Music for Piano and Drums
Music for Piano and Drums
ASIN: B0002UJNCY
Editorial Reviews
From the Artist
Winterfold records is one of two record company imprints that has been formed by Bill Bruford to release Bill's recorded work with the band Bruford and also Bill's work with keyboard player Patrick Moraz. Whilst initially the label will be releasing the officially released albums from the period 1978-1985 there will also be the opportunity in the future to release material that has in the past only been available on bootleg and perhaps even material that has never seen a commercial release.
Product Description
Following Bruford Bill Bruford worked with another former member of Yes. Patrick Moraz. Whilst they were never in Yes at the same time both Bruford and Moraz's roots and influences lie in jazz and it was in the mid eighties that the two musicians came together to record two albums of eclectic drum and keyboard based music. Both Music For Piano And Drums and flags were well-received and included diverse material such as the Max Roach composition This Drum Also Waltzes and self-written material like Living Space. All of the music recorded by Bill Bruford during the years 1978-1985 has a resonance that still rings loud and true today and is being discovered by a new and eager audience for whom the music and performances remain as fresh and as exciting as it was for those who discovered it the first time around. All of the re issues will be re mastered and repackaged for the new generation of fans who want to hear first hand these incredible albums and performances.! Of course for the original fans who perhaps own the albums on vinyl now will be a good opportunity to re invest in the re mastered CD re issues which were originally only available for a limited time on CD. Following the albums covered by the time span of the Winterfold label Bill Bruford immersed himself more fully in the jazz world and formed the band Earthworks which sought to integrate electronic drums and percussion into jazz. Music recorded by Earthworks will be covered by releases on the Summerfold record label imprint. In closing; across the two record label imprints of Summerfold and Winterfold there is a wealth of richly diverse and satisfying music just waiting to be discovered all of which has Bill Bruford at the heart of it.
Music for Piano and Drums
Music for Piano and Drums,Bill Bruford,United States Dist,Fusion,Jazz,Pop
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God Bless the U.S.A.: Kids Sing Songs for America
The St. John's Childrens Choir
Manufacturer: Madacy Records
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Similar Items:
- Patriotic Songs & Marches
- Songs of America
- God Bless America
- America's Favorite Patriotic Songs
- Our America: 15 Patriotic Songs by Our Children
ASIN: B00005QVZF
Release Date: 2001-09-16 |
Tracks:
- God Bless The U.S.A.
- America The Beautiful
- You're A Grand Old Flag
- God Bless America
- This Land Is Your Land
- America, My Country 'Tis Of Thee
- Yankee Doodle
- Home On The Range
- Battle Hymn Of The Republic
- This Is My Country
- The old Red White & Blue
- Pledge Of Allegiance/The Star Spangled Banner
Customer Reviews:
Great.......2007-01-09
I bought 2 copies of this CD. One for our school and one for home. My children, (2 4 year olds and a 3 year old) just love listening to this in the car and they are now learning all the words to some great patriotic songs. Children relate very well to this music because it is young children singing rather than the typical adult choir. I would recommend this CD for any family with young children who want them to sing and be musically active!
Wonderful Traditional CD - A Must Have.......2005-09-30
This CD is wonderful. The songs are traditional versions of all the classic America sounds like This Land is Our Land. The kids that sing on the CD do a great job and the songs are easy to sing along with. My 10 yr old and 5 yr old beg to listen to it in the car and at home. The CD ends with the Pledge of Allegance which has taught my 5 yr old how to say it perfect. I highly recommend this CD for any house. I only wish it was split track.....it's not!
Love It!.......2002-12-01
This cd is wonderful. We have three generations that love this cd. The songs are great as well as the singing. Highly recommend it!
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Be transported
- Satie with a Twist!
- A Win --- on many counts
- Dumbing down Satie
- Loussier takes on Satie
|
Satie: Gymnopedies Gnossiennes / Jacques Loussier Trio
Benoit Dunoyer De Segonzac , Andre Arpino , Jacques Loussier , Jacques Loussier Trio , and Erik Satie
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
Variations
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Similar Items:
- Plays Debussy
- Solo Piano: Impressions on Chopin's Nocturnes
- Baroque Favorites
- Jacques Loussier Trio: Bach's Goldberg Variations
- Jacques Loussier Plays Bach
ASIN: B000007NGR
Release Date: 1998-05-26 |
Tracks:
- Gymnopedie No.1 / Var. 1
- Gymnopedie No. 1 / Var. 2
- Gnossienne No. 3
- Gnossienne No. 6
- Gnossienne No. 2
- Gnossienne No. 1 / Var. 3
- Gnossienne No. 4
- Gnossienne No. 5
- Gymnopedie No. 1 / Var. 4
- Gnossienne No. 1
- Pas A Pas
Customer Reviews:
Be transported.......2006-12-25
In my opinion, the Jacques Loussier Trio is best at interpreting classic Impressionist masterworks.
