Don't, Pt. 2 [CD-single]

Don't, Pt. 2 [CD-single]

ASIN: B0007OASHO

Track Listings

1. Don't - Shania Twain

2. Party for Two [Kenny Hayes Mix] - Mark McGrath, Shania Twain

Editorial Reviews
Product Description
Two track version featues, 'Don't!' (Greatest HIts Version) and 'Party For Two' (Kenny Hayes Mix). Mercury. 2005.

Tracks:

Una Voce Poco Fa - Sherrill Milnes
Dunque Io Son - Sherrill Milnes
Contro Un Cor - Sherrill Milnes
Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
Via, Caro Sposino - Ambrosian Opera Chorus
Tornami A Dir Che M'ami - Ambrosian Opera Chorus
La Morale In Tutto Questo - Ambrosian Opera Chorus

Tracks:

Vilia - Beverly Sills
Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
Libiamo Ne' Lieti Calici - John Alldis Choir
Un Di Felice, Eterea - John Alldis Choir
E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
Che Fai? - John Alldis Choir
Addio Del Passato - John Alldis Choir
Parigi, O Cara - John Alldis Choir

Amazon.com

Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith Eisler

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

Beverly Sills - The Best.......2007-04-01

What a voice. No coloratura can compare, and she makes it seem so easy.

Beverly Sills' highs are breathtaking!.......2006-09-18

Adio del Passato is incredible! Beverly's high, floating coloratura is no less than ethereal which takes you to another world. Her voice has given me so much joy that it is hard to say one recording is better than another because I love her Mozart album equally with her Bellini/Donizetti. It is so wonderful to have these recordings captured on CD! Enjoy!

THE 2005 OPERA CD OF THE YEAR.......2006-08-19

THIS CD WAS THE BEST OPERA CD ISSUED LAST YEAR, AND HAS CAUGHT THE WORLD'S EAR IN NO TIME. I WAS BUSY WRITING IN SÃO PAULO, BRAZIL, WHILE THE STATEOWNED FM RADIOSTATION, DEDICATED TO CULTURE, WAS SOFTLY PLAYING OPERA ARIAS IN THE BACKGROUND. SUDDENLY I HEARD THE MOST FANTASTIC RENDERING OF "SEMPRE LIBERA" FROM "LA TRAVIATA". I GOT UP, SAT BY THE RADIO AND WAITED TO KNOW WHO WAS SINGING... THEN GOT BACK TO THE COMPUTER TO ORDER THIS CD FROM AMAZON! INCREDIBLE: ONLY 17 BUCKS FOR THIS, WHILE QUITE A BIT OF TRASH IS SOLD FOR 30.40 AND MORE...
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!

EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22

EMI's "Very Best Of" series are perfect introductions to operatic singers of the 20th century. Once you hear these artist tribute albums (much like The Singers series) you will get hooked on the singer and seek out their full-length studio recordings. Beverly Sills was the first truly famous American opera star. One may argue that she was not, that she was merely a continued tradition of American divas such as Mary Garden and Lily Pons and which still continues today with Renee Fleming, Elizabeth Futral and Susan Graham. Beverly was raised in New York City, which is still her home, and which is the home of the New York City Opera and the Met, opera houses which rocketed her to fame. Her first success (not featured in this recording...UH WHY ?) was Cleopatra of Handel's Julius Caesar, a performance she sang opposite the illustrious baritone Norman Treigle. Those performances were legendary because coincidentally at the same time the Met was opening its new theatre and season with what became a disastrous Samuel Barber's Antony and Cleopatra starring Leontyne Price in an overblown, big-budget, epic fiasco. The great roles that followed the 1965 Cleopatra were Manon, Queen Elizabeth I in Roberto Deveraux, Maria Stuarda and Anna Bolena in the Donizetti Tudor Queen operas, Pamira in The Siege of Corinth (which were Sill's La Scala and belated Met debut. None of the Queens are featured in this recording, though its supposedly the Very Best Of. An aria from Rossini's Siege of Corinth is featured here however. What we are treated to however are fine lyric roles- Beverly Sills shone brightly and acted convincingly as Gilda in Rigoletto (the final scene is featured here) as Violetta in La Traviata, Thais, The Merry Widow (the beautiful Vilja is featured here)and the ingenue role of Norina in Don Pasquale is also showcased here. To each of these roles, Beverly Sills delivered an authenticity and dramatic interpretation, not ot mention beautiful, sweet tone. I love her pianissimos, her high notes, her chest register. It was the voice of Beverly Sills who first hooked me into opera. For a recording that should showcase her best work, Manon is not featured nor any of her prized French heroines- Marie in The Daughter of the Regiment and the heroines in Tales of Hoffman. Also not in here is the role that was her first success- the Broadway opera Ballad of Baby Doe. Even as such, the arias here are gorgeous. The Barber of Seville is in here and as Rosina she is playful and charming. Sills was a modern singer, with a voice that was beautiful but willing to sacrifice beauty for the sake of dramatic content. When Sills was once asked what she thought of the supposed rivalry with Joan Sutherland (which was never real and only gossip from partisan fans) Beverly said something to this effect -Joan and I are apples and oranges in our take on opera, we are Picasso and Monet. She would do anything for the effect of beauty and tone, I'd sacrifice beauty for the sake of dramatic text. Even as such, I see no ugliness to any of the roles here. All of them are beautiful to hear, full of rich floating celestial tones. It would have been nice to hear the roles that did call for Sills to step up the tense drama - Norma, will her recording ever be reissued by EMI ? Also, few people know that Beverly Sills sung role most would consider dangerous for her voice (though she sang them long before her career even took off)- Aida and Carmen!!

