Alfie [Original recording remastered] [Soundtrack]
Alfie [Original recording remastered] [Soundtrack]
ASIN: B000003N9Q
Editorial Reviews
Amazon.com
While Sonny Rollins's saxophone solos epitomized his best free-flowing improvisational ideas, he let the story of Michael Caine's philandering character determine the mood of this 1966 soundtrack. But knowing the movie's plot is not essential to hearing how this disc is a unique part of Rollins's oeuvre. A long-standing individualist, Rollins worked with director Lewis Gilbert to devise a narrative, and then conductor Oliver Nelson wrote arrangements based on his charts. Rollins is famous for his small groups, but here he leads an 11-piece band and gives considerable space to guitarist Kenny Burrell. The collaboration embellishes Rollins's playing, which was as strong in the mid-'60s as in his more celebrated years. And "Alfie's Theme" has become an unlikely jazz standard. --Aaron Cohen
Alfie,Sonny Rollins,Grp Records,Jazz,Jazz Music,Pop
Average customer rating:
- Applause for Applause!
- Lauren Bacall !
- Love it
- Welcome CD edition of the original Broadway cast album
- lauren
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Applause (Original 1970 Broadway Cast)
Lee Adams
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD
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ASIN: B00004ZDV0
Release Date: 2000-10-17 |
Tracks:
- Overture
- Backstage Babble
- Think How It's Gonna Be
- But Alive
- The Best Night of My Life
- Who's That Girl?
- Applause
- Hurry Back
- Fasten Your Seat Belts
- Welcome to the Theatre
- Good Friends
- She's No Longer a Gypsy
- One of a King
- One Hallowe'en
- Something Greater
- Finale
- Applause -- Charles Strouse (vocal and piano) (bonus track)
- The Loneliest Man in Town -- Charles Strouse (vocal and piano) - bonus track
- Smashing N.Y. Times -- Charles Strouse (vocal and piano) - bonus track
- God Bless -- Charles Strouse (vocal and piano) - bonus track
Customer Reviews:
Applause for Applause!.......2006-07-13
I recomend this cd to all theater fans. Even the ones who love a great, toe tapping score. The song they sing in titled Applause can be seen in the Bonus Performances on the DVD titled Broadways Lost Treasueres. That is how I first heard of Applause. It was very entertaining!
Lauren Bacall !.......2005-07-09
Based on the classic movie "All About Eve", Lauren Bacall won a Tony for her performance in this great musical.
Best tracks include:
But Alive
Applause [Bonnie Franklin of "One Day At A Time" fame!]
Something Greater
Not all the songs are great, but totally worth the buy!
Love it.......2004-04-01
Love the CD ( I have had the vinyl recording ever since it came out), but wish it could be released on Video or DVD(does anyone out there know if this will ever happen?). I saw the television production with Lauren Bacall and Larry Hagman back in the early 1970's and saw an amateur production of it here in Melbourne as well and having always loved the whole concept of the movie, I feel that it transferred well to the stage.
Welcome CD edition of the original Broadway cast album.......2004-01-17
First... a request to people reviewing stage cast albums, Several reviews refer to these recordings as "soundtracks."
WRONG!!!!
"Soundtrack" recordings are records/cds transfered from from movies ONLY.
Live theatre does not use pre-recorded "soundtracks" - the casts perform live on stage and these "original cast recordings" are made in recording studios and designed for home listening.
PLEASE.... maintain your credibility by using the correct term!
************
Finally, after years of negotiation Decca Broadway is making the 1970 Tony winning musical APPLAUSE avaialble on Cd. Was it worth the wait? Well, yes and no. APPLAUSE is one of those late 60's musicals adapted from a hit play/novel/movie and offering lots of glitz and energy to cover up the deficiencies of the show itself.
Star Lauren Bacall provided the "star" quality though she has no real singing voice but as an actress she rises above it bringing the character to vivid life. Len Cariou sings well as Bacall's boyfriend but has very little to do.
Bacall gets the key gems and with two major exceptions any of the numbers in which she does not appear can be ignored. The first exception is the lively title song - a tribute to the power of applause. It has almost nothing to do with the plot but still stopped the show nightly. The other,is a dramatic soliloque for Penny Fuller in the (virtually) non-singing role of Eve: "One Hallowe'en." This is Eve's big moment to really show her true colours and Fuller makes the most of it. Missing from the recording - becasue it is a dialogue scene - is the following moments when Eve recieves humiliating comeuppance.
The original Lp release was done by ABC records and had an annoying "boxy" sound quality that has not been corrected on the cd. The very short selection has been filled out with demo recordings by composer Charles Strouse and a couple of the cut songs sound quite interesting. Packaging is up to Decca Broadway's usual high standards.
lauren.......2003-12-04
i have a copy of this recording on LP, and have enjoyed it for approx 25 yrs. couldn't wait for the cd. bought it the first time i saw it.
i am wondering if anyone has seen the tv production of APPLAUSE starring LAUREN broadcast circa 1974 on tv? and is there any possibility of obtaining a copy on anything? the production was FANTISTIC, to say the least!!!
Average customer rating:
- Sammy Davis Jr. is awesome
- Great Memories (better than current 2005 Broadway Revival)
- long-overdue reissue of the classic soundtrack
- Sweet Charity
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Sweet Charity (1969 Film Soundtrack)
Cy Coleman , Shirley MacLaine , and Sammy Davis Jr.
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000AYL1W
Release Date: 2003-08-26 |
Tracks:
- Overture
- My Personal Property
- Big Spender
- The Pompeii Club
- If My Friends Could See Me Now
- There's Gotta Be Something Better Than This
- It's A Nice Face
- Rhythm Of Life
- Sweet Charity
- I'm A Brass Band
- I Love To Cry At Weddings
- Where Am I Going?
- Finale
Customer Reviews:
Sammy Davis Jr. is awesome.......2007-01-10
I have been converting my old LP's into CD's then putting them on my Ipod. I am picky about what I put on my Ipod, selecting only certain tracks from each CD. This CD, however, I put all tracks onto my Ipod except the overture. While I find Shirley MacLaine's voice a bit weak, the songs overcome any such problems with their energy. And one of the main reasons I wanted the movie rather than broadway CD was because of Sammy Davis Jr. His contributions to this album are worth every penny.
