A Nu Day [Enhanced]
A Nu Day [Enhanced]
ASIN: B00004YNH5
Editorial Reviews
Amazon.com
Tamia's sophomore effort begins with the singer's crisp, angelic voice a cappella, wrapped around a mournful interlude about a relationship gone awry. It's a gorgeous intro, and put there perhaps to remind listeners that the 24-year-old vocalist from Windsor, Canada, can sing like nobody's business when given the opportunity. Unfortunately, most of the tracks on A Nu Day deny Tamia the chance, with ho-hum, practically rote R&B fare produced, surprisingly, by some of the best in the biz. When Missy Elliott brings her production skills to the table on the album's first single, "Can't Go for That" (Elliott also produces four other cuts), it's as if the tune is running on automatic, with all of Elliott's stop-start, jerk-heavy rhythms running listlessly beneath a sample of the Hall and Oates song of the same name. "Tell Me Who," a collaboration with producer Shep Crawford, fares better, managing to capture a sassy, straight-up feel reminiscent of early En Vogue. The album offers a pleasant surprise, however, with a cover of the 1983 DeBarge tune, "Love Me in a Special Way," on which Tamia works wonders, her sonorous mezzo soprano digging soulfully into the soaring melody. --Sylvia W. Chan
A Nu Day,Tamia,Elektra / Wea,Contemporary R&B,Pop,R&B,Soul/R & B,Soul/Reggae/Rhythm & Blues,Urban
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
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- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- One of my old favorites.
- Tamia's best album...
- MY FAV OF TAMIA'S WORK!!!!!
- 4.5 stars
- Nu Day it is!
|
A Nu Day
Tamia
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD
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- Tamia
- More
- Tamia: Between Friends
- One Wish
- Stranger in My House
ASIN: B00004YNH5
Release Date: 2000-10-24 |
Tracks:
- Interlude
- Dear John
- Can't Go For That
- Go
- Love Me In A Special Way
- Long Distance Love
- Stranger In My House
- Wanna Be
- Un'h...To You
- Can't No Man
- Tell Me Who
- If I Were You
- Can't Go For That (Remix)
Amazon.com
Tamia's sophomore effort begins with the singer's crisp, angelic voice a cappella, wrapped around a mournful interlude about a relationship gone awry. It's a gorgeous intro, and put there perhaps to remind listeners that the 24-year-old vocalist from Windsor, Canada, can sing like nobody's business when given the opportunity. Unfortunately, most of the tracks on A Nu Day deny Tamia the chance, with ho-hum, practically rote R&B fare produced, surprisingly, by some of the best in the biz. When Missy Elliott brings her production skills to the table on the album's first single, "Can't Go for That" (Elliott also produces four other cuts), it's as if the tune is running on automatic, with all of Elliott's stop-start, jerk-heavy rhythms running listlessly beneath a sample of the Hall and Oates song of the same name. "Tell Me Who," a collaboration with producer Shep Crawford, fares better, managing to capture a sassy, straight-up feel reminiscent of early En Vogue. The album offers a pleasant surprise, however, with a cover of the 1983 DeBarge tune, "Love Me in a Special Way," on which Tamia works wonders, her sonorous mezzo soprano digging soulfully into the soaring melody. --Sylvia W. Chan
Customer Reviews:
One of my old favorites........2007-06-27
I got this cd when I was in High school. I was in love with it. Still am actually. I can't understand why anyone would have given her below 3 stars on this LP. The CD is tight. Best song Dr. John.
Another CD that goes good with this was Deborah Cox, "One Wish."
Tamia's best album..........2007-04-11
...even though her new album "Between Friends" comes as a close second (one of best R&B releases this year). "A Nu Day" has her biggest hit "Stranger in My House", but it has many more quality tracks. Her cover of "Love me in a Special Way" is beautiful because of Tamia's delivery with the lyrics. "Dear John" actually was a good opening track, it's a song full of drama (also check "Tell Me Who") and you almost get caught up in it (like R. Kelly's Mr. Biggs song series). "Long Distance Love" has a real catchy chorus, and while it does sound like it came from a commercial, the outstanding production (I think Missy E. did it) makes it standout to me. "Can't No Man" is sexy sounding track, with its calling lyrics and pretty production. This whole album I thought was really listenable. I didn't feel an urge to fast forward over tracks, unlike I did with her third album "More"(which had good tracks like "Officially Missing You" and "Questions"). I really recommend this overlooked album. Also check out her new album and her debut.