Glad To Be The First Review- Beverly Sills Treasury Of Arias.......2005-04-29

At last EMI's "The Very Best Of" series has issued some of the finer recorded documented arias of the incomparable soprano Beverly Sills. Fans of this down-to-earth, warm patron of music and the most unique lyric-coloratura-dramatic soprano, will be in Heaven. Sure, this is only some of the arias in only a small number of the many operas Sills performed. To be truthful, this is not what I'd personally regard as the best of Beverly Sills. Other albums of hers do use greater vocal masterpieces she sang- the best being "The Singers" Series, and another EMI edition called The Art of Beverly Sills Volume 2 and then there's the rare and brilliant "Sillsiana". Nevertheless, this album has its charm and appeal. Beverly Sills sings arias from Rossini's Barber of Seville, Verdi's Rigoletto and Traviata. This recording seems to highlight mostly her mastership of the bel canto repertoire and Verdi. Gilda and Violetta were roles she sang with supreme dramatic integrity and sweetness and purity of vocal line. Yet, it is hardly "the best of". Where are scenes from the masterful interpretations of Donizetti, truly Sills strongest suit- Lucia Di Lammermoor, Anna Bolena, Maria Stuarda and Roberto Devereaux, where is Sills' Manon, which even she hails as her best ? And when will her recorded Norma ever see the light of day ? Sills also excelled in the French repertoire- Faust, Thais, La Fille Du Regiment, The Tales of Hoffman and she was an incredible Queen Shemakha in Korsakov's Coq D'Or. True, Sills had a light, girlish, delicate voice, bright and small, but this worked in her favor in tragic roles. Dramatically, she could get into character as passionately and convincingly as Maria Callas. When she could darken her voice and use her chest voice for dramatic effect it was often thrilling. This is the latest recording in a number of recordings that are coming out, further promoting a great singer of the past. Beverly Sills. She was the working man's soprano. She worked hard to get to the top. She was the reigning singer of the NYC Opera where she starred in such great operas as Handel's Giulio Ceare Sills as Cleopatra (also not on this recording) and Tales of Hoffman singing opposite the great but underrated bass Norman Treigle. Sills is a wonderful human being and she has a beautiful voice that I cannot get out of my mind. She will always be the greatest to me. She got me hooked into opera.

Average customer rating:

5-Starry Starry CD
A most intelligent song- writer and beautiful singer
Legendary Songs of Don McLean
The Best Compilation Currently Available
don mclean is a great artist ,buy this !!

Legendary Songs of Don McLean
Don McLean
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Similar Items:

American Pie
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Classic Hits

ASIN: B00008NG8W
Release Date: 2003-03-25

Tracks:

Words And Music
American Pie
Since I Don't Have You
Maybe Baby
Crying
Castles In The Air
If I Only Had A Match
Your Cheatin' Heart
And I Love You So
Vincent
Winterwood
If We Try
Everyday
Wonderful Baby
Crossroads
Jerusalem
Dreidel
Headroom
Have You Seen Me
Just To Hold My Hand
Empty Chairs

Customer Reviews:

5-Starry Starry CD.......2007-07-04

This CD will forever be one of the favorites in my whole collection! Partly because it has so dang many truly great songs, but also because each song is so dang well re-mastered! I have a high end music system that can deliver most of the beautiful harmonic nuances that you'd hear if you sat inside the artist's studio during the recording. That only happens IF those nuances are recorded onto the CD, and such is the case with Legendary Songs of Don McLean.

This CD is a fabulous showcase of multi-faceted talent. In the first place, Don McLean must be considered one of the era's most eloquent songwriters. His lyrics are great poems by themselves...intelligent and very elegant expressions of the romanticism of the story he's telling. Secondly, his melodies are perfect complements to the words. "Vincent", (Starry Starry Night, to some) is a superb, classic example of what I'm saying here. Spectacular! It brought tears to my eyes. I'm a former boxer, Harley rider, and three-time-wounded combat infantryman...so tears don't come easy for me.

And then there's McLean's voice quality. Incredible smoothness, pitch, range, and appropriate emotion for each song! To me, his voice mimics a fine cello or clarinet in the hands of a master. Roy Orbison is known as "The Voice" -very well deserved- but McLean's version of Orbison's "Crying" certainly is on a perfect par...no easy feat! "Since I Don't Have You" is another song that exemplifies Don McLean's amazing (Legendary) voice quality. It's so beautiful that you can't help but sing along...but try to hit all of the high notes and you'll end up needing to call the doctor to repair your vocal chords.

Legendary Songs of Don McLean is one of the best collections of melodies you can buy, but you'll also get some great rhythm/rock songs like "Dreidel" and "Headroom", and even some smokey jazz in "If I Only Had a Match". And there's some bop and doo-wop too! Hear this CD and feel like you've strolled through the 40's, 50's, 60's...right up to the present decade...and McLean is somehow able to stitch those styles and eras seamlessly!

Finally, let me say that one of my very penny-pinching friends heard this CD when I got it, and he left with an insatiable itch to buy his own copy...Scrooge McDuck sprinting away to the store! This CD really is a Must Have!

A most intelligent song- writer and beautiful singer .......2007-06-13

Don MacLean is one of the most intelligent of all singer- song- writers. One of his greatest hits, 'Vincent' shows real understanding of the work and person of Van Gogh. Two of his other songs 'And I Love you so' and 'American Pie' have also I believe entered the category of 'classics'.
This is popular music at its best.

