Bloom
Bloom
ASIN: B0002RQ2QW
Editorial Reviews
Amazon.com
Gabriel & Dresden's Bloom isn't hugely different from any other post-trance, Global Underground-school dance record. But these two well-known producers (from their work with Britney Spears, Annie Lennox, and others) reach outside the usual thumps to provide bursts of electro-synth and organic, funk-based rhythms. The first disc in the 2-disc set starts strong with the brilliant, self-produced "Arcadia," but gets lazy occasionally (please not another cheesy Sarah McLachlan remix!). Depeche Mode fans might be annoyed that G&D felt it necessary to spin a version of "Here Is the House" (by Andain) that replaces Dave Gahan with diva vocals (or maybe they just couldn't get the rights?). Disc 2 bounces back with "Athena," a blissful head-bobber that makes life seem bright and lovely. Later, against all odds, the duo finds new depth in the endlessly remixed Dido ("Don't Leave Home"). It's the next track though--the squishy and sublime "Sub" from Bigtop--that really gives the dance floor something meaty to chew on. It's a beautiful thing when progressive house at least tries to be truly progressive. --Matthew Cooke
Bloom,Gabriel & Dresden,Nettwerk Records,Club/Dance,Dance Music,Electronic,Pop,Progressive House
Average customer rating:
- Another great CD from a brilliant guitarist
- hard to review
- Getting weaker with age...EJ needs to practice
- a musical garden
- Eric Johnson Delivers
|
Bloom
Eric Johnson
Manufacturer: Favored Nations
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
General
| Rock Guitarists
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Album-Oriented Rock (AOR)
| Classic Rock
| Styles
| Music
Similar Items:
- Eric Johnson - Live From Austin Tx
- Super Colossal
- Ah Via Musicom
- Live from Austin, TX
- Venus Isle
ASIN: B0009K7RO8
Release Date: 2005-06-14 |
Tracks:
- Bloom
- Summer Jam
- My Back Pages
- Good To Me
- Columbia
- 12 To 12 Vibe
- Sea Secret
- Sad Legacy
- From My Heart
- Cruise The Nile
- Tribute To Jerry Reed
- Your Sweet Eyes
- Hesitant
- Sunnaround You
- Magnetized
- Ciel
Amazon.com
Texas guitar prodigy Eric Johnson returns to recording after a near-decade absence with a lush, typically restrained collection that eschews flash for fluid cool. Arranging the album's 16 songs into a musical triptych whose sections are labeled "Prelude," "Courante" and "Allemande," Johnson aims at creating a landscape of shifting moods that's as subtle as it is mature. The guitarist's trademark lyrical style is immediately showcased on the title track, "Summer Jam" and the stately fallen astronaut tribute, "Columbia." The first section is also energized by the funked-up "Good to Me," before Johnson turns to fare that's variously more impressionistic (the instrumental "Sea Secret"), conscience-driven (the pop-savvy ballad "Sad Legacy") and smooth-groove, r&b sultry ("From My Heart"). The infectious finger-pickin' "Tribute to Jerry Reed" segues into a final act that includes the romance of "Your Sweet Eyes" (with guest Shawn Colvin adding her distinctive harmonies), "Hesistant"'s tasteful Wes Montgomery-isms and the 70's charged, acid-jazz of "Magnetized." His fusion-lite cover of Dylan's "My Back Pages" and saccharine "Sunnaround You" withstanding, it's another fine tribute to Johnson's tasteful, often introspective muse. -- Jerry McCulley
Customer Reviews:
Another great CD from a brilliant guitarist.......2006-10-25
This is an impressive effort. This CD has been played fairly constantly in my car for the past 3 weeks. What impresses me is that I consistently find new bits that stand out depending on my mood. There are some great grooves, brilliant fills, and rocking riffs in classic Eric Johnson style in the first movement, 'Prelude'. The opener 'Bloom' and 'Good To Me' are probably the highlights there. Mr. Johnson then turns it down a bit during 'Courante', the second movement.
'Sad Legacy' and 'From My Heart' are both great introspective songs. 'Sad Legacy' builds a sense of urgency and 'From My Heart' has a mellower, R&B feel and nice jazzy runs. These two are probably my favorites off the album.
The last movement, 'Allemande' starts off with a nice old-school style jazzy number, 'Hesistant'. 'Magnetized' gets things rocking again, before a very good atmospheric classical guitar piece, 'Ciel' ends the ride.
Eric plays an wide variety of styles on this release and manages to keep it all together as one cohesive piece, with one small exception. Tribute to Jerry Reed, while a nice bit of picking doesn't fit on this CD for me, especially after the sitar on 'Cruise The Nile'.
I'd recommend this CD to anyone who enjoyed Ah Via Musicom or Venus Isle. Or, if you aren't familiar with Eric johnson already, then do yourself a favor and pick up a CD. This one is as good as any of his studio albums to start off with.
hard to review.......2006-08-12
I can see why some are disappointed with 'Bloom' since a few songs aren't so fresh. Still, this CD is amazing if you make a copy of a "Best of Bloom" (Of the first six fast songs, I usually only listen to Bloom and the cooler than cool Good to Me.)
For me, this would be:
1. Bloom
4. Good to Me
7. Sea Secret
8. Sad Legacy
10. Cruise the Nile
12. Your Sweet Eyes
9. From My Heart
Not to knock the other songs, but this is the 27 minute CD I like. Perfect in the summer. I feel sorry for people who don't hear Bloom.
Getting weaker with age...EJ needs to practice.......2006-07-19
Seriously friends...I was watching a youthful EJ on the ACL DVD and he just blew my mind, lick after lick but let's be real...Bloom is a repeat of the same old thing except not as good as it used to be.
EJ, take it from one of your biggest fans who owns all of your music...if you come out with another album, don't use samples because you think that they will help you modernize the music or "relate" to the kids. Go into the woodshed and seriously, build a chair. You need to practice and learn something new if you're going to do something original ever again. Otherwise, each and every album that you put out is going to sound the same as old ones...like this one does.
