Joshua Redman

Joshua Redman

Joshua Redman

ASIN: B000002MJB

Editorial Reviews
Amazon.com
This loudly touted, Coltrane-worshipping 23-year-old tenor saxophonist is Dewey Redman's son. This much-praised debut reveals a talent with poise and panache --Jeff Bateman

Joshua Redman,Joshua Redman,Warner Bros / Wea,Jazz,Jazz Music,Neo-Bop,Pop,Post-Bop
Back East
Average customer rating: 4 out of 5 stars
  • Fair cd
  • How to navigate the perils of a saxophone trio
  • Always Open Ears For Josh - Always Time For Dewey
  • Impressive!
  • Art of the Trio (version #1)
 Back East
Joshua Redman Trio
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

Bebop GeneralBebop General | Bebop | Jazz | Styles | Music
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ASIN: B000N4S95Q
Release Date: 2007-04-24

Tracks:

  1. The Surrey With The Fridge On Top
  2. East Of The Sun (And West Of The Moon)
  3. Zarafah
  4. Indian Song
  5. I'm An Old Cowhand
  6. Wagon Wheels
  7. Back East
  8. Mantra No.5
  9. Indonesia
  10. India
  11. GJ

Amazon.com

Sonny Rollins's 1957 release Way Out West established the pianoless bass-sax-drum configuration. The Berkeley-raised tenor/soprano saxophonist Joshua Redman's geographically reversed tribute was recorded in New York, where his career began. It features three sets of trios, with drummers Brian Blade, Eric Harland, and Ali Jackson and bassists Rueben Rogers, Christian McBride, and Larry Grenadier. Redman's sure-headed, serpentine, and sensual saxlines upgrade the two WOW tracks "I'm an Old Cowhand" and "Wagon Wheels" with Afro-Asian rhythmic motifs. Joe Lovano, Chris Cheek, and the leader's late father Dewey Redman lend their sax sounds to selections by Redman's horn influences: "Indian Song" by Wayne Shorter, John Coltrane's "India," and the Stan Getz-associated ballad "East of the Sun (and West of the Moon)." Redman's compositions--"Mantra #5," the tantric-tempoed "Indonesia," the title track, and "GJ," a touching dedication from Joshua Redman's dad to his grandson--complete the thrilling project from this future saxophone colossus. --Eugene Holley, Jr.

Album Description

Joshua Redman mixes originals with standards in tribute of the great sax players before him, on his new album Back East. But Redman doesn't just pay homage with these tunes, he makes them his own, adding a different sort of "eastern" feel to both the covers and his original compositions. With many special guest performers, including his own father, Redman has created a eloquent gift for the music world.

Customer Reviews:

2 out of 5 stars Fair cd.......2007-06-25

Off the Mark & what I mean is wrong material. Doesnt show what his talents are. Id get George Benson, Bob James Nathan east, David Beniot, Peter white, Mark antione on your next cd & this would make a awesome Cd.

4 out of 5 stars How to navigate the perils of a saxophone trio.......2007-06-21

A saxophone trio album can be tricky, since the saxophonist has to pretty much carry the entire load. If the sax playing isn't utter genius (think of Ornette Coleman's "At The Golden Circle"), then you can get a CD that seems to go on for too long (think of Branford Marsalis's "Bloomington"). Joshua Redman does a few things to avoid that pitfall. The first thing is call in three guest saxophonists, Chris Cheek, Joe Lovano, and Dewey Redman, to appear on three different songs. The two-sax songs are sprinkled through the CD. Another way to avoid monotony is to have three different rhythm sections. All three sections are top-notch, and you get the sense they're playing to the song and the saxophone, not to out-do the other bassists and drummers. Larry Grenadier and Ali Jackson play on most of the songs. Lastly, the songs are kept relatively short, so it isn't too long before a new melody or tempo is introduced.

Joshua Redman starts off with an old warhorse, "Surrey With The Fringe On Top" and freshens it up a little by chopping up the rhythm. Most of the rest of the songs have an Asian reference in their title, and to a lesser extent in their music. I'm not sure how "I'm An Old Cowhand" and "Wagon Wheels" fit in with the theme, since they're western songs . At any rate, the standards are nicely played, and the new compositions are also good. It's simply a top-notch album, and is highly recommended. This will be one of the better CD's of 2007. The last song doesn't have Joshua on it, but has Dewey Redman playing for his granddaughter. It's interestingly free-jazzy, and perhaps a suitable capstone to Dewey's long and interesting career.

4 out of 5 stars Always Open Ears For Josh - Always Time For Dewey.......2007-06-03

Nowhere is it written that expressing angst is in the sole dominion of the consternated pop/alt./rockers and their ilk. Joshua Redman makes that clear by bailing himself out of San Fran (temporarily), scooping up his little bambino, and coming "Back East" to bury his father. Josh has plenty of strong emotions to work out in front of us, and we should have no problem with that. This is healthy music-making. There's also the palpable sense that Redman was jonesing big-time to play again in a trio setting with Brian Blade, his musical alter-ego. Other drummers are on-board besides Blade, but it's not the first time, as some have suggested, that Brian and Josh have recorded in a trio. See Yaya3 for proof of that (with no bassist, but bass-end courtesy of B3-er Sam Yahel). This isn't even the first time that Josh has recorded with just the bare-bones sax-bass-drums thing going on (see isolated tracks on Joshua Redman, Wish, and Spirit Of The Moment: Live At The Village Vanguard). But an entire album of it? Yes, now we're talking "Back East" style. Before getting all caught up with this distinction, however, just watch those lines get blurred by some of these trios morphing into quartets with the addition of some very special guests.

It's impossible to write this review and not drop the name Sonny Rollins, since a full third of the tracks here are tunes that Newk explored within the very same trio constraints back in the late 50's, and you know that Josh loves his Newk. He doesn't try to sound like Rollins here - he just invokes Sonny's powerful visage. The name and the sound, both invoked and actually present, which "Back East" *is* suffused with is that of Joshua's late father, Dewey Redman. My first exposure to the music of Dewey Redman came in the mid 70's when he was part of Keith Jarrett's incendiary American combo that made recordings for Impulse!, but I have to confess that most of it went way over my head at the time. What really made me pay attention to Dewey was his significant contribution to Pat Metheny's ECM double-album 80/81, right there next to Jack DeJohnette, Charlie Haden (also a vet of that Jarrett unit), Metheny, and the late Michael Brecker. What a free-emotive ear-opening revelation Dewey was on those tunes! Next came my awareness of the outfit known as "Old And New Dreams" with Don Cherry, Ed Blackwell, and Haden again, which really convinced me that it was Miles Davis who was "all messed up inside" and not Ornette Coleman. And in the midst of all this great music came a Dewey Redman album for the ages - 1983's "The Struggle Continues" on ECM. Search hard in used vinyl shops for it - or even harder for a CD copy.

