Got the Magic
Got the Magic
ASIN: B00000J7JV
Editorial Reviews
Amazon.com
Spyro Gyra can always be counted on to combine studio artistry and some deeply felt playing to create a smooth blend of jazz, Latin, and soul elements. For this CD, saxophonist Jay Beckenstein depends primarily on the core band of keyboardist Tom Schuman, guitarist Julio Fernandez, bassist Scott Ambush, and drummer Joel Rosenblatt, but he's also enlisted guitarist Chuck Loeb as producer on six cuts. Loeb adds some distinctive touches, such as the classic R&B variations of "Breezeway" with electric piano, vibes, and wah-wah guitar, while his own tune "Pure Mood" is a subtle mix of classical and soul. Beckenstein's soprano and alto saxes often provide a central focus that's lyrical and moving, while Fernandez adds distinctive touches on electric and acoustic guitars. British singer Basia adds to the warm Brazilian breeze of "Springtime Laughter." --Adam Rains
Got the Magic,Spyro Gyra,Windham Hill Records,Crossover Jazz,Fusion,Instrumental Pop,Jazz,Jazz Music,Jazz-Pop,Pop,Smooth Jazz
Average customer rating:
- awsome CD
- Versatile Singer
- il divo ancora music
- Amazing...
- His wrost CD
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Encore
Russell Watson , and Leonard Bernstein
Manufacturer: Decca
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Binding: Audio CD
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Similar Items:
- Russell Watson · The Voice
- Amore Musica
- Reprise
- The Voice: The Ultimate Collection
- Russell Watson Live
ASIN: B00006JI9W
Release Date: 2002-10-01 |
Tracks:
- Va, Pensiero (Verdi)
- Volare
- The Prayer
- 'O Sole Mio
- Ave Maria
- Mattinata (Leoncavallo)
- You Are So Beautiful
- Somewhere
- Che Gelida Manina (Puccini)
- E Lucevan Le Stelle (Puccini)
- Magic Of Love
- Catch The Tears
- Is Nothing Sacred?
- Bohemian Rhapsody
- Celeste Aida (Verdi)
- Where My Heart Will Take Me (from "Enterprise")
Amazon.com
Following up on the release of his debut CD, The Voice, Russell Watson is back with Encore, another mix of opera favorites and popular songs. By now Watson has become virtually a household name--he sells out large concert venues and remains on the top-seller charts. On Encore, we find Puccini and Verdi sharing the billing with Lulu and Lionel Ritchie on the CD's 16 tracks, which range from the much-loved Bach-Gounod "Ave Maria" to "Where My Heart Will Take Me," the theme for Enterprise (the latest Star Trek TV series). Indeed, a more fitting title might have been The Voices, since Watson explores opera, sacred works, film, television themes, and pop songs. The orchestral arrangements on tracks such as "Va, Pensiero" may not win him any fans from the opera contingency, but Watson reveals a captivating sound on pop ballads, including "You Are So Beautiful" and "Somewhere." If you enjoyed The Voice, you're certain to want an encore. --Rebecca Agnew
Customer Reviews:
awsome CD.......2007-06-09
This CD is overall a wonderful sellection of music. I bought it for the one song and have enjoyed all of the songs on the CD.
Versatile Singer.......2007-03-30
Russell Watson has an incredible voice range & a very versatile singer. He even made me appreciate opera!
il divo ancora music.......2006-11-10
The book is wonderful. I love playing their music, its so great. Worth the money, no doubt.
Amazing..........2006-05-05
Russell Watson is amazing. It is truly a delight to hear him sing both the pop and the arias, for he performs both equally well. His rendition of Volare is very fun, and when he sings Somewhere, it's simply breathtaking. His duet with Lionel Richie was also splendid. They really did sound fantastic together. The two low points for me were The Prayer, because I couldn't stand Russell's duet partner, Lulu, and Don't Know How I Got By, because the song just didn't seem to suit Russell's voice. However, the other tracks more than make up for those few inferior selections. Russell Watson truly is a talented man, and I highly recommend this album.
His wrost CD.......2005-01-12
I have all 4 of Russell's Cd's and this is by far his wrose.
