Passage of Time
Passage of Time
ASIN: B00005A8NS
Editorial Reviews
Amazon.com
Presented in the early 1990s as a full-blown media darling, followed by a short tenure surrounding himself with jazz heavyweights, media-savvy tenor saxophonist Joshua Redman eventually got down to the business of living up to the hype. In this mission he has sometimes faltered. Freedom in the Groove was a bland attempt to cast old-school funk and hip-hop with hard bop, and Timeless Tales (for Changing Times) cast Redman as a jazz journeyman plying standards such as "Yesterdays" and "Love for Sale." These were interesting efforts, but lacked creative risk. With 2000's Beyond, Redman seemed to have finally found himself, perhaps proving that the hyperbole was justified. Passage of Time continues Redman's breakthrough, fired not only by his self-realization, but also by his highly spirited band, consisting of pianist Aaron Goldberg, bassist Ruben Rogers, and super-drummer Gregory Hutchinson. Passage of Time is swift in message, concise in conception. Redman makes these eight songs compact vehicles, full of soaring melodies, rapt interplay, and luxurious, introspective, probing solos. The songs are loosely conceived through warm melodies, as the band's elastic improvs reshape the balance and direction of each song. The opening "Before" is a solo saxophone lament, setting the stage for the stormy, contemplative music ahead. "Free Speech, Phase I" works a willowy melody illustrated by hard-bop changes and flexible rhythms. "Free Speech, Phase II" is equally graceful, with even greater rhythmic daring from the musicians, particularly Hutchinson, who is expanding on the style of the explosive Jeff "Tain" Watts. "Our Minuet" and "Time" are sumptuous ruminations combining the introspection of Wayne Shorter with the soulful swing of Gene Ammons. "Enemies Within" rides a Latin groove, giving pianist Goldberg a chance to strut his best Ruben Gonzalez chordal hurricanes, as the band mambos and swings down below. The album closes with the bluesy "After," a gospel-like exultation that perfectly resolves Joshua Redman's latest passage of time. --Ken Micallef
Passage of Time,Joshua Redman Quartet,Warner Bros / Wea,Jazz,Jazz Music,Neo-Bop,Pop,Post-Bop
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Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Great CD!
- This CD Rocks!
- Wish They Would Come Here Soon
- best cd EVER
- Ask your mom for 20 bucks.
|
A Passage in Time
Authority Zero
Manufacturer: Lava
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
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Punk Revival
| Hardcore & Punk
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Similar Items:
- Andiamo
- 12:34
- Rhythm and Booze
- Revolutions Per Minute
- Andiamo
ASIN: B00006I07G
Release Date: 2002-10-21 |
Tracks:
- Intro: 'Papa'
- A Passage In Time
- Lying Awake
- Everyday
- One More Minute
- Superb*tch
- Sky's The Limit
- Some People
- Mesa Town
- La Surf
- Over Seasons
- Good Ol' Days
- Not You
Album Description
Features an equally ample array of emotions, veering from fun-filled fireballs like 'Super Bitch' and 'Good Old Days', to powerfully passionate tracks such as 'Over Seasons' and the kinetic first single, 'One More Minute.' Produced by alt-rock legend Dave Jerden (Red Hot Chili Peppers, Jane's Addiction, Offspring). 2002.
Customer Reviews:
Great CD!.......2007-01-18
I bought the CD since it had one of my favorite songs on it. I did not know most of the other songs, but I have really grown to like them. A lot of these songs are not played on the radio. I am glad that I bought this CD since it has introduced me to other great songs by Authority Zero. If you like this band this is a really great CD!
This CD Rocks!.......2006-03-04
What an incredible band! I will be going to se them this month. I must tell you, if you do not have this cd in your collection, get it and play it often and very LOUD! it is great!
Wish They Would Come Here Soon.......2006-02-05
The only reason this album doesnt get 4 stars is cos there is some filler. No doubt.
The good songs on here though are really really high quality. Over Seasons was the first Zero song I heard, I loved it.
Its harmless yet meaningful music. Its kinda ska I guess if you're trying to categorise it, but its varying degrees of punk and general rock misxed in there.
The reason you buy this album is for the following songs:
One More Minute
Passage In Time
Over Seasons
Everyday
Lying Awake
To me, the rest simply arent as good. I understand that an album cant have straight good songs, but the fall in quality is a lot.
