The Good Life
The Good Life
ASIN: B000079R7O
Track Listings
|
|
|
1. When a Woman's in Love
|
|
2. East of Leavin'
|
|
3. What I'd Say
|
|
4. The Good Life
|
|
5. Leavin' Aint as Easy
|
|
6. I Feel a Goodbye Coming On
|
|
7. What I Could Have Been
|
|
8. She Won't Need You Anymore
|
Editorial Reviews
About the Artist
About John Love
John was born August 11, 1972.He was raised by his mom, Francis, and dad, Robert, in Locust, NC and is the next to oldest of 3 brothers. He graduated from West Stanley High School in 1990. John's introduction to country music came when he spent summers at his Grandmother's house listening to George Jones, Ernest Tubb, Merle Haggard, Charlie Daniels and many more legends on her record player. He started playing the guitar and singing at age 8. His dad and uncle Butch were instrumental in the development of his love for country music.Every time the family got together, music was always the main attraction. At age 15, John wrote his first song, and began performing locally by the time he turned 16. By age 21, John's first major performance was in a talent show on a cruise ship in Jamiaca singing "Margaritaville" by Jimmy Buffet. A short time later, John formed a band and played local clubs in and around Charlotte, NC. One of the first being The Palamino Club in Charlotte. His appearances have run the gamut from the 4th of July celebration in Oakboro NC, the Agri-Civic Center in Albemarle NC, to the Blue Bird Cafe in Nashville TN, The Broken Spoke Saloon in Nashville TN, and also Hog Wild in Huntsville AL, among many other venues.His list of influences run from Merle Haggard, Jon Prine, George Jones, George Stait, Keith Whitley, Don Williams, to James Taylor, Tracy Byrd, and Vern Gosdin. In 1998, John moved to Nashville, TN to pursue his songwriting and his love of music. He worked as a truck driver during the day and performed at song writers nights at clubs in Nashville. Working as a truck driver gave John plenty of time to pen songs like, "She Won't Need You Anymore", which is an emotional ballad on his first album "The Good Life". John currently lives in Matthews, NC with his beautiful bride Windy and their two dogs, Mollie and Hunte
Product Description
North Carolina native bringing you modern traditional country at it's best.teamed up with some of the best musicians and songwriters in nashville creating a sound and style that is unforgetable.
The Good Life,John Love,john love,North carolina native bringing you modern traditional country at it's best.teamed up with some of the best musicians and songwriters in nashville creating a sound and style that is unforgetable.
Average customer rating:
|
Ennio Morricone - Film Music, Vol.1
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD
Morricone, Ennio
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Film Scores
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
$8.99 and Under
| Blowout Music
| Stores
| Music
Pop
| Styles
| Blowout Music
| Stores
| Music
Soundtracks
| Styles
| Blowout Music
| Stores
| Music
Classical
| Styles
| Blowout Music
| Stores
| Music
All Blowout Music
| Blowout Music
| Stores
| Music
$8.99 and Under
| Prices
| Blowout Music
| Stores
| Music
Similar Items:
- Film Music, Vol. 2
- Very Best of Ennio Morricone
- The Mission: Original Soundtrack From The Motion Picture
- Ennio Morricone, Vol.3: Main Titles
- Yo-Yo Ma Plays Ennio Morricone
ASIN: B00000DR51
Release Date: 1992-06-29 |
Tracks:
- The Good, The Bad, And The Ugly: The Good, The Bad, And The Ugly
- Maddalena: Come Maddalena
- The Sicilian Clan: The Sicilian Clan
- The Life And Times Of David Lloyd George (BBC TV): Chi Mai
- Investigation Of A Citizen Above Suspicion: Investigation Of A Citizen Above Suspicion