"Satie: Gymnopedies/Gnossiennes" is haunting and atmospheric musical poetry and, I think, superior to their other attempts at integrating classical and jazz into one musical statement. The entire CD reminds me of the musical equivalent of J.M.W. Turner's Venetian watercolours. Stunning! Also, check out "JLT Plays Debussy".
Jacques Loussier Trio's "Satie" takes the listener on a trip. Gnossienne No. 4 is especially effective in transporting the listener to a quiet "cinema noir" oasis full of intrigue. This jazz trio's technique lends itself much better to interpretations of delicate impressionist masterworks rather than to classic baroque. This is NOT smooth jazz but each piece is "fluid" or "atmospheric", just as Satie would have wanted it! The haunting sound is perfect- translucent as any mountain lake. In my opinion, this is Loussier's best disc and rates as one of the top discs in the classical-jazz hybrid genre, "Third Stream".
Satie with a Twist!.......2006-01-11
I have long considered Satie's Gnossienne to be some of the most emotionally touching and versatile pieces in music. So to pass a lazy afternoon, I went searching for as many versions of them as possible. I found everything from guitar to harp to dancefloor remixes. But there was one interpretation that stood out from all of them: the Jacques Loussier Trio interpretations.
First, I disagree vehemently with what one can only describe as the dense and snobbish two star review below. Satie's music is not degraded here; it is simply reinterpreted into a new genre. But my ears (nor those of any other reviewer, it seems) detect any degredation or "dumbing down" of Satie. Rather, the Loussier Trio handle Satie's delicate pieces with all the care they deserve. They do well at playing minimalistically, using no more notes than are necessary. I can't help but think that this is the way Satie would have wanted it, as his compositions cry out for exactly that style.
While there are a few question marks on the CD (for instance, trying to fit a 3/4 Gymnopedie into 4/4)even the weaker tracks (relatively speaking) are worth a good listen. The Gnossienne (particularly the first four) take the cake, though!
A brief descriptive note before I leave you to buy the CD. Any lover of the "new" European (particularly Nordic) jazz, such as the Esbjorn Svensson trio, or the Tord Gustavsen trio, will UNQUESTIONABLY love the Jacques Loussier trio. Loussier has mastered the type of sparse and dark sound achieved by the said trios.
You are in for a treat, indeed!
A Win --- on many counts.......2004-04-03
My introduction to the Gymnopedies was hearing Blood Sweat and Tears rendition on their 2nd album. I've been entranced by them ever since. I've collected the purist renditions of the work, and then I heard the lead track of this CD on our local Jazz/NPR station, KPLU.
I was immediately obsessed with finding out who/what/where.
I did, and I purchased this disc and several others. I was not disappointed. Other writers here are far more eloquent than I about the musical content; suffice it to say that Loussier remains true to the mood and emotion of the original, and his improvizations on those themes brings a new and fresh point of view to these already beautiful works.
Last, I'll comment on a technical point. These recordings are stunning. Totally natural sounds, and a stunning mix. Everything is in its place, you hear everything. The SACD version is even better. The older recordings (like the original Bach) are not at all dated in their sound.
I applaud this artist, this work, and this recording. Few of my recent CD purchases have been this satisfying.
Dumbing down Satie.......2004-01-12
Satie's Gymnopedies are beautiful and expressive works -- that have a distinctive sound. This interpretation dilutes Satie with "soft jazz" that is oh-so-familiar -- and not very interesting.
Loussier takes on Satie.......2000-09-12
It was this recording of Loussier playing the works of Satie that got me interested in this musician. Loussier's style lends itself well to Satie (perhaps even more so than Bach), and the music is very nice as a soft jazz CD.
Average customer rating:
- Acquire this ; you will be eternally rewarded!