Still, much respect. You are a great master of the instrument but, PRACTICE!
a musical garden.......2006-07-10
This was the first cd of its type I have brought into my audio library,but it was a good introduction. I've known about Eric Johnson for most of his career and always was fond of his sound, but just never got around to adding any of his stuff to my collection. Then I went to a joint Joe Satriani/Eric Johnson evening, and the next day there were 3 new cds in my collection. This, his latest, is a nice presentation of all of his stuff, from chicken-pickin' (the excellent "Tribute to Jerry Reed") to smooth, cool jazz ("Hesitant" ; "Ciel"), to working his pleasant tenor in one of his forays into lyricism (the also pleasant "Sad Legacy" and "Your Sweet Eyes"). My main fault with Johnson's music is I can hardly ever understand what he's singing, but his voice is so agreeable and his tunes so listenable that i'm willing to overlook it. This is a solid body of work, full of clean lilting notes and stinging riffs. A good inclusion in the library of any guitar aficianado.
Eric Johnson Delivers.......2006-07-09
Bloom is definitely one of Eric Johnson's strongest efforts. Almost every song on the album is a winner. The couple that aren't are still really enjoyable.
What I love about EJ is that first he is always very diverse with his songs. They have a wide range of feel and texture that very few musicians have.
Secondly his guitar playing is amazing. His guitar's tone is perfect for each song. Be it the signature EJ sound in Columbia, the definite twang in Tribute to Jerry Reed, the Eastern feel in Cruise the Nile or the stirring chimes in Your Sweet Eyes. And he is able to make the guitar pieces important, yet never overbearing.
This is definitely an album that gets maximum play on my iPod...
Average customer rating:
- Well worth the price
- Not Exactly "The Ultimate" Collection...
- Where's the chicks?!?!
- Not quite the ultimate....
- Great Music - Questionable Selection
|
The Ultimate Gilbert & Sullivan Collection
Arthur Sullivan , Isidore Godfrey , Royston Nash , New Symphony Orchestra of London , Royal Philharmonic Orchestra , Colin Wright , Donald Adams , George Cook , Gillian Knight , Jean Hindmarsh , Jeffrey Skitch , John Ayldon , John Reed , Joyce Wright , Kenneth Sandford , Lyndsie Holland , Owen Brannigan , Pauline Wales , Peggy Ann Jones , Thomas Round , Valerie Masterson , and D'Oyly Carte Opera Company
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
All Works by Sullivan
| Sullivan, Arthur
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Brannigan, Owen
| ( B )
| Featured Performers, A-Z
| Classical
| Styles
| Music
London Philharmonic Orchestra
| ( L )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Operettas
| Opera & Vocal
| Styles
| Music
The Decca Records Store
| Specialty Stores
| Music
Similar Items:
- The Best of Gilbert & Sullivan
- Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
- Topsy-Turvy - The Music of Gilbert & Sullivan: From the Original Motion Picture Soundtrack
- Topsy-Turvy
- The Best of Gilbert & Sullivan
ASIN: B000007OU0
Release Date: 1998-06-09 |
Tracks:
- H.M.S. Pinafore: We Shall Sail The Ocean Blue
- H.M.S. Pinafore: I'm Called Little Buttercup
- H.M.S. Pinafore: My Galant Crew, Good Morning
- H.M.S. Pinafore: I'm The Monarch Of The Sea
- H.M.S. Pinafore: When I Was A Lad
- H.M.S. Pinafore: Nevermind The Why And Wherefore
- H.M.S. Pinafore: Kind Captain, I've Important Information
- H.M.S. Pinafore: Carefully On Tip - Toe Stealing
- H.M.S. Pinafore: For He Is An Englishman
- The Pirates Of Penzance: I Am The Very Model Of A Modern Major - General
- The Pirates Of Penzance: When A Felon's Not Engaged In His Employment
- The Pirates Of Penzance: With Cat Like Tread
- The Sorcerer: My Name Is John Wellinton Wells
- The Gondoliers: Take A Pair Of Sparkling Eyes
- Patience: If You're Anxious To Shine
- The Mikado: If You Want To Know Who We Are
- The Mikado: A Wand'ring Minstrel I
- The Mikado: Behold The Lord High Executioner
- The Mikado: As Someday It May Happen
- The Mikado: Three Little Maids From School Are We
- The Mikado: The Sun Whose Rays Are All Ablaze
- The Mikado: Here's A How - De - Do!
- The Mikado: From Ev'ry Kind Of Man Obedience I Expect
- The Mikado: A More Humane Mikado Never Did In Japan Exist
- The Mikado: The Criminal Cried As He Dropp'd Him Down
- The Mikado: The Flowers That Bloom In The Spring, Tra La
- The Mikado: On A Tree By A River A Little Tom Tit
- The Mikado: There Is Beauty In The Bellow Of The Blast
- The Mikado: For He's Gone And Married Yum-Yum
Customer Reviews:
Well worth the price.......2006-04-13
I love this CD. No, despite its name it is not the "ultimate" collection, as scarcely could be expected from a single CD. It is heavy on Mikado, as others have stated. It leaves out things I would have included and includes things I would have left out. But the performances are wonderful, traditional and all you expect from G&S. Considering the low price, it is well worth including in your G&S collection ... as PART of your collection. After the disappointment of the godawful Opera World video series (Don't buy it!) this CD is a joy and a relief.
Not Exactly "The Ultimate" Collection..........2004-12-23
It seems that a collection of Gilbert & Sullivan music that has the name "The Ultimate Collection" in its title would boast a wide range of music, but I found the selection disappointing. Half of the tracks are songs from The Mikado, and the other half is divided between five... yes, FIVE other operettas. This means that the representation from each operetta is awfully scant. I would have liked to see less Mikado and more of everything else, and perhaps some highlights from the more obscure operettas (Princess Ida and The Sorcerer, namely).
In addition, while most of the music is very well performed, some of the vocalists either go a bit overboard or, at the very opposite end, seem to lack expression. For example, this Nanki-Poo (in The Mikado) seems to be overly occupied with vibrato. Katisha's voice is annoying, and The Mikado's low voice often seems to lack feeling and humor. The other idiosyncracies, like the very frightening evil laughing during "A More Humane Mikado" and hissing during "Three Little Maids" really bug me.
Then again, I'm new to Gilbert and Sullivan, and was introduced to the music through the Topsy Turvy soundtrack, which has a noticeably less operatic style, and hardly includes "stage noise"... so perhaps all this is the norm. Do listen to the tracks for yourself, though, before you purchase the CD. Personally, I find that the Topsy Turvy soundtrack, while considerably less ecompassing, is much lighthearted and easier listening.