The Classical stuff is great but The pop stuff is some of the wrose pop stuff he has even done.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Various Artists
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- The only jazz cd needed in your collection
- This is a good one
- An 'accident' resulted in the magic
- Got The Magic Is Magic
- Not the best of SG
|
Got the Magic
Spyro Gyra
Manufacturer: Windham Hill Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Heart of the Night
- 20/20
- Original Cinema
- Road Scholars
- Three Wishes
ASIN: B00000J7JV
Release Date: 1999-06-01 |
Tracks:
- Silk And Satin
- Breezeway
- Havana Moonlight
- Springtime Laughter
- If You Will
- Got The Magic
- Teardrops
- Pure Mood
- Sierra
- Love Comes
- R.S.V.P.
Amazon.com
Spyro Gyra can always be counted on to combine studio artistry and some deeply felt playing to create a smooth blend of jazz, Latin, and soul elements. For this CD, saxophonist Jay Beckenstein depends primarily on the core band of keyboardist Tom Schuman, guitarist Julio Fernandez, bassist Scott Ambush, and drummer Joel Rosenblatt, but he's also enlisted guitarist Chuck Loeb as producer on six cuts. Loeb adds some distinctive touches, such as the classic R&B variations of "Breezeway" with electric piano, vibes, and wah-wah guitar, while his own tune "Pure Mood" is a subtle mix of classical and soul. Beckenstein's soprano and alto saxes often provide a central focus that's lyrical and moving, while Fernandez adds distinctive touches on electric and acoustic guitars. British singer Basia adds to the warm Brazilian breeze of "Springtime Laughter." --Adam Rains
Customer Reviews:
The only jazz cd needed in your collection.......2006-04-25
If you only buy 1 smooth jazz cd, this is it! Silk and Satin is a sleeper-hardly getting any mention but worth buying the cd all in itself. Spyro Gyra are a class act with their contemporary and smooth jazz. It is timeless. Your kids will be playing this cd 20 years from now.
This is a good one.......2003-12-18
I wouldnt call this a fusion masterpiece,but it is a great record to put on and just zone out. My favorite song is probobly either 2 or 4. Breezeway is a good tune with great solos on it. Springtime laughter is a super vocal song with great vocal texters and colours.
An 'accident' resulted in the magic.......2003-06-04
I have a funny story about how I got my Spyro Gyra's Got the Magic CD. Several months ago, I browsed around the net just for fun. Later, I found myself in the site of an online music store located in my country. At first, I was not sure of what I looked for. With a lucky shot, I entered Spyro Gyra into the search engine in the site and I found some results of it, one of them is Got the Magic. Long before I did this, I've known that Basia Trzetrzelewska, my favorite singer, made a contribution to this album. I couldn't resist my curiosity, so I went deeper to find out the info about this album. I read a lot, played the sound clips, and considered the price. At that time, I wasn't interested in buying it yet, maybe next time. I decided to leave the site but I made a ridiculous mistake by pressed the 'buy it' button instead of 'back' button. I tried to find out the links to cancel it but I couldn't find them. I was running out of my wit. So, there was no other way for me but signing in, giving my address, and processing the purchase. I felt terrible about it but nothing I could do. I hope that I did the right thing.
The next three days, I received the CD, played it, and by surprise, it was worth buying for! The music is great and even some of the songs such as Havana Moonlight, Sierra, Love Comes, and Pure Mood became my favorite. But the one that started it all is Springtime Laughter, or Basia for exactly, that made me go deeper, stucked, and then bought it for an escape. Well, it's a pleasure to hear her voice again after such a long time....
Later, I found that the links that I've searched for are located at the place that is not so clear because the color of the font is almost the same as the background color of my browser. When I remember this experience, I laugh at myself, at my 'stupidity', but I never regret the thing that I've got.
Got The Magic Is Magic.......2002-12-16
I have been a fan of Spyro Gyra since the late 70`s and in my opinion this is by far their best album.
Yes over the years their style has changed a bit but this
is the most melodious and well written music of theirs
in many years.There is not a bad track on the album.
I especially liked Track 2 -Breezeway and and Track 3
- Havana Moonlight, If these don`t turn you on you must
be dead.
This is a must have killer album.
Not the best of SG.......2001-08-05
I don't think this album is the best of Spyro Gyra, simply because they've changed the style too much. I like the "old" style (such as on '20/20' and 'Road Schulars'). But if you're looking for a good smooth-jazz album, this is one you should consider.
Average customer rating:
- Wendy Carlos - 'Tron' (Disney)
- If You Liked the Movie, You'll Love this Album
- EXCELLENT!
