A Little More Love [CD-single]

A Little More Love [CD-single]

A Little More Love [CD-single]

ASIN: B00000DKC9

Track Listings
 
1. Little More Love
2. Jenny Dreamed of Trains

A Little More Love,Vince Gill,MCA,Contemporary Country,New Traditionalist
An Introduction to Der Ring des Nibelungen
Average customer rating: 4.5 out of 5 stars
  • Ring introduction critique
  • FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE
  • Welcome back to a classic analysis
  • Essential for Understanding Wagner's Ring Cycle
  • Very Functional
 An Introduction to Der Ring des Nibelungen
Deryck Cooke , Georg Solti , Wiener Philharmoniker , Anita Valkki , Berit Lindholm , Birgit Nilsson , Brigitte Fassbaender , Christa Ludwig , Claire Watson , Claudia Hellmann , Dame Gwyneth Jones , Dietrich Fischer-Dieskau , Eberhard Wächter , George London , Gerhard Stolze , Gottlob Frick , Grace Hoffmann , Gustav Neidlinger , Hans Hotter , Helen Watts , Helga Dernesch , Hetty Plumacher , Ira Malaniuk , James King , Jean Madeira , Joan Sutherland , Kirsten Flagstad , Kurt Böhme , Lucia Popp , Marga Höffgen , Marilyn Tyler , Maureen Guy , Oda Balsborg , Paul Kuen , Régine Crespin , Set Svanholm , Vera Little , Vera Schlosser , Waldemar Kmentt , Walter Kreppel , and Vienna Philharmonic Orchestra
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Wagner's Ring: Turning the Sky Round
  2. Wagner - Der Ring des Nibelungen (Ring Cycle) / Sir Georg Solti
  3. Decoding Wagner: An Invitation to His World of Music Drama (includes 2 CDs)
  4. Wagner - Der Ring des Nibelungen / Levine, Metropolitan Opera (Complete Ring Cycle)
  5. Ring of the Nibelung

ASIN: B00000424H
Release Date: 2005-09-13

Tracks:

  1. Of All Great Musical Compositions... (Examples 1-4)
  2. The Fundamental Symbol... (Examples 5-11)
  3. Returning Now To The Nature Motive... (Examples 6, 12-16)
  4. A Number Of Further Motives... (Examples 5, 17-21)
  5. A Second, Much Smaller Family... (Examples 22-25)
  6. So Much For Nature. (Examples 26-38)
  7. The Cause Of The Deterioration... (Examples 39-44)
  8. The Other Transformation... (Examples 45-48)
  9. Several Other Motives... (Examples 49-52)
  10. Two Further Motives... (Examples 41, 53-61)
  11. The Basic Motive Associated With The Spear... (Examples 62-68)
  12. Along Another, More Complex Line... (Examples 69-72)
  13. In Act Two Of Walkure... (Examples 69, 73-75)
  14. Returning Now To Act Two Of Walkure... (Examples 76-79)
  15. Love Is Another Of The Central Symbols... (Examples 80-83)
  16. Later In The Same Scene... (Examples 84-87)
  17. Freia's Motive Has Two Independent Segments... (Examples 88-91)
  18. The Label 'Flight'... (Example 92)
  19. When Fasolt, In Scene Two Of Rhinegold... (Examples 93-98)
  20. A Little Later In The Interlude... (Examples 99-103)

Tracks:

  1. The Other New Motive... (Examples 104-109)
  2. There Are Several Independent Love-Motives... (Examples 110-114)
  3. The Characters In Whose Lives... (Examples 115-120)
  4. One Further Motive Belongs... (Example 121)
  5. The Sword Motive Recurs... (Examples 122-130)
  6. Ironically, This Phrase... (Examples 131-135)
  7. Closely Associated With Gutrune's Motive... (Examples 136-140)
  8. Here We Come To The End... (Examples 141-146)
  9. Complemtary To This Symbol... (Examples 147-149)
  10. One Last Central Symbol... (Examples 150-157)
  11. One Further Motive Connected... (Examples 158-161)
  12. There Are One Or Two Motives... (Examples 162-168)
  13. These Motives Of Alberich And Mime... (Examples 169-171)
  14. Quite A Number Of The Subsidiary Motives... (Examples 172-176)
  15. Besides This Family Of Motives... (Examples 177-180)
  16. Our Final Example... (Examples 10, 181, 182)
  17. In The Final Scene Of Gotterdammerung... (Examples 181-183)
  18. Even More Masterly... (Examples 184-188)
  19. Now If We Return... (Examples 189-191)
  20. This Masterly Way... (Examples 192, 193)

Amazon.com

When Wagner set the Ring to music, he intended the orchestra to act in the fashion of a chorus from a classic Greek tragedy--setting the mood and commenting on the action. In order to allow a nonverbal musical line to reflect on the plot, Wagner developed a psychologically and musically complex symbology to communicate his thoughts to the listener. From the beginning the Ring has spawned numerous written commentaries on the relationships of the motif structure, but by using examples from the Decca Ring recording, Deryck Cooke's thoughtful spoken commentary is by far the most accessible guide for either the fledgling Ring enthusiast or the seasoned veteran. --Christian C. Rix

Customer Reviews:

4 out of 5 stars Ring introduction critique.......2006-11-04

This is very worthwhile, at the same time it requires time, patience and attention, but it does provide some keys to better enjoyment of a sensational piece of music.

5 out of 5 stars FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE.......2006-08-16

This may look an intimidating, daunting and dull prospect - a 2+ hour lecture on the motifs in the Ring. Don't be put off. Whether you're a relative novice to the Ring and want to find out what it's all about, more experienced with a desire to understand the composer's methods better or an afficionado who thinks he knows it all inside out, there is great pleasure as well as elucidation to be had from this set. Originally made to accompany the Decca Solti Ring, it contains a multitude of musical illustrations taken from those recordings as well as some specially recorded by Solti just for this Introduction.

It wasn't the first time this has been tried. The famous HMV sets from the late 20's also included recorded examples of over 100 motifs. (These, by the way, are available as part of the Pearl reissue of those wonderful HMV recordings). What that set lacked was the wonderful insights as well as the approachability of the talk by Deryck Cooke. Cooke was a great and much missed musicologist - a Mahler expert responsible for the performing edition of the Tenth Symphony still most played today, a fascinating explorer into the nature of music's basic building-blocks in his excellent book, The Language of Music, and an inspiring and elucidating critic of Wagner's work as shown by the fascinating book he left unfinished at his death, I Saw the World End.

On these CDs he does much more than list the leitmotifs and identify them as calling-cards. He shows the amazingly integrated and organic growth of the musical material that Wagner uses throughout his vast work. He demonstrates how motifs can change their sense and meaning as they evolve through the drama. And he shows how the complex combinations of motifs can radically advance both the musical and the dramatic narrative of the piece. There are even places where he corrects the misinterpretation of some of the motifs that had become ingrained from early commentators' false labels.

This set should engage and enlighten anyone with an interest in Wagner's huge and inexhaustible tetralogy. Do give it a try - no matter how far down the road to Wagnerianism you are.

4 out of 5 stars Welcome back to a classic analysis.......2006-05-28

Deryck Cooke's lecture series upon THE RING is almost as much a classic by now as the Solti RING cycle, with which it was originally issued on LP, and from which it derives its musical examples. The difference is that whereas the Solti RING has been continuously in print ever since it was completed, and was among the first opera sets to benefit from the CD revolution, the Cooke analysis was for long almost totally unobtainable. Now we have it back. It should be welcomed: it is a classic. Cooke's mellow, deep voice with the hint of a Celtic burr - which made him ideal on BBC radio - patiently explains Wagner's melodic, rhythmic, and harmonic metamorphoses to such good effect that if you own this recording, you really require no other RING analysis. (A pity about the abrupt beginnings and endings of too many vocal and orchestral illustrations, though.) Musicology lost a fine, sensitive thinker with Cooke's premature death in 1976.

If all you want is dilettantish baby food, there are plenty of dumbed-down Wagner commentaries on the market, stretching from Anna Russell's famous monologue (which doesn't pretend to be anything other than a parody aimed at morons) to the latest standard-issue "Wagner-was-a-Nazi-boo-hiss" feuilleton (which, unfortunately, does). Without reasonable score-reading skill you will find Cooke useless, however diligently you have ploughed through Marx, Jung, Freud, or other gurus purportedly relevant to THE RING. Cooke expects you to use your brains and your musical sense. Quelle horreur. At today's BBC his "elitism" would render him unemployable.

