Highwoods String Band: Dance All Night

Highwoods String Band: Dance All Night

Highwoods String Band: Dance All Night

ASIN: B00008FPB5

Track Listings
 
1. Dance All Night
2. Goodbye Miss Liza
3. Money Musk
4. Been All Around the World
5. Carroll County Blues
6. My Dixie Darling
7. Forked Deer
8. Old Jimmy Sutton
9. Wild Bill Jones
10. Mountaineer's Lovesong
11. There's More Pretty Girls Than One
12. Tater Patch
13. Way Down the Old Plank Road

Highwoods String Band: Dance All Night,Highwoods String Band,Rounder Select,Bluegrass,Country,Folk & Traditional,Old-Timey
Instruments of the Orchestra
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Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Ovation 1
Average customer rating: Not rated
    		Ovation 1
    Lawrence Cherney , and James Campbell
    Manufacturer: Cbc
    ProductGroup: Music
    Binding: Audio CD

    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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    ASIN: B0000667RY
    Release Date: 2002-05-21
    For Book Lovers Only
    Average customer rating: Not rated
      		For Book Lovers Only

      Manufacturer: Decca
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      Binding: Audio CD

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      1. For a Day in Your Life
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      ASIN: B0000D1FI1
      Release Date: 2003-10-14

      Tracks:

      1. Vocalise, Op. 34, No. 4 - Academy of St. Martin in the Fields, Sir Neville Marriner
      2. Rrie - James Judd, Julian Lloyd Webber, Royal Philharmonic Orchestra
      3. Menuet (Water Music Suite, No. 3 in G Major) - Orpheus Chamber Orchestra
      4. Tempo Di Valse (Serenade for Strings in E Major, Op. 22) - Academy of St. Martin in the Fields, Sir Neville Marriner
      5. Humming Chorus (Madama Butterfly) - BBC Concert Orchestra, Barry Wordsworth
      6. Banks of Green Willow - Academy of St. Martin in the Fields, Sir Neville Marriner
      7. My Bonny Boy (English Folk Song Suite) - Academy of St. Martin in the Fields, Sir Neville Marriner
      8. Touch Her Soft Lips, and Part (Henry V) - Bournemouth Symphony Orchestra, Andrew Litton
      9. Lento Ma Non Troppo (Two Aquarelles) - Daniel Barenboim, English Chamber Orchestra
      10. Gaily But Not Quick (Two Aquarelles) - Daniel Barenboim, English Chamber Orchestra
      11. Corral Nocturne (Rodeo) - Antal Dorati, Minneapolis Symphony Orchestra
      12. Lullaby - Riccardo Chailly, Cleveland Orchestra
      13. Shenandoah - Mormon Tabernacle Choir, Jerold Ottley
      14. To a Wild Rose (Woodland Sketches, Op. 51) - Joseph Cooper
      15. Sarabande: For Katharine in April - Eastman Rochester Orchestra, Howard Hanson
      16. Simple Gifts (Appalachian Spring) - Los Angeles Philharmonic Orchestra, Zubin Mehta

      Tracks:

