Revisited

Revisited

ASIN: B00000JYQK

Track Listings

1. Late Night Grande Hotel [Original Mix]

2. St. Teresa [Original Mix]

3. Gulf Coast Highway [Original Mix]

4. Late Night Grande Hotel [Gomi's Radio Mix]

5. Roy Rede's [Piano and Bassoon Mix]

6. St. Teresa [Cyphonox Mix]

7. Gulf Coast Highway [Baroque String Mix]

8. Boy Wunder's [Extended Mix]

9. St. Teresa [Extended Mix]

10. Boy Wunder's [Radio Edit]

11. Boy Wunder's [Twilo Dub Mix]

12. Late Night Grande Hotel [Gomi's Extended Arena Mix]

Tracks:

Like A Rolling Stone
Tombstone Blues
It Takes A Lot To Laugh, It Takes A Train To Cry
From A Buick 6
Ballad Of A Thin Man
Queen Jane Approximately
Highway 61 Revisited
Just Like Tom Thumb's Blues
Desolation Row

Amazon.com

Dylan was virtually gushing great songs when this masterpiece arrived in the summer of 1965. From the epochal opening of "Like a Rolling Stone" through the absurdly apocalyptic closer, "Desolation Row," his command of surrealistic language was daring and amazing. As a vocalist, he was rewriting the rules of the game. Jimi Hendrix made note of Mr. Z's technically suspect pitch and decided that he too was a singer. And the backing, though ragged, is precisely right. Is this the essential Dylan album? It's certainly one of them. --Steven Stolder

Customer Reviews:

there is bob dylan and then there is everybody else.......2007-06-26

this is the absolute TRUTH on REALITY. bob dylan mixes up surrealism, symbolism (from rimbaud)and good old fashioned rock 'n roll to make on of the seminal albums of the lifetime of rock 'n roll. he mixes up a tremendous lyrical beat, wild frenzy and articulated truth in his lyrics to make a classic that will stand the test of time for as long as time goes on. along with blonde on blonde, and bringing it all back home, he reached the absolute pinnacle of describing real reality in poetical terms. in all his later albums, he would never attain this wild greatness again.

As Great as Everybody Says it is. .......2007-06-19

I giggled a little bit when I saw that the 5 star to 4 star ratio for this record was 29 to 1 with no negative ratings whatsoever. Well, there's a very good reason for this imbalance; the perceptions of my fellow critics are totally correct. Yes, Highway 61 revisited is every bit as wonderful as everyone says it is. I'm not sure if I'm qualified to speak about it though as I've only listened to it 123,343 times over a two decade period. I do agree though that in life one quickly discovers that many things are overrated--but not this CD. It is unknown how one could improve on it very much. There's not much better out there unless it's Blonde on Blonde and even then it's close. The tracks here are absolutely seamless and the lyrical brilliance (at the time) was without precedent. If we rate songs on a scale from 1 to 100 I'd have to say that not one of these tunes would merit anything below a 90. Had Dylan only released this CD he would still have been remembered as a genius. The making of Highway was something unknown to me until I saw Martin Scorsese's No Direction Home in which Al Kooper tells the story of the recording sessions, and the interview with him became one of my favorite parts of the documentary. I won't spoil it for you but, for the Dylan fan, you must at least rent it. Hearing about the way Kooper stumbled into immortality is worth five bucks or more. Well, I'll stop raving now but these tracks are Olympian in their proportion.

the proof....even Dylan can't escape the evidence (but oh, how he tries...lol).......2007-03-26

The best and most important Rock and Roll album ever? Yeah, definitely. Blonde on Blonde may have come after, but for me this album was always a distillation of Blonde on Blonde...other people see that album as filling out the ideas on Highway 61, but to me it's just the opposite. I've owned one LP, 2 cassettes and am now on my second CD of this album. (no I'm not an old hippie...born in '64, thank you). Buy it, steal it,...but definitely get it.

A Stunning Masterpiece.......2007-03-17

If there's ever been a better album made in the rock era, I have not heard it. It opens with the landmark "Like a Rolling Stone" and sustains that high level all the way through. Combines various genres of music: rock, folk, blues, Tex Mex, country and the effect is mesmerizing. It's nice to hear Dylan when he could actually carry a tune, and his rich, raspy voice serves the material well. The musicianship is first rate. Especially noteworthy is the blend of organ, guitar and harmonica on several songs. Dylan kept raising the bar with his albums and it never rose higher than w/ this incredible album. Check it out.

incredible.......2007-03-11

this is probably my all time favorite album. its right up there with sgt pepper. the way it is with most dylan cds is i will like half the songs and the other half is just okay...highway 61 revisited...every song is just the best. when i first heard "it takes a lot to laugh, it takes a train to cry" i put my ipod on loop and just listened to that song over and over.