This being said, I love these guys and wish they would tour the UK.
best cd EVER.......2005-08-22
Every song on this album is great! The only downfall is that there aren't enough songs.
Ask your mom for 20 bucks........2005-03-07
The best songs on this CD are: A Passage In Time, Everyday, One More Minute, Superbitch, Sky's the Limit, Some People, Over Seasons, Mesa Town
The only complaint is that I have different versions of "A Passage In Time" and "Sky's the Limit" on my computer...I like those versions better and I think they should've been put on this CD either with or instead of the other ones. These guys are awesome live, too. Check them out and buy this CD!
Average customer rating:
- A fantastic Collection
- Alternative? New age? Folk?
- From a first listen...
- Before Enigma/Deep Forest/Delerium there was... DCD!!
- Unlike anything you've ever heard.
|
A Passage In Time
Dead Can Dance
Manufacturer: 4ad / Ada
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Into the Labyrinth
- Aion
- Toward the Within
- Spiritchaser
- Serpent's Egg
ASIN: B000007SPW
Release Date: 1998-07-07 |
Tracks:
- Saltarello
- Song Of Sophia
- Ullyses
- Cantara
- The Garden Of Zephirus
- Enigma Of The Absolute
- Wilderness
- The Host Of Seraphim
- Anywhere Out Of The World
- The Writing On My Fathers Hand
- Severance
- The Song Of The Sybil
- Fortune Presents Gifts Not According To The Book
- In The Kingdom Of The Blind The One-Eyed Are Kings
- Bird
- Spirit
Album Description
Out of print in the U.S.! Import pressing of this classic 1991 compilation album from one of the 4AD label's most popular and influential bands. At the core of Dead Can Dance is guitarist Brendan Perry and vocalist Lisa Gerard, who created a body of work that remains invigorating and uniquely their own. 16 tracks. 4AD.
Customer Reviews:
A fantastic Collection.......2007-02-08
This CD is one of the best to introduce your friends and family to Dead Can Dance. The wide variety of music is more than 'background music'. The pieces grab hold of you for the first time and you become so moved by the music. This CD got me hooked on Dead Can Dance and I have searched for so many of their other pieces to add to my collection.
Alternative? New age? Folk?.......2005-08-25
Your pick. But this is a unique collection that takes traditional sounds and expands on them to include different instrumentation, a really exotic voice, and a feel to take you to alternate realities.
The music is not consistent from one track to the next but it is all in the umbrella of Dead Can Dance. To extract what you really want you may need to buy a few of the albums and do a little ripping.
If you are going to buy one album I would suggest starting with this one. Although I found most track intriguing my favorites are 2 (Song Of Sophia), 12 (The Song Of The Sybil) and 8 (The Host Of Seraphim). The only problem with Song of Sophia is that it is too short.
Track 7 (Wilderness) had the sound and feel of a Gregorian chant.
I guess I am a sucker for Lisa Gerrard I am thinking of purchasing "The Mirror Pool". For the most part Brendan Perry and Lisa Gerrard play off one another and picked up most of their multicultural sounds while working in Melbourne.
From a first listen..........2005-07-11
My daughter brought the CD on a recent road trip, hoping I would like it as much as she does. While this disk isn't one I would be likely to choose for driving tunes, when I got it home and could listen to it more carefully, I discovered a rich sound full of movement and color for the imagination.
The mixture of music types flows from culture to culture, touching on legends and myths allowing us to sample places and times we may otherwise miss. As soon as I return her CD, I will be making a purchase (or two) and start my own collection of Dead Can Dance.
Before Enigma/Deep Forest/Delerium there was... DCD!!.......2003-12-16
Took me a while to really get into Dead Can Dance but now I can't imagine not having them in my CD collection. I've always loved exotic, ambient and meditative music and Dead Can Dance are unlike anything else I've heard. This compilation consists of a rich mixture of tribal, choir, medievil gothic, world and ambient soundscape. I don't feel it's fair to categorise DCD as merely 'new age' or 'gothic' when it is both and a whole lot more. I've hunted for music like this for so long before I was even aware of DCD and it's all here. Very raw, minimal, sensual and soothing without being ruined by added layered synths and electronica. Stripped down and peaceful. One of the best CDs I own.