Great Memories (better than current 2005 Broadway Revival).......2005-08-06
I saw the movie version for the first time a couple of years ago and continue with fond memories. I saw the 2005 Broadway Revival in June. Trust me, stick with the movie cast recording. Paula Kelly, Chita Rivera, and even Shirley MacLaine have a magic and zeal that is lost in the current revival. My main disappointment is that the movie soundtrack's version of The Rich Man's Frug is too short and doesn't have the best parts of the full number from the movie. That aside, who could ever top Sammy Davis' performance in Rythm of Life. Chita and Paula are beyond comparison in Something Better Than This.
This cast recording makes me wish I was old enough to have seen them during the original Broadway run.
Consider buying the DVD to the movie to accompany this DVD. That way, you'll also get to see Ben Vereen at his best. I will warn you that the movie was a bit indulgent with extended scenes whose length is not justified by their contribution to the overall film. It's about 20-30 minutes too long. But the musical and dance numbers are really great. Who doesn't love Fosse?
long-overdue reissue of the classic soundtrack.......2003-10-09
SWEET CHARITY was turned into a not-so-successful film in 1969, starring Shirley MacLaine. Originally appearing on Broadway in 1966 starring Gwen Verdon, the musical is based on the classic Fellini film "Nights of Cabiria".
The score was heavily revised for the move to celluloid. "You Should See Yourself" was replaced by "My Personal Property", "I'm the Bravest Individual" was replaced by "It's a Nice Face". The melody for "Sweet Charity" was re-jigged for a more uptempo feel. Songs cut from the score altogether included "Baby Dream Your Dream", "Too Many Tomorrows" and "Charity's Soliloquy".
Shirley MacLaine was joined by a cast including veteran Broadway talents Paula Kelly and Chita Rivera, John McMartin (recreating the role he originated on Broadway opposite Gwen Verdon) as Oscar Linquist, Sammy Davis Jr. as Daddy Brubeck, Stubby Kaye as Herman and Ricardo Montalban.
Shirley MacLaine sings her numbers with her sweet pixie-esque voice, gliding through showstoppers like "I'm a Brass Band" and "If My Friends Could See Me Now" with great ease.
Another fantastic package from Decca Broadway. Peter Filichia, as always, offers comprehensive liner notes, and sound quality is quite good. In addition to this CD I also recommend the still-superb 1966 original Broadway cast album with Gwen Verdon.
Sweet Charity.......2003-09-14
I've been waiting for this version of Sweet Charity to come out for years. My parents use to listen to the Decca LP many years ago and the tunes grew on me. From hey Big Spender, If My Friends Could See Me Now, I'm A Brass Band, etc, etc Great music all around with not one bad track. Before this version I had brought the Broadway Show versions and to me they were all kind of flat. Maybe because I grew up on the film version I couldn't appreciate the show versions as much. The vocals and the scoring are great. Shirley MacClaine doesn't have the greatest voice in the world but she's still great.
My biggest complaint about this CD release is that it is not complete. You think that Decca Records would do a complete Cd release as previous musical soundtracks have done. This is a direct copy of the Lp released so many years ago. There is so much more music in this film that I was disapointed when I found it it was only a Cd of the original album. With Cd's fitting up the 80 minutes of music it is very surprising that this truncated version was released. Maybe because it's not considered a classic. This is am underrated film as far as I am concerned and in my opinion a far better score than Chicago (with all due respect to Bob Fosse who directed this film) This would be a great CD if only it wasn't abbreviated.
Average customer rating:
- Great, definitely go with this and TAC
- Awesome
- Bought it used - thank God!
- magnificent!
- Mixed Feelings
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Les Miserables - The Complete Symphonic Recording
Claude-Michel Schonberg
Manufacturer: Relativity
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003BVK
Release Date: 1990-05-22 |
Tracks:
- Prologue
- Valjean's Soliloquy (What Have I Done?)
- At The End Of The Day
- I Dreamed A Dream
- Lovely Ladies
- Fantine's Arrest
- The Runaway Cart
- Who Am I?-The Trial
- Fantine's Death
- The Confrontation
- Castle On A Cloud
- Master Of The House
Tracks:
- The Bargain-The Waltz Of Treachery
- Look Down
- The Robbery-Javert's Intervention (Another Brawl)
- Stars
- Eponine's Errand
- The ABC Cafe-Red And Black
- Do You Hear The People Sing?
- Rue Plumet-In My LIfe
- A Heart Full Of Love
- The Attack On Rue Plumet
- One Day More!
- At The Barricade (Upon These Stones)
- On My Own
- Building The Barricade
- Javert's Arrival
- Little People
- A Little Fall Of Rain
- Night Of Anguish
- First Attack
Tracks:
- Drink With Me
- Bring Him Home
- Dawn Of Anguish
- The Second Attack (Death Of Gavroche)
- The Final Battle
- The Sewers-Dog Eats Dog
- Javert's Suicide
- Turning
- Empty Chairs At Empty Tables
- Every Day (Marius And Cosette)
- Valjean's Confession
- The Wedding Chorale- Beggars At The Feast
- Epilogue (Finale)
- Bonus Track
Customer Reviews:
Great, definitely go with this and TAC.......2005-08-31
Right now, there are four official English-language versions of Les Miserables: the Original London Cast Recording, the Original Broadway Cast Recording, the Complete Symphonic Recording, and the 10th Anniversary Concert Recording. Les Mis' addicts are best served by purchasing all recordings, as they showcase different stages (as in the OLC and the OBC) of the development of this mega-musical, as well as the interesting variations in presentation and performances by the different casts and orchestras.
If you're the average musical-theater listener who can't afford to buy all available English-language recordings, however, my advice would be to get the CSR (due to the fact that it's "complete") and the TAC recording (due to the fact that performer- and performance-wise, it's leaps and bounds better than all of the other recordings). You deserve no less.
Awesome.......2005-07-03
I can't believe all the negative comments about Gary Morris. He is so much better in the role than Colm Wilkinson. I've seen Gary perform the part three times and there is NO better Jean ValJean (seen the play 14 times). It's an international cast and some of the accents do take time getting used to. But the power of the music supercedes it all. Listen with your heart people. It's so incredible.