- The sounds need the sights
- A fantastic soundtrack for a pioneer CGI movie
|
Tron
Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Sonic Seasonings + [Enhanced CD]
- Rediscovering Lost Scores, Vol. 1
- Rediscovering Lost Scores, Vol. 2
- Secrets of Synthesis
- Tales of Heaven & Hell
ASIN: B00005V8J7
Release Date: 2002-01-29 |
Tracks:
- Creation Of TRON
- Only Solutions - Journey
- We've Got Company
- Wormhole
- Ring Game And Escape
- Water, Music, And Tronaction
- TRON Scherzo
- Miracle and Magician
- Magic Landings
- Theme From TRON
- 1990's Theme - Journey
- Love Theme
- Tower Music - Let Us Pray
- The Light Sailer
- Sea Of Simulation
- A New TRON And The MCP
- Anthem
- Ending Titles
- TRONaction (Original Version)
- Break In (For Strings, Flutes, And Celesta) - The London Philharmoic Orchestra
- Anthem For Keyboard Solo
Amazon.com
Disney's pioneering 1982 effort in computer animation has garnered a small but devoted cult audience, despite--or perhaps because of--its now-dated, rudimentary vid-game aesthetic. But while designers Jean Giraud and Syd Mead gave its visual design a certain streamline moderne panache, its musical score attempts a similar back-to-the-future fusion with somewhat more mixed results. Given the composer's often chilling, landmark synthesized score work a decade earlier on Kubrick's A Clockwork Orange, Wendy Carlos seemed like an apt choice for Tron. But without her previous collaborator's taste for Beethoven, Elgar, and Rossini, Carlos's instincts wend from atmospheric, 20th-century European modernism to cheesy '50s B-film melodramatics, with the sonic limitations of '80s synth technology sometimes a burden. Still, those fond of her solo work and collaboration with Kubrick on Orange (and The Shining) will find familiar charms in "Water, Music, and TRONaction," "TRONscherzo" and "Theme from TRON." But Journey's "Only Solutions" and now all-too-ironic "1990's Theme" further fix the score firmly in the '80s. This debut CD-release of the score also features three bonus tracks, the original "TRONaction" and two other unused cues, including a solo synth rendition of the film's anthem. --Jerry McCulley
Customer Reviews:
Wendy Carlos - 'Tron' (Disney).......2007-06-26
I'm honestly not all that familiar with the extended catalog of electronic music pioneer Carlos has done outside of her 'Clockwork Orange' and 'Tales Of Heaven And Hell' releases (see my reviews of both), but I was sort of taken with 'Tron'. This is music 'from the future, with a vision'. Really dug the two cuts scored from Journey here, "Only Solutions" and "1990's Theme". 'Tron' may be considered by some to be a bit bizarre, but should be pretty enjoyable to most. Do check this soundtrack out when you can. You won't regret it.
If You Liked the Movie, You'll Love this Album.......2006-12-30
This was the only work of Wendy Carlos I've ever heard, and I thought it was great! For the time period the movie was made in, this music was amazing and ahead of it's time. Watching the movie and listening to the soundtrack go hand-in-hand--I don't think this soundtrack would stand too well on its own. However, for those who've seen Tron, every song will be exciting.
The blending of synth and orchestral music was very well done--so much so that I didn't ever notice it until listening to the soundtrack the first time in my iPod headphones. Every song has a unique blend of synth/live orchestra.
The only reason I gave the CD 4 stars instead of 5 is because it isn't one of those albums that you can listen to over and over again. Rather, listen one or two times, then put it on the shelf, then bring it out again at some later time. The Journey songs on the CD (and in the movie) were defintely not the band's best, so don't get the album just because you're a Journey fan. I'm glad Disney finally published this CD!
EXCELLENT!.......2004-07-15
Etant fan de "TRON", j'ai eu un trés grand plaisir a posséder la BOF de Wendy Carlos.La musique est tous simplement génial et un grand MERCI pour AMAZON.CA ,car sans eux, mon réve devenez impossible.
The sounds need the sights.......2004-07-02
While I felt the music of 'Tron' melded quite well with the film's action and scenes and set the right tone for the most part, the music by itself doesn't sound all that interesting to me. Ms. (formerly Mister) Carlos' work requires the movie's visual cues to help it really stand out. Without the visual element, the score is kinda droning, and rarely catches my attention while I'm listening to it and performing some other task-- like writing a new product review for example. It's almost like I'm not listening to anything at all. Not helping matters is the pair of sub-par Journey tunes. I guess Disney didn't wanna shell out the big bucks to get the rights to a few of their decent songs...