Unlike anything you've ever heard........2003-07-09
Chances are, you don't have anything else like this in your cd collection. I've been listening for 13 years and still have no real comparisons. Only the "Cocteau Twins" or a darker "Enya" come to mind...but not really. Though some of their stuff has kind of a tribal sound to it, most of this collection is more gothic, more medieval. I always envision this music coming out of some cathedral, in a far away and mysterious place, hundreds of years ago. That's what's so wonderful about "Dead Can Dance". They can transport you to places other music cannot. I also enjoy both the male, and female vocals, on the tracks that have them. I honestly think that someone would enjoy most of their albums equally, but this does give you a taste of many of them. This is a good place to expand your knowledge of music through time.
Average customer rating:
- Music from Humphrey Bogar Movies
- Simply the original
- not the stuff dreams are made of
|
Music from Humphrey Bogart Movies
Manufacturer: The Sound Track Facto
ProductGroup: Music
Binding: Audio CD
All Works by Takemitsu
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Similar Items:
- Sings Stardust and His Other Great Compositions
- Casablanca: Original Motion Picture Soundtrack
- Stardust Melody
- Hoagy Sings Carmichael
- A Portrait of Hoagy Carmichael
ASIN: B00006CFHZ
Release Date: 2002-08-08 |
Tracks:
- As Time Goes By [From Casablanca] - Elliot Carpenter, Dooley Wilson
- Am I Blue/Hong Kong Blues/The Rhumba Jumps/How Little We Know [from To - Hoagy Carmichael, , Andy Williams
- And Her Tears Flowed Like Wine [From the Big Sleep] - Lauren Bacall
- Petrified Forest
- My Melancholy Baby/I'm Just Wild About Harry/It Had to Be You/In a ...
- High Sierra
- Maltese Falcon - Jo Stafford
- Baila Bailando/Too Marvelous for Words [From Dark Passage]
- Treasure of the Sierra Madre
- Moanin' Low - Claire Trevor
- African Queen
- Oh, Give Me Time for Tenderness [From Dark Victory] - Vera Van
Album Description
Full title - Music From Humphrey Bogart Movies. Includes music from the classics, 'Casablanca' (1942), 'The Big Sleep' (1946), 'Key Largo' (1948), 'To Have & Have Not' (1944), 'The Petrified Forest' (1936), 'The Roaring Twenties' (1939), 'High Sierra' (1941), 'The Maltese Falcon' (1941), 'Dark Passage' (1947) & 'The African Queen' (1951). Highlights include, Dooley Wilson & Elliot Carpenter Trio 'As Time Goes By', Andy Williams 'Little We Know' & Lauren Bacall 'And Her Tears Flowed Like Wine'. Slipcase. 2002.
Customer Reviews:
Music from Humphrey Bogar Movies.......2007-06-27
I was disappointed. I thought I would be getting a CD of full length themes from his movies but the CD is exactly what it says. It is from the actual films, in sections and pieces. I can't say it was misrepresented so I guess I was at fault. But I am sorry I bought it.
Simply the original.......2007-06-19
As the previous reviewer rightly pointed out, these are the original recordings from the era the films were made. And yes, the sound is completely different from what we are used to hear when we are turning the CD player on: it's mono, it's partially unsteady and some of the pieces suddenly fade. BUT, it's the REAL thing and it transports the charms and the charisma, inherent to the original ONLY.
Those who prefer the flawless technical perfection of a re-recording better should save their money. But for those who love the movies and their genuine sound, should be perfectly pleased with this release.
not the stuff dreams are made of.......2007-01-03
most of the tracks on this cd are available elsewhere, but what prompts me to give this a low review is the quality of the recording. some of them sound like they were taped off of a tv set showing a warbly print. you can do better elsewhere.
Average customer rating:
- Ambient music that takes me far, far away!