Legendary Songs of Don McLean.......2007-05-12

I wasn't sure what I would be getting for the price (extremely reasonable!!) but I was very pleased with the CD when it arrived. It's a wonderful mix of his classics and some new songs that reflect Mr. McLean's poetic talent. I highly recommend this CD to Don McLean fans.

The Best Compilation Currently Available.......2006-07-12

Contains 21 original hit recordings nicely remastered. One note: the song Castles In The Air was a hit twice, the original 1970 recording from his first album was a hit in 1972 as the b-side of Vincent; and a different re-recorded version was a hit in 1981. The version included here is the re-make from 1981.

don mclean is a great artist ,buy this !!.......2005-02-25

don,one of the best singer and composer,his songs are fantastic
"american pie","vincent","since i dont have you" but there are a lot of songs,buy this cd and you will not regret and come on
every single song of the cd, will make you feel the feeling
of the clasics songs

Average customer rating:

Flat-Out Unique
No, I'm not a kid.
Red Jumpsuit Apparatus you rock!!
**sigh**
Blehhk.

Don't You Fake It
The Red Jumpsuit Apparatus
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Emo | Hardcore & Punk | Alternative Rock | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music
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A Beautiful Lie
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ASIN: B000G0MI86
Release Date: 2006-07-18

Tracks:

In Fates Hands
Waiting
False Pretense
Face Down
Misery Loves Its Company
Cat and Mouse
Damn Regret
Atrophy
Seventeen Aint So Sweet
Justify
Your Guardian Angel

Customer Reviews:

Flat-Out Unique.......2007-06-21

This is one solid band. Although I enjoyed the demo of "Face Down" (recorded in 2005 or 2006, I believe) more than the re-recorded version on this CD, it gives you some thing a little twisted. And I don't mean that in a horrific or bad way.

It's nearly impossible to fit this band under a genre other than Alternative. Believe me, it is. This band has so many different sounds of music, varying from pop-punk to metal to screamo to post-hardcore, it gives you some thing not very many artists aim for, these days. It's a good change for those looking for some thing new.

"In Fate's Hands" is an energetic start to a great album, as the position of the first track. "...Who finally understand, what it takes to make this dream come true..." It gives you the message that they really write themselves, and really give a crud about their music, and not their image, unlike many mainstream bands. Hell, just look at the band's name.

They have some meaningful lyrics, to say the least. They have a good beat. They have a freaking awesome vocalist (or in this case, vocalists, because since I last checked, they all sing). They have a unique sound. They'll make you go crazy.

Pick this up if you have the money and the chance. You won't be disappointed, let me tell ya.

No, I'm not a kid........2007-06-13

First of all, I'm over 13. I just just afraid to say my mom's credit card number and real name and everything in the registration.This is a GREAT album. It's not a rip off emo band like a couple people who only gave this album 1 star said.This CD has great songs on it that people can relate to."Seventeen Ain't So Sweet" is probably one of the better songs on this album.

Red Jumpsuit Apparatus you rock!!.......2007-05-30

OMG!!! i love u guys! i listend to your song face down first and fell in love with it... u guys have helped me.. through alot of problems.. your music is so inspiring.. i love it so much i would rate it 5/5 all the way... love u guys so much <3 <3

**sigh**.......2007-05-19

this is a rip-off band. it takes all band's work and changes the guitar and lyrics. im sick of emo bands just coming out and all they do is complain, scream about slitting their wrist, and saying how horrible life is. i even saw the music video for Face Down and they have their hair completly in their eyes pertending they are all that. i agree with whoever wrote "This is a Boy-Band that screams"

Blehhk........2007-05-18

Okay, so, this CD was on my listen to list for maybe a couple months but I just never got around to it. Then earlier today, I was disappointed. Possibly the only good songs on this CD are Face Down, and Your Gaurdian Angel. That's all I'm gonna say. So yeah. If you like this kind of "Ooh, look at me, I'm trying to be so hardcore" stuff. Then this CD's for you. If you don't, then don't even bother. All i have to say is...Blehhk.

Average customer rating:

A Masterpiece of Spirituality in Rhythm and Verse
Bring back the memories
Great Classic Rock
One of the BEST OF THE BEST-LaLaLaLa LOVE IT!
Empty Chairs

American Pie
Don McLean
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Legendary Songs of Don McLean
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ASIN: B00009P1MP
Release Date: 2003-06-24

Tracks:

American Pie
Till Tomorrow
Vincent
Crossroads
Winterwood
Empty Chairs
Everybody Loves Me, Baby
Sister Fatima
The Grave
Babylon
Mother Nature
Aftermath

Amazon.com

There's an old quote of St. Theresa's that goes something like, "More tears are shed over answered prayers than those that remain unanswered." In other words, be careful what you wish for--you just might get it. Don McLean, like any other singer-songwriter, no doubt wanted a hit, or some degree of success. "American Pie" gave him that and more. McLean's ode to Buddy Holly began with a folky intro that sounded like a protest song. Almost nine minutes later the song finally ends. Sure the song's poetic, sure it's a touching tribute, and sure, it's undeniably a classic. But it also became the bane of McLean's existence for many years as it was the only one of his songs that people wanted to hear. American Pie the album sold well on the strength of the title track, and even propelled the comparatively weak "Vincent" into the Top 20. A fine release rooted in folk, American Pie is a classic, whether anyone actually pays attention to the other songs or not. The 2003 reissue includes two bonus tracks—"Mother Nature" and "Aftermath." --Steve Gdula

Customer Reviews:

A Masterpiece of Spirituality in Rhythm and Verse.......2007-05-24

Don McLean's great use of rhythm and verse make this album a true treasure.