      1. Air on a G String (Orchestra Suite, No. 3 in D, BWV 1068) - Munich Bach Orchestra, Karl Richter
      2. Andantino - Arthur Grumiaux,
      3. Larghetto (Concerto in a for Oboe, BWV 1055) - Manfred Clement, Munich Bach Orchestra, Karl Richter
      4. Bourree 1&2 (Cello Suite, No. 3 in C BWV 1009) - Pepe Romero
      5. Contrapunctus, No. 9 (The Art of the Fugue, BWV 1080) - Academy of St. Martin in the Fields, Sir Neville Marriner
      6. Adagio (Oboe Concerto, No. 1 in B Flat, HWV 301) - English Chamber Orchestra, Heinz Holliger, Raymond Leppard
      7. Siciliana (Ancient Airs and Dances, Suite, No. 3) - Boston Symphony Orchestra, Seiji Ozawa
      8. Siciliano (Sonata in E Flat for Flute and Harp, BWV 1031) - Maria Graf, Nicolas Chville
      9. Larghetto, Con Sordini (Concerto, No. 6 in G ("La Cetra")) - Camerate Bern, , Heinz Holliger, Louise Pellerin
      10. Andante (Sonata A5 in B Flat, HWV 288) - English Chamber Orchestra, Heinz Holliger, Raymond Leppard, Kenneth Sillito
      11. Aquarium (The Carnival of the Animals) - Pittsburgh Symphony Orchestra
      12. Berceuse (Dolly Suite, Op. 56) - John Lenehan, Julian Lloyd Webber
      13. Arabesque, No. 1-Andante Con Moto - Maria Graf
      14. Largo (Concerto in D for 2 Violins and 2 Cellos, RV 654) - Academy of Ancient Music, Anner Bijlsma, Christopher Hogwood, Monica Huggett, Catherine Mackintosh, Anthony Pleeth
      15. Bells (William Byrd Suite) - Eastman Wind Ensemble, Frederick Fennell
      16. Chorale Prelude: "Wir Glauben All an Einen Gott", BWV 680 (Giant Fugue) - Czech Philharmonic Orchestra, Leopold Stokowski
      17. Nocturne, Op. 19, No. 4 - Semyon Bychkov, Misha Maisky, , Orchestre de Paris
      18. Adagietto-Adagio (L'Arlesienne, Suite, No. 1) - Myung-Whun Chung, Orchestre de la Bastille
      19. Larghetto (Concerto Grosso in a Minor, Op. 6, No. 4, HWV 322) - Orpheus Chamber Orchestra

      Tracks:

      1. Pavane for a Dead Princess - Steve Erquiaga
      2. Cavatina (The Deer Hunter)
      3. Bachianas Brasileiras, No. 5 - Academy of St. Martin in the Fields, Alexander Lagoya, Kenneth Sillito
      4. Sicilienne (Pell et Msande, Op. 80) - Steve Erquiaga
      5. Arioso (Cantata, BWV 156) - Steve Erquiaga
      6. Prelude (Suite, No. 4 in E Major, BWV 1006a)
      7. Largo (Guitar Concerto in D Major, RV 93) - English Chamber Orchestra, , George Malcolm
      8. After a Dream (Aprun R) (3 Songs, Op. 7) - Steve Erquiaga
      9. Courante (Cello Suite, No. 3 in C Major, BWV 1009) - Pepe Romero
      10. Romance d'Amour
      11. Caprice, Op. 1, No. 24 - Nicola Hall
      12. Concierto de Aranjuez: Allegro Con Spirito - Academy of St. Martin in the Fields, Sir Neville Marriner, JoaquRodrigo
      13. Concierto de Aranjuez: Adagio - Academy of St. Martin in the Fields, Sir Neville Marriner, JoaquRodrigo
      14. Concierto de Aranjuez: Allegro Gentile - Academy of St. Martin in the Fields, Sir Neville Marriner, JoaquRodrigo

      Tracks:

      1. Adagio for Strings, Op. 11 - Baltimore Symphony Orchestra, David Zinman
      2. Bel Di [Madame Butterfly] - BBC Concert Orchestra, Barry Wordsworth
      3. Ave Maria - Gunther Arndt, Berliner Handel-Chor, Lisa Otto, Radio Symphonie Orchestra Berlin
      4. Largo in F [Xerxes] - Edward Brewer, Orpheus Chamber Orchestra, Randy Wolfgang
      5. In Paradisum (Requiem, Op. 48) - Carlo Maria Giulini, Philharmonia Chorus and Orchestra
      6. Swan (Carnival of the Animals) - Marie Goosens, Jascha Silberstein
      7. Be Still My Soul (Based on Finlandia) - Choir of Paisley Abbey, George McPhee
      8. Vissi d'Arte [Tosca] - BBC Concert Orchestra, Barry Wordsworth
      9. Nocturne [A Midsummer Night's Dream, Op. 61] - Chicago Symphony Orchestra, James Levine
      10. Interlude (Po de l'Amour et de la Mer, Op. 19) - Charles Dutoit,
      11. Adagio (Concerto in D Minor, Op. 9, No. 2) - Maria Teresa Garatti, Heinz Holliger, I Musici
      12. Chacony in G Minor - Richard Hickox, Richard Hickox
      13. Ave Maria, D 839 - Arthur Grumiaux,
      14. Adagio in G Minor for Strings and Organ - Martin Haselbock, Karl Mger, , Stuttgart Chamber Orchestra
      Telarc Celebrating 25 Years: Classic Collect
      Average customer rating: 2 out of 5 stars
      • Disappointing presentation of great music
      		 Telarc Celebrating 25 Years: Classic Collect