5 out of 5 stars Essential for Understanding Wagner's Ring Cycle.......2006-05-15

I originally bought this set on vinyl in the early 70s when I discovered the Ring in college. I studied the records and booklet assiduously, and after about three run-throughs I finally started getting it. Wow! Thirty-five years later, I still remember Mr. Cooke's analyses of various motive families, and I don't know how I could have mastered and loved the Ring without him. I now own this set on CD and listen again on the rare occasion of attending a Ring performance. My wife calls me a "Ring nut," but of course I'm nuts about many other things as well.

Bottom line, buy this set and study it if the Ring has captivated you as it has countless others. The presentation is dry, but sticking with it brings measureless and longlasting rewards.

4 out of 5 stars Very Functional.......2006-03-19

This CD set is excellent for what it sets out to do: present the leitmotives of the Ring according to their relationship to one another and their role in developing both characters and plotlines. Deryck Cooke's lectures on each motive are very insightful, very helpful at cueing the listener into the semantic aspect of Wagner's orchestral writing. The one drawback is that the musical examples are a bit jarring. Without fade-ins or -outs, the engineering is quite barbaric. And though the orchestra was, I believe, conducted by Solti, and is beautifully done, the vocal performances can be quite unpleasant. Point being: this is not background music, but in accomplishing what it sets out to do, it is very successful, and I don't know of anything else like it.
All At Once Well Met: English Madrigals; The King's Singers
Average customer rating: 4.5 out of 5 stars
  • Very pleased
  • Sumptuous and mellow
  • One of the Best Collections of English Madrigals
  • A Delightful Collection of English Madrigal
  • A wide variety
 All At Once Well Met: English Madrigals; The King's Singers
John Dowland , Thomas Morley , Thomas Weelkes , John Wilbye , William Byrd , John Farmer , and The King's Singers
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
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  4. Madrigal History Tour
  5. Annie Laurie ~ Folksongs of the British Isles / Barrueco · The King's Singers

ASIN: B000002RPZ
Release Date: 1990-10-25

Tracks:

  1. English Madrigals: A Little Pretty Bonny Lass
  2. English Madrigals: Weep No More, Thou Sorry Boy
  3. English Madrigals: Shoot False Love
  4. English Madrigals: Now Is The Month Of Maying
  5. English Madrigals: Four Arms, Two Necks, One Wreathing
  6. English Madrigals: Hark, All Ye Lovely Saints Above
  7. English Madrigals: Since Robin Hood
  8. English Madrigals: Though Philomela Lost Her Love
  9. English Madrigals: O Wretched Man
  10. English Madrigals: Weep, O Mine Eyes
  11. English Madrigals: The Nightingale, The Organ Of Delight
  12. English Madrigals: Come, Sirrah Jack, Ho!
  13. English Madrigals: Cruel, Behold My Heavy Ending
  14. English Madrigals: Fair Phyllis I Saw Sitting All Alone
  15. English Madrigals: Sing We And Chant It
  16. English Madrigals: On A Fair Morning
  17. English Madrigals: Oft Have I Vowed
  18. English Madrigals: Is Love A Boy?
  19. English Madrigals: Say, Love, If Ever Thou Didst Find
  20. English Madrigals: All At Once Well Met
  21. English Madrigals: Construe My Meaning
  22. English Madrigals: Lord! When I Think
  23. English Madrigals: Cruel, Wilt Thou Persever
  24. English Madrigals: Fine Knacks For Ladies
  25. English Madrigals: Strike It Up, Tabor
  26. English Madrigals: I Love, Alas I Love Thee
  27. English Madrigals: Farwell, Dear Love
  28. English Madrigals: See, See The Shepherd's Queen
  29. English Madrigals: Have I Found Her
  30. English Madrigals: Lady Your Words Do Spite Me
  31. English Madrigals: Were I A King
  32. English Madrigals: Come Again
  33. English Madrigals: Tan Ta Ra, Cries Mars
  34. English Madrigals: Why Should I Love?
  35. English Madrigals: This Sweet And Merry Month Of May

Customer Reviews:

4 out of 5 stars Very pleased.......2007-06-10

I wasn't sure what to expect when I bought this CD. True, I could have listened on line before buying but that would have taken the fun out of the purchase. Besides, I really didn't care for the CD the first couple of times I listened but now I really love it. It's not something to listen to all the time but given the right circumstances e.g. a small gathering of friends, it's perfect. If I'd listened to online, I wouldn't have purchased it.

5 out of 5 stars Sumptuous and mellow.......2002-11-28

The six men of the King's Singers present sweet and light-hearted madrigals of such English composers as Morley, Weelkes, Dowland, Wilbye and Byrd. The thirty five selections include "Now is the Month of Maying", "Though Philomela Lost Her Love", "Sing We and Chant It," the celebration of tobacco entitled "Come, Sirrah Jack, Ho!" and a host of other fa-la-la-la-la venues interspersed with wistful laments. I love the rich, sonorous sound of a male vocal ensemble, with countertenors, tenor, baritones and bass, and these six singers do a great job. Occasional instrumental accompaniments by lute and tabor are included, but this group doesn't really need it--I could listen to them for hours all by themselves. Also quite enjoyable, as well as educational, is their earlier release, "The King's Singers' Madrigal History Tour: Italy, England, France, Spain and Germany". For a more risque' take on the vocal music of Renaissance England, you might get a kick out of "The Art of the Bawdy Song" by the Baltimore Consort with the Merry Companions.

5 out of 5 stars One of the Best Collections of English Madrigals.......2002-03-27

Any fan of the King's Singers will regret not having this album in their collection.

This album offers a veritable feast of the choicest English madrigals found on any comparable album. From the obligatory "Now is the Month of Maying" and "Fair Phyllis" to the more obscure "Tan ta ra, cries Mars," there is certainly enough on this album to bring a smile to lovers of Renaissance music - and a spark of recognition to anyone who sang traditional madrigals in high school or university. For serious students of early music, this album comes very highly recommended.

Among the more sonorous offerings on this album, Jones' "Farewell, Dear Love" and Dowland's "Come Again," cannot be ignored. Nor can Bennet's immortal "Weep O mine eyes" be matched more musically than here by the King's Singers.

This album has been played again and again for almost 6 years as both serious listening and background working music. And it has yet to lose its delight.

4 out of 5 stars A Delightful Collection of English Madrigal.......2000-08-16

With 35 tracts to enjoy you're sure to find a couple of favorites. I gave this CD 4 of 5 stars compared to 5 stars for the King's Singers World Madrigal Tour CD. If you prefer all your songs in English, this will be your 5 star CD. Tract 32 "Come again" is my favorite due to the surperb tenor lead and melodic development. Compared to many polyphonic early music styles (1300s-1485), this era (1500-1610) provides many memorable melodies.

4 out of 5 stars A wide variety.......2000-04-28

This is an excellent sampling of English madrigals. This presentation, given by an older roster of the Singers, is a nice introduction to the world of the madrigal, and English madrigals in particular.
Les Miserables (Highlights from the 1987 Original Broadway Cast)
Average customer rating: 4 out of 5 stars
  • BEST OPERA MUSIC EVER
  • Time well spent.
  • Great Score, But Highlights Missing Critical Songs
  • Buy the full version, please
  • Argh Matey!
 Les Miserables (Highlights from the 1987 Original Broadway Cast)
Alain Boublil , Claude-Michel Schonberg , and Colm Wilkinson
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
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  4. Selections From Cats (1982 Original Broadway Cast)
  5. The Very Best Of Andrew Lloyd Webber: The Broadway Collection

ASIN: B000084TRM
Release Date: 2003-01-28

Tracks:

  1. Overture/Work Song
  2. I Dreamed a Dream
  3. Who Am I?
  4. Castle on a Cloud
  5. Master of the House
  6. Stars
  7. Do You Hear the People Sing?
  8. A Heart Full of Love
  9. One Day More
  10. On My Own
  11. A Little Fall of Rain
  12. Drink with Me
  13. Bring Him Home
  14. Javert's Suicide
  15. Empty Chairs at Empty Tables
  16. Wedding Chorale/Beggars at the Feast
  17. Finale

Amazon.com

While not overly generous at 55 minutes, the highlights album of the 1987 original Broadway cast recording of Les Miserables is intelligently selected and likely to prove satisfying to most fans. It includes the best-loved numbers of Alain Boublil and Claude-Michel Schönberg's score, beautiful ballads ("Bring Him Home," "I Dreamed a Dream") and rousing anthems ("One Day More," "Do You Hear the People Sing?") alike, but eliminates some choral numbers ("Lovely Ladies"), redundancies ("Red and Black"), and connective tissue that propels the plot along ("Valjean Arrested," "Come to Me (Fantine's Death)"). Sure, a more perfect selection could have lasted longer than half of the two-disc set's 104 minutes by adding "At the End of the Day" and "In My Life," among others, but it's still a good representation on a convenient single disc. Of course, those who always want to re-create the theatrical experience will never be satisfied with a highlights album.