- What a surprise and completely different from the last CD
|
Wind Journey
Manufacturer: Spotted Peccary
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Emotional Landscapes
- Blue Sky, Red Guitars
- Guitar Nova
- Beyond City Light
- Sleeping on the Edge of the World
ASIN: B00005NT3X
Release Date: 2001-09-04 |
Tracks:
- Beginning
- Wind Journey 1
- Blue Moon
- Dream Lines
- Going North
- Awakening
- Insula
- Wind Journey 2
- Sea
- Open Land
- Spring Poem
- Rain
- Distant View
- Huldra 2
- Early Autumn
- Frost
- Winter Shine
- Winter Lake
- Passage Of Time
- Destination
- Aurora Borealis
- Cloudscapes
- Home
Amazon.com
Erik Wollo's works are overlooked gems of modern instrumental music. From his home in Norway, Wollo's been sending out missives of mood and ambience since the mid-1980s with albums like Silver Beach and Solstice. Last year's U.S. release of Guitar Nova explored the acoustic-guitar side of this musician in multilayered, overdubbed soundscapes that retained the ambience and structure of his electronic works. With Wind Journey, he returns to synthesizers but keeps his electric guitar at hand for some gloriously heroic solos, especially on "Dream Line." A subtle, tugging ostinato pattern builds into layers of keyboard orchestrations topped by guitar, which starts out in a pastoral, acoustic mode but segues into a soaring lead solo that recalls Steve Hackett during his Spectral Mornings era. Wind Journey is centered by Seasons Suite, a 10-part sequence of moody vignettes. Erik Wollo's roots in progressive rock are clear and he uses them to articulate a cinematic music. While Wollo lives in a country with some of the most awe-inspiring landscapes in the world, he composes much of his music in a basement studio. The worlds he creates are strictly from the imagination, and what a vivid imagination it is. --John Diliberto
Customer Reviews:
Ambient music that takes me far, far away!.......2003-04-24
I have purchased cd in the summer of 2002. Back then, all I could think of doing was listen to 88.5 on the radio and hope that they will play music from Erik Wollo. The first song I heard was "Dream Lines". The music didn't seem familiar to me at first. I didn't consider it really ambient but it turned out that it was. After listening to it, I was into it very much. I never heard such a song played like that before and I knew it was something I would like. Wollo plays the guitar in a way that the sound echoes in my head and makes me feel like Im somewhere far and distant. In a short time, I heard "Wind Journey 1". That was amazing. After I listened to it few more times, I was into it so much that I couldn't help buying it from Amazon.com. Just about every beat and sound seems to echoe as if it was played outside where nothing surrounds you and where the music can travel and be heard. Listen to the samples and decide. Buying this cd is something to consider.
What a surprise and completely different from the last CD.......2001-09-27
The last Eric Wollo CD featured wonderful virtuoso guitar, most closely akin to a "fingerpicking" style. Each piece was different, almost like a "best of" CD. This CD is completely different in that the artist uses the guitar as part of a series of thematic atmospheric tone poems based on the idea of wind and its forms and effects. The overall feel of the music is very ambient, with the guitar used less as a melody-maker, and more as a symphonic, electronic instrument, almost like a timescape. The orchestration includes atmospheric electronic soundscapes within which the artist creates mood music of the highest quality. I was absolutely fascinated by the CD on first hearing it, and it only gets better with each re-playing as I discover new nuances to the music. What a master of the guitar this man is. I highly recommend that you take a listen to this CD, and take a journey into the wind with Mr Wollo. This is a thinking person's delight!!!
Average customer rating:
- Phenomenal player, but not his best work
- not my favorite joshua's work
- The Best Redman CD thus far
- Sit on it!!!!
