Lift Every Voice

Lift Every Voice

ASIN: B00006L3GC

Editorial Reviews
Amazon.com
Tenor saxophonist and flutist Charles Lloyd's music has been a healing force in jazz ever since his historic Forest Flower recording of the mid-'60s with Jack DeJohnette and Keith Jarrett. As fate would have it, he was booked at New York's Blue Note club on September 11, 2001. Lloyd, for those who were lucky enough to see him that week, literally bathed the audience with his Coltranean sounds of love. This double-CD, with pianist Geri Allen, bassists Larry Grenadier and Marc Johnson, guitarist John Abercrombie, and drummer Billy Hart, beautifully captures the serene vibe of the Blue Note engagement. Lloyd's ethereal sax tones sing sweetly over a number of spirituals, such as "Amazing Grace," "Go Down Moses," and the title track, which was written by James Weldon Johnson and was known as "The Negro National Anthem." There's also a mournful rendition of Billy Strayhorn's "Blood Count" and a rejuvenating take on Marvin Gaye's soulful "What's Going On." On all of the selections Lloyd shows that jazz soothes, as well as grooves. --Eugene Holley Jr.

Tracks:

The Star-Spangled Banner
Liberty Fanfare
Doodletown Fifers
State Fair: Overture
America
Lift Every Voice And Sing
With Voices Raised
National Emblem March
Boogie-Woogie Bugle Boy
America the Beautiful - Denyce Graves
1812 Overture
The Stars And Stripes Forever

Amazon.com

Keith Lockhart might very well be the Backstreet Boy of classical music. With good looks, a ton of energy, and--most importantly--popular appeal, he leads the Boston Pops Orchestra through disc after disc of Americana compositions (and the odd Celtic title). A Splash of Pops is more of the same. The Boston Pops get downright patriotic by playing everything from Paul Simon's "America" to "Boogie-Woogie Bugle Boy," along with a few classical compositions (for example, Tchaikovsky's 1812 Overture). It's a light affair loaded with saccharine energy, but a few surprises (the overture to State Fair and the new "With Voices Raised," commissioned from the authors of Ragtime: the Musical) are thrown in to keep things interesting. For another sampling of Americana-based classical music, fans should seek out Leonard Bernstein conducting Aaron Copland's Appalachian Spring with the New York Philharmonic. It's one of America's greatest recordings and a truer testament to the country's musical wealth. --Jason Verlinde

Customer Reviews:

5 stars? More like 50 stars!.......2003-06-16

Keith Lockhart has continued behind the heels of John Williams at the helm of the Boston Pops Orchestra in extraordinary fashion since 1995. Anyone who has been privileged to see him conduct the Boston Pops can feel the enthusiasm he has for the orchestra's traditions and legacy- and for classical music. This theme certainly holds true for this CD. I have been collecting a set of good CDs for my 4th of July outdoor parties for the past few years and this one delivers in grand style.

I purchased this CD shortly after its release. The jewel cover alone will put a smile on your face and set the tone for summer's light-hearted, relaxed attitude. The front cover picture is of Mr. Lockhart, complete in tuxedo, splashing into a pool of water and the back cover picture of him in a BPO t-shirt and Hawaiian shirt being kissed by a stuffed clown fish he's holding with a pair of barbecue tongs. Fun, fun, fun! Bravo, Mr. Lockhart!

All the "classics" one would expect to hear for the patriotic holiday are here: "The Star Spangled Banner and "America The Beautiful (The Tanglewood Festival Chorus singing these two songs will give you the chills), "The 1812 Overture" (I can almost "see" the fireworks as BPO plays the finale), and "The Stars And Stripes Forever" (One cannot pass through the 4th of July without hearing at least one John Phillip Sousa song!).

The rest of the album is equally as entertaining with goodies like "Boogie-Woogie Bugle Boy." Others will also rouse your patriotic fevor such as: "Doodletown Fifers" (Fifes on the 4th? Of course!) and "America" (Paul Simon's wonderful song.) One of my favorites is "With Voices Raised." The Boston Pops plays background as the Tanglewood Festival Chorus, The Boston Pops Choir, and The Boston Gay Men's Choir sing and speak eloquent quotes from famous Americans as Abigal Adams, Martin Luther King, Fredrick Douglas, President John F. Kennedy, and Shirley Chisholm.

I have collected five CDs that get playtime over Independence Day through the day and evening. Ever since I purchased "Splash of Pops," though, it seems to get a bit more airing each year. You'll be dazzled and feel proud, happy, and content everytime you listen to it. Mr. Lockhart has produced some wonderful albums with the Pops Orchestra and he has certainly continued with this collection of songs.

America's Best Proove It.......2000-06-19

This is truly a Boston Pops recording at its best. Keith Lockhart and the Pops are definetly my favorite Orchestra, and with this CD I am reminded of exactly why. This Orchestra brings to life the power and passion that was ment in the writing of this music. I especially like "Lift Every Voice and Sing." The Pops and the Chorus truly bring out the joy and pain felt by African Americans throughout the years. And I also very much enjoy "Boogie Woogie Bugle Boy." Few Orchestras can swing like the Pops.

All in all if you love the power and emotion of Orchestras, than you will love hearing America's Orchestra earn its name. Keith Lockhart and the Boston Pops Orchestra out do themselves this time.

Unbelievably totally terriffic.......1999-08-18

This is almost a good as being in Symphony Hall in Boston or on the Esplanade with the stars overhead. The quality is outstanding; you are there! A must have especially if you like patriotic song. Don't hesitate...run!