Re-creating their roles from the London production, Colm Wilkinson plays the heroic Valjean and Frances Ruffelle is the despondent Eponine. Randy Graff (Fantine), Terrence Mann (Javert), David Bryant (Marius), Judy Kuhn (Cosette), Michael Maguire (Enjolras), and Leo Burmester and Jennifer Butt (the Thénardiers) fill out the cast. --David Horiuchi

Customer Reviews:

5 out of 5 stars BEST OPERA MUSIC EVER.......2006-11-03

This is the BEST!! I would highly recommend this to anyone who likes this kind of music!

5 out of 5 stars Time well spent........2005-09-14

Each member of the Les Miserables cast stands to deliver this musical to its audience. Within moments we are transported to France during their Restoration. We experience sadness, laughter and, indeed, want to join in their crusade. The music and deliverance, in my opinion, is excellent.

4 out of 5 stars Great Score, But Highlights Missing Critical Songs.......2005-08-05

Composers Alain Boublil and Claude-Michel Schönberg's score for "Les Miserables" is simply brilliant and the spectacular Broadway cast, led by Colm Wilkinson, Randy Graff, Terrence Mann, and Frances Ruffelle, help bring this incredible music to life!

While I normally enjoy "highlight" cds, this one clocks in at a mere 55 minutes and could have easily included a couple of additional tunes (thus losing one star). Most notably missing: "At The End Of The Day", "Come To Me", "Red And Black", and "In My Life". The show's most memorable songs, however, are included.

Best tracks:

I Dreamed A Dream
Master Of The House
Stars
Do You Hear The People Sing
On My Own
A Little Fall Of Rain
Bring Him Home
Empty Chairs At Empty Tables

Great cast, great score ... even a good buy. But I would suggest the full double-disc score instead.

2 out of 5 stars Buy the full version, please.......2005-01-20

Highlights are never worth it. You will never get the little in-between songs which make a show complete, montages will be cut together badly instead of being full songs as they should be...so much is left out. This is a fantastic show and deserves to be heard in full.

5 out of 5 stars Argh Matey!.......2004-11-22

"Highlights" albums are not the full show, blah blah blah... THIS TAKES UP ONLY ONE SPACE IN YOUR CD RACK INSTEAD OF TWO LIKE THE FULL RECORDING. I rest my case.
American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason
Average customer rating: 4.5 out of 5 stars
  • It's Dreamy
  • My Favorite Composer of all time
  • An American classic from Hampson that brings smiles and tears
  • OMG!!! More than 10000000000000000000000000000000000000000000000000000000 stars, one of the best album in the world!!!
  • It's simply lovely
 American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason
Thomas Hampson , Jay Ungar , Molly Mason , Garrison Keillor , David Alpher , Mark Rust , Michael Parloff , Peter Ecklund , John Kirk , Arnold Kinsella , and Stephen Foster
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Song of Home
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  3. Harvest Home
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ASIN: B000002SK7
Release Date: 1992-10-20

Tracks:

  1. Opening Solo Violin
  2. Jeanie With The Light Brown Hair
  3. Hard Times Come Again No More
  4. The Voice Of Bygone Days
  5. Foster Favorites Medley (Ring, Ring The Banjo (1851) Oh! Susanna (1848) Camptown Races (1850)
  6. Open Thy Lattice, Love (1844)
  7. Beautiful Dreamer (1864)
  8. That's What's The Matter
  9. Old Home Medley (Old Folks at Home (1851) My Old Kentucky Home, Good Night (1853)
  10. Molly! Do You Love Me? (1850)
  11. Sweetly She Sleeps, My Alice Fair (1851)
  12. Comrades, Fill No Glass For Me (1855)
  13. Dancing On The River (Nelly Bly (1850) The Glendy Burk (1860) Angelina Baker (1850)
  14. My Wife Is A Most Knowing Woman (1863)
  15. Gentle Annie (1856)
  16. Linger In Blissful Repose (1858)
  17. Ah! May The Red Rose Live Alway (1850)

Customer Reviews:

5 out of 5 stars It's Dreamy.......2007-01-10

This is a very wonderful recording of Stephen Foster by a master singer.
Foster's songs are of a more innocent and naive time in the American psyche, a time that it would not hurt us to remember, given the wretched brutality of American culture today (something you'll appreciate after listening to this recording).

The songs are beautifully sung by Mr. Hamspon, and the musical accompaniment with piano, mandolin, tuba, banjo, etc. seems a perfect setting for this period music. I enjoyed the musical interludes of Foster songs (not sung by Mr. Hampson), such as "Oh, Suzanna", "My Old Kentucky Home", and "Camptown Races." They are foot-stompin' and finger-snappin' good in a non-syncopated way.

Mr. Hampson's voice is so beautiful, and he has done such a wonderful job with these song's you'll just have to hear it, and when you do, tell me that you're not dreaming.

I remember reading a quote by John Phillip Sousa that decried the use of syncopation in American popular music. I never understood it until listening to this recording. The richness and intensity of American popular music (as experienced in the work of Stephen Foster) has been lost.
Everything has to be so cool today, thanks to syncopation, and "cool" really means no emotion.

If emotion is what you want, emotion is what you'll get with Stephen Foster's songs. It was a time when the death of loved ones (especially those who died in their youth) was experienced more often (see "I Dream of Jeannie with the Light Brown Hair" and "Gentle Annie"). And we were not protected from the vicissitudes of fate by myriad government programs, modern medicine and universal prosperity (see "Hard Times").
Husbands and wives had their differences then, as today, (see the amusing song "My Wife is a Most Knowin' Woman") The passion of the Civil War (Foster was a Unionist),is reflected in a wonderful, fun song, "That's What's the Matter."

If you love good music, and you have heart which can be stirred, and you love your country, this is for you.

I love this recording. It has opened up the door to my "beautiful dreams," dreams of bygone days, lost love, and whatever else we pine for.

I wanted to buy several copies for my friends, but somehow I felt that the impact of this recording was so personal, that it could not be shared with others. Not that they couldn't enjoy it, but that I could not begin to share the intense emotion and reverie stirred in my heart by these beautiful songs.

5 out of 5 stars My Favorite Composer of all time.......2006-08-20

Growing up playing his stuff on piano, I love the instrumentality of this CD..the violins give off that wail that he speaks of..I am not sure what it is about Stephen Foster but these verses..grab me like no other..there is so much sensitivity to it..

I dream of Jeannie with the light brown hair
Born like a vapor on the summer air
I see her tripping where the bright streams play
Happy as the daisies that dance on her way
Many were the wild notes her merry voice would pour

but the violins in this CD make this CD the best out there..
FYI should you be into astrology Stephen Foster is definition of Cancer...Sun and Moon conjunct in Cancer with mars in Scorpio..i love his lyrics..almost to the point of obsession..

5 out of 5 stars An American classic from Hampson that brings smiles and tears.......2006-07-17

Stephen Foster was the greatest American composer of sentimental parlor ballads--he so perfectly imitated folk songs that his music wound up turning into them. In an age of home music-making and later of families sitting around the radio, Foster's songs were a staple, often performed by crossover artists from opera like Lawrence Tibbett. Those were plump, ripe styles of singing, highly flavored by church hymns.

In this 1992 collection of 17 Foster favorites, plus a few rareties, Hampson drops the platform manner and goes straight for heartfelt sincerity. His tone is plain yet sweet, his expression intimate. He is accompanied by instruments redolent of the Victorian drawing room (guitar, fiddle, upright piano), and the mood they create brings tears and smiles of remembrance. This music is embedded in America's genes, and it's wonderful to realize that every note is still alive and throbbing with feeling.

5 out of 5 stars OMG!!! More than 10000000000000000000000000000000000000000000000000000000 stars, one of the best album in the world!!!.......2005-11-25

Simply one word, WOW!!!
Thomas Hampson's voice is simply fantasic. His voice is very different from regular operatic baritone voice, very sweet, and rich. I really cant believe an operatic baritone can sing folk song like THIS good, in my opinion he sounds even better than his opera works in this album. His voice and the background music matches perfectly, the outcome would move u to tears, and u can feel the origin of MUSIC. This album really shows what the word MUSIC means, and the songs simply just ALL beautiful. I like his "beautiful dreamer", "my life is well knowing woman", and "jeanie with the light brown hair" the most. When I listen the songs I would just imagine that I am in the world of past USA, and I can feel the life of the ppl in the past USA~ just like watching an old classic movie, it would touch ur heart and fall in love with this album.