So what does any of this have to do with Joshua Redman's new self-produced title on Nonesuch? The answer is: everything. Josh has some of the biggest ears on this planet - don't go thinking for a minute that any of this stuff from the late 70's and 80's was lost on him, even if he tells you that he had to "come back" for some of it (he grew up apart from his dad with his mother in the Bay Area). Once Josh made the commitment to music over law school, *all* the great tenors who came before him contributed something to his jurisprudence of jazz degree. And with this latest offering, Redman (the younger) continues to show off his very sponge-like abilities even further. If there were just a few more tracks like the Josh original "Indonesia" (which isn't exactly gamelan, but sure ain't no 12-bar blues either) or the Coltrane gem "India" (performed in 4tet with father Dewey), or the Shorter jewel "Indian Song" (4tet with Joe Lovano, tune lifted from Wayne's o.o.p. 1965 album "Etcetera") this review would be attached to a 5-star rating. But 4 stars is still pretty darned good, and "Back East" is worth extra spins just to reflect on the incredible musical legacy left to us by Dewey Redman, who not so incidentally gets the last dance all to himself (in a trio) for the set closer. Salaam, Dewey. Great album, Josh.

5 out of 5 stars Impressive!.......2007-05-24

I own every single Joshua Redman album and I think that Back East is the album I'm most impressed with. Simply put, Redman's improve prowess is off the charts. Redman has always been good, even great, but now I think he is on another planet planet.

4 out of 5 stars Art of the Trio (version #1).......2007-05-12

In general, I tend to find the sax/bass/drums trio setup rather challenging. I find the music a bit dry and monochromatic without keyboards and/or guitar to lend some life and colour. I decided to give this and Kenny Garrett's 1995 CD Triology a try though, as I wanted to try roaming beyond my comfort zone. I'd heard good things about both albums and besides - it's Joshua Redman and Kenny Garrett, right?

Well, Joshua Redman produces this CD and it features the trio formation with different cast members on different songs. Of particular personal interest are the tunes "East of the Sun (and West of the Moon)", a barnstormer that features Redman on tenor and some really exciting drumming by Ali Jackson; the ballad "Zarafah", with Redman on soprano, accompanied by Christian McBride on bass (with a very interesting solo) and Brian Blade on drums; "Wagon Wheels", another ballad with Redman on soprano but this time accompanied by Reuben Rogers on bass and Eric Harland on drums; "Mantra #5", a duet with both Redman and Chris Cheek on soprano, backed by Larry Grenadier on bass and Ali Jackson on drums; the jaunty "Indonesia" with Redman back on tenor and joined by Grenadier and Jackson; (I'm sure I can hear percussion on this number but it's not credited) and last but not least, the Coltrane tune, "India" - another duet but this time with Dewey Redman, and with both men on tenor.

There's also an appearance by Joe Lovano on the Wayne Shorter tune "Indian Song", which I found interesting but not much else. Shame really, as I'm a huge Lovano fan.

So on the whole with regard to this particular CD, the let's-try-something-different experiment hasn't really worked and I remain underwhelmed by the sax/bass/drums trio format. I reiterate that it's a very personal thing but I still find it rather bland, cold and unemotional. That said, I do recognise the artistry on show here. I've already grown to love Joshua Redman's sound anyway and I have a feeling that the album could grow on me in time. I hope it does.

As a measure of enjoyment, I'd say three and a half stars. Four at a push, but only as an added mark of respect.

Truth and Beauty
Average customer rating: 4 out of 5 stars
  • Dense and amazing
 Truth and Beauty
Sam Yahel Trio
Manufacturer: Origin Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000P7V4KS
Release Date: 2007-06-19

Tracks:

  1. Truth and Beauty 7:59 (S. Yahel)
  2. Man O' War 7:28 (S. Yahel)
  3. Check Up 5:04 (Ornette Coleman)
  4. Bend the Leaves 6:56 (S. Yahel)
  5. Saba 7:53 (S. Yahel)
  6. Night Game 4:49 (Paul Simon)
  7. Child Watching 8:15 (S. Yahel)
  8. A Paz 4:29 (Gil/Donato)
  9. Festinhas 7:34 (S. Yahel)

Album Description

Besides showcasing organist Sam Yahel's talents as a composer, "Truth And Beauty" highlights the easy rapport Sam, saxophonist Joshua Redman and drummer Brian Blade have developed over the last six years. Compositions by Paul Simon, Ornette Coleman and Gilberto Gil round out the project beautifully, helping to expand the frontiers of the classic organ trio. Yahel has played and/or recorded with Benny Golson, Maceo Parker, Lou Donaldson, Bill Frisell, Norah Jones, Madeleine Peyroux, Joe Lovano and many others. He performed and was a producer on Joshua Redman's Grammy nominated recording "Momentum." He has three recordings out as a leader and recently won Downbeat's poll of "Rising Star" on the organ for the third straight year.

SAM YAHEL - Hammond B3
JOSHUA REDMAN - Tenor Saxophone
BRIAN BLADE - Drums

Customer Reviews:

4 out of 5 stars Dense and amazing.......2007-06-29

The Yahel/Redman/Blade recordings get better and better. Unlike the other recordings with the same roster (the "Joshua Redman Elastic Band" which is dripping with funk and swagger, and Yaya3's early experiments with these three masters) Truth and Beauty's recordings are subltle, dense, and after a few listens still reveal amazing moments. Similar in energy to the Yaya3 disc, this album seems to be more focused. The melodies are apparent and never stray into the unknown, but the subtle aspects of Yahel, Redman, and Blade are best experienced in this framework.

Brad Mehldau's liner notes focus on this clarity as well, detailing Yahel's use of the draw bars, Redman's flexible tone, and Blade's...well Brian Blade is Brian Blade, what more can be said!

For the uninitiated, folks may like Elastic Band's "Elastic" and "Momentum" which are fun and funky to nod along to, but for the more demanding listener who wants their jazz dynamic and bubbly, this is a remarkable album. Favorite songs are "Bend the Leaves" and "Saba".
MoodSwing
Average customer rating: 5 out of 5 stars
  • My Favorite Jazz CD
  • Tasty, if this is what you want
  • This Music gets me in the Right Mood!
  • Thanks, Joshua, for an album I can FEEL!
  • Quite good
 MoodSwing
Joshua Redman Quartet
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002MS1
Release Date: 1994-09-13

Tracks:

  1. Sweet Sorrow
  2. Chill
  3. Rejoice
  4. Faith
  5. Alone In The Morning
  6. Mischief
  7. Dialogue
  8. The Oneness Of Two (In Three)
  9. Past In The Present
  10. Obsession
  11. Headin' Home

Customer Reviews:

5 out of 5 stars My Favorite Jazz CD.......2007-06-10

I have been listening to jazz since the 70s. I have about 70 jazz CDs and have seen live jazz quite a few times. This CD is my favorite jazz album. I first became aware of this quartet from watching the TV show Sessions on West 54th. I recorded it and watched it many times. When I bought the CD with the same tunes, I was blown away. First of all I really like the tunes, which to me is just as important as the playing. The playing is great too. What can I say? This is my favorite quartet. The vibe/sound is very appealing.