His songs remain unforgettable. His style completely distinct and seperated from his contemporaries.

Lastly, the emotion, his own emotions are captured so precisely and sweetly poetic.

It would be a shame if today's youth were not exposed to this collection of his songs.

Bring back the memories.......2007-05-12

I still have the original LP!!! I love listening to McLean's on a clear sounding CD... What I like the most is that my teenager boys sing along to American Pie.

Great Classic Rock.......2007-05-07

I'm glad someone thought to release this album on cd since my turntable broke a long time ago!

One of the BEST OF THE BEST-LaLaLaLa LOVE IT!.......2007-03-29

This album is totally underrated and to some, forgotten. It is not only a classic for the gifted Don McLean; it is a heartfelt piece of poetry that you will listen to over and over again. I find some nuance, some depth of understanding and musical beauty each time I listen.
Songs like EMPTY CHAIRS, VINCENT, and even SISTER FATIMA are poetry set to music, and life experiences that most of us can identify with.
BRAVO, DON McLEAN - You still rock after more than 30 years!

Empty Chairs.......2007-03-12

I was so strongly in agreement with an earlier review of The Don McLean "American Pie" Album which I have loved for almost as many years as its initial release. The song "Empty Chairs is a forever favorite and also brings a tear as often as I allow myself to experience the strong emotion of its heartfelt performance. I missed the cover by Garth Brooks and I'm very sure it must have been first rate.

Average customer rating:

Pretty darn good
The Opera #1 Opera Album
Excellent assortment
Great Selections
Terrific !

The #1 Opera Album
Giacomo Puccini , Giuseppe Verdi , Léo Delibes , Georges Bizet , Umberto Giordano , Wolfgang Amadeus Mozart , Richard Wagner , Gioachino Rossini , Alfredo Catalani , Jacques Offenbach , Ruggiero Leoncavallo , Charles Gounod , Gaetano Donizetti , Pietro Mascagni , Antonin Dvorak , Richard Bonynge , Herbert von Karajan , Alberto Erede , Lamberto Gardelli , Giuseppe Patane , John Mauceri , Zubin Mehta , Charles Dutoit , Gyorgy Fischer , Riccardo Chailly , Istvan Kertesz , Leone Magiera , Evelino Pido , Gianandrea Gavazzeni , Renée Fleming , Cecilia Bartoli , Luciano Pavarotti , Jussi Bjorling , and Renata Tebaldi
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000059RXO
Release Date: 2001-02-27

Tracks:

Carmen: Act 1: Prld - LPO/Sir Georg Solti
La Traviata: Brindisi: Libiamo, Ne'lieti Calici - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
La Boheme: Che Gelida Manina - Luciano Pavarotti
Lakme: Flower Duet: Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
Fedora: Amor Ti Vieta - Jussi Bjorling
Carmen: Habanera: L'amour Est Un Oiseau Rebelle - Tatiana Troyanos/John Alldis Chor/John Alldis
Nabucco: Chor Of The Hebrew Slaves: Va Pensiero - Chicago Sym Chor/Margaret Hills
Le Nozze Di Figaro: Dove Sono - Kiri Te Kanawa
Rigoletto: La Donna E Mobile - Luciano Pavarotti
Lohengrin: Bridal Chor: Treulich Gefuhrt Ziehet Dahin - Konzertvereinigung Wiener Staatsopernchor/Walter Hagen-Groll
Gianni Schicchi: O Mio Babbino Caro - Renata Tebaldi
Il Barbiere Di Siviglia: Largo Al Factotum - Leo Nucci
La Wally: Ebben?... Ne Andro Lontana - Angela Gheorghiu
Madama Butterfly: Humming Chor - Wiener Staatsopernchor/Norbert Balatsch
Carmen: Flower Song: La Fleur Que Tu M'avais Jetee - Placido Domingo
Les Contes D'Hoffmann: Barcarolle: Belle Nuit, O Nuit D'Amour - Joan Sutherland/Huguette Tourangeau/Chor De La Radio Suisse Romande, Pro Arte De Lausanne Et Du...
Tosca: E Lucevan Le Stelle - Placido Domingo
Madama Butterfly: Un Bel Di - Mirella Freni
Les Pecheurs De Perles: C'est Toi... Au Fond Du Temple Saint - Gregory Cross/Gino Quilico

Tracks:

Die Walkure: The Ride Of The Valkyries - Wiener Phil/Solti
Le Nozze Di Figaro: Voi Che Sapete - Cecilia Bartoli
Pagliacci: Recitar!... Vesti La Giubba - Luciano Pavarotti
La Boheme: O Soave Fanciulla - Mirella Freni/Luciano Pavarotti/Roland Panerai
Il Trovatore: Anvil Chor: Vedi! Le Fosche - Chicago Sym Chor/Margaret Hillis
Manon Lescaut: Donna Non Vidi Mai - Jose Carreras
Don Giovanni: La Ci Darem La Mano - Lucia Popp/Tom Krause
Mattinata - Andrea Bocelli
Faust: Soldiers' Chor - Ambrosian Opr Chor/John McCarthy
L'elisir D'amore: Una Furtiva Lagrima - Roberto Alagna
Turandot: Signore, Ascolta! - Montserrat Caballe
Don Giovanni: Champagne Aria: Finch'han Dal Vino - Bryn Terfel
Cosi Fan Tutte: Trio: Soave Sia Il Vento - Renee Fleming/Anne Sofie Von Otter/Michele Pertusi
Il Trovatore: Di Quella Pira - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
Tosca: Vissi D'arte - Kiri Te Kanawa
Carmen: Toreador Song - Jose Van Dam/Tatiana Troyanos/Norma Burrowes/Jane Berbie/Thomas Allen/Pierre Thau/John Alldis...
Madama Butterfly: Love Duet: Vogliatemi Bene - Mirella Freni/Luciano Pavarotti
Cavalleria Rusticana: Intermezzo - Nat PO/Gianandrea Gavazzeni
Rusalka: O Silver Moon - Renee Fleming
La Boheme: Si. Mi Chiamano Mimi - Angela Gheorghiu
Turandot: Nessun Dorma - Luciano Pavarotti/John Alldis Chor/John Alldis

