The Art of the Trio, Vol. 1
The Art of the Trio, Vol. 1
ASIN: B000002N82
Editorial Reviews
Amazon.com
Prodigious technique, an emphasis on harmonic impressionism and delicately strung arpeggios, a preference for the high-wire austerity of piano, bass, and drums: if jazz pianist Brad Mehldau sounds like he's grooming himself as the next Bill Evans, his second album only heightens the comparisons, right down to its deadly serious title. Happily, Mehldau pulls it off on this critically-acclaimed 1997 release, which finds his luminous touch bringing fresh power to standards (including the opening "Blame It on My Youth," "I Didn't Know What Time It Was," and a lovely reading of the Beatles' "Blackbird") and some equally strong originals. Drummer Jorge Rossy and bassist Larry Grenadier prove sympathetic partners, but it's Mehldau who transcends mere technical cuff-flashes to let the underlying lyricism carry the day. --Sam Sutherland
The Art of the Trio, Vol. 1,Brad Mehldau,Warner Bros / Wea,Jazz,Jazz Music,Pop,Post-Bop
Average customer rating:
- A perfect add to your jazz collection
- Bill Evans He's Not
- Great trio work, but missing something
- Great piano trio music
- Wonderful. Made with the craft of older jazz
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The Art of the Trio, Vol. 1
Brad Mehldau
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD
Bebop General
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- Songs: The Art of the Trio, Vol. 3
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- Art of the Trio, Vol. 5: Progression
ASIN: B000002N82
Release Date: 1997-01-28 |
Tracks:
- Blame It On My Youth
- I Didn't Know What Time It Was
- Ron's Place
- Blackbird
- Lament For Linus
- Mignon's Song
- I Fall In Love Too Easily
- Lucid
- Nobody Else But Me
Amazon.com
Prodigious technique, an emphasis on harmonic impressionism and delicately strung arpeggios, a preference for the high-wire austerity of piano, bass, and drums: if jazz pianist Brad Mehldau sounds like he's grooming himself as the next Bill Evans, his second album only heightens the comparisons, right down to its deadly serious title. Happily, Mehldau pulls it off on this critically-acclaimed 1997 release, which finds his luminous touch bringing fresh power to standards (including the opening "Blame It on My Youth," "I Didn't Know What Time It Was," and a lovely reading of the Beatles' "Blackbird") and some equally strong originals. Drummer Jorge Rossy and bassist Larry Grenadier prove sympathetic partners, but it's Mehldau who transcends mere technical cuff-flashes to let the underlying lyricism carry the day. --Sam Sutherland
Customer Reviews:
A perfect add to your jazz collection.......2006-05-14
This album is very, very well done. The man is genius, and if you only get a chance to hear one song, "Black Bird" is the one. Enjoy.
Bill Evans He's Not.......2006-03-07
In his interminably boring, mice type liner notes, Brad Mehldau goes to great lengths dispelling the notion that he might sound like Bill Evans. The message being, `Oh golly, there's so much more going on in my playing-Please.' Well, I can assure you, Bill Evans he's not. He wouldn't qualify to give Bill Evans a cab ride uptown. Matter of fact, he sounds more like watered down Keith Jarrett-nothing very original going on here. And if you need 10,000 words of liner notes to explain what you're doing-guess what-you ain't doing squat. As a pianist who's been playing modern jazz for 40 years, I can tell you to sit this set out. And if you want Bill Evans or Keith Jarrett, go get the real thing.
Great trio work, but missing something.......2005-07-07
I love listening to Brad Mehldau (ever since I first heard him play with Joshua Redman off the album, MOODSWING), however I think that his choice of music could have been better on this album. A worthwhile CD to listen to always has a mix of ballads, uptempos, medium tempos, and sometimes the blues. I wouldn't have made the first track a ballad, either. The mix is a little off on material. He included too many ballads for an album like this.
