Johnson
Average customer rating:
- Songs and Space for Everyone
- To Touch The Stars
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To Touch the Stars: A Musical Celebration of Space Exploration
Various Artists
Manufacturer: Prometheus Music
ProductGroup: Music
Binding: Audio CD
General
| Folk
| Styles
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ASIN: B00019RDRI
Release Date: 2004-01-01 |
Tracks:
- Witnesses' Waltz (Kristoph Klover)
- Big Blue Sky (Stan Clardy)
- Fire in the Sky (Kristoph Klover)
- Now's the Time to Touch a Star (Karl Franzen)
- Hope Eyrie (Julia Ecklar)
- Surprise! (Gunnar Madsen)
- The Pioneers of Mars (Karen Linsley)
- If We Had No Moon (Christine Lavin)
- I Want to Go To Mars (The Birdwatchers)
- Star Fire (Julia Ecklar)
- Others Standing By (Kristoph Klover)
- The Challenge (Karen Linsley)
- Dog on the Moon (Garry Novikoff)
- Queen Isabella (Kristoph Klover)
- Legends (Julia Ecklar)
- Dance on the Ceiling (Gunnar Madsen)
Album Description
Meridiani Planum, Mars - February 14, 2004
It's another cool, clear Mars morning, and the NASA Rover Opportunity is waking up to the majestic strains of "Pioneers of Mars". This song is from To Touch the Stars, the first-ever anthology CD of music celebrating space exploration. Capturing the attention of space enthusiasts worldwide, To Touch the Stars has garnered rave reviews from virtually every space-related publication on the planet.
The brainchild of best-selling author Dr. Robert Zubrin (The Case For Mars) and Prometheus Music, the project grew from the winning entries in a space songwriting contest sponsored by Zubrin, then director of the National Space Society. Zubrin repeated the contest when he moved on to presidency of the Mars Society, with Pioneers of Mars taking top honors. The anthem is "a touching piece, wonderfully encapsulating both the rewards and risks inherent in outer space travel," says Science Fiction Weekly.
Legendary Apollo astronaut Buzz Aldrin has endorsed the CD, quoting lyrics from the song "Fire in the Sky" in a nationally televised NBC interview after the Columbia tragedy. The album's sixteen tracks range from scientific to historic, whimsical to moving. It has found fans amongst schoolteachers and their students, planetarium directors, sci-fi fans, aerospace engineers, NASA leaders, and anyone whose heart yearns to break the surly bonds of gravity.
To Touch the Stars has been featured as part of the official Centennial of Flight celebration, created by Congress to promote awareness of the Wright brothers' achievements and the 100th anniversary of powered flight. It placed in the Top 65 most aired albums on the January 2004 folk charts with airplay in the U.S., Canada, and Australia. Yuri's Night parties all over the world - celebrating the anniversary of Yuri Gagarin's first spaceflight - have used the CD as part of the evening's audio entertainment.
Customer Reviews:
Songs and Space for Everyone.......2004-01-18
In this age when hardly anyone listens to music outside of their favorite genre, I don't know what is tougher: getting to Mars or getting people to give this terrific album a chance! Space activists will love it, of course, but if others will just take a listen, they will enjoy it too. In fact, they will be amazed at how appealing these "space" songs are.
Most of the public still greets the phrase "space activism" as a non sequitur. You might as well say NASA-Industrial-Complex activism or Giant-Faceless-Aerospace-Industry activism. The assertion that there exists a genuinely passionate grassroots constituency for space exploration and development (and not made up of employees of NASA and its contractors) is still considered preposterous by many. The Moon Race proved, did it not, that it takes a gigantic army of government and industry engineers, scientists, technicians and bureaucrats to send a handful of supermen to the Moon via a ridiculously expensive and impractical rocket system? How can any regular Joe or Joan relate to all that?
Who would possibly want to sing about all that?
Well, activists saw long ago that "space is not an agency", that space travel and development don't have to be astronomically expensive, and that someday, in a future already underway, anyone who really wants to go to space WILL get the opportunity to go.
The people who see this most clearly are the artists on this album. They see past the temporary technological obstacles to a marvelously exciting but difficult frontier that will eventually give way to the blossoming of life throughout the solar system.
So what do these artists sing about?
They sing of the glory and sacrifice on the frontier ("Fire in the Sky" and "Legends")
They sing about traveling in space themselves ("I Want to Go To Mars" and "Big Blue Sky")
They sing of the joy and fun of space flight ("Dance on the Ceiling" and "Dog on the Moon")
They sing of looking at space in new ways ("If We Had No Moon" and "Others Standing By").