Bought it used - thank God!.......2005-06-17
"Les Miserables" is a marvelous musical; a stunningly faithful interpretation of Victor Hugo's masterpiece, with an inspiring storyline and unforgettable characters. There are 2 reasons for buying a Les Mis CD - (1) you've seen a performance and want ONE CD to remind you of it or (2) you've become a les Mis junkie (like me) and want multiple versions so you too can hold forth on the rival merits of Andy Warlow vs Michael Maguire, Patty LuPone vs Ruthie Henshaw, Frances Ruffelle vs Kaho Shimada vs Lea Solonga. If you are in the first category, you really want the Tenth Anniversary Concert. The TAC has the complete storyline (albeit slightly abridged), it was recorded live (so there's an unique intensity and chemistry between performers), and from top to bottom it has by far the best cast.
However, if you're a serious Les Mis fan, you should buy this CD (in addition), simply because it does have the complete score. (The trouble with THAT is that it includes practically the only misstep in the whole script - if Jean Valjean has his number branded on his chest, then how is it credible that someone else will be convicted in his place?) I bought it for that reason and to hear other interpretations of the roles (in particular Andy Warlow's). I have all 4 versions, and they have all have their pluses and minuses, but frankly, I'm glad I didn't pay full price for this one. This version has a rather weak cast in general, but that does add to the fun arguing about it. On the plus side, it has Philip Quast ( THE BEST Javert, but he's even better on the TAC), Michael Ball (THE BEST Marius, also on the OLC and TAC versions), and Andy Warlow (a stirring Enjorlas for sure, but not THAT much better than Michael Maguire on the OBC and TAC). The scenes at the barricade are the best part of the CD. Kaho Shimada is an uneven Eponine, OK sometimes, less so at others. Debbie Byrne (Fantine) is OK, but I don't find her as moving as Patty LuPone (OLC) or Ruthie Henshaw (TAC). Tracy Shayne (Cosette) is irratating, not nearly as sweet as Judy Kuhn (OLB and TAC) or even Rebecca Caine (OLC). I find Barry James and especially Gay Soper (M. and Mme. Thenardier) grating as well.
I really miss Colm Wilkinson (OLC, OBC and TAC). OK, he has a unique singing style, but such heart. Not always perfect, but so powerful and emotional. All his solos and "Confrontation" just stop me dead in my tracks. The sweetness and purity of his "Bring Him Home" and "Epilogue" move me to tears. But really, there must be someone else who can do at least an adequate job or the show wouldn't have run so long in so many venues. I am willing to listen to another interpretation, but not this one. This is the central role in the play, it really can't survive without a good performance here. Gary Morris is horrible as Jean Valjean, cringe-provoking at times, merely weak at others. He's totally overmatched by Quast in "Confrontation" and by everyone in "One Day More" and "Epilogue". I haven't tried the recommendation of one reviewer of listening while squinting and shaking my head hard, but I don't see how that will help. Morris's "What have I done?", "Bring Him Home" and "Valjean's Confession" make me cover my ears or send me running for the fast forward button, although "Who am I?" isn't so bad. (I just tried the head shaking trick, it didn't help.)
magnificent!.......2005-06-15
Ok, I admit it. I have long been a fan of musicals, but I was only exposed to Les Mis a few months ago. My roommate loaned me this recording, and I fell in love. I played nothing but this soundtrack for the next several weeks.
As this is the only recording I've heard fully, I cannot give any comparisons between the performers here and those on other versions, but I do wish to give my general impression of the cast.
*Gary Morris (Valjean) - he has a strong, clear voice with which it is hard to find fault. He sings with emotion and passion, and I cannot imagine ever tiring of hearing him as Jean Valjean. If I had to give a complaint, it would be that I could imagine a voice with a little more distinct character...something a little riskier for the part of someone so complex.
*Philip Quast (Javert) - wow, I love deep voices, and his is so rich! I love when he hits the low note near the beginning of "Confrontation" ...I've seriously replayed that part over and over again just because it sends shivers through me...haha, I think you get the idea. This guy is good.
*Debbie Byrne (Fantine) - her voice took some getting used to because at first it seemed to me a little uncontrolled, almost like she could capture the fullness of the sound but not quite hit the notes. However, the more I listen to her, the more I enjoy her. Her voice has a wonderful texture, something you totally miss when listening to the super-clear, trilling sopranos that seem to be found all over most other musicals.
*Kaho Shimada (Eponine) - her voice took a little getting used to as well. I was a little confused until I realized she was Japanese, for though I wouldn't say you hear an accent, her voice does have a very different quality to it. Still, I enjoyed her performance very much. Her voice is trembling with emotion the entire time, almost like she can hardly control it...it is quite moving.
*Tracy Shayne (Cosette) - wow. I'm sorry, is Cosette supposed to be this shrill? Turn it off! While I'm impressed at some of the notes she hits, I don't think it's supposed to make you want to cover your ears.
*Michael Ball (Marius) -Ball makes Marius, a rather annoying character if you ask me, into someone actually likable, if not lovable. He's passionate and romantic, but not vapid. Probably my favorite vocal performance.
*Gay Soper and Barry James (the Thernardiers) - their voices are rather grating, but that's the point, right? Very entertaining performances...particularly in "Master of the House" (which, it's true, somehow manages to be stuck in your head all day).
*Anthony Warlow (Enjorolas) - very appropriate voice...manly and vibrant. If he doesn't make you want to go out and fight, then there's no help for you!
Overall, the performances were wonderful. I highly recommend this CD. A great recording of a great musical!
Mixed Feelings.......2005-04-20
I bought this recently, and it was an object lesson in why I ought to research an item before purchasing it.
For me, it's truly a toss-up as to whether this is a recording worth purchasing. The main benefit-a far from insignificant one-is that it is a complete recording full of much more materiel than can be found on the London or Broadway cast recordings. Basically, I was far from satisfied. The liner notes are error ridden, and the casting was not as good as possible. Gary Morris struck me as too young for the part, and Gay Soper (Mme. Thenardier) has a voice akin to the sound of fingernails on a chalkboard. But, in the absence of a complete Broadway recording, this still may be the best version available to buy. Be sure, however, to supplement it with another version. (The Tenth Anniversary recording might be the best.)