      Manufacturer: Telarc
      ProductGroup: Music
      Binding: Audio CD

      Bach, P.D.Q.Bach, P.D.Q. | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
      Berlin Philharmonic OrchestraBerlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
      Cincinnati Symphony OrchestraCincinnati Symphony Orchestra | ( C ) | Featured Performers, A-Z | Classical | Styles | Music
      Cleveland OrchestraCleveland Orchestra | ( C ) | Featured Performers, A-Z | Classical | Styles | Music
      Atlanta Symphony OrchestraAtlanta Symphony Orchestra | ( A ) | Featured Performers, A-Z | Classical | Styles | Music
      London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
      National Philharmonic Orchestra LondonNational Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
      St. Louis Symphony OrchestraSt. Louis Symphony Orchestra | ( S ) | Featured Performers, A-Z | Classical | Styles | Music
      Vienna Philharmonic OrchestraVienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music
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      Star WarsStar Wars | Soundtracks | Styles | Music
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      ASIN: B00006879K
      Release Date: 2002-06-25

      Tracks:

      1. Igor Stravinsky: The Firebird Suite: Introduction and The Firebird and Her Dance
      2. Gustav Holst: First Suite in E-flat major, Op. 28, No. 1: March
      3. Peter Ilyich Tchaikovsky: 1812 Overture, Op. 49 (excerpt)
      4. Modest Moussorgsky: Pictures at an Exhibition: The Hut on Fowl's Legs and The Great Gate of Kiev
      5. Georges Bizet: Carmen Suite No. 2: Danse Boheme
      6. Camille Saint-Saens: Symphony No. 3 in C minor, Op. 78 "Organ," Mvt. 2 (excerpt)
      7. Johann Sebastian Bach: Toccata and Fugue in D minor, BWV 565 (excerpt)
      8. Ludwig van Beethoven: Piano Concerto No. 5 in E-flat major, Op. 73, Mvt. 2 (excerpt)
      9. Antonio Vivaldi: The Four Seasons: Presto from L'Estate (Summer), Op. 8, No. 2/RV 315
      10. Aaron Copland: Fanfare for the Common Man
      11. Gustav Mahler: Symphony No. 2 "Resurrection," Mvt. 5 (excerpt)
      12. Sergei Prokofiev: Romeo and Juliet: Montagues and Capulets (excerpt)
      13. Beethoven: Symphony No. 3 in E-flat major "Eroica," Mvt. 4 (excerpt)
      14. Frank Proto: Introduction
      15. Hector Berlioz: Requiem, Op. 5 (Grand Messe des Morts): Dies irae (excerpt)
      16. Wolfgang Amadeus Mozart: Eine kleine Nachtmusik, K. 525, Mvt. 1, Allegro (excerpt)
      17. Beethoven: Moonlight Sonata in C-sharp minor, Op. 27/2, Mvt. 1, Adagio sostenuto
      18. Holst: The Planets, Op. 32: Mars, the Bringer of War (excerpt)
      19. Tchaikovsky: Nutcracker: Trepak (Russian Dance)
      20. Bach: Italian Concerto, BWV 971: Presto

      Tracks:

      1. Richard Strauss: Also sprach Zarathustra, Op. 30 (excerpt)
      2. Sergei Rachmaninoff: Vespers (All-Night Vigil) - Mass for Unaccompanied Chorus: Bogoroditsye Devo, Raduisya (Rejoice, O Virgin)
      3. Richard Wagner: Das Rheingold: Ride of the Valkyries (excerpt)
      4. Giovanni Gabrieli: Canzon septimi toni No. 2
      5. Elmer Bernstein: The Magnificent Seven
      6. P.D.Q. Bach: Oedipus Tex (dramatic oratorio for soloists, chorus and orchestra), S.150. "Howdy there"
      7. Mozart: The Magic Flute: Aria No. 17: "Ach, ich Fuhl's" from Act Two
      8. George Frideric Handel: Messiah: No. 7. "And He shall purify" from Part One
      9. William S. Gilbert: The Pirates of Penzance: No. 13: Song: "I am the very model of a modern Major-General" from Act One
      10. Ottorino Respighi: Church Windows: St. Michael the Archangel
      11. Claude Debussy: La fille aux cheveux de lin
      12. Maurice Ravel: Daphnis et Chloe: Scene 3
      13. Rachmaninoff: Sonata No. 2 in B-flat minor, Op. 36 (revised 1931 edition): Mvt. 3, Allegro molto
      14. Beethoven: Quartet in A minor, Op. 132, Mvt. 5, Allegro appassionato
      15. Nicholai Rimsky-Korsakov: Scheherazade, Op. 35, Mvt. 1, The Sea and Sinbad's Ship (excerpt)
      16. Isaac Albeniz: Suite espanola, Op. 47, Asturias (excerpt)
      17. Carl Orff: Carmina Burana: In taberna quando sumus
      18. Mahler: Symphony No. 5, Mvt. 4, Adagietto: Sehr langsam (excerpt)
      19. Jean Sibelius: Symphony No. 2 in D major, Mvt. 4, Allegretto moderato (excerpt)
      20. Shaker Hymn Tune: Simple Gifts

      Customer Reviews:

      2 out of 5 stars Disappointing presentation of great music.......2002-08-04

      I recently received this as a present but I was already familiar with many of these recordings, having owned the complete versions of the works presented. Yes, these are great recordings but if you settle for this compilation you will be missing out big time on great music. I own Fennell's recording on the Holst suite--while the March from the suite is very good, you will miss out on the beautiful 'Song Without Words' and the 'Fantasia on the Dargason,' which are the seond and fourth movements of the suite, respectively. If you get the original CD from which this movement was taken you will be able to enjoy the wonderful playing of members of the Cleveland Orchsestra as they play Holst's First suite and a wonderful rendition of Handel's Fireworks Music.

      Maazel's Pictures at an Exhibition is excellnt, precise with excellent blends and fantastic orchestral playing, but you can hardly feel the power of the Great Gate of Kiev without the promenades and pictures that preceed it--you loose the whole sense of climax and fulfillment following the half hour of difficult music that preceeds the Great Gate. Beethoven's Emperor concerto is top-notch music but I think you might rather hear the second movement between the first and third movements which are full of powerful orchestral playing and keyboard virtuosity. Robert Spano's recording of Scheherazade that was released just a few months ago is brilliant. It's his first recording with the Atlanta Symphony and it's great--and you should own the complete thing which comes on a CD with the beuatiful Russian Easter Overture.

      Spend some time looking for these complete recordings and you will be rewarded. What makes the compilation even worse is that in many cases the CD does not even present a full movement but just a part of a movement.

      As I said, I own many of these individual recordings and they are all great: Telarc captures the best musicians at their best. Having two or three CDs from which these excerpts were taken is much better than owning this compilation. I highly recommend Fennell's Holst (Telarc - #80038), Maazel's Pictures (Telarc - #80042), and Spano's Scheherazade (Telarc - #80568), instead of this disc. Rachmaninoff's Second Sonata and Sibelius' Second Symphony are great but these are not my preferred recordings (find Van Cliburn's Rachmaninoff and Maazel's Sibelius), and you can do better by swapping some other performers as well.
      Music Of World From The New World
      Average customer rating: Not rated
        		Music Of World From The New World

        Manufacturer: Innov. Music Prod.
        ProductGroup: Music
        Binding: Audio CD