They sing of the disappointment that we rushed forward and then pulled back ("Queen Isabella, Where Are You" and "Hope Eyrie")
And this diverse array of artists offers songs in many different styles. There's definitely something here for everyone.
Whether you are a space enthusiast or not, you will enjoy this album. Great music that transcends genres comes from artists genuinely inspired by their passion. Take a chance. If you do, you won't regret it. In fact, you might just be inspired to help us get to Mars!
To Touch The Stars.......2004-01-09
I _really_ liked this CD. To Touch the Stars falls into the musical subgenre called "Filk" music -- science, science fiction, and fantasy inspired folk music -- and is one of the best examples of the art. It has 17 songs in a wide variety of styles, from acoustic folk through anthem to rock and roll. Some of them are remakes of songs on the classic (and long out-of-print) "Minus Ten and Counting" tape by the long-out-of-business Off Centaur Productions. In general, the new arrangements are better than the ones on the tape (the lead-off folk-rock Witnesses Waltz is a good example). Many are by Julia Ecklar, one of the best, most exerienced filk singers in the field today, while others are by talented newcomers to the genre. I must admit I preferred Minus Ten's acapella arrangement of Hope Eyrie (AKA The Eagle Has Landed, about the first landing on the moon), but however it's arranged it still brings goosebumps. There's a new (to me) Leslie Fish song "Queen Isabella" that is just a hoot, and there's the winner of the "national anthem for Mars" contest -- "The Pioneers of Mars." It's musical, it tells a good story, and it even _sounds_ like a national anthem.
The stories that filk songs tell are for the most part stories of hope and adventure and challenge -- stories worth telling -- and this CD tells the best of them.
My New Years resolution is that I should get busy making new friends so's I can give copies of this CD to them.
Average customer rating:
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First Touch
Dominic Miller
Manufacturer: Usd
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
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Smooth Jazz
| Jazz
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General
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Pop Rock
| Pop
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ASIN: B00013PHB8
Release Date: 2004-06-08 |
Tracks:
- Eclipse
- Do You Want Me
- February Sun
- Rush Hour
- Boca
- Looking For
- Buenos Aires
- Scan
- David
- Ten Years
- Last Dance
Average customer rating:
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First Touch
Dominic Miller
Manufacturer: Qrious Music
ProductGroup: Music
Binding: Audio CD
General
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Similar Items:
- Shapes
- Second Nature
- Third World
- Summer
- My Funny Valentine: Sting at the Movies
ASIN: B00028HONG
Release Date: 2004-06-15 |
Tracks:
- Eclipse
- Do You Want Me
- February Sun
- Rush Hour
- La Boca
- Looking For
- Buenos Aires
- Scan
- David
- Ten Years
- Last Dance
Album Description
"First Touch" is Dominic Miller's 1995 debut, his first session as a leader.
Customer Reviews:
Hes the man.......2004-11-19
I've actually jammed with Dominic Miller, and believe me, hes amazing. Any of his work is work checking out!
A great mix........2004-10-14
I saw Dominic Play his opening show with Sting and Annie Lennox and was compelled to hear more of his music. It's classified as New Age in some circles but I just would call it Good Music.
You have to like acoustic guitar but Dominic is a real master of it. I love listening to this album on long plane flights or any time I need to get away from the world and relax.
Pour a glass of wine, have a cup of tea, load this album up on your best speakers or headphones and enjoy the experience.