MY FAV OF TAMIA'S WORK!!!!!.......2007-01-10
This is hands down to me her best work..... it flows, you groove, the music just moves you from inside out.
4.5 stars.......2006-11-25
I brought this one out of the vaults the other day and it is as tight as I remembered it to be. A Nu Day, in my opinion, is Tamia at her best.
Nu Day it is!.......2006-01-14
Tamia, grew up on this album, gone are the sugary sweet (good but to nice) lyrics of her first album. She has grown up and is ready to let us in on her experience of love and break-ups in a mature fashion. This album still plays well, and is not at all outdated.
********************************************
A classic R&B modern album, with 21st century women's themes that are bangable from front to back.
Average customer rating:
|
Dagen Är Kommen
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Similar Items:
- Duets: An American Classic
ASIN: B0000014FV
Release Date: 2000-10-06 |
Tracks:
- Dagen Ar Kimmen
- Nar Juldagsmorgon Glimmar
- Det Ar En Ros Utsprungen
- Betlehems Stjarna (Glans Over Sjo Och Strand) - Niklas Westlund
- Ding, Dong, Merrily On High
- Nu Tandas Tusen Jeleljus - Richard Rindevret
- Stilla Natt - Olle Persson
- Gladelig Vi Sjunge Dig
- Forunderligt och Markligt
- Vid Betlehem
- Tre Kungar - Olle Persson
- Harlig Ar Jorden
- O Helga Natt (Adams Julsang) - Olle Persson
- I Saw Three Ships
- Jungfru Maria
- Och Det Hande Vid Den Tiden - Niklas Westlund
- Jul, Jul, Stralande Jul
- Ave Maria - Olle Persson
- Tomorrow Shall Be My Dancing Day
- Lyss Till Anglassangens Ord
Average customer rating:
- Superb!
- Beatiful singing - but where are the Swedish texts?
- if you like bjorling this is the best thing you can get!
- The ULTIMATE Collection
- Definitive survey of one of the finest singers on record
|
Jussi Björling Edition: Studio Recordings 1930-1959
Manufacturer: Angel Records
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Similar Items:
- Jussi Björling Rediscovered
- Artists Of The Century - Jussi Bjorling, The Ultimate Collection
- The "Pearl Fishers" Duet
- Jussi Björling: Opera Arias
- Voices of Firestone: Jussi Bjorling
ASIN: B000002S9L
Release Date: 1998-01-20 |
Tracks:
- Aida: Se quel guerrier...Celeste Aida
- Rigoletto: La donna e mobile
- La Boheme: Che gelida manina
- Tosca: Recondita armonia
- TOSCA: E lucevan le stelle
- La fanciulla del West: Ch'ella mi creda
- La Gioconda: Cielo e mar!
- L'africaine: Mi batte Il cor...O paradiso
- Ideale
- O sole mio
- The Vagabond King: Only A Rose
- For You Alone
- Manon: Instant Carmant ... En ferman les yeux
- Carmen: La fleur que tu m'avais jetee
- Faust: Salut! demeure chaste et pure
- Martha: M'appari tutt'amor
- Martha: Cujus animam
- Messa da requiem: Ingemisco
- Il Trovatore: Ah si ben mio
- Il Trovatore: Di quella pira
- Il Trovatore: Ah si, ben mio
- Il Trovatore: Di quella pira
- Rigoletto: Questa o quella
Tracks:
- La Boheme: O soave faniculla
- Rigoletto: E il sol dell'anima
- Rigoletto: Questa o quella
- Un Ballo in Maschera: Di' tu se fedele
- Turnadot: Nessun dorma!
- Andrea Chenier: Come un bel di di maggio
- Fedora: Amor ti vieta
- Cavalleria Rusticana: Mamma!...Quel vino
- Pagliacci: Recita! ... Vesti la giubba
- Mattinata
- L'Elisir D'Amore: Una furtiva lagrima
- Les Pecheurs De Perles: Je crois entendre encore
- Romeo et Juliette: Ah! leve-tol, soleil!