Average customer rating:

a dylan primer for beginners
absolute greatness
A Benchmark in Music History - RS 500 #4
AWWWWWW YEAH!!!!!
Dylan Exposes Society

Highway 61 Revisited
Bob Dylan
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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The Freewheelin' Bob Dylan
Blood on the Tracks
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The Times They Are A-Changin'

ASIN: B0000C8AVR
Release Date: 2003-09-16

Tracks:

Like A Rolling Stone
Tombstone Blues
It Takes A Lot To Laugh, It Takes A Train To Cry
From A Buick 6
Ballad Of A Thin Man
Queen Jane Approximately
Highway 61 Revisited
Just Like Tom Thumb's Blues
Desolation Row

Amazon.com essential recording

Customer Reviews:

a dylan primer for beginners.......2007-06-27

Just in case someone reading this is new to Dylan, I thought I'd offer some pretty conventional but hopefully useful advice. Start out with the three Dylan albums listed below, all readily and inexpensively available. If these get you hooked, start exploring the others. If not, might I suggest the collections Elvis #1 or the Beatles #1. If none of those do it for you, try Mozart. If Wolfgang leaves you cold too, may God help you.

Anyway, here are those three Dylan albums:
Blood on the Tracks
Blonde on Blonde
Highway 61 Revisited.

Have fun.

absolute greatness.......2007-04-05

I always felt the best way to listen to this album was driving around with the windows down and BLASTING this sucker. Yes, even Desolation Row. Blonde on Blonde was also genius, but this one had such unbridled energy and freedom just pouring out of it, Dylan just sounds so loose and wild with his words whereas Blonde (and the albums after it) seemed more mannered and deliberately "poetic." This one is definitely a "deserted island" one for me---it would be in my top 10 albums to have with me if I was ever lost at sea. Long live Bob!

A Benchmark in Music History - RS 500 #4.......2007-03-03

This is a truly defining moment in the history of popular music. Until this album, there was a gigantic stone wall that divided rock and roll from folk. Rock had invaded many other genres, such as bluegrass, the blues, reggae and even swing. But folk had remained the private domain of coffee houses and protest singers in the vein of Woody Guthrie. The thing is, rock and roll had precious little to say, miring itself in songs about light topics like teenage rebellion, puppy love and the romance of fast cars or surfboards. Dylan by this time had emerged as the elite among folk singers, with songs like "Blowin' In The Wind", "The Times They Are A-Changin'" and "Masters Of War" on his resume. To say the risk to go electric would be large supremely understates the fact. But Dylan decided that this was the moment for his big step, and he did so with a bang. "Like A Rolling Stone" is regarded as one of the greatest songs of all time in any genre; it's a cultural landmark, and it successfully bridged the gap between rock and folk by pushing folk music to a new generation. But most important of all, rock was now free to speak about topics that it previously couldn't touch, and the artistic freedom would trickle down through artist like the Beatles, the Rolling Stones, Led Zeppelin, U2, R.E.M. and Nirvana, just to name a few. There are perhaps a dozen critical junctures in the growth of music in the twentieth century - and this was surely one of them.

AWWWWWW YEAH!!!!!.......2007-02-02

LIKE A ROLLING STONE and doggone TOMBSTONE BLUES, MAN!!!! worth getting...........uncompromising songs..................a vibe of freedom...........goes against the grain...........love albums like this............period!!!!! his voice is just one of those things!!!!! hell, it's dylan!!!!!

Dylan Exposes Society.......2006-11-10

It seemed as if even when Dylan went to the bathroom people would listen for sounds and try to find meaning in them. He kept repeating that his words meant nothing but nobody would accept that answer, everything has to have meaning. But, sometimes a cigar is just a cigar (Somebody else said that). The true phenomenon is that Dylan had the power to make us believe there was more. He exposed the plastic society that he lives in by just being himself. With this album he lit a fire under the folk music stage and gave lots of people some hot feet. He is the ultimate rebel without a cause. The opening lyrics to Highway 61 are classic mental slapstick.