Where's the chicks?!?!.......2003-05-15
It wouldn't be G&S if not for the ladies - so where are they? How could they leave out Mabel's aria - or Josephine's!? The only female aria included on this disc comes from Mikado, which is the least exciting (if G&S could be un-exciting) of the three! Everything else on the recording is great, but I am still quite disappointed.
Not quite the ultimate...........2002-03-25
This is a great collection, but unfortunately it doesn't have songs from all the works of G&S. Most notably, there is nothing from the "Yeoman of the Guard". I still reccommed it however as John Reed is wonderful!!
Great Music - Questionable Selection.......2002-02-05
It's an ongoing challenge to find a recording of Gilbert and Sullivan that combines premium musicality and great theatrical performance. This recording is a true gem on both fronts. My only complaint is that for a "Best of" collection, this compilation is Mikado-heavy and scarcely touches on highlights from other masterpieces, particularly The Pirates of Penzance. This would be my favorite G&S CD of all time, of only it included tracks like "When the Foeman Bares his Steel," "Poor Wand'ring One," and "Dry the Glist'ning Tear," but then again, I guess there's no real consensus as to which are Gilbert and Sullivan's best works, and there are too many to fit on one CD.
Average customer rating:
- Invigoratingly original jangle-pop blues-punk hybrid
- The ONLY band that matters right now!
- bloom me away!
|
Let It Bloom
Black Lips
Manufacturer: In the Red Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
Garage Rock
| Rock
| Alternative Styles
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
- Black Lips!
- We Did Not Know the Forest Spirit Made the Flowers Grow
- Porcella
- Passover
- Grinderman
ASIN: B000BOH92M
Release Date: 2005-11-22 |
Tracks:
- Sea Of Blasphemy
- Can't Dance
- Boomerang
- Hippie, Hippie, Hoorah
- Not A Problem
- Gung Ho
- Everybody's Doin' It
- Feeling Gay
- Take Me Home (Back To Boone)
- Gentle Violence
- She's Gone
- Fairy Stories
- Dirty Hands
- Workin'
- Punk Slime
- Emphassant
Customer Reviews:
Invigoratingly original jangle-pop blues-punk hybrid.......2007-02-06
When I first bought this CD a few months ago, I treated it as a novelty. I played it on my small CD player before bedtime, reveling in the ragged tunes but not really fully captivated by the disc. But when the CD migrated to my actual stereo, I began to take more notice, and now this album has evolved into one of my top ten favorites.
The Black Lips' signature sound is a searing blend of 60s blues and jangle-pop, screeching 80s punk, and modern hipster garage rock, with nuanced dips into Motown and R&B. The tunes are a trashy mishmash of musical styles, and exude a sort of slimy charisma, the way they wrap catchy hooks and singable melodies in a sort of chain mail of dissonance. Each song exists as its own freaky entity, evoking just about every rock and roll era and genre without being in any way cheaply imitative or derivative. And the surrealistically profane lyrics only add to the sleazy charm of the songs.
I predict that the Black Lips will be the next Stooges. The Stooges were the punkish counterparts to more mainstream 60s bands, and indeed, the Black Lips carve a rougher, rawer soundscape than that of some of the sleeker, more packaged garage bands like The Strokes.
Of course, it doesn't matter if The Black Lips become more overtly popular, because they are so damn good you almost wish you could harbor the secret for yourself.
(Let me add that I am shocked that only three people have reviewed this album. For shame! Rolling Stone magazine even listed it among the best albums of 2006. Not that I give a ton of credence to Rolling Stone, but occassionally they get it right.)
The ONLY band that matters right now!.......2006-03-19
Pure raw rock n' roll that leaves nothing to be desired. This band is a band to see live (known for notorious acts such as pee drinking, blood, bottle breaking and fire). This album is their first to actually capture the bands energy and let the listener feel it. HIGHLY RECOMMENDED!
bloom me away!.......2006-01-18
It's difficult to believe that this is the dirty, disgusting, punks who are so bad on stage that they make their selves spontaneously puke. Black Lips demonstrate in Let it Bloom that they are actually musicians; they have shown in this CD how they have matured in writing and producing music. Their sound is original, yet eerily familiar. When they get their act together, Black Lips can produce great stuff. Let's hope they choose to keep it up.
Average customer rating:
- Not bad for a remix album.
- Not sure if everyone is listening to the same CD
- Somehow it all works!
- Do not buy this album
- Poor sarah
|
Bloom Remix Album
Sarah McLachlan
Manufacturer: Arista
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Canada
| North America
| International
| Styles
| Music
General
| Rock
| Styles
| Music
Electronica
| Dance & DJ
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
General
| Easy Listening
| Pop
| Styles
| Music
Adult Alternative
| Pop
| Styles
| Music
Similar Items:
- Remixed
- Live Acoustic
- Rarities, B-Sides & Other Stuff
- Afterglow Live (CD/DVD)
- Touch
ASIN: B000AA3002
Release Date: 2005-09-06 |
Tracks:
- World on Fire (Junkie XL Club/GM Edit)
- Ice (Dusted Mix)
- Vox (Tom Middleton Mix)
- Dirty Little Secret (Thievery Corporation Mix)
- Stupid (DJ Hyper Mix)
- Train Wreck (Sly & Robbie Mix)
- DMC featuring Sarah McLachlan: Just Like Me (Will-i-am of the Black Eyed Peas Remix)
- Answer (Talvin Singh Mix)
- Fallen (Gabriel & Dresden Mix/ GM Edit)
- Fumbling Towards Ecstasy (Junior Boys Mix)
Amazon.com
Many remixed CDs are mildly amusing at best. Sarah McLachlan's Bloom, on the other hand, is a showcase of world-class musicians reworking her timeless compositions to match their compelling styles, rather than just adding dance beats to pre-existing Sarah songs. The list of contributors to this collection is most impressive, likely to bring non-folk fans into her fold. Reggae legends Sly & Robbie have done some amazing dub-meets-downtempo work on "Train Wreck," arguably improving upon the original cut. DMC (of Run DMC fame) collaborates with Will.I.Am from the Black Eyed Peas to turn out the very BEP-sounding track "Just Like Me," which is centered around McLachlan singing the chorus of "Cats In The Cradle." Famed South Asian DJ Talvin Singh has created a rich, tabla and sitar-infused take on the achingly beautiful "Answer," guaranteed to be a hit at yoga studios and aromatherapy shops everywhere. As far as the other songs are concerned, the majority are amped-up and turned into house music, especially Amsterdam legend Junkie XL's "World On Fire" and the (80's-esque driving beat of "Vox," mixed by Tom Middleton. Ironically, some of the best and brightest moments on Bloom occur when the strong cast of DJs and producers create compositions significantly different from McLachlan's masterful originals. The talent of Sly & Robbie, Talvin Singh, DMC, and Thievery Corporation alone make this album well worth acquiring. --Denise Sheppard
Customer Reviews:
Not bad for a remix album........2006-10-06
Just to let everyone know, I purchased this album through BMG and had no problem ripping it to my computer. Their vesion is apparently not content/copy protected. The best remixes on the album are "Vox" and "Stupid." Worst track is "Just Like Me," it just seems completely out of place and doesn't fit Sarah's style.