- Appeals to students who don't even like classical music
- This material is worth more than a casual listen
|
Lecuona Sinfónica / Morton Gould and His Orchestra
Ernesto Lecuon , and Morton Gould and His Orchestra
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Ultimate Collection
- Always in My Heart-Domingo sings Songs of Ernesto Lecuona
- Ernesto Lecuona: The Complete Piano Music, Volume 1
- Ernesto Lecuona: The Complete Piano Music, Volume 3
- Juana Zayas:A Treasury of Cuban Piano Classics
ASIN: B000003GB8
Release Date: 1997-10-14 |
Tracks:
- Jungle Drums
- La comparsa
- Gitanerias
- Andalucia
- Malaguena
- Danza lucumi
- Cordoba
- Rapsodia negra
- Siboney
- Danzas Afro-Cubanos: La conga de media noche
- Danzas Afro-Cubanos: Danza negra
- Danzas Afro-Cubanos: Y la negra bailaba!
- Danzas Afro-Cubanos: Danza de los nanigos
- Guadalquivir
- In Three-Quarter Time
Customer Reviews:
Acquire this ; you will be eternally rewarded!.......2004-08-09
The inspired moods in which Morton Gould and his orchestra were inmersed when this recording was made was simply anthologic . Gould literally caught the perfect balance and the idomatism of Ernesto Lecuona , a cuban composer and author of Malagueña An emblematic song played for artists of the high of Paco de Lucia , Carlos Montoya , Jose Feliciano and the most famous orchestras of the world as Paul Mauriat ,or Frank Purcel .
This CD provides you a selection of well known and unknown pieces of that talented musician . It is a magnificent opportunity to know the high lyricism and latin flavour of Ernesto Lecuona .
Bravo for Morton Gould!
Appeals to students who don't even like classical music.......2004-04-23
This is a great collection of classical music enjoyed by all types of music lovers. A good introduction to classical music for students who have never been fans of classical music. I highly recommend it for everyone.
This material is worth more than a casual listen.......2001-01-09
In the 50's and 60's one of the biggest artists on RCA Red Seal was Morton Gould and his Orchestra. Recording staples like Grand Canyon and Billy the Kid kept the record company in the spotlight, but occasionally the conductor was able to do what he wanted. These were produced as Jungle Drums in 1955 and More Jungle Drums in 1964 Gould wrote the transcriptions of these piano pieces for these releases. RCA has digitalized the originals and presented them here as a set. The recording quality is first rate and packaging with information on the composer is welcome. This is a wonderful CD to experiment with to discover composers that are not in the mainstream. Well worth the discounted price here too.
Average customer rating:
- PERFECTION!!
- Cool, cool, cool!
- Miles Moods
|
Miles Davis Plays for Lovers
Miles Davis
Manufacturer: Prestige
ProductGroup: Music
Binding: Audio CD
Piano
| Keyboard
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| Styles
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Bebop General
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Similar Items:
- John Coltrane Plays for Lovers
- Love Songs
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- Coltrane for Lovers
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ASIN: B0000AB135
Release Date: 2003-08-05 |
Tracks:
- My Funny Valentine
- You're My Everything
- Smooch
- Just Squeeze Me
- Easy Living
- There Is No Greater Love
- It Never Entered My Mind
- In Your Own Sweet Way
- You Don't Know What Love Is
- Nature Boy
- 'Round Midnight
- When I Fall In Love
Customer Reviews:
PERFECTION!!.......2006-11-24
This is a beautiful album. An essential album for fans of jazz ballads...music at a level that only a genius, like Miles, could create.
Cool, cool, cool!.......2006-02-12
This is my first Miles Davis CD. I bought it because I love Chris Botti, and he has mentioned that he admires Miles Davis' work so much that I wanted to hear for myself. I LOVE this CD!!
It's so relaxing and soothing. I've had it playing all day and all evening on my computer on "repeat" and it just goes on and on being wonderful. Run over to Borders and pick it up...just in time for Valentine's Day!! This is some very romantic music!
Miles Moods.......2004-02-20
Heard this one playing over the intercom in Borders and bought it on the spot. Already own some of these tunes on other discs but this compilation is special with one exception. Round Midnight just doesn't sound right on this disc compared to the other 12 songs. Substitute SOME DAY MY PRINCE WILL COME or SURRY WITH THE FRINGE ON TOP and this disc would be complete. Guranteed to put you in a mellow mood.
Average customer rating:
- trailer music
- Great!
