The Good Life

The Good Life

The Good Life

ASIN: B000079R7O

Track Listings
 
1. When a Woman's in Love
2. East of Leavin'
3. What I'd Say
4. The Good Life
5. Leavin' Aint as Easy
6. I Feel a Goodbye Coming On
7. What I Could Have Been
8. She Won't Need You Anymore

Editorial Reviews
About the Artist
About John Love

John was born August 11, 1972.He was raised by his mom, Francis, and dad, Robert, in Locust, NC and is the next to oldest of 3 brothers. He graduated from West Stanley High School in 1990. John's introduction to country music came when he spent summers at his Grandmother's house listening to George Jones, Ernest Tubb, Merle Haggard, Charlie Daniels and many more legends on her record player. He started playing the guitar and singing at age 8. His dad and uncle Butch were instrumental in the development of his love for country music.Every time the family got together, music was always the main attraction. At age 15, John wrote his first song, and began performing locally by the time he turned 16. By age 21, John's first major performance was in a talent show on a cruise ship in Jamiaca singing "Margaritaville" by Jimmy Buffet. A short time later, John formed a band and played local clubs in and around Charlotte, NC. One of the first being The Palamino Club in Charlotte. His appearances have run the gamut from the 4th of July celebration in Oakboro NC, the Agri-Civic Center in Albemarle NC, to the Blue Bird Cafe in Nashville TN, The Broken Spoke Saloon in Nashville TN, and also Hog Wild in Huntsville AL, among many other venues.His list of influences run from Merle Haggard, Jon Prine, George Jones, George Stait, Keith Whitley, Don Williams, to James Taylor, Tracy Byrd, and Vern Gosdin. In 1998, John moved to Nashville, TN to pursue his songwriting and his love of music. He worked as a truck driver during the day and performed at song writers nights at clubs in Nashville. Working as a truck driver gave John plenty of time to pen songs like, "She Won't Need You Anymore", which is an emotional ballad on his first album "The Good Life". John currently lives in Matthews, NC with his beautiful bride Windy and their two dogs, Mollie and Hunte

Product Description
North Carolina native bringing you modern traditional country at it's best.teamed up with some of the best musicians and songwriters in nashville creating a sound and style that is unforgetable.

The Good Life,John Love,john love,North carolina native bringing you modern traditional country at it's best.teamed up with some of the best musicians and songwriters in nashville creating a sound and style that is unforgetable.
Ennio Morricone - Film Music, Vol.1
Average customer rating: Not rated
    Ennio Morricone - Film Music, Vol.1

    Manufacturer: Virgin Records Us
    ProductGroup: Music
    Binding: Audio CD

    Morricone, EnnioMorricone, Ennio | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
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    ASIN: B00000DR51
    Release Date: 1992-06-29

    Tracks:

    1. The Good, The Bad, And The Ugly: The Good, The Bad, And The Ugly
    2. Maddalena: Come Maddalena
    3. The Sicilian Clan: The Sicilian Clan
    4. The Life And Times Of David Lloyd George (BBC TV): Chi Mai
    5. Investigation Of A Citizen Above Suspicion: Investigation Of A Citizen Above Suspicion
    6. Moscow Farewell: Moscow Farewell
    7. Espion Leve Toi: Marcia In La
    8. Lady Caliph: Lady Caliph
    9. Battle Of Algiers: The Battle Of Algiers
    10. The Infernal Trio: The Infernal Trio
    11. La Banquiere: Dedicace
    12. For Love One Can Die: For Love One Can Die
    13. Sacco And Vanzetti: Sacco And Vanzetti
    14. The Tragedy Of A Ridiculous Man: La Tragedia Di Un Uomo Ridicolo
    15. Quartiere: Romanza Quartiere
    16. Once Upon A Time In The West: Once Upon A Time In The West
    17. The Mission: On Earth As It Is In Heaven (Remix)
    Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
    Average customer rating: Not rated
      Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
      Various Artists
      Manufacturer: Rhino / Wea
      ProductGroup: Music
      Binding: Audio CD

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      5. That's Entertainment!: The Best Of The M-G-M Musicals - Motion Picture Soundtrack Anthology

      ASIN: B000066RO5
      Release Date: 2002-06-04

      Tracks:

      1. Singin In The Rain - Gene Kelly
      2. Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
      3. 'S Wonderful - Gene Kelly & Georges Guetary
      4. Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
      5. Stranger In Paradise - Ann Blyth & Vic Damone
      6. Easter Parade - Judy Garland & Fred Astaire
      7. Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
      8. Get Happy - Judy Garland
      9. Night And Day - Fred Astaire
      10. True Love - Bing Crosby & Grace Kelly
      11. Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
      12. They Cant Take That Away From Me - Fred Astaire
      13. Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
      14. Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
      15. For Me And My Gal - Gene Kelly & Judy Garland
      16. Puttin On The Ritz - Clark Gable & Co.
      17. Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
      18. Bless Yore Beautiful Hide - Howard Keel
      19. Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
      20. As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
      21. Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)

      Tracks:

      1. Over The Rainbow - Judy Garland
      2. Its A Most Unusual Day - Jane Powell
      3. Wunderbar - Kathryn Grayson & Howard Keel
      4. Cant Help Lovin Dat Man - Ava Gardner
      5. Going Hollywood - Bing Crosby
      6. The Trolley Song - Judy Garland, The M-G-M Studio Chorus
      7. Gigi - Louis Jourdan
      8. I Got Rhythm - Judy Garland, Mickey Rooney & Co.
      9. Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
      10. The Lady Is A Tramp - Lena Horne
      11. The Best Things In Life Are Free - June Allyson & Peter Lawford
      12. Cheek To Cheek - Fred Astaire
      13. A Kiss To Build A Dream On - Louis Armstrong
      14. Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
      15. If Swing Goes, I Go Too - Fred Astaire
      16. Almost Like Being In Love - Gene Kelly
      17. Lets Face The Music And Dance - Fred Astaire
      18. Be A Clown - Gene Kelly & Judy Garland
      19. Embraceable You - Connie Francis
      20. On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
      21. One For My Baby (And One More For The Road) - Fred Astaire

      Amazon.com

      The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulley
      Life's Too Good
      Average customer rating: 5 out of 5 stars
      • Lifes too good
      • It's STILL good!!!!
      • Delicious.
      • einar steals the show
      • How Original!
      Life's Too Good
      The Sugarcubes
      Manufacturer: Elektra / Ada
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B000005IRX
      Release Date: 1990-10-25

      Tracks:

      1. Traitor
      2. Motorcrash
      3. Birthday
      4. Delicious Demon
      5. Mama
      6. Coldsweat
      7. Blue Eyed Pop
      8. Deus
      9. Sick For Toys
      10. F***ing in Rhythm & Sorrow
      11. Take Some Petrol Darling
      12. Cowboy
      13. I Want...
      14. Dragon (Icelandic)
      15. Cat (Icelandic)
      16. Coldsweat (Remix)
      17. Deus (Remix)

      Amazon.com essential recording

      Rare is the debut that displays such fully formed talent as Iceland's Sugarcubes' first album. Highlighted by the Cocteau Twins-influenced single "Birthday," two other provocative singles, "Deus" and "Coldsweat," and by the incredible vocal gymnastics of Björk Gudmundsdottir, Life's Too Good brilliantly shows a new band staking out its own sonic space. Einar Orn contributes an electronically reprocessed trumpet, and a few awkwardly charming and ranting vocals as well, but this is clearly Björk's show. Her vocal range is staggering. The CD reissue adds six extra tracks, several of which are sung in Icelandic. --Rob O'Connor

      Customer Reviews:

      5 out of 5 stars Lifes too good.......2006-06-28

      I really love 'Lifes too good' Its one of the best albums i've ever heard. I espicially like the songs 'birthday' and 'deus'. I much prefer bjork in those days. take my advice buy the album or regret it!!!!!!!

      5 out of 5 stars It's STILL good!!!!.......2005-08-09

      I saw The Sugarcubes when I was a freshman in college in 1989. They rocked then and this cd is a great old stand by...I've had to replace it many times since it came out because friends that I would introduce Bjork and the boys to would steal it from me. I never cared about replacing it because I was able to share some good music with my good friends. No matter what new comes out, this cd stays in my rotation. What are you waiting for?!?!?!? MILK AND BISCUITS??? Seriously, this is much more entertaining than the music that Bjork records today. When she fronted The Sugarcubes, Bjork was one cool chick from Iceland. These days she's just odd.

      4 out of 5 stars Delicious........2005-07-05

      This is the debut album from "that band Bjork was in". I got this the year it came out with Siouxsie's "Peep Show", and have enjoyed it ever since. "Life's Too Good" has a wonderful energy, is both wild and pretty, and is one of the great alternative releases of the late 80's. "Birthday" may be the only thing close to a hit here, but "Motorcrash", "Mama", "Delicious Demon", and "Dues" are all excellent too. Truth be known, I really like every track here, and the remixes are decent as well. I would recommend this album to anyone, but especially to major fans of Bjork of course. Being a fan of hers and not knowing The Sugarcubes, is like being a fan of Sting, and not knowing about The Police. They do have a collection out also.

      5 out of 5 stars einar steals the show.......2005-03-12

      if you're buying this because björk's on it then you're making a big mistake because she sounds like doodoo. syke!! haha that was just to get your blood flowing. seriously though she is overshadowed by her once-husband einer orn benediktsson who sings in a tone of voice so wonderful that words cannot even begin to explain, like a poet reading his own poetry.