- Manon: Je suis seul! ... Ah! fuyez, douce image
- L'arlesiana: E la solita storia
- Cavalleria Rusticana: O Lola
- Manon Lescaut: Donna non vidi mai
- Tosca: Recondita armonia
- Tosca: E lucevan le stelle
- La Boheme: O soave fanciulla
- Romeo et Juliette: Ange adorable
- Jocelyn: Concealed In This Retreat
- L'albe separa dalla luve l'ombra
Tracks:
- Romeo et Juliette: Hoj dig, du klara sol
- Rigoletto: O, I kvinnor: Questa o quella
- L'illustre Fregona: Fylld av vemod sanker sig natten: Melancolque tombe le soir
- Knyaz (Prince) Igor: Dagen gick langsamt till ro: Vladimir's Cavatina: Medlenno den' ugasal
- Tosca: Det skona star att finna: Ricondita armonia
- Tosca: Ja minns stjarnorna lyste: E lucevan le stelle
- Rigoletto: Ack, som ett fjun sa latt: La donna e mobile
- Il Trovatore: Skyhogt mot himlen
- Pagliacci: Spela komedi! ... Pudra ditt anlet: Recitar! ... Vesti la giubba
- Cavalleria Rusticana: O Lola
- La fanciulla del West: Lat henne tro: Ch'ella mi creda
- Fanal: I manner over lag och ratt
- Sadko: I sonderns hav
- La Belle Helene: Uti en skog pa berget Ida
- Der Zigeunerbaron: Vem har oss vigt?
- Der Bettelstudent: Skall jag tala ... Antag det fall
- Der Bettelstudent: Ny ar jag pank och fagelgri: Ich hab keion Geld, bin vogelfrei
- Nar hag for mig shalv i morka skogen gar
- Bland skogens hoga furustammar
- Ack Varmeland, du skona
- Allt under himmelens faste
- Tonerna
- Sommarnatt: I de lyse naetter
- Ett Folk: Sverige
- Land, du valsignade
- Namner du Sverige
Tracks:
- Adelaide
- Morgen
- Cacilie
- Bon i ofredstid
- Bisp Thomas frihetssang
- In The Silence Of Night
- Siren: Lilacs
- Jeanie With The Light Brown Hair
- Because
- Sylvia
- A Spirit Flower
- Ah, Love But A Day
- Tonerna: I Bless Ev'ry Hour
- Till havs
- Sangen till havest
- Visa king slandblom och manskara
- Jungfrun under lind
- Kung Helmer och Aslog
- Trollsjon
- Sa tag mit hjerte
- Demanten pa marssnon
- Cantique de Noel: Julsang (O helga natt) : Cantique de Noel
Amazon.com
This set tells you why Jussi Bjorling is a perennial entrant in the "Tenor of the Century" sweepstakes. Even as the voice darkens from the light lyric to the full, darker instrument of the later recordings, we hear a singer whose elegant style, lovely timbre and innate musicality touch the heart. Many of the selections are sung in Swedish, less of a liability than you might suppose. In whatever language, Bjorling's molten gold flows lavishly. He eschews the sobs and sentimentality that disfigure so much verismo repertory, making his points with stylish vocalism. He's been called a "cool" singer, but try his Puccini and Verdi arias on Disc One and you'll find more than enough vocal and emotional heat. The selections include many neglected Scandinavian songs, sung, like the arias, with a naturalness that disarms criticism. -- Dan Davis
Amazon.com
Swedish tenor Jussi Björling gets many votes for the distinction of greatest all-time tenor. Up to the end, the voice projected a boyish vulnerability, though he also had enough stentorian power to sing the heavy Puccini roles and was ready to take on Lohengrin when he died. He was so deeply musical he eschewed the usual tenor vulgarity without ever slighting the music's theatricality. Even these four well-filled discs of arias and songs can't fully encompass the vocal riches he left behind, but there's a lot here, much of it from his earliest years and (hope you don't mind) sung in a Swedish translation. --David Patrick Stearns
Customer Reviews:
Superb!.......2001-07-29
This is an wonderful compilation of one of the most incredible voices on record. Whether you are a new or old Bjorling fan -- and who could hear that voice and not be enthralled by it -- this is a fine CD to have. The quality of the recording is excellent, and the range in years, from 1930 to 1959, gives a splendid overview of his dazzling talent. In addition to many of the arias one might expect, there are also lieder and songs in Swedish, as well as some charming duets with Jussi's wife, Anna-Lisa. I have quite a few other Bjorling CDs, and this is one of the best in terms of quality and scope. It is a most worthy addition to any Bjorling collection, regardless of its size.
