Birdland Dream Band V.1 [Original recording remastered] [Import]

Birdland Dream Band V.1 [Original recording remastered] [Import]

ASIN: B00005TOXR

Track Listings

1. The Wailing Boat

2. Somebody Wants Me Down There

3. Maynard The Fox

4. Blue Birdland

5. Great Guns

6. Lady Bug

7. More West

8. Still Water Stomp

9. That Jones Boy

10. Rosebud

11. Button Nose

12. Little Girl Kimbi

13. Blue Birdland (Alternate Take) (Bonus Track)

14. Lady Bug (Alternate Take) (Bonus Track)

15. Lady Bug (Alternate Take) (Bonus Track)

16. Still Water Stomp (Alternate Take) (Bonus Track)

17. Still Water Stomp (Alternate Take) (Bonus Track)

18. Rosebud (Alternate Take) (Bonus Track)

19. Rosebud (Alternate Take) (Bonus Track)

20. Little Girl Kimbi (Alternate Take) (Bonus Track)

See all 21 tracks on this disc

Editorial Reviews
Product Description
24-bit remastered reissue of 1956 album includes nine bonus tracks, previously unissued alternate takes of 'Blue Birdland', 'Lady Bug', 'Still Water Stomp', 'Rosebud', 'Little Girl Kimbi' (Alternate Version) & 'Little Girl Kim'. Digipak.

Tracks:

Man Of La Mancha: The Impossible Dream (The Quest)
Les Miserables: I Dreamed A Dream
The Band Wagon: Dancing In The Dark - The Stardust Voices
The Boys From Syracuse: This Can't Be Love - The Romantic Strings Orchestra
The Sound Of Music: Edelweiss
Mexican Hayride: I Love You - The Romantic Strings Orchestra
The King & I: Hello, Young Lovers
South Pacific: This Nearly Was Mine
Jesus Christ Superstar: I Don't Know How To Love Him - Mary Carewe
Of Thee I Sing: Of Thee I Sing
South Pacific: Younger Than Springtime
Follow Thru: Button Up Your Overcoat - The King Sisters, Frank Devol & His Orchestra

Forbidden Broadway 2001: A Spoof Odyssey

Average customer rating:

As Always, Hilarious
Spoof Odessey worth the laughs!
better to be "Lost in Space"
Stretched Thin
Do the Math

Forbidden Broadway 2001: A Spoof Odyssey

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Forbidden Broadway Cleans Up Its Act!: The Unoriginal Cast Recording, Volume 5 (1998 New York Cast)
Forbidden Broadway, Vol. 8 - Special Victims Unit
Forbidden Broadway (20th Anniversary Edition)
Forbidden Broadway, Vols. 1-4
Forbidden Broadway: The Hit Musical Revue (1982 Revue Compilation)

ASIN: B0000584UL
Release Date: 2001-02-13

Tracks:

Forbidden Broadway 2001: Another Op'nin, 'Another Show
Futuristic Stewardess/Usherette: Come Fly With Me
Judi Dench: Why Can't The English?
Trouble In New Tork City: Trouble
The Music Man Revival 2001: Till There Was You
Cole Porter: You're The Top/From The Moment On
Kiss Me, Kate Revival 2001: Wunderbar
I Hate Ben - Marin Mazzie: I Hate Men
Cheryl Ladd In Annie Get Your Gun: There's No Business Like Show Business
Miss Saigon Farewell: Why God Why?
Saturday Night Fiasco: Stayin' Alive
Gwen Verdon & The Fosse Dancers: I'm A Brass Band/Steam Heat
Liza Minnelli 2001/Alan Cumming in Cabaret: Wilkommen
Let's Run Times Square Again: Let's Do the Time Warp Again
Ethel Merman & Elton John: I've Got Rhythm/Old Fashioned Wedding
Beauty's Been Decreased: Beauty And The Beast
Being Lupone: Being Alive
Sondheim's Blues: Buddy's Blues
Streisand's Farewell Tour: Happy Days Are Here Again/Mame
Les Miz 2001 - Edith Piaf/Milord
Aida - Amneris Intro: Every Story Is A Love Story/Heather Headley/It's Cheesy: Easy As Life
Elaborate Sets (Aida Cont.): Elaborate Lives
Angela Lansbury: I Don't Want To Know
The Full Monty: Let It Go
76 Hit Shows: 76 Trombones
Bows-Ta-Ta Folks: Another Op'nin, 'Another Show
Joseph And The Amazing High 'C': Any Dream Will Do