- stunning drumming
|
Passage of Time
Joshua Redman Quartet
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD
Bebop General
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Similar Items:
- Beyond
- Freedom in the Groove
- MoodSwing
- Wish
- Timeless Tales (For Changing Times)
ASIN: B00005A8NS
Release Date: 2001-03-27 |
Tracks:
- Before
- Free Speech, Phase I - Declaration
- Free Speech, Phase II - Discussion
- Our Minuet
- Bronze
- Time
- Enemies Within
- After
Amazon.com
Presented in the early 1990s as a full-blown media darling, followed by a short tenure surrounding himself with jazz heavyweights, media-savvy tenor saxophonist Joshua Redman eventually got down to the business of living up to the hype. In this mission he has sometimes faltered. Freedom in the Groove was a bland attempt to cast old-school funk and hip-hop with hard bop, and Timeless Tales (for Changing Times) cast Redman as a jazz journeyman plying standards such as "Yesterdays" and "Love for Sale." These were interesting efforts, but lacked creative risk. With 2000's Beyond, Redman seemed to have finally found himself, perhaps proving that the hyperbole was justified. Passage of Time continues Redman's breakthrough, fired not only by his self-realization, but also by his highly spirited band, consisting of pianist Aaron Goldberg, bassist Ruben Rogers, and super-drummer Gregory Hutchinson. Passage of Time is swift in message, concise in conception. Redman makes these eight songs compact vehicles, full of soaring melodies, rapt interplay, and luxurious, introspective, probing solos. The songs are loosely conceived through warm melodies, as the band's elastic improvs reshape the balance and direction of each song. The opening "Before" is a solo saxophone lament, setting the stage for the stormy, contemplative music ahead. "Free Speech, Phase I" works a willowy melody illustrated by hard-bop changes and flexible rhythms. "Free Speech, Phase II" is equally graceful, with even greater rhythmic daring from the musicians, particularly Hutchinson, who is expanding on the style of the explosive Jeff "Tain" Watts. "Our Minuet" and "Time" are sumptuous ruminations combining the introspection of Wayne Shorter with the soulful swing of Gene Ammons. "Enemies Within" rides a Latin groove, giving pianist Goldberg a chance to strut his best Ruben Gonzalez chordal hurricanes, as the band mambos and swings down below. The album closes with the bluesy "After," a gospel-like exultation that perfectly resolves Joshua Redman's latest passage of time. --Ken Micallef
Customer Reviews:
Phenomenal player, but not his best work.......2006-09-17
This album appears to have been recorded entirely in one LONG take, each tune seamlessly flowing into the next. That takes guts! However, I strongly prefer his more recent Elastic or Freedom in the Groove, as well as Spirit Of The Moment: Live At The Village Vanguard.
not my favorite joshua's work.......2005-09-29
i have bought every album that joshua has realeased and this work and beyond are more complex than creative, However the album its got its own color and taste, very different from the other albums except beyond wich is very similar, so you either love it or not, im just not im love with it... I' ll suggest to listen to moodswing, freeedom in the groove, and elastic. Moodswing in my opinion his best work so far...even tough gregory hutchinson and the rest of the cats are incredible musicians, the cool and warm sound of brian blade and the super swing of cristian mcbride are missing in this work...
The Best Redman CD thus far.......2005-04-28
You must listen to this CD in its entirety. You won't be able to get into this CD if you listen to the tracks in isolation. Passage of Time is a complete composition in of itself. So do yourself a favor and put aside the time to really listen to this CD. This CD is quite different from everything else Redman has released. Get ready for a wild ride! This CD is by far his most creative and emotional work. I LOVE this album. After hearing this album I had to buy up every other Redman CD I could find. I was secretly hoping to find something comparable to this CD. There isn't one. This is Redman's best work... PERIOD!
Sit on it!!!!.......2004-12-20
For those who don't love this CD right away, please sit on it. Listen a few times. Many of the tastiest bites are hidden in interludes between tunes and the format provides for a more through-composed feel. It's indicative of the direction he's taken with the SF Jazz collective which i also highly recommend: He is exploring. It's innovative, it's tasteful, but perhaps most of all it's imperative to the future of the genre.
stunning drumming.......2004-05-10
In 45 years of listening to jazz, I have heard three stunning drummers - Elvin Jones, Tony Williams and Greg Hutchinson. Listen to him particularly on Enemies Within. Breathtaking.