3 out of 5 stars Tasty, if this is what you want.......2006-12-18

This disc is a funny one. The much of the playing is outstanding, and you couldn't ask for a better rhythm section line-up, period. The songs are very professionally polished as well. To me, however, there was a surprising lack of emotional quality to the entire disc. Like some other reviewers, the riffs, changes, and other elements seem very familiar, and must at least have been modeled on other people's songs. That's not a crime (since all art builds on its predecessors), but that sense is very strong with this disc. It reminds me of when my friends and I used to put on an album by the Raspberries and played a game in which we guessed which song had been ripped off for each part of the Raspberries' song. Also, I disagree with the other review that characterizes the sax as "Coltranesque". To me, the sax playing on this record is much more in line with Stanley Turrentine, Grover Washington Jr., and Boots Randolph than with the Coltrane, Shorter, Kenny Garrett line of players. In the end, the disc is worth buying and listening to for the piano, bass and drums, which are as good as it ever gets despite the cliched nature of the songs.

5 out of 5 stars This Music gets me in the Right Mood!.......2006-09-23

This cd reminded me why I love jazz so much. It captures all those qualities that make this genre of music so wonderful and unique, from the moments of subtle beauty and mystery, to infectious beats and soaring solos that make your hands and feet want to start moving at once! I absolutely love this album. My personal favorite tracks are "Faith" and "Past in the Present" but to be honest, every song on this cd is a winner! In Redman's sound you can hear a little of Sonny Rollins, and of course Coltrane's influence on tunes such as "The Oneness of Two", but there is something contemporary and modern here as well. Captured on this disc is a virtuoso sax player looking back and into the future of his art simultaneously. I have bought more of Joshua Redman's music, but in my opinion this cd is his best effort. Even if you like jazz just a little bit, you MUST listen to this cd. When the last funky notes fade away, you will be a jazz addict, desperate for that musical high it provides!

5 out of 5 stars Thanks, Joshua, for an album I can FEEL!.......2006-09-08

One of my earlier reviews here was for Joshua Redman's "Elastic" back in July 2005. At the time I alluded to the way I had always considered Redman to be a though-provoker as opposed to a groover. The former is often useful but I find the latter is always much more fun.

I think I was being kind at the time. The truth is, I'd always seen Redman as a saxophonist who was much too busy trying to be clever. I felt he played from the head rather than from the heart and as a result, a lot of his music left me feeling a bit cold. He acknowledges this jazz phenomenon - though not necessarily in his own playing - on the inner sleeve notes of this CD. An acquaintance apparently said to him:

"Jazz is cool and all, but it's not really my type of thing. I mean, I respect it, but I can't really get into it. I like music that makes me feel something. Jazz isn't really about that. With jazz, you gotta think all the time. Jazz is all complicated and weird. It's for those special types of people who like talking about stuff and figuring things out. Jazz is way too deep for me."

I think that's a sweeping generalisation. I think it only applies to certain kinds of jazz and/or certain kinds of jazz musicians. Redman himself goes on to say that he ackowledges the fact that many consider jazz to be an intellectual music:

"Most people assume that the appreciation of jazz is a long, arduous, and painfully serious cerebral undertaking. Jazz might be good for you but it just isn't any fun. This image is simple, powerful, and dangerously appealing. But it is also egregiously false. Jazz is music. And great jazz, like all great music, attains its value not through intellectual complexity but through emotional expressivity."

Well, he certainly had me fooled. All is forgiven though and he sets about reinforcing his statement on this CD. He doesn't want people to think when they listen to "MoodSwing", he wants them to feel and by Jove, he makes a good job of it. This is no smooth jazz album by any stretch of the imagination but it is accessible, while remaining intellectually and emotionally exciting. In terms of feeling, each listener will obviously take away something different from this CD. But for me, the opener, the hypnotic "Sweet Sorrow" reminds me of a visit to New Orleans some years back, way before the Katrina disaster and thus, it evokes complex emotions. "Chill" with a very interesting solo from Brad Mehldau, makes you feel like doing just that. I could go on and bore readers with the feeling/s I got from each and every tune but that probably wouldn't be wise. Suffice it to say it's a slow winding take-off; the CD only really gets going for me with "Faith" but it's a dream journey all the way to the end.

Some of the songs do remind me of other songs by other musicians - "Alone In The Morning" made me think of Stan Getz, for instance - but I'm cool with that. I don't think there's anything wrong in paying homage to musicians you admire or who may have influenced you, if indeed that is what Redman was doing here. It could all be happy coincidence. He has a dream quartet on hand here and, including himself, each of them - Brad Mehldau on piano, Christian McBride on bass and Brian Blade on drums are all virtuosos in their own right. Second to "Elastic", I think this is the best Joshua Redman CD I own and one of the best jazz CDs in my collection.


3 out of 5 stars Quite good.......2006-02-26

This is a quite good 3.5 star album. Joshua Redman is of course, excellent, and he has a fine group with him - Brad Mehldau, Christian McBride, and Brian Blade. Mr. Redman wrote all the songs, yet the thing that irks me is that I can hear references to other jazz songs in them. So, the first time through the album sounded very familiar. I think if the album were a little livelier, a little less mannered, that would have pushed it into 4-star territory for me.
Momentum
Average customer rating: 4.5 out of 5 stars
  • Just ok
  • Momentum
  • BUY THIS If You Like Jazz!
  • Wonder What Your Listening To?
  • Lost his jazz soul.
 Momentum
Joshua Redman Elastic Band
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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ASIN: B0006TL9I2
Release Date: 2005-05-24

Tracks:

  1. Soundcheck
  2. Sweet Nasty
  3. Just A Moment
  4. Shut Your Mouth
  5. The Crunge
  6. Riverwide
  7. Greasy G
  8. Lonely Woman
  9. Swunk
  10. Blowing Changes
  11. Double Jeopardy
  12. Put It In Your Pocket
  13. Showtime

Album Description

Since the release of his chart-topping, self-titled debut in 1993, which heralded the arrival of perhaps the most prodigiously gifted and charismatic young jazz talent of the decade, saxophonist Joshua Redman has always tried to capture "the spirit of the moment" in his live and recorded work. No project better illustrates this guiding ethos than the Elastic Band, his ongoing collaboration with organist Sam Yahel.

Customer Reviews:

2 out of 5 stars Just ok.......2007-05-03

Joshua,s cd was just so so. I would not recomend this cd needs better arrangements & better material.