        BalletsBallets | Ballets & Dances | Classical | Styles | Music
        All Works by BarberAll Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by BernsteinAll Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by CoplandAll Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by SousaAll Works by Sousa | Sousa, John Philip | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
        GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
        SuitesSuites | Forms & Genres | Classical | Styles | Music
        MarchesMarches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
        GeneralGeneral | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
        Ballets & DancesBallets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
        General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
        GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
        PianoPiano | Keyboard | Instruments | Classical | Styles | Music
        ViolinViolin | Strings | Instruments | Classical | Styles | Music
        GeneralGeneral | Sacred & Religious | Classical | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        GeneralGeneral | International | Styles | Music
        GeneralGeneral | Opera & Vocal | Styles | Music
        Musical TheaterMusical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
        PsalmsPsalms | Vocal Non-Opera | Opera & Vocal | Styles | Music
        MarchesMarches | Miscellaneous | Styles | Music
        GeneralGeneral | Vocal Pop | Pop | Styles | Music
        CDs $7 - $10CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music
        All Bargain TitlesAll Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music
        CDs $7 - $10CDs $7 - $10 | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music
        All Bargain TitlesAll Bargain Titles | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music
        ASIN: B000000TFD
        Release Date: 1995-01-18
        500 Classic Masterpieces
        Average customer rating: Not rated
          		500 Classic Masterpieces

          Manufacturer: Vox (Classical)
          ProductGroup: Music
          Binding: Audio CD