Not sure if everyone is listening to the same CD.......2006-10-01
This is one of my favorite Sarah CD's. The dance mix is great. Between this and Afterglow, they are always being played and I have almost every single CD of McLachlan's. It is so refreshing that you can take your music and mix it up and appeal to another group of people. My friend is in the music business and has his own musicians for clients and he even brought this CD. I applaud Sarah McLachlan.
Somehow it all works!.......2006-08-23
I have recently discovered Sarah McLachlan's music and it's been a revelation. The songwriting (words and music) and the vocals are heartfelt and effective. Most of her songs have memorable lines and the vocals are hauntingly beautiful. The thought of a "Remix" album of her music didn't sound like a good thing at first but I was pleasantly surprised. Most tracks have been remixed fully understanding the real emotion/feel behind that particular song - resulting in an album that is deep and sincere yet produces some good, upbeat tracks. Overall, very good fusion of singer-songwriter type songs and modern electronically produced music.
Do not buy this album.......2006-07-30
As long as Sarah is on Sony I will never again purchase one of her albums. This spyware, copy protection scheme is borderline illegal, it's intrusive, and makes playing the music I paid for a pain in the behind.
Some of the tracks are good, but not worth putting spyware on your machine. Just go download them.
Don't support companies that violate your privacy, and don't support artists that accept fat contracts from said companies.
Poor sarah.......2006-07-26
Thanks to the record companies' greed and decision to include crippling copy-protection software on this disc, this is the first Sarah McLachlan album I haven't purchased. I listen to CD's at home, but at work and elsewhere I mostly use my mp3 player, and it was easier to find an illegal copy of the album than it would be to drive to a store, buy the CD, and then search google to find someone's instructions on how to bypass the copy protection just so I could listen to the album away from home.
Have record company suits ever been fans? Somehow I doubt it.
Average customer rating:
- AA Comes of Age!
- Disappointing Disc
- One of the best Christian Rock albums ever
- this gets my adrenaline goin'!!!
- Christian Rock
|
Bloom
Audio Adrenaline
Manufacturer: Forefront
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Christian Rock
| Christian & Gospel
| Styles
| Music
General
| Christian & Gospel
| Styles
| Music
Christian Alternative
| Christian & Gospel
| Styles
| Music
Christian Contemporary Music
| Christian & Gospel
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
- Some Kind of Zombie
- Don't Censor Me
- Underdog
- Lift
- Worldwide
ASIN: B000000V0N
Release Date: 1996-02-20 |
Tracks:
- Secret
- Never Gonna Be As Big As Jesus
- Good People
- I'm Not The King
- Walk On Water
- See Through
- Free Ride
- Man Of God
- Gloryland
- Jazz Odyssey
- Bag Lady
- I Hear Jesus Calling
- Memoir
Amazon.com
Who said Christian bands can't rock & roll? One of the best releases in the late '90s, if not the decade, Audio Adrenaline's Bloom is laced with hard-driving grooves and riveting guitar licks. The opening "Secret," "I'm Not the King," and "Memoir" prove the former, while "Never Gonna Be as Big as Jesus," "Good People," and "Walk on Water" demonstrate the latter. And through it all, the band reminds us that they know a good melody when they hear one. The powerful presence of singer Mark Stuart is apparent throughout as he showcases his classic FM-radio rock voice, now an Audio Adrenaline signature. You'll also love the cover of Edgar Winter's "Free Ride," which never sounded so fresh. --Michael Lyttle
Customer Reviews:
AA Comes of Age!.......2006-10-20
"Bloom" is a quantum leap forward for AA. After two spotty albums the band had built a following; but this thrust them forward into the spotlight, and deservedly so. "Never Gonna Be As Big As Jesus" and "Walk On Water" are among my favorite Christian rock songs, and several other quality songs show the growth and maturity of the band - notably "Good People", "I'm Not The King" and "Man Of God". The biggest shortcoming of AA is when they try innovative covers of classic rock songs, and their cover of Edgar Winter's "Free Ride" is a confusing loopy ride; but the innovation is what makes AA who they are, and I wouldn't change them for anything.
Disappointing Disc.......2006-01-28
I am a huge rock music fan. I picked up this disc when it first came out in '96. I was drawn in because the band re-made the classic "Free Ride" by Edgar Winter. I thought that 70's influenced Christian music might be worth a try. Unfortunately, they did a terrible job of it; not only that, but the rest of the CD isn't much better. The production is absolutely painful to listen to and some of the lyrics are embarrassingly shallow. I know that the large majority of reviews for this CD are positive, but I really think that this is an awful CD. I don't want to come across as being against Christian music, I am just against bad music in general. If you are a fan of rock music, and you are looking for something from the mid-90's by Christian artists, you might want to try Third Day's self-titled debut, DC Talk's "Jesus Freak" or Rebecca St. James' "God."