Great piano trio music.......2004-03-28
As a serious fan of Bill Evans, but with little knowledge of the jazz world, I picked up the first four volumes of Mehldau's Art of the Trio recordings following a recommendation from a friend.
Volumes 1 and 3 are studio recordings; volumes 2 and 4 are live (I don't have volume 5, yet, another live volume, this one on 2 CDs). I think Mehldau is great, and I especially like the studio recordings. They are lyrical and melodic, whereas the live recordings tend more toward pyrotechnics and displays of virtuosity.
If you like the kind of music Bill Evans played, you'll certainly like volumes 1 and 3. You may prefer the live ones, especially if you're into Keith Jarrett (at least Mehldau doesn't grunt and squeal all the time). In any case, this is great music, well played and the trio has a great rapport.
Wonderful. Made with the craft of older jazz.......2003-05-31
Simply wonderful. in Art of the Trio Volume 1 Brad Mehldau clearly seems to inherit the cloak of the marvelous Bill Evans, argueably, the best Jazz pianist of all time. The song are deep lyrical, just beautiful. Expressions of true emotion. His bass player Paul Grenadier meshes well, placing emphasis and pushing back where needed without seeming to get into turf battles (as sometimes happened with Evans) and Jorge Rossy drums are also perfect. A well oiled machine.
The best stuff here is the standards: "Blame it on my Youth", "I didn't know What Time it Was", the bouncy "Nobody Else but Me" and "Blackbird" (I always wonder why Jazz groups don't work more with the lyrical Beatle melodies, as Jazz musicians of the past used the pop melodies of Cole Porter, and Gershwin?). But the best of all is the heart wrenching, slow "I Fall in Love Too Easily". It takes courage to publicly display this kind of deep sadness (it isn't just a tempo). There must have been a failed love affair somewhere...
The original songs are, well, not up to the level of the standards, but what can you expect? They're new. It's really it's a great record from beginning to end. Despite some sad songs, the Trio genuinely seems to be enjoying themselves in playing!
Well recorded, good harmonics on the piano.
I would love to see Brad and the Trio make another CD this good!
Average customer rating:
- interesting first listen, but do you want to hear this again?
- Muzak for Aging Proggers
- CONTEXT BEING THE THING
- Excellent Prog-Rock Interpretations for Jazzy but not Jazz Piano Trio
- Great CD! Bring on Volume 2
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King Crimson Songbook, Vol. 1
The Crimson Jazz Trio
Manufacturer: Voiceprint UK
ProductGroup: Music
Binding: Audio CD
Avant Garde & Free Jazz
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ASIN: B000B865DM
Release Date: 2005-10-17 |
Tracks:
- 21st Century Schizoid Man
- Three Of A Perfect Pair
- Catfood
- Starless
- Ladies Of The Road
- I Talk To The Wind
- Red
- Matte Kudasai
Album Description
Very, very few players have covered King Crimson repertoire and no-one of prominence (other than The Schizoid Band and Andrew Keeling's orchestral arrangements) has attempted more than one or two pieces. There have been honourable renditions & representations but, until now, without significantly adding to my understanding of Crimson material.
The CJ3 have respectfully & irreverently taken 8 Crimson classics, repositioned them in the musical spectrum, and delivered their first Songbook with superb musicianship in service to wit & invention. I have heard, as if for the first time, Schizoid, TOAPP, Catfood, Starless, Ladies Of The Road, I Talk To The Wind, Red & Matte Kudasai.
Ian Wallace provides personal hotline & Crimson-juice authority to the Trio, although anyone unfamiliar with Ian's jazz passion & experience may be surprised by what is going on here. O for a shabby & smoke-free jazz club to sit back & savour The CJ3 in living sonic colour. O for someone to persuade Ian, Jody Nardone & Tim Landers to climb into the back of a van and travel.