Beatiful singing - but where are the Swedish texts?.......2001-06-22
This is an excellent collection, the best available overview of a great tenor.
This would get 4 stars but has been marked down for only supplying token texts and translations in the large booklet. It is understandable (sort of) that the Italian opera excerpts don't merit texts and translations as (apart from the Callas recitals series) EMI generally doesn't provide texts with historical issues. However the tempting inclusion of a dozen or so texts to the Italian and Swedish songs makes one all the more aware of the miserliness of not providing all the texts.
if you like bjorling this is the best thing you can get!.......2000-06-26
this is so awesome, i love his voice, this is good for anyone, the professional or just someone who wants to hear the greatest tenor of all times! this is so great
The ULTIMATE Collection.......1999-11-02
When starting my Bjorling collection, I saw MANY CDs, with his early recordings. I was in a quandry as to what to buy, UNTIL I found this set. TRULY remarkable in many levels.FIRST and foremost, the voice. Captured in all levels, from the earliest to the latest. Truly wonderful, and the Swedish versions are a real treat to hear, don't worry, the Italian versions are here too!!Secondly, the remastering process. This set was remastered at Abbey Studios in London. For the first time I've heard, they actually pressed NEW 78s from the metal plates, and THEN remastered the new discs!!! Inspired, and the results--incredible.I find myself listening to Disc 3 the most. Very interesting, as it is the Swedish one. When the songs are terrific, along with the "standard" tenor arias, and it all comes together, it is PURE MAGIC!! I will admit that due to time limitations of recordings of this era, the opera house Bjorling is not fully conveyed. There are other CDs for that. Most notably "Romeo and Juliet", and for a REAL thrill, his ATLANTA concert, in STEREO, so much so, that the piano is even divided; left hand left, right hand right. Wait a minute, am I playing TWISTER??:-)) But if you want to skip all those unknown labels, you couldn't have a MORE complete set. ALL wit the great remastering I spoke of. Bjorling--His voice will NEVER die, at least in MY house!!!
Definitive survey of one of the finest singers on record.......1998-09-25
Jussi Bjoerling was one of the greatest singers of the century. His voice is pure, effortless and yet thrilling. Even better than the quality of the voice is his style. He never scoops up to a note nor does he ever whoop down from one, instead, he uses perfect legato and faultless intonation to deliver the cleanest sound you'll ever hear from a tenor.
This collection, from the large set of EMI recordings, provides a wonderful survey of Bjoerling's career. He was a straight 'spinto' tenor, that is, between a lyrical tenor (like Pavarotti) and a dramatic tenor (like Domingo). Most of the Puccini roles demand a spinto and those are the roles that Bjoerling was unbeatable in (particularly Des Grieux in Manon Lescaut). However, I think I most prize this collection for the songs sung in English on the last disc. I had some of them on a cassette I wore out in the car and others on a vinyl disc I wore out at home. For shear beauty of voice, the Berceuse by Jocelyn is stunning. For perfect diction, intonation and style, Love but a Day is breathtaking. Buy this set and I guarantee you'll fall in love with what many think is the finest voice on record.
Average customer rating:
- An Exquisite Blend Of Two Remarkable Talents
- Valerie Day has a superb voice.
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Side by Side
Tom Grant , and Valerie Day
Manufacturer: Nu-Wrinkle Records
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
Vocal Jazz General
| Vocal Jazz
| Jazz
| Styles
| Music
Smooth Jazz
| Jazz
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Similar Items:
- Nice Work If You Can Get It
- Solo Piano
- Reprise
- Instinct
ASIN: B0009GX2KU
Release Date: 2005-05-10 |
Tracks:
- Exactly Like You
- Our Love Is Here To Stay
- Charade
- How About You
- Up On The Roof
- On The Street Where You Live
- Side By Side
- Midnight Sun
- Alone Together
- You Must Believe In Spring
- So Danco Samba
- Lover
- Two Sleepy People
Customer Reviews:
An Exquisite Blend Of Two Remarkable Talents.......2005-06-22
Valerie Day and Tom Grant truly sound natural working together, and conveying a passion they seem to have for these songs. What's more, they make the listener feel right at home, as if they are intimately performing to us like old friends sitting around the piano in your living room (only these two have real talent!) They prove that songs can age like wine, right from the start, with "Exactly Like You" sounding as lively and magical as the Nat King Cole Trio's version. They comfortably sway from Tin Pan Alley with the title track, to Broadway with "On The Street Where You Live," to the Brill Building with "Up On The Roof," and to Brazil with "So Danco Samba," never losing a sweet endearing sense of continuity. The whole is wonderful, and so is the sum of the parts. Day has proven herself to be a remarkable vocalist, and Grant knows just how to showcase that, showing how a piano alone can be as complimentary as a seventeen piece big band. Neither performer upstages the other in the process. SIDE BY SIDE is a welcome addition to the music collection of any connoisseur of the "Music Of Your Life" genre.