4 out of 5 stars Momentum.......2007-03-01

This outing the the Elastic Band lacks the stretch I was hoping for the band. Overall the tunes are put together well, but they have the preditable feel of R&B solos. I didn't hear any "real" progression with this band moving into unchartered territory. This would be a good CD to introduce your R&B friends into Jazz.

5 out of 5 stars BUY THIS If You Like Jazz!.......2007-02-22

This is by far my favorite of Joshua Redmans albums. I can play it over and over without tiring of it. It's definitely not as traditional sounding as his other projects, but I think it's a great step. This is a very creative album with no duds. I like to see artists evolve and try different things. Imagine is Sting were still doing top 40 pop tunes like the early days. It would get tiresome after a while. (But then again, I think top 40 music is tiresome before it begins)

There's a lot of great groove and funky stuff on this album. Kind of like Down To The Bone's stuff, but not repetitive. I personally haven't noticed the short length of the songs. I usually play it on my home stereo while doing something else, so I'm not faced with the track times like I would be on the computer.

Unless you hate jazz you should definitely own this album.

5 out of 5 stars Wonder What Your Listening To?.......2006-12-21

This is the first Joshua Redman CD I've had the opportunity to hear. Man, this guy's got it. I read some of the other reviews and a couple mentioned this is not as good as other CDs he has released. I absolutely can not imagine it getting any better than this.

This cat reminds me of Monk, Byrd, Hancock, the Headhunters, and Cannonball all wrapped up in one. It is a throwback with great respect for the masters. It is a grand relief from the blind purchases I have made of so-called new artist whose work sound as scripted and redundant as a Broadway play.

This cat can improvise, he is versatile, and the short cuts leave you begging for more. If he is smart, he would take those very same short cuts and develop them to full length on a future CD.

But since others say this is not as good as other releases, I am compelled to order the older releases to see for myself. If they are correct, then I can only say it will be money well spent!

1 out of 5 stars Lost his jazz soul........2006-09-06

In the early 1990s, when he first gained acclaim, Joshua Redman was one of the bright hopes of jazz. He played with a fresh energy and fire, yet maintained touch with the jazz tradition in a way that all music fans could appreciate. In the last five years, however, he seems to have lost his moorings, and this latest overhyped album is merely another sad example of his musical drifting -- and our loss. I'm astonished by the rave reviews other reviewers here and elsewhere have given Redman's latest. This record is little more than rehashed funk, with a saxophone overlay that is miles short of the ability and inventiveness Redman displayed when he was playing so-called "old-fashioned" acoustic jazz. The tunes are nothing special, the thumping electronic rhythmic accompaniment is boring and heavy-handed, and Redman seems to have nothing interesting to say. Here's one (former) fan who hopes Redman will find his way back, if not to mainstream jazz, at least to credibility.
Freedom in the Groove
Average customer rating: 5 out of 5 stars
  • It Changed My Life
  • A Nice listen - Old school wth contemporary sound
  • smooth
  • Props to Josh!
  • A great post-bop disc.
 Freedom in the Groove
Joshua Redman
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002NA7
Release Date: 1996-09-24

Tracks:

  1. Hide And Seek
  2. One Shining Soul
  3. Streams Of Consciousness
  4. When The Sun Comes Down
  5. Home Fries
  6. Invocation
  7. Dare I Ask?
  8. Cat Battles
  9. Pantomime
  10. Can't Dance

Amazon.com

The title Freedom in the Groove expresses the challenge saxophonist Joshua Redman has set for himself: is it possible to practice true jazz improvisation within the soul, funk, and hip-hop rhythms of the past 30 years? Redman takes a different approach than most fusion experiments; instead of plugging in, he has retained his acoustic pianist Peter Martin and his acoustic bassist Christopher Thomas, and has added only electric guitarist Peter Bernstein, who plays more in the hollow-body style of Kenny Burrell than the solid-body style of Mike Stern. Redman responds to this stimulus with sax solos that more than ever resemble gospel-soul singer vocals--at once boldly assertive, yet confessionally open. --Geoffrey Himes

Customer Reviews:

5 out of 5 stars It Changed My Life.......2006-04-29

I wrote one of the reviews for this album back in 1999. I was 14 at the time. Now, 7 years later, I have heard all of his stuff (I own it all) and got to see and meet him. This album changed my life - and I told him that. I purchased the album in 1998 for $3- used at an antique store. It was the first jazz I had heard, and it was the best three bucks I ever spent in my life.

4 out of 5 stars A Nice listen - Old school wth contemporary sound.......2004-10-26

I was diging out some older CDs and gave this a listen. I am not real familiar with him JR but I can't thinking this is a throwback to old stuff but with a real contemporary atmosphere. I see that used copies are real cheap. If this description interests you, get a copy, it will be a great deal. Otherwise, there is plenty of other stuff to pickup.

4 out of 5 stars smooth.......2004-10-20

I really like this album. I listened to it about 10 days ago here on amazon and thought i'd buy it and i'm pleased I did. I thought it had something and it does! I just can't stop humming one of the tunes. Don't get me wrong Joshs' style isn't entirely unique but he does have his own way of playing, I can often hear influences of Courtney Pine and believe it or not Maceo Parker in the tunes. Many artists tend to stand in convention like they can't possibly move from it but this guy blends his views and aspects of jazz together nicely to create a smooth but tasty dish.

5 out of 5 stars Props to Josh!.......2004-08-18

I just bought this CD today, and I can't stop listening to it.

The opening track, "Hide & Seek" starts with a slick intro in which Redman does some slap tonging and some altissimo hits, then slides into a nice funky groove. When I was at the Reno Jazz Festival last April, he opened his special performance concert with this song. It got the crowd going.

What a rhythm section -- Brian Blade on drums (probably one of the greatest living drummers nowadays), Peter Martin on keys (It's not Brad Melhdau (sp?), but this cat can swing), Peter Bernstein on guitar, and Christopher Thomas on bass. I'd kill to have those musicians in my combo!

I am a jazz tenor saxophonist, and have gotten hooked on him several months ago. If you haven't listened to any recordings of his father, Dewey Redman (Texas tenor, avante-garde/blues), go find some in addition to Joshua!

I highly recommend this CD to any Joshua Redman fans, or saxophonists.

4 out of 5 stars A great post-bop disc........2002-05-29

This disc has some great moments on it, especially 'One Shining Soul' 'Cat Battles' and 'Pantomime'. All are standouts. Josh sounds really good-full, moving all over the scale with blistering arpeggios and soft, smooth glissandos. An aire of commercialism hangs over this disc-not that that is bad or good-it just is. The songs are generally taught throughout, though a few tracks seems to lose focus occasionally. The interplay between Redman and his band is quite tight, yet they swing nicely.

