In Session

In Session

ASIN: B0007N73G4

Track Listings

1. It's All Right With Me

2. My One And Only Love

3. Skylark

4. If I Only Had A Brain

5. Early Autumn

6. Something's Gotta Give

7. How Do You Keep The Music Playing

8. That Old Feeling

9. September Song

10. If I Had You

11. You've Changed

Tracks:

Dell'Amore Non Si Sa
L'Attesa
Un Nuovo Giorno
Tu Ci Sei
Sin Tu Amor
Libert
Per Noi
Le Parole Che Non Ti Ho Detto
Sempre O Mai
In Canto
Quante Volte Ti Ho Cercato
When A Child Is Born
Go Where Love Goes

Amazon.com

It's no mean feat being the world's foremost crossover artist--a task that risks alienating two disparate audiences and everyone in between--but somebody had to do it, and Andrea Bocelli again walks that artistic tightrope with impressive deftness. The title may imply a casual intimacy (indeed, the singer admits to taking a more "hands-on" approach to the album's conception and production), but it's a collection that nonetheless continues to expand on the Italian tenor's ambitious internationalism. His collaboration "Sin Tu Amor" immerses his voice in the Gipsy Kings' own rich Iberian folk-pop fusion with compelling results, while "Where Love Goes" (a musical focal point of the film Lazarus Child), his English language duet with 11-year-old prodigy Holly Stell, achieves an almost liturgical grace. "Tu Ci Sei" (You Are There) continues in the romantic vein of his familiar theme "Con Te Partiro" (Time to Say Goodbye), while the single "Dell' Amore Non Si Sa" (With Love You Never Know) features Bocelli in a signature dramatic tour de force collaboration with arranger Mauro Malavasi, the accomplished producer of the singer's Romanza and Sogno albums. Bocelli's shrewd taste and vocal prowess here not only again redeem an oft-maligned genre, but elevate it considerably in the bargain. --Jerry McCulley

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In Session
Albert King , and Stevie Ray Vaughn
Manufacturer: Stax
ProductGroup: Music
Binding: Audio CD

Chicago Blues | Blues | Styles | Music

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King of the Blues Guitar
Blues
The Very Best of Albert King
The Sky Is Crying
In Step

ASIN: B00000JTB2
Release Date: 1999-08-24

Tracks:

Call It Stormy Monday
Old Times
Pride And Joy
Ask Me No Questions
Pep Talk
Blues At Sunrise
Turn It Over
Overall Junction
Match Box Blues
Who Is Stevie?
Don't Lie To Me

Amazon.com

Recorded for a television program of the same name back in 1983, In Session bills itself as the only known recording of Stevie Ray Vaughan and Albert King, who was Vaughan's idol and mentor, playing together. That leads to some heavy expectations, which fortunately aren't disappointed, at least if you aren't expecting the customary over-the-top performances Vaughan was famous for. His playing here is much more laid-back and controlled, which is actually a recommendation--the stylistic similarities between teacher and student are that much more pronounced. The songs are mostly King concert staples, with the exception of "Pride and Joy"; highlights include the T-Bone Walker classic "Call It Stormy Monday" and one of King's own, "Overall Junction," which features some excellent guitar solo work. The snippets of recorded conversation between songs are interesting curiosities as well. --Genevieve Williams

Album Description

Originally recorded for Canadian television. The two blues g uitar legends jam on 'Stormy Monday', 'Don't lie To Me' and 'Pride and Joy'. 1999 release. Standard jewel case.