Album Description
CJ3 have respectfully & irreverently taken 8 Crimson classics, repositioned them in the musical spectrum and delivered their first Songbook with superb musicianship in service to wit & invention. Featuring well known King Crimson members Ian Wallace and Mel Collins. Sleeve notes by Robert Fripp.Voiceprint. 2005.
Album Details
Very, Very Few Players have Covered King Crimson Repertoire and No-one of Prominence (Other Than the Schizoid Band and Andrew Keeling's Orchestral Arrangements) Has Attempted More Than One Or Two Pieces. There have Been Honourable Renditions and Representations But, Until Now, Without Significantly Adding to My Understanding of Crimson Material. The Cj3 have Respectfully and Irreverently Taken Eight Crimson Classics, Repositioned them in the Musical Spectrum, and Delivered their First Songbook with Superb Musicianship in Service to Wit and Invention. I have Heard, as If for the First Time, Schizoid, Toapp, Catfood, Starless, Ladies of the Road, I Talk to the Wind, Red and Matte Kudasai. Ian Wallace Provides Personal Hotline and Crimson-juice Authority to the Trio, Although Anyone Unfamiliar with Ian's Jazz Passion and Experience May Be Surprised by What is Going on Here.
Customer Reviews:
interesting first listen, but do you want to hear this again?.......2006-08-09
Being a big fan of the King Crimson material chosen for this disc and of good jazz piano (Evans, Jarrett, Tyner, Charlap, Gustavsen,....), I had high hopes. Sadly, this just doesn't work for me.
Faster tempo sections lack grit or aggression, and the quieter passages frequently descend into a Hilton lounge vibe.
Do the guys have musical chops? Certainly. And drummer Ian Wallace brings Crimson bandmate experience to the plate (the drums are the highlight of this set). I would have preferred an acoustic bass instead of the "front of the mix" electric that was chosen, but ability and instrumentation are not the problem. Soul and innovation are.
Despite an ever-changing band line up (sans Fripp, the only always-present member), King Crimson was always filled with musicians who had a lot to say and the ability to say it (even if you didn't didn't necessarily enjoy every incarnation or album).
Sadly, this CD doesn't live up to its concept. Great Crimson "standards" were chosen, but (unlike a great jazz trio tackling a stanard tune and building something new and exciting) these interpretations don't go very far.
I DO recommend checking this disc out. It's interesting to hear these pieces in a different context. The question will be whether or not you would like to hear them more than once.
Muzak for Aging Proggers.......2006-03-19
A few years ago, following the dubious success of "The Orchestral Tubular Bells" we were treated to a rapidly-descending series of lugubrious orchestrations of the music of Jethro Tull, Yes, Led Zeppelin, Rolling Stones, Pink Floyd (Oh, the humanity!) and several other Baby Boomer favorites. Thankfully, the trend died out as fast as it arose and elevators all over the world have gone back to "Tiny Bubbles" and "Raindrops."
Or maybe not. Is the Crimson Trio a harbinger of the next wave of bowderlization, where everything sacred is turned into Lounge Jazz this time? Can Nick the Lounge Singer, crooning "Aqualung" in airport lounges to blue-haired travelers, be far behind?
Oh the Trio is tasteful -- Landers is one hell of a bassist and Wallace is underappreciated -- but the first signs of the Apocalypse always are.
Be afraid. Be very afraid.
CONTEXT BEING THE THING.......2006-03-11
The equation is pretty simple: The Crimson Jazz Trio is to jazz somewhat less than King Crimson is to rock. But the real import here is a dramatic change of context, one that shifts the rhythmic and melodic components from an often clinical glare into a warm and generous new light. By allowing us to recognize these now familiar pieces in a completely new setting is a great way to demonstrate just how compelling, flexible and open-ended the music of King Crimson is. Even more interesting is the way in which the music of various generations of KC, each with its own distinct stylistic signature and aesthetic preoccupations, adapt to the here "standardized" jazz form.