Customer Reviews:

As Always, Hilarious.......2007-05-03

This is so funny! Like all the Forbidden Broadway cds, its another knock-out. I feel like such a crazy person when I am in the car driving and I just burst out laughing. Its great and a must have for any Forbidden Broadway fan.

Spoof Odessey worth the laughs!.......2002-04-14

I enjoyed "Forbidden Broadway 2001: A Spoof Odyssey." This recording has some truly genius material, and although these actors' impersonations of famous Broadway stars aren't as strong as they have been in the past, the CD has a lot to recommend it.

Particularly strong is Track 16, "Let's do an old fashioned show tune," featuring Elton John and Ethel Merman duking it out over AIDA, which Merman says is "putting everyone here through hell." Likewise, Track 15, "Let's Ruin Times Square Again," tickles my funny bone. Also wonderful are the satires of Beauty and the Beast, Angela Lansbury, and the Full Monty; Gerard Alessandrini's done a tremendous job with these! In addition, this CD's introductory song is much stronger than those on the previous volumes of Forbidden Broadway. It really sets the tone for the best parts of this recording.

Unfortunately, with a few notable exceptions, the first half of the CD is a bit thin, which is why I give this recording 3 out of 5 stars: Even though it entertains me, there's a lot I have to skip over. For example, the Liza Minelli spoof annoying (though, I admit, a little funny), and in the Music Man revival satire, their Robert Preston impersonator sounds *nothing* like the original. (In earlier recordings, the actors *did* sound like the people they claimed to be.)

The good news is that the CD has 30 tracks in all, so even though there are 13 that I dislike, I just love the rest... I do recommend it!

better to be "Lost in Space".......2001-12-31

First and foremost, this CD is really for diehard fans of Forbidden Broadway, those of us who want the good, the bad and the ugly on the cd rack. I was extremely unimpressed with the latest offering.

While I agree with some of the other reviewers that there is some nice work, I don't know that Saturday Night Fiasco and Sondheim's Blues are sufficient to carry the rest of the tracks. Not much seems new or worse yet, important. Disney isn't new, nor is Les Miz. And while pointing out what is stale and pedestrian on Broadway was amusing on the last couple of releases, this Forbidden Broadway spoof clearly has joined the list of stale and pedestrian.

While there is some nice material on this disc, I really didn't laugh out loud, and that is why I have always bought these in the past.

If Alessandrini reduces the show to the same complaints of the same shows and then replaying lightly tweaked versions of past numbers, Trouble and Alan Cumming in Cabaret specifically, then he has himself is on the becoming a revival - and we know what he thinks of revivals.

The repeats might even be acceptable if there was something fresh in the perfomance, but both were done much better on their respective discs. I think Danny Gurwin is a great comedian, but he doesn't shine in either of these numbers. We also need a recording with no Ethel Merman or Liza numbers - give them a rest already. And why bring back Streisand with such a poor imitation? The earlier Barbara's were dead on vocal impressions as well as speech patterns. If you aren't going to improve on it, then don't drag it back out.

Alessandrini suggests that this is one of the best casts he has ever worked with. I don't know what he bases that on, but I beg to differ, either cast with Bryan Batt was significantly better, although they worked with fresh, clever material. Still, those recordings had verocious talent that brought Gerard's stinging wit to life for those of us who can't see every new production of FB.