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Born

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Shine
Classified
Explosive: The Best of Bond
Remixed
Bond - Live at the Royal Albert Hall

ASIN: B00004XQK3
Release Date: 2001-03-13

Tracks:

Quixote
Winter
Victory
Oceanic
Kismet
Korobushko
Alexander The Great
Duel
Bella Donna
The 1812
Dalalai
Hymn
Victory (Mike Batt Mix)

Amazon.com

Born, the debut album by four conservatory-trained young women, has little to do with classical music. It's a gimmick, fusing a string quartet of frivolous femmes, spicy girls who all want to be "Posh," with dance beats, a big production mixing their violins, viola, and cello with polished electronics. Taking themselves less than seriously--they played the James Bond theme at their Royal Albert Hall debut--pop "Victory" looks assured. This single bounces along with a dash of Rossini's Barber of Seville and a real sense of pop melodrama, in spirit little different from what guitarist John Williams did with his rather less photogenic band Sky in the late 1970s. What may surprise is that tracks such as the frenetic world-dance "Quixote" are penned by the film composer Magnus Fiennes, brother of the more famous Ralph and Joseph. "Winter" adds Jean Michel Jarre-style synth and voice-over to the ghost of Vivaldi and the infectious beat goes on, and on, and on. Sex sells, and Bond's success seems assured. This is a state-of-the-art product, but with a bonus remix of "Victory" by Mike Batt of Wombles fame, just don't expect it to be art. --Gary S. Dalkin

Album Description

Asian edition of the classical crossover act's 2001 album includes one bonus track, 'Viva!', which is not included on the domestic version. Decca. 2001.

Album Details

Includes the bonus track 'Viva' not on the USA version.

The Carl Stalling Project: Music From Warner Bros. Cartoons, 1936-1958

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The Carl Stalling Project: Music From Warner Bros. Cartoons, 1936-1958

Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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That's All Folks! Cartoon Songs from Merrie Melodies & Looney Tunes

ASIN: B000002LJE
Release Date: 1990-07-17

Tracks:

Putty Tat Trouble Part 6
Hillbilly Hare
Early WB Scores: The Depression Era
The Good Egg
Various Cues From Bugs Bunny Films
There They Go Go Go
Stalling Self-Parody: Music From Porky's Preview
Anxiety Montage
Stalling: The War Years
Medley: Dinner Music For A Pack Of Hungary Cannibals
Carl Stalling With Milt Franklyn In Session
Speedy Gonzalez/Meets Two Crows From Taco
Powerhouse And Other Cuts From The Early 50's
Porky In Wackyland/Dough For The Do Do
To Itch His Own

Amazon.com

For fans of Bugs Bunny, Daffy Duck, et al., this is the essential cartoon soundtrack as well as a monument to surrealism. During his 22 years as a composer for Warner Bros. animated shorts, Stalling invented the musical vocabulary of cartoons. Producer Hal Willner has lovingly assembled a sonic collage that showcases Stalling's compositional genius and uncanny ability to borrow a tune. It's a whirling collection of random moments, chock full of music you never knew you knew, from Bugs Bunny's theme from "Rabbit Fire" to Raymond Scott's "Powerhouse" to Stalling's own "Woo! Woo!" Also included in the mix: outtakes from recording sessions, and several complete scores. --Heidi MacDonald

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The Beautiful Piano
PIANO MAN

Forever in Love
Floyd Cramer
Manufacturer: Bmg Special Product
ProductGroup: Music
Binding: Audio CD

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Piano Magic of Floyd Cramer
Collector's Series
The Piano Magic, Vol. 2
Blue Skies
Piano Masterpieces (1900-1975)

ASIN: B000001U2U
Release Date: 1997-11-18

Tracks:

Could I Have This Dance
Have I Told You Lately
Longer
I Swear
When A Man Loves A Woman
Theme From Ice Castles (Through The Eyes Of Love)
Don't Know Much
Forever In Love
You Are So Beautiful
Sometimes When We Touch

Customer Reviews:

The Beautiful Piano.......2003-01-20

I think anyone would appreciate this man's talent. He plays the piano with such emotion especially with the love songs. I am sure this one belongs in your music library!!!