- Moscow Farewell: Moscow Farewell
- Espion Leve Toi: Marcia In La
- Lady Caliph: Lady Caliph
- Battle Of Algiers: The Battle Of Algiers
- The Infernal Trio: The Infernal Trio
- La Banquiere: Dedicace
- For Love One Can Die: For Love One Can Die
- Sacco And Vanzetti: Sacco And Vanzetti
- The Tragedy Of A Ridiculous Man: La Tragedia Di Un Uomo Ridicolo
- Quartiere: Romanza Quartiere
- Once Upon A Time In The West: Once Upon A Time In The West
- The Mission: On Earth As It Is In Heaven (Remix)
Average customer rating:
|
Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD
Vocal Jazz General
| Vocal Jazz
| Jazz
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
Traditional Vocal Pop
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Rhino Records
| Amazon.com Label Stores
| Stores
| Music
Similar Items:
- Ultimate Broadway
- Only Broadway CD You'll Ever Need
- The Best Of Broadway (Cast Recording Anthology)
- Greatest Hits: Broadway
- That's Entertainment!: The Best Of The M-G-M Musicals - Motion Picture Soundtrack Anthology
ASIN: B000066RO5
Release Date: 2002-06-04 |
Tracks:
- Singin In The Rain - Gene Kelly
- Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
- 'S Wonderful - Gene Kelly & Georges Guetary
- Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
- Stranger In Paradise - Ann Blyth & Vic Damone
- Easter Parade - Judy Garland & Fred Astaire
- Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
- Get Happy - Judy Garland
- Night And Day - Fred Astaire
- True Love - Bing Crosby & Grace Kelly
- Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
- They Cant Take That Away From Me - Fred Astaire
- Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
- Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
- For Me And My Gal - Gene Kelly & Judy Garland
- Puttin On The Ritz - Clark Gable & Co.
- Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
- Bless Yore Beautiful Hide - Howard Keel
- Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
- As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
- Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)
Tracks:
- Over The Rainbow - Judy Garland
- Its A Most Unusual Day - Jane Powell
- Wunderbar - Kathryn Grayson & Howard Keel
- Cant Help Lovin Dat Man - Ava Gardner
- Going Hollywood - Bing Crosby
- The Trolley Song - Judy Garland, The M-G-M Studio Chorus
- Gigi - Louis Jourdan
- I Got Rhythm - Judy Garland, Mickey Rooney & Co.
- Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
- The Lady Is A Tramp - Lena Horne
- The Best Things In Life Are Free - June Allyson & Peter Lawford
- Cheek To Cheek - Fred Astaire
- A Kiss To Build A Dream On - Louis Armstrong
- Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
- If Swing Goes, I Go Too - Fred Astaire
- Almost Like Being In Love - Gene Kelly
- Lets Face The Music And Dance - Fred Astaire
- Be A Clown - Gene Kelly & Judy Garland
- Embraceable You - Connie Francis
- On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
- One For My Baby (And One More For The Road) - Fred Astaire
Amazon.com
The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulley
Average customer rating:
- Lifes too good
- It's STILL good!!!!
- Delicious.
- einar steals the show
- How Original!
|
Life's Too Good
The Sugarcubes
Manufacturer: Elektra / Ada
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
General
| Alternative Rock
| Indie Music
| Stores
| Music
Similar Items:
- Gling-Gló
- Telegram
- Debut
- Homogenic
- Post
ASIN: B000005IRX
Release Date: 1990-10-25 |
Tracks:
- Traitor
- Motorcrash
- Birthday
- Delicious Demon
- Mama
- Coldsweat
- Blue Eyed Pop
- Deus
- Sick For Toys
- F***ing in Rhythm & Sorrow
- Take Some Petrol Darling
- Cowboy
- I Want...