More than an exercise, the first volume Songbook shows us that no matter what the form, interpretation is a critical aspect of making music. The interpretations here are uniformly worthwhile and exhibit the outcomes of what must have been some difficult decisions. Just consider untying the Gordian Knot that is "Starless", absent of Alexander's sword. Music such as this, with its strictly metered progressions built on razor-fine divisions and subtle, clockwork variations would seem impossible to adapt to the freer shadings of jazz. Yet, the Crimson Jazz trio accomplishes just that, to great effect.
Listening, however, proves to be equally demanding and rewarding, especially when compared to a spate of comparatively onanistic "mash-ups" of the original work. Anyone interested in music and its seemingly infinite pliability and potential should spend time with this Songbook.
Excellent Prog-Rock Interpretations for Jazzy but not Jazz Piano Trio.......2006-03-05
This disc is almost an instant classic, give or take a few minor reservations. Exceeded all my expectations that's for sure.
Landers & Wallace need no introduction but it is the unknown Nardone who is the revelation here. He's unfailingly tasteful in the slower and medium-tempo sections, really catching the immortal spirit of classic KC but he also tends to overplay and overstate and bang on the keyboards and take the song through some sort of climax, unnecessarily ruining his own extended state of grace, apparently thinking he has to do this just because this is the mighty King Crimson after all that they're interpreting and a bit of loudness and 'rocking out' is called for! Not so. By riding out the entire song in a perfect state of understated balance which is what cool jazz is all about and with fresh inventiveness each step of the way, he creates a masterpiece whereas whenever he bangs on the keyboards he creates only annoyance since no piano can match the power of Fripp's guitar.
That criticism aside, the great thing about Nardone is that when he's flying improv he's flying strictly with the 'beyond' feel or 'transcendent' feel of a tune, the mysterious spirit that makes it great and he's all about that 100% and where that takes him and not at all tied into a jazz idiom. In other words, if Keith Jarrett or Chick Corea or Herbie Hancock improvised on these same tunes, it would sound too jazzy and they would take a jazz approach and subordinate the feel of the tune to the jazz approach which tends towards homogeneity. Not Nardone, he takes the improv approach but leaves the jazz patterns or feel out because it would take away from the superior classic KC feel. The Jazz or be-bop derived style of playing with its established patterns of approach has been run down into the ground by hundreds of players over the years so it's great to hear a guy who likes the freedom of improvisation but likes the transcendence prog aims at at its best better than the very different type of transcendence jazz tries for. You could say that this is cool-jazz played with equal parts cool-jazz spirit & prog-rock imagination but without any be-bop dervied stuff thrown in that you hear in all standard jazz albums from Pat Metheny to Keith Jarrett.
Excellent job recording the CD as well, super-thick very nice piano sound, a killer deep electric bass that stands in for an upright and the classic Wallace drum tone.
Great CD! Bring on Volume 2.......2006-03-03
While this is not officially King Crimson, it's definitely a must for any Crimson fan. This is even a great jazz CD for those who aren't (yet) fans of KC. I really enjoy the very melodic fretless bass guitar. I definitely hope they stay together and record a Volume 2. I'd love to hear some more arrangements from the '80s Fripp/Belew/Bruford/Levin line up as well as the '90s Double Trio.