PIANO MAN.......2000-07-05

THIS REVIEW HAS GAVE ME THE CHANCE TO HEAR ONE OF THE GREATEST PIANISTS IN HISTORY IT INSPIRES ME TO PLAY THE PIANO MORE MOST KIDS AND MY FRIENDS LISTEN TO POP OR RAP BUT THE BEATUIFUL SONGS YOU RECORDED ON THIS CD ARE AWESOME POLIUM09@AOL.COM

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Summer

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Izzy
Myth of Red
Beyond Imagination
Etterna
Ascolta

ASIN: B0000AQS3I
Release Date: 2003-09-02

Tracks:

Nella Fantasia
Aranjuez Ma Pensee
Palabra De Honor
Berceuse
Mal Di Luna
Tutta La Vita
Sposa Son Disprezzata
Cantique De Jean Racine
Morgen
Fragile
Song To The Moon
Cavatina

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Finally!
You can't complain about pure La's
A superb retrospective - God Save the BBC

BBC in Session
The La's
Manufacturer: Umvd Import
ProductGroup: Music
Binding: Audio CD

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The La's
Live at the BBC
New Magnetic Wonder
Meet the Smithereens!
Traffic and Weather

ASIN: B000HD0Y4C
Release Date: 2006-10-09

Tracks:

Doledrum
Way Out
Freedom Song
Come in Come Out
Song of a Gun
There She Goes
I Can't Sleep
Over
Feelin'
Timeless Melody
Calling All
I.O.U.
Way Out
I Can't Sleep
Timeless Melody
Callin' All
Feelin'

Album Description

THIS IS THE FIRST TIME THESE SESSION RECORDINGS HAVE BEEN MADE OFFICIALLY AVAILABLE AND FEATURES SUPERB VERSIONS OF 'THERE SHE GOES' AND 'FEELIN'

Album Details

With the Timeless Single "There She Goes", Lee Mavers' La's Overtook the Stone Roses as the Great Hopes for British Guitar Rock and Paved the Way for Britpop. However, While "There She Goes" Continues to Be One of the Most Revered Guitar Pop Singles of the Last Two Decades and Has Appeared on Countless Soundtracks and Compilations, There Has Been No New Material Released Since their Eponomously Titled Debut Album. These Sessions Offer Another Chance to Visit These Seminal Recordings, Recorded in Session for the BBC Along Side Some of the Rarer B Sides and Live Favorites. This is the First Time These Session Recordings have Been Made Officially Available and features Superb Versions of 'there She Goes' and 'feelin' as Well as Session Recordings of the Harder to Find 'come in Come Out' 'over' and 'calling All'.

Customer Reviews:

Finally! .......2007-02-22

The La's always felt that Steve Lillywhite's high gloss, blended production sucked the life out of their Britpop skiffle, and these stunning radio sessions prove them right! Almost every track is superior to the previously released album version, conveying the propulsion and joy of live music with the bell clarity and razor precision of a studio recording. The harmonies are more prominent; the sound of each instrument more distinct; and the overall feel more energetic. For sheer song quality and performance value, The La's lone, self-titled full length will always be a classic, flawed or otherwise. But this new compilation, which includes a few b-sides and rarities, invites you to hear their timeless melodies again for the first time.

You can't complain about pure La's.......2007-01-01

This excellent compilation of BBC sessions shows the varying faces and styles of the La's. From a hard, almost punk version of I Can't Sleep, to an electric version of There She Goes, these cuts give the listener a different take on La's favorites.

A superb retrospective - God Save the BBC.......2006-11-29

Why did these performances stay in the BBC vaults for so long? They're brilliant! It's well known that singer Lee Mavers was unsatisfied with the sound of the La's only album. I'd like to know his reaction to this disc: the sound is crisp, the band is tight, the vocals are at least as good as on The La's. This is a great presentation of great songs - this release really breathes new life into tunes that have been on my playlist for fifteen years.

The track selection is a real insight into the band at its most vital. The singles are here, but so are a couple of b-sides and Calling All, which I haven't heard before. I'd go so far as to say that this should be considered a necessary companion to the (import, with bonus tracks) studio album - either one would serve as a compelling introduction to the band.