5 out of 5 stars It's simply lovely.......2004-12-14

I didn't know Stephen Foster (I thought): wrong: Oh Susanna, etc, I knew, but had no idea who the composer was.

This CD is a revelation. The melodies are so beautiful, as are the poems, and Thomas Hampson just brings them to life as wonderfully as ever. I especially love "Beautiful Dreamer" - it gives me butterflies - and "My wife is a most knowing woman" - the way he makes the voices and the indignation is just brilliant. If one needed reminding what a brilliant singer Mr Hampson is - this disk does it.
Greatest Songs from the Musicals
Average customer rating: 3 out of 5 stars
  • You'll be disappointed
  • Pretty good musical mix
 Greatest Songs from the Musicals
Various Artists
Manufacturer: Soho
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | International | Styles | Music
GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
GeneralGeneral | International | Indie Music | Stores | Music
InternationalInternational | Imports | Stores | Music
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  1. Very Best Of Broadway Musicals
  2. Only Broadway CD You'll Ever Need
  3. Ultimate Broadway
  4. Greatest Hits: Broadway
  5. Ultimate Broadway II: The Very Best of Broadway Now

ASIN: B000077JS0
Release Date: 2002-10-21

Tracks:

  1. Aquarius [From Hair] - Steve Brooker, NSO Ensemble, , Caroline O'Connor
  2. If I Can't Love Her [From Beauty and the Beast] - Ethan Freeman, National Symphony Orchestra, Martin Yates
  3. I Could Have Danced All Night [From My Fair Lady] - Katrina Murphy, National Symphony Orchestra
  4. Can You Feel the Love Tonight? [From The Lion King] - John Barrowman, National Symphony Orchestra, Martin Yates
  5. What I Did for Love [from a Chorus Line] - National Symphony Orchestra, Catherine Porter, Martin Yates
  6. This Is the Moment [From Jekyll and Hyde] - Gary Mauer, National Symphony Orchestra, Martin Yates
  7. All That Jazz [From Chicago] - Paulette Ivory, Julian Kelly, Katrina Murphy, National Symphony Orchestra, Sally Ann Triplett
  8. Impossible Dream [From Man of La Mancha] - Ethan Freeman, National Symphony Orchestra, Martin Yates
  9. America [From West Side Story] - National Symphony Orchestra
  10. Written in the Stars [From Aida] - Simon Bowman, NSO Ensemble, Sally Ann Triplett, Martin Yates
  11. Mame [From Mame] - Jerry Lanning, National Symphony Orchestra, Martin Yates
  12. Some Enchanted Evening [From South Pacific] - Thomas Allen, John Owen Edwards, Philharmonic Orchestra
  13. I Am What I Am [From LA Cage aux Follies] - Janet Glazener, Leslie Uggams
  14. One Song Glory [From Rent] - Sean McDermott, Martin Yates

Tracks:

  1. Phantom of the Opera [From The Phantom of the Opera] - Ethan Freeman, Claire Moore, National Symphony Orchestra, Martin Yates
  2. I Dreamed a Dream [From Les Miserables] - National Symphony Orchestra, Jacqui Scott, Martin Yates
  3. Bui Doi [From Miss Saigon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
  4. As Long as He Needs Me [From Oliver!] - National Symphony Orchestra,
  5. Time Warp [From the Rocky Horror Picture Show] - Anita Dobson, NSO Ensemble, Martin Yates,
  6. Memory [From Cats] - Kim Criswell, National Symphony Orchestra, Martin Yates
  7. Why God Why [From Miss Saigon] - Graham Bickley, National Symphony Orchestra, Martin Yates
  8. I Know Him So Well [From Chess] - Katrina Murphy, NSO Ensemble, Sally Ann Triplett, Martin Yates
  9. One Day More [From Les Miserables] - National Symphony Orchestra, Martin Yates
  10. Peggy Sue [From Buddy Holly Story] - Dominic Curtis
  11. Empty Charis at Empty Tables [From Les Miserables] - Graham Bickley, National Symphony Orchestra, Martin Yates
  12. Dancing Queen [From Mamma Mia!] - Julian Kelly, NSO Ensemble, , Caroline O'Connor
  13. All I Ask of You [From The Phantom of the Opera] - Andrew Halliday, , National Symphony Orchestra, Martin Yates
  14. We Will Rock You [From We Will Rock You] - Martin Yates

Tracks:

  1. It's a Grand Night for Singing [From State Fair] - National Symphony Orchestra
  2. If I Were a Rich Man [From Fiddler on the Roof] - Jerry Lanning, National Symphony Orchestra
  3. I Talk to the Trees [From Paint Your Wagon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
  4. Over the Rainbow [From The Wizard of Oz] - Gillian Bevan, , John Owen Edwards, , Royal Shakespeare Company
  5. Bless Yore Beautiful Hide [From Seven Brides for Seven Brothers] - Hal Fowler, National Symphony Orchestra, Martin Yates
  6. Grease [From Grease] - John Barrowman, NSO Ensemble, Martin Yates
  7. Woman in Love [From Guys and Dolls] - Gregg Edelman, , Emily Loesser, National Symphony Orchestra
  8. Secret Love [From Calamity Jane] - Debbie Gravitte, National Symphony Orchestra
  9. Quintet [From West Side Story] - National Symphony Orchestra
  10. I Will Always Love You [From the Best Little Whorehouse in Texas] - Salena Jones, John Pearce
  11. Money, Money [From "Caberet"] - Maria Friedman, National Symphony Orchestra, Jonathan Pryce
  12. If My Friends Could See Me Now (Sweet Charity) - Jacqueline Dankworth, National Symphony Orchestra, Martin Yates
  13. Thank Heaven for Little Girls [From Gigi] - Ron Moody, National Symphony Orchestra, Martin Yates
  14. Singin' in the Rain [From Singin' in the Rain] - Craig Barna, National Symphony Orchestra, Paul Robinson

Customer Reviews:

1 out of 5 stars You'll be disappointed.......2006-09-02

Not the original artists. Very weak versions of beloved songs by marginal to downright bad vocalists.

5 out of 5 stars Pretty good musical mix.......2006-03-10

Lots of great and clear vocals. I was looking for a musical mix and this has a nice sampling of many major songs but also some more recent stuff. I haven't purchased an import before but I would do it again if the opportunity presented itself. It is somewhat annoying to have three cds when I think it could have fit onto two. Still, more than I have complaints, I have compliments about it.
The Christmas I Love
Average customer rating: 5 out of 5 stars
  • excellent entertainment
  • The Christmas I Love
  • A Christmas Collection That Is Just Plain Fun
  • Wonderful; marvellous
  • ABSOLUTELY WONDERFUL
 The Christmas I Love
Andre Rieu , and Johann Strauss Orchestra
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Classical | Styles | Music
General ChristmasGeneral Christmas | Holiday | Miscellaneous | Styles | Music
Pop Instrumental & Easy ListeningPop Instrumental & Easy Listening | Holiday | Miscellaneous | Styles | Music
GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
General ChristmasGeneral Christmas | Holiday Music | Special Features | Music
Pop Instrumental & Easy ListeningPop Instrumental & Easy Listening | Holiday Music | Special Features | Music
Similar Items:
  1. Tuscany
  2. At The Movies
  3. The Homecoming
  4. The Vienna I Love, Waltzes From My Heart
  5. Romantic Moments

ASIN: B0000041OB
Release Date: 1997-10-21

Tracks:

  1. O Daughter Of Zion
  2. White Christmas
  3. Sleigh Ride
  4. From Heaven High I Come To You: Tomorrow's The Day Children/Gloria In Excelsis Deo...
  5. Ave Maria
  6. Transeamus
  7. Softly Falls The Snow: Ring Out Little Bell/O Come Al Ye Faithful
  8. Evening Prayer (From Hansel & Gretel)
  9. Jingle Bells
  10. Lullaby: O Sweet Child Jesus/Let Us Be Happy And Jolly
  11. Mille Cherubini In Coro (Lullaby)
  12. Christmas Rose
  13. The Four Seasons: Winter: Largo
  14. O Christmas Tree: The Little Drummer Boy/Lullaby
  15. Every Year A New: Oh, How Joyfully/Never Have The Bells Sung More Sweetly
  16. Dearest Believe Me
  17. Come Little Children
  18. The Christmas Concert: Pastorale
  19. The Holy City
  20. Silent Night

Customer Reviews:

5 out of 5 stars excellent entertainment.......2007-01-20

I thoroughly enjoyed this Christmas DVD . I want to buy more of Andre Rieu.

5 out of 5 stars The Christmas I Love.......2007-01-10

I was very pleased with the CD and would recommend it to everyone.

All of Andre Rieu's music is very enjoyable to listen to.