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Fanfare, Vol. 2: A Whirlwind Tour of 30 More World Famous Organs
Manufacturer: Priory
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Binding: Audio CD
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ASIN: B0000BZYR4
Release Date: 2004-01-27 |
Tracks:
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- Modus Iudendi - John Kitchen
- St. David's Day - Chris Nickol
- Trio - Suite - Dietrich Wagler
- Toccata
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- On a Rouen Church Melody - Roger Judd
- Our Father Which Art in Heaven - Kevin Bowyer
- Aria/Bouree - Keith John
- Gigue - Keith John
- Wind in the Chimney
- Trumpet Sonata - Paul Derrett
- Introduction (Suite Gothique) - Colin Andrews
- Ballet of the Unhatched Chicks - Keith John
- Toccata (Lynwood Farnham) - Paul Derrett
- Holy Boy - Jonathan Bielby
- Trio No. 4 - Adrian Partington
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The Songmaker' Almanac: Souvenirs de Venise
Manufacturer: Hyperion UK
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ASIN: B000A7XJPQ
Release Date: 2005-11-08 |
Tracks:
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- Gondelfahrer D808
- Venezianisches Gondellied Op. 57 No. 5
- Leis' Rundern Hier, Mein Gondolier Op. 50 No. 4
- Wenn Durch Die Piazzetta Op. 50 No. 3
- Venetsianskaya Noch'
- Venetsiya Noch'yu Op. 9 No. 1
- I Marinai
- Venise
- Souvenir De Venise
- Barcarolle Op. 7 No. 3
- Sopra L'acqua Indormenzada
- La Barcheta
- L'avertimento
- La Biondina In Gondoleta
- Che Peca!
- La Primavera
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The Recorded Cello: The History of the cello on record, Vol. 2
Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Recorded Cello, Vol.I
- The Road To Cello Playing
ASIN: B000000WYG
Release Date: 1993-01-21 |
Tracks:
- The Broken Melody
- Sing Me To Sleep
- Concerto In E Minor, Op. 85, 4th. Movt.
- Standchen
- Minuet
- Spinnelied
- Elfentanz
- Der Schmetterling
- Polonaise de Concert
- Sarabande In E Flat
- Larghetto - lamentoso (12 Impression' - I)
- Songs My Mother Taught Me
- The Broken Melody
- Poeme
- Trio In A Minor
- Old Italian Love Song
- Arietta
- Sonata No. 2 In D Major
- Adagio
Tracks:
- Ave Maria, Op.52
- Quintet, Op.13/5: Minuet
- Elegie
- Suite No.6, BWV 1012: Sarabande In D
- Minuet
- Adagio And Rondo
- Fantasie uber Sehnsucht
- Le Bourgeois Gentilhomme, Op.60
- Sonata in A major, Op.69: Adagio cantabile - Allegro vivace
- Mose: Variations On Themes
- Viennese Folk-Song Fantasy
- Sonata No.10 in E major: Gavotte
- Zigeunerweisen Op.20/1 (Introduction Only)
- Introduction And Polonaise In C Major, Op.3
- Pur dicesti
- Sonata In F Sharp Minor Op.1
Tracks:
- Villageoise
- Quartet No. 23 In F Major, K.590 (Finale Only)
- Sonata No. I In C Minor, Op.32
- Concerto No. 9 In D Major: Largo - Allegro - Largo - Allegro
- Plainte
- Extase
- Sicilienne, Op.78
- Quartet, In D Major, Op.20/4
- Scherzo
- Concerto No. 3 In A Major, W.172
- Comme au plus beau jour de Mai
- Sonata In A Minor, D.821 ('Arpeggione'): Allegro Moderato
- Serenade Espagnole, Op.20/2
- Nocturne In E Flat, Op.9/2
- Le Carnaval des Animaux: Le Cygne
- Suite For Two Cellos: IV. Chaconne - V. Le Je -Ne-Scay-Quoy
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Souvenirs de Venise
Manufacturer: Hyperion
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
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| Fauré, Gabriel
| ( F )
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| Glinka, Mikhail
| ( G )
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| Gounod, Charles
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| Massenet, Jules
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| Mendelssohn, Felix
| ( M )
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| Schubert, Franz
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| Rossini, Gioacchino
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ASIN: B000002ZHB