Keith does it again! A definate winner!.......1999-08-07

Bravo! The young and handsome Keith Lockhart is wonderful. Not only does he look adorable on the c.d. covers, but he is also bringing even more poularity to this already famous ensemble. I always look forward to seeing his fourth of July program on t.v. and now I get to hear it any time I want to. This is the third album of him conducting the B.P.O. I own and I'll keep buying them. This is the ultimate album for Americans and patriotic folk. I strongly recommend it to all as a fan of Keith and a faithful New Englander (even though I now reside in the south).

get Kunzel instead.......1999-07-14

I don't understand the fascination with this young conductor. Everything he's doing has been done better by Erich Kunzel. If your not familier with Kunzel's work then try his name in amazon's search engine. He's made over 60 albums, most of them for Telarc, an American record company that makes the best sounding cd's available today

The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs

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The Price Club
A living legend
not your daddy's old timey spiritual
Immaculate Vocals of Leontyne Price
Great Gospel Stuff

The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Leontyne Price: The Ultimate Collection
Leontyne Price Christmas Songs Chants de Noel.Weihnachtslieden Wiener Philharmoniker Herbert Von Karajan
Spirituals in Concert
Amazing Grace: Jessye Norman
Spirituals

ASIN: B000003FWE
Release Date: 1997-01-14

Tracks:

Ev'ry Time I Feel The Spirit - Various Artists
Let Us Break Bread Together On Our Knees - Various Artists
His Name So Sweet - Various Artists
'Roun' About The Mountain - Various Artists
Swing Low , Sweet Chariot - Various Artists
Sit Down, Servant - Various Artists
Were You There - Various Artists
He's Got The Whole World In His Hands - Various Artists
Deep River - Various Artists
Honor! Honor! - Various Artists
My Soul's Been Anchored In De Lord - Various Artists
On Ma Journey - Various Artists
A City Called Heaven - Various Artists
Ride On, King Jesus - Various Artists
I Wish I Knew How It Would Feel To Be Free - Various Artists
Sinner, Please Don't Let This Harvest Pass - Various Artists
Sweet Little Jesus Boy - Various Artists
There Is A Balm In Gilead - Various Artists
Let Us Cheer The Weary Traveler - Various Artists
Ev'ry Time I Feel The Spirit - Various Artists
My Way Is Cloudy - Various Artists
Nobody Knows The Touble I've Seen - Various Artists
I Couldn't Hear Nobody Pray - Various Artists

Tracks:

Holy, Holy, Holy - Leontyne Price
Lead, Kindly Light - Leontyne Price
Blessed Assurance - Leontyne Price
Ave Maria - Leontyne Price
What A Friend We Have In Jesus - Leontyne Price
Amazing Grace - Leontyne Price
The Lord's Prayer - Leontyne Price
Pass Me Not, O Gentle Savior - Leontyne Price
The Church's One Foundation - Leontyne Price
Bless This House - Leontyne Price
I Need Thee Every Hour - Leontyne Price
Schlesische Volkslieder: Fairest Lord Jesus - Leontyne Price
I Wonder As I Wander - Leontyne Price
Ave Maria - Leontyne Price
Porgy And Bess: Summertime - Leontyne Price
America The Beautiful - Leontyne Price
Lift Ev'ry Voice And Sing - Leontyne Price
A Mighty Fortress Is Our God - Leontyne Price
Battle Hymn Of The Republic - Leontyne Price

Customer Reviews:

The Price Club.......2005-04-28

"I am here," said Leontyne Price when interviewed as she opened the new Metropolitan Opera with Samuel Barber's underrated ANTONY AND CLEOPATRA, "and you will know that I am the best and will hear me. The color of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to." Back in the 1960s Price was one of the greatest divas in all of opera, and it wasn't just her voice but her magnificent stage presence, combined with her social activism. All of the above come into play in this collection of secular songs and ditties, some of them traditional plantation chanties and others, art songs and a scattering of pop music. And some of them, like Gershwin's "Summertime," cross the ever-permeable boundaries between Broadway and classical. These recordings were made at different times in Price's career, and her voice, while always angelic, has different shadings and reaches a different range of timbre in each separate recording date, but there is no question that, as time goes by, she is able to impart a richness of life experience noticeably absent from some of her earlier work.

"Ave Maria" sounds heavenly no matter which way you slice it, and as for "I Wonder As I Wander," it brings tears to your eyes. If you have a heart that's beating you will be moved by this rendition. "Ein feste Burg" is pretty strong, but Price seems more comfortable with the traditional spirituals, though perhaps it is the slightly off-kilter sounds of the Ambrosian Singers (what a name) who back her up on many of these tracks, that detract slightly from the experience. Compare "Lead Kindly Light" for a clear sense of what constitutes authority vs. what is a wee bit overproduced. If you had this compilation, and perhaps one of Leontyne Price's Christmas albums, you could attain nirvana any time you wanted to, just flip a switch and close your eyes, let her lift you up on wings of song.

A living legend.......2005-03-10

Leontyne Price (still alive) and already passing into immortality amongst vocal artists, both classical and popular. Leontyne Price stands at the pinnacle of her classical art, but those who only know her work in La Forza del destino or the Verdi Requiem are in for a heart rending treat with this album where Leontyne Price goes home to her roots in Mississippi and gives an unabashed account of the classic spirituals she sang as a young woman. Like John Mc Cormacks rendering of Irish songs there is a personal longing and devotion expressed here that reveals a side of the artist not known in the bulk of their "classical" repetoire. A sense of going home like Citizen Kane's rosebud, or as Dorothy Gale observes at the end of the Wizard of Oz "everything I could ever have wanted was right in my own backyard "

not your daddy's old timey spiritual.......2004-06-23

Agreed this is a good cd for a beautiful voice, but this is not, repeat not, for someone who wants to hear that old-timey religious fervor that you think of when you've been to a Black Baptist hand-clapping, standing, swaying, and singing service.