Recommended.
Joshua Redman
Average customer rating: 5 out of 5 stars
  • the cd that turned me on to Monk
  • Joshua Redman's first album is awesome!
  • IT'S ALL THAT JAZZ!!!
  • Redman Shows The Talent That He Is Made Of.
 Joshua Redman
Joshua Redman
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

Bebop GeneralBebop General | Bebop | Jazz | Styles | Music
GeneralGeneral | Jazz | Styles | Music
Modern PostbebopModern Postbebop | Jazz | Styles | Music
Bebop & Post-BopBebop & Post-Bop | Compilations | Jazz | Styles | Music
Similar Items:
  1. MoodSwing
  2. Wish
  3. Freedom in the Groove
  4. Timeless Tales (For Changing Times)
  5. Spirit Of The Moment: Live At The Village Vanguard

ASIN: B000002MJB
Release Date: 1993-03-23

Tracks:

  1. Blues On Sunday
  2. Wish
  3. Trinkle Tinkle
  4. Echoes
  5. I Got You (I Feel Good)
  6. Body & Soul
  7. Tribalism
  8. Groove X (By Any Means Necessary)
  9. Salt Peanuts
  10. On The Sunny Side Of The Street
  11. Sublimation

Amazon.com

This loudly touted, Coltrane-worshipping 23-year-old tenor saxophonist is Dewey Redman's son. This much-praised debut reveals a talent with poise and panache --Jeff Bateman

Customer Reviews:

5 out of 5 stars the cd that turned me on to Monk.......2003-10-02

This is an excellent cd with a broad range of styles performed in a classic tenor saxaphone quartet format. Mr. Redman (who I believe is the son of Ornette Coleman collaborator Dewey Redman)displays awesome technique and funk (with a capital "F") in a range of styles. He has the Coltrane thing down on Thelonious Monk's "Trinkle Trinkle." He's got the James Brown thing on "I Feel Good" (and so will you after hearing this cd). He plays tribute to the elders of jazz (i.e. Dixzzy Gillespie on "Salt Peanuts") while delivering a taste of things to come on his original compositions, such as "Wish." Mr. Redman introduces Christian McBride on bass and Brain Blade on drums, two dudes who would take the jazz world by storm in the following years. Overall an extremely impressive debut by a jazz star of the 90s and beyond. Highly recommended.

5 out of 5 stars Joshua Redman's first album is awesome!.......2003-09-12

This album was recorded and released by Warner Brothers not long after Joshua won the T. Monk jazz competition. I think it's an all around strong and entertaining 1st album. Joshua Redman is the bomb! He's so chill and watching him on the Ken Burns Jazz interviews he seems like a really cool dude. {I heard he got straight A's in school!} This self titled album also has another really bomb musician... Christian McBride on bass! My favorite numbers are the covers actually. Blues on Sunday I think is an original though. What an awesome song to stretch out on. It sounds alot like the solos on "Blue Train" from back in '57. Its so cool that these "young lion's" did James Brown's "I feel good" its so funky and joyus! {probably McBride's suggestion!} Their version of Dizzy's "Salt Peanuts" is just slammin! they really cook on that one! It makes me crack up when they shout it at the end "salt peanuts salt peanuts!" Redman plays a really pleasant duet with McBride during "On the sunny side of the street" These guys are some of the coolest cats in modern jazz! They can play very serious in a straight ahead manner. But they can get really funky and avant guard sounding as well! This Cd has it all standards, ballads, original compostions, blues, and funky old school RandB! What a great first album from a young and very gifted tenor saxaphonist!

5 out of 5 stars IT'S ALL THAT JAZZ!!!.......2002-02-01

I picked this cd up from the library and let me tell ya it's WONDERFUL! It's worth buying (for me burning). The arrangements are mostly traditional with an upbeat swing. Joshua's playing on this cd is similar to John Coltrane. The saxophone playing is very intimate and upfront. Excellent cd for a Sunday brunch atomosphere or just chillin' on a lazy morning, afternoon, or evening.

4 out of 5 stars Redman Shows The Talent That He Is Made Of........1998-07-02

I think the Record shows the talent that Redman has and the potential that he has to become a driving Sax influence in the future. In this album he demonstartes the skill level that he has attained as a professional sax player along with sounding great with his Coltranelike style.
Beyond
Average customer rating: 4.5 out of 5 stars
  • it
  • Taking risks
  • Jazz is dead? Think again....
  • Nice to see someone is carrying the torch!
  • Listenable Modern Jazz!
 Beyond
Joshua Redman
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

Bebop GeneralBebop General | Bebop | Jazz | Styles | Music
GeneralGeneral | Jazz | Styles | Music
Modern PostbebopModern Postbebop | Jazz | Styles | Music
Bebop & Post-BopBebop & Post-Bop | Compilations | Jazz | Styles | Music
Similar Items:
  1. Passage of Time
  2. MoodSwing
  3. Timeless Tales (For Changing Times)
  4. Wish
  5. Freedom in the Groove

ASIN: B00002DEIX
Release Date: 2000-04-04

Tracks:

  1. Courage (Asymmetric Aria)
  2. Belonging (Lopsided Lullaby)
  3. Neverend
  4. Leap Of Faith
  5. Balance
  6. Twilight ... And Beyond
  7. Stoic Revolutions
  8. Suspended Emanations
  9. Last Rites Of Rock 'N' Roll
  10. A Life?

Amazon.com

In the early years of his career, saxophonist Joshua Redman at times seemed burdened by expectations raised by record-label hype he knew was only partly justified. Beyond marks his emergence as a fully mature artist. The album includes some of Redman's strongest playing--the gorgeous ballad "Neverend," the slow-building tenor exchange with longtime friend Mark Turner on "Leap of Faith," the tongue-in-cheek grave dance on "Last Rites of Rock 'n' Roll." It also includes some of his most ambitious writing--the 13/4 time signature on "Courage," the 9/4 "Lopsided Lullaby," the 10/4 "Suspended Emanations." Redman's quartet with pianist Aaron Goldberg, bassist Reuben Rogers, and drummer Gregory Hutchinson displays the immediate, organic swing of a real touring band. One complaint, however: at 73 minutes, the album is two or three tracks too long. Whatever happened to the idea of saving a few choice outtakes for the inevitable career rediscovery 30 years from now? --Rick Mitchell

Customer Reviews:

5 out of 5 stars it.......2002-06-23

I have to say that this is my favorite cd in my collection i got a year a go and its still entertaining. I 99% sure anyone who buys this cd will enjoy it.