- sin city
- Go Here if you want Cells download
- An addendum to "FangsFirst" comment
|
Sin City
Robert Rodriguez , John Debney , and Graeme Revell
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD
Film Scores
| Theatrical, Incidental & Program Music
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Tone Poems
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Similar Items:
- Sin City - Unrated (Two-Disc Collector's Edition)
- Constantine
- Grindhouse: Planet Terror
- Batman Begins
- Frank Miller's Sin City: The Making of the Movie
ASIN: B0007XT7TK
Release Date: 2005-03-29 |
Tracks:
- Sin City
- One Hour To Go
- Goldie's Dead
- Marv
- Bury The Hatchet
- Old Town Girls
- The Hard Goodbye
- Cardinal Sin
- Her Name Is Goldie
- Dwight
- Old Town
- Deadly Little Miho
- Warrior Woman
- Tar Pit
- Jackie Boy's Head
- The Big Fat Kill
- Nancy
- Prison Cell
- Absurd - Fluke
- Kiss Of Death
- That Yellow Bastard
- Hartigan
- Sensemaya - Eduardo Mata
- Sin City End Titles
Amazon.com
Set in dark, slickened streets and populated by a stellar ensemble cast, this adaptation of Frank Miller's hard-edged, film noir inspired graphic novels plays like comic-book-come-to-lifenot surprising, as Miller is credited as Robert Rodriguez's co-director (with a bit of help from Quentin Tarantino). The soundtrack to this bleak, compelling exercise in pure noir stylism is provided mostly by director Rodriguez, with an occasional assist from past collaborators John Debney (Spy Kids and its sequel) and Graeme Revell (From Dusk Til Dawn). While their largely synth-driven cues tend naturally towards brooding atmospheric soundscapes, their tense electro-rhythms are seasoned with bracing doses of sinewy, sensual sax and dotted with the occasional bongo flourish, details that musically evoke both a shadowy humanity and the film's genre-savvy roots. Also featuring disparate, yet wholly integrated contributions from techno-house savants Fluke (the hypnotic "Absurd") and 20th century Mexican classicist Silvestre Revueltas, it's the sinister flipside to the future-jazz sheen of Vangelis' classic Blade Runner.--Jerry McCulley
Customer Reviews:
trailer music.......2006-08-06
i listened to the servant song and i know everyone said its pretty well known that that is the song they used in the trailer, but if you listen to "broken chairs" by built to spill it really sounds like parts of the trailer music too. and its also a good song. so i would recommend trying that as well!
Great!.......2006-01-17
Now, i loved the movie, but the soundtrack blew me away! all the songs fit the movie perfectly. However, it is missing the instrumental version of "Cells" by the Servants, which plays on the DVD title menu
so, here you go:
http://epical.bobdeveaux.com/TM/cells-sincity.mp3
Instrumental Version!
Have Fun
sin city.......2005-09-30
Is a very good soundtrack because i think that Robert Rodriguez has made a great choice with the composers and his own musical composition
Go Here if you want Cells download.......2005-09-27
While the previous reviwer was correct that Cells the trailer song is not on the soundtrack, Servant did indeed create an instrumental version and you can obtain it at this link follow the instructions it is at the Servant website so its legal and its for a limited time only!
http://www.bdarules.com/2005/05/servant-release-instrumental-of-cells.html
Your Welcome ;)
An addendum to "FangsFirst" comment.......2005-09-16
FangsFirst is absoluty correct -- trailer music is almost never on the movie's soundtrack. An interesting additional bit of trivia, however; almost all trailer themes ARE from a movie soundtrack, just from a DIFFERENT movie than the one the trailer is for!
So if you're looking for "Cells" by The Servant (the song from the Sin City trailer), take a look at the soundtrack to Transporter 2. You'll find it along with another song by The Servant. "Cells" does have lyrics to it (which aren't on the Sin City trailer), but it's still a damned good song.
Just thought I'd share that with everybody.