Bottom line: if ya wanna listen to this soundtrack, buy the Tron DVD (the 2-disc Special Edition of course, which can be found at www.amazon.com/exec/obidos/tg/detail/-/B00005OCMR/qid=1088712198/sr=8-1/ref=pd_ka_1/002-6699831-0404821?v=glance&s=dvd&n=507846) and listen to it while watching the movie. You'll get much more auditory enjoyment listening to the score in this manner, believe you me...
'Late
A fantastic soundtrack for a pioneer CGI movie.......2004-01-24
It took 9 years for Disney to release the original soundtrack for Tron. But the wait was all the more worthwhile. When I saw the movie way back in 82, I was entralled by its computer animation, but noticed the soundtrack was equally impressive. Like the movie itself, the music was a pioneer of its kind, with an emphasis on synthesizer composition, while there was a mix of orchestral music in the soundtrack. The electronic music is what makes it so special and it creates a truly cyberspace feel for the movie. It sounds not just futuristic, but the variations in the music generate different moods for the plot. I like most of the pieces in the soundtrack, but I think 'Theme from Tron' and the 'Love Theme' stand out, and the 'Anthem' is one of my favorites. Needless to say the synthesizer music throughout the soundtrack manages to stand the test of time, even though the 2 tracks by Journey do sound pretty dated by today's standard. But those 2 songs are still pretty good considering they are from 1982.
Wendy Carlos managed to create music that suits the movie to the T. The electronic music is full of harmony. I can listen to the soundtrack time and again and still not get tired of it, because it still sounds futuristic more than 20 years after it was composed. I recommend this soundtrack to all those who have seen the movie, as well as those who enjoy electronic music.
Average customer rating:
- One of America's great songwriters
|
Over the Rainbow
Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD
General Modern
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- Get Happy: The Harold Arlen Centennial Celebration
- Harold Arlen Centennial Celebration
- Ella Fitzgerald Sings the Harold Arlen Songbook
- Harold Arlen Sings Sweet and Hot
- Somewhere Over the Rainbow: Harold Arlen
ASIN: B000000WMG
Release Date: 1997-11-18 |
Tracks:
- (You Got Me In Between) The Devil And The Deep Blue Sea
- I've Got The World On A String
- I Gotta Right To Sing The Blues
- Public Melody No. 1
- When The Sun Comes Out
- Hittin' The Bottle
- Let's Fall In Love
- Let's Put Our Heads Together
- Now I Know
- As Long As I Live
- Rasin' The Rent
- Blues In The Night
- Down With Love
- Over The Rainbow
- It's Only A Paper Moon
- Bud's Won't Bud
- One For My Baby (And One More For The Road)
- Stormy Weather
- Kickin' The Gong Around
- Two Blind Loves
- That Old Black Magic
- Ac-Cent-Tchu-Ate The Positive
- Ill Wind
- Get Happy
Customer Reviews:
One of America's great songwriters.......2001-03-09
Amid the Cole Porters, Irving Berlins and George Gershwins of the world, Harold Arlen tends to be forgotten. And yet, when the greatest song of the 20th century was recently voted on by a distinguished panel of critics, whose song came out on top? Mr. Arlen's (Over the Rainbow). Here is a superb cross section of Harold Arlen songs by a cast ranging from Judy Garland to Bing Crosby to Ethel Waters, spanning decades and spanning a wide range of styles, from jazz to ballads, poignant to funny. Although the sound is not ideal, as many of the recordings date from the 30's and Pearl's objective in remastering has always been to achieve the fullest musical sound rather than to reduce surface noise, this is a minor complaint given the rich and mind-opening selection of great music found here.
Average customer rating:
- Genial, pero...
- GREAT TE KANAWA !
|
Very Best Of Kiri Te Kanawa
Manufacturer: EMI Classics
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Binding: Audio CD
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- Duets: An American Classic
ASIN: B0000AHEAZ
Release Date: 2003-09-02 |
Tracks:
- Signore, Ascolta
- Ecco: Respiro Appena. Io Son L'Umile Ancella
- La Mamma Morta
- Attendo, Attendo...Addio Del Passato
- Je Marche Sur Tous Les Chemins...Obeissons Quand Leur Voix Appelle
- Depuis Le Jour
- Elle A Fui, La Tourterelle!