5 out of 5 stars Taking risks.......2002-04-09

I admire the courage of Joshua Redman. It is not easy being a tenor player in the 90's when your father blew people's brains out with his tenor in the 60's and 70's. It is not easy choosing to play "straight" - and entering into the field held by the likes of Rollins, Gordon, Coltrane, Mobley and others.
On "Beyond", Redman continues to play in the neo-traditional style. His sound reminds me a little bit of Coltrane of the late 50's, but his phrasing is less charismatic. The rhythm section is tight, and the closeness of the musicians to each other is evident.
Redman does some experimenting with Eastern sounds - on "Last rites of rock and roll" - he opens with a drone that is obviously influenced by Indian music. On "Leap of faith" both he and Mark Turner start with an Eastern mode. On both tracks the Eastern influence serves more as an opener than as a theme for the whole track.
Redman is an interesting composer. I feel that he is getting more "mode oriented" than "chord oriented" on this cd - which is great by me. All tracks are interesting - my favorite is "Stoic revolutions" which contains super sax playing and tight support from the group. The ballad "Neverend" also stands out for its interesting atmosphere.
This CD proves Redman to be an important musician, deeply rooted in Jazz history, and following his own path. The music here was made with great care and ability, and should provide happiness to all those who listen to it.

5 out of 5 stars Jazz is dead? Think again...........2001-07-05

One of the things that are particularly frustrating to me is how people will not open up their minds and listen to different kinds of music. The masses of people only seem to like what is heard on MTV, which is hip-hop, pop and rock. I'm not saying that there's anything bad about those genres, but people are neglecting JAZZ! When you talk about classical music, I think Jazz should be included in that definition. And anyone wanting to get a taste of what it is, should listen to this CD! It was a phenomenal effort by Joshua Redman and his quartet on this CD! My two favorites... "Courage" and "Leap of faith" kind of remind me of the greatness once displayed by many Jazz musicians in the 1950's. Although, I must admit.... It took a class in College for me to appreciate Jazz because I never really gave it a second thought.. I wished someone would have let me listen to this stuff prior to that, so it would've been a part of my life! Joshua Redman displays a great range on the sax and Gregory Hutchinson does a good job as well on the drums. This is a CD that will please almost anyone's ears, if they give it a chance!

5 out of 5 stars Nice to see someone is carrying the torch!.......2001-04-10

I'll be the first to admit, I am not a terribly experienced jazz listener. I am, however, a trained classical musician, and a public school music teacher. In my on going quest to further my own education, I have taken upon myself the task of emersing myself in this foriegn world. Now, having purchased Parker, Coltrane, Adderly and Woods, I have set my sights upon the modern and the living. I have listened to what the current scene has to offer, even picking up a couple Kenny G CD's (for comparison). Thank God I came across Redman. This is the second CD I've listened to, and am even more impressed than the first ("Freedom in the Groove") Again, I do not claim to be a particular expert in jazz, but having studied the progression from Mozart to Beethoven, it seems to me that Joshua Redman is "the next step."

5 out of 5 stars Listenable Modern Jazz!.......2001-03-24

Everywhere we read that jazz is "..losing market share" to employ a phrase of economics to an artistic pursuit! Maybe if more albums like this were released the market would revive. Be that as it may this a terrific CD when so many jazz releases from America are particularly sub-terrific. The playing is spellbinding and the production is bell-like in its clarity. But what makes the pieces work is the fact that they sound like someone actually took the time to write and prepare them. This ain't just a jam session, it's music you can listen to and "get". Keep doing it Josh because you are making magnificent jazz.
Passage of Time
Average customer rating: 4.5 out of 5 stars
  • Phenomenal player, but not his best work
  • not my favorite joshua's work
  • The Best Redman CD thus far
  • Sit on it!!!!
  • stunning drumming
 Passage of Time
Joshua Redman Quartet
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

Bebop GeneralBebop General | Bebop | Jazz | Styles | Music
GeneralGeneral | Jazz | Styles | Music
Modern PostbebopModern Postbebop | Jazz | Styles | Music
Bebop & Post-BopBebop & Post-Bop | Compilations | Jazz | Styles | Music
Similar Items:
  1. Beyond
  2. Freedom in the Groove
  3. MoodSwing
  4. Wish
  5. Timeless Tales (For Changing Times)

ASIN: B00005A8NS
Release Date: 2001-03-27

Tracks:

  1. Before
  2. Free Speech, Phase I - Declaration
  3. Free Speech, Phase II - Discussion
  4. Our Minuet
  5. Bronze
  6. Time
  7. Enemies Within
  8. After

Amazon.com

Presented in the early 1990s as a full-blown media darling, followed by a short tenure surrounding himself with jazz heavyweights, media-savvy tenor saxophonist Joshua Redman eventually got down to the business of living up to the hype. In this mission he has sometimes faltered. Freedom in the Groove was a bland attempt to cast old-school funk and hip-hop with hard bop, and Timeless Tales (for Changing Times) cast Redman as a jazz journeyman plying standards such as "Yesterdays" and "Love for Sale." These were interesting efforts, but lacked creative risk. With 2000's Beyond, Redman seemed to have finally found himself, perhaps proving that the hyperbole was justified. Passage of Time continues Redman's breakthrough, fired not only by his self-realization, but also by his highly spirited band, consisting of pianist Aaron Goldberg, bassist Ruben Rogers, and super-drummer Gregory Hutchinson. Passage of Time is swift in message, concise in conception. Redman makes these eight songs compact vehicles, full of soaring melodies, rapt interplay, and luxurious, introspective, probing solos. The songs are loosely conceived through warm melodies, as the band's elastic improvs reshape the balance and direction of each song. The opening "Before" is a solo saxophone lament, setting the stage for the stormy, contemplative music ahead. "Free Speech, Phase I" works a willowy melody illustrated by hard-bop changes and flexible rhythms. "Free Speech, Phase II" is equally graceful, with even greater rhythmic daring from the musicians, particularly Hutchinson, who is expanding on the style of the explosive Jeff "Tain" Watts. "Our Minuet" and "Time" are sumptuous ruminations combining the introspection of Wayne Shorter with the soulful swing of Gene Ammons. "Enemies Within" rides a Latin groove, giving pianist Goldberg a chance to strut his best Ruben Gonzalez chordal hurricanes, as the band mambos and swings down below. The album closes with the bluesy "After," a gospel-like exultation that perfectly resolves Joshua Redman's latest passage of time. --Ken Micallef

Customer Reviews:

3 out of 5 stars Phenomenal player, but not his best work.......2006-09-17

This album appears to have been recorded entirely in one LONG take, each tune seamlessly flowing into the next. That takes guts! However, I strongly prefer his more recent Elastic or Freedom in the Groove, as well as Spirit Of The Moment: Live At The Village Vanguard.