Average customer rating:
- An underrated gem!
- Dig that beat...
|
The Nervous Set (1959 Original Broadway Cast)
Tommy Wolf , Fran Landesman , and Richard Hayes
Manufacturer: Drg
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ASIN: B00005YKIO
Release Date: 2002-02-26 |
Tracks:
- Overture/Man, We're Beat
- New York
- What's To Lose/Stars Have Blown My Way
- Fun Life
- How Do You Like Your Love?
- Party Song
- Night People
- Overture - Act II
- Party Song (Reprise)
- I've Got A Lot To Learn About Life
- The Ballad Of The Sad Young Man
- A Country Gentleman
- Max The Millionaire
- Travel The Road Of Love
- Laugh, I THought I'd Die
- Fun Life (Reprise)
- Bonus Track 1: Fun Life (By Jackie Cain & Roy Kral)
Amazon.com
As fans of musical theater, we're used to offbeat projects, but this long-forgotten show takes the cake--and it's completely entrancing. The opening number alone makes nasty fun of the then-popular beatniks and is immediately followed by "New York," a list song enumerating all the awful things about the city. Rarely has so much bile been spilled on the New York stage--but perhaps that's because the show originated in St. Louis. Tommy Wolf's finger-snapping score and Fran Landesman's biting lyrics are very compelling, especially because it's hard to tell when they're serious and when they're drily sarcastic. The energetic cast, which includes Larry Hagman (best known as JR in Dallas), is backed by a jazz quartet, and the result often sounds strangely contemporary. And then you have some numbers, such as "Night People," that are almost Sondheimian. What a strange, wonderful little show this is. --Elisabeth Vincentelli
Customer Reviews:
An underrated gem!.......2003-06-03
The songs in this musical are simply wonderful! Canny, passionate, "beat," and sardonic. The story, its characters, and the lyrics are classic Greenwich Village of the late 1950's. This CD features talented singers and actors (including a very young Larry Hagman),a great lyricist, lush and complex music. To reiterate, it's just WONDERFUL! I ruined my LP long ago, and am THRILLED to find this CD replacement.
Dig that beat..........2002-02-28
A fun recording to have on CD. Very beatnik oriented musical from 1959 with such interesting names in the cast as Tom Aldredge (Into the Woods, Passion) and Larry Hagman!? The song "New York" is a lot of fun. The best of the rest the score include "The Ballad of the Sad Young Man" sung by Tan Seitz and "Laugh, I Thought I'd Die" sung by Richard Hayes. Larry Hagman has one song, "Travel the Road of Love" and although he doesn't embarrass himself, thank God "I Dream of Jeannie" and "Dallas" were still be come. He definitely did not inherit his mother's singing ability. In fact, I think his mother was performing in "The Sound of Music" during the short run of this show.
Average customer rating:
- An American Treasure
- DON'T DESPAIR. IT'S BEEN REISSUED!!!!!
- An American tragedy....
- Gorgeous!
- Defective disc.
|
Show Boat (1988 Studio Cast): Von Stade; Hubbard; Hadley; McGlinn
Frederica von Stade , Jerome Kern , Jerry Hadley , Bruce Hubbard , Teresa Stratas , David Garrison , Leslie Fyson , John McGlinn , and London Sinfonietta
Manufacturer: Angel Records
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ASIN: B000002SJL
Release Date: 1990-10-25 |
Tracks:
- Overture
- Show Boat: Act One, Scene One - Cotton Blossom: Niggers all work on d Mississippi... (Stevedores, Gals, Queenie, Steve, Pete, 1st Mincing Miss, 2nd Mincing Miss, Beaux, Girls & Boys)
- Show Boat: Act One, Scene One - Cotton Blossom: 'Andy!!!...' (Parthy, Windy, 1st Mincing Miss, 2nd Mincing Miss)
- Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Here comes the Show Boat parade!...' (Boy, Girls, Boys, Andy, Parthy)
- Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Hey Julie...' (Pete, Julie, Steve, Parthy, Andy, Ellie)
- Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'It's a man...' (Ellie, Ravenal, Vallon)
- Show Boat: Act One, Scene One - Where's the Mate for Me?: Who cares if my boat goes upstream... (Ravenal, Magnolia)
- Show Boat: Act One, Scene One - Make Believe: Only make believe I love you... (Ravenal, Magnolia, Vallon)
- Show Boat: Act One, Scene One - Ol' Man River: 'Oh, Joe!...' (Magnolia, Joe, Men)
- Show Boat: Act One, Scene Two - Can't Help Lovin' Dat Man: 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
- Show Boat: Act One, Scene Three - Life on the Wicked Stage: Why do stage struck maidens clamor... (Ellie, Girls)
- Show Boat: Act One, Scene Three - Till Good Luck Comes My Way: The man who ventures with chance... (Ravenal, Men)
- Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': Mis'ry's comin' aroun'... (Queenie, Women, Joe Magnolia, Julie, Men, Solo Bass)
- Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Take her up, Rubberface!...' (Andy, Julie, Steve, Magnolia, Parthy, Ellie, Windy)
- Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Hello, Windy...' (Vallon, Andy, Magnolia, Steve, Julie, Windy, Ellie, Parthy)
- Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'You needn't all look at us...' (Steve, Colored Chorus, Andy, Parthy, Magnolia, Ellie, Frank)
- Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Looks like a swell...' (Andy, Parthy, Frank, Ravenal, Julie, Magnolia, Steve, Joe)
Tracks:
- Show Boat: Act One, Scene Five - I Would Like to Play a Lover's Part: Her face is fair to look upon... (Boys, Girls, Ellie, Frank)
- Show Boat: Act One, Scene Five - I Might Fall Back on You: Little girl, you are safe with me... (Frank, Ellie, Girls)
- Show Boat: Act One, Scene Five - Queenie's Ballyhoo: 'Is de theatre fillin' up, Cap'n Andy?...' (Queenie, Andy, Colored Chorus)
- Show Boat: Act One, Scene Six - Villain Dance