- Me Voila Seule...Comme Autrefois
- Ach, Ich Fuhl's
- Dich, Teure Halle
- Wie Nahte Mir Der Schlummer...Leise, Leise, Fromme Weise!
- Da Geht Er Hin, Der Aufgeblas'ne Schlechte Kerl
- Gluck, Das Mir Verblieb
- La Flute Enchantee
- L'Invitation Au Voyage
- Le Manoir De Rosemonde
Tracks:
- Somebody Loves Me
- Love Is Here To Stay
- Embraceable You
- Summertime
- Long Ago And Far Away
- A Fine Romance
- The Song Is You
- Let's Face The Music And Dance
- What'll I Do?
- They Say It's Wonderful
- I've Got You Under My Skin
- Ev'ry Time We Say Goodbye
- True Love
- I'll Be Home For Christmas
- Silent Night
- Come To The Fair
- The Last Rose Of Summer
- The Keel Row
- Comin' Thro' The Rye
- Greensleeves
- Danny Boy
- Hoki Hoki Tonu Mai
- Po Ata Rau (Now Is The Hour)
- The World You're Coming Into
Customer Reviews:
Genial, pero..........2005-04-19
Me parece que el arte vocal de Kiri posee muchas fortalezas y sòlidos atributos: brillantez, claridad, riqueza de colores, excelente fraseo, perfecta colocación y afinación, expresividad. Sin embargo, también carece de una mejor respiración para poder contrarrestar el excesivo vibrato que aplica a su canto. Sobre algunas de las obras interpretadas, recomiendo: Der Rosenkavalier: Schwarzkopf; Wagner: Kirsten Flagstad.
GREAT TE KANAWA !.......2004-02-19
THIS IS A GODD OVERVIEW OF KIRI TE KANAWA`S TALENT,THIS COMPILATION INCLUDES GREAT OPERA ARIAS,AMERICAN SONGBOOK CLASSICS,MAORI SONGS AND MORE,DIGITALLY REMASTERED. REALLY ENJOYABLE.
Average customer rating:
- A little something different
|
Symphonic Magic, Vols. 1-4
Manufacturer: Michelle Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Symphonic Suites of the Animated Classics
- Heigh-Ho! Mozart
ASIN: B0000011KK
Release Date: 1997-06-24 |
Tracks:
- The Circle of Life - Kingston SO/Glen Fast
- I Just Can't Wait To Be King - Kingston SO/Glen Fast
- Can You Feel the Love Tonight - Kingston SO/Glen Fast
- The Lion Sleeps Tonight - City of Prague Phil/Colin Frechter
- Hakuna Matata - Kingston SO/Glen Fast
- Carnival of the Animals: Introduction-Royal March of the Lion - American PO/Barry Faldner
- Carnival of the Animals: Wild Asses - American PO/Barry Faldner
- Carnival of the Animals: The Aquarium - American PO/Barry Faldner
- Carnival of the Animals: Aviary - American PO/Barry Faldner
- Carnival of the Animals: The Swan - American PO/Barry Faldner
- Carnival of the Animals: Finale - American PO/Barry Faldner
- William Tell Overture - Ljublijana SO/Anton Nanut
- Radetsky March - Sofia SO/Barry Faldner
- Give a Little Whistle - Kingston SO/Glen Fast
- When You Wish Upon A Star - Kingston SO/Glen Fast
- I've Got No Strings - Kingston SO/Glen Fast
- Turn Of The Old Music Box - Kingston SO/Glen Fast
- Hi Diddle-dee-dee (an Actor's Life for Me) - Kingston SO/Glen Fast
- When You Wish Upon A Star (reprise) - Kingston SO/Glen Fast
- Symphonie Fantastique: March of the Scaffold - Ljublijana SO/Anton Nanut
- Hebrides Ov Op.26: Fingal's Cave - Ljublijana SO/Marko Munih
- The Magic Flute Ov, K.620 - Ljublijana SO/Marko Munih
Tracks:
- (Just) Whistle While You Work - Kingston SO/Glen Fast
- I'm Wishing - Kingston SO/Glen Fast
- With A Smile And A Song - Kingston SO/Glen Fast
- Some Day My Prince Will Come - Kingston SO/Glen Fast
- One Song - Kingston SO/Glen Fast
- Heigh-Ho - Kingston SO/Glen Fast
- The Nutcracker Ste, Op.71a: Miniature Ov - Ljublijana SO/Marko Munih
- The Nutcracker Ste, Op.71a: March - Ljublijana SO/Marko Munih
- The Nutcracker Ste, Op.71a: Dance of the Sugarplum Fairy - Ljublijana SO/Marko Munih
- The Nutcracker Ste, Op.71a: Russian Dance - Ljublijana SO/Marko Munih
- The Nutcracker Ste, Op.71a: Arabian Dance - Ljublijana SO/Marko Munih
- The Nutcracker Ste, Op.71a: Chinese Dance - Ljublijana SO/Marko Munih
- The Nutcracker Ste, Op.71a: Dance of the Pipe Flutes - Ljublijana SO/Marko Munih
- The Nutcracker Ste, Op.71a: Waltz of the Flowers - Ljublijana SO/Marko Munih