- Dragon (Icelandic)
- Cat (Icelandic)
- Coldsweat (Remix)
- Deus (Remix)
Amazon.com essential recording
Rare is the debut that displays such fully formed talent as Iceland's Sugarcubes' first album. Highlighted by the Cocteau Twins-influenced single "Birthday," two other provocative singles, "Deus" and "Coldsweat," and by the incredible vocal gymnastics of Björk Gudmundsdottir, Life's Too Good brilliantly shows a new band staking out its own sonic space. Einar Orn contributes an electronically reprocessed trumpet, and a few awkwardly charming and ranting vocals as well, but this is clearly Björk's show. Her vocal range is staggering. The CD reissue adds six extra tracks, several of which are sung in Icelandic. --Rob O'Connor
Customer Reviews:
Lifes too good.......2006-06-28
I really love 'Lifes too good' Its one of the best albums i've ever heard. I espicially like the songs 'birthday' and 'deus'. I much prefer bjork in those days. take my advice buy the album or regret it!!!!!!!
It's STILL good!!!!.......2005-08-09
I saw The Sugarcubes when I was a freshman in college in 1989. They rocked then and this cd is a great old stand by...I've had to replace it many times since it came out because friends that I would introduce Bjork and the boys to would steal it from me. I never cared about replacing it because I was able to share some good music with my good friends. No matter what new comes out, this cd stays in my rotation. What are you waiting for?!?!?!? MILK AND BISCUITS??? Seriously, this is much more entertaining than the music that Bjork records today. When she fronted The Sugarcubes, Bjork was one cool chick from Iceland. These days she's just odd.
Delicious........2005-07-05
This is the debut album from "that band Bjork was in". I got this the year it came out with Siouxsie's "Peep Show", and have enjoyed it ever since. "Life's Too Good" has a wonderful energy, is both wild and pretty, and is one of the great alternative releases of the late 80's. "Birthday" may be the only thing close to a hit here, but "Motorcrash", "Mama", "Delicious Demon", and "Dues" are all excellent too. Truth be known, I really like every track here, and the remixes are decent as well. I would recommend this album to anyone, but especially to major fans of Bjork of course. Being a fan of hers and not knowing The Sugarcubes, is like being a fan of Sting, and not knowing about The Police. They do have a collection out also.
einar steals the show.......2005-03-12
if you're buying this because björk's on it then you're making a big mistake because she sounds like doodoo. syke!! haha that was just to get your blood flowing. seriously though she is overshadowed by her once-husband einer orn benediktsson who sings in a tone of voice so wonderful that words cannot even begin to explain, like a poet reading his own poetry.
How Original!.......2004-11-04
Before Bjork the solo artist, there was THE SUGARCUBES, the most internationally famous and idiosyncratic punk/pop groups that ever hit from Iceland. The album's title exemplifies the music itself: it's simply too good. Each song infuses the elements of what makes The Sugarcubes: fun, corkiness, idiosyncratic behavior, unique rhythms, beats, and harmonies, sometimes abstruse and profound lyrics, and eerie, soft, and melodic singing (and sometimes wailing). At the end it all turns out into some wild rollercoaster ride through the corky and wild world of The Sugarcubes. I have been a Bjork fan lately, but now i am even happier that i can get back to Bjork's creative and musical roots by listening to the Sugarcubes. I recommmend this to anybody whose a fan of Bjork, or anybody that's interested or curious in hearing a new twist to punk/pop music.