One of the best Christian Rock albums ever.......2005-06-22
I saw Audio Adrenaline performed live while I was in college. "Bloom" is probably one of the most essential albums in Christian Rock. The best track on this CD is an Edgar Winter cover called "Free Ride." Perhaps the weakest track is "Jazz Odyssey." Highly recommended.
this gets my adrenaline goin'!!!.......2005-04-17
this AA cd is good,good stuff! MY family even gets into this one. ( they don't care for aa too much)!
great- secret,good people,never gonna be as big as jesus.
good- i'm not the king,man of god ,bag lady ,free ride,walk on water.
o.k-i hear jesus calling,glory land,see through,memoir
skipable- jazz oddyssey
there it is see ya next time !
Christian Rock.......2005-03-03
Audio Adrenaline is perhaps the greatest Christian Rock band of our time. They were one of the original bands to kickoff the Christina Rock Craze and they still survive today. Two of my favorites on this album are "Never Gonna Be as Big as Jesus" and "I'm Not the King." There really isn't a bad song on this album. This has to be one of my favorite Christian albums.
Average customer rating:
|
Platinum Collection
Luka Bloom
Manufacturer: Wea/Warner
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Urban Folk
| New Wave & Post-Punk
| Alternative Rock
| Styles
| Music
General
| Contemporary Folk
| Folk
| Styles
| Music
Alternative Folk
| Contemporary Folk
| Folk
| Styles
| Music
Singer-Songwriters
| Contemporary Folk
| Folk
| Styles
| Music
General
| Folk
| Styles
| Music
Irish Folk
| Traditional British & Celtic Folk
| Folk
| Styles
| Music
Britain
| British Isles
| Europe
| International
| Styles
| Music
Ireland
| British Isles
| Europe
| International
| Styles
| Music
Singer-Songwriters
| Pop
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Folk Rock
| Rock
| Styles
| Music
Similar Items:
- Innocence
- Amsterdam
- Salty Heaven
- Turf
- Riverside
ASIN: B000MV91TS
Release Date: 2007-03-05 |
Tracks:
- Delirious
- Dreams In America
- Fertile Rock
- Gone To Pablo
- You CouldnT Have Come At A Better Time
- Hill Of Allen
- I Believe In You
- I Need Love
- This Is Your Country
- Acoustic Motorbike
- CanT Help Falling In Love
- Be Well
- Diamond Mountain
- Black Is The Colour
- Holding Back The River
- Background Noise
- Sanctuary
Album Description
2007 collection of tracks by the Irish singer/songwriter, younger brother of Irish legend Christy Moore (Luka's birth name is Barry Moore). 17 tracks including 'Delirious', 'Gone To Pablo' and 'Dreams In America'. Warner.
Album Details
2007 Issued Digitally Remastered Anthology of Recordings by Younger Brother of Irish Folk Singing Legend Christy Moore who Crossed the Atlantic "Pond" the Escape his Brother's Shadow and Make his Own Mark on the Music World on his Own Terms.
Average customer rating:
- Luka Bloom at his finest
- Peddling the Light Poetic
- Mellow moods and acoustic jams...
- Spirited
- Solid Aalbum From a Solid Artist
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The Acoustic Motorbike
Luka Bloom
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD
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| New Wave & Post-Punk
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Similar Items:
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ASIN: B000002LQL
Release Date: 1992-01-28 |
Tracks:
- Mary Watches Everything
- You
- I Believe In You
- I Need Love
- Exploring The Blue
- This Is Your Country
- The Acoustic Motorbike
- Can't Help Falling In Love
- Bones
- Bridge Of Sorrow
- Listen To The Hoofbeat
- Be Well
Customer Reviews:
Luka Bloom at his finest.......2004-09-21
Would highly recommend,A great blend of lyrics and music this material is not dated.
Peddling the Light Poetic.......2003-10-10
This is Luka Bloom's second album, and it remains an astounding achievement. Like many Irishmen, he has a deep need to brood and give voice to his melancholy. He does so with such grace and passion, that it is hard to not get swept up by his emotional power. At the same time, he's got a delightfully inspiring sense of humor. How else would you explain a faithfully rendered version of LL Cool J's "I Need Love," performed as if it were truly a folk ballad, complete with a fiddler in the fade?
Luka's beauty also rests in his national pride, most evident in "This Is Your Country" and in the disc's closing number "Be Well." I remember having to explain the line "an Atlantic sunset fills your mind" to a man who thought that Luka had committed a ridiculous geographical gaffe. But it's easy to hear his commitment to this music in his voice. Only once on "The Acoustic Motorbike" is there a slip into the lyrically awkward, and that his attempt at the vaguely political "Listen To the Hoofbeat." There is still enough firepower musically to cover that minor quibble.
He also plays a stunning live show, and if you ever get to see him play, do so. You will be richer for it.
Mellow moods and acoustic jams..........2002-09-24
It's difficult to describe this album as it has a really unique style and sound. For some reason, the word 'cool' comes to mind.
I first heard Luka Bloom on some obscure video channel playing his rendition of L.L. Cool J's 'I Need Love'. Luka Bloom's version is fantastic. Rather than drum beats and rap you'll find the acoustic guitar and Luka's accent while 'rapping' setting the song apart. It's worth it for this song alone.
As with many pleasantly surprising finds, the rest of the songs are also fantastic. There are some mellow pieces and some rather rocking pieces, all driven by his acoustic guitar. Yet there are other subtle instrumentations that make their way into your hearing with repeated listenings. It has grown on me over the years and I have yet to tire of it. A good find if you're looking for something a bit apart from the mainstream.
Spirited.......2002-04-05
I love 90% of this album.
Well, more accurately, a little more than that, as there are 12 tracks...
This is the second album by Luka Bloom, though apparantly his fourth or fifth in all - he recorded some obscure, out of print albums in Ireland as Barry Moore, before swtiching personas, (and apparantly styles), to get out of his brother's shadow.
Well, having never heard the Barry Moore albums, all I know is that I love Luka Bloom. He has a wonderful voice, and a vivid performance style. "Exploring the Blue" is a lovely, soft track, but does not descend into empty mellowness - even in the soft moments, the music is full of spirit, emotion to the fore. LL Cool J's "I need Love" is completely transformed in this cover, easily one of my all time favourite Luka tracks.