Average customer rating:

Never goes back on the rack
An exciting and creative album of hard rock
Simply The Best
Too 1970's...
Wishbone's BEST

Argus (Remastered & Revisited)
Wishbone Ash
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Wishbone Ash
Pilgrimage
Live Dates
Sufficiently Breathless
Cactology: The Cactus Collection

ASIN: B000062X90
Release Date: 2002-03-05

Tracks:

Time Was
Sometime World
Blowin' Free
The King Will Come
Leaf & Stream
Warrior
Throw Down The Sword
Jail Bait (Bonus Track-Live From Memphis EP)
The Pilgrim (Bonus Track-Live From Memphis EP)
Phoenix (Bonus Track-Live From Memphis EP)

Customer Reviews:

Never goes back on the rack.......2007-07-04

We all have those cd's that sit forever next to the player and never make it back onto the rack. Ever since I discovered Argus it has taken on a prominent place in that frequently played pile. My discovery of this album while browsing Amazon was quite by accident and up until that moment I had never even heard of the band. But after reading the reviews I decided to give it a shot. What I found was an early 1970' gem that's equal parts bluesy and progressive with great vocal harmonies and a guitar duo that should be ranked amoung the best that rock has ever seen. It can be held up as a perfect example of "the album". Not just a collection of songs, but one of those rare moments in history when everything clicks, the material, the performence, the recording, the packaging, everything sits tightly and flawlessly together. The three live bonus tracks are a little more raw than the studio material, but when compared to other live recordings of the day, they bear witness to the fact that Wishbone Ash was just as capable on stage as in the studio. It's certainly the place to start if you're at all interested in this band, the only downside being that their other albums-as great as many of them are-all have to live up to this recording.

An exciting and creative album of hard rock .......2007-04-15

Interestingly enough, my first exposure to this great album was through the Supernatural Fairytales progressive rock box set put out by Rhino. The track presented on the box set was Warrior, an imaginative bit of hard rock that sounded "proggy enough" that my curiosity was piqued and I picked this album up. All in all, Argus (1972) is an excellent concept album of hard rock that features some great playing and features creative arrangements.

The lineup on the album included Steve Upton (drums and percussion); Martin Turner (Gibson Thunderbird bass guitar); Andy Powell (electric and acoustic guitars); and Ted Turner (electric and acoustic guitars). Much to my surprise (and delight) John Tout of English progressive rock group Renaissance played a very "churchy" sounding Hammond organ on Throw down the Sword (although I swear that I heard a tiny bit of mellotron buried in there somewhere as well). The guys are all great musicians and are capable of jamming pretty intensely. I especially like the aggressive and trebly sound that Martin gets out of his Gibson - in fact it reminds me a great deal of the sound John Entwistle would get. As a side note, Wishbone Ash had supported The Who on a few occasions, and their influence is felt on a few tracks (particularly Time Was, which would not have been out of place on Who's Next (1971)). The twin lead guitar work is also great and a pleasant change of pace for me - as a progger I am used to hearing leads played on synthesizers or just a single lead guitar (two guitarists were highly unusual for most prog bands).

The music on Argus is a great blend of hard rock jamming, nice acoustic passages, and thoughtful arrangements. Dynamics are used pretty effectively and the quieter pieces balance the heavier tracks nicely. The vocal melodies are also excellent and really contribute a great deal to the album, which seems to be arranged in a song-cycle suite of sorts.

This remastered album features great sound quality and loads of liner notes. The bonus tracks are all excellent although my favorite is 10'10" proggy workout entitled The Pilgrim - this is a fantastic track that features some intricate ensemble work and great playing by the entire band. Another fun track is the high energy jam on the 17'05" Phoenix. Apparently, the three bonus tracks were taken from an August 21, 1972 concert in Memphis, Tennessee, USA and were released as a limited edition promotional album.

All in all, a great album of hard rock by this English band that is creative enough that it makes for a very enjoyable listening experience.

Simply The Best.......2007-03-13

Argus is Wishbone Ashes masterpiece. They never bettered it. The best example I know of for crystal clear twin-lead (Gibson ans Fender) guitars-way ahead of it's time. Their vocals also never sounded better. One of life's mysteries is why The Ash never continued in this direction? They followed up with 'Wishbone Four', which is great, but pales next to this gem. Every home should have a copy. Over the years I have had 3 LPs, 2 tapes, 2 eight-track tapes (wore them all out. I had the older master of the cd, now I have this remixed cd and it is absolutely stunnig in clarity----Bravo! Buy it, you need it--pioneering English rock from the early seventies.