Immaculate Vocals of Leontyne Price.......2003-12-31

IMMACULATE, SUPERB vocal range and style! There's no other words that can complement Miss Leontyne Price's vocal arrangements. Miss Price's voice is strong, and shrills very nicely to the instruments played on many songs listed on this double CD which is a joy to treasure; every song listed are songs I was raised to hearing and singing. Miss Price is the reason why many of these songs remain in popularity and presently used. Miss Leontyne Price has been incredible in many of her past performances. This is my fourth CD of Miss Price and I am glad to own this particular CD forever and ever. Many thanks to the executors who found this remarkable album and upgraded it to a CD format! **Angi**

Great Gospel Stuff.......2001-04-12

This is a great CD. The only problem I have with it is that on some of the selections there is a boy's choir screaming in the background, and this takes away (a bit) from her performance. That said, her best selections are those that are either unaccompanied or those where her voice is not buried. Songs that strike me are - His Name So Sweet, He's Got The Whole World, Were You There, I Wonder as I Wander, Lift Every Voice and Sing, and my all time favourite Summertime. Enough said.

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Sings America
Boys Choir of Harlem
Manufacturer: Midwest Artists Dist.
ProductGroup: Music
Binding: Audio CD

Gospel | Christian & Gospel | Styles | Music
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Up in Harlem
Lift Every Voice and Sing
The Sound of Hope

ASIN: B000065CVM
Release Date: 2002-03-27

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Real music
Another obscure, unique Andrew Hill outing gets reissued

Lift Every Voice
Andrew Hill
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD

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Grass Roots
Passing Ships
Blue Black
Dance With Death
Dusk

ASIN: B0000589US
Release Date: 2001-02-13

Tracks:

Hey Hey
Lift Every Voice
Two Lullabies
Love Chant
Ghetto Lights
Blue Spark
A Tender Tale
Drew's Tune
Mother Mercy
Natural Spirit
Such It Is

Customer Reviews:

Real music.......2003-11-05

I don't have much to add to the previous review, except that I didn't find the music an acquired taste. For those of us who grew up in the 60s, this CD has that whacked-out quality we all know and love combined with the complex and unhackneyed playing we all love and would like to know more of. How long can you listen to a choir singing "la la la"? I've been listening a long time. In addition to Andrew Hill I particularly liked Bernie Maupin's sax -- invigorating and intelligent.

Another obscure, unique Andrew Hill outing gets reissued.......2001-02-18

Andrew Hill was never afraid to combine seemingly disparate influences during his recording sessions. This has made tracking down and exploring his music a personal crusade for a number of us. However, Andrew Hill isn't among the most easily digestable musicians, resulting in a lack of recognition for his innovations and beautiful playing. This unique session is certainly a welcome reissue for those of us not around to pick it up on vinyl when it was originally released back around 1970.

The original "Lift Every Voice" session is essentially a jazz quintet coupled with a mid-sized jazz (?) choir. This CD reissue augments that session with another one featuring slightly different personnel, but with the same basic format. Before hearing this CD I was both quite excited to hear how Hill could incorporate a choir into his compositions, and at the same time leery if I would actually like it. And while I must say the music on this CD is an acquired taste even for my adventurous ears, after repeated listens it all flows together and is both novel and beautiful.

What I found most amazing about the music on "Life Every Voice" was how many different musical genres I was reminded of even within a single piece. At various times the music feels like gospel, big band, classical minimalism, straight ahead bop, or avant-garde jazz. And while I wouldn't say the improvisation or compositions on this disc make it a definitive session, Andrew Hill is certainly in top form. Additionally, I found myself quite impressed with the tenor sax of Carlos Garnett, a musician I was previously not familiar with.

Tracks:

Great Hymns Across The Ages: Psalm 117: Plainsong, Tone I:1
Great Hymns Across The Ages: When Morning Gilds The Skies
Great Hymns Across The Ages: Jesu, The Very Thought Of Thee
Great Hymns Across The Ages: O Jesus, I Have Promised
Great Hymns Across The Ages: Fairest Lord Jesus
Rheinhardt Manuscripts: Worship The Lord
Great Hymns Across The Ages: Guide Me, O Thou Great Jehovah
Book Of Common Prayer: Psalm 121
Greek Liturgy Of St. James: Let All Mortal Flesh Keep Silence
Great Hymns Across The Ages: Let Us Break Bread
Great Hymns Across The Ages: And Can It Be
Great Hymns Across The Ages: When All Thy Mercies, O My God
Psalterium Chorale', Constance: Creator Of The Earth And Skies
Great Hymns Across The Ages: I Need Thee Every Hour
Geistliche Seelenfreud: My God, My Father, Make Me Strong
Great Hymns Across The Ages: Love Divine, All Loves Excelling
Great Hymns Across The Ages: In The Cross Of Christ I Glory
Great Hymns Across The Ages: Low In The Grave He Lay
Great Hymns Across The Ages: Crown Him With Many Crowns
Great Hymns Across The Ages: This Is My Father's World
Great Hymns Across The Ages: Lead, Kindly Light
Great Hymns Across The Ages: I Heard The Voice Of Jesus Say
Great Hymns Across The Ages: God, That Madest Earth And Heaven
Te Lucis, Mode VIII: Before The Ending Of The Day

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Spiritual Elevation
Uplifting Masterpiece
The Coltrane Legacy
Deep Jazz
Lift every listener

Lift Every Voice
Charles Lloyd
Manufacturer: Ecm Records
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

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Voice in the Night
The Water Is Wide
Hyperion With Higgins
Canto
Sangam

ASIN: B00006L3GC
Release Date: 2002-10-15

Tracks:

Hymn To The Mother
You Are So Beautiful
Amazing Grace
East Virginia, West Memphis
What's Going On
Angel Oak
Te Amare
I'm Afraid
Hafez, Shattered Heart

Tracks:

Rabo De Nube
Blood Count
Go Moses
Beyond Darkness
Nocturne
Wayfaring Stranger
Deep River
Lift Every Voice And Sing
Prayer, The Crossing