Release Date: 1996-01-08 |
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Beethoven: Unknown Works, Vol. 3
Manufacturer: Berlin Classics
ProductGroup: Music
Binding: Audio CD
Duets
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All Works by Beethoven
| Beethoven, Ludwig van
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ASIN: B0000035T5
Release Date: 1997-06-17 |
Tracks:
- 12 Vars in F, WoO 40 On The Theme 'Se Vuol Ballare' From Mozart's Opr 'The Marriage Of Figaro' - Eva Kander/Peter Glatte
- Adagio in E flat, WoO 43 No.2 - Erhard Fietz/Amadeus Webersinke
- Sonatina (Allegro) in C, WoO 44 No.1 - Erhard Fietz/Amadeus Webersinke
- 12 Vars in G, WoO 45 On A Theme From Handel's Oratorio 'Judas Makkabaus' - Mathilde Hermuth/Friedemann Erben
- Three Pieces, WoO 33: Adagio Assai in F - Erich Piasetzki
- Three Pieces, WoO 33: Scherzo. Allegro in G - Erich Piasetzki
- Three Pieces, WoO 33: Allegro in G - Erich Piasetzki
- Vars in C, WoO 28 on 'La Ci Darem La Mano' From Mozart's Opera 'Don Giovanni' - Peter Basche/Ekkehard Glocke/Dieter Wagner
- Trio in G, WoO 37: 1. Allegro - Bernd Casper/Hermann Wolfframm/Dieter Hahnchen
- Trio in G, WoO 37: 2. Adagio - Bernd Casper/Hermann Wolfframm/Dieter Hahnchen
- Trio in G, WoO 37: 3. Tema Andante Con Vars - Bernd Casper/Hermann Wolfframm/Dieter Hahnchen
Tracks:
- 24 Scottish Songs, Op.108: Music, Love And Wine - Renate Krahmer/Eberhard Buchner/Gunther Leib/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108: Sunset - Ingeborg Springer/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108: O Sweet Were The Hours - Eberhard Buchner/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108: The Maid Of Isla - Gunther Leib/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108: The Sweetest Lad Was Jamie - Ingeborg Springer/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108: Dim, Dim Is My Eye - Ingeborg Springer/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108: Bonny, Laddie, Highland Laddie - Gunther Leib/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108: The Lovely Lass Of Inverness - Ingeborg Springer/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108: Duet. Behold My Love How Green The Groves - Renate Krahmer/Gunther Leib/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108: Sympathy - Eberhard Buchner/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108:O! Thou Art The Lad Of My Heart - Renate Krahmer/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108:O, Had My Fate Been Join'd With Thine - Gunther Leib/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108: Come Fill, Fill, My Good Fellow - Eberhard Buchner/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108: O, How Can I Be Blithe And Glad - Ingeborg Springer/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108: O Cruel Was My Father - Ingeborg Springer/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108: Could This Ill World Have Been Contriv'd - Gunther Leib/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108: O Mary, At Thy Window Be - Gunther Leib/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108: Enchantress, Farewell - Eberhard Buchner/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108: O Swiftly Glides The Bonny Boat - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Gunther Leib/Eva AnderReinhard Ulbricht/Joachim Bi
- 24 Scottish Songs, Op.108: Faithfu' Johnie - Ingeborg Springer/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108: Jeanie's Distress - Ingeborg Springer/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108: The Highland Watch - Eberhard Buchner/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108: The Shepherd's Song - Gunther Leib/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108: Again, My Dyre - Renate Krahmer/Eva AnderReinhard Ulbricht/Joachim Bischof
- 24 Scottish Songs, Op.108: Sally In Our Alley - Eberhard Buchner/Eva AnderReinhard Ulbricht/Joachim Bischof