Now if they'd just tour the States!

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Excellent sound
Albert King SRV
Blues that cut like a chainsaw
Wish I Could Have Been There
A Jam Session Well Worth Listening To...

In Session
Albert King & Stevie Ray Vaughan
Manufacturer: Stax
ProductGroup: Music
Binding: Audio CD

General | Blues | Styles | Music

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Texas Flood
In the Beginning
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In Step

ASIN: B0000AZKLF
Release Date: 2003-09-30

Tracks:

Call It Stormy Monday
Old Times
Pride and Joy
Ask Me No Questions
Pep Talk
Blues at Sunrise
"Turn It Over"
Overall Junction
Match Box Blues
"Who Is Stevie?"
Don't Lie to Me

Customer Reviews:

Excellent sound.......2007-06-14

Very please with this cd, sound is awsome

Albert King SRV.......2007-04-03

All one has to do is to listen to this and realize that we were lucky that this event happened. I hear something new every time I play it. Enjoy

Blues that cut like a chainsaw.......2006-12-16

While Albert King never rose to the massive popularity of Stevie Ray Vaughan, as far as blues players go though, he was one of the more familiar to rock fans, thanks to his work being covered by Clapton and Hendrix ("Born Under A Bad Sign").
No modern guitarist was more influenced by King than Stevie Ray Vaughan, whose admiration and praise allowed him to share the stage in a Hamilton, Ontario TV studio right around the time of the release of Vaughan's "Texas Flood". This summit was long overdue, and is absolutely critical for Vaughan and King fans.
Mind you, there are many rehashes, repackagings and other posthumous releases of SRV, most of which are unforgivable, offering nothing new, only capitalizing on the myth and making a fortune off his memory.
"In Session", however, like "The Sky Is Crying", is one CD that does offer a fresh look at both masters.
King is still the star of this show, and his band provides the powerful backing music as the two titans trade off solo after solo, each careful to not overplay, but not hide behind their amps, either.
Vaughan sounds a lot like King, showing us the bedrock of his style. He was a little flashier, and could control feedback ala Hendrix, but when all is said and done, SRV was the best white blues player period. Brit players like Clapton and Page pale in comparison.
Prime cuts include "Pride And Joy" as handled by King's band, and it thumps and grinds mightily. "Overall Junction" is a King jam and indeed it does. Perhaps the best is "Matchbox Blues", with an absolutely wicked swing beat that allows both guitarists to soar, reaching blues nirvana over and over.
SRV fans will delight in this CD when he was probably at his greatest, and will come away King fans as well, after finding out who got this party started in the first place.

Wish I Could Have Been There.......2006-05-27

Albert King and SRV appeared on the Canadian TV show 'In Session' and the result was incredible. The music itself is really good, with two great musicians playing the tunes they loved. But it's the dialogue between Albert and SRV that puts this over the top.

Albert's story about Stevie sitting in with him about 10 years earlier when he was just a skinny kid in Austin was amazing. And while SRV was coming into his own at the time of the session, he was still paying a lot of respect to Albert. There was this aspect of passing the baton from one generation of blues players to another about this session.

Finally if the combination of 'Who Is Stevie' and 'Pride & Joy' doesn't have you smilin' and hummin' along - then you just don't like the blues.

You can't go wrong with this CD. In addition to the good music the recording is also pretty realistic. I keep wondering what it would have been like to be in the studio when this session was recorded...

A Jam Session Well Worth Listening To..........2006-02-15

Albert King was always overshadowed by BB King and thus never received the credit he deserved for the way he shaped how the electric guitar is played. This is true not only in the blues but indeed in all styles of music. Modern guitar players who look back with a sense of fondness for players such as Eric Clapton, Jimi Hendrix, Jimmy Page, Paul Kossof, etc. would do well to consider the man who so strongly influenced their playing as well as countless others. (Including bluesmen Otis Rush and Albert Collins: already distinctive stylists in their own right.) And perhaps no other guitar player was as influenced by Albert King as the young Texan Stevie Ray Vaughan.