The one track that falls flat for me is "Listen to the Hoofbeat", which is musically promising at the opening, but loses it in the vocal melody, and loses it worse in the lyrics. Luka's most overt political moments are often his weakest, not because the issues are unimportant, but because he cannot seem to get past slogans into the heart of the matter ("Forgiveness" on Salty Heaven, is the exception). His more subtle political tracks, those where the issues come second to the music, are invariably twice as strong.
Still, aside from that, this album is powerful. Luka plays around with several different syles and moods, with covers and originals, and the passion of an artist still discovering his strong points. Some songs are more rough gems than others, inevitable when an artist is still experimenting, but equally inevitable, the album is more interesting, because the talent and the voice shine through, and the artist hasn't fallen prey to the dangers inherent once he's established his sound - there's no chance of stagnation or repetition. I just hope his future albums never do fall prey to that; there's too much good stuff going on here.
Solid Aalbum From a Solid Artist.......2001-01-06
Bloom's second album, after his stunning debut "Riverside," was, perhaps, destined to disappoint by comparison, but the fact that it comes so close to matching is a bold testament to his talents.
This album begins with the startling "Mary Watches Everything," and ends with the simple, but decidedly NOT silly, love song "Be Well." In between we get another impressive set of Luka originals, mixed in with a pair of terrific covers, the Elvis standard "Can't Help Falling In Love," and a wild version of LL Cool J's (yes, that's right) "I Need Love." All and all a first rate album from a first rate artist.
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Classical Evolution: Waltzes
J. Strauss Jr
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B000065AO6
Release Date: 2002-05-07 |
Tracks:
- Roses From The South Op.388
- The United Millions Op.443
- Where The Lemon Trees Blossom Op.364
- Artist's Life Op.316
- Treasure Waltz (From The Gypsy Baron) Op.418
Tracks:
- Emperor Waltz Op.437
- Tritsch, Tratsch Polka Op.214
- Wine, Woman And Song Op.333
- Eljen A Magyar Op.332
- Morning Papers Op.279
- Persian March Op.289
- On The Beautiful Blue Danube Op.314
Customer Reviews:
Waltz CD review.......2007-05-06
The CD was delivered on time and was exactly as advertised ... good.
Average customer rating:
- Like Fine Irish Whiskey
- a beautiful vision of peace
- just gets better
- Full of Wonder, and Wonderful
- One of his best...
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Innocence
Luka Bloom
Manufacturer: Cooking Vinyl
ProductGroup: Music
Binding: Audio CD
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| New Wave & Post-Punk
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- Between the Mountain and the Moon
- Amsterdam
- Riverside
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ASIN: B000E6ESQM
Release Date: 2006-03-21 |
Tracks:
- PRIMAVERA
- FIRST LIGHT OF SPRING
- INNOCENCE
- VENUS
- MIRACLE CURE
- PEACE ON EARTH
- GYPSY MUSIC
- CITY OF CHICAGO
- JUNE
- SALVADOR
- NO MATTER WHERE YOU GO, THERE YOU ARE
- THANK YOU FOR BRINGING ME HERE
- LARRY REDICAN OW
- DOING THE BEST I CAN
- I AM NOT AT WAR
Album Description
Innocence seems like a strange title for Luka Bloom's tenth studio album. However, Innocence is an album that could easily be mistaken as an accomplished debut. Bloom's lyrics are so insightful and fresh that you'd be forgiven for mistaking him as a young and disillusioned twenty-something, instead of a 50 year old who has been making music for 36 years. Musically, Innocence is just as simple and static. There's an unrivalled tenderness to Luka Bloom's enchanting, earnest songwriting - his musical and lyrical delivery possesses that special charm. His deft, delicate touch on the six-string and distinguishable Irish lilt in his honeyed vocals draws you in immediately with the heartfelt opener `Primavera', from which the ensuing mood is set. And of course, there's a gentle dose of mellow instrumentals on Innocence to round out the album. The US version contains two exclusive bonus tracks that are not on the UK version - `Doing The Best I Can' and `I Am Not At War.! ' Bloom seems to always manage a sense of freshness with anything he puts his mind, voice and hand to, and Innocence beautifully captures the emotions of these purposeful messages by a master of his game.
Customer Reviews:
Like Fine Irish Whiskey.......2007-01-18
Luka Bloom is a rare thing indeed; a singer-songwriter that seems to improve with age. This is his tenth CD, and you would never guess that the first one on Reprise came out in 1990 ("Riverside"). "Innocence" is still fresh sounding and vital, with Bloom giving voice to emotions and characters in the grand folk-singer tradition.
Never one to shy away from a political topic, "Innocence" bears down hard with "I Am Not At War." He sweetly sings a line like "I don't need to be friends with everyone. I'd just like to live in peace with everyone," completely blowing off the fluffy notion of unity for a more pragmatic (and hence, realistic) vision. That sentiment is reflected in "No Matter Where You Go, There You Are" (despite the unwieldy title). The narrative of Mohammed, a Muslim refugee who flees Algeria rather than join the army then eventually finds spiritual peace in an Irishman's music, junks the stereotypes about Muslims with ease. It teaches a valuable lesson without leaving a preachy taste in your mouth.
Still, Bloom is an Irishman, and we Irish are an emotional lot. The title song and "Thank You For Bringing Me Here" address the heart with grace. Meanwhile, "Miracle Cure" casts a darker light on the same topic, while still asking forgiveness. Bloom covers all the bases here, and not a single song is a cast-off. I was lucky enough to see him touring behind this CD at World Cafe in Philadelphia, and you could feel the emotions welling in the room. He is a stunning performer, and "Innocence" is possibly his finest hour of music.
a beautiful vision of peace.......2007-01-10
INNOCENCE is a great low-key album, one of the best of 2006. While lacking any up-tempo dance-and-sing-along numbers like "Perfect Groove" and "Rainbow Day" from his superb BETWEEEN THE MOUNTAIN AND THE MOON album (2002), INNOCENCE is utterly fantastic, with the much-needed theme of peace, love, forgiveness and, yes, innocence. It's forgiveness that's the "Miracle Cure." The song "Innocence" is about a child's innocent religious faith, and an insight into Irish Catholicism.
Luka sings that "I am not at war with anyone," a great closing song for a lovely set of songs that restores, at least temporarily, the listener's faith in the potential of human beings to follow a higher spiritual path. Let us each do what we can in 2007 to bring about a world of peace, rather than what is a tragicomic oxymoron, a "religious war."