      5 out of 5 stars How Original!.......2004-11-04

      Before Bjork the solo artist, there was THE SUGARCUBES, the most internationally famous and idiosyncratic punk/pop groups that ever hit from Iceland. The album's title exemplifies the music itself: it's simply too good. Each song infuses the elements of what makes The Sugarcubes: fun, corkiness, idiosyncratic behavior, unique rhythms, beats, and harmonies, sometimes abstruse and profound lyrics, and eerie, soft, and melodic singing (and sometimes wailing). At the end it all turns out into some wild rollercoaster ride through the corky and wild world of The Sugarcubes. I have been a Bjork fan lately, but now i am even happier that i can get back to Bjork's creative and musical roots by listening to the Sugarcubes. I recommmend this to anybody whose a fan of Bjork, or anybody that's interested or curious in hearing a new twist to punk/pop music.
      Varese Sarabande 25th Anniversary Celebration
      Average customer rating: Not rated
        Varese Sarabande 25th Anniversary Celebration

        Manufacturer: Varese Sarabande
        ProductGroup: Music
        Binding: Audio CD

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        ASIN: B00008WI90
        Release Date: 2003-04-22

        Tracks:

        1. The Man from Snowy River (Bruce Rowland)
        2. The Winds of War (Bob Cobert)
        3. Blue Velvet (Angelo Badalamenti)
        4. Witness (Maurice Jarre)
        5. Raising Arizona (Carter Burwell)
        6. Pee Wees Big Adventure (Danny Elfman)
        7. Halloween (John Carpenter)
        8. A Nightmare On Elm Street (Charles Bernstein)
        9. The Fly (Howard Shore)
        10. RoboCop (Basil Poledouris)
        11. The Empire Strikes Back (John Williams)
        12. The Right Stuff (Bill Conti)
        13. The Final Conflict (Jerry Goldsmith)
        14. The Abyss (Alan Silvestri)
        15. Brainstorm (James Horner)
        16. Peggy Sue Got Married (John Barry)
        17. My Left Foot (Elmer Bernstein)
        18. The Dead (Alex North)
        19. Stanley & Iris (John Williams)
        20. The Milagro Beanfield War (Dave Grusin)
        21. Driving Miss Daisy (Hans Zimmer)

        Tracks:

        1. Steel Magnolias (Georges Delerue)
        2. Unforgiven (Lennie Niehaus and Clint Eastwood)
        3. Raggedy Man (Jerry Goldsmith)
        4. The Grifters (Elmer Bernstein)
        5. Green Card (Hans Zimmer)
        6. City Slickers (Marc Shaiman)
        7. Father Of The Bride (Alan Silvestri)
        8. While You Were Sleeping (Randy Edelman)
        9. Babe (Nigel Westlake)
        10. The Adventures Of The Great Mouse Detective (Henry Mancini)
        11. The Adventures of Robin Hood (Erich Wolfgang Korngold)
        12. The Young Indiana Jones Chronicles (Laurence Rosenthal)
        13. The Secret Garden (Zbigniew Preisner)
        14. A Little Princess (Patrick Doyle)
        15. Rudy (Jerry Goldsmith)
        16. Iron Will (Joel McNeely)
        17. Memphis Belle (George Fenton)
        18. Eye Of The Needle (Mikl)
        19. Total Recall (Jerry Goldsmith)
        20. Back To The Future Part III (Alan Silvestri)

        Tracks:

        1. To Die For (Danny Elfman)
        2. The Player (Thomas Newman)
        3. Black Robe (Georges Delerue)
        4. Medicine Man (Jerry Goldsmith)
        5. 2001 (Alex North)
        6. Star Wars: Shadows Of The Empire (Joel McNeely)
        7. The Crow (Graeme Revell)
        8. Blade (Mark Isham)
        9. The Omen (Jerry Goldsmith)
        10. Vertigo (Bernard Herrmann)
        11. Scream (Marco Beltrami)
        12. The Sixth Sense (James Newton Howard)
        13. Xena: Warrior Princess (Joseph LoDuca)
        14. Air Force One (Jerry Goldsmith)
        15. Starship Troopers (Basil Poledouris)
        16. The Matrix (Don Davis)
        17. The Iron Giant (Michael Kamen)
        18. Youve Got Mail (George Fenton)
        19. A Little Romance (Georges Delerue)
        20. Pleasantville (Randy Newman)

        Tracks:

        1. Sunset Boulevard (Franz Waxman)
        2. L.A. Confidential (Jerry Goldsmith)
        3. Rounders (Christopher Young)
        4. The Score (Howard Shore)
        5. The Replacements (John Debney)
        6. Gone In 60 Seconds (Trevor Rabin)
        7. The Bourne Identity (John Powell)
        8. Rush Hour 2 (Lalo Schifrin)
        9. XXX (Randy Edelman)
        10. Die Hard (Michael Kamen)
        11. The Last of the Mohicans (Trevor Jones)
        12. Moby Dick (Christopher Gordon)
        13. The Mists Of Avalon (Lee Holdridge)
        14. Cleopatra (Alex North)
        15. Life As A House (Mark Isham)
        16. Emma (Rachel Portman)
        17. In The Bedroom (Thomas Newman)
        18. Cast Away (Alan Silvestri)
        19. One True Thing (Cliff Eidelman)
        20. Unfaithful (Jan A.P. Kaczmarek)
        21. Far From Heaven (Elmer Bernstein)
        22. Ice Age (David Newman)
        23. Shrek (Harry Gregson-Williams and John Powell)
        Applause (Original 1970 Broadway Cast)
        Average customer rating: Not rated
          Applause (Original 1970 Broadway Cast)
          Lee Adams
          Manufacturer: Decca U.S.
          ProductGroup: Music
          Binding: Audio CD