Too 1970's..........2006-12-06

I was tipped off to Wishbone Ash from an article I read about Steve Harris (Iron Maiden) who credited this band as being one of his earliest and biggest influences.

I bought their self titled debut album and this one from Amazon based on that article and also because both of these albums were well received by reviewers.

Maybe I read too much into the article or perhaps this was just another spur of the moment purchase, but I think these albums would better suit 1970's rock fans per se i.e. a fan of the period than those who prefer the harder style of rock that would emerge from the mid to late 1970's.

The album does have its moments, and there are some really nice melodies and some nice guitar/bass work, but it too often drifts into that very early "happy happy" 1970's sound that marked the transition from the 1960s to the 1970's.

I guess that should be expected, since this album was released only two years into the turbulent new decade at the close of the flower power hippie period.

The use of the twin guitars a noteworthy feature, since this band is also credited as an early pioneer of this style of rock. The bass is unusually active for this period and doesn't just settle for simple changes, which would make sense, since they did influence Steve Harris after all.

I prefer this album to their debut, but it does make me think of an English version of the Eagles if there ever was such a thing. Not that that is a bad thing.

I am a fan of 1970's rock and I think this decade produced some fantastic guitar/bass rock, but this is just a little too 70's for my tastes.

If you are new to Wishbone Ash as I am, but are basically a hard rock/metal fan at heart, try looking for MP3 versions on the web and just test drive one or two songs before you decide on buying a complete album.

Wishbone's BEST.......2006-11-10

The album "Argus" by Wishbone Ash is by far their best studio album they ever produced. Every song, except maybe "Leaf and Stream" is a beautifully crafted 'artsy" rock style. Somewhat similar to Pink Floyd or Steely Dan, only with much more guitars. With the addition of their awesome song "Phoenix" added to this remastered & revisited cd, this is defintily a WishBone Ash essential cd. Favorite picks are "Sometimes World" and "Blowing Free". Can't go wrong with this CD

Average customer rating:

Television Meets Psych Rock Meets Spaghetti Western
Making The World Safe For Guitars
Great 80's psychedelic

Hollywood Holiday Revisited
True West
Manufacturer: Atavistic Records
ProductGroup: Music
Binding: Audio CD

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Easy Tiger
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Gene Clark with the Gosdin Brothers
Dynamico

ASIN: B000PHX7M6
Release Date: 2007-06-05

Tracks:

Steps To the Door
I'm Not Here
And Then the Rain
Hollywood Holiday
Lucifer Sam
It's About Time
Throw Away the Key
You
Look Around
At Night They Speak
Speak Easy
Shot You Down
What About You
Hold On
And Then the Rain
Backroad Bridge Song (What Could I Say)
Ain't No Hangman
Morning Light
Burn the Roses
Look Around
Throw Away the Key

Customer Reviews:

Television Meets Psych Rock Meets Spaghetti Western.......2007-06-19

Each of the Paisley Underground bands seemed to have their own little slant on the sounds of the movement, which was about bringing guitar-driven, psychedelic music back to the fore in the synth-heavy 80s. True West's bent was a little hard to figure. There were the duelling guitar wizards, Tolman and McGrath, who sounded more like Verlaine and Lloyd than any 1960s guitarists. There was the feeling of the old West, not just in the band's name but in their sound and feel - something that put you in mind of tan chinos, shoe boots with spurs, shots of rye at the local saloon, and lots of dirt. Then there was the psychedelic thing - the cover of Pink Floyd's "Lucifer Sam," the sometimes trippy lyrics, the spiralling guitar lines . . . In the liner notes to this compilation of True West's best material, it is suggested that they hit their peak on the full-length album, Drifters. But that album, despite its excellent opening track, "Look Around," pales in comparison to the EP, Hollywood Holiday. The eight songs on the EP represented all of the best elements of True West - the songs seem fresh, they keep you guessing what might come next, each one has its own little angle on the whole picture the band was presenting then. The album, meanwhile, gets tired after the third or fourth track, and feels like a labor from there. And the three tracks produced by Tom Verlaine thrown on at the end are notweworthy for historical reference, but otherwise pretty unremarkable. If you were into the Paisley Underground thing when it was happening, or if you just like guitar-heavy psychedelic rock, you will absolutely want to pick up this CD. Just be prepared to hear a combination of inspired gems and sludge.