- Show Boat: Act One, Scene Seven - You Are Love: 'That you, Nola?...' (Ravenal, Windy, Magnolia, Parthy)
- Show Boat: Act One, Scene Eight - Finale Act One: Oh tell me, did you ever!... (Firls, Boys, Chorus, Andy, Women, Men, Negro Women, Magnolia, Parthy, Vallon, Pete)
- Show Boat: Act Two, Scene One - At the Fair: When we tell them about it all... (All, 1st Barker, Boys, Girls, Chorus, 2nd Barker, Men, 3rd Barker)
- Show Boat: Act Two, Scene One - Why Do I Love You?: I'm walking on the air, dear... (Magnolia, Ravenal, Chorus, Andy)
- Show Boat: Act Two, Scene One - In Dahomey: Dyunga doe!... (Dahomey Villagers, White Chorus)
- Show Boat: Act Two, Scene Three - Convent Scene: Alma Redmptoris Mater... (Nuns, Mother Superior, Ravenal, Kim)
- Show Boat: Act Two, Scene Four: 'All right, Jake...' (Jim, Jake, Julie)
- Show Boat: Act Two, Scene Four - Bill: I used to dream... (Julie)
- Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): Fish gotta swim, birds gotta fly... (Magnolia)
- Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): 'Whaddaya say, boss?...' (Frank, Jim, Magnolia, Jake)
- Show Boat: Act Two, Scene Six - Trocadero Opening Chorus: Let's make the new year... (Chorus)
- Show Boat: Act Two, Scene Six - Apache Dance
- Show Boat: Act Two, Scene Six - Goodbye, My Lady Love: So you're going away... (Frank, Ellie)
- Show Boat: Act Two, Scene Six - After the Ball: 'Ladies and Gentlemen...' (Jim, Drunk, Andy, Magnolia, A Man, All)
- Show Boat: Act Two, Scene Seven - Ol' Man River (Reprise): Ol' Man River... (Joe)
- Show Boat: Act Two, Scene Seven - Hey, Feller!: When you yen for a gent... (Queenie, Chorus)
- Show Boat: Act Two, Scene Eight - You Are Love (Reprise): 'That you, Nola?...' (Ravenal)
Tracks:
- Show Boat: Act Two, Scene Nine: Cottom Blossom (Reprise): Cotton Blossom... (Chorus)
- Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: Now up in the northern land... (Kim, Chorus)
- Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: 'Say, Cap'n Andy...' (Frank, Ellie, Andy)
- Show Boat: Act Two, Scene Nine - Finale Ultimo: 'Hello, Gay...' (Andy, Hope, Ravenal, Girl, Man, Magnolia, Old Lady, Chorus)
- Show Boat: Appendix - Pantry Scene (Act One, Scene Two; deleted - 1927): 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
- Show Boat: Appendix - Waterfront Saloon Scene (Act One, Scene Three; deleted - 1927): 'Number four, black!...' (Voice (off), Ravenal, Loungers, Gambler)
- Show Boat: Appendix - Yes, Ma'am (Act One, Scene Three; unused - 1927): Bet your hat... (Girls, Ellie)
- Show Boat: Appendix - Kim's Imitations (Why Do I Love You?): (Act Two, Scene Nine; Ziegfeld Production - 1927): Why do I love you?... (Kim, Chorus)
- Show Boat: Appendix - Dance Away the Night (Act Two, Scene Nine; London - 1928): Music in the air... (Kim, Girls, Boys)
- Show Boat: Appendix - A Pack of Cards (Act One, Scene Six?; unused - 1927): One night as I sat by my fireside so weary... (Magnolia)
- Show Boat: Appendix - The Creole Love Song (Act One, Scene Seven; unused - 1927): 'That you, Nola?...' (Ravenal, Windy, Magnolia)
- Show Boat: Appendix - Out There in an Orchard (Act Two, Scene Four; unused - 1927): There was a sun sinking slowly in the west... (Julie)
- Show Boat: Appendix - Gallivantin' Aroun' (Universal Film - 1936): Liza Matilda HIll... (Magnolia, Chorus)
- Show Boat: Appendix - I Have the Room Above Her (Universal Film - 1936): 'Seems to me I've seen that stocking someplace...' (Ravenal, Magnolia)
- Show Boat: Appendix - Ah Still Suits Me (Universal Film - 1936): 'Joe! Dere you go again!...' (Queenie, Joe)
- Show Boat: Appendix - Nobody Else But Me (Act Two, Scene Nine; 1946 Revival): I was a shy, demure type... (Kim, Chorus)
Amazon.com
John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number "Mis'ry's Comin' Aroun'," as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening night and every song subsequently written for the show's many productions, most notably the love duet "I Have the Room Above Her," written for the 1936 film. (The recording is also available in a one-disc reduction called the "Broadway Show Album.")
Rest assured this 221-minute blockbuster is not just dry scholarship; it's also terrific listening, with McGlinn conducting a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." Also included are exhaustive production notes, a history of the show, a detailed synopsis, and a libretto. John McGlinn's Show Boat is a staggering achievement and a recording for the ages. --David Horiuchi
Customer Reviews:
An American Treasure.......2007-03-03
When PBS showed the 1989 Paper Mill Playhouse production of Showboat, my five year old daughter fell in love with musical theater. To this day we never miss a production of Showboat, West Side Story, Music Man, Oklahoma or the rest of the great American musicals. These 3 discs are the closest you can ever hear to the original in 1927 and the recordings are leaps and bounds above any movie version or revival cast. Listening to Bill or Make Believe you almost want to cry at what Kern and Hammerstein were able to create.
I defy anyone to come up with another Broadway production that has three songs in a row better than Make Believe, Ol' Man River and Can't Help Lovin' Dat Man (West Side Story's Maria, America and Tonight are the best three in a row of a movie musical) and it's a shame that no movie version of Showboat can compare to this version. The first act is full of songs that are as good as any ever sung on a stage and I can't think of another production with a first act that compete against the big 3 plus Cotton Blossom, Where's The Mate For Me, Life On The Wicked Stage, Till Good Luck Comes My Way, Misry's Comin' Aroun', You are Love, Act One finale and Why Do I Love You?. You just don't want to have the music stop.