5 out of 5 stars A Christmas Collection That Is Just Plain Fun.......2005-11-19

Sometimes I think the only person who is happy that Public television is financially challenged, other that certain legislators who believe that it is too liberal and the culmination of all that is evil, is Andre Rieu. Now don't get me wrong, this happy Dutch musician who models himself after Johan Straus is not a cruel or vindictive person. At least from what I can tell he's not, but let's face it. If PBS did not have financial woes, Andre Rieu, one of its favorite stars, would not have received the exposure he has, and his sales in the United States would probably be next to nothing. Of course for anyone who has ever seen one of his extravaganzas, we would be missing something enjoyable. He's musically sound and he knows how to entertain, and quiet frankly, though some classical purists may cringe at his name, I don't believe the composers whose music he uses are rolling in their graves because it's become popular once again.

Of all his concerts and CDs, I enjoy THE CHRISTMAS I LOVE the most. The jitterbug version of "Jingle Bells" shows that an old tune can produce new tricks. His arrangement of "The Holy City" (a.k.a. "Jerusalem") is almost as moving as when it is performed with a vocalist. The recording has a number of medleys that include favorites from all over Europe show how Christmas has such an international flair. For me, however, this album provides true variety. Many of the carols are not familiar to Americans, so we hear something different yet also authentic to the holiday season.

I'm surprised that there have not been other Rieu Christmas discs. He's an original musician and a consummate showman, so I'm sure there's more he could do with holiday music, but maybe he knows he has a classic with this collection and it will stand the test of time.

5 out of 5 stars Wonderful; marvellous.......2000-09-30

Andre Rieu proves again he is the best of the best! I bought this CD in october 1997, a few weeks before Andre's concert In Quebec city. In this CD, you'll find all the classics of Christmas. They are well played because Andre and his orchestra know how to bring us the atmosphere of Christmas. The desing of the CD is well done. If you,re looking for good music, please try this CD You'll enjoy it. If you have the occasion to see his Christmas concert on TV, watch it. It's very beautiful.

This his not the first CD made by Andre. In 1992, he released "Spielt Die Schonten Weihnachtslieder".

5 out of 5 stars ABSOLUTELY WONDERFUL.......1999-08-18

Another wonderful Andre Rieu CD. All the Rieu recordings and videos are a breath of fresh air - a joy to the soul.
Susan Graham - Songs of Ned Rorem
Average customer rating: 4 out of 5 stars
  • One last touch of Paris (but oversold by the critics)
  • wonderful perforance of excellent songs
  • Classic Rorem Songs!
  • Come To Pop, Baby!
  • Worthy indeed - a gem
 Susan Graham - Songs of Ned Rorem
Susan Graham , Martin Martineau , and Ensemble Oriol
Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD

CantatasCantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
DivasDivas | Opera & Vocal | Styles | Music | Bartoli, Cecilia | Battle, Kathleen | Bonney, Barbara | Caballe, Montserrat | Callas, Maria | Crespin, Regine | Eaglen, Jane | Ferrier, Kathleen | Flagstad, Kirsten | Fleming, Renée | Freni, Mirella | Gheorghiu, Angela | Horne, Marilyn | Janowitz, Gundula | Jones, Gwyneth | Kasarova, Vesselina | Kirkby, Emma | Larmore, Jennifer | Ludwig, Christa | McDonald, Audra | Milanov, Zinka | Modl, Martha | Nilsson, Birgit | Norman, Jessye | Otter, Anne Sophie von | Podles, Ewa | Ponselle, Rosa | Price, Leontyne | Sayao, Bidu | Scotto, Renata | Soderstrom, Elisabeth | Sutherland, Joan | Te Kanawa, Kiri | Troyanos, Tatiana | Upshaw, Dawn | Vishnevskaya, Galina | Von Stade, Frederica
Q to TQ to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music | Rachmaninov, Sergei | Ramirez, Ariel | Ravel, Maurice | Rodgers, Richard | Rossini, Gioacchino | Saint-Saens, Camille | Satie, Erik | Scarlatti, Alessandro | Schubert, Franz | Schumann, Robert | Shostakovich, Dmitri | Sibelius, Jean | Sondheim, Stephen | Spontini, Gasparo | Strauss Jr., Johann | Strauss, Richard | Stravinsky, Igor | Tchaikovsky, Peter Ilyich | Thomas, Ambroise | Toselli, Enrico
C to GC to G | Featured Performers, A-Z | Opera & Vocal | Styles | Music | Caballe, Montserrat | Callas, Maria | Caruso, Enrico | Cassinelli, Ricardo | Christie, William | Church, Charlotte | Corelli, Franco | Crespin, Regine | Della Casa, Lisa | Di Stefano, Giuseppe | Eaglen, Jane | Ferrier, Kathleen | Fischer-Dieskau, Dietrich | Flagstad, Kirsten | Fleming, Renee | Ford, Bruce | Freni, Mirella | Gahmlich, Wilfried | Gambill, Robert | Gedda, Nicolai | Gencer, Leyla | Gheorghiu, Angela | Giacomotti, Alfredo | Giannini, Dusolina | Gigli, Beniamino | Gruberova, Edita
Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
( G )( G ) | Featured Performers, A-Z | Classical | Styles | Music | Gahmlich, Wilfried | Galbraith, Paul | Galway, James | Gambill, Robert | Gedda, Nicolai | Gencer, Leyla | Gheorghiu, Angela | Giacomotti, Alfredo | Giannini, Dusolina | Gieseking, Walter | Gigli, Beniamino | Gilels, Emil | Glennie, Evelyn | Goode, Richard | Goodman, Benny | Gould, Glenn | Grainger, Percy Aldridge | Graves, Denyce | Grimaud, Hélène | Gruberova, Edita | Grumiaux, Arthur | Guarneri String Quartet
GeneralGeneral | Classical | Styles | Music
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  1. Ned Rorem: Selected Songs
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  4. Susan Graham ~ Berlioz - Les nuits d'été
  5. Poèmes de l'Amour

ASIN: B00004R9BK
Release Date: 2000-04-04

Tracks:

  1. Sonnet [Bynner]
  2. Clouds [Goodman]
  3. Early In The Morning [Hillyer]
  4. The Serpent [Roethke]
  5. Now Sleeps The Crimson Petal [Tennyson]
  6. Opus 101 [Bynner]
  7. I Strolled Across An Open Field [Roethke]
  8. To A Young Girl [Yeats]
  9. Jeanie With The Light Brown Hair [after Foster]
  10. Ode [de Ronsard]
  11. For Poulenc [O'Hara]
  12. Littlle elegy [Wylie]
  13. Alleluia
  14. Look Down, Fair Moon [Whitman]
  15. O You Whom I Often And Silently Come [Whitman]
  16. I Will Always Love You [O'Hara]
  17. The Tulip Tree [Goodman]
  18. The Wintry Mind [Bynner]
  19. I Am Rose [Stein]
  20. The Lordly Hudson [Goodman]
  21. O Do Not Love Too Long [Goodman]
  22. Far - Far - Away [Tennyson]
  23. For Susan [Goodman]
  24. A Journey [Glaze]
  25. Sometimes With One I Love [Goodman]
  26. Love [Lodge]
  27. Orchids [Roethke]
  28. Stopping By The Woods On A Snowy Evening [Frost]
  29. Do I Love You More Than A Day [Larson]
  30. Ferry Me Across The Water [Rossetti]
  31. The Sowers [Bynner]
  32. That Shadow, My Likeness [Whitman]

Amazon.com

Contemporary composer Ned Rorem is typically likened to an American Schubert (living in Paris) for the fecundity, emotional range, and quality of his songs (though this represents only one facet of a prolific career). And Rorem's masterful 1998 cycle Evidence of Things Not Seen would seem to justify that reputation, as does this marvelous anthology from the Rorem songbook of the past half-century. The composer is fond of dividing musicians into the "German" and the "French," clearly identifying himself with the latter for the elusive sparkle and subtle play of shadows that characterize his art. What other kind of sensibility could "through-compose" Gertrude Stein's "I Am Rose" in a deftly perfect 27 seconds? Fortunately, American lyric mezzo Susan Graham intuitively understands this expressive aspect, as does pianist-partner Malcolm Martineau. Graham is constantly attentive to the marriage of music and text in the 32 songs here and phrases their little worlds into being with grace and wit. She can shade to a sweet vanishing point or allow her voice to blossom, orchidlike, into a dazzling profusion of colors. Few of these songs, which draw on the poetry of Walt Whitman, Theodore Roethke, Frank O'Hara, and many others, last more than two minutes. But their resonance lingers, whether in the haunting "Opus 101"--with its lean but potent string trio scoring--or the enigmatic "That Shadow, My Likeness" from Whitman. --Thomas May

Customer Reviews:

4 out of 5 stars One last touch of Paris (but oversold by the critics).......2005-10-11

Ned Rorem is the last survivor, since the death of Virgil Thompson, of the long reach that Paris exerted over a generation of American expatriate composers, many of whom drifted overseas between the wars to study with the legendary Nadia Boulanger. Rorem's songs sometimes have American folk roots, but mostly he writes chansons, and like their French counterparts, his are crystalline, spare, sophisticated, and precisely defined emotionally.

