Eight Plus

Eight Plus

Eight Plus

ASIN: B000087JCF

Editorial Reviews
Amazon.com
This is a great album, but considering Ron Carter's documented love for classical music, it's not the kind of record-with-strings expected from the legendary jazz bassist. The cellos that augment Carter's quintet here came to swing, get the blues, add poignant counterpoint, and take a visit to church. If there's an exception, it's the album's opus, "El Rompe Cabeza," which has an Astor Piazzola-meets-Maurice Ravel contemporary classical feel. Carter's bowed piccolo bass, maybe the highlight of the disc, replaces the bandoneon as the lead on this light tango and is a perfect foil to the tension created by the string quartet. Three of the compositions Carter resurrects from his Miles Davis and CTI days. These tunes--"Eight," "Little Waltz," and "First Trip"--are given sparkling, fresh arrangements. On "A Song For You," as he plays the melody, Carter arranges the strings in a setting befitting a classy pop standard, with echoes of the Beatles' "Eleanor Rigby" and Stevie Wonder's "Village Ghetto Land." --Mark Ruffin

Product Description
Eight Plus is the first American release by the Ron Carter Nonet. With a cello quartet augmenting his regular ensemble of piano, bass, drums and percussion, Carter and his piccolo bass (the ‘Plus' of the album's title) are immersed in a wonderfully varied array of stylish and evocative compositions.

On Eight, the composer makes the cello quartet an equal partner in the ensemble. O.K. is a portrait in controlled, but exuberant swing. Ron's ‘favorite Leon Russell composition' A Song For You takes on a haunting new dimension with the delicately slashing lines of the cellos. "To those fans who enjoy a bit of Oscar Pettiford swing...take this First Trip" says Carter about this composition, written in the solo style of the immortal bassist.

A provocative endeavor like this must be conceived fully to avoid chaos, but even more importantly to face the challenge of maintaining the freedom and spontaneity that is at the core of all great music in the jazz tradition. Ron Carter has met this challenge on all fronts and in doing so has created a magnificent piece of art.

Ron Carter - piccolo bass Stephen Scott - piano Leon Maleson - bass Lewis Nash - drums Steve Kroon - percussion Kermit Moore - cello Chase Morrison - cello Carol Buck - cello Rachel Steuermann - cello

Eight Plus

Eight Plus,Ron Carter,Dreyfus,Hard Bop,Jazz,Jazz Music,Pop,Post-Bop
Eight Plus
Average customer rating: 3.5 out of 5 stars
  • Somewhat of a letdown
  • Amazing mixture of sounds
Eight Plus
Ron Carter
Manufacturer: Dreyfus
ProductGroup: Music
Binding: Audio CD

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ASIN: B000087JCF
Release Date: 2003-02-25

Tracks:

  1. Eight
  2. A Blues For Bradley
  3. Little Waltz
  4. O.K.
  5. A Song For You
  6. First Trip
  7. El Rompe Cabeza
  8. A Closer Walk With Thee

Amazon.com

This is a great album, but considering Ron Carter's documented love for classical music, it's not the kind of record-with-strings expected from the legendary jazz bassist. The cellos that augment Carter's quintet here came to swing, get the blues, add poignant counterpoint, and take a visit to church. If there's an exception, it's the album's opus, "El Rompe Cabeza," which has an Astor Piazzola-meets-Maurice Ravel contemporary classical feel. Carter's bowed piccolo bass, maybe the highlight of the disc, replaces the bandoneon as the lead on this light tango and is a perfect foil to the tension created by the string quartet. Three of the compositions Carter resurrects from his Miles Davis and CTI days. These tunes--"Eight," "Little Waltz," and "First Trip"--are given sparkling, fresh arrangements. On "A Song For You," as he plays the melody, Carter arranges the strings in a setting befitting a classy pop standard, with echoes of the Beatles' "Eleanor Rigby" and Stevie Wonder's "Village Ghetto Land." --Mark Ruffin

Album Description

Eight Plus is the first American release by the Ron Carter Nonet. With a cello quartet augmenting his regular ensemble of piano, bass, drums and percussion, Carter and his piccolo bass (the `Plus' of the album's title) are immersed in a wonderfully varied array of stylish and evocative compositions.