3 out of 5 stars not my favorite joshua's work.......2005-09-29

i have bought every album that joshua has realeased and this work and beyond are more complex than creative, However the album its got its own color and taste, very different from the other albums except beyond wich is very similar, so you either love it or not, im just not im love with it... I' ll suggest to listen to moodswing, freeedom in the groove, and elastic. Moodswing in my opinion his best work so far...even tough gregory hutchinson and the rest of the cats are incredible musicians, the cool and warm sound of brian blade and the super swing of cristian mcbride are missing in this work...

5 out of 5 stars The Best Redman CD thus far.......2005-04-28



You must listen to this CD in its entirety. You won't be able to get into this CD if you listen to the tracks in isolation. Passage of Time is a complete composition in of itself. So do yourself a favor and put aside the time to really listen to this CD. This CD is quite different from everything else Redman has released. Get ready for a wild ride! This CD is by far his most creative and emotional work. I LOVE this album. After hearing this album I had to buy up every other Redman CD I could find. I was secretly hoping to find something comparable to this CD. There isn't one. This is Redman's best work... PERIOD!

5 out of 5 stars Sit on it!!!!.......2004-12-20

For those who don't love this CD right away, please sit on it. Listen a few times. Many of the tastiest bites are hidden in interludes between tunes and the format provides for a more through-composed feel. It's indicative of the direction he's taken with the SF Jazz collective which i also highly recommend: He is exploring. It's innovative, it's tasteful, but perhaps most of all it's imperative to the future of the genre.

5 out of 5 stars stunning drumming.......2004-05-10

In 45 years of listening to jazz, I have heard three stunning drummers - Elvin Jones, Tony Williams and Greg Hutchinson. Listen to him particularly on Enemies Within. Breathtaking.
Wish
Average customer rating: 4.5 out of 5 stars
  • a "throw-it-together-to-make-quick-cash-due-to-success-of-first-album" album
  • Oh My Gosh! I Must Be In Jazz Heaven!!!
  • Starts off great, then looses enthusiam
  • One of, if Not the Best Jazz Album of the 1990's
  • This disc COOKS.
 Wish
Joshua Redman
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

Bebop GeneralBebop General | Bebop | Jazz | Styles | Music
GeneralGeneral | Jazz | Styles | Music
Modern PostbebopModern Postbebop | Jazz | Styles | Music
Bebop & Post-BopBebop & Post-Bop | Compilations | Jazz | Styles | Music
Similar Items:
  1. MoodSwing
  2. Joshua Redman
  3. Freedom in the Groove
  4. Beyond
  5. Timeless Tales (For Changing Times)

ASIN: B000002MLX
Release Date: 1993-09-21

Tracks:

  1. Turnaround
  2. Soul Dance
  3. Make Sure You're Sure
  4. The Deserving Many
  5. We Had A Sister
  6. Moose The Mooche
  7. Tears In Heaven
  8. Whittlin'
  9. Wish (Live)
  10. Blues For Pat (Live)

Amazon.com

Tenor saxophonist Joshua Redman, the son of the magnificent but undervalued Dewey Redman, was touted as one of the young lions of jazz in the 1990s, spearheading a neo-bop revival upon the release of his 1992 debut. The acclaim was quickly followed by charges of hype, but on his second album, Wish, Redman proved worthy of the accolades. This is a surprisingly mature work for such a young player. Redman's soloing is assured, conversant with the blues, and filled with minor surprises. His exchange with guitarist Pat Metheny is superb, and the master rhythm section of Charlie Haden on bass and Billy Higgins on drums affords Redman plenty of rhythmic subtlety to apply his nuanced playing to. --John Swenson

Customer Reviews:

2 out of 5 stars a "throw-it-together-to-make-quick-cash-due-to-success-of-first-album" album.......2006-10-19

Redman's first album was such a great recording. One of the top ten of Jazz recorded in the 90's. But this album was thrown together quickly and it sounds it. forget this CD and pick up Redman's first album. Then pick up his "Mood Swings" album. These two are his best.

5 out of 5 stars Oh My Gosh! I Must Be In Jazz Heaven!!!.......2006-03-06

This collection is infectious!! After playing it not-stop for months I still hear new notes, chords, and tones. The opening cut "Turnaround" draws you right into what will become a cd that will always remain on your changer. While all of the musicians are very accomplished, the pairing of Joshua Redman & Pat Metheny is a match made in jazz heaven! "Soul Dance" is very fine and subtly interwoven on various levels. "Whittlin" is red hot! Every cut is brilliant and stands on its own. You simply must experience Joshua Redman's astounding talent and musical depth. Beware! Only for those who can appreciate the sophisticated complexities of jazz! This cd is a good place to start.

3 out of 5 stars Starts off great, then looses enthusiam.......2005-10-11

It this were an album, the first side would be given a 10, then the second side would be given a 5, hence the 3 rating.

After the 5th song, the other songs lose enthusiam, tone and bite. They could have been performed better.

Sample the whole recording before you buy

Hope this review saves you money to buy another cd.

By the way, why does Amazon include a 'NO' in 'was this review helpful to you?'. People are only human and don't like opinions that differ from themselves. With some who are less mature, this the 'NO' makes it too easy express such displeasure.


Are they trying to discourage negative reviews, hence not purchase the CD. Such reviews only help a person in not being dissatisfied a product that received positive reviews


5 out of 5 stars One of, if Not the Best Jazz Album of the 1990's.......2004-09-17

I became a Joshua Redman fanatic after hearing this album back in 1993 during my freshman year of college. Mind you, I had never previously heard his self-titled debut, nor any work from his superb, legendary sidemen of Metheny, Haden, and Higgins, so I entered this listening experience with no expectations. (Actually, I was kind of a jazz novice at the time and I was just snatching up anything of note.) I bought this album strictly off of the admonition of a glowing review from Jazztimes magazine and was so impressed that I began singing praises about Redman to anybody I came in contact with who expressed an interest in jazz.

Although in the presence of greatness with the aforementioned rhythm section, Redman holds his own and still manages to lead the way. Truth be told, Joshua pushes the veterans to keep up with him instead of the other way around, as his melodic "duels" (not duets) with Metheny attest. Haden and Higgins nail the time beautifully. Redman's tone, technique, and lyrical phrasings are all exquisite, but what I admire the most about this album is his expression of EMOTION, which is an attribute that is sorely missing in "post-bop, neo-jazz." After all, jazz is still "soul music" rooted in the blues.

Joshua was still meshing out his own identity in this his sophmore effort, so comparisons can be made with Rollins or Coltrane, which speaks more of his ambitious musings and wonderful technical displays than merely a critique of mimicry. By the time he carved his niche on his later efforts, however, the emotional sensitivity and improvisational excursions he exhibited here seemed to have dissipated, which is why "Wish" is still head and shoulders, his best effort thus far.