Average customer rating:
|
Nostalgia
Manufacturer: Venice Records
ProductGroup: Music
Binding: Audio CD
All Works by Gershwin
| Gershwin, George
| ( G )
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ASIN: B00049QK8I
Release Date: 2004-10-26 |
Tracks:
- Four Transcriptions: Weary Blues
- Four Transcriptions: Honky Tonk Train Blues
- Four Transcriptions: Death Ray Boogie
- Four Transcriptions: Smashing Thirds
- Twenty Something
- Jazz Etudes in the Styles of Jazz Masters: Azalea Rag
- Jazz Etudes in the Styles of Jazz Masters: Decatur Stomp
- Jazz Etudes in the Styles of Jazz Masters: Cuttin' Loose
- Jazz Etudes in the Styles of Jazz Masters: Struttin' on a Sunny Day
- Jazz Etudes in the Styles of Jazz Masters: Ivory Strides
- Jazz Etudes in the Styles of Jazz Masters: Pass It Along
- Jazz Etudes in the Styles of Jazz Masters: South Side Boogy
- Jazz Etudes in the Styles of Jazz Masters: Ocean Languor
- Jazz Etudes in the Styles of Jazz Masters: Onyx Mood
- Jazz Etudes in the Styles of Jazz Masters: Bouncing in F Minor
- Jazz Etudes in the Styles of Jazz Masters: Bird in the Roost
- Jazz Etudes in the Styles of Jazz Masters: Deep Groove
- Jazz Etudes in the Styles of Jazz Masters: Roses & Cream
- Jazz Etudes in the Styles of Jazz Masters: Time Play
- Jazz Etudes in the Styles of Jazz Masters: Passage
- Concerto in F: Allegro - Meral Guneyman,
- Concerto in F: Adagio: Andante Con Moto - Meral Guneyman,
- Concerto in F: Allegro Agitato - Meral Guneyman,
Average customer rating:
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A Passage in Time
Dead Can Dance
Manufacturer: Rykodisc
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
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Dream Pop
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Australia & New Zealand
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Similar Items:
- Into the Labyrinth
- Spiritchaser
- Toward the Within
- Passion
- Wings of Joy
ASIN: B000007LBK
Release Date: 1991-10-11 |
Tracks:
- Saltarello
- Song of Sophia
- Ullyses
- Cantara
- Garden of Zephirus
- Enigma of the Absolute
- Wilderness
- Host of Seraphim
- Anywhere Out of the World
- Writing on My Father's Hand
- Severance
- Song of the Sibyl
- Fortune Presents Gifts Not According to the Book
- In the Kingdom of the Blind the One-Eyed Are Kings
- Bird
- Spirit
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Plays American Piano Music of Our Time
Manufacturer: Lyrichord Discs Inc.
ProductGroup: Music
Binding: Audio CD
Tangos
| Ballets & Dances
| Classical
| Styles
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All Works by Adams
| Adams, John
| ( A )
| Featured Composers, A-Z
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General
| Bolcom, William
| ( B )
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All Works by Carter
| Carter, Elliott
| ( C )
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| Classical
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Foss, Lukas
| ( F )
| Featured Composers, A-Z
| Classical
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All Works by Nancarrow
| Nancarrow, Conlon
| ( N )
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| Classical
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All Works by Rzewski
| Rzewski, Frederic
| ( R )
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Canons
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General
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ASIN: B000008HZG
Release Date: 1993-01-18 |
Tracks:
- Tango?
- Dead Moth Tango
- Night Fantasies
- Tango from the Exiles Cafe
- Parchment
- Phrygian Gates
- Curriculum Vitae Tango
- Tango
Tracks:
- Two Canons for Ursula: Canon a
- Two Canons for Ursula: Canon B
- Mayn Yingele
- Blue Bamboula
- Old and Lost Rivers
- Piano Sonata No. 1
- Middle Passage
Average customer rating:
- Expecting More- Getting Less
- nice sampler of Horner's work
- James Horner as Best Movie Composer
- James Horner and John Williams are the best!!
- James Horner joins John Williams as the 2 greatest composers
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Titanic And Other Film Scores Of James Horner (Film Score Anthology)
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD
Film Scores
| Theatrical, Incidental & Program Music
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| Classical
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General
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Movie Scores
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Movie Soundtracks
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Star Trek
| Soundtracks
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General
| Soundtracks
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Similar Items:
- Legends Of The Fall: Original Motion Picture Soundtrack
- Film Music Masterworks: Original Soundtracks
- Titanic: The Essential James Horner Film Music Collection (Film Score Re-recording Compilation)
- A Beautiful Mind: Original Motion Picture Score
- Apollo 13: Music From The Motion Picture
ASIN: B000009QKY
Release Date: 2000-10-10 |
Tracks:
- Titanic: Distant Memories/Rose/Take Her To Sea. Mr. Murdoch - John Debney, Royal Scottish National Orchestra & Chorus
- Apollo 13: The Launch - Joel McNeely, Royal Scottish National Orchestra & Chorus
- Casper: Casper's Lullaby - Joel McNeely, Royal Scottish National Orchestra & Chorus
- Courage Under Fire: Theme - Joel McNeely, Royal Scottish National Orchestra
- Once Around: A Passage Of Time - James Horner
- Cocoon: The Return: Returning Home - James Horner
- Star Trek II: The Wrath Of Khan: End Credits - Cliff Eidelman, Seattle Symphony Orchestra
- Aliens: Futile Escape - Cliff Eidelman, Royal Scotish National Orchestra
- Brainstorm: Michael's Gift To Karen - James Horner, London Symphony Orchestra & The Ambrosian Singers
- Braveheart: End Credits - Joel McNeely, Royal Scottish National Orchestra & Chorus
Customer Reviews:
Expecting More- Getting Less.......2006-03-16
The sound quality is excellent. The choice in music is disappointing. I can name FOUR Horner movie scores or background music that is breath-taking enough that they should have merited inclusion (but alas were not recorded here).