Amazon.com

Tenor saxophonist and flutist Charles Lloyd's music has been a healing force in jazz ever since his historic Forest Flower recording of the mid-'60s with Jack DeJohnette and Keith Jarrett. As fate would have it, he was booked at New York's Blue Note club on September 11, 2001. Lloyd, for those who were lucky enough to see him that week, literally bathed the audience with his Coltranean sounds of love. This double-CD, with pianist Geri Allen, bassists Larry Grenadier and Marc Johnson, guitarist John Abercrombie, and drummer Billy Hart, beautifully captures the serene vibe of the Blue Note engagement. Lloyd's ethereal sax tones sing sweetly over a number of spirituals, such as "Amazing Grace," "Go Down Moses," and the title track, which was written by James Weldon Johnson and was known as "The Negro National Anthem." There's also a mournful rendition of Billy Strayhorn's "Blood Count" and a rejuvenating take on Marvin Gaye's soulful "What's Going On." On all of the selections Lloyd shows that jazz soothes, as well as grooves. --Eugene Holley Jr.

Customer Reviews:

Spiritual Elevation.......2003-12-31

This is a very special album indeed. Its a long wait as ECM records are somewhat a rarity at this part of the world. Charles Lloyd's Lift every voice isn't an average recording, in the league of his previous works ever sincere and ever soul moving. I couldn't agree that he is Coltrane in the 2nd being but Lloyd at 1st in his own right. The rendition of Amazing Grace to Marvin Gaye's Whats Going on has a sense of individuality yet recalls the familiarity of the numbers. I find this album edging towards experimentation with the addition of Marc Johnson and without Brad Mehldau. What I would love to hear is Tenor Sax: Charles Lloyd, Piano: Ahmad Jamal, Guitar: Pat Matheny, DB bass: Charlie Haden, Drums: Billy Higgins anyway just a wild thought...

Lift every voice is a keeper on my collection and could be well renamed as Lift every soul. I am glad to have been elevated again. Mr Lloyd thank you for the music.

Uplifting Masterpiece.......2003-11-19

Charles Lloyd and his superb group will take you on a journey with this 2cd set.The essence of each song is found as each musician weaves in and out effortlessly--allowing the listener to hear the song as a whole or a statement.Lloyd selections are spirituals,pop hits, originals, and 2 Silvio Rodriquez songs.One of which is Te Amare which has a beautiful melody churned forward by the group as a whole-as close to an ecstatic state as music can take you.Of special interest on this album is John Abercrombie's guitar playing--it is masterful--everything he does builds,supports, and betters his leader. Lloyd is definitely on to something with this music recorded after Sept 11--it is music of peace--but it is something even more.It is a musician making music from heart and soul--it really just seems to come poring out--There is no Ego in this music--And that is what music should be.

The Coltrane Legacy.......2003-10-08

Charles Lloyd has consistently worked within the parameters developed by John Coltrane in formulating a spiritually-oriented, introspective jazz form that incorporates ideas from various ethnic musics. However, he should not be seen as an imitator but a brilliant and soulful interpretor in the Coltrane tradition -- no less than any great player in any traditional music form. Lloyd has a lot of heart and a wide range of musical ideas to draw upon, and that really comes through in this superb recording.

Deep Jazz.......2003-10-01

What a run of absolutely sublime albums: "Voice in the Night," "The Water is Wide," "Hyperion with Higgins," and now, "Lift Every Voice." Lloyd is the deepest tenor player since Coltrane. Hell, he's among most profound living instrumentalists in any genre. Anouar Brahem's oud; Miles's trumpet; Trane's tenor; Maxim Vengerov's violin; Ravi Shankar's sitar; Rostropovich's cello; Toumani Diabate's kora. Lloyd's tenor is on this list. (Sorry, I realize that Miles and Trane aren't living--but I couldn't not include them). What Lloyd does with this mix of spirituals, pop tunes and originals is simultaneously to lift them up and to dig deeply into them (in much the same way Billie did with much more banal material). Its been said of Beethoven's late String Quartets that they're "beyond music." Surely, Lloyd's music takes us beyond our everyday realm to a place where all is joyous and serene.

Lift every listener.......2003-03-18

Nothing more can be added that hasn't already been said about this transcendant work. This is more of a plug to see Charles live if you get a chance. I saw him last night for his birthday at L.A.'s Jazz Bakery and it lifted me way up there. It was more of a group meditation than a concert. Similarly this is more of a prayer circle than a CD. We could all use more of those right now.

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An American classic

Works By William Grant Still

Manufacturer: New World Records
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

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Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

William Grant Still: Afro-American Symphony; In Memoriam; Africa (Symphonic Poem)
William Grant Still: The American Scene
Music of William Grant Still
African Heritage Symphonic Series, Vol. 1
Still/Dawson/Ellington: Symphony No. 2/Negro Folk Symphony/Harlem

ASIN: B0000030GM
Release Date: 1992-12-08

Tracks:

I. Suite For Violin And Piano
II. Suite For Violin And Piano
III. Suite For Violin And Piano
Songs Of Separation: Idolatry
Songs Of Separation: Poeme
Songs Of Separation: Parted
Songs Of Separation: If You Should Go
Songs Of Separation: A Black Pierrot
Incantation And Dance
Here's One
Summerland
Citadel
Song For The Lonely
Out Of The Silence
I. Ennango
II. Ennanga
III. Ennanga
Lift Every Voice And Sing

Customer Reviews:

An American classic.......2001-01-21

This seminal recording is a must for the library of anyone serious in the study of American music. William Grant Still, often lauded as the "Dean of African American Composers," is among the most distinguished composers in the United States, regardless of his race. This anthology of his work explores his contribution to small scale genres, namely chamber music and song. Having been deeply enamored of the human voice, his music is imbued with lyricism for every instrument.