Amazon.com

The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other key to a successful compilation is canny anthologizing, and here again, you have a nice selection to give you a smattering of opera's heavyweights from the Italian, German, and French repertory (there's even a step outside the standard framework with an aria from Dvorák's lovely Rusalka). Ranging from 1959 to 1997, the choices from back catalogue will doubtless be the entry ticket for many into this grandest of the arts. --Sarah Chin

Customer Reviews:

Pretty darn good.......2007-07-04

This CD set has a lot of familiar music on it, so if you're a newbie, you might want to try starting with this. There are some great pieces on the first CD. I usually don't even make it to the second.

The Opera #1 Opera Album.......2007-06-07

The music is wonderful. The production is terrible!! The sound fades in and out and is very scratchy in some places.

Excellent assortment.......2007-05-12

I'm not a big opera fan but I wanted to expose an assorted selection for my kids. This was perfect since it included several recognizable selections.

Great Selections.......2007-03-31

This Cd, has the very best of Opera
covering mainly from the classcal
to the to the romantic periods, a most
memorable selection here is Leo Nucci
in a lagendary performance of Rossini's
"Largo al Factotum" from "Il Barbiere di Seviglia"
also Andrea Bocelli in his performance of Leoncavallo's
memorable "Matinatta" here in an orchestrated version.
Indeed some of opera's most loved arias are in this recording
various conductors, orchestras, and soloists. All in their
very best. Indeed a five-star recording...

Terrific !.......2007-01-10

A diverse album to give you a sprinkle of the various types of 'opera'. Every note is pure and lovely, I listen to it all the time ! Highly recommended for anyone just getting into opera. :}

The Paul Simon Collection: On My Way, Don't Know Where I'm Goin'

Average customer rating:

Awesome
Worthy Purchase
Enjoyable
Excellent collection marred only by some missing tracks still a great single disc collection of Simon's best
Yet Another Paul Simon Anthology

The Paul Simon Collection: On My Way, Don't Know Where I'm Goin'
Paul Simon
Manufacturer: Warner Brothers
ProductGroup: Music
Binding: Audio CD

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Similar Items:

The Best of Simon & Garfunkel
Surprise
Graceland
The Essential Simon & Garfunkel
The Rhythm of the Saints

ASIN: B00006LI2R
Release Date: 2002-11-05

Tracks:

Mother And Child Reunion
Me And Julio Down By The Schoolyard
Kodachrome
Something So Right
Loves Me Like A Rock
50 Ways To Leave Your Lover
Still Crazy After All These Years
Late In The Evening
Slip Slidin' Away
Hearts And Bones
Diamonds On The Soles Of Her Shoes (Single Version)
The Boy In The Bubble (Single Version)
Graceland
You Can Call Me Al
Spirit Voices
The Cool, Cool, River
Adios Hermanos
Love
Hurricane Eye

Customer Reviews:

Awesome.......2007-01-09

If you are a Paul Simon fan this is the collection to have!! It has all of the great hits. I am very happy with this purchase. My husband & I trade it back & forth. Everytime I look for it it is in his car CD player. I highly recommend it.

Worthy Purchase.......2006-11-25

I think Paul Simon is an underrated artist. This ensemble is reflective of his ability to create music of different flavors such as Reggae ("Mother and Child Reunion" that could easily be a Bob Marley song) and A capella ("Adios Hermanos").

I got this CD because of "You can call me Al", heard the other tracks and was blown away. Notable tracks include "Mother And Child Reunion", "Adios Hermanos" - (that is based on the true story of the Capeman Murders. For more on the Capeman Murders, google "Salvador Agron"), "Spirit Voices" and "Late in the Evening".

Worthy purchase

Enjoyable.......2006-08-22

Paul Simon has a great range of styles. Sure he is labeled folk music but in his many travels he has picked up different styles of music and infused them with his own style and you get a taste of this in the CD "The Paul Simon Collection: On My Way, Don't Know Where I'm Goin.'"

Excellent collection marred only by some missing tracks still a great single disc collection of Simon's best.......2006-08-15

There's no way a "Best of" can be perfect. Fans are always going to disagree about what's missing or what great song didn't make the album. Overall this collection gets it right more often than wrong unlike the two previous "Best of" collections that Simon has put together.

We get two of the strongest tracks from Simon's first album and they were singles as well. "Mother and Child Reunion" and "Me and Julio Down by the Schoolyard" both demonstrate that Simon was making World Music long before the term was created. "Kodachrome" and "Loves Me Like a Rock" were strong singles from Simon's second album and they are aided by a wistful ballad "Something So Right" covered by Annie Lennox which is probably why it was included. "50 Ways To Leave Your Lover" and "Still Crazy After All These Years" were highlights from Simon's third solo album. Missing in action is "My Little Town" a Simon & Garfunkel "reunion" single that both men put on their respective albums. It still should be here as it's a great song.