Maybe it is time to go to off Broadway productions, or to the radio or the movies for some new ideas. Or else promise no references to the Gap, Disney, or Chorus Boys, (way over used on this recording), along with a Merman and Liza free season. Start from scratch. That might give us hope that Forbidden Broadway too might not be dead.

Stretched Thin.......2001-03-26

I just saw the stage production of Forbidden Broadway 2001: A Spoof Odyssey. I agree with the other reviewers who feel that Alessandrini is no longer at the top of his game. Perhaps he should lay off for a year or three and let Broadway present new things for him to lampoon - as it always will.

The opening sequence is forced and unfunny, and clearly in place only to batter the listener with the "2001" theme. Unlike a previous reviewer, I found the Judi Dench parody hysterical, though I question its accuracy.

The "Trouble" parody is, as it always was, incomplete and thin. My dear friend John Kenrick (...) did a better job with it - included the segments of the original song that GA left out, and in a funnier fashion. The Cole Porter parody is marginally amusing, but the Brian Mitchell/Marin Mazzie parody is dead on the mark, and VERY funny.

The parody of Cheryl Ladd remains in the show, although she's no longer in "Annie Get Your Gun" - Reba McIntyre is now in the role. Similarly, he stabs at Alan Cumming, who is no longer playing the Emcee. These numbers, while funny, lack punch. On the other hand, he once again skewers long time target Patti LuPone with an hysterical new parody of Being Alive. I suppose she's innately funnier, after all these years, than Alan Cumming, who is, after all, a relative newcomer.

The Rocky Horror parody is amusing, and the observation that sex has moved off 42nd Street and onto the Broadway stage is not without merit. The Beauty parody is amusing, and apt, but as has already been noted, GA has been clobbering us with the Disnification of Broadway for years now. I suppose he finds some glee in the fading success of this particular show.

I must say that while Gurwin is not the greatest singer, "Sondheim's Blues" is the most brilliant piece I've heard from Alessandrini in years. It's absolutely dead on. The friends I was with had never seen nor heard "Follies" and completely missed the point, but I was in stitches.

The "10 Years More" (which does not appear on this album, but remains in the show) has really begun to wear thin, especially with the closing this year of Cats and Miss Saigon. The Cameron Macintosh British mega-musicals are finally releasing their grip on Broadway, and this isn't as funny any more.

Broadway, despite the naysayers, will never die... and apparently, neither will Forbidden Broadway. I don't think it should - but I do think it needs a rest.

Do the Math.......2001-03-15

Four CDs cover the first 20 Years of Forbidden Broadway, Gerard Alessandrini's viciously witty satire of New York Theatre. The last year has seen Three new CDs, FB "Cleans Up Its Act" "20th Anniversary Edition" and now "2001 a Spoof Odyssey". Do the math.

Alessandrini is running out of ideas, and is spreading the remaining ones too thin. . Sanitized Time Square - Been there. Disnified Broadway - Done that, and so many times. Asinine casting faux pas, plotless pointless set-monster musicals, and Ethel Merman and Liza. We've heard it all before - and last time, it was funnier.

Now normally when a writer (or director or actor) has truly entertained me on numerous occasions, I'll forgive the odd show that disappoints. This would be the case here except for two things: Alessandrini is in the vicious parody business - he's never spared anyone else Besides, if he's going to actually include couplets like: "If lyrics are no longer witty... Then I don't want to go " he's inviting the pans.

When you hear the AIDA lampoon, you'll be reminded of the dim bulb in Cyrano de Bergerac who taunts the hero with the brilliant witticism: Your nose is very large

Tracks:

Bride Of The Waves
The Holy City
Sounds From The Hudson (Valse Brilliante)
Killarney
Caprice Brilliante (The Debutante)
Perhaps Love's Dream Will Last Forever
Carnival Of Venice
Ah Cupid
Bride Of The Waves
Once Upon A Time
Rondo Caprice (From The Shores Of The Mighty Pacific)
Aloha Oe (Farewell) (Hawaiian Love Song)
Russian Fantasie
The Palms
La Veta Caprice (Lillian)
Berceuse From Jocelyn
Sounds From The Hudson (Valse Brilliante)
Twilight Dreams Waltz-Intermezzo
Southern Cross
Love's Old Sweet Song
Showers Of Gold Scherzo
Macushla
Caprice Brilliante (The Debutante)
Killarney
Carnival Of Venice
Stars In A Velvety Sky