          General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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          ASIN: B00004ZDV0
          Release Date: 2000-10-17

          Tracks:

          1. Overture
          2. Backstage Babble
          3. Think How It's Gonna Be
          4. But Alive
          5. The Best Night of My Life
          6. Who's That Girl?
          7. Applause
          8. Hurry Back
          9. Fasten Your Seat Belts
          10. Welcome to the Theatre
          11. Good Friends
          12. She's No Longer a Gypsy
          13. One of a King
          14. One Hallowe'en
          15. Something Greater
          16. Finale
          17. Applause -- Charles Strouse (vocal and piano) (bonus track)
          18. The Loneliest Man in Town -- Charles Strouse (vocal and piano) - bonus track
          19. Smashing N.Y. Times -- Charles Strouse (vocal and piano) - bonus track
          20. God Bless -- Charles Strouse (vocal and piano) - bonus track
          Instruments of the Orchestra
          Average customer rating: Not rated
            Instruments of the Orchestra
            Various Artists
            Manufacturer: Naxos
            ProductGroup: Music
            Binding: Audio CD

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            5. The Life and Works of Frédéric Chopin

            ASIN: B00006O0NT
            Release Date: 2002-12-03

            Tracks:

            1. Overture To 'Tannhauser'
            2. Domna, Pos Vos Ay Chausida
            3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
            4. Hungarian Dance No.7
            5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
            6. Violin Concerto In D Major (Adagio)
            7. But For A Long Time It Was Seen As The Instrument Of The Devil.
            8. The Soldier's Tale: Triumphal March Of The Devil
            9. The Manipulative Seductiveness Of The Gypsy Violin.
            10. Csardas Music
            11. The Violin And The Initiation Of Nature
            12. The Four Seasons (Spring, Mvt 1)
            13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
            14. The Four Seasons (Summer, Mvt 1)
            15. Like The Devil, The Violin Is A Master Of Disguise.
            16. Old Viennese Dance No.3 'Schon Rosmarin'
            17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
            18. Tzigane
            19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
            20. Caprice No.24
            21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
            22. Variations On A Theme Of Frank Bridge (No.7)
            23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
            24. Romeo And Juliet: Act IV
            25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
            26. The Four Seasons (Winter, Mvt 1)
            27. The Violin Muted
            28. Clair De Lune
            29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
            30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
            31. The Pizzicato Violin
            32. Pizzicato Polka
            33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
            34. Violin Concerto No.2 In G Minor (Slow Mvt)
            35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
            36. The Planets (Mars - The Bringer Of War)
            37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
            38. Hungarian Dance No.4
            39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
            40. The Four Seasons (Autumn, Mvt 1)
            41. Now The Same Technique, But The Sound Might Have Come From Another World.
            42. Bolero
            43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
            44. Cadenza To The Violin Concerto By Brahms
            45. Now Compare That With A Real Violin Duet.
            46. Forty-Four Duos (No. 1: Teasing Song)
            47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
            48. Forty-Four Duos (No.2: Maypole Dance)
            49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
            50. Concerto In D Minor For Two Violins (Largo)
            51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
            52. Violin Concerto No.1 In D Major (Mvt 2)
            53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
            54. Symphony No.1 'Titan' (Mvt 1, Opening)
            55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
            56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
            57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
            58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
            59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
            60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
            61. Also Sprach Zarathustra (Of The Afterworldsmen)
            62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
            63. Variations On A Theme Of Frank Bridge (No. 4)
            64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
            65. Four Sea Interludes (Dawn) From 'Peter Grimes'
            66. To End This Outing With The Violins, A Charming Little Elfin Dance
            67. Elfenreigen

            Tracks:

            1. Introduction To The Viola
            2. Viola Concerto (Mvt 1)
            3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
            4. Gayane Suite No.1 (Armen's Solo)
            5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
            6. Passacaglia, Op.33b From 'Peter Grimes'
            7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
            8. Harold In Italy (Mvt 4)
            9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
            10. Cypresses (No.9)
            11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
            12. Symphony No.4 (Mvt 3)
            13. The 'Period' Viola In Bach
            14. Brandenburg Concerto No.6 (Last Mvt)
            15. The Cello: A Voice Of Unique Nobility
            16. Suite No.1 For Unaccompanied Cello (Prelude)
            17. Brahms And The 'Soul' Of The Cello
            18. Piano Concerto No.2 In B Flat Major (Mvt 3)
            19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
            20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
            21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
            22. Symphony No.3 'Eroica' (Finale)
            23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
            24. Elfentanz, Op.39
            25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
            26. The Protecting Veil (Opening)
            27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
            28. Flamenco
            29. Double-Stopping In The Lower Reaches Of The Cello's Range
            30. Solo Suiet For Cello And Piano (Sardana)
            31. It's In The Middle Register That The Cello Really Comes Into Its Own.
            32. Oriental Dance, Op.2 No.2
            33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
            34. Symphony No.9 (Finale)
            35. Introduction To The Double-Bass
            36. The Carnival Of The Animals (The Elephant)
            37. But The Double-Bass Can Be Intensely Expressive And Graceful.
            38. Elegy No.1 In D Major
            39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
            40. Capriccio Di Bravura
            41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
            42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
            43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