Tracks:

Symphony No. 1 For Organ, Op. 10: I. Introduction
Symphony No. 1 For Organ, Op. 10: II. Scherzo
Symphony No. 1 For Organ, Op. 10: III. Hymn
Symphony No. 1 For Organ, Op. 10: IV. Toccata
Psalm 121: I Will Lift Up Mine Eyes Unto The Hills
Psalm 150: Hallelujah! Praise The Lord!
Psalm 130: Out Of The Depths Have I Cried To Thee
Be Still My Soul
The Boulding Chorales: Can I, Imprisoned
The Boulding Chorales: Small Flowers
The Boulding Chorales: Are There No Armies
The Boulding Chorales: My Lord, Thou Art In Every Breath I Take
Do I Know Why?

Customer Reviews:

heartfelt, well written music.......2003-05-12

This CD is worth getting for the sincere, emotional writing which is often very beautiful. I especially like the choral works, but the organ symphony has many powerful moments as well. A fine tribute to a composer who was tragically snuffed out before his time!

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Lift Every Voice: In Praise
Various Artists
Manufacturer: Chordant
ProductGroup: Music
Binding: Audio CD

General | Christian & Gospel | Styles | Music

Gospel | Christian & Gospel | Styles | Music

Gospel | Compilations | Christian & Gospel | Styles | Music

Christian Contemporary Music | Christian & Gospel | Styles | Music
ASIN: B0001BS3K2
Release Date: 2004-02-24

Tracks:

O Give Thanks - Judi McAllister
Praise Him - Smokie Norful
I Have A Right To Praise - Windser Village
Praise Medley - Cece Winan
O Give Him Glory - Lamar Campbell
His Mercy Endureth - Potters House Choir
Never Seen The Righteous - Tri-City
Bless The Lord - Darwin Hobbes
Marvelous - Potters House Choir

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A Long Time Coming...
Her Best Album
Price At Her Peak
of course world class
the greatest american soprano of the 20th century

The Essential Leontyne Price

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Price, Leontyne | Divas | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music

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Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
ASIN: B000003FWD
Release Date: 1996-08-13

Tracks:

Aida: Act I: Ritorna vincitor!
Aida: Act I: E l'amor mio?
Aida: Act I: I sacri nomi di padre, d'amante
Aida: Act III: Qui Radames verra!
Aida: Act III: O patria mia
Un Ballo in Maschera: Act II: (Prelude)
Un Ballo in Maschera: Act II: Ecco l'orrido campo
Un Ballo in Maschera: Act II: Ma dall'arido stelo divulsa
Un Ballo in Maschera: Act III: A tal colpa e nulla il pianto
Un Ballo in Maschera: Act III: Morro, ma prima in grazia
Il Trovatore: Act I: Che piu t'arresti?
Il Trovatore: Act I: Tacea la notte placida
Il Trovatore: Act I: Di tale amor che dirsi
Il Trovatore: Act IV: Siam giunti
Il Trovatore: Act IV: D'amor sull'ali rosee
Ernani: Act I: Surta e la notte
Ernani: Act I: Ernani! Ernani, involami
Ernani: Act I: Tutto sprezzo che d'Ernani
La forza del destino: Act II: Son giunta! Grazie, o Dio!
La forza del destino: Act II: Madre, madre, pietosa Vergine
La forza del destino: Act II: La Vergine degli angeli
La forza del destino: Act IV: Pace, pace, mio Dio

Tracks:

Cosi fan tutte: Act I: Come scoglio immoto resta
Madama Butterfly: Act II: Piangi? Perche?; Un bel di vedremo
Madama Butterfly: Act III: Tu? tu? piccolo Iddio!
TOSCA: Act II: Vissi d'arte
Manon Lescaut: Act II: In quelle trine morbide
Manon Lescaut: Act IV: Sola, perduta, abbandonata
Dialogues des Carmelites: Act III: Mes filles, voila que s'acheve
Don Giovanni: Act I: Don Ottavio, son morta!
Don Giovanni: Act I: Or sai chi l'onore
Don Giovanni: Act II: Crudele? Ah, no, mio bene!
Don Giovanni: Act II: Non mi dir
Turandot: Act I: Signore, ascolta!
Turandot: Act III: Tu che di gel sei cinta
Ariadne auf Naxos: Es gibt ein Reich
Antony And Cleopatra: Act III: Give me my robe

Tracks:

Otello: Era piu calmo?
Otello: Mia madre aveva una povera ancella (Willow Song)
Otello: Ave Maria
Fidelio: Act I: Abscheulicher! Wo eilst du hin?
Suor Angelica: Senza mamma, o bimbo, tu sei morto!
Carmen: L'amour est un oiseau rebelle (Habanera)
La Traviata: Act I: E strano, e strano !
La Traviata: Act I: Ah, fors' e lui
La Traviata: Act I: Sempre libera
Le nozze di Figaro: Act III: E Susanna non vien!
Le nozze di Figaro: Act III: Dove sono
Die Agyptische Helena: Act II: Awakening Scene
La rondine: Ore dolci e divine
Salome: Finale

Tracks:

Eugene Onegin: Act II: Puskai pogibnu ya
Eugene Onegin: Act II: Ya k vam pishu
Eugene Onegin: Act II: Net, nikomu na svete
Eugene Onegin: Act II: No tak i byt'!
La rondine: Act I: Chi il bel sogno di Doretta
VANESSA: Act I: He Has Come, He Has Come!
VANESSA: Act I: Do Not Utter A Word
Carmen: Act I: Pres des remparts de Seville (Seguidilla)
Manon: Act II: Allons! il le faut!
Manon: Act II: Adieu, notre petite table
Macbeth: Act IV: Sleepwalking Scene: Vegliammo invan due notti
Macbeth: Act IV: Sleepwalking Scene: Una macchia e qui tuttora
La Boheme: Act IIII: Addio. Donde lieta usci (Mimi's Addio)
Die Frau ohne Schatten: Act II: Empress's Awakening Scene
Dido and Aeneas: Act III: Thy Hand, Belinda!
Dido and Aeneas: Act III: When I Am Laid In Earth
Don Carlo: Act V: Tu che le vanita conoscesti del mondo