Although "One Trick Pony" isn't Simon's best album is one or two omissions ("How the Heart Approaches What It Yearns", "Oh Marion") that should have been included from that album besides the brilliant "Late in the Evening". "Slip Slidin' Away" is from Simon's first collection "Greatest Hits, Etc". What's missing here is the brilliant "Stranded in a Limousine" (which incidently DOES show up as a bonus track on "One Trick Pony"). All definitely deserve to be here. Really this should have been a full two disc set with the live tracks thrown on to the second CD with these other tracks.

We get the powerful "Hearts and Bones" the title track from Simon's fourth solo album (fifth if you count the Paul Simon Songbook a collection of S&G songs he recorded before the duo broke through)but I miss "Allergies" which, from what I recall, was a single. The brilliant "Graceland" is well represented with "Diamonds on the Soles of Her Shoes", "The Boy in the Bubble", "Graceland" and "You Can Call Me Al" all strong songs that got considerable airplay. The selections from "Rhythm of the Saints" is perfect except for the single "The Obvious Child" which seemed like an obvious inclusion on this set.

We close out the album with "Adios Hermanos" from "Songs from the Caveman" and two tunes from Simon's "The One". Both are solid selections overall. Early editions of this terrific album come with a second disc with live tracks featuring "American Tune", "Duncan","The Coast", "Mrs. Robinson" and "Bridge Over Troubled Water" live.

"Shining Like a National Guitar" features "The Obvious Child" if you want that track as well as "Bernadette", "Take Me To the Madrdi Gras", "Trailways Bus", "Rene and Georgette Magritte with Their God After the War" all of which aren't collected here. That album is missing some great material that's included here so, again, between those tracks the ones I mentioned and the live tracks we could have had a perfect "Best of". There is also a two disc "Best of" available as an important which I'd recommend. It digs into the Simon & Garfunkel catalog as well making it, aside from the boxed set, the single set with the most depth (although it lacks anything from Simon's last two albums).

Despite these minor flaws this is probably the best single collection of Simon's best songs available and very generous at that. Definitely worth picking up particularly if you want an album that has the bulk of his best album tracks and single all together in one spot.

Yet Another Paul Simon Anthology.......2006-07-15

Since I already own the (overpriced but good) Paul Simon CD box set--and most of his solo recordings prior to Graceland, in their recently reissued form--I'm not sure if there's any point in getting this.

I wonder, though, about that five-track bonus disc. Is the live version of "American Tune" the same one which appeared on a briefly-available "best of" collection from Simon called "Greatest Hits etc.", which was primarily noteworthy for its inclusion of the track (not available elsewhere, so far as I know) "Stranded In a Limousine"? I always liked that version of "American Tune" better than either the studio version, or the live version from "Live Rhymin'".

But the (even more briefly-available) CD of "Greatest Hits etc." sounds terrible--as do most CDs from the early digital era. (Nothing especially bad about this release in particular: producers, engineers and presssing plants just didn't know how to make good CDs yet.)

If it IS that version, in a better-mastered form: that alone would likely be reason enough for me to buy yet another Simon collection. In the meantime, I'm more likely to spend my money on something new like Surprise.

Five stars because any collection of Paul Simon songs is bound to be good, even though I personally might not need it.

Average customer rating:

This is more mainstream than earlier Ozo
Actually, 4.5 stars!
Fantastic, Ecclectic Mix
Expanding their musical scope.
Slouching toward pop - disappointing

Don't Mess With The Dragon
Ozomatli
Manufacturer: Concord Records
ProductGroup: Music
Binding: Audio CD

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Street Signs
Ozomatli
Live at the Fillmore
Embrace the Chaos
Coming Up

ASIN: B000M06STA
Release Date: 2007-04-03

Tracks:

Can't Stop
City Of Angels
After Party
Don't Mess With The Dragon
La Gallina
Magnolia Soul
Here We Go
La Temperatura
Violeta
Creo
When I Close My Eyes
La Segunda Mano

Amazon.com

On their fourth full-length studio release, Ozomatli serve up a rhythmically seething musical mélange that serves as virtual mirror to the dizzying cultural contradictions at the heart of their Los Angeles hometown, wrapping it in a studio-polished veneer (largely courtesy of Santana/Ricky Martin producer KC Porter) that only underscores their intriguing reflections. They wear their civic pride as badge of honor on the gritty "City of Angels," a hip-hop-funk-fusion anthem that courses straight from the street to the stars. The joyous "La Temperatura," a tribute to the city's pro-immigrant marches of '06, picks up the local thread and weaves it into the band's longstanding social conscience, one they focus on Washington's inept response to Hurricane Katrina via the savory, N'Awlinz-meets-Norwalk swagger of "Magnolia Soul." The title track hints at a few conquered personal demons, while the sultry, Los Lobos-esque Spanish ballad "Violeta," the infectious 80s-ska-funk-meets-00s-punk-pop of "When I Close My Eyes," and the hip-hop-jarocho stew "La Segundo Mano" (featuring Queztal's Martha Gonzales on vocals) stand as vibrantly disparate testaments to the band's true range of pan-cultural musical fervor and accomplishments. --Jerry McCulley

Customer Reviews:

This is more mainstream than earlier Ozo.......2007-07-01

Which may be why some listeners object. "Dragon's" good and it may be their entree into more acknowledgement. "Street Signs" is probably my favorite of their CDs and more indicative of their work, but this is still a great melange of a lot of different styles and worth the investment.