If he were more tlaneted he might have wirtten masterpieces, but mostly this sounds like Samuel Barber on skim milk. Rorem often sets minor, if not trivial poetry. His lyrical gift is modest. But there's no doubt that he has been neglected, largely because of his stubbornly tonal conservatism, and now that tonality is repsectable again, he is being accorded last-minute honors. I'm glad for him, and his best work, which consists of his multi-volume memoirs, has added much to American culture. But even when skillfully sung by an artist of the caliber of Susan Graham, a hour's worth of Rorem's tiny jewel-like chansons is about twice too much at one sitting.

5 out of 5 stars wonderful perforance of excellent songs.......2005-01-20

I'm a neophyte to Ned Rorem's work. To be honest I purchased this CD because I really enjoy listening to Susan Graham. Although I really love hearing Ms. Graham's opera performances, I find it refreshing to hear her singing something in English. I also appreciate how she's taken time to perform something other than opera. Susan Graham's performance of Ned Rorem's songs has me seeking out other performances of his work.

5 out of 5 stars Classic Rorem Songs!.......2004-05-18

Susan Graham has a remarkable mezzo voice and sings Rorem as though she really is a sounding board for the composer. Kudos to her and this CD comes highly recommended to newbies to Rorem songs and those many die-hard fans!

3 out of 5 stars Come To Pop, Baby!.......2004-03-12

Recently, I heard Susan Graham on Garrison Keillor's "Prarie Home Companion" show. Wow! I didn't know who she was, but she had so much humour, verve and style while singing some show tunes, and that incredible voice. I rushed to amazon but all the English language songs I could find seemed to be on this album of Ned Rorem music. Well, whatever the weight lieder songs carry for the Germans, it seems that art songs in English mean songs you can't snap your fingers to, can't slap out a beat to and would never, ever, sing with your friends. I know, I know, I'm a Philistine, but please, Ms. Graham, give us an album of American popular classics, show tunes and the like. When I listened to you on Mr. Keillor's show, if I had been a bell, I'd have been ringing too! You are simply great. Don't let the classical music fans have all the fun. Throw a little our way too. Pretty please.

5 out of 5 stars Worthy indeed - a gem.......2002-08-27

I cannot disagree with "A Music Fan"'s panning of this CD. Having first purchased the Hearing CD which he/she references, I reached the conclusion that Rorem's music was too knotty and "20th century" for repeated listenings and enjoyment. This CD with Susan Graham completely reversed my opinion. The songs are indeed chosen to be accessible, but they are much more than that. They are, simply stated, lovely. This is a disc I will play again and again, and has caused me to investigate many other Rorem CDs. I just came on line to buy it as a gift for a friend. Rorem deserves his due, and this disc gives it to him.
Judy in Love & Alone
Average customer rating: 4.5 out of 5 stars
  • Perfect Release of a two-fer
  • Finally "Alone" on CD!
  • Terrible sound and terrible packaging
  • JUDY AT HER BEST with SPECTACULAR SOUND!
  • Garland the Great
 Judy in Love & Alone
Judy Garland
Manufacturer: S&P Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Opera & Vocal | Styles | Music
Traditional Vocal PopTraditional Vocal Pop | Broadway & Vocalists | Styles | Music
GeneralGeneral | Broadway & Vocalists | Styles | Music
GeneralGeneral | Vocal Pop | Pop | Styles | Music
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ASIN: B0000641C8
Release Date: 2002-04-23

Tracks:

  1. Zing! Went The Strings Of My Heart
  2. I Can't Give You Anything But Love
  3. This Is It
  4. More Than You Know
  5. I Am Loved
  6. I Hadn't Anyone Till You
  7. I Concentrate On You
  8. I'm Confessin' (That I Love You)
  9. Do I Love You?
  10. Do It Again
  11. Day In-Day Out
  12. By Myself
  13. Little Girl Blue
  14. Me And My Shadow
  15. Among My Souvenirs
  16. I Gotta Right To Sing The Blues
  17. I Get The Blues When It Rains
  18. Mean To Me
  19. How About Me
  20. Just A Memory
  21. Blue Prelude
  22. Happy New Year
  23. Then You've Never Been Blue (bonus track)

Customer Reviews:

5 out of 5 stars Perfect Release of a two-fer.......2004-11-20

The person who wrote the review below is wrong : the "Alone" album was recorded and released in mono sound, in 1957. "Judy in Love" was Garland's first album recorded and released in stereo, in 1958.

The sound on this disc is spectacular. The original session tapes were used, for the best sound possible. It is glorious sound here, folks.

Pehaps the person that wrote the review below is thinking of the previous two-fer of "Judy in Love" from England, a few years back, paired with the "Judy" album. That CD sounded very flat and dry.

Get this new and improved disc, and you'll love it.

5 out of 5 stars Finally "Alone" on CD!.......2003-10-01

I just received this Judy "double bill" and I can only say it's GREAT!! "Alone" was always one of my favorite Judy albums, and I am more than pleased to have it on CD now. The sound is not stereo, as another reviewer point out, but it never was recorded in stereo. I have the old vinyl, and that's mono too, but also pretty worn, after all these years. The liner notes actually are pretty good too. The original covers are reproduced, with the original liner notes reprinted, AND some fresh liner notes about this re-issue. There, you can read that the "alone" recordings are from 1957, and that "Judy in Love" is from 1958, and was her first stereo album for Capitol.

So why is "alone" my favorite Judy album? Maybe simply because it was one of my first encounters with Judy, when I was 17 years old. I didn't realize at the time that the selection of songs is pretty unusual. It's not the repertoire she sang a lot in her live and TV shows. I love the mostly subdued pathos on this album, although she does belt it out occasionally, in her own inimitable way. The songs are about 'surviving on your own', and some times about finding your inner strength, in a bittersweet way. The album is not very cheerful, but it does make me feel good, in a sentimental way. The arrangements are very good, just right, in the 'proper' fifties style. The strings have a very warm quality, which wasn't always the case in those days. There is also a beautiful large choir singing in the background on some tracks.
Some of the songs are very unknown, which makes this album special too. Happy New Year, for instance, is a beautiful torch song, written over a very slow version of Old Lang Syne in minor key; a real gem of a song! Blue Prelude is also a great song, so don't be discouraged by the titles you may not know.
All in all, a 'must have' for any Judy fan, but also a wonderful introduction if you want to get acquainted with Judy's singing. "Judy in Love" is an excellent example of her warm joyful singing, while "Alone" gives you all those wonderful torch songs. A balanced package, with a passionate Judy in great voice!!

1 out of 5 stars Terrible sound and terrible packaging.......2003-06-27

Let me rant. This CD has 2 albums on it. 1 is mono and the other stereo!? I have these albums on records and they are both stereo. I feel ripped off. Also, these albums do not sound anywhere like the records in quality. In fact, they sound very boring and lacking of any sort of life. Judy did very big, exciting production numbers and the sound on this CD makes them sound stale and dead. I returned this CD and demanded my money back. The store clerk said I wasn't the only one. Thumbs way down.

5 out of 5 stars JUDY AT HER BEST with SPECTACULAR SOUND!.......2002-05-11

JUDY IN LOVE is perhaps Garland's greatest studio album. A superb collaboration with Judy in wonderful voice, and arranger Nelson Riddle at the top of his form. Inexplicably, this album is only now making its CD debut in the U.S. Capitol Records seemingly had no interest in releasing it themselves, so they've sublicensed it to S&P Records, who have done a terrific mixing and remastering job. Comparing the sound to a recent UK import is overwhelmingly impressive. The UK release sounds mediocre, and this new issue belies its having been recorded 44 years ago.
JUDY IN LOVE is paired with her monaural ballad album ALONE, which was arranged and conducted by Gordon Jenkins. The two albums together are a distinct contrast and yet only show the versatility and mastery of Garland. The highlight of the ALONE tracks is Jenkins' schmaltzy, yet irresistable I'VE GOT A RIGHT TO SING THE BLUES. ALONE was previously issued on CD by Capitol years ago, but has been long out of print, so this collection is a dream come true for Garland fans.