5 out of 5 stars This disc COOKS........2002-10-04

I have been a fan of Josh for a good six years now and have slowly been absorbing his albums. It has taken me a while, but I finally got to "Wish", his masterful sophomore effort. I'm listening to it presently and it is amazing. First of all, Josh has a gorgeous tone. Secondly, he's playing with a masterful rhythm section-among the best to ever inhabit a bandstand: Charlie Haden (from Ornette Coleman's famous 60's groups) and Billy Higgins (from a million other famous jazz recordings). Finally, throw in the great guitarist Pat Methany for good measure.

These four combine to create some simply beautiful music. Witness the lovely and restrained beginning of "Make Sure You're Sure" and the Clapton tune "Tears in Heaven". Just gorgeous. "Turnaround" and "Soul Dance" are both memorable softer tunes. Just when you might think this was a ballads album Josh throws in some great toe-tappers with "Deserving Many", "We had a Sister", and "Wish". Both live tracks end the disc on a positive, joyful note.

Highly recommended.
Timeless Tales (For Changing Times)
Average customer rating: 4.5 out of 5 stars
  • Great interpretations of great songs.
  • Best of the Young Lions?
  • Best of the Young Lions?
  • Pretty Good but to Polished
  • Great C.D.! Immensely Satisfying!
 Timeless Tales (For Changing Times)
Joshua Redman
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

Bebop GeneralBebop General | Bebop | Jazz | Styles | Music
GeneralGeneral | Jazz | Styles | Music
Modern PostbebopModern Postbebop | Jazz | Styles | Music
Bebop & Post-BopBebop & Post-Bop | Compilations | Jazz | Styles | Music
Similar Items:
  1. MoodSwing
  2. Beyond
  3. Freedom in the Groove
  4. Joshua Redman
  5. Wish

ASIN: B00000AG95
Release Date: 1998-09-22

Tracks:

  1. Summertime
  2. Interlude 1
  3. Visions
  4. Yesterdays
  5. Interlude 2
  6. I Had A King
  7. The Times They Are A-Changin'
  8. Interlude 3
  9. It Might As Well Be Spring
  10. Interlude 4
  11. How Deep Is The Ocean
  12. Interlude 5
  13. Love For Sale
  14. Interlude 6
  15. Elenor Rigby
  16. Interlude 7
  17. How Come U Don't Call Me Anymore

Amazon.com

On Timeless Tales, saxophone hero Joshua Redman examines ten popular standards from a variety of musical eras. Opening with a expansive version of "Summertime," Redman's tone is both hearty and buoyant. With the tasteful accompaniment of Brad Mehldau on piano, Larry Grenadier on bass, and Brian Blade on drums, he covers a range of once-contemporary pop and rock classics including "Eleanor Rigby," "The Times They Are A-Changin," and even a tune by Prince. Using the tenor, alto, and soprano saxophones in his instrumental arsenal, Redman reveals a vibrant imagination while staying solidly within the mainstream of jazz. Embracing beautiful ballads like "How Deep Is the Ocean" and jaunty old compositions like "Love for Sale," Joshua Redman exhibits discerning taste in his chosen selections and distinctive playing style. --Mitch Myers

Customer Reviews:

4 out of 5 stars Great interpretations of great songs........2002-11-23

Joshua Redman is one of the best of the jazz saxophonists active today. For a young guy he is steeped in tradition and has a rich musical heritage. This shows in the set list here. Redman moves from classic show tunes like "Summertime", "How Deep Is The Ocean", and "Love For Sale" to 'contemporary' songs by Prince, Stevie Wonder, The Beatles etc. with little or no effort. Some people complain that Redman is too polished. I don't know about that. Perhaps. Either way, this disc is a strong effort. The interpretations are enjoyable and evocative. The interludes run the gamut from haunting (Interlude 1) to forgettable, but most are only about 30 seconds long. In the end I'm left with a pretty satisfied feeling.

Recommended.

5 out of 5 stars Best of the Young Lions?.......2000-05-08

Where would modern jazz be without Joshua Redman? He stands as one of the few living sax players capable of actually making and original statement with his instrument, and doing so ina manner that will leave a lasting impression on the listener. "Timeless Tales" is without any original Redman compositions, so a first time listener will not be able to hear the full abilities of this young man. Still, for someone new to jazz or interested in strong improvs of well known standards this is an excellent selection. If there are any complaints to be made they are few. The group is perhaps too laid back at times (Times They Are a Changing) but they still provide timeless renditions of "TImeless Tales" none the less.

5 out of 5 stars Best of the Young Lions?.......2000-05-08

Where would modern jazz be without Joshua Redman? He stands as one of the few living sax players capable of actually making and original statement with his instrument, and doing so ina manner that will leave a lasting impression on the listener. "Timeless Tales" is without any original Redman compositions, so a first time listener will not be able to hear the full abilities of this young man. Still, for someone new to jazz or interested in strong improvs of well known standards this is an excellent selection. If there are any complaints to be made they are few. The group is perhaps too laid back at times (Times They Are a Changing) but they still provide timeless renditions of "TImeless Tales" none the less.

3 out of 5 stars Pretty Good but to Polished.......2000-04-05

Joshua Redman is a Solid Talent but His Choice of Material is Very Predictable.his Group is Alright.Redman is real Polished and that Hurts His Music as far as Overall Depth cuz some Meat in their would Give it a Raw feel.I saw a Live Video tape of His Stage stuff a Long time ago and he was Tight so he isn't all to Blame.The Biz can force a Talent to Water down his or her work.it's ashame.also way too many covers in his work.still you can't deny his Talent.

5 out of 5 stars Great C.D.! Immensely Satisfying!.......2000-02-25

Joshua Redman's openness to pop forms and his gifts for expressing its open emotions in language uncompromisingly that of Jazz's highest aspirations makes him a unique figure in contemporary improvising.On the tenor saxaphone he projects elements of the whole tradition of his instrument in Jazz-- Jump band, Soul, Bebop, Romatic Tenor Ballad, Free; his sound is his own, and his style is getting there.He understands how to construct drama in musical language.He has a centered tone,swings unerringly,creates elegant melodies within complex structures.Redman has expaned his horizons with each release, and his 1998 offering "Timeless Tales" is no exception. Joined by a brilliantly interactive peer group rhythm section (pianist Brad Mehldau,bassist Larry Grenadier and drummer Brian Blade),the saxophonist interprets five songbook classics and five "new standards" blending a sophisticated understanding of Pop codes with a comprehensive command of the Jazz vocabulary. Give it a listen.

Jazz Music:

  1. Ken Burns JAZZ Collection: Benny Goodman
  2. Live in London V.1 [Import]
  3. Live in Tokyo [Live] [Import]
  4. Midnight Passion
  5. Midnight Rumba
  6. Midnight Sugar [Hybrid SACD]
  7. Mingus Ah Um [Original recording remastered] [SACD]
  8. Mingus Dynasty [Original recording remastered]
  9. Mirakle
  10. Motherland

Jazz Music

Jazz Music