Amazon.com

These 26 selections, recorded from 1904 to 1922, document the work of an important American player and band composer. Despite the trivial nature of most of the music, one can't help listening to Herbert Clarke's playing with respect and growing affection. He was a most elegant player, with a beautiful tone that comes across even in the earliest of these recordings. The showiest pieces, which can be quite dazzling, are still performed with taste and musicianship. This disc is an important sound document, and the transfers from even the earliest of the recordings are surprisingly listenable. Highly recommended to all brass and nostalgia lovers. --Leslie Gerber

Customer Reviews:

Brilliant playing transcending primitive recording technique.......2001-01-11

Hearing this CD -- despite the distracting surface noise from the primative acoustic recordings from which this CD was remastered -- I appreciate for the first time the greatness of Clarke as a cornet soloist. If he is not the greatest to date, he is surely one of the giants upon whose shoulders modern virtuosi of the trumpet (which has pretty much replaced the cornet) stand.

Clarke's sheer artistry in both composition and performance still dazzle and his interpretive ability brings to life some of the 'tear jerkers' of the golden age of popular brass music in a way no modern performance comes close to.

Although on first hearing one could be very much distracted by the primitive recordings, the brass player soon focuses on Clarke's playing so completely that the the surface noise disappears.

Every trumpet player and cornetist, more, every brass player and lover of band music, should own a copy.

The Master of the Cornet.......2001-01-04

God bless Crystal Records for taking the time to re-issue these extremely rare and valuable recordings from an unfortunately neglected giant in American musical history. Most people today don't realise how famous and influential Mr. Clarke and his peers (Sousa, Pryor et. al.)were on the American musical scene at the beginning of the Twentieth century. It is very important that these recordings (and others from this period, the birth of sound recording) be preserved for future generations.

As for those who could not stand the "hiss" on these recordings, how spoiled can you be? You simply miss the point of all this. We all know that these records were made during the infancy of the recording industry, and that they didn't have the technology we now have. I find it thrilling to listen to them just as they are. Recorded sound is the closest we have to time travel, and I find it fascinating to listen to these recordings as though I was there when they were first made. And most of all, through the marvel of recorded sound (Mr. Sousa notwithstanding) I can listen today to the greatest cornetist who ever lived, even though he passed away over 50 years ago.

Hopefully Crystal Records will someday put out an anthology of original Sousa and Pryor Band recordings.

Clarke is the cornet master!.......2000-08-03

Herbert Clarke is the finest cornetist the planet has ever seen. The technical brilliance on Carnival is just breathtaking. The sound quality of the recording is little hinderance on the true genius behind this man's playing. Don't let the hiss bother you!!!

heartbreaking music from a bygone era.......2000-03-22

These vintage recordings would have been otherwise lost to us--and a great loss at that. Clarke plays so beautifully, esp. those pieces that he wrote. It's notall oom-paa-paa, but music that is deeply affecting and stirring.This is the effect that Wynton Marsalis was going for in his "Carneval." While Marsalis's album is a wonderful tribute, this is the original. A must-have for any serious trumpet player.

Be careful.......1999-09-14

Watch out if you want to buy this cd! It's a good cd with Herbert Clarke playing some of his own pieces the way they should be played...but the recording is TERRIBLE! Naturally, it's a 1904 recording! But the hiss for the first half of the cd is almost painful. It's NOT something you can just ignore, so don't be caught unawares.