To say that Stevie Ray Vaughan idolized Albert King would not be inaccurate nor would saying that Stevie's style was about 80% influenced by the mammoth Mississippi bluesman. On this album, the songs are mainly from King's repertoire but in many cases Stevie had been weaned on them and practiced them in his formative years so there was not much in the way of adjustment for him here generally speaking.

It starts with "Stormy Monday" which King begins with some of his signature mournful phrasing while Vaughan utilizes a tasteful countermelody in return. Albert's comments as the song was starting off indicate that they have played the song together before and the smooth way they played off one another would seem to verify that. From there a bit of dialogue takes place where they reminisce about old times and at Albert's request, Stevie kicks off "Pride and Joy." From there they moved into "Ask Me No Questions." Unlike the previous song where it was King who had to adapt to a new song, this time it was Vaughan and he does so quite well with tasteful vibrato fills and taking the first solo at King's request. They then dialogue a bit more with Albert asking Stevie to never settle but instead to always strive to work and play better.

At that point, Albert kicks off "Blues at Sunrise" and anyone who doubts that a fifteen minute blues song with a shuffle beat can be kept interesting for fifteen minutes needs to hear these two play off of each other as they do here.

From there, it moves (after some dialogue) into the instrumental "Overall Junction" which has a strident pacing to it. Vaughan starts it off and gets his bits in certainly -based on much of what he plays his familiarity with the original tune (as recorded by King in 1966) is evident to this listener. And King shows on the song for those who would question it that he can move around the fretboard nimbly...a feature he usually saved for instrumentals but not always. They then move pretty quickly into "Matchbox Blues" a longtime King concert staple. Stevie's playing in the song is a homage to Albert and he certainly could authentically approach the latter's style better than arguably anyone else. There is then another dialogual interlude prior to the last song "Don't Lie to Me", a song Stevie would recognize as "I Get Evil." Again the dueling is entertaining when Vaughan goes into the lower registers and Albert encourages him further in the process. That concludes the album but not this review.

The essence of blues playing requires soul and you cannot manufacture it by wanking speed riffs on a fretboard. (I note that here for those who think "better blues playing" means faster playing: that is not necessarily so.) Albert King was a master of the blues and Stevie Ray Vaughan was his most loyal disciple. Indeed, I believe Stevie is the only one who could so flagrantly use King's own signature riffs in his playing without the master himself taking offense. And when you consider that Albert did not take such things lightly --because he developed a unique style and by his reckoning owned it-that is no mean achievement.

Clearly on this album King had in mind to some extent a passing of the torch to Vaughan at one point in the recording because he plainly says so after they finished playing "Blues at Sunrise." Stevie laughs and says he does not believe it but the sentiments sounds convincing enough even if King was to continue playing live after Vaughan's passing in 1990 at the tender age of 35. (The former retired and made comebacks in the same fashion as Frank Sinatra: at least in King's case, he retained his form all the way to the end with minimal if any diminishment.) As far as Vaughan's death goes, King would recount in a 1991 interview published before his own passing that Stevie's loss hurt him deeply and if you listen to the way they interact musically and otherwise on this album, it makes sense. What started out as a young boy and his idol grew into a situation where they were contemporaries and there was a genuine affection between them. Albert seemed to view Stevie as his son in the blues and no father wants to see his son go before him. May they both rest in peace and may this recording stand as a testament to them.