Tracks:

Otello: Act I: Gia nella notte
Otello: Act I: Quando narravi
Otello: Act I: Venga la morte!
Cosi fan tutte: Act I: Ah, guarda, sorella
Madama Butterfly: Act I: Bimba, bimba, non piangere
Madama Butterfly: Act I: Bimba dagli occhi
Madama Butterfly: Act I: Vogliatemi bene
Requiem: Recordare
Porgy And Bess: Act II: Bess, You Is My Woman
Norma: Act III: Me chiami, o Norma
Norma: Act III: Mira, o Norma
Ernani: Act II: Tu, perfida!
Ernani: Act II: Ah, morir, potessi adesso
Cosi fan tutte: Act II: Sorella, cosa dici?
Cosi fan tutte: Act II: Prendero quel brunettino
Aida: Act IV: La fatal pietra sovra me si chiuse
Aida: Act IV: Presago il core della tua condanna
Aida: Act IV: Vedi? Di morte l'angelo
Aida: Act IV: O terra, addio

Tracks:

Un Ballo in Maschera: Act II: Teco io sto!
Aida: Act III: Ciel! mio padre!
Aida: Act III: Rivedrai le forest imbalsamate
Aida: Act III: In armi ora si desta il popol nostro
Aida: Act III: Padre! a costoro schiava non sono
Requiem: Angus Dei
Manon Lescaut: Act I: Oh, saro la piu bella!; Tu, tu, amore?
Cosi fan tutte: Act I: Soave sia il vento
Porgy And Bess: Act II: I Loves You, Porgy
Aida: Act II: Silenzio! Aida verso noi s'avanza
Aida: Act II: Fu la sorte dell'armi
Aida: Act II: Pieta ti prenda del mio dolor
Aida: Act II: Alla prompa che s'appresta
Il Trovatore: Act IV: Udiste?
Il Trovatore: Act IV: Mira, di acerbe lagrime
Il Trovatore: Act IV: Vivra! Contende il giubilo
Madama Butterfly: Act II: Scuoti quella fronda di ciliegio (Flower Duet)
Carmen: Act IV: C'est toi! - C'est moi!
Carmen: Act IV: Ou vas-tu? - Laisse-moi!

Tracks:

Les nuits d'ete, Op.7: Villanelle
Les nuits d'ete, Op.7: Le spectre de la rose
Les nuits d'ete, Op.7: Sur les lagunes
Les nuits d'ete, Op.7: Absence
Les nuits d'ete, Op.7: Au cimetiere (Clair de lune)
Les nuits d'ete, Op.7: L'ile inconnue
Four Last Songs: Fruhling
Four Last Songs: September
Four Last Songs: Beim Schlafengehen
Four Last Songs: Im Abendrot
Clair de lune, Op.46, No.2: Clair de lune
Notre amour, Op.23, No.2: Notre amour
Au cimetiere, Op.51, No.2: Au cimetiere
Au bord de l'eau, Op.8, No.1: Au bord de l'eau
No.1, Cinq melodies de Venise, Op.58: Mandoline
Main dominee par le coeur
Miroirs brulants No.2: Je nommerai ton front
Miroirs brulants No.1: Tu vois le feu du soir
Ce doux petit visage

Tracks:

Knoxville: Summer Of 1915, Op.24: Knoxville: Summer Of 1915
Frauenliebe und -leben, op.42: Seit ich ihn gesehen
Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
Frauenliebe und -leben, op.42: Ich kann's nicht fassen
Frauenliebe und -leben, op.42: Du Ring an meinem Finger
Frauenliebe und -leben, op.42: Helft mir, ihr Schwestern
Frauenliebe und -leben, op.42: Susser Freund, du blickest
Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
Widmung (No.1, Myrthen, Op.25): Widmung
Mignon (No.28, Liederalbum fur die Jugend, Op.79): Mignon
Volksliedchen, Op.51, No.2: Volksliedchen
Schone Wiege meiner Leiden (No.5, Liederkreis, Op.24): Schone Wiege meiner Leiden
Er ist's (No.23, Liederalbum fur die Jugend, Op.79): Er ist's
Heiss mich nicht reden (No.5, Lieder und Gesand aus Wilhelm Meister)
Lust der Sturmnacht, Op.35, No.1: Lust der Sturmnacht
Allerseelen, Op.10, No.8: Allerseelen
Schlagende Herzen
Freundliche Vision, Op.48, No.1: Freundliche Vision
Wie sollten wir geheim, Op.19, No.4: Wie sollten wir geheim
Der Gartner (Morike-Lieder No.17)
Lebe wohl (Morike-Lieder No.36)
Morgentau (From An Old Songbook)
Geh, Geliebter, geh jetzt (Spanisches Liederbuch No.34)

Tracks:

Ev'ry Time I Feel The Spirit - Various Artists
Let Us Break Bread Together On Our Knees - Various Artists
His Name So Sweet - Various Artists
'Roun' About De Mountain - Various Artists
Swing Low, Sweet Chariot - Various Artists
Sit Down, Servant - Various Artists
Were You There - Various Artists
He's Got The Whole World In His Hands - Various Artists
Deep River - Various Artists
Honor! Honor! - Various Artists
My Soul's Been Anchored In De Lord - Various Artists
On Ma Journey - Various Artists
A City Called Heaven - Various Artists
Ride On, King Jesus - Various Artists
I Wish I Knew How It Would Feel To Be Free - Various Artists
Sinner, Please Don't Let This Harvest Pass - Various Artists
Sweet Little Jesus Boy - Various Artists
There Is A Balm In Gilead - Various Artists
Let Us Cheer The Weary Traveler - Various Artists
Ev'ry Time I Feel The Spirit - Various Artists
My Way Is Cloudy - Various Artists
Nobody Knows The Touble I've Seen - Various Artists
I Couldn't Hear Nobody Pray - Various Artists