On Eight, the composer makes the cello quartet an equal partner in the ensemble. O.K. is a portrait in controlled, but exuberant swing. Ron's `favorite Leon Russell composition' A Song For You takes on a haunting new dimension with the delicately slashing lines of the cellos. "To those fans who enjoy a bit of Oscar Pettiford swing...take this First Trip" says Carter about this composition, written in the solo style of the immortal bassist.

A provocative endeavor like this must be conceived fully to avoid chaos, but even more importantly to face the challenge of maintaining the freedom and spontaneity that is at the core of all great music in the jazz tradition. Ron Carter has met this challenge on all fronts and in doing so has created a magnificent piece of art.

Ron Carter - piccolo bass Stephen Scott - piano Leon Maleson - bass Lewis Nash - drums Steve Kroon - percussion Kermit Moore - cello Chase Morrison - cello Carol Buck - cello Rachel Steuermann - cello

Customer Reviews:

3 out of 5 stars Somewhat of a letdown.......2003-12-04

Several things bother me about this disc, for which I initially had high expectations. We will get to them in the course of this review.

Things open strongly enough with "Eight," an uptempo boppish number, one of two quite attractive Carter compositions, the other being "El Rompe Cabeza." The contrast between Carter's lead piccolo bass and the four cellos, providing imaginative fills and comping, is quite attractive. And Stephen Scott's piano solo zings along in a spritely manner. With a distinct Villa-Lobos vibe, "Eight" is probably the strongest cut on the disc. Carter's pizzicato double stopping makes a nice bridge. "El Rompe Cabeza," a faux classical number with a tango-like feel, also shines. Part of it is that the other players have a more prominent role: Steve Kroon's attractive percussion, esp., comes to the fore here. And Carter generally employs arco playing, which seems more suited to his instrument.

I wish I could be as enthusiastic about the other numbers, but they just seem to lack the impact of "Eight" and "El Rompe Cabeza." For one thing, not all styles are equally suited to this approach: lead piccolo bass just doesn't seem to have the necessary gravitas for the blues ("Blues for Bradley"). Also, by the third or fourth number the sonority of Carter's instrument begins to irritate. A prettified and bathetic "Song for You," the Leon Russell classic, is the low point. Trying to inject some kind--any kind--of interest, Carter plays an embarrassing ersatz solo, dripping with bent strings and fake emotion.

Another irritating thing about this disc is that, although it is a reissue, there is no indication of this on the outer packaging: For all intents and purposes, it appears to have been recorded and produced in 2003, the copyright and production symbols both bearing that date. It is only on the inside credits that one notes it was actually recorded in 1990. One supposes that since this is the first American release, Dreyfus can get away with this misleading recording information.

All in all, a disappointment, despite a couple of attractive numbers. 3 and 1/2 stars.

4 out of 5 stars Amazing mixture of sounds.......2003-04-29

One might anticipate that such a strings-heavy nonet would overwhelm the music, but, in Ron Carter's hands, the music which flows from this nonet is unbelievable. Ron Carter is a genius at finding new sounds, and this CD shows off his talents.

Highlights include "El Rompe Cabeza", featuring a great Carter solo, and "Eight", which is a reworking of John Coltrane's "Impressions." The only slight criticism of this collection is that it is from 1990 (only released in the USA in 2003) and does not feature some of the pieces currently played by the nonet.
Kiss for Christmas EP
Average customer rating: Not rated
    Kiss for Christmas EP
    the Starside Eight
    Manufacturer: Electric Frog
    ProductGroup: Music
    Binding: Audio CD
    ASIN: B000CA9YCI
    Release Date: 2002-01-01
    Holding Back Entirely
    Average customer rating: 5 out of 5 stars
    • WOW
    • yes, he vas certainly holdin back.....before...but now, holy #%%^~
    • This record rocks!!!
    • can't listen often enough...
    Holding Back Entirely
    Holding Back Entirely
    Manufacturer: oasis
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Rock | Styles | Music
    Pop RockPop Rock | Pop | Styles | Music
    Pop RockPop Rock | Pop | Indie Music | Stores | Music
    ASIN: B0009JVTRK
    Release Date: 2005-05-01

    Tracks:

    1. Pound
    2. Everyone
    3. The Runaround
    4. All the Way
    5. Down In My Hole
    6. No Pity
    7. It Doesn't Matter
    8. Enough For You?