Making The World Safe For Guitars.......2007-06-15

Back in the early-mid '80s, there was talk that the electric guitar was going to go the way of the dinosaur and the dodo bird to replaced by keyboards, computers and things. Bands like True West took a stand and helped save the six-string from the onslaught of the MIDI monster. The dueling guitar duo of Richard McGrath and Russ Tolman was on par with Television's Verlaine and Lloyd, in fact Tom Verlaine was so impressed with True West that he produced three tracks, which are luckily included as bonus tracks on this two-for reissue of the band's first two albums: Hollywood Holiday and Drifters. Drawing inspiration from Syd Barrett era Floyd, 40s film noir, the Beck and Page era Yardbirds, late night 80s cable TV, the San Francisco Sound, and the Mercury space program, True West created a couple classic albums that sound fresh and vital today.

Great 80's psychedelic.......2007-06-11

I own both the original EP and LP on vinyl, the EP is more feedback laden, the LP was, I don't know, more laid back, but w/good dual guitar songs. Both EP and LP appear to be on this CD, so enjoy!

Average customer rating:

Live
Klaus Schulze
Manufacturer: Revisited Records
ProductGroup: Music
Binding: Audio CD

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Ballett 3

ASIN: B000QCQG0A
Release Date: 2007-06-26

Tracks:

Bellistique 21:24
Sense 51:01

Tracks:

Heart 30:50
Dymagic 29:31
Le Mans Au Premier (bonus track) 17:57

Album Description

Klaus Schulze's twelfth solo album was originally released in 1980 and received brilliant reviews such as the following "There is almost no-one who can hold a candle to him as a live musician performing on the synthesizer."

The ever creative Klaus Schulze produced this remarkable live album consisting of 4 extended compositions recorded in Amsterdam 1979, Berlin 1976 and Paris 1979. At the time he declared that it would be his last live recording and the appearance of Crazy Arthur Brown on Dymagic was the highlight of the four command performances presented here. Sense is literally pulsating and captivating which includes very sharp and precise percussion work - the whole album is simply electronic music at its finest. The bonus track Le Mans Au Premier is taken from a concert at the Abbey L'Epeau near Le Mans in France on November 10, 1979.

Klaus Schulze first attracted attention as a member of the German progressive rock band, Tangerine Dream. Following the release of their debut LP, Electronic Meditation, he departed for a solo career. Klaus' recorded work typically features extended pieces sometimes filling an entire album built around computer-generated synthesizers and other specially programmed electronic effects. Klaus Schulze remains a cult figure in the United States, where the bulk of his prolific output has until now been available only through the import bins. He is widely considered an avant-garde mainstay as well as a founding father of both the new-age space music and electronica genres.

The $9.98 CD: Garage Days Re-Revisited
Average customer rating:

The $5.98 EP

short and sweet- lars review

Awesome! Add this to your record collection!

Good Old Days, Gone but not Forgotten

Metallica: The $5.98 EP-Garage Days Revisited (1987)

The $9.98 CD: Garage Days Re-Revisited
Metallica
Manufacturer: Elektra/Asylum Records
ProductGroup: Music
Binding: Audio CD

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Garage, Inc.

...And Justice For All

Master of Puppets

ASIN: B00000DTIO
Release Date: 1990-06-11

Tracks:

Helpless
Small Hours
Wait
Crash Course in Brain Surgery
Last Caress/Green Hell

Customer Reviews:

The $5.98 EP.......2007-03-12

This is a great collection of cover tunes from the cover Kings. Metallica has a knack for picking just the right songs to cover and doing them well. This was released between the death of Cliff Burton and the recording of ...And Justice For All. I have Jason Newstead's autograph on the original cassette cover. They called it "The $5.98 EP", so stores couldn't hike the price up on the consumer. I would like to say, "Get this cd!!", but the fact is, you would be better off buying "Garage Inc.", which includes all these tracks and about 20 more on a 2 cd set.

short and sweet- lars review.......2006-06-02

I bought this album in 86? I was around ten years old. This album was my first introduction to Metallica. As soon as "Helpless" kicks in- with lars' aggressive tom tom fills- i was hooked! and that's only 8 bars! Incidentially, it is because of listening to THIS album that I started to play the drums. I would like to add that Lars drumming here is probably his finest compared to the other metallica albums that came after- with the exception of "and justice for all.." so if u wanna rock with intensity! tuck your earpieces in your ear holes and crank it Up!