            Tracks:

            1. The Antiquity And Magic Of The Flute
            2. Prelude A L'Apres-Midi D'Un Faune
            3. The Versatility And Agility Of The Flute
            4. Orchestral Suite No.2 In B Minor (Badinerie)
            5. The Flute In Fifteenth-Century Spain
            6. Sa'Dawi
            7. Other Flutes: The Bass And Alto
            8. Chamber Music No.II
            9. The Piccolo - Aptly Named
            10. La Naissance D'Osiris (Mvt 6)
            11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
            12. Suite No.1 For Small Orchestra (Valse)
            13. A Variety Of Techniques
            14. Chamber Music No.II
            15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
            16. The Nutcracker (Act II, No.2: Scene)
            17. From The Transverse To The Vertical: The Baroque Recorder
            18. Recorded Suite In A Minor (Menuet II)
            19. An Unfamiliar, Early Vision Of The Instrument
            20. Naelden, Naelden
            21. The Bachian Oboe
            22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
            23. Introduction To The Cor Anglais Or 'English Born'
            24. Symphony No.9 'From The New World' (Mvt 2)
            25. The Loneliness Of The Cor Anglais
            26. The Swan Of Tuonela
            27. The Cor Anglais Joins The French Horn In Haydn.
            28. Symphony No.22 'The Philosopher' (Opening)
            29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
            30. Bolero
            31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
            32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
            33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
            34. Gayane Suite No. 1 (Mvt 5)
            35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
            36. The Range Of The Normal Clarinet Parts Goes Quite High...
            37. The Snow Maiden (Scene 5: Melodrama)
            38. ...And Quite Low.
            39. Peter And The Wolf (The Cat)
            40. The Clarinet As Concerto Soloist
            41. Clarinet Concerto In A Major (Rondo)
            42. But That's Not The Instrument Mozart Wrote It For; This Is:
            43. Clarinet Concerto In A Major (Rondo)
            44. Introduction To The Saxophone
            45. Hary Janos Suite (Mvt 4)
            46. The Soprano Saxophone Has Quite A Different Feel To It.
            47. L'Arlesienne Suite No.1 (Minuet)
            48. The Little Sopranino Sax Goes Even Higher.
            49. Bolero
            50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
            51. Pictures At An Exhibition (The Old Castle)
            52. The Saxophone Can Be Quite Contagiously Good-Humoured.
            53. Sax-O-Phun
            54. The Puffa-Puffa Image Of The Bassoon
            55. Peter And The Wolf (Grandfather)
            56. The Bachian Bassoon, In Accompanimental Mode
            57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
            58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
            59. And Ravel, Also In Spanish Mode, Does Likewise.
            60. Bolero
            61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
            62. Symphony No.3 (Opening)
            63. The Eerie Bassoon In Its Highest Register
            64. The Rite Of Spring (Opening)
            65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
            66. The Firebird Suite (1919, Berceuse)
            67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
            68. Bassoon Concerto In G Minor (Finale)
            69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
            70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
            71. The French Horn Under Its Woodwind Hat
            72. Wind Quintet, Op.43 (Last Mvt)
            73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
            74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
            75. The Horn In Harmonious Blend With Strings In Another Quintet
            76. Horn Quintet, K.407 (Finale)

            Tracks:

            1. The Trumpet As Virtuoso Soloist
            2. Brandenburg Concerto No.2 (Last Mvt)
            3. The Special Brillance Of Paired Trumpets
            4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
            5. The Ceremonial Trumpet
            6. Fanfare For The Common Man
            7. Trumpets And Drums - An Incomparable Alliance
            8. Messiah (The Trumpet Shall Sound)
            9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
            10. Piano Concerto In F (Slow Mvt)
            11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
            12. Carmen Suite No.2 (Habanera)
            13. The Trumpet As The Voice Of Strength And Courage
            14. Carmet Suite No.2 (Toreador's Song)
            15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
            16. Billy The Kid
            17. The Trumpet As Character Actor
            18. Pictures At An Exhibition (No.6)
            19. The Trumpet As The Voice Of God
            20. Mass In B Minor ('Et Exspecto')
            21. The Birth Of The Trombone
            22. Aenmerckt Nu Hier
            23. The Birth Of The Brass As A Family
            24. Canzon 12 In Double Echo
            25. The Trombone In The Eighteenth Century
            26. Trombone Concerto In B Flat Major (Finale)
            27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
            28. Hosannah
            29. The Trombones Become Part Of The Orchestra.
            30. Symphony No.5 (Finale)
            31. The Wagnerian Trombone:/Overture To 'Tannhauser'
            32. The Trombone As Caricaturist
            33. Pulcinella (No.19: Vivo)
            34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
            35. The Horn And The Hunt
            36. Horn Concerto No.4 In E Flat, K.495 (Finale)
            37. The Challenging Horn Of The Baroque
            38. Abaris Ou Les Boreades (Menuet)
            39. The Scarcity Of First-Rate Players In Handel's Time
            40. Walter Music (Minuet 1)
            41. The Horn As Magician/The Firebird Suite (1919, Finale)
            42. Horns And The Sound Of Nobility
            43. Overture To 'Tannhauser' (Opening)
            44. The Special Sound Of The Horn In Its Higher Register
            45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
            46. The Trumpet-Like Sound Of Massed Horns
            47. Symphony No.3 (Mvt 1, Opening)
            48. The Tuba - Unfairly Maligned?
            49. Symphony No.6 (Mvt 3)
            50. The Tuba Perfectly Cast By Ravel
            51. Pictures At An Exhibition (Bydlo)