If you don't like opera you won't like this version. Sung the way Kern and Hammerstein wrote them, you can't help but feel the operatic nature of these songs. Tough noogies because Showboat is above all an opera disguised as a Broadway play and no sweetening should be allowed.
The four leads are all superb, Frederica von Stade as Nola especially. The booklet contains the complete libretto and allows a different way to appreciate the music.
If you buy just one version of Showboat you need this one. If you have other versions of Showboat you need this one. As a matter of fact, anyone with ears to hear needs this version. A true American treasure.
DON'T DESPAIR. IT'S BEEN REISSUED!!!!!.......2006-11-16
One of the great recordings of musical theatre ever. Although it's no longer available on EMI Angel, it was reissued in October, 2006, as an EMI Classic's "Great Recordings of the Century." It's been "Digitially Remastered at Abbey Road Studios from the Original Masters" and "noise-shaped via the Prism SNS system for optimum sound quality." If ART remastering does for this recording what it has done for other EMI Classics in my library, then it should sound superb. However, I understand the booklet is not as detailed as the one in the original 3-disc release.
Thank you, EMI.
I would hope other labels would follow suit and remaster and reissue other examples of classic American musical theater. It would be a pity if our children, grandchildren, and future generations were unable to savor "110 in the Shade" or "Little Mary Sunshine" or . . . . . . . . . (fill in the blanks.)
An American tragedy...........2006-02-06
This is the first of the great American musical plays, and probably remained unchallenged until the mid-1950s when West Side Story appeared. The term "musical comedy" does not apply. The few laugh lines are subsumed by the terrible sense of loss and disaster that work throughout the story. At its core is homelessness, the destruction wrought by racism, bad choices, human weakness, and reconciliation. The cast?--this was one of the few crossover recordings I've ever heard that actually worked. The trio of Jerry Hadley, Frederica von Stade, and Teresa Stratas is a marvel; Stratas in particular seems to have had a patented Dark Cloud that shadowed her. It's perfect for Julie Dozier Laverne. And the late Bruce Hubbard brings a magnificent dignity and voice to Joe--his singing of "Ol' Man River" amy not efface Paul Robeson, but can stand beside it.
Gorgeous!.......2005-08-26
Simply gorgeous! The most unforgetable music and the best voices! An album for all time!
M. J. Conrades
Defective disc........2005-08-15
I received this item on July 27, 2005. I played it on my portable CD player and found out that Disc 2 of the set was defective. It kept on skipping on my CD player. So, I returned it for a refund.
Average customer rating:
- Yes - there is life after High School ...
|
Is There Life After High School?
Original Cast
Manufacturer: Original Cast Record
ProductGroup: Music
Binding: Audio CD
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ASIN: B00004T02D
Release Date: 1995-03-23 |
Tracks:
- Kid Inside - Company
- Things I Learned in High School - Harry Groener
- Second Thoughts - Sandy Faison, , , James Widdoes
- Nothing Really Happened - Cynthia Carle, , Sandy Faison,
- Beer - Harry Groener,
- Diary of a Homecoming Queen
- For Them - Company, Philip Hoffman
- Thousands of Trumpets - Company, , James Widdoes, James Widdoes
- Reunion - Company
- High School All Over Again - Company,
- Fran and Janie - Sandy Faison,
- I'm Glad You Didn't Know Me - Cynthia Carle, Philip Hoffman
- Kid Inside (Reprise) - Company
- Kid Inside [Live][*] - Craig Carnelia
Customer Reviews:
Yes - there is life after High School ..........2006-08-11
We were told that this was the musical that we would be doing next term at my school, Randolph Academy for the Performing Arts in Toronto, Ontario. At first I was worried that this was going to be a dumb musical (due to the dumb name) but after I received the CD in the mail I fell in love. The first track on the CD is the best (I think) The Kid Inside - it is so catchy, I find myself singing it different times through out the day! The other songs are also very good and will sometimes play through my head as well.
This is a great soundtrack to have if you love musical theatre - it gets two thumbs up from me!
Average customer rating:
- delightful studio "Oliver!"
|
Oliver!
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B000008J3W
Release Date: 1993-07-20 |
Tracks:
- Food, Glorious Food - The Williams Singers
- Oliver! - Violet Carson/Leslie Fyson
- I Shall Scream - Violet Carson/Leslie Fyson
- Boy For Sale - Leslie Fyson
- Where Is Love? - Denis Waterman
- Consider Yourself - Tony Tanner/Denis Waterman/The Williams Singers
- You've Got To Pick A Pocket Or Two - Stanley Holloway
- It's A Fine Life - Alma Cogan
- Be Back Soon - Stanley Holloway
- I'd Do Anything - Tony Tanner/Alma Cogan/Denis Waterman/Stanley Holloway/The Williams Singers
- Oom-Pah-Pah - Alma Cogan/Denis Waterman/Violet Carson/Leslie Fyson/Horace Phelps/Rita Williams/Tony Tanner...
- My Name - Charles Granville
- As Long As He Needs Me - Alma Cogan
- Who Will Buy? - Denis Waterman/Violet Carson/Leslie Fyson/Horace Phelps/Rita Williams/Tony Tanner/Stanley Holloway..
- Reviewing The Situation - Stanley Holloway
- Finale - Denis Waterman/Violet Carson/Leslie Fyson/Horace Phelps/Rita Williams/Tony Tanner/Stanley Holloway..
Customer Reviews:
delightful studio "Oliver!".......2007-04-28
This is the 1962 London studio cast recording of Lionel Bart's OLIVER! The recording--featuring several famous British celebs--is a fantastic rendition of the score.
Alma Cogan, a famed British songstress, plays the role of Nancy; and the part fits her voice like a glove. Dynamic with "It's a Fine Life" and "I'd Do Anything", she also tugs at the heartstrings with a chill-inducing "As Long As He Needs Me". Ms Cogan could--and should--have been one of the leading singers on the world stage, had she not died of ovarian cancer at the age of 36.
Stanley Holloway, star of the Broadway, London and film incarnations of "My Fair Lady", plays the villainous rogue Fagin. He delivers a comic and sly performance with such numbers as "Be Back Soon", and "Reviewing the Situation".