Awesome! Add this to your record collection!.......2005-11-21

I got this on record a few years ago before this came out on the Garage Inc CD with all the B Sides. Nonetheless, I love this album, the album cover -- they all look really happy and on the back you see the picture negatives of them in and out of truck with Lars's father. Hearing these songs alone is a treat on record... You really feel the energy and the good vibes the band members had back then.

All the way through, it it classic Metallica doing some great covers, which you can totally understand the similarities of the songs they copy and how they were influenced.

Often when bands take it easy, do covers and fool around it can sound better! Last Caress (Originally by Danig) is better than the one on here, but this is all done just for kicks.

Oddly enough, it's one of my favorite "albums," and too add, I think it's better than the original Garage Days, because It has more songs. I think the songs chosen here are phenomenal and show a remarkable recovery since Cliff died the year before in a bus accident in Sweden. I

There's even a "nutty bow" to Iron Maiden's "Run to the Hills" on here as well. It is as if Iron Maiden, returned the greeting by putting on their "Be Quick or be Dead" single "...Metallica in the rear view mirror" in the song they covered "Space Station No. 5."

If you like collecting records, this is the one to have! Metallica, the raw Metallica!

PS: I am pleased to learn that you can records of Amazon too -- Sweet! They should make it more well-known!

Good Old Days, Gone but not Forgotten.......2005-09-26

I didn't even know of this CD until i started looking around Amazon.com. A must have for any seious Metallica collector. Sounds like early Metallica. (which we all adore).Buy it and you will not be disapointed.

Metallica: The $5.98 EP-Garage Days Revisited (1987).......2005-07-05

Shortly after Cliff had died, Metallica held auditions for a new bass player. This entered JASON NEWSTED. Jason became the band's new bass player. The new and improved Metallica lineup now featured:

JAMES HETFIELD (Lead Vocals & Rhythm Guitars)
KIRK HAMMETT (Lead Guitars)
JASON NEWSTED (Bass Guitars)
LARS ULRICH (Drums)

In 1987, Metallica released their fourth album entitled, THE $5.98 EP-GARAGE DAYS REVISITED. This album is a five-track EP featuring cover songs that were originally recorded by bands that were popular back in the 70s & 80s. This EP is not bad. I would have given it four stars, but I gave it three since it was cover songs.

HELPLESS
Not bad.

THE SMALL HOURS
I never heard the original, but they do this song great.

THE WAIT
Incredible.

CRASH COURSE IN BRAIN SURGERY
Not bad.

MEDLEY: LAST CARESS/GREEN HELL
Not bad.

I do not have this album, since nobody seems to have it in stock. I'm trying to see if I can buy a used copy from Amazon.com. I did hear this album before, since my older brother had a copy of this album on cassette when it first came out. I'll only be buying it just to get all of Metallica's albums. I already have most of their albums and I'm only missing this one and SOME KIND OF MONSTER. So, if you would like to buy all of Metallica's albums, then buy this one to help complete your Metallica catalog.

Average customer rating:

Elgin Ave. Breakdown
I've Got Rabies From the Dogs of Love for This Album!
I can't believe I found this
Bloody brilliant!
Joe Strummer was cool.

Elgin Avenue Breakdown Revisited
The 101'ers
Manufacturer: Astralwerks
ProductGroup: Music
Binding: Audio CD

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Walker
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ASIN: B0009IW8DU
Release Date: 2005-06-14

Tracks:

Letsagetabitarockin
Silent Telephone
Keys To Your Heart (version 1)
Rabies (From The Dogs Of Love)
Sweet Revenge
Motor Boys Motor
Steamgauge '99*
5 Star R'n'R
Surf City
Keys To Your Heart (version 2)
Sweety Of The St Moritz
Hideaway (previously unreleased)
Shake Your Hips (Live)(previously unreleased)
Lonely Mother's Son (Live)(previously unreleased)
Hideaway (Live)
Don't Let It Go (Live)
Keep Taking The Tablets.(Live)(previously unreleased)
Junco Partner (Live)(previously unreleased)
Out Of Time (Live)(previously unreleased)
Maybelline (Live)(previously unreleased)
Gloria (Live)(previously unreleased)