    Product Description

    Three years in the making, Holding Back Entirely’s combination of driving beats, hard guitar and bittersweet odes to love and loss defies easy categorization, and more power to it.  Written, produced and fronted by Nikolaus Schuhbeck, the eight-song (plus) collection features irresistible, climactic rhythms, tightly arranged melodies, soaring vocals, and lyrics sprinkled with sweet, stinging irony.  From the daybreak chirping of birds in “Pound,” to the ripping solos in “All the Way,” and “Enough for You,” Schuhbeck’s songs feature the unbeatable combination of introspective lyrics of uncertainty, confusion and desire backed by fast-grinding guitars: a soundtrack for those moments between abject misery and sheer joy.  In other words: life as we live it.  Take a drive, drop the top and turn it up.

    Customer Reviews:

    5 out of 5 stars WOW.......2005-07-14

    "Holding Back Entirely" is definitely a neo-cosmopolitan piece of art, with its haunting vocals and a solid rock emphasis, it should never leave your sound system, and if it does, it will only be to plug in Nikolaus Schuhbeck's next album. Bravo!

    5 out of 5 stars yes, he vas certainly holdin back.....before...but now, holy #%%^~.......2005-06-29

    I like to think that the title of this very well put-together collection of tunes
    is a past tense, historical reference, to the artist's own journey.....of
    Geographical, cultural assimilation, building a family, surviving, in the Bigtown and
    Just bein' one of the most solid drummers around, killin' all them, good, but lo-pay schlepp gigs .
    Big Nik's been "holding back, entirely " saying, that , "Oh yeah, by the way, I'm a totally, stylistically developed Rock frontman and composer "
    A happy surprise, here, anyway , folks .
    From the short sweet, home sweet home, chirpin' birds n' kids clip
    The tunes unfold with an unexpected bite and precision and a truly COOL Narrative vocalese, that makes you stay with each tune to find the non-cliched closures. It all rocks in a comfy, defiant
    chiseled frame .
    I particularly see
    2. everyone and 7. it doesn't matter
    as post-beatles/john lennon- homages that easily outdo
    a few well-heeled, well known, Brit posers, who have had more than a few cracks at airplay .

    Nikky lots of godspeed . excellent job.
    danny from nextnumbers !

    5 out of 5 stars This record rocks!!!.......2005-06-29

    man, I don't know where to start! Love the tunes, love the voice, love the rock!!
    I can't wait for the second record to come out so I can hear some more songs! When can I see this band live, that's what rock and roll is all about!

    5 out of 5 stars can't listen often enough..........2005-06-22

    Holding back entirely? I think not!!! I have owned this album a couple of months now and it has rarely left my cd player ever since. Listening to this cd is like reading a good book: I can listen to it again and again and be amazed to find something I hadn't heard before or feel something new each time I listen. Each of the songs on this cd has its own unique character and mood; from the happy and catchy "everyone", to the hauntingly beautiful and moody "the runaround" and "down in my hole", to the perfect driving music on "all the way" and the rocking "it doesn't matter" - they each satisfy deeply in their own ways. The way the whole cd is arranged and the order of the songs makes "holding back entirely" really come together, like a good story you want to read over and over. nikolaus schuhbeck had a lot to sing about and I for one am glad he held back nothing on this cd.

    Jazz Music:

    1. Every Step A Dance, Every Word A Song
    2. Everything for Love
    3. Featuring Charlie Christian: 1939-41
    4. Fiery Blues
    5. First Touch
    6. Friday at Five
    7. Gipsy Project & Friends
    8. Good People in Times of Evil
    9. Gratitude
    10. Heartcore

    Jazz Music

    Jazz Music