Average customer rating:
|
Varese Sarabande 25th Anniversary Celebration
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD
Elfman, Danny
| ( E )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Herrmann
| Herrmann, Bernard
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Holdridge, Lee
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Korngold, Erich Wolfgang
| ( K )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Kamen
| Kamen, Michael
| ( K )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schifrin
| Schifrin, Lalo
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Waxman
| Waxman, Franz
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mancini
| Mancini, Henry
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Film Scores
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Korngold, Erich Wolfgang
| Composers
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
Star Wars
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Bargain Box Sets
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
Similar Items:
- Paramount 90th Anniversary Collection: Scores
- In Session: Film Music Celebration
- The Essential Elmer Bernstein Film Music Collection
- Jerry Goldsmith: 40 Years of Film Music
- Music In Film (National Public Radio Milestones Of The Millennium)
ASIN: B00008WI90
Release Date: 2003-04-22 |
Tracks:
- The Man from Snowy River (Bruce Rowland)
- The Winds of War (Bob Cobert)
- Blue Velvet (Angelo Badalamenti)
- Witness (Maurice Jarre)
- Raising Arizona (Carter Burwell)
- Pee Wees Big Adventure (Danny Elfman)
- Halloween (John Carpenter)
- A Nightmare On Elm Street (Charles Bernstein)
- The Fly (Howard Shore)
- RoboCop (Basil Poledouris)
- The Empire Strikes Back (John Williams)
- The Right Stuff (Bill Conti)
- The Final Conflict (Jerry Goldsmith)
- The Abyss (Alan Silvestri)
- Brainstorm (James Horner)
- Peggy Sue Got Married (John Barry)
- My Left Foot (Elmer Bernstein)
- The Dead (Alex North)
- Stanley & Iris (John Williams)
- The Milagro Beanfield War (Dave Grusin)
- Driving Miss Daisy (Hans Zimmer)
Tracks:
- Steel Magnolias (Georges Delerue)
- Unforgiven (Lennie Niehaus and Clint Eastwood)
- Raggedy Man (Jerry Goldsmith)
- The Grifters (Elmer Bernstein)
- Green Card (Hans Zimmer)
- City Slickers (Marc Shaiman)
- Father Of The Bride (Alan Silvestri)
- While You Were Sleeping (Randy Edelman)
- Babe (Nigel Westlake)
- The Adventures Of The Great Mouse Detective (Henry Mancini)
- The Adventures of Robin Hood (Erich Wolfgang Korngold)
- The Young Indiana Jones Chronicles (Laurence Rosenthal)
- The Secret Garden (Zbigniew Preisner)
- A Little Princess (Patrick Doyle)
- Rudy (Jerry Goldsmith)
- Iron Will (Joel McNeely)
- Memphis Belle (George Fenton)
- Eye Of The Needle (Mikl)
- Total Recall (Jerry Goldsmith)
- Back To The Future Part III (Alan Silvestri)
Tracks:
- To Die For (Danny Elfman)
- The Player (Thomas Newman)
- Black Robe (Georges Delerue)
- Medicine Man (Jerry Goldsmith)
- 2001 (Alex North)
- Star Wars: Shadows Of The Empire (Joel McNeely)
- The Crow (Graeme Revell)
- Blade (Mark Isham)
- The Omen (Jerry Goldsmith)
- Vertigo (Bernard Herrmann)
- Scream (Marco Beltrami)
- The Sixth Sense (James Newton Howard)
- Xena: Warrior Princess (Joseph LoDuca)
- Air Force One (Jerry Goldsmith)
- Starship Troopers (Basil Poledouris)
- The Matrix (Don Davis)
- The Iron Giant (Michael Kamen)
- Youve Got Mail (George Fenton)
- A Little Romance (Georges Delerue)
- Pleasantville (Randy Newman)
Tracks:
- Sunset Boulevard (Franz Waxman)
- L.A. Confidential (Jerry Goldsmith)
- Rounders (Christopher Young)
- The Score (Howard Shore)
- The Replacements (John Debney)
- Gone In 60 Seconds (Trevor Rabin)
- The Bourne Identity (John Powell)
- Rush Hour 2 (Lalo Schifrin)
- XXX (Randy Edelman)
- Die Hard (Michael Kamen)
- The Last of the Mohicans (Trevor Jones)
- Moby Dick (Christopher Gordon)
- The Mists Of Avalon (Lee Holdridge)
- Cleopatra (Alex North)
- Life As A House (Mark Isham)
- Emma (Rachel Portman)
- In The Bedroom (Thomas Newman)
- Cast Away (Alan Silvestri)
- One True Thing (Cliff Eidelman)
- Unfaithful (Jan A.P. Kaczmarek)
- Far From Heaven (Elmer Bernstein)
- Ice Age (David Newman)
- Shrek (Harry Gregson-Williams and John Powell)
Average customer rating:
|
Applause (Original 1970 Broadway Cast)
Lee Adams
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Musical Theater
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
Traditional Vocal Pop
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
General
| Soundtracks
| Styles
| Music
The Decca Records Store
| Specialty Stores
| Music
Similar Items:
- Coco (1970 Original Broadway Cast)
- Promises, Promises (1968 Original Broadway Cast)
- Seesaw (1973 Original Broadway Cast)
- Grey Gardens - A New Musical (2006 Original Broadway Cast)
- The Apple Tree (1966 Original Broadway Cast)
ASIN: B00004ZDV0
Release Date: 2000-10-17 |
Tracks:
- Overture
- Backstage Babble
- Think How It's Gonna Be
- But Alive
- The Best Night of My Life
- Who's That Girl?