Tracks:

Holy, Holy, Holy
Lead, Kindly Light
Blessed Assurance
Ave Maria
What A Friend We Have In Jesus
Amazing Grace
The Lord's Prayer
Pass Me Not, O Gentle Saviour
The Church's One Foundation
Bless This House
I Need Thee Every Hour
Fairest Lord Jesus
I Wonder As I Wander
Ave Maria
Porgy And Bess: Summertime
America The Beautiful
Lift Ev'ry Voice And Sing
A Mighty Fortress Is Our God
Battle Hymn Of The Republic

Tracks:

Chants tziganes, Op. 103: He Zigeuner
Chants tziganes, Op. 103: Hochgeturmte Rimaflut
Chants tziganes, Op. 103: Wisst ihr, wann mein Kindchen
Chants tziganes, Op. 103: Lieber Gott, du weisst
Chants tziganes, Op. 103: Brauner Bursche
Chants tziganes, Op. 103: Roselein dreie in der Reihe
Chants tziganes, Op. 103: Kommt dir manchmal in den Sinn
Chants tziganes, Op. 103: Rote Abendwolken
Adriana Lecouvreur: Act I: Io son l'umile ancella
This Little Light O'Mine
Interview With Leontyne Price By John Pfeiffer

Amazon.com

This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles--Manon Lescaut, Butterfly, Tosca--and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi. Some are, naturally, more successful than others; almost none are embarrassing (Carmen comes close). In addition, she sings songs by Schubert, Schumann, and Strauss--none of them as well as say, Janet Baker or Elisabeth Schwarzkopf, and Barber's Knoxville, etc.--quite beautifully. Berlioz's Les Nuits d'été is not very good, but a group of spirituals is. In all, however, this is an amazing display by one of the century's greatest sopranos. There may be no new depths plumbed here, but the singing is a knockout. --Robert Levine

Customer Reviews:

A Long Time Coming..........2006-03-30

This compilation of Ms. Price's career is almost as complete as anything I've ever come across!!
An American Icon....I will forever be a loyal fan and admirer!!

Her Best Album.......2006-01-01

Along with the equally extensive "Prima Donna Collection" this is Leontyne Price's best album. Anyone who wants to become familiarized with her vocal technique and her art on record should own this album. It features her best work ever recorded. A lot of these arias and their respective soprano roles were not roles she sang on stage. Leontyne Price was not only a consummate artist, but a cautious one. The reason these arias, Lieder, Gospel and spirituals sound so beautiful and technically brilliant is because Leontyne was smart enough to sing them infrequently and in concert form. She did not take on new roles other than her repetitive Aidas, Leonoras, Butterfly, Toscas and Madame Lidoins, etc, because she was afraid of ruining her glorious voice too soon as many of her contemporary sopranos. Like soprano Zinka Milanov, Leontyne Price preserved the freshness and vitality of her voice through "operatic abstinence". Thus, the Norma, Salome, Manon, Lady Macbeth and even Traviata we hear on this album are well-rendered because she did NOT sing them on stage. She would have worn out her beautiful voice if she sung so many roles.

This collection is overwhelming. Leontyne Price proves herself to be a masterful artist of diverse repertoire. Pity she didn't really sing these on stage because she would have put Maria Callas and all the reigning divas before and after her to shame. Listen to her remarkable, unsurpassed Mozart repertoire. This she did sing in opera houses, probably because Mozart does not require a true lyrico-spinto heavyness and smaller opera houses can accomodate Mozartian voices that do not often rise above the staff/orchestra. She sang exquisite Fiordiligis at the Met. The arias from Cosi Fan Tutte here - Soave sia il vento, O Guarda Sorelle and the fiendishly difficult vocal showcase "Come Scoglio" with its vertiginious scales are all fine samples of Miss Price's artistry. She sang Susanna and Donna Anna with beauty and bravura. The Salome excerpt is quite thrilling. She would have made a terrific Salome but the role is quite difficult and it would have surely killed her voice. Leontyne Price was the number one Verdi soprano. Every opera cognoscente will tell you that. When you hear the excerpts from Verdi operas here - Lady Macbeth's Sleepwalking Scene, Aida's arias, Leonora's arias from Trovatore and Leonora's arias from Forza Del Destino, particularly La Virgine Del Angeli and the ravishing Pace Pace Mio Dio- are the best renditions of Verdi soprano singing. Anyone who wants to study how to sing in the letter-to-letter Verdi lyrico spinto style should hear these arias. A voice like Leontyne cannot be easily imitated. Maria Callas's own voice can be imitated as Romanian diva Angela Gheorghiu has proven. Leontyne was in a class of her own, a voice that is both dramatic and beautiful to hear. However, most people find fault in her lack of dramatic interpretation. I say they're not hearing hard enough. Yes, there is excessive beauty in her singing but she understood that the opera heroines should sound beautiful because they are beautiful and though I never saw her on stage, from the recordings I hear she sounds dramatic and character-driven enough for me to be satisfied. For a devoted fan of Leontyne Price, this album is the Holy Grail. She sings the most beautiful Norma, Madame Butterfly, Tosca, Aida, Violetta, Madame Lidoin, Suor Angelica, Susanna, Dona Ana, Gilda, Fiordiligi, Desdemona and countless other heroines. The last cd is a collection of Gospel, spirituals and patriotic songs. These "American", non-opera selections find her in beautiful voice and she is actually paying tribute to her roots. She was not only African-American, but a Southerner from Mississippi. Her voice must have been heavenly to hear in Church! This is the album that made me love Leontyne.

