Gold Watch and Chain: Their Complete Victor Recordings (1933-34)
Gold Watch and Chain: Their Complete Victor Recordings (1933-34)
ASIN: B0000002SB
Track Listings
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1. When the Roses Come Again
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2. I Loved You Better Than You Knew
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3. This Is Like Heaven to Me
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4. See That My Grave Is Kept Green
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5. Over the Garden Wall
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6. Gold Watch and Chain
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7. School House on the Hill
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8. Will My Mother Know Me There?
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9. Faded Flowers
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10. Poor Little Orphaned Boy
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11. Cowboy Jack
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12. I'll Be All Smiles Tonight
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13. Away Out on Saint Sabbath
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14. Darling Little Joe
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15. Happy or Lonesome
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16. One Little Word
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Gold Watch and Chain: Their Complete Victor Recordings (1933-34),The Carter Family,Rounder / Pgd,Appalachia,Appalachian Folk,Country,Country & Western,North America,Old-Timey,Pop,Traditional Country
Average customer rating:
- Excellent example of why the Carter Family was influential
- The Gospel of Country, Vol. 7
- The Gospel of Country, Vol. 7
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Gold Watch And Chain: Their Complete Victor Recordings - 1933-1934
The Carter Family
Manufacturer: Rounder / Umgd
ProductGroup: Music
Binding: Audio CD
General
| Country
| Styles
| Music
Old-Time Country
| Traditional Country
| Country
| Styles
| Music
General
| Traditional Country
| Country
| Styles
| Music
Traditional Folk
| Folk
| Styles
| Music
Appalachian
| North America
| International
| Styles
| Music
Rounder Records
| Specialty Stores
| Music
Similar Items:
- Longing For Old Virginia: Their Complete Victor Recordings - 1934
- Last Sessions: Their Complete Victor Recordings - 1934-1941
- Give Me The Roses While I Live: Their Complete Victor Recordings - 1932-1933
- When The Roses Bloom In Dixieland: Their Complete Victor Recordings - 1929-1930
- My Clinch Mountain Home: Their Complete Victor Recordings - 1928-1929
ASIN: B0000002SA
Release Date: 1998-02-10 |
Tracks:
- When the Roses Come Again
- I Loved This Better Than You Knew
- This is Heaven to Me
- See That My Grave is Kept Clean
- Over the Garden Wall
- Gold Watch and Chain
- School House on the Hill
- Will My Mother Know Me There?
- Faded Flowers
- Poor Little Orphaned Boy
- Cowboy Jack
- I'll Be All Smiles Tonight
- Away Out on the Saint Sabbath
- Darling Little Joe
- Happy On Lonesome
- One Little Word
Customer Reviews:
Excellent example of why the Carter Family was influential.......2001-07-15
This collection caught my attention for "I'll Be All Smiles Tonight", a piece that I know from the Cox Family rendition. The two renditions have little in common; together they show the ability of a good song to adjust to the musical tastes of the performers while remaining true to the original conception.
The notes for this collection are fascinating - giving the date of composition and the composer/lyricist for these "folk songs". It is also interesting to know that some tracks were previously unreleased and that the sales fell "through the floor" - an indication that they were under-appreciated at the time of recording.
Several of the cuts showcase Sara at her best - When the Roses Come Again and Away Out on Saint Sabbath being two examples. The Tin Pan Alley piece "One Little Word" is excellent piece with which I was unfamiliar. Darling Little Joe showcases music by A.P. with Sara singing the lead. Throughout the album the musicianship associated with the Carter family is consistently present.
Relax and enjoy ...
The Gospel of Country, Vol. 7.......2000-03-06
So let me see if I understand this correctly-today's groups like the Beastie Boys, who whine and use their harmonies and instruments with all the dexterity of kids banging on pots and pans, are the darlins' of fawning critics; but wonderful melodies like "I Loved You Better Than You Knew", "I'll Be All Smiles Tonight" or "Will My Mother Know Me There?" (with A.P.'s shakey bass-baritone providing irresistable counterpoint to Sara's clear-eyed vocal) or even the silly "Over The Garden Wall" are forgotten or laughed at. There's something wrong here somewhere. The one consolation a modern-day devotee has is the foreknowledge or hunch that fifty years down the line this music and belief-a "Storms Are Over The Ocean" or "On The Sea Of Galilee"- will still be valid and "Fight For Your Right To Party" increasingly ignored.
The Gospel of Country, Vol. 7.......2000-03-06
So let me see if I understand this correctly-today's groups like the Beastie Boys, who whine and use their harmonies and instruments with all the dexterity of kids banging on pots and pans, are the darlins' of fawning critics; but wonderful melodies like "I Loved You Better Than You Knew", "I'll Be All Smiles Tonight" or "Will My Mother Know Me There?" (with A.P.'s shakey bass-baritone providing irresistable counterpoint to Sara's clear-eyed vocal) or even the silly "Over The Garden Wall" are forgotten or laughed at. There's something wrong here somewhere. The one consolation a modern-day devotee has is the foreknowledge or hunch that fifty years down the line this music and belief-a "Storms Are Over The Ocean" or "On The Sea Of Galilee"- will still be valid and "Fight For Your Right To Party" increasingly ignored.
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