            Tracks:

            1. Introduction. And We Begin With A Bang.
            2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
            3. At The Opposite Extreme Is The Triangle.
            4. Piano Concerto No.1 In E Flat (Scherzo)
            5. Categories Of Percussion: Tuned And Untuned. The Side Drum
            6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
            7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
            8. The Tambourine. One Of The Oldest Instruments In The World
            9. Den Hoboecken Dans
            10. Even Older Is The Originally Oriental Gong.
            11. Ma Mere L'Oye - Mother Goose (Laideronette)
            12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
            13. Gymnopedie No.2
            14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
            15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
            16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
            17. Rodeo (Hoe-Down)
            18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
            19. Scherzi Musicali (Damigella Tutta Belle)
            20. A Still Earlier Example From Fifteenth-Century Spain
            21. Yo M'Enamori D'Un Aire
            22. The Birth Of The Bongo
            23. Symphonic Dances From 'West Side Story'
            24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
            25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
            26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
            27. Onwards To The Tuned Percussion. First, The Timpani
            28. Also Sprach Zarathustra (Introduction)
            29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
            30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
            31. Taking Advantage Of Tunability
            32. Music For Strings, Percussion And Celeste (Mvt 2)
            33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
            34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
            35. Saint-Saens And The Xylophone
            36. The Carnival Of The Animals (Fossils)
            37. Ravel And The Xylophone
            38. Ma Mere L'Oye - Mother Goose (Laideronette)
            39. Introducing The Marimba/Carmen Suite (First Intermezzo)
            40. Introducing The Vibraphone
            41. The Treasure Of The Sierra Madre (Narange Dolce)
            42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
            43. Introducing The Hungarian Cimbalom
            44. Folk Dances
            45. The Cimbalom And The Symphony Orchestra
            46. Hary Janos Suite (Mvt 3)
            47. Introducing The Tubular Bells
            48. Hary Janos Suite (Viennese Musical Clock)
            49. A More 'Up-Front' Approach From Rodion Shchedrin
            50. Carmen Suite (Introduction)
            51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
            52. Introducing The Celeste
            53. The Nutcracker (Dance Of The Sugar Plum Fairy)
            54. Magic, In The Use Of Collective Percussion
            55. Miroirs (La Vallee Des Cloches)
            56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
            57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
            58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
            59. Brandenburg Concerto No.2 (Slow Mvt)
            60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
            61. Petrushka (Russian Dance)
            62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
            63. Music For Strings, Percussion And Celeste (Last Mvt)

            Tracks:

            1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
            2. Symphony No.3 'Organ' (Finale)
            3. But Things In Handel's Day Were Very Different.
            4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
            5. The Organ Is Difficult To Classify.
            6. An Unexpected, Organ-related Guest
            7. Concerto Pour Zampogna (Last Mvt)
            8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
            9. Les Miserables (Drink With Me)
            10. Outside Artefacts And The Power Of Association
            11. Mahler's Sleighbells
            12. Symphony No.4 (Opening)
            13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
            14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
            15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
            16. Don Quixote (Variation VIII)
            17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
            18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
            19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
            20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
            21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
            22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
            23. The Sitar Of India/Evening Raga: Bhapoli
            24. The Accordion For France (Especially Paris)/Paris Canaille
            25. The Zither For Vienna/The Third Man (Theme)
            26. The Cimbalom For Hungary/Folk Dances
            27. The Guitar As An Integral Part Of The Orchestra/Rondena
            28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
            29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
            30. Nocturnes
            31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
            32. The Carnival Of The Animals (The Cuckoo)
            33. The Flute As An All-purpose Aviary
            34. The Carnival Of The Animals (The Aviary)
            35. The Oboe As Duck
            36. Peter And The Wolf (The Duck)
            37. The Recording Of Reality. Does It Work As Well?
            38. The Pines Of Rome (The Pines Of The Janiculum)
            39. The Recording Of Reality Electronically Reborn In New Guises
            40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
            41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
            42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
            43. Some Improbable Casting: The Violin As Braying Donkey
            44. The Carnival Of The Animals (Persons With Long Ears)
            45. A Truly Orchestral Hee-haw To Be Reckoned With
            46. Overture To 'A Midsummer Night's Dream'
            47. A Thunderstorm In A Million
            48. Symphony No.6 'Pastoral (Allegro-Allegretto)
            49. the Instrumental Depiction Of A Silent World
            50. The Carnival Of The Animals (The Aquarium)
            51. Saint-Saens' Menagerie Takes A Curtain Call.
            52. The Carnival Of The Animals (Finale)