The 5 Star rating is for the recordings and the way they've been beautifully produced. It does not, however, represent a true rating for the package itself, which has been saddled with awful,
amateurish liner notes which are so poorly written that it's a blatant insult to Garland. What a shame the producers who took such care in creating such a great sounding album, didn't bring the same kind of excellence to the accompanying package. This should not detract anyone from buying this CD, but buyers looking for an interesting commentary on the legendary lady and these specific tracks will have to go elsewhere.

5 out of 5 stars Garland the Great.......2002-05-02

A beautiful compilation of two classic, original "Judy" albums. These are two of the six studio albums she recorded for Capitol in the fifties, and these are probably the best. While Judy's vocal tone is not at its best on "Judy in Love", the song selections and her interprative genius make up for the slight vocal imperfections. "More Than You Know", "I Am Loved" and "By Myself" are absolute delights, and are clearly definitive versions of these songs. In addition, the ballads shine with passion and tenderness. "Alone" is mostly filled with similarly tender songs, and on this one Garland is in fine, full voice throughout. "Little Girl Blue" is a particular standout, and the addition of the never before released "Then You've Never Been Blue" is a special treat for fans and newcomers. Popular singing doesn't come any better than this.
Les Miserables - The Complete Symphonic Recording
Average customer rating: 4.5 out of 5 stars
  • Great, definitely go with this and TAC
  • Awesome
  • Bought it used - thank God!
  • magnificent!
  • Mixed Feelings
 Les Miserables - The Complete Symphonic Recording
Claude-Michel Schonberg
Manufacturer: Relativity
ProductGroup: Music
Binding: Audio CD

Musical TheaterMusical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
GeneralGeneral | Pop | Styles | Music
ContemporaryContemporary | Vocal Pop | Pop | Styles | Music
GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
Traditional Vocal PopTraditional Vocal Pop | Broadway & Vocalists | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
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ASIN: B000003BVK
Release Date: 1990-05-22

Tracks:

  1. Prologue
  2. Valjean's Soliloquy (What Have I Done?)
  3. At The End Of The Day
  4. I Dreamed A Dream
  5. Lovely Ladies
  6. Fantine's Arrest
  7. The Runaway Cart
  8. Who Am I?-The Trial
  9. Fantine's Death
  10. The Confrontation
  11. Castle On A Cloud
  12. Master Of The House

Tracks:

  1. The Bargain-The Waltz Of Treachery
  2. Look Down
  3. The Robbery-Javert's Intervention (Another Brawl)
  4. Stars
  5. Eponine's Errand
  6. The ABC Cafe-Red And Black
  7. Do You Hear The People Sing?
  8. Rue Plumet-In My LIfe
  9. A Heart Full Of Love
  10. The Attack On Rue Plumet
  11. One Day More!
  12. At The Barricade (Upon These Stones)
  13. On My Own
  14. Building The Barricade
  15. Javert's Arrival
  16. Little People
  17. A Little Fall Of Rain
  18. Night Of Anguish
  19. First Attack

Tracks:

  1. Drink With Me
  2. Bring Him Home
  3. Dawn Of Anguish
  4. The Second Attack (Death Of Gavroche)
  5. The Final Battle
  6. The Sewers-Dog Eats Dog
  7. Javert's Suicide
  8. Turning
  9. Empty Chairs At Empty Tables
  10. Every Day (Marius And Cosette)
  11. Valjean's Confession
  12. The Wedding Chorale- Beggars At The Feast
  13. Epilogue (Finale)
  14. Bonus Track

Customer Reviews:

5 out of 5 stars Great, definitely go with this and TAC.......2005-08-31

Right now, there are four official English-language versions of Les Miserables: the Original London Cast Recording, the Original Broadway Cast Recording, the Complete Symphonic Recording, and the 10th Anniversary Concert Recording. Les Mis' addicts are best served by purchasing all recordings, as they showcase different stages (as in the OLC and the OBC) of the development of this mega-musical, as well as the interesting variations in presentation and performances by the different casts and orchestras.

If you're the average musical-theater listener who can't afford to buy all available English-language recordings, however, my advice would be to get the CSR (due to the fact that it's "complete") and the TAC recording (due to the fact that performer- and performance-wise, it's leaps and bounds better than all of the other recordings). You deserve no less.

5 out of 5 stars Awesome.......2005-07-03

I can't believe all the negative comments about Gary Morris. He is so much better in the role than Colm Wilkinson. I've seen Gary perform the part three times and there is NO better Jean ValJean (seen the play 14 times). It's an international cast and some of the accents do take time getting used to. But the power of the music supercedes it all. Listen with your heart people. It's so incredible.

3 out of 5 stars Bought it used - thank God!.......2005-06-17

"Les Miserables" is a marvelous musical; a stunningly faithful interpretation of Victor Hugo's masterpiece, with an inspiring storyline and unforgettable characters. There are 2 reasons for buying a Les Mis CD - (1) you've seen a performance and want ONE CD to remind you of it or (2) you've become a les Mis junkie (like me) and want multiple versions so you too can hold forth on the rival merits of Andy Warlow vs Michael Maguire, Patty LuPone vs Ruthie Henshaw, Frances Ruffelle vs Kaho Shimada vs Lea Solonga. If you are in the first category, you really want the Tenth Anniversary Concert. The TAC has the complete storyline (albeit slightly abridged), it was recorded live (so there's an unique intensity and chemistry between performers), and from top to bottom it has by far the best cast.

However, if you're a serious Les Mis fan, you should buy this CD (in addition), simply because it does have the complete score. (The trouble with THAT is that it includes practically the only misstep in the whole script - if Jean Valjean has his number branded on his chest, then how is it credible that someone else will be convicted in his place?) I bought it for that reason and to hear other interpretations of the roles (in particular Andy Warlow's). I have all 4 versions, and they have all have their pluses and minuses, but frankly, I'm glad I didn't pay full price for this one. This version has a rather weak cast in general, but that does add to the fun arguing about it. On the plus side, it has Philip Quast ( THE BEST Javert, but he's even better on the TAC), Michael Ball (THE BEST Marius, also on the OLC and TAC versions), and Andy Warlow (a stirring Enjorlas for sure, but not THAT much better than Michael Maguire on the OBC and TAC). The scenes at the barricade are the best part of the CD. Kaho Shimada is an uneven Eponine, OK sometimes, less so at others. Debbie Byrne (Fantine) is OK, but I don't find her as moving as Patty LuPone (OLC) or Ruthie Henshaw (TAC). Tracy Shayne (Cosette) is irratating, not nearly as sweet as Judy Kuhn (OLB and TAC) or even Rebecca Caine (OLC). I find Barry James and especially Gay Soper (M. and Mme. Thenardier) grating as well.

I really miss Colm Wilkinson (OLC, OBC and TAC). OK, he has a unique singing style, but such heart. Not always perfect, but so powerful and emotional. All his solos and "Confrontation" just stop me dead in my tracks. The sweetness and purity of his "Bring Him Home" and "Epilogue" move me to tears. But really, there must be someone else who can do at least an adequate job or the show wouldn't have run so long in so many venues. I am willing to listen to another interpretation, but not this one. This is the central role in the play, it really can't survive without a good performance here. Gary Morris is horrible as Jean Valjean, cringe-provoking at times, merely weak at others. He's totally overmatched by Quast in "Confrontation" and by everyone in "One Day More" and "Epilogue". I haven't tried the recommendation of one reviewer of listening while squinting and shaking my head hard, but I don't see how that will help. Morris's "What have I done?", "Bring Him Home" and "Valjean's Confession" make me cover my ears or send me running for the fast forward button, although "Who am I?" isn't so bad. (I just tried the head shaking trick, it didn't help.)

5 out of 5 stars magnificent!.......2005-06-15

Ok, I admit it. I have long been a fan of musicals, but I was only exposed to Les Mis a few months ago. My roommate loaned me this recording, and I fell in love. I played nothing but this soundtrack for the next several weeks.

As this is the only recording I've heard fully, I cannot give any comparisons between the performers here and those on other versions, but I do wish to give my general impression of the cast.

*Gary Morris (Valjean) - he has a strong, clear voice with which it is hard to find fault. He sings with emotion and passion, and I cannot imagine ever tiring of hearing him as Jean Valjean. If I had to give a complaint, it would be that I could imagine a voice with a little more distinct character...something a little riskier for the part of someone so complex.

*Philip Quast (Javert) - wow, I love deep voices, and his is so rich! I love when he hits the low note near the beginning of "Confrontation" ...I've seriously replayed that part over and over again just because it sends shivers through me...haha, I think you get the idea. This guy is good.

*Debbie Byrne (Fantine) - her voice took some getting used to because at first it seemed to me a little uncontrolled, almost like she could capture the fullness of the sound but not quite hit the notes. However, the more I listen to her, the more I enjoy her. Her voice has a wonderful texture, something you totally miss when listening to the super-clear, trilling sopranos that seem to be found all over most other musicals.