Playing the title role, Denis Waterman sings a tender "Where is Love?". Tony Tanner ably-delivers as The Artful Dodger with a lusty "Consider Yourself". This recording also features the fondly-remembered character actress Violet Carson (who played Ena Sharples on long-running British soap "Coronation Street"), in the role of vile Widow Corney.
On the whole, this rendition of OLIVER! features enough top-drawer talents to help ensure it becomes an often-played title in your collection. Snap it up today!
[Broadway Angel/EMI ZDM 0777 7 64890 2 5]
Average customer rating:
- Fabulous
- Dream Come True
- IT DESERVES 6 STARS
- Show Boat
|
Show Boat (1988 Studio Cast Highlights)
Jerome Kern , Jerry Hadley , Bruce Hubbard , Teresa Stratas , David Garrison , Frederica von Stade , John McGlinn , and London Sinfonietta
Manufacturer: EMI Classics
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Binding: Audio CD
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ASIN: B000002RR9
Release Date: 1990-05-08 |
Tracks:
- Show Boat: Overture
- Show Boat: Cotton Blossom
- Show Boat: Where's The Mate For Me?/Make Believe
- Show Boat: Ol' Man River
- Show Boat: Can't Help Lovin' Dat Man
- Show Boat: Life On The Wicked Stage
- Show Boat: Till Good Luck Comes My Way
- Show Boat: I Might Fall Back On You
- Show Boat: Queenie's Ballyhoo
- Show Boat: You Are Love
- Show Boat: Finale Act One
- Show Boat: At The Fair
- Show Boat: Why Do I Love You?
- Show Boat: Bill
- Show Boat: Goodbye, My Lady Love
- Show Boat: After The Ball
- Show Boat: Hey, Feller!
- Show Boat: Finale Ultimo
Amazon.com
This one-disc reduction of John McGlinn's monumental three-CD version of Show Boat provides 75 minutes of highlights in a package dubbed the "Broadway Show Album." McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including the original orchestrations, and conducts a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly-wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." John McGlinn's full version is a staggering achievement and a recording for the ages, but this single disc is also splendid listening. --David Horiuchi
Customer Reviews:
Fabulous.......2002-10-03
Let me start off by saying that my first experiences with Show Boat came through the splendid 1951 MGM movie version. Having never seen Show Boat performed live on stage, this CD pretty much brings the live experience home (and note I said 'this' CD; the full 3-disc set would be just short of actually being front row center). The immortal Kern/Hammerstein score is one of my favorites (right up there with My Fair Lady, The Sound of Music, Annie Get Your Gun, and Brigadoon) and is definately one of the greatest ever written for the musical theater.
Since Show Boat does not have an official original cast album, I suppose that this one suffices quite well. All original orchestrations are used here and the music is as it was on opening night in 1927. This is the most complete version available (whether you go with the full set or just this disc). The 1946 revival cast album is the oldest 'complete' album and is nice when paired with this disc to give one a sense of how Show Boat sounded in the early days.
I really didn't care much for this CD at first, but after listening to it a couple more times, I like it better and better each time. McGlinn certainly did right by this one! I'm not too familiar with most of the cast (save for Frederica Von Stade and Paige O'Hara), but they're all great. You'd think that this is a recording of a live performance, not just a studio album. Fantastic singing is had thoughout. McGlinn also did a great job with Brigadoon 3 years later, and did he not have a similar effort with Annie Get Your Gun as well?
I still think that the MGM movie version and its soundtrack album are the best but this rendition is definately not bad! Highly recommended. But if you can, pick up a copy of the movie soundtrack or of the 1946 revival album for comparison.
Dream Come True.......2002-08-22
First, "Showboat" is my all time favorite Musical, from the '40's and '50's when my mother took us to the movies every Sunday. I have video tapes of the 1951 MGM version with Howard Keel and Kathyrn Grayson, as well as the earlier movie version. A few years ago, I saw a TV special on the making of the three Disc complete remake of Showboat, true to the original score. I tried to get a cy of it but no local store could help me. Then through the magic of computers and AMAZON.com, I obtained the three disc set plus this single CD, which I treasure. This one is the best, without doubt. Now I have the complete version of songs and music I only vaguely remembered from the TV special. I wish someone would make a movie just like this version so I could have it on DVD. The whole cast and orchestra are awesome, especially Frederica von Stade. I have since bought other CDs of her work. Buy the three disc set if you can afford it, it has a thick booklet with the actual score and dialogue. But if you cannot, buy this CD. This is the ultimate, the prototype Broadway musical.
IT DESERVES 6 STARS.......2001-06-29
I can't thank enough all the people responsable for this terrific revival cast album.Here is a perfect example of how you should do a classic show and maintain the original intentions of the writer and the composer.If they were alive,JEROME KERN and OSCAR HAMMERSTEIN would have been proud of the way their masterpiece have survived them.It is impossible to imagine a better version of the show;this is the definitive one.It's funny when you think of it,most people know the songs by heart,yet it seems that we rediscover the show with this version.Suddently ,we are in 1927 and mister ZIEGFELD is scared like hell that he will loose a lot of money with this;but that's strangely the situation in which the modern AMERICAN musical was born.
Show Boat.......2000-09-10
I really like this recording! The voices are really great. I especially liked "Can't Help Lovin' Dat Man." I would recommend this CD to everyone who likes the show and musical theatre.
Average customer rating:
- thoroughly enjoyable
- quirky....and worth it
|
Unsung Musicals III (Studio Cast)
Jolie Jenkins , Judy Malloy , Kristine Fraelich , Melissa Joan Hart , Patricia Ben Peterson , Patrick Levis , Sal Viviano , Tammy Minoff , and Steve Orich
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD
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ASIN: B000001506
Release Date: 1997-05-20 |
Tracks:
- Nothing To Do With Love: From Personals - Burstein, Hindman, Malloy, Simard, Timmerman Tisdale
- At The Same Time: From Freaky Friday - Tammy Minoff, Patrick Levis
- Penny By Penny: From A Christmas Carol - Sal Viviano
- A Wonderful Life: From A Wonderful Life - Glory Crampton
- Jenny Rebecca: From To Whom it Concern - Alet Oury
- Maria's Song: From Smile - Diana Canova
- Reveille Sun: From Here's Where I Belong - Glory Crampton
- Don't Live Inside Of Yourself: From A Mother's Kisses - Melissa Hart
- Wishes Won't Wash Dishes: From The Bone Room - Guy Haines
- In A State: From A Wonderful Life - Brent Barrett
- Simple Words: From Lovely Ladies, Kind Gentlemen - Patricia Ben Peterson
- Didn't Leave It Here: From Brownstone - Kristine Fraelich, Jolie Jenkins
- Hundreds Of Hats: From Diamonds - Jason workman
- Hero: From Babe - Debbie Gravitte
- Do It With Drums: From Murder At The Vanities - Harry Groener
Customer Reviews:
thoroughly enjoyable.......1999-08-12
The melodic hramonies and at times humorous themes to these songs are catchy and enjoyable; they may be unsung but once heard they will not be forgotten.....it makes you wonder why didn't this show make it and yet Cats has been around forever?