- Applause
- Hurry Back
- Fasten Your Seat Belts
- Welcome to the Theatre
- Good Friends
- She's No Longer a Gypsy
- One of a King
- One Hallowe'en
- Something Greater
- Finale
- Applause -- Charles Strouse (vocal and piano) (bonus track)
- The Loneliest Man in Town -- Charles Strouse (vocal and piano) - bonus track
- Smashing N.Y. Times -- Charles Strouse (vocal and piano) - bonus track
- God Bless -- Charles Strouse (vocal and piano) - bonus track
Average customer rating:
|
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Hungarian National Philharmonic Orchestra
| ( H )
| Featured Performers, A-Z
| Classical
| Styles
| Music
London Philharmonic Orchestra
| ( L )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Moscow Philharmonic Orchestra
| ( M )
| Featured Performers, A-Z
| Classical
| Styles
| Music
National Philharmonic Orchestra London
| ( N )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Rap & Hip-Hop
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Instructional
| Miscellaneous
| Styles
| Music
Blowout Box Sets
| Classical Music Blowout
| Stores
| Music
More Titles at Least 20% Off
| Classical Music Blowout
| Stores
| Music
All Classical Music Blowout
| Classical Music Blowout
| Stores
| Music
Hungarian National Philharmonic Orchestra
| ( H )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
London Philharmonic Orchestra
| ( L )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
Moscow Philharmonic Orchestra
| ( M )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
National Philharmonic Orchestra London
| ( N )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
Instrumental
| Classical Music Blowout
| Stores
| Music
Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Average customer rating:
- Bad Charlotte! Absolutely horrible Charlotte!
- GC SUCKS!
- Teens like this music
- An Angsty Saga
- hey, this album is pretty bad
|
The Chronicles of Life & Death (Life Art Version)
Good Charlotte
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Punk Revival
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
Punk-Pop
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
General
| Rock
| Alternative Styles
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
- The Young and Hopeless
- Good Charlotte
- No Pads, No Helmets...Just Balls
- Still Not Getting Any...
- Good Morning Revival
ASIN: B0002X590Q
Release Date: 2004-10-05 |
Tracks:
- Once Upon A Time: The Battle Of Life And Death
- The Chronicles Of Life And Death
- Walk Away (Maybe)
- S.O.S.
- I Just Wanna Live
- Ghost Of You
- Predictable
- Secrets
- The Truth
- The World Is Black
- Mountain
- We Believe
- It Wasn't Enough
- In This World (Murder)
- Falling Away (Bonus Track)
Album Description
DESCRIPTION:Chronicles of Life and Death is the follow-up to Good Charlotte's breakthrough, The Young and the Hopeless. Packed with catchy punk-pop, the album is available in two versions, Life and Death which include the bonus songs "Falling Away" and "Meet My Maker", respectively.