Actually, 4.5 stars!.......2007-06-19

Truth is, I barely liked this disk after the first listen. I thought the guys had "sold out" and made a disk that was too pop-ish, slick and lightweight. But then I played it a few more times and, DAMN, these songs are stuck firmly in my head. I still think Street Signs had three songs better than everything on this disk, but overall I have come to thoroughly enjoy Dragon for what it is... different, fun and very energetic. Ozo is one of the coolest bands around and if this disk draws in some new fans to mix with us old ones (I discovered them in 2005), then I'm OK with the "selling out".

NOTE: If you want to buy their very best, get Ozo's Live at the Filmore set!!!! That one earns 5.5 stars.

Fantastic, Ecclectic Mix.......2007-06-12

Compared to the rest of the music Ozo has put out this is probably their most solid integration of various types of music. With a lot more Asian influence on this album I think they hit the nail on the head. Most of the songs get your foot tapping and the lyrics in English are quite profound. Highly recommended! It has been in my CD player since I bought it last month!

Expanding their musical scope........2007-06-10

Their usual high energy with another "take" on the avenue of employing rap technique that helps someone who is 60 (which I am) appreciate one style of rap as a valid form of musical expression.

Slouching toward pop - disappointing.......2007-06-06

I have been a big fan of Ozomatli since their first CD. I rave about them to all who will listen as most people who love this band do. This CD is indeed the turning point toward pop for this band. There are shades of the old band in some of the songs like La Gallina, or Violeta but most of the stuff is empty. It is like a band trying to cover Ozomatli songs. I am sure that most fans will give this a try in spite of the negative reviews, but for our sake guys don't do this again.

Average customer rating:

Don Henley - Decent Career Overview With Two Great New Songs
Best of Don Henley
We've been up and down this highway...
Great collection :-D
Mellow classic rock!!!

Actual Miles: Henley's Greatest Hits
Don Henley
Manufacturer: Geffen Records
ProductGroup: Music
Binding: Audio CD

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Joe Walsh - The Definitive
Solo Collection
20th Century Masters - The Millennium Collection: The Best of Glenn Frey
The End of the Innocence
Eagles : The Very Best of

ASIN: B000000OUU
Release Date: 1995-11-20

Tracks:

Dirty Laundry
The Boys Of Summer
All She Wants To Do Is Dance
Not Enough Love In The World
Sunset Grill
The End Of The Innocence
The Last Worthless Evening
New York Minute
I Will Not Go Quietly
The Heart Of The Matter
The Garden Of Allah
You Don't Know Me At All
Everybody Knows

Amazon.com

Just as Don Henley's work with the Eagles in the 1970s chronicled a culture that was rapidly spinning out of control, his '80s output cataloged and criticized a decade of greed, cruelty, and prurient interest in the misfortune of others. But this is music, not journalism, and despite the overt seriousness of such songs as "Dirty Laundry," "All She Wants to Do Is Dance," "The Boys of Summer," and especially the somber, elegiac "The End of the Innocence," Henley's field reports were tuneful in the extreme. The two new tracks on Actual Miles--"The Garden of Allah" and "You Don't Know Me at All"--didn't quite click, but otherwise this greatest-hits package couldn't be more solid. --Daniel Durchholz

Customer Reviews:

Don Henley - Decent Career Overview With Two Great New Songs.......2007-05-09

I'm not really sure why I picked this up. I already have 9 of the 12 songs on the original studio albums. Only the big hit "Dirty Laundry" and the two new tracks "The Garden Of Allah" and "You Don't Know Me At All" are tracks I did not already own. The two new tracks are both very good, with "The Garden Of Allah" particularly a standout track. Henley plays the devil in modern day Los Angeles. This is great stuff and an example of Henley at his best. "You Don't Know Me At All" is another solid tune. There is also a cover of "Everybody Knows" thrown on to the end of the album, although it does not appear on the back cover. I don't know if this is worth buying for the new songs alone if you already have Henley's 3 studio discs up to this point in his career, but this is a nice compilation if you are just looking for an overview.

Best of Don Henley.......2007-05-07

If you love the Eagles, this is a collection of sounds that remind you why you love them. I have all the Eagles vinyl but transferring to digital is a pain. So I am buying CDs to transfer to multiple digital players so I don't have to fight the damn DRM codings that make life such a pain when you download.

This CD is a great collection of Don Henley's best and reminds us why I love the Eagles sound. Great rock anthems like "All she wants to do is dance" to my personal favorite "Sunset Grill". Also like to listen to "Dirty Laundry" which is even MORE accurate in today's 24/7 news cycle where Anna Nicole Smith is equal news to IRAQ.

Buy and Enjoy!

We've been up and down this highway..........2007-05-05

After the Eagles' first break-up, Don Henley and Glen Frey went right into solo-ville, and it was apparent who the Lennon and McCartney personalities in the band were. Frey exited straight to sappy love songs and high-energy/low-calorie rock, while Henley's first singles were the socially targeted "Johnny Can't Read" and "Dirty Laundry." While Frey had the first hits, it is Henley's solo albums that have stood the test of time.

When his second solo album, "Building the Perfect Beast," was issued, there was an instant classic with "The Boys Of Summer." Written about those for whom life in the fast lane had become a driveway full of SUV's, it contained a bitter melancholy and the striking lyric "I saw a deadhead sticker on a Cadillac." This was the kind of thoughtful rock that The Eagles occasionally slipped onto their albums, but in a more wizened and weathered point of view. "All She Wants to Do Is Dance" continued that social malaise, but the self-depreciating "Not Enough Love In The World" backtracked when it came to relationships.

"I'm not easy to live with,
I know that it's true.
You're no picnic either, baby.
That's one of the things
I love about you."