Average customer rating:
- Sentimental Favorite
- Jungle Fun
- interesting change of pace
|
Jungle Drums
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
All Works by Falla
| Falla, Manuel de
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Similar Items:
- Lecuona Sinfónica / Morton Gould and His Orchestra
- Blues in the Night
- Kern & Porter Favorites
- Khachaturian: Masquerade Suite; Kabalevsky: The Comedians; Tchaikovsky: Capriccio Italien; Rimsky-Korsakov: Capriccio Espagnol / Kondrashin
- The Blue Planet - Seas of Life Collector's Set (Parts 1-4)
ASIN: B000003FWU
Release Date: 1996-04-16 |
Tracks:
- Jungle Drums
- La Comparsa
- Gitanerias
- Andalucia
- Malaguena
- Danza Lucumi
- Cordoba
- Rapsodia Negra
- Hawaiian War Chant
- Caravan
- Ritual Fire Dance
- Tropical
- The Little Train Of The Caipira
- Swamp Fire
- Batuque
Customer Reviews:
Sentimental Favorite.......2006-11-30
My parents purchased this album back in the sixties, and I grew up listening to it. For this reason alone I love it. Even after all this time I still love these arrangements. Mr. Gould's orchestra give polished performances, the tone colors are varied and vivid. You will be carried to exotic locales by this music. It's a classic!
Jungle Fun.......2005-11-23
More soothing renditions by Morton Gould and composer Ernesto Lecuona. "Andalucia" is simply beautiful on this album. It has a strong melody that would sound good in almost any setting. My daughter brought this in for her second grade class, and most of the kids an parents liked the music. Some of it is very cinematic, and I think that's what some of them reacted too...made then think of old films. Highly recommended.
interesting change of pace.......2003-11-06
I had originally purchased this CD because I thought the music was similar to Les Baxter, Martin Denny, and Arthur Lyman (I made this assumption based on the picture on the jacket). I thought it was another "exotica" album. Boy, was I wrong! While the arrangements all have lush melodies, the music is symphonic in nature and have great orchestral arrangements. I like this CD a lot.
Average customer rating:
- eclectic collection of chanber music
- Excellent Music
- Ahnbelievable!
- These gals just wanna have fun...
- AWESOME!
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Ahn-Plugged
Kenji Bunch , Ahn Trio , Angella Ahn , Lucia Ahn , Maria Ahn , Matthew Gold , Astor Piazzolla , Leonard Bernstein , and Eric Ewazen
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B00004TR18
Release Date: 2000-08-15 |
Tracks:
- Con - Matthew Gold/Brian Resnick
- Oblivion - Matthew Gold/Brian Resnick
- Trio: I. Adagio Non Troppo - Allegro Vivace
- Trio: II. Tempo Di Marcia
- Trio: III. Largo - Allegro Vivo E Molto Ritmico
- Slow Dance
- Primavera Portena - Matthew Gold/Brian Resnick
- The Diamond World - Brian Resnick
- The Heart Asks Pleasure First
- This Is Not America
Customer Reviews:
eclectic collection of chanber music.......2007-05-12
the ahn trio rocks! along with the brodsky quartet, the kronos and other contemporary chamber groups, they combine a modish look with formidable classical technique that they use to assail a variety of melodies. some of the melodies are created specifically for them---so these young ladies are doing very well for themselves.
and they serve the music so well. each piece requires a different approach--evazen's 'diamond world' is sweet and lovely with a contemporary pop feel, piazzolla's tangos are spiky and rhythmic, for example--and they get it.
as much of a treat as this cd is, the real treat would be hearing these women live. i'm sure they turn it!
Excellent Music.......2004-10-02
The Ahn sisters have a lot of talent and that talen is shown in this CD. My personal favorite is their rendition of "The Heart Asks Pleasure First (from The Piano)". It is just beautiful!!
For me, the true test of music is how it makes me feel while I listen to it. When I listen to this CD, it makes me feel alive!!! It makes me hunger to listen to other CDs that the Ahn Trio have made. I'll be picking those up soon.
Ahnbelievable!.......2002-12-18
These sisters cook with classical ingredients and have found in Kenji Bunch a composer who understands their dynamic and presents them with material that encourages them to expand their considerable talents. There is an attitude here that came off as a bit unbridled on the first CD, TRIOS, and may have set them against the mainstream of classical interpreters. That's a very good thing indeed, for having broken that stranglehold on how things should be played, they have managed to add a bit of steam to the chamber room. Sure it has to do with fashion and sensuality, but it did back in the day, when Wolfgang, Ludwig and Robert and Clara were heating things up. It all got too mannered afterwards, so when artists like the Ahns, or Kennedy, or any other adventurous soul upends the conventions, it is easy to jump on the surface differences as a way of avoiding dealing with the substantive issues at hand.
To my ears, they provoke the listener in what seemed like too comfortable assumptions about Piazzola, infused interest and intrigue into Bernstein where little besides Broadway and Americana star excess existed before, and have taken a Pat Metheny/David Bowie piece and brought classical drama to a terrific composition. Both writers should be duly flattered and impressed by the interpretation. And as I mentioned, with Bunch, they have a writer best suited to their own dynamic.