I don't know the dates when these music pieces were released, but it could have been within a couple of years apart. Why? Because this collection has a few tracks that sound VERY SIMILAR. Hence, this CD does NOT fully explore the extent of this great composer's talent.
nice sampler of Horner's work.......2005-08-15
I had most of these tracks on other CDs, but this is a good sampler of Mr. Horners career on a single CD. There are some tracks which are from Original soundtracks in the Varese back catalogue, but most of hte tracks are re-recorded by the Royal Sottish National and Seattle Symphony Orchestras conducted by Cliff Eidelman, Joel McNeeley and John Debney. Also check out Heart of the Ocean (Sonic Images) and Titanic: Essential James Horner Collection (Silva America) for other overviews on Mr. Horner's career.
James Horner as Best Movie Composer.......2000-02-05
To say that James Horner is the most talented soundtrack composer would be an understatement. To my count he has written more than 10 scores. The score for Titanic is as exciting as it is relaxing. This soundtrack is so well made, that I bought the second one! Like the movie, each peice on the soundtrack builds up to the climax. If I had it in front of me, I would be sure to give specific examples, but unfortunetly, I don't. However, I will say that the peice, Rose, which I believe is #4, captures the true meanig of this outstanding movie, and therefore proves how well a composer James Horner has proven to be.
James Horner and John Williams are the best!!.......1999-04-08
At one time I belived the one and only great modern day film composer was John Williams, this album proved me wrong. James Horner, to me is still not as good as John Williams, but dangerously close. Horner in this album has basically summed up sum of his gratest songs ever written. The greatest song in this album is either Star Trek 2: The Wrath of Kahn End Titles, the Courage under Fire Theme, or Apollo 13 (The Launch). Some other honorable mentions include Aliens (Futile Escape), Titanic(Southampton,Rose , Take Her to Sea Mr. Murdoch,and Braveheart's End Credits, and Cocoon: The Return (Returning Home). Mr. Horner has done a fabulous job in expressing emotion almost as good as John Wiliiams. These 13 collabarations dsisplay emotions such as hope, fright, compassion, and courage. This albums only problem's were the fact it left out the music of some other of Horner's best work(Land Before Time, Glory, and An American Tale). The album ignored Horner's "Rock" titles which include Red Heat, Commando, and Gorky Park. This has to be one of the must buy's of the year. Two Very Honest Thumbs Up For James Horner and Royal Scottish National Orchestra and Chorus.
James Horner joins John Williams as the 2 greatest composers.......1999-04-07
I have thought John Williams was the number one film composer, but now I think he has met his match (Williams is still number 1). James Horner can display different emotions in all of his music. From the martial tone of Courage Under Fire (one of my favorites) to the mystical feeling of Casper and Cocoon: The Return. There is heart pounding Futile Chase from Aliens, and of course the heart wrenching melodies of Titanic. Braveheart gives you the tone of Scottish (the bagpipes, you can't miss them) victory. Both Brainstorm and Once Around, to me, give the feeling of hope. How do you forget the feeling of sucess in Apollo 13 or the intergalactic victory in Star Trek II: The Wrath of Kahn. This is the perfect album if you want to hear just the great songs. Horner brings out the true emotion in films just the same way that John Williams does. The only change I would make is to add a couple songs from Land Before Time in this album. Those songs would put this album to a 5. Two Thumbs Up!
Jazz Music:
- PASSION FLUTE
- Porgy & Bess & Bye Bye Birdie [Import]
- Procession [Import]
- Rejoicing
- Remembering Bud Powell
- Rocksteady
- Sangam
- Sea Changes
- Shades of Bey
- Smooth Sounds of the Great Dance Bands
Jazz Music
Jazz Music