Customer Reviews:
Bad Charlotte! Absolutely horrible Charlotte!.......2007-01-10
Cool! More emo for the hit stations to pump into the ears of mindless musicoids who obey whatsoever the airwaves tell them! Actually, that was a bit harsh on this band's fans. But anyway, this is an absolutely atrocious release with the exception of "I Wanna Live" or whatever it's called. I heard this album about two years ago and that's the only song that stood out to me. Don't buy this! It's pop trash and there are much more sophisticated bands you could look for. (I.E. Lostprophets, still slightly emo but much better lyrically and instrumentally)
GC SUCKS!.......2007-01-08
Hahahahaha. This band sucks, period. Honestly, I have never heard such horrible displays of music. Wait I have, that was Paris Hilton, K-fed, and Simple Plan. Wow. Hard to believe that the music scene has become this awful. I wonder what kind of idiots run the music industry these days. Whatever happened to the good ole days of BLack Sabbath, Led Zeppelin, AC/DC, Jimi Hindricks, Metallica, Pantera, Alice in Chains, etc. All of these good bands/artists have basically been replaced with whiny, wimpy, bubble-gum pop/rock bands/artists like GC, Simple Plan, Jessy McCartney, Paris Hilton, etc. I can't understand why wimps with no talent whatsoever are given recording contracts.
Anyways, back to this piece of crap band. This album just flat-out sucks. All the tracks are terrible. The lead singer sounds sexually frustrated which is absolutely annoying to hear. The guitar playing is a joke. These guitarists clearly don't know how to create a good riff. All they use is power chords and distortion. The production is terrible too. Btw, if you wanna know how whiny the lead singer can get, just listen to the first single off the album. It has him doing a spoken part which sounds more like a crying four-year-old than anything. It is ridiculous but not surprising when I hear most high school students saying how good this band is or that they rock hard. People, you don't know anything about what good music is or what rocks hard. For something that rocks hard, try Pantera, Metallica, Killswitch Engage for that.
I will be training to become an SBI agent in two years and know that I will have to deal with many juveniles in my line of work which makes me hate this band even more b/c that's what most of them listen too and rap(don't get me started on how much I despise this). I don't have a lot of respect for adolescents these days come to think of it. The fact that many of them are such spoiled brats and complain that their lives are horrible b/c their parents are too strict really pisses me off. In essence that's what this band talks about in their lyrics, especially on this album. I have had all I can take of bands like this and their fans who are ungreatful to be alive. This album deserves 0 stars, btw.
P.S. Also, if I have offended anyone by this posting, deal with it!
Teens like this music.......2007-01-05
My teen daughters like this group. Too weird for me though.
An Angsty Saga.......2006-09-29
I've given up my Good Charlotte fan status and tried to chuck my "Lifestyles of the Rich and Famous" CD ages ago. It's kind of personal, but I just kind of outgrew them.
Anyways, on this CD, I think the only song I like is "Predictable." I was resistant to it, but it wore me down. The speech-rant part in the middle cracks me up every time. Sorry, Benji and Joel. I know you showed vulnerability, but that whole "You're never coming back!" stuff makes me laugh.
It's not really good, and not my favorite thing ever, but it's fun to sing along like angst-filled pseudo-punks (with the windows firmly closed, to keep our cred intact, of course).
hey, this album is pretty bad.......2006-08-31
Just when you thought Good Charlotte couldn't get any worse, they go and release this pathetic excuse for an album. I don't know how they did it, but GC actually managed to produce an album so bad it almost makes "The Young and the Hopeless" sound somewhat decent (almost). This band really needs to hang it up. Does anybody even listen to them anymore?
In case you haven't already guessed, I would strongly discourage you from buying this album.
Average customer rating:
|
Gosford Park (2001 film)
Patrick Doyle
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
Film Scores
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
The Decca Records Store
| Specialty Stores
| Music
Similar Items:
- Gosford Park
- We'll Gather Lilacs: The Songs of Ivor Novello
- Shine Through My Dreams: Original 1917-1950 Recordings
- A Little Princess: Original Motion Picture Soundtrack
- Much Ado About Nothing: Original Motion Picture Soundtrack
ASIN: B00005UNCB
Release Date: 2002-01-15 |
Tracks:
- Waltz Of My Heart
- Mr. Parks
- Gosford Park
- Bored To Sobs
- The Shirt
- And Her Mother Came Too
- Walking To Shoot
- No Smoke Without Fire
- Scherzo In G
- I Can Give You The Starlight
- What A Duke Should Be
- Inspector Thompson
- Pull Yourself Together
- Life Goes On
- Secrets To Hide
- Only For A While
- Rather A Pasting
- Love Jam
- Why Isn't It You?