Valerie Day has a superb voice........2005-06-06
Valerie Day is one of my favorite singers. I'm buying this one.
Average customer rating:
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Singphonic Christmas: Christmas Songs from Europe
Manufacturer: Cpo Records
ProductGroup: Music
Binding: Audio CD
All Works by Britten
| Britten, Sir Benjamin
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Sacred & Religious
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
General
| International
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Noels
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Oratorios
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General Christmas
| Holiday
| Miscellaneous
| Styles
| Music
General Christmas
| Holiday Music
| Special Features
| Music
ASIN: B000BK5392
Release Date: 2005-11-15 |
Tracks:
- Adeste Fideles
- Il Est Ne, Le Dvin Enfant
- Es Ist Ein Ros Entsprungen
- Wilfried Hiller: Harfenklange - 3 Weihnachtslieder
- Mary's Boychild
- Du Gronne, Glitrende Tre
- O Sanctissima
- Nu Zijt Wellekome
- Quanno Nascete Nino
- Entre Le Boeuf Et L'ane Gris
- Canco De Nadal
- Benjamin Britten: Interlude From Ceremony Of Carlos Op.28
- Von Himmel Hoch
- Quelle Est Cette Odeur Agreable
- Romance De Virgen Y El Ciego
- Still, O Himmel
- Heiligste Nacht
- Kling No Klokka!
- Kings Of Orient
- Venid Cantad
- Stille Nacht
Average customer rating:
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Spirit of Christmas
Various Artists
Manufacturer: Madacy Records
ProductGroup: Music
Binding: Audio CD
General
| Vocal Pop
| Pop
| Styles
| Music
General Christmas
| Holiday
| Miscellaneous
| Styles
| Music
Opera & Vocal
| Holiday
| Miscellaneous
| Styles
| Music
All Bargain Titles
| Holiday Music
| Miscellaneous
| Today's Deals in Music
| Formats
| Music
General Christmas
| Holiday Music
| Special Features
| Music
ASIN: B00006L3JJ
Release Date: 2002-10-08 |
Tracks:
- Silent Night, Holy Night - Starlite Chamber Ensemble
- Deck The Halls - Starlite Chamber Ensemble
- O Christmas Tree - Starlite Chamber Ensemble
- Ding Dong Merrily On High - Starlite Chamber Ensemble
- It's Snowing Slowly - Starlite Chamber Ensemble
- O Christmas You Season Of Childlike Delight - Starlite Chamber Ensemble
- The Angels And The Shepherds - Starlite Chamber Ensemble
- Come Running You Shepherds - Starlite Chamber Ensemble
- All My Heart This Night Rejoices - Starlite Chamber Ensemble
- In Bethlehem Slowly - Starlite Chamber Ensemble
- When Christmas Morn Is Dawning - Starlite Chamber Ensemble
- The Christmas Tree With It's Candles Gleaming - Starlite Chamber Ensemble
- The Twilight Is Falling - Starlite Chamber Ensemble
- A Baby In The Cradle - Starlite Chamber Ensemble
- Lippai - Starlite Chamber Ensemble
- The Happy Christmas Comes Once More - Starlite Chamber Ensemble
- Above, On The Mountains - Starlite Chamber Ensemble
- O Come Little Children - Starlite Chamber Ensemble
- The Savior Is Born - Starlite Chamber Ensemble
- Still, Still, Still - Starlite Chamber Ensemble
- Ring, Little Bells - Starlite Chamber Ensemble
Tracks:
- It Came Upon A Midnight Clear - Knightsbridge Choir
- O Come, O Come, Emmanuel - Knightsbridge Choir
- Come Leave Your Sheep - Knightsbridge Choir
- Here We Come A-Wassailing - Knightsbridge Choir
- The First Noel - Knightsbridge Choir
- The Angels And The Shepherds - Knightsbridge Choir
- How Far Is It To Bethlehem - Knightsbridge Choir