- 27 Songs Of Different Peoples, WoO 158/1: No.1 Ridder Stings Runer - Gunther Leib/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
- 27 Songs Of Different Peoples, WoO 158/1: No.4 Wann I In Der Fruh Aufsteh - Renate Krahmer/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
- 27 Songs Of Different Peoples, WoO 158/1: No.7 Wer Solche Buema Afipackt - Gunther Leib/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
- 27 Songs Of Different Peoples, WoO 158/1: No.8 Ih Mag Di Nit Nehma, Du Toppeter Hecht - Renate Krahmer/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
- 27 Songs Of Different Peoples, WoO 158/1: No.9 Oj, Oj Upilem Sie W Karczmie - Gunther Leib/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
- 27 Songs Of Different Peoples, WoO 158/1: No.10 Poszla Baba Po Popiol - Eberhard Buchner/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
- 27 Songs Of Different Peoples, WoO 158/1: No.12 Seus Lindos Olhos - Eberhard Buchner/Gunther Leib/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
- 27 Songs Of Different Peoples, WoO 158/1: No.13 Im Walde Sind Viele Mucklein Geboren - Renate Krahmer/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
- 27 Songs Of Different Peoples, WoO 158/1: No.14 Ach bachlein, Bachlein, Kuhle Wasser - Renate Krahmer/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
- 27 Songs Of Different Peoples, WoO 158/1: No.15 Unsere Madchen Gingen In Den Wald - Eberhard Buchner/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
- 27 Songs Of Different Peoples, WoO 158/1: No.17 Vaggvisa - Renate Krahmer/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
- 27 Songs Of Different Peoples, WoO 158/1: No.18 An A Bergli Bin I Gesasse - Renate Krahmer/Ingeborg Springer/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
- 27 Songs Of Different Peoples, WoO 158/1: No.20 Bolero A Due: Como La Mariposa - Renate Krahmer/Ingeborg Springer/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
- 27 Songs Of Different Peoples, WoO 158/1: No.22 Magyar Szuretolo Enek - Eberhard Buchner/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
- 27 Songs Of Different Peoples, WoO 158/1: No.24 Air De Colin (from Le Devin Du Village) - Eberhard Buchner/Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
- 27 Songs Of Different Peoples, WoO 158/1: No.27 Air Francais - Eva Ander/Reinhard Ulbricht/Joachim Bischof/Kurt Mahn/Werner Paul
Tracks:
- Sextet in E flat, Op.81b: 1. Allegro Con Brio - Gerhard Meyer/Rudolf Horold
- Sextet in E flat, Op.81b: 2. Adagio - Gerhard Meyer/Rudolf Horold
- Sextet in E flat, Op.81b: 3. Rondo. Allegro - Gerhard Meyer/Rudolf Horold
- Ten Varied Themes, Op.107: No.1 Air Tirolien. Moderato in E flat Und Vier Vars - Eva Ander/Johannes Walter/Peter Glatte
- Ten Varied Themes, Op.107: No.2 Air Ecossais. Allegretto, Quasi Vivace in F Und Vier Vars - Eva Ander/Johannes Walter/Peter Glatte
- Ten Varied Themes, Op.107: No.3 Air De La Petite Russie. Vivace in G Und Fun Vars Und Funf Vars - Eva Ander/Johannes Walter/Peter Glatte
- Ten Varied Themes, Op.107: No.4 Air Ecossais. Allegretto Scherzo in F Und Zwei Vars - Eva Ander/Johannes Walter/Peter Glatte
- Ten Varied Themes, Op.107: No.5 Air Tirolien. Moderato in F Und Drei Vars - Eva Ander/Johannes Walter/Peter Glatte
- Ten Varied Themes, Op.107: No.6 Air Ecossais. Andante Comodo in E flat Und Vier Vars - Eva Ander/Johannes Walter/Peter Glatte
- Ten Varied Themes, Op.107: No.7 Air Russe. Andante in a Und Sechs Vars - Eva Ander/Johannes Walter/Peter Glatte
- Ten Varied Themes, Op.107: No.8 Air Ecossais. Andantino Quasi Allegretto in D Und Vier Vars - Eva Ander/Johannes Walter/Peter Glatte
- Ten Varied Themes, Op.107: No.9 Air Ecossais. Allegretto Piu Tosto Vivace in E flat Und Funf Vars - Eva Ander/Johannes Walter/Peter Glatte
- Ten Varied Themes, Op.107: No.10 Air Ecossais. Spirituoso E Marciale in g Und Funf Vars - Eva Ander/Johannes Walter/Peter Glatte
- Duo in C, WoO27 No.1: 1. Allegro Commodo - Oskar Michallik/Jurgen Reuter