- The Way It's Meant To Be
- Carpe Diem
- Good Luck
- Your Boy's Alive
- The Land That Might-Have-Been
Amazon.com
Thematically, director Robert Altman's career sometimes seems an endless series of left turns into the unexpected; the one constant has been a rich and rewarding attention to the intricacies of character development and interaction. Composer Patrick Doyle underscores Gosford Park's Merchant-Ivory/Agatha Christie/Altman-wit fusion and '30s British upper-class setting with a score that's period spot-on, character-rich, and often sadly evocative. Doyle's restraint is masterful, often leaning on piano, accordion, and small string arrangements that emphasize the characters' intimacies and the film's drawing room settings. Key to the story are a handful of prewar songs by Ivor Novello (who's also a character in the film), ranging from the sprightly humor of "And Her Mother Came Too" and "What a Duke Should Be" to the romantic schmaltz of "I Can Give You the Starlight" and "Why Isn't It You?" The latter is performed here at the piano (and, remarkably, live before the cameras) by Jeremy Northam. Leavened by a small jazz ensemble and a few darkly ominous cues, Doyle's score is an understated gem. --Jerry McCulley
Average customer rating:
|
The Good Life
Railroad Earth
Manufacturer: Sugarhill [Country]
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Alt-Country & Americana
| Country
| Styles
| Music
General
| Rock
| Styles
| Music
Rock Jam Bands
| Jam Bands
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
General
| Classic Rock
| Styles
| Music
Similar Items:
- Bird in a House
- Elko
- Black Bear Sessions
- Town By Town
- Well-Oiled Machine
ASIN: B000244H12
Release Date: 2004-06-08 |
Tracks:
- Storms
- Bread And Water
- Mourning Flies
- Long Way To Go
- The Good Life
- In The Basement
- Water Fountain Quicksand
- Goat
- Said What You Mean
- Way Of The Buffalo
- 'Neath The Stars
- Bonus Track 1
Average customer rating:
|
Good Life: The Best of Inner City
Inner City
Manufacturer: Emi Gold
ProductGroup: Music
Binding: Audio CD
General
| Dance & DJ
| Styles
| Music
General
| Techno
| Dance & DJ
| Styles
| Music
House
| Dance & DJ
| Styles
| Music
General
| Dance Pop
| Dance & DJ
| Styles
| Music
Dance & DJ
| Imports
| Stores
| Music
Similar Items:
- Paradise
- Original Chicago House Classics
- Vol. 1 - Club Classics 10th Anniversary
- Hits & Mixes
- Someone to Love Me
ASIN: B000095SKV
Release Date: 2003-06-17 |
Tracks:
- Good Life [Original 12" Mix]
- Big Fun [Original 12" Mix]
- Ain't Nobody Better
- Do You Love What You Feel
- Whatcha Gonna Do With My Lovin'
- That Man (He's All Mine)
- Till We Meet Again
- Let It Reign
- Hallelujah
- Pennies from Heaven
- Praise
- Fire
- Unity
- Paradise
- Follow Your Heart
Album Description
Budget-price compilation for the hit dance-pop act. 15 tracks including the original 12 inch mixes of 'Good Life' & 'Big Fun'. Copy Controlled. EMI Gold. 2003.
Album Review:
- The One That I Never Could Ride
- The Only Road I Know
- The Very Best of Mel Tillis
- Through All These Years
- Time Step
- Top Tunes M Series Karaoke Multiplex CDG Guy Country TTM-108
- Trucking Greats
- Tumbling Down [CD-single] [Import]
- Una Paloma Blanca: The Best of Slim Whitman - Legendary Masters Series
- Vol. 1-Hits Of Kathy Mattea [Karaoke]
Album Review
Album Review