Average customer rating:
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Byways of British Music
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
All Works by Alwyn
| Alwyn, William
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ASIN: B00004W3J6
Release Date: 2000-09-26 |
Tracks:
- Facade: Long Steel Grass - Susana Walton
- Mark Of Cain - Bournemouth SO
- A Sym Of Liberation: II. Resistance - Bournemouth SO
- Sym No.5: First Movt - Bournemouth SO
- Sym No.2: First Movt - Bournemouth SO
- Carriage And Pair - Bournemouth SO
- Facade: Old Sir Faulk - Susana Walton
- Henry V: Touch Her Soft Lips And Part - Bournemouth SO
- Christopher Columbus: Gloria - Arthur Davies/Westminster Singers
- Lyra Angelica: Con: I. Adagio - Rachel Masters
- Odd Man Out: Prld - LSO
- Pastoral 'Lie Strewn The White Flocks': The Pigeon Song - David Haslam/Della Jones
- The Lark Ascending - Michael Davis
- Sym No.3 'Laudes Musicae', Op.90: III. Adagio Molto - Allegro Con Moto - Neil Mackie
Average customer rating:
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Romantic Classics
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
Ballets
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ASIN: B00011UZZS
Release Date: 2004-01-20 |
Tracks:
- Air - Adrian Shepherd
- Andante - Howard Shelley
- Salut D'amour, Op.12 - Alexander Gibson
- Cavatina - Craig Ogden
- Touch Her Soft Lips And Part' - Sir William Walton
- Fur Elise - Louis Lortie
- Andante - I Musici De Montreal
- Fantasia On Greensleeves - Vernon Handley
- Nocturne For Piano In E Flat Major, Op.9, No.2 - Jack Byfield
- Winter - Bournemouth Sinfonietta
- Liebestraum - Louis Lortie
- Notturno - Vemon Handley
- Adagio Sostenuto - Earl Wild
- Petit Adagio - Neeme Jarvi
- Allegretto Grazioso - Luba Edlina
- Solveig's Song - Vernon Handley
- Pavane Pour Une Enfante Defunte - Louis Lortie
- Nimrod - Alexander Gibson
- Irish Tune - Richard Hickox
- Amoroso - Neem Jarvi
Tracks:
- Largo - Neeme Jarvi
- Traumerei - Howard Shelley
- Adagio - Hideko Udagawa
- Vocalise, Op.34 No.14 - Suzanne Murphy
- Adagio Sostenuto - Israela Margalit
- Rhapsody On A Theme Of Paganini, Op.43 - Earl Wild
- Clair De Lune - Kyoko Tabe
- Pavane, Op.50 - Yan Pascal Tortelier
- Serenade To Music - Vernon Handley
- Largo, Prelude No.4 - Louis Lortie
- Adagio - Craig Ogden
- Adagio Assai - Louis Lortie
- Romeo And Juliet Overture - Geoffrey Simon
- Adagio Of Spartacus And Phrygia - Neeme Jarvi
Average customer rating:
|
Sold Out (The American Way)
American Popular
Manufacturer: Ironmar Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
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Pop Rock
| Pop
| Styles
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General
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| Indie Music
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Rock
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4-for-3 Alternative Rock
| 4-for-3 Music
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4-for-3 Pop
| 4-for-3 Music
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ASIN: B0002JJTGU
Release Date: 2004-08-10 |
Tracks:
- My Therapy
- Father Help Me
- Amnesia
- Gentle Girl
- One Last Wish
- Mr Trampoline
- The New E-ruption
- Even Though I Never Said
- Your Religion
- Sold Out (The American Way)
Album Description
Lawrence Santiago's Axl Rose (Guns `n' Roses) meets Peter Garrett (Midnight Oil) vocals is a match made in heaven for the hard driving rockin' sound of the band he fronts, American Popular. "Sold Out (The American Way") is a knock-yer-socks off kick ass album with no bullshit allowed. Besides, who has the time for that when you can play as good as these guys do? Nothing new going on here, it is just straight ahead hard rock music minus all the extra polish and glitter that often is added to some records to enhance their sound and cover up what a group really sounds like. Their approach is obviously to get in the studio, play their asses off, record the tracks, then let people listen. It works very well for them. The are like the spontaneous combustion that happens inside an engine, the only difference is there is not a muffler to silence the noise nor anything to keep the flames from coming out.
Santiago's voice is very flexible for a hard rock singer, he can scream, set a softer pace, or maintain an immense energy level with seemingly no effort. The music must carry him to that lofty level of vocal prowess. The variety of metal played is exciting
rock, hard rock, metal, and all of the above come into the equation offering a variety of listener's different decibel levels. For those that like their music hard, fast and loud or a mish mash of all levels of intensity, it is here on this CD. They never loose their hard-core edge and their sound is comparable to what a live in the studio recording would be.
"My Therapy" was my favorite, no surprise there, because I need therapy on a regular basis, musical that is. In truth, all the songs were great! If you need to blow the roof off your house or your noggin, this will do the trick. In a world full of sell outs that give up their beliefs and original sound just to make it in the music biz, American Popular do it their own way, the American independent music way." musicdish.com
Jazz Music:
- Friday at Five
- Gipsy Project & Friends
- Good People in Times of Evil
- Gratitude
- Heartcore
- Heaven Earth & Beyond [Import]
- Home for the Holidays
- How High the Moon
- I Remember Clifford
- Intellipop
Jazz Music
Jazz Music