            Tracks:

            1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
            2. Forty-Four Duos (No.4)
            3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
            4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
            5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
            6. String Trio In B Flat (Menuetto)
            7. The String Quartet: Two Violins, Viola, And Cello
            8. String Quartet In F, Op.18 No.1 (Mvt 3)
            9. The String Quintet - When The Extra Instrument Is A Second Viola
            10. String Quartet No.5 In D, K.593 (Adagio)
            11. The String Quintet - When The Extra Instrument Is A Second Cello
            12. String Quintet In C (Mvt 3)
            13. The String Sextet: Two Violins, Two Violas, And Two Cellos
            14. String Sextet In B Flat (Mvt 2)
            15. The String Octet: The Standard String Quaret Times Two
            16. Octet In E Flat, Op.20 (Mvt 1)
            17. Double The String Octet: A Fully Fledged String Orchestra
            18. String Symphony No.2 (Finale)
            19. The Massed Strings Of A Symphony Orchestra
            20. Fantasia On A Theme Of Thomas Tallis
            21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
            22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
            23. In The First Variation It's The Horn That Gets The Lion's Share.
            24. Wind Quintet In A Minor, Variation 1
            25. In Variation Two The Torch Is Handed To The Bassoon.
            26. Wind Quintet In A Minor, Variation 2
            27. In Variation Three The Oboe Leads.
            28. Wind Quintet In A Minor, Variation 3
            29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
            30. Wind Quintet In A Minor, Variation 4
            31. And Variation Five is Dominated By The Clarinet.
            32. Wind Quintet In A Minor, Variation 5
            33. The Next To Be Featured Is The Virtuoso Flute.
            34. Wind Quintet In A Minor, Variation 6
            35. Individual Farewells And A Closing Chorus
            36. Wind Quintet In A Minor, Variation 7
            37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
            38. Octet In F (Mvt 3)
            39. The Early Classical Symphony Orchestra Of Haydn And Mozart
            40. Symphony No.29 In A, K.201 (Finale)
            41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
            42. Canzon 28
            43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
            44. Symphony No.5 (Finale)
            45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
            46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
            47. Symphoy No.6 'Tragic' (Mvt 1)
            48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
            49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
            50. When Large Doesn't Necessarily Mean Loud: Debussy
            51. Images (Gigues)
            52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
            53. Turangalila Symphony (Chant D'amour 1)
            54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
            55. Balle De Xerxes (Gavotte En Rondeau)
            56. Computer And Synthesiser: Friends Or Foes?
            57. Concerto In D Minor For Two Violins (Largo)
            58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
            The Chronicles of Life & Death (Life Art Version)
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            The Chronicles of Life & Death (Life Art Version)
            Good Charlotte
            Manufacturer: Sony
            ProductGroup: Music
            Binding: Audio CD

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            ASIN: B0002X590Q
            Release Date: 2004-10-05

            Tracks:

            1. Once Upon A Time: The Battle Of Life And Death
            2. The Chronicles Of Life And Death
            3. Walk Away (Maybe)
            4. S.O.S.
            5. I Just Wanna Live
            6. Ghost Of You
            7. Predictable
            8. Secrets
            9. The Truth
            10. The World Is Black
            11. Mountain
            12. We Believe
            13. It Wasn't Enough
            14. In This World (Murder)
            15. Falling Away (Bonus Track)

            Album Description

            DESCRIPTION:Chronicles of Life and Death is the follow-up to Good Charlotte's breakthrough, The Young and the Hopeless. Packed with catchy punk-pop, the album is available in two versions, Life and Death which include the bonus songs "Falling Away" and "Meet My Maker", respectively.

            Customer Reviews:

            1 out of 5 stars Bad Charlotte! Absolutely horrible Charlotte!.......2007-01-10

            Cool! More emo for the hit stations to pump into the ears of mindless musicoids who obey whatsoever the airwaves tell them! Actually, that was a bit harsh on this band's fans. But anyway, this is an absolutely atrocious release with the exception of "I Wanna Live" or whatever it's called. I heard this album about two years ago and that's the only song that stood out to me. Don't buy this! It's pop trash and there are much more sophisticated bands you could look for. (I.E. Lostprophets, still slightly emo but much better lyrically and instrumentally)

            1 out of 5 stars GC SUCKS!.......2007-01-08

            Hahahahaha. This band sucks, period. Honestly, I have never heard such horrible displays of music. Wait I have, that was Paris Hilton, K-fed, and Simple Plan. Wow. Hard to believe that the music scene has become this awful. I wonder what kind of idiots run the music industry these days. Whatever happened to the good ole days of BLack Sabbath, Led Zeppelin, AC/DC, Jimi Hindricks, Metallica, Pantera, Alice in Chains, etc. All of these good bands/artists have basically been replaced with whiny, wimpy, bubble-gum pop/rock bands/artists like GC, Simple Plan, Jessy McCartney, Paris Hilton, etc. I can't understand why wimps with no talent whatsoever are given recording contracts.