Price At Her Peak.......2005-05-02

Originally a Gospel singer, Leontyne Price rose to the heights of operatic superstardom in the 60's and 70's. She enjoyed the same success Maria Callas did in the 50's. Although Callas will forever be most people's idea of the greatest soprano of the 20th century, Leontyne Price was not a force to be reckoned with. In my opinion, and this is just me, she outshone Callas and was the greater singer as far as techinicality and musicianship. Leontyne Price's best work is recorded in this album. It is her best album, together with the Prima Donna Collection. The price is expensive but it's worth every penny. Prepare to be riveted and blown away by the dynamic strength and passion of her voice as it blasts through yours stereo. While many often point out that Leontyne Price was not much of an actress, from a purely operatic/vocal level, her voice was faultless and virtuosic, powerful, passionate, beautiful, lyrical, soulful. Never have I heard a soprano so richly endowed with strong chest register- she could sing the low octaves that are found in the roles of mezzo-soprano voices or contralto voices. But she was a dramatic soprano and that's dramatic with a capital D- all the high C's were there, perfectly in place, and she was a thrilling singer when reaching for the stratosphere with her voice.

This album contains arias from operas that I didn't even know she performed- La Traviata (yes, Leontyne Price as Violetta is a moving and powerful interpretation, executed with sublime beauty. She finds herself the equal to Callas in the role- for Callas had a big voice for a role that calls for the "dying" effect. Thus, Price, like Callas, could sing roles that call for beauty and not just dramatic vigor. It's unfortunate that unlike the stars that were rising in her time- Joan Sutherland, Beverly Sills and Montserrat Caballe- Price never mastered the bel canto repertoire - Rossini, Donizetti, Bellini (although she sang a sensational Norma, excerpts are found in this recording). But her strongest suit was Verdi. She had the voice Verdi was looking for in a soprano- rich, dramatic, beautiful, able to fill up the lines with smoky and velvety hues and a gleaming high top. Check out her Amelia in Un Ballo In Maschera, her Leonora in Trovatore, her Leonora in La Forza Del Destino. Of course, her greatest role, her signature role, and one which she connected with on a personal/ancestral level was that of Aida. The first selections in this recording are from that masterpiece. As Aida, she was at her best. It was easy for her somehow, when most other sopranos tackle the role with difficulty. She conveys grace, nobility, passion and spirituality in the role of the tragic Ethiopian princess.

Further roles she excelled in that are on this recording is Desdemona in Otello, which she sung opposite Placido Domingo. Their masterful voices blend together harmonically and gloriously in the Act 1 Love Duet. She's quite the ground-breaking artist. Most Violettas in Traviata or Desdemona in Otello are Caucasian lyric soprano (Desdemona was white, Otello was black, that was Shakespeare's intention) but in opera, race does not matter and Leontyne Price's voice made her a star in a time when it was incredibly difficult for a black woman to sing opera. From the start of the century, opera was always associated with white Europeans and later on Americans. But Leontyne Price followed the inspirational example of the gutsy contralto Marian Anderson, who suffered a lot of rejection in opera due to skin color in pre-Civil Rights Movement 30's, 40's and 50's. Finally in the late 50's, Anderson, after a lifetime of singing only in private concerts and recitals, debuted at the Met as Ulrica in Un Ballo. Leontyne Price immediately picked up where she left- singing all the soprano diva roles typically associated with white singers - especially Tosca. Her Tosca is second to her Aida. As Tosca, she encompasses the diva who dies for love in the most thrilling way.

Other than Tosca, Puccini heroines were just as magnificent vehicles for her voice. She sang Madame Butterfly to great acclaim. I dont know how she did it but she suddenly ceased to be herself and became the frail, naive, lovesick Japanese Geisha. Softness and fragility is also mixed with the maturity of a woman in love, with passion and dramatic vocal color. She sang La Rondine with equal success, though this role is more along the lines of Violetta/Traviata. She sang Suor Angelica, she sang in modern works such as Barber's Antony and Cleopatra- in that infamous Zefferelli production- she sang Gershwin's Porgy and Bess, she sang in Dialoge of the Carmelites. All these are on here, along with her Baroque specialties- Dido in Dido and Aeneas. Her Mozart voice is also the best I've heard, really, even with a more dramatic and beautiful charm than other singers I've heard. She sang the acrobatic role of Fiordiligi in Cosi Fan Tutte, both Dona Ana and Donva Elvira in Don Giovanni. I prefer her as Dona Ana, she is all fire, despair, intensity and repressed desire, but she sings a hysterical and lovesick Elvira with a passion as well. She even sang the Countess in Le Nozze Di Figaro. But the sky was the limit to Price. She even sang, in a Jessie Norman way, the Wagner role of Isolde. Her "Liebestod" is the greatest I've heard since Birgit Nilsson, with a passion that stemmed from her religious Gospel heart.
This is a great album and I recommend it to any fan of Price and any fan of opera in general. If you have never heard Price and want to start somewhere, start with this one. This one or the Prima Donna Collection.

of course world class.......2000-08-14

Price is amazing. I will have to also mention that Joan Sutherland in the 1960 is even more incredible, if that's possible. Check Dame Joan out, you will not be sorry. But Price is a D flawless diamond set by Cartier, in my opinion.

the greatest american soprano of the 20th century.......1999-12-12

This collection of arias, art songs, and spirituals is truly amazing for the sheer breadth and depth of this soprano's artistry. It is hard to imagine any Verdi soprano after Ms. Price who could offer us the smoky richness of her vocal color, and there are so many wonderful selections, many of them being roles she did not perform on stage. Among my personal favorites are her scene from Dialogues of the Carmelites, the Letter Scene from Eugene Onegin, and the drama of her Lady Macbeth. For those of us who heard Ms. Price over the years in opera and concert, this collection brings back wonderful memories...It is truly a must-have for any serious opera lover.

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