PEACE, SHALOM, SALAM, NAMASTHE
just gets better.......2006-06-15
I have been listening to Luka Bloom for years, have seen him in concert only once. I love this CD, he is always surprising yet still "himself" - love these songs, he just keeps getting better and better!
Full of Wonder, and Wonderful.......2006-05-26
Luka Bloom's new CD Innocence has been getting a work out in my iTunes the past couple weeks. I'm listening to it right this minute, as a matter of fact. And the more I listen to it, the more I love it. The new CD is understated, and quiet in places to the point where you might almost miss the power that is there in the lyrics, guitar and Bloom's rich voice. He says of the new record: "The whole story of this album is interesting and different. Life is an endless stream of challenges, and for this singer, the most important ingredient to hang on to is our innocence and wonder at the world". That sense of wonder is on display all over this album, with songs about such simple joys as the coming of Spring, a young girl's trip to the beach with her parents, the power of forgiveness and summer sunshine.
On Innocence, he moves effortlessly from songs that display the sense of humor that is often seen in a Luka Bloom penned lyric (Doing The Best I Can), to a simple, beautiful instrumental (Peace On Earth), to a really haunting version of his well known famine immigration ballad City Of Chicago. He tells a story of modern immigration into Ireland in No Matter Where You Go, There You Are. No stranger to political statements, he takes on The Iraq War in the beautiful I Am Not At War. No stranger to the music of the big world, he won't allow himself to be pigeoned-holed into an "Irish" sound. Listen to Gypsy Music and Venus and you'll see what I mean. And Bloom's song June reminds me of Van Morrison's classic Sweet Thing, and that can't be bad. This is one of those too rare records, for me anyway, that doesn't have a weak spot on it.
One of his best..........2006-04-20
I saw Luka Bloom last night in Seattle and bought the CD at the show. The show was fantastic and the CD hasn't stopped playing since. One of the best singer-songwriters of our day. Beautiful guitar and melodies.
Average customer rating:
- The Best Of Gilbert And Sullivan
- Pure delight
- Delicious G&S samplings abound here.
- Fine Intro to G&S
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Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
Nicholas Folwell , Arthur Sullivan , Marie McLaughlin , Rebecca Evans , Anthony Rolfe Johnson , John Mark Ainsley , Alwyn Mellor , Anne Howells , Barry Banks , Eric Garrett , Felicity Palmer , Gareth Rhys Davies , Janice Watson , Julie Gossage , Neill Archer , Pamela Helen Stephen , Peter Savidge , Richard Stuart , Richard Suart , Richard Van Allan , Sir Thomas Allen [baritone] , Sir Charles Mackerras , and Welsh National Opera
Manufacturer: Telarc
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Binding: Audio CD
All Works by Sullivan
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ASIN: B000003D1Y
Release Date: 1996-01-23 |
Tracks:
- A Wandering Minstrel I
- Behold The Lord High Executioner!
- Three Little Maids From School Are We
- Braid The Raven Hair
- The Flowers That Bloom In The Spring
- On A Tree By A River, A Little Tom-tit Sang, 'Willow, Tit-willow'
- For He's Gone And Married Yum-Yum
- We Sail The Ocean Blue
- I'm Called Little Buttercup
- My Gallant Crew
- When I Was A Lad
- Things Are Seldom What They Seem
- Never Mind The Why And Wherefore
- Climbing Over Rocky Mountain
- Poor Wand'ring One
- How Beautifully Blue The Sky
- I Am The Very Model Of A Modern Major-General
- When The Foeman Bares His Steel
- Ah, Leave Me Not To Pine
- With Cat-Like Tread
- Is Life A Boon?
- I Have A Song To Sing, O!
- Were I Thy Bride
- Oh, A Private Buffoon Is A Light-Hearted Loon
- When A Wooer Goes A-Wooing
- When I, Good Friends, Was Called To The Bar
- A Nice Dilemma We Have Here
- Oh, Joy Unbounded
Customer Reviews:
The Best Of Gilbert And Sullivan.......2004-03-15
At the end of the 19th century (1870's, 80's and 90's) the compatible duo of librettist and composer Gilbert and Sullivan popularized the pre-Broadway entertainment of Savoy opera. These were light operas or operettas whose content was satire and comedy, full of bouncy melodies and beautiful singing, highly entertaining theatrical works staged at London's Savoy theatre. Gilbert and Sullivan did not always get along and in fact there was a time when they ended their professional relationship because personal conflicts surfaced. But they managed to create the world's most beloved light operas, over 40 of them. Their most famous are what I call the Big Three- The H.M.S. Pinafore, The Pirates Of Penzance and The Mikado. Other works include their first hit Trial By Jury, The Yeomen Of The Guard, Princess Ida, The Gondoliers, Patience and several others. A standard signature of Gilbert and Sullivan was in the colorful cast- a comic actor with a special kind of baritone voice, a canary-like and sweet-voiced coloratura or lyric diva, a mezzo soprano with strong chest register and a lyric tenor as the romantic hero. On this album, English conductor Sir Charles Mackerras, a popular figure in the classical music scene and opera, guides the Chorus and Orchestra Of the Welsh National Opera in generally well-delivered performances of excerpts from the operas The Mikado, The H.M.S. Pinafore, The Pirates Of Penzance, Yeomen Of The Guard and Trial By Jury. Although I feel that the recordings made by the D'Oyly Carte Opera Company, with Isodore Godfrey conducting and starring the best cast of the Gilbert and Sullivan repertoire- the singers of the 60's and 70's- tenor Phillip Potter, soprano Valerie Masterson, baritone John Reed, Donald Adams and mezzo soprano Christine Palmer. Their version of the Pirates Of Penzance and the Mikado far outshine the Welsh National Opera in technical mastery and vibrant tone color.
But these are fine excerpts. Especially appealing is the famous and cheerful "Three Little Maids From School Are We", a trio that imitates Japanese style melody. Most of the Mikado does this, for it was inspired by Japanisme or the new fashion in Victorian England- everything Japanese, from prints to paintings to poetry. Gilbert and Sullivan simply "Japanized" their English operettas. The Finale "For He's Gone To Marry Yum Yum" is an ebullient and pleasant finale. Not featured here is the domineering and powerful Katisha, a figure who stands out in the Mikado.