          DancesDances | Ballets & Dances | Classical | Styles | Music
          MazurkasMazurkas | Ballets & Dances | Classical | Styles | Music
          PavanesPavanes | Ballets & Dances | Classical | Styles | Music
          PolkasPolkas | Ballets & Dances | Classical | Styles | Music
          PolonaisesPolonaises | Ballets & Dances | Classical | Styles | Music
          WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
          QuartetsQuartets | Chamber Music | Classical | Styles | Music
          QuintetsQuintets | Chamber Music | Classical | Styles | Music
          TriosTrios | Chamber Music | Classical | Styles | Music
          GeneralGeneral | Chamber Music | Classical | Styles | Music
          All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
          GeneralGeneral | Bartók, Béla | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by BerliozAll Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by BoccheriniAll Works by Boccherini | Boccherini, Luigi | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by BorodinAll Works by Borodin | Borodin, Alexander | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by BrahmsAll Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by BruchAll Works by Bruch | Bruch, Max | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by BrucknerAll Works by Bruckner | Bruckner, Anton | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by ChabrierAll Works by Chabrier | Chabrier, Alexis Emanuel | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
          GeneralGeneral | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by DonizettiAll Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
          GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by DebussyAll Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by ElgarAll Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
          Enescu, GeorgesEnescu, Georges | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by FallaAll Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by FlotowAll Works by Flotow | Flotow, Friedrich von | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
          Foster, StephenFoster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
          GeneralGeneral | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
          Gliere, ReinholdGliere, Reinhold | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by GlinkaAll Works by Glinka | Glinka, Mikhail | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
          Godard, BenjaminGodard, Benjamin | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by GottschalkAll Works by Gottschalk | Gottschalk, Louis Moreau | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by GounodAll Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
          Grieg, EdvardGrieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by Franz Joseph HaydnAll Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by KhachaturianAll Works by Khachaturian | Khachaturian, Aram | ( K ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by KreislerAll Works by Kreisler | Kreisler, Fritz | ( K ) | Featured Composers, A-Z | Classical | Styles | Music
          Lalo, EdouardLalo, Edouard | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
          GeneralGeneral | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by LisztAll Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by MahlerAll Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by MascagniAll Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by MassenetAll Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by MeyerbeerAll Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by MussorgskyAll Works by Mussorgsky | Mussorgsky, Modest | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by MendelssohnAll Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by OffenbachAll Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by PonchielliAll Works by Ponchielli | Ponchielli, Amilcare | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by PucciniAll Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by ProkofievAll Works by Prokofiev | Prokofiev, Sergei | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
          Ravel, MauriceRavel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by RubinsteinAll Works by Rubinstein | Rubinstein, Anton | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by RossiniAll Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by RachmaninovAll Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
          GeneralGeneral | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by SarasateAll Works by Sarasate | Sarasate, Pablo de | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by SchubertAll Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by Robert SchumannAll Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
          Scriabin, AlexanderScriabin, Alexander | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by SibeliusAll Works by Sibelius | Sibelius, Jean | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by SmetanaAll Works by Smetana | Smetana, Bedrich | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by SousaAll Works by Sousa | Sousa, John Philip | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
          Strauss Jr., JohannStrauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by Johann Strauss Sr.All Works by Johann Strauss Sr. | Strauss Sr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by StraussAll Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by StravinskyAll Works by Stravinsky | Stravinsky, Igor | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by SullivanAll Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by ShostakovichAll Works by Shostakovich | Shostakovich, Dmitri | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by VerdiAll Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by WeberAll Works by Weber | Weber, Carl Maria von | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by WeillAll Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by WieniawskiAll Works by Wieniawski | Wieniawski, Henri | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
          ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
          Concerto GrossiConcerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music
          GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
          EtudesEtudes | Forms & Genres | Classical | Styles | Music
          FantasiesFantasies | Forms & Genres | Classical | Styles | Music
          InventionsInventions | Forms & Genres | Classical | Styles | Music
          PreludesPreludes | Forms & Genres | Classical | Styles | Music
          RondosRondos | Forms & Genres | Classical | Styles | Music
          Serenades & DivertimentosSerenades & Divertimentos | Forms & Genres | Classical | Styles | Music | Divertimentos
          BagatellesBagatelles | Short Forms | Forms & Genres | Classical | Styles | Music
          Character PiecesCharacter Pieces | Short Forms | Forms & Genres | Classical | Styles | Music
          ImpromptusImpromptus | Short Forms | Forms & Genres | Classical | Styles | Music
          NocturnesNocturnes | Short Forms | Forms & Genres | Classical | Styles | Music
          GeneralGeneral | Sonatas | Forms & Genres | Classical | Styles | Music
          SonatinasSonatinas | Sonatas | Forms & Genres | Classical | Styles | Music
          SuitesSuites | Forms & Genres | Classical | Styles | Music
          ClassicalClassical | Symphonies | Forms & Genres | Classical | Styles | Music
          RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
          Incidental MusicIncidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
          MarchesMarches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
          OverturesOvertures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
          Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
          VariationsVariations | Forms & Genres | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
          GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
          Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
          GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
          Ballets & DancesBallets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
          GeneralGeneral | Scriabin, Alexander | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
          SymphoniesSymphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
          Ballets & DancesBallets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
          Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
          Theatrical, Incidental & Program MusicTheatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
          Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
          GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
          OrganOrgan | Keyboard | Instruments | Classical | Styles | Music
          PianoPiano | Keyboard | Instruments | Classical | Styles | Music
          CelloCello | Strings | Instruments | Classical | Styles | Music
          ViolinViolin | Strings | Instruments | Classical | Styles | Music
          GeneralGeneral | Symphonies | Classical | Styles | Music
          Modern & 20th CenturyModern & 20th Century | Symphonies | Classical | Styles | Music
          GeneralGeneral | Sacred & Religious | Classical | Styles | Music
          GeneralGeneral | Classical | Styles | Music
          Lullabies & BerceuseLullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music
          MagnificatsMagnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music
          MassesMasses | Vocal Non-Opera | Opera & Vocal | Styles | Music
          OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
          PassionsPassions | Vocal Non-Opera | Opera & Vocal | Styles | Music
          RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
          Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
          GeneralGeneral | Opera & Vocal | Styles | Music
          CzechCzech | Languages | Opera & Vocal | Styles | Music
          EnglishEnglish | Languages | Opera & Vocal | Styles | Music
          FrenchFrench | Languages | Opera & Vocal | Styles | Music
          GermanGerman | Languages | Opera & Vocal | Styles | Music
          ItalianItalian | Languages | Opera & Vocal | Styles | Music
          RussianRussian | Languages | Opera & Vocal | Styles | Music
          OperettasOperettas | Opera & Vocal | Styles | Music
          OratoriosOratorios | Opera & Vocal | Styles | Music
          MarchesMarches | Miscellaneous | Styles | Music
          ASIN: B00008FZWM
          Release Date: 1992-11-04

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          6. Lefty Goes to Nashville
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