I am sure it helps that a set of twins are playing with their sister. There is a telepathy here that indicates they know when they are going to leap off the conventional cliff, and so the others respond by catching them in mid air. This disc makes for seductive and exciting listening. Listening to the Bosendorfer ring off the sensuality of the cello and the passion of the violin and that unbridled element is a source of wonder and enchantment.
These gals just wanna have fun..........2002-07-11
I do hope the cover of this CD doesn't scare away "serious" classical lovers! This is definitely classical. It's a collection of shorter classics, but that sure doesn't mean it's aimed for those with short attention spans like one reviewer suggests. This music is, to quote, "charged and alive"! A lot of "today people" who are leery about classical music are likely to find themselves wound up in music especially composed for the Ahn trio by such composers as Henji Bunch and Eric Emazan. Diverse composers such as Argentine tango composer Astor Piazzolla and Leonard Bernstein are included, and most diverse of all, perhaps, is David Bowie.
These gals touch all the basses and show that there is indeed life in classical music.
AWESOME!.......2002-05-12
The Ahn Trio was here in small-town, Bremerton, WA. this evening, and I was fortunate enough to see in concert and talk with them after their fabulous show. Their musical performance is stunning, and their presences on stage is awesome--they bring the audience to them...they are free with talking with the audience. If ever you get the chance to see them, it is definitely worth it.
Average customer rating:
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The Grand Passions of Albert W. Ketèlbey
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
Ketèlbey, Albert William
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ASIN: B0001CCXSO
Release Date: 2004-03-23 |
Tracks:
- Poetic Intermezzo
- Intermezzo-Scene
- Characteristic Intermezzo
- 1. A State Procession (Buckingham Palace)
- 2. The Cockney Lover (Lambeth Walk)
- 3. At The Palais De Danse (Anywhere)
- 4. Elegy (Thoughts On Passing The Cenotaph)
- 5. Bank Holiday ('Appy 'Ampstead)
- Intermezzo
- The Clock And The Dresden Figures
- 1. A Song Of Love
- 2. The Golden Wedding-
- 3. A Garden Fete
- Oriental Fantasy
- Meditation Religieuse
- Patrol
Average customer rating:
- GREAT DRUMMING GALORE FROM GLENNIE.
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Evelyn Glennie: Drumming
Evelyn Glennie , Louis Cauberghs , Evelyn Glennie , David Lang , Askell Masson , Psathos , Frederic Rzewski , Roberto Sierra , Nebojsa Jovan Zivkovic , and Philip Smith [1]
Manufacturer: RCA
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Binding: Audio CD
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| Rzewski, Frederic
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Glennie, Evelyn
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ASIN: B000003ELO
Release Date: 1996-08-13 |
Tracks:
- Entrances
- Halasana
- Sorbet No. 1- Latin American Interlude
- Bongo-O
- Sorbet No. 2- Chinese Cymbals
- Prim
- Sorbet No. 3- UDU Trail
- The Anvil Chorus
- Sorbet No. 4- Woodblocks And Falling Instruments
- To The Earth
- Sorbet No. 5- Wood And Metal Chimes
- Pezzo Da Concerto No. 1, Op. 15, For Snare Drum
- Sorbet No. 6- Simtak Debut
- Matre's Dance
- Exits
- Sorbet No. 7- Hi-Hat Playout
Customer Reviews:
GREAT DRUMMING GALORE FROM GLENNIE........1999-10-01
Evelyn Glennie is one of the greatest, if not THE greatest percussionist alive today and this c.d is my favorite of her works. Most percussionist specialise in certain instruments but Glennie seems to be able to play most of them, on this album Glennie plays the drumkit,flowerpots,bongos,snare drum,shakers,cymbals,mbwata,woodblock, all kinds of shakers and small instruments and new percussion instruments, it's absolutely fabulous. The second track "Halasana" by Cauberghs is for a piano and a drumkit and it's a very interesting composition and the sound Glennie gets from the drums is so beautiful and she plays with such a good technique and dynamics, and you can say that about almost all the other pieces on this c.d, the only thing I dont like is Rzewski's To The Earth beause of the poetry reciting that goes along with the playing, to my ears it is just pretentious.
On the whole this is a great c.d with good compositions and improvisations and the playing could hardly be better. Higly recomended.
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