The H.M.S. Pinafore is Gilbert and Sullivan's most popular work. The sea chanty "We Sail The Ocean Blue" opens the opera with appropriate atmosphere and it seems to fit perfectly with the other scene in which the Captain greets his crew and they sing his praises "My Gallant Crew..I am the Captain Of The Pinafore". A beautiful melody that seems to come out of a romantic Offenbach tune is "I"m Called Little Buttercup". The finale, not featured here, is also very engaging "For He Is An Englishman" which can almost resemble a British national anthem. The Yeomen Of The Guard was Gilbert and Sullivan's "serious opera" eventhough it remains very Savoyard. The plot deals with Tudor England and takes place at the London Tower. "I have a song to sing" makes use of what can be taken for an English ballad of the Renaissance. Trial By Jury, about the eccentric and hilarious activity of a court trial, has a sextet that although different in composition, has the sextet "Che Mi Frena" from Donizetti's Lucia Di Lammermoor in mind. All in all, an excellent recording sure to delight young and old.
Pure delight.......2003-08-02
--Gilbert & Sullivan--
William Gilbert and Arthur Sullivan were a match made in heaven, yet on earth their pairing seems even with hindsight a most unlikely coupling. Both were destined for other things, Gilbert in fact for decidedly non-musical careers. Introduced by a mutual friend, Fred Clay, the fledgling lyricist Gilbert met the military-band-leader's son Sullivan and together continued to conspire to inspire the delights of audiences from high Victorian times down to the present, as their work in musical theatre comedy continues to provide merriment throughout the English-speaking world and beyond.
--The Music--
This collection includes highlights from five of the most popular Gilbert & Sullivan operettas: The Mikado, HMS Pinafore, The Pirates of Penzance, The Yeoman of the Guard, and Trial by Jury. The arrangements and orchestrations are delightfully energetic and clear; the characterisation and vocal qualities of the leads are perfect for their roles. The haughty if misplaced Lord of the Admiralty has the perfect combination of insecurity and pompous officiousness. The Plaintiff and the Defendant in the Trial are perfectly cast. This is a collection of highlights - at least three but no more than seven songs each, but this gives a good flavour of the music. The recordings on this collection come from complete performances by Mackerras and the WNO.
--Sir Charles Mackerras--
Mackerras is one of the geniuses of the twentieth century musical scene. Having a conducting career that includes the Hamburg Opera, the English National Opera (formerly Sadlers Wells Opera), and the Welsh National Opera (the performers for this piece), he has also conducted major orchestras on the continent of Europe and in the United States. The holder of many major awards and honourary doctorates, he has devoted much time and energy to the preservation and performance of eighteenth and nineteenth century music, as well the restoration of historical musical venues, such as the Estates Theatre in Prague, scene of the original production of Don Giovanni (Mackerras conducted the opera there to commemorate the bicentenary of the death of Mozart).
--Welsh National Opera Orchestra and Chorus--
The seeds of the WNO were planted in Cardiff during World War II by music lovers; the first performances occurred a year after the war's end, with Cavalleria rusticana and Pagliacci on the bill, with Faust the next night. Popular appeal was so great that the WNO was established, later adding choruses in both Cardiff and Swansea. The professional chorus was established in 1973, with a strength that matches the orchestra. They continue an ambitious performance schedule for recording and live events; Mackerras remains the Conductor Emeritus, as the WNO continues under the direction of Carlo Rizzi. The list of awards the WNO has won over the years is staggering - they are a world class institution by any measure.
--Other performers--
Notable singers such as Richard Stuart, Rebecca Evans, Felicity Palmer, John Mark Ainsley and Anne Howells lead the chorus with stunning vocals and clever characterisations of the parts they play. Many (such as Stuart and Evans) play the leading roles across several of the pieces of the disc.
--Liner Notes--
The liner notes give a good introduction and biographical information about Gilbert and Sullivan, as well as synopses of the five pieces presented here. It does not, unfortunately, include any information about Mackerras, the WNO Orchestra and Chorus, or the other special performers. It also does not include the lyrics to the songs. Were the quality of the CD not so great, this might cost it a star in rating.
--Overall Impressions--
I play this CD in my car, in my home and in my office frequently. It is a great sing-along work and a great comedic relief from the stresses of the day. The music is bubbly and clear; the recording quality is excellent and crisp. I recommend this to any Gilbert & Sullivan lover, any fan of musical comedy, opera and operettas, and anyone who delights in good music.
Delicious G&S samplings abound here........2003-05-06
The first thing I should be saying is "What an infectuous G&S CD." Indeed this is, with this fine sampling of the peppy and bright Mackerras series. I know I have praised its "Mercedes-Benz quality" elsewhere on these pages, but that doesn't stop me from saying that everyone is in fine voice. This generously filled CD may only focus on five operas, but at least you can savour a reasonable choice sampling of delights from each one. Of particular interest is Richard Suart's patter-baritone parts and the soaring lyric soprano of Rebecca Evans. The selection on this disc is filled with a mixture of familiar favourites and lesser-known gems such as the female choruses in Mikado and Pirates. Mackerras is a true G&S conductor, but one who always springs rhythms crisply, and adopts peppy tempo for the fast bits. The one drawback is that this selection is far too infectuous that you'll want to shell out money to buy the full 5-CD Mackerras cycle - an incredible bargain with most of the operas fitted onto one disc each. But still, this is at least a decent G&S sampling for beginners, capped with Steven Ledbetter's copious liner notes. It will leave you wanting to say "dammit I'm going to play it again."
Fine Intro to G&S.......2000-12-30
This is the perfect CD for those who may not be familiar with G&S, or for the initiated who want a smattering but don't have the mother of all CD changers. The difficulty with any G&S Greatest Hits CD is determining which pieces to leave off; while one could easily point to any number equally good bits, it would be difficult to argue about the quality of the choices included. The only problem, such as it is, is that after listening to it I am usually induced to go back and listen to the whole opera anyway. The Mackerras recordings are uniformly excellent. I have read elsewhere the criticism that they are too 'operatic' for light opera. If by this it is meant that the singers are too good, then I leave it to the discretion of the listener when the singing becomes too good to be enjoyable.
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