*Kaho Shimada (Eponine) - her voice took a little getting used to as well. I was a little confused until I realized she was Japanese, for though I wouldn't say you hear an accent, her voice does have a very different quality to it. Still, I enjoyed her performance very much. Her voice is trembling with emotion the entire time, almost like she can hardly control it...it is quite moving.

*Tracy Shayne (Cosette) - wow. I'm sorry, is Cosette supposed to be this shrill? Turn it off! While I'm impressed at some of the notes she hits, I don't think it's supposed to make you want to cover your ears.

*Michael Ball (Marius) -Ball makes Marius, a rather annoying character if you ask me, into someone actually likable, if not lovable. He's passionate and romantic, but not vapid. Probably my favorite vocal performance.

*Gay Soper and Barry James (the Thernardiers) - their voices are rather grating, but that's the point, right? Very entertaining performances...particularly in "Master of the House" (which, it's true, somehow manages to be stuck in your head all day).

*Anthony Warlow (Enjorolas) - very appropriate voice...manly and vibrant. If he doesn't make you want to go out and fight, then there's no help for you!


Overall, the performances were wonderful. I highly recommend this CD. A great recording of a great musical!

4 out of 5 stars Mixed Feelings.......2005-04-20

I bought this recently, and it was an object lesson in why I ought to research an item before purchasing it.

For me, it's truly a toss-up as to whether this is a recording worth purchasing. The main benefit-a far from insignificant one-is that it is a complete recording full of much more materiel than can be found on the London or Broadway cast recordings. Basically, I was far from satisfied. The liner notes are error ridden, and the casting was not as good as possible. Gary Morris struck me as too young for the part, and Gay Soper (Mme. Thenardier) has a voice akin to the sound of fingernails on a chalkboard. But, in the absence of a complete Broadway recording, this still may be the best version available to buy. Be sure, however, to supplement it with another version. (The Tenth Anniversary recording might be the best.)
Just a Little More Love
Average customer rating: 4.5 out of 5 stars
  • A Funky Dance Album To Have
  • Great French House!
  • Dance with a soul--feel the love!!!!!
  • YES!!!
  • Interesting twists on dance/electronic
 Just a Little More Love
David Guetta
Manufacturer: Astralwerks
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Dance & DJ | Styles | Music
HouseHouse | Dance & DJ | Styles | Music
GeneralGeneral | Dance Pop | Dance & DJ | Styles | Music
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ASIN: B0000UJK6K
Release Date: 2004-02-10

Tracks:

  1. Just A Little More Love (Wally Lopez Remix Edit)
  2. Love, Don't Let Me Go (Original Edit)
  3. Give Me Something (Deep In My Heart) (Vocal Edit)
  4. Can't U Feel The Change
  5. It's Allright (Preaching Paris)
  6. Sexy 17
  7. People Come People Go
  8. Just For One Day (Heroes) (Radio Edit)
  9. 133
  10. Distortion (Vocal Edit Remix)
  11. You Are The Music
  12. Lately
  13. Just A Little More Love (Elektro Edit)

Amazon.com

Featuring gospel singer Chris Willis, with hints of Ibiza house and deep soul, David Guetta's "Just A Little More Love" was a huge dance hit in 2001, and now it's the showpiece title track for the DJ's second full-length release. Love is filled with crackling, electro-tinged grooves, and uses an element of glitzy cheese to give the record a silly, anything-goes club vibe. Made for parties, Guetta's work is endlessly positive, ranging from the sublime, Stardust-like "People Come, People Go," to his riff on David Bowie's "Just For One Day (Heroes)." A collection of singles like this can sound thrown together, and you can hear when Guetta is coasting ("Give Me Something (Deep In My Heart)," for example). But these songs really are meant to be heard as part of a larger set, on wax just pulled out of a crate. Even the most inept DJ would have an easy time getting people dancing with this compilation in their arsenal, and depending on the dance floor's pulse, any one of these tracks could be the night's high point. --Matthew Cooke

Customer Reviews:

4 out of 5 stars A Funky Dance Album To Have.......2006-09-06

David Guetta is a French Dj and Remixer that's been around for quite awhile now, but this was actually his first album, released in 2004 despite countless of singles and remixes already. The music here is more commercial then actual house music though, we got soul singers Chris Willis and Barbara Tucker and the music is a mix between diffrenet genre's like House, Soul, Electro and Pop that isn't afraid of sampling old stuff, Not surprising that Mr. Guetta scored several club hits from this album. "Just A Little More Love" was a hit in 2001 and a highlight here. "Love, Don't Let Me Go" another hit single in a simular mood 'that blends soul and dance, the exellent "Give Me Something (Deep In My Heart)" that blends 70's disco with modern house. "Just For One Day (Heroes)" a ripp-off from David Bowie's classic. "Sexy 17" that infact sound like 80's Prince singing. Towards the end of the set there are several less commercial songs, house and electro instrumentals that would have suited well on a Daft Punk or Cassius album. On this american release there are several remixes, + there are 2 versions of "Just a Little More Love" instead of the song "You" that is part of the original Euro release and "Just For One Day" instead of "Atomic Food". For all dance fans, I think this is a must have. Considering that there a few really good dance albums out there and Guetta is a very talented and original dj, you must check this one out, if you liked Modjo, Cassius or even early Roger Sanchez, you'll like David Guetta too. 4/5 stars

5 out of 5 stars Great French House!.......2005-05-03

Although this CD is over 2 years old I recently bought it and I am totally loving it as it is an awesome CD. Every track one after the other is beautifully produced and laid out. There's something about French house music and electronica that I can't get enough of. From Dimitry From Paris, Daft Punk, Cassius, Bob Sinclair and a slew of others that keep producing wonderful dance music that have retro feels to them. I especially love Give Me Something (Deep In My Heart) with the great vocals of Barbara Tucker on this album as well as the title song and Just For One Day (Heroes). Anyway check out the album and go buy it.

SJ
www.bestplaylists.com

5 out of 5 stars Dance with a soul--feel the love!!!!!.......2004-12-15

This is a brilliant compilation cd, whether its meant to be heard as part of a DJ club set, or just something you pop into the player when you want to hear happy, well-done, varied, and party atmosphere House. Every song is good, and some are incredible. All I had heard before getting this disc was "Just A Little More Love" via Ministry of Sound Hot 100, and I have been really impressed with it. The beat is all cub, but the lyrics are all intelligence with heart (not about drugs or sex, the two club lyric standbys that get old *quick*).

If you have doubts, chuck them and buy it!!

5 out of 5 stars YES!!!.......2004-04-01

This album is hottttt!!
I especially love the songs with Barbara Tucker, such as "It's Alright" and "Give me Something." Hello, it's the story of my life. Give me something... or nothing at all.
Preach it!

4 out of 5 stars Interesting twists on dance/electronic.......2004-02-12

I first heard of Parisian DJ David Guetta (a fixture in Ibiza and Paris) on the "Pioneer: The Album Vol. 3" while living in Spain (Ibiza CDs are EVERYWHERE) with his fabulous single "Love Don't Let Me Go." After a long wait, "Just A Little More Love" is being released in North America---it's ABOUT TIME!!!. His album is a pleasing blend of styles and moods, all of it intensely danceable.

The main highlight for me was not only Guetta's fantastic mixing, but the soulful, searing vocals by gospel phenom Chris Willis (backing vocalist for Amy Grant ,CeCe Winans, Twilla Paris, Garth Brooks, and Dolly Parton among others) that made the album come alive. "Just A Little More Love" sounds like a throwback to the heyday of the `80s, with elements of funk and disco scattered throughout the driving beats. The album spawned a number of singles, including Ibiza megahit "Love Don't Let Me Go."

This North American release features an altered tracklist from the European debut, adding the Just For One Day (Heroes) remix from Guetta's new album F*** Me I'm Famous (named after an Ibiza tradition), cuts several others (Chris Willis' You, Atomic Food), and substitutes edits for several (Just a Little More Love Elektro edit, Distortion vocal edit, Just a Little More Love Wally Lopez remix edit). The majority of the thirteen songs are vocal-driven, with the exception of 133 and Lately, both instrumentals. Themes range from the noble: social reform (Can't U Feel The Change), self-empowerment (It's Alright), love and desire (the campy Sexy 17, People Come, People Go, Give Me Something, the riveting Love Don't Let Me Go, You Are The Music) and just plain fun (Distortion).

This North American release is much more geared for club play with the addition of Just For One Day and the edits/remixes. A danceable feast for the ears and refreshingly original. Remember to check out Guetta's new album F*** Me I'm Famous as well.

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