- Colonel Hathi's March - City of Prague PO/Colin Frechter
- The Bare Necessities - City of Prague PO/Colin Frechter
- I Wanna Be Just Like You - City of Prague PO/Colin Frechter
- Poet and Peasant Ov - Ljublijana SO/Anton Nanut
- 'L'Arlesienne' Ste No.2: Farandole - Ljublijana SO/Marko Munih
- The Love of Three Oranges March - American PO/Barry Faldner
- Finlandia - Ljublijana SO/Marko Munih
- 'Eine Kleine Nachtmusik' (A Little Night Music) (Ser in G, K.525 Allegro) - Ljublijana SO/Alexander Von Pitamic
Tracks:
- Belle - Kingston SO/Glen Fast
- Beauty and the Beast - Kingston SO/Glen Fast
- Be Our Guest - City of Prague PO/Colin Frechter
- The Sleeping Beauty Ballet Ste, Op.66: Introduction, The Tree Fairy - Volgograd SO/Edward Serov
- The Sleeping Beauty Ballet Ste, Op.66: Adagio, Pas d'action - Volgograd SO/Edward Serov
- The Sleeping Beauty Ballet Ste, Op.66: Pas de caricature - Volgograd SO/Edward Serov
- The Sleeping Beauty Ballet Ste, Op.66: Panorama - Volgograd SO/Edward Serov
- The Sleeping Beauty Ballet Ste, Op.66: Waltz - Volgograd SO/Edward Serov
- Arabian Nights - Kingston SO/Glen Fast
- Prince Ali - Kingston SO/Glen Fast
- A Whole New World - Kingston SO/Glen Fast
- One Jump Ahead - Kingston SO/Glen Fast
- Scheherazade, Op.35: The Sea and Sinbad's Ship - Ljublijana SO/Anton Nanut
- Dumbo Overture - City of Prague PO/Colin Frechter
- March Militaire - Sofia SO/Barry Faldner
- 'Peer Gynt' Ste No.1, Op.46: In The Hall of the Mountain King - Ljublijana SO/Andrew Schenck
- Light Cavalry Ov - Ljublijana SO/Marko Munih
Tracks:
- If I Knew You - City of Prague PO/Colin Frechter
- Just Around The River Bend - City of Prague PO/Colin Frechter
- Colours Of The Wind - City of Prague PO/Colin Frechter
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Andantino (Peter) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Allegro (The Bird) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Moderato No.11 (The Cat) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Poco Pin Andante No.15 (The Grandfather) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Andantino, Come Prima No.17 (Peter) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante No.18 (The Grandfather) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante Molto No.19 (The Wolf) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante No.24 (The Duck) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Vivo No.30 (The Bird) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Poco Meno Mosso-Moderato No.35 (Peter) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Allegro Moderato No.39 (The Hunters) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante No.41 (Peter) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Sostenuto-Listesso Tempo No.48... - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante-End No.53 (Peter) - American PO/Barry Faldner
- Swan Lake Ballet: Scene (moderato) - Ljublijana SO/Marko Munih
- Swan Lake Ballet: Waltz - Ljublijana SO/Marko Munih
- Swan Lake Ballet: Swan Dance (allegro moderato) - Ljublijana SO/Marko Munih
- Swan Lake Ballet: Scene (andante) - Ljublijana SO/Marko Munih
- Swan Lake Ballet: Czardas (moderato) - Ljublijana SO/Marko Munih
- Bibbidi-Bobbodi-Boo - City of Prague PO/Colin Frechter
- A Dream is a Wish Your Heart Makes - City of Prague PO/Colin Frechter
- We Can Do It - City of Prague PO/Colin Frechter
- So This Is Love (Cinderella Waltz) - City of Prague PO/Colin Frechter
- 'Carmen Ste' No.1: The Toreadors - Ljublijana SO/Marko Munih
- In the Steppes of Central Asia - Ljublijana SO/Marko Munih
- 1812 Ov, Op.49 (finale) - Ljublijana SO/Marko Munih
- Marriage of Figaro Ov, K.492 - Ljublijana SO/Anton Nanut
Customer Reviews:
A little something different.......2007-01-10
I enjoyed this music and am using some of it to choreograph a little different "Disney" for my students.I think it will come in handy in the future as well.