- Noel, Sing Noel - Knightsbridge Choir
- Gabriel's Message - Knightsbridge Choir
- Christ Is Born This Evening - Knightsbridge Choir
- Still, Still, Still - Knightsbridge Choir
- Shepherds Left Their Flocks A-Straying - Knightsbridge Choir
- The Infant King - Knightsbridge Choir
- Sans Day Carol - Knightsbridge Choir
- Lo, How A Rose E'er Blooming - Knightsbridge Choir
- Maria Wanders Through The Thorns - Knightsbridge Choir
- Ring, Little Bells - Knightsbridge Choir
- From Heaven Above To Earth I Come - Knightsbridge Choir
- Auld Lang Syne - Knightsbridge Choir
Average customer rating:
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Nielsen: Songs
Ulrik Cold , Carl Nielsen , and Johannes Mikkelsen
Manufacturer: Classico
ProductGroup: Music
Binding: Audio CD
All Works by Nielsen
| Nielsen, Carl
| ( N )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Incidental Music
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
ASIN: B00002S7GC
Release Date: 1999-11-24 |
Average customer rating:
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The Lesser Known Nielsen, Vol. 2
Manufacturer: Rondo Grammofon
ProductGroup: Music
Binding: Audio CD
All Works by Nielsen
| Nielsen, Carl
| ( N )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
ASIN: B000009I8Z
Release Date: 1995-03-23 |
Average customer rating:
- This is A HOT CD/ A definate for the car.
- BLAZIN HOT MUSIC!!!,I was waiting for something like this.
|
Nu Day Dawnin'
IV-V-VI
Manufacturer: Warlock Records
ProductGroup: Music
Binding: Audio CD
General
| Soul
| R&B
| Styles
| Music
Gangsta & Hardcore
| Rap & Hip-Hop
| Styles
| Music
General
| Rap & Hip-Hop
| Styles
| Music
Pop Rap
| Rap & Hip-Hop
| Styles
| Music
General
| Rap & Hip-Hop
| Indie Music
| Stores
| Music
ASIN: B00000K08P
Release Date: 1999-09-21 |
Tracks:
- Intro
- Partying Grounds
- Nights (Skit)
- Nights Like This
- Drop Tha Drawz
- Stalker
- I Got Planz
- Musical (Skit)
- Samurai Showdown
- War Headz
- Who We Be
- Beat Box (Skit)
- Jump In The Mix
- Watch What You Touch
- My Bank
- Guest List
- Party Or Beef?
- Dust
- Dusk Till Dawn
- Nu Day Dawnin'
Customer Reviews:
This is A HOT CD/ A definate for the car........1999-11-08
This is a hot CD. Alot different from the other stuff out there. I think that calling this rap is an understatement. It has more of an alternative feel to it. These rappers are intellegent they just dont talk that Street Talk, BIG METEPHORES AND MYSTIC WORD PLAY. thats what I like about it. I would like to see a MUSIC VIDEO FROM THESE GUYS.
BLAZIN HOT MUSIC!!!,I was waiting for something like this........1999-10-08
The variety of this cd is hot. I was attracted to it by the logo on the front of the CD. As creative as the artwork was so is the variety of songs. The last 5 CD's I have purchased have been nothing but Gangsters and Thugs and but these guys you can tell focus on their lyrical skills. I am glad I stumbled onto this CD an I would recommend it to any one who likes real HIP-HOP and not the average braggish and boastish stuff the industry has forced on us lately... PEACE OUT
Album Review:
- A South Bronx Story
- A Town Called Earth
- Adani & Wolf
- Afterhours: Global Underground
- Angel with an Attitude [Import]
- Antigua
- Babylon Rewound [Enhanced] [Limited Edition]
- Balance 007
- Bare Essentials: Volume One
- Bare Essentials: Volume Two [Regular Edition]
Album Review
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