- Duo in C, WoO27 No.1: 2. Larghetto Sostenuto - Oskar Michallik/Jurgen Reuter
- Duo in C, WoO27 No.1: 3. Rondo. Allegretto - Oskar Michallik/Jurgen Reuter
Average customer rating:
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Classical Surroundings Vol. 7 (Trio)
Manufacturer: Pamplin Music
ProductGroup: Music
Binding: Audio CD
Trios
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General
| Chamber Music
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All Works by Bloch
| Bloch, Ernest
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| Brahms, Johannes
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| Haydn, Franz Joseph
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| Liszt, Franz
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| Mozart, Wolfgang Amadeus
| ( M )
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| Schumann, Robert
| ( S )
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CDs $7 - $10
| Classical General
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ASIN: B00004RBZO
Release Date: 2000-04-04 |
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Les Lumières du Baroque: Une Encyclopédie Musicale (Box Set)
Manufacturer: Harmonia Mundi
ProductGroup: Music
Binding: Audio CD
Courantes
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Gigue
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All Works by J.S. Bach
| Bach, Johann Sebastian
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| Biber, Heinrich Ignaz
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| Boccherini, Luigi
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| Charpentier, Marc-Antoine
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| Corelli, Arcangelo
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| Couperin, Louis
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| Dowland, John
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| Gesualdo, Carlo
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| Handel, George Frideric
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| Marais, Marin
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| Marenzio, Luca
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| Pachelbel, Johann
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| Tartini, Giuseppe
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ASIN: B00005REQH
Release Date: 2002-02-12 |
Average customer rating:
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Bach: Organ Works, Vol. 1 (Box Set)
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
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All Bargain Titles
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ASIN: B0000013IM
Release Date: 1995-04-07 |
Tracks:
- Adagio
- Allegro
- Vivace
- Largo
- Allegro
- Andante
- Adagio E Dolce
- Vivace
- Prelude & Fugue In A Minor
Tracks:
- Prelude & Fugue In A Minor
- Prelude & Fugue In G Major
- Prelude & Fugue In C Minor
- Prelude & Fugue In G Minor
- Prelude & Fugue In A Major
Tracks:
- Adagio/Vivace
- Andante
- Un Poco Allegro
- Allegro
- Largo
- Allegro
- Vivace
- Lento
- Allegro
- Prelude & Fugue In C Major, BWV 547
- Contrapunctus X (Fuga A 4 Voci, Alla Decima) - Wofgang Rubsam
- Contrapunctus VIII (Fuga A 3 Voci) - Wofgang Rubsam
- Contrapunctus XI (Fuga A 4 Voci) - Wofgang Rubsam
- Contrapunctus XV (Canon Alla Duodecima In Conapunto Alla Quinta) - Wofgang Rubsam
Tracks:
- Contrapunctus I
- Contrapunctus II
- Contrapunctus III
- Contrapunctus IV
- Contrapunctus XII
- Contrapunctus V
- Contrapunctus VI
- Contrapunctus VII
- Contrapunctus XIV
- Contrapunctus IX
- Contrapunctus X
- Contrapunctus VIII
- Contrapunctus XI
- Contrapunctus XV
Tracks:
- Fuga A 4 Voci: Rectus
- Inversus
- Fuga A 3 Voci: Rectus
- Inversus
- Contrapunctus XIII
- Contrapunctus XIX
- Partita Sopra Sei Gegrusset Jesu Gutig, BWV 768
- Passacaglia In C Minor, BWV 582
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