The (Complete) Session recorded in London w/ great guest artists

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The (Complete) Session recorded in London w/ great guest artists
Jerry Lee Lewis
Manufacturer: Hip-O Select
ProductGroup: Music
Binding: Audio CD

Traditional Blues | Blues | Styles | Music

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Live at the Star Club, Hamburg
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Fats and Friends

ASIN: B000BQS6TK
Release Date: 2006-08-01

Product Description

Jerry Lee Lewis first trip to the United Kingdom ended in less than spectacular fashion, as the tabloids got hold of the age (and ancestry) of his young bride. In 1973, though, he returned triumphantly. His all-star backing band includes Eric Clapton, Rory Gallagher, Peter Frampton, Albert Lee, Alvin Lee, The Whos Kenney Jones, Procol Harums Matthew Fisher, and Gary Wright, among others. Virtually all of the previously releases of these sessions were truncated in some fashion, usually to satisfy the demands of the medium (only eighty minutes on a CD, so either tracks had to go, or the number of discs had to increase). As a consequence, six songsSatisfaction, Dungaree Doll, I Cant Give You Anything But Love, Be Bop A Lula, Goldmine In The Sky, and Singing The Blues make their CD debut on the Select release. And how does Jerry Lee sound in the company of these talented artists backing him up? Better than he had since the Fifties. Not only did he take on such early rock hits as Frankie Fords Sea Cruise, Johnny Rivers Memphis and Chuck Berrys Johnny B. Goode, but he also turned in creditable versions of Gordon Lightfoots Early Morning Rain and Creedences Bad Moon Rising. Hes totally on his game throughout, surprisingly laid back as he pumps the piano with virtuosic intensity, letting his fingers do the talking. The man from Ferriday, Louisiana, is rocking big time on this finally-restored-to-its-original-glory album.

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Live and In Session
The Tannahill Weavers
Manufacturer: Compass Records
ProductGroup: Music
Binding: Audio CD

General | Folk | Styles | Music

Irish Folk | Traditional British & Celtic Folk | Folk | Styles | Music

Scottish Folk | Traditional British & Celtic Folk | Folk | Styles | Music

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ASIN: B000OONP4K
Release Date: 2007-05-22

Tracks:

The Geese In The Bog/The Jig Of Slurs
Tranent Muir
Farewell To Fiunary/Heather Islands
The Log Splitter Set/Caradale Bay/The Slog Splitter/Calibachan/Drochaid Luideach
When The Kye Come Hame
The Athol Gathering
Pipe Major George Allan Set: Mrs. Stewert Of Grantully/Maggie's Pancakes/Andy Renwick's Ferret/Fag A'Piob Bhochd/Pipe Major George Allan
Dark Eyed Molly
Dumbarton's Drums
The Black Run Set: The Black Run/P.M. John MacDonald (Glasgow Police)/Lady Campbell Of Longsdale/Christie McLeod
The Soldier's Return
Grat For Guel: The Inchindown Jig/The Grumbling Carle (Akathe Drovers Lads)
Leaving Ireland Set: Leaving Ireland/Caber Feidh Collection/The Times We Had/This Strathspey
The Cruel Brither

Album Description

The Tannahill Weavers are one of Scotland's premier traditional bands. Their diverse repertoire spans the centuries with fire-driven instrumentals, topical songs, and original ballads and lullabies. Their music demonstrates to old and young alike the rich and varied musical heritage of the Celtic people. These versatile musicians have received worldwide accolades consistently over the years for their exuberant performances and outstanding recording efforts that seemingly can't get better...yet continue to do just that. The Tannahills have turned their acoustic excitement loose on audiences with an electrifying effect. They have that unique combination of traditional melodies, driving rhythmic accompaniment, and rich vocals that make their performances unforgettable. The music may be old time Celtic, but the drive and enthusiasm are akin to straight ahead rock and roll. Born of a session in Paisley, Scotland and named for the town's historic weaving industry and local poet laureate Robert Tannahill, the group has made an international name for its special brand of Scottish music, blending the beauty of traditional melodies with the power of modern rhythms. On Live and In Session, The Tannahil Weavers mix live recordings of favorites recorded from their 2005 US tour along side studio recordings of new material.

Jazz Music:

Jazz Music

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