Axl Rose, who was at his GnR finest even snarled along on "I Will Not Go Quietly." No saccharine here, folks. The followup album, "The End of the Innocence" is a masterpiece and much darker than "Beast." "New York Minute" follows urban violence while "Sunset Grill" chronicles urban decay from the first person. But the kicker was the title song, with the stately Bruce Hornsby piano line supporting a grown man's look back with longing. Not the usual longing, because the collapse comes from such issues as the lawyers who "dwell on small details since Daddy had to fly." It paints one of the most succinct picture of The Reagan Years in a small cluster of artists who tried. (Another favorite of that period, David + David's "Boomtown.") "Innocence" was such an amazing album that Henley took almost 15 years before he issued "Inside Job."

The new songs are OK, no big deal really. There are a few MIA tracks, like "Johnny Can't Read" and Henley's version of "Sit Down You're Rocking The Boat." But that is a small complaint. With music as uniformly good as that on "Actual Miles," this is one late model CD that you will be fine with on your road trips.

Great collection :-D.......2007-04-15

I always liked the Eagles, but I love Don Henley. He has the smoothest of voices and his songs are fantastic. This cd comprises some great hits that we all know and love. The one song I'd like to see here (which obviously couldn't be on it because it was written and released after this was made) is Taking You Home. That's one of the most beautiful songs I've ever heard. Other than that, there is Dirty Laundry, End Of The Innocence and New York Minute for us to enjoy. I love this cd and I love Don Henly. This is a must for any fan of his.

Mellow classic rock!!!.......2007-03-13

A unique and distinctive voice that carries over from the Eagles style we love.

Thoroughly Modern Millie (2002 Original Broadway Cast)

Average customer rating:

A must to add to your collection
Delightful
YOU WILL LOVE IT
Stellar cast in a first rate musical
Thoroughly Modern Millie

Thoroughly Modern Millie (2002 Original Broadway Cast)
Jeanine Tesori , Dick Scanlan , and Sutton Foster
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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Thoroughly Modern Millie
Thoroughly Modern Millie: Vocal Selections
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Hairspray (2002 Original Broadway Cast)
The Drowsy Chaperone (2006 Original Broadway Cast)

ASIN: B000066B4Y
Release Date: 2002-06-11

Tracks:

Overture (Orchestra)
Not for the Life of Me (Sutton Foster)
Thoroughly Modern Millie (Sutton Foster and Ensemble)
Not for the Life of Me (Sutton Foster, JoAnn M. Hunter, Alisa Klein, Jessica Grove, Megan Sikora, Catherine Brunell and Kate Baldwin)
How the Other Half Lives (Angela Christian and Sutton Foster)
Not for the Life of Me (reprise) (Ken Leung and Francis Jue)
The Speed Test (Marc Kudisch, Sutton Foster, Anne L. Nathan and Ensemble)
They Don't Know (Harriet Harris)
The Nuttycracker Suite (Orchestra)
What Do I Need with Love? (Gavin Creel)
Only in New York (Sheryl Lee Ralph)
Jimmy (Sutton Foster)
Back at Work (Orchestra with Sutton Foster, Anne L. Nathan and Ensemble)
Forget About the Boy (Sutton Foster, Anne L. Nathan and Ensemble)
Ah! Sweet Mystery of Life/I'm Falling in Love with Someone (Marc Kudisch and Angela Christian)
I Turned the Corner/I'm Falling in Love with Someone (quartet/reprise) (Gavin Creel and Sutton Foster, Marc Kudisch and Angela Christian)
Muqin (Harriet Harris, Francis Jue and Ken Leung)
Long as I'm Here with You (Sheryl Lee Ralph and Male Ensemble)
Gimme Gimme (Sutton Foster)
Finale (Thoroughly Modern Millie) (Gavin Creel, Angela Christian and Ensemble with Sheryl Lee Ralph and Sutton Foster)
Final Bows (Entire Company)

Amazon.com

Although it's based on the 1967 movie of the same name, Thoroughly Modern Millie is almost thoroughly new. Composer Jeanine Tesori (Violet) and lyricist Dick Scanlan wrote a whole batch of songs, while retaining a couple from the movie--including the Jimmy van Heusen-Sammy Cahn title tune--and recycling even older material (look for Victor Herbert's "I'm Falling in Love with Someone" and the inventively arranged "Nuttycracker Suite"). Miraculously, the show, set during the jazz age, doesn't feel stitched together, and Tesori does a great job cranking out swinging melodies. Sutton Foster is appropriately brassy as Millie, but she can also tone it down, as in the beginning of "Gimme Gimme" (of course, she then proceeds to project up to the last rafters as the song builds to its climax). Harriet Harris, as nasty Mrs. Meers, steals the show with "They Don't Know." Close your eyes, listen to her, and you'll be back in Broadway's golden age. --Elisabeth Vincentelli

Customer Reviews:

A must to add to your collection.......2007-05-18

I was very fortunate enough to see this on Broadway. It was one of the best shows I've ever seen! The music has just enough jazz and contemporary vive that any musical lover would enjoy! It's also got tapping in it! Sutton is simply awesome in this role and all of the cast can really belt out their songs. Harriet Harris is phenominal in her role as Mrs. Meers. I highly recommend this to all broadway lovers! It's one to add to your collection!

Delightful.......2006-06-12

The music takes a little bit to grow on you, but boy, does it! It's wonderful, charming, romantic, funny--just like the play itself. I loved almost every song and I was really impressed with "Long As I'm Here With You"-- I thought it was an old song written back in the twenties, because it so sounded like one. The cast is absolutely energetic and endearing, and Sutton Foster just *rocks*. Definitely worth the money.