quirky....and worth it.......1999-03-07
this one will leave you humming strange dittys and will allow you to entertain even the most die hard broadway musical buffs with things they have never heard
Average customer rating:
- stunning studio album in creamy stereo
- STELLAR STAR!
- There IS a more complete recording. . .
- Great Fun
- A fun, if abbreviated, recording
|
Weill: Lady in the Dark / Risë Stevens, Adolph Green, Lehman Engel, Danny Kaye
Kurt Weill , Maurice de Abravanel , Risë Stevens , Adolph Green , Danny Kaye , Lehman Engel , Michael Kellman , Dennis D. Rooney , and John Reardon
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000029VA
Release Date: 1997-06-03 |
Tracks:
- Lady In The Dark: Glamour Dream: Oh, Fabulous One
- Lady In The Dark: Huxley (Liza, Beekman)
- Lady In The Dark: One Life To Live (Liza)
- Lady In The Dark: Girl Of The Moment (Liza)
- Lady In The Dark: Wedding Dream: Liza, Liza
- Lady In The Dark: Mapleton High Chorale
- Lady In The Dark: This Is New (Randy, Liza)
- Lady In The Dark: The Princess Of Pure Delight (Liza, Randy)
- Lady In The Dark: Circus Dream: The Greatest Show On Earth (Ringmaster, Randy)
- Lady In The Dark: The Best Years Of His Life (Ringmaster, Randy, Liza)
- Lady In The Dark: Tschaikowsky (Ringmaster)
- Lady In The Dark: The Saga Of Jenny (Liza)
- Lady In The Dark: Childhood Dream: My Ship (Liza)
- Lady In The Dark: One Life To Live
- Lady In The Dark: The Princess Of Pure Delight
- Lady In The Dark: It's Never Too Late To Mendelssohn
- Lady In The Dark: Tschaikowsky And Other Russians
- Lady In The Dark: Jenny
- Lady In The Dark: My Ship
Customer Reviews:
stunning studio album in creamy stereo.......2004-08-05
This studio album of Weill and Gershwin's LADY IN THE DARK features the lovely Rise Stevens making the role of Liza Elliott her own, with Adolph Green in the role that made Danny Kaye a star in the original production.
This sumptuous reissue on the Columbia 'Masterworks Heritage' label presents the recording in creamy stereo, with the orchestra under the baton of Lehman Engel. Rise Stevens is perhaps the best singer to have played Liza on any recording of LADY IN THE DARK. The trained opera singer lets her hair down for the manic "Saga of Jenny", and yields glowing versions of "My Ship" and "One Life to Live". Also featured among the cast are John Reardon and Stephanie Augustine.
My only qualm about the release is the horrid packaging. The disc is enclosed in a cardboard sleeve at the back of a booklet-style slipcase, leaving the CD vulnerable to scratches and dust (I remedied the problem by putting the CD in a separate plastic jewel case and filing it on the shelf next to the empty booklet case). However this should not deter collectors and musical theatre fans from seeking out this lovely recording.
STELLAR STAR!.......2003-01-03
MISS STEVENS shinesas Liza Eliot in this perfect recording of "Lady in the Dark". [For the first time - with repect to the other artists - the lyrics are pristine!] THE recording? IF you own a 'surround system' - this one IS flawless - just a perfect balance of voice and instrument. [A great restoration job - if only they could do the same to the Lawrence version....]
FOR the collector - get all three recordings currently available - the 1997 London version is the most complete, the Gertrude Lawrence? It's more of a Star Vehicle for Miss Lawrence - lots of dialogue - with really only the two "Liza' numbers - "Saga of Jenmny" and "My Ship" intact - but also well worth the journey.
AS A BONUS - Miss Stevens recording contains the Danny Kaye contribution missing from the Gertrude Lawrence recording - plus his versions of "My Ship" and "The Saga of Jenny".
There IS a more complete recording. . ........2000-12-06
This recording is terrific, but for a more complete recording with much better quality, look for the Original Cast Recording from the Royal National Theatre Production. It's got all the bridging music which is phenomenal.
Great Fun.......1999-04-15
Until the definitive full version of the score comes out--with all the bridging material and orchestral interludes--this is probably the most complete of one of the greatest and most charming classic Broadway scores (and probably Ira Gershwin's masterpiece). Rise Stevens was born to play the part, and though at times she gets a bit excessive (especially in the dialogue) her voice is beautiful and confident (a high point is her counterpointing the chorus during "The Best Years of His Life"), and iat times really soars, as in "This is new." Adolph Green is hilarious--it's a great tragedy he never got to play this role on Broadway.
A fun, if abbreviated, recording.......1999-04-02
A nifty performance of one of Broadway's classic scores. The biggest problem is that just about everything is slightly abridged (mostly verses, connecting material, dialogue underscoring and choral repeats--although if I'm reading the vocal score right, most of this would still be interesting to listen to); still, a reasonably good taste of the whole thing. The liner notes also don't really give a story synopsis, so if you aren't familiar with the plot, seek out a summary so you aren't completely confused by what is going on. Rise Stevens' acting is pretty mannered, and she goes over the top vocally every now and then; she seems to be shouting, not singing at the end of "Jenny." Adolph Green is hysterically funny and acquits himself supremely well in "Tchaikovsky." How you'll enjoy the appendix of Danny Kaye's recordings depends on how much you like Danny Kaye--enough said.
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