            Anyways, back to this piece of crap band. This album just flat-out sucks. All the tracks are terrible. The lead singer sounds sexually frustrated which is absolutely annoying to hear. The guitar playing is a joke. These guitarists clearly don't know how to create a good riff. All they use is power chords and distortion. The production is terrible too. Btw, if you wanna know how whiny the lead singer can get, just listen to the first single off the album. It has him doing a spoken part which sounds more like a crying four-year-old than anything. It is ridiculous but not surprising when I hear most high school students saying how good this band is or that they rock hard. People, you don't know anything about what good music is or what rocks hard. For something that rocks hard, try Pantera, Metallica, Killswitch Engage for that.

            I will be training to become an SBI agent in two years and know that I will have to deal with many juveniles in my line of work which makes me hate this band even more b/c that's what most of them listen too and rap(don't get me started on how much I despise this). I don't have a lot of respect for adolescents these days come to think of it. The fact that many of them are such spoiled brats and complain that their lives are horrible b/c their parents are too strict really pisses me off. In essence that's what this band talks about in their lyrics, especially on this album. I have had all I can take of bands like this and their fans who are ungreatful to be alive. This album deserves 0 stars, btw.

            P.S. Also, if I have offended anyone by this posting, deal with it!

            3 out of 5 stars Teens like this music.......2007-01-05

            My teen daughters like this group. Too weird for me though.

            3 out of 5 stars An Angsty Saga.......2006-09-29

            I've given up my Good Charlotte fan status and tried to chuck my "Lifestyles of the Rich and Famous" CD ages ago. It's kind of personal, but I just kind of outgrew them.
            Anyways, on this CD, I think the only song I like is "Predictable." I was resistant to it, but it wore me down. The speech-rant part in the middle cracks me up every time. Sorry, Benji and Joel. I know you showed vulnerability, but that whole "You're never coming back!" stuff makes me laugh.
            It's not really good, and not my favorite thing ever, but it's fun to sing along like angst-filled pseudo-punks (with the windows firmly closed, to keep our cred intact, of course).

            1 out of 5 stars hey, this album is pretty bad.......2006-08-31

            Just when you thought Good Charlotte couldn't get any worse, they go and release this pathetic excuse for an album. I don't know how they did it, but GC actually managed to produce an album so bad it almost makes "The Young and the Hopeless" sound somewhat decent (almost). This band really needs to hang it up. Does anybody even listen to them anymore?


            In case you haven't already guessed, I would strongly discourage you from buying this album.
            Gosford Park (2001 film)
            Average customer rating: Not rated
              Gosford Park (2001 film)
              Patrick Doyle
              Manufacturer: Decca
              ProductGroup: Music
              Binding: Audio CD

              Film ScoresFilm Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
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              GeneralGeneral | Opera & Vocal | Styles | Music
              Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
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              The Decca Records StoreThe Decca Records Store | Specialty Stores | Music
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              ASIN: B00005UNCB
              Release Date: 2002-01-15

              Tracks:

              1. Waltz Of My Heart
              2. Mr. Parks
              3. Gosford Park
              4. Bored To Sobs
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              7. Walking To Shoot
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              20. The Way It's Meant To Be
              21. Carpe Diem
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              Amazon.com

              Thematically, director Robert Altman's career sometimes seems an endless series of left turns into the unexpected; the one constant has been a rich and rewarding attention to the intricacies of character development and interaction. Composer Patrick Doyle underscores Gosford Park's Merchant-Ivory/Agatha Christie/Altman-wit fusion and '30s British upper-class setting with a score that's period spot-on, character-rich, and often sadly evocative. Doyle's restraint is masterful, often leaning on piano, accordion, and small string arrangements that emphasize the characters' intimacies and the film's drawing room settings. Key to the story are a handful of prewar songs by Ivor Novello (who's also a character in the film), ranging from the sprightly humor of "And Her Mother Came Too" and "What a Duke Should Be" to the romantic schmaltz of "I Can Give You the Starlight" and "Why Isn't It You?" The latter is performed here at the piano (and, remarkably, live before the cameras) by Jeremy Northam. Leavened by a small jazz ensemble and a few darkly ominous cues, Doyle's score is an understated gem. --Jerry McCulley
              The Good Life
              Average customer rating: Not rated
                The Good Life
                Railroad Earth
                Manufacturer: Sugarhill [Country]
                ProductGroup: Music
                Binding: Audio CD

                GeneralGeneral | Alternative Rock | Styles | Music
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                ASIN: B000244H12
                Release Date: 2004-06-08

                Tracks:

                1. Storms
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                Good Life: The Best of Inner City
                Average customer rating: Not rated
                  Good Life: The Best of Inner City
                  Inner City
                  Manufacturer: Emi Gold
                  ProductGroup: Music
                  Binding: Audio CD

                  GeneralGeneral | Dance & DJ | Styles | Music
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                  ASIN: B000095SKV
                  Release Date: 2003-06-17

                  Tracks:

                  1. Good Life [Original 12" Mix]
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                  Album Description

                  Budget-price compilation for the hit dance-pop act. 15 tracks including the original 12 inch mixes of 'Good Life' & 'Big Fun'. Copy Controlled. EMI Gold. 2003.

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