Best of Broadway: The Music of the Night

Average customer rating:

Best of Broadway: The Music of the Night

Manufacturer: Reader's Digest
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

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4-for-3 Broadway & Vocalists | 4-for-3 Music | Stores | Music

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Best of Broadway: The Impossible Dream
Best of Broadway: There's No Business
Best of Broadway: Anything Goes
Best of Broadway: Till There Was You
Best of Broadway: Tomorrow

ASIN: B00006314E
Release Date: 2002-03-12

Tracks:

The Phantom Of The Opera: The Music Of The Night
Fiddler On The Roof: Medley: Sunrise, Sunset / If I Were A Rich Man / Matchmaker, Matchmaker
The Gay Divorce: Night And Day - The Romantic Strings Orchestra
Very Warm For May: All The Things You Are - The Romantic Strings Orchestra
Lady, Be Good: The Man I Love - The Romantic Strings Orchestra
Gentlemen Prefer Blondes: Diamonds Are A Girls Best Friend - Rita Williams
My Fair Lady: The Rain In Spain
Three Penny Opera: Pirate Jenny
Miss Saigon: The Last Night Of The World
Grease: Summer Nights
Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do
The Music Man: Goodnight, My Someone

Keep On Smiling: Songs By Irving Berlin, 1915 - 1918

Average customer rating:

Great for home and classroom

Keep On Smiling: Songs By Irving Berlin, 1915 - 1918
Benjamin Sears , and Bradford Connor
Manufacturer: Original Cast Record
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Pop | Styles | Music

General | Oldies | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

Tin Pan Alley | Oldies | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

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Traditional & Vocal Pop | Pop | Indie Music | Stores | Music

Easy Listening | Pop | Indie Music | Stores | Music
ASIN: B000004CRG
Release Date: 1996-09-17

Tracks:

The Circus Is Coming to Town
Araby
I've Got a Sweet Tooth Bothering Me
Until I Fell in Love With You
Cohen Owes Me Ninety Seven Dollars
When I Leave The World Behind
Down Where The Jack O'Lanterns Grow
Polly Pretty Polly (Polly With A Past)
The Eyes Of Youth See The Truth
The Sterling Silver Moon
While The Band Played An American Rag
The Voice Of Belgium
The Devil Has Bought Up All The Coal
They Were All Out Of Step But Jim
Smile And Show Your Dimple
Dream On Little Soldier Boy
When I Get Back To The U.S.A.
I'm Gonna Pin My Medal On The Girl I Left Behind
Yip-Yip-Yaphank Medley: Oh, How I Hate to Get Up in the Morning/Kitchen Police (Poor Little Me)...
We're On Our Way To France

Customer Reviews:

Great for home and classroom.......1999-03-21

No other composer so closely kept his fingers on the pulse of American thinking and gave the country so much of what it thought it wanted. "Yiddle on Your Fiddle" tells us more of the second-generation immigrants' desire to become Americanized than all the history and sociology books can ever do. So it is a double pleasure to announce the appearance of "Come on and Hear!: Early Songs by Irving Berlin, 1909-1915" and "Keep on Smiling: Songs by Irving Berlin, 1915-1918," two fantastic CDs or tapes on Oaktown label and released through a friendly little Connecticut company calling itself Original Cast Records. Between the two sets, you have 41 tracks of the Berlin output from "Everybody's Doing It Now" to "We're on Our Way to France." The soloist is Benjamin Sears, who with pianist Bradford Conner has something of a reputation around the Boston area. Now some of this material is duplicated by the more widely known Joan Morrison on two RCA Victor releases, possibly out of print by now; and like those discs could use another voice now and then. (Conner does join in where a duet is called for, but my point remains.) Sears is a capable if not an outstanding baritone, who does justice to these historic expressions of Americana. So not only do I recommend both of these sets for their enjoyment value, but I wish to continue to point out to Social Studies teachers how valuable sets like this would be to classes who have no concept of how people really felt (as opposed to what they merely said and did) "way back when." And I might even stick out my neck so far as to offer to come to any school (in reasonable distance of where I live) to give a sample lesson on how these sets can be used.

Jazz Music:

Jazz Music

Jazz Music