Average customer rating:
|
Hooray for Love
Manufacturer: Centaur
ProductGroup: Music
Binding: Audio CD
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ASIN: B0009J2S66
Release Date: 2005-05-31 |
Tracks:
- Sleepin' Bee/Let's Fall in Love
- Stormy Weather
- American Minuet
- One for My Baby
- Hooray for Love
- Happiness Is a Thing Called Joe
- Rhythmic Moments for Piano Solo
- Come Rain or Come Shine
- That Old Black Magic
- Over the Rainbow
- Blues in the Night
- Last Night When We Were Young
- I've Got the World on a String
- Here's What I'm Here For
- Someone at Last
- Man That Got Away
- It's a New World
- Get Happy
Average customer rating:
- An excellent exploration of Arlen
- fascinating, multi layered performance, never boring
|
Julie Wilson Sings the Harold Arlen Songbook
Harold Arlen , Julie Wilson , and William Roy
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD
General Modern
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ASIN: B000000PFE
Release Date: 1992-06-30 |
Tracks:
- Blues In The Night
- Fun To Be Fooled/This Time the Dreams On Me
- Buds Won't Bud/You're A Builder Upper/Between The Devil And The Deep Blue Sea..
- Last Night When WE Were Young
- One For My Baby/The Man That Got Away
- Lydia The Tatooed Lady
- Out Of This World/That Old Black Magic
- I've Got The World On A String
- Mianin' In The Mornin'/Down With Love
- A Sleepin' Bee
- It's only A Paper Moon
- Push De Button
- I've Got A Right To Sing The Blues/Stormy Weather/When The Sun Comes Out
- Stay Out Of My Dreams
- horray For Love/Ac-cent-tchu-ate The Positive
- Anyplace I Hang My Hat Is Home, Come Rain Or Come Shine, I Had Myself A True Love
Customer Reviews:
An excellent exploration of Arlen.......1999-07-20
Julie Wilson offers another masterclass performance of songs by Harold Arlen with his numerous lyricists. Arlen's name is not as well known as some of his contemporaries, but his talents as a songwriter were magnificent. Julie Wilson and William Roy mine the Arlen songbook to produce an album of sterling quality, delivering delightful duets on such gems as 'Push De Button' and 'Lydia The Tattooed Lady'. Wilson offers brilliant readings of ballads and rhythm songs, capturing the mood and flavour of each song perfectly. Her sensuous take on 'Last Night When We Were Young' is particularly compelling. Roy's piano embellishments are, as ever, full of wit, sensitivity and formidable musicianship. A stunning offering.
fascinating, multi layered performance, never boring.......1999-03-15
no matter how many time you listen to her, you'll hear something new each time. Julie Wilson is the consumate cabaret singer.
Average customer rating:
|
Girl I've Got News for You
Mardi Gras
Manufacturer: Magic
ProductGroup: Music
Binding: Audio CD
ASIN: B000BYKANC
Release Date: 2006-02-06 |
Tracks:
- Everyday I Have To Cry Some
- The Days
Album Description
Digipak single from the French label Magic Records features the title track backed with 'Everyday I Have To Cry Some' plus 2 more TBA. 2006.
Album Details
Digitally Remastered Reissue of a Single as it Appeared in France.
Jazz Music:
- Groovin'
- In Search of Momentum
- Ken Burns JAZZ Collection: Charlie Parker
- Ladies Sing for Lovers
- Last Chance to Dance Trance (perhaps): Best of 1991-1996
- Leosia
- Like a Dream
- Live! at the Five Spot, Vol. 2 [Live]
- Live [Live] [Import]
- Love, Elvis
Jazz Music
Jazz Music