Amazon.com

Those who doubt the obsessive, unbridled affection Clash mainstay Joe Strummer held for traditional rock and R&B roots need only punch up virtually any track on this infectious collection of live and studio cuts from the 101ers, the raw yet accomplished band Strummer fronted just prior to his punk superstardom. While most such early-catalog excavations are suspicious and often spotty, Elgin Avenue Breakdown Revisited is a revelatory rush, from the opening blowout of "Letsagetabitarockin'." Many of the tracks rock with the rootsy charm of fellow pub rockers Ducks Deluxe, yet one can hear the later sound of the Clash nearly fully formed on tracks like the blue-beat-seasoned "Sweet Revenge," "Keys to Your Heart," and "Junco Partner." The collection's second half kicks into even higher gear, presenting a generous slate of previously unreleased live workouts that hammer familiar R&B staples like "Shake Your Hips" and "Maybellene" into submission and closing with a frenzied rave-up of Van Morrison and Them's Brit Invasion staple, "Gloria." --Jerry McCulley

Customer Reviews:

Elgin Ave. Breakdown.......2007-01-10

This is a great album. I just wish there was more 101ers to listen to.

I've Got Rabies From the Dogs of Love for This Album!.......2006-04-04

This is the first review of an album I've done on Amazon. I'm listening to it right now, and I'm just driven to tell everyone.... this is awesome! I love it. It is a must for fans of Joe Strummer. Don't expect The Clash. This is nothing like any Clash album. This is very Beatles-esque for the most part. It shows a lot of early, leather-clad rock influence.

BTW, I bought the club version, which is manufactured for BMG. I was worried about that a bit, but no longer. Sounds awesome, and the packaging is excellent, with liner notes and lyrics. I was also worried about the anti-piracy notes on the back which are not present on the non-club version. I burn backup copies of my cds not to pirate, but to use in my car. I have successfully burned a backup copy of this and other club cds.

I can't believe I found this.......2006-01-15

"Lonely Mother's Son," huh? More like Jail Guitar Doors. That track brought a big smile to my face as soon as the chorus started and I realized it was the song he'd later do as part of The Clash.

This CD is a real find, not just for completists, but for fans of old school rock and roll, and of Strummer's growling voice. If this was a little more polished and edited down, it would be London Calling quality. It's really that good. The sound quality on the live stuff is awful, but I don't wish they had left it off.

Bloody brilliant!.......2005-08-31

This record feels like a resurrection not only of the sound of original punk but of the man, Joe Strummer himself. The sound of the 101ers is every bit as fresh as his later work with The Mescaleros yet takes its place with the music of its time. Letsagetabitarockin, the first on the album, is a brilliant start to the collection. Overall this record is one that should be added to any avid Clash, punk, or in general rock 'n roll fan.

Joe Strummer was cool........2005-08-14

You know you can't get enough of Joe's modernized 40's/50's macho, so buy this disc.

Average customer rating:

Tom Lehrer is the most brilliant creative genius that America has produced in almost 200 years.
Masterpiece of musical parody
"Only To Call It, Please . . . .Research !"
Absolutely brilliant
Absolutely brilliant

Revisited
Tom Lehrer
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

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An Evening Wasted With Tom Lehrer
That Was the Year That Was
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ASIN: B000002LLB
Release Date: 1990-05-02

Tracks:

Introduction
I Wanna Go Back To Dixie
The Wild West Is Where I Want To Be
The Old Dope Peddler
Fight Fiercely, Harvard
Lobachevsky
The Irish Ballad
The Hunting Song
My Home Town
When You Are Old & Grey
The Wiener Schnitzel Waltz
I Hold Your Hand In Mine
Be Prepared
L-Y
Silent E

Customer Reviews:

Tom Lehrer is the most brilliant creative genius that America has produced in almost 200 years........2006-04-29

This album was recorded, relatively live, in Cambridge, Massachusetts in November 1959. It features Mister Lehrer performing the exact same songs that were on his album "Songs By Tom Lehrer". But in this case, you get to hear Lehrer's introductions to the songs, plus the reactions of the audience. Lehrer was a brilliant song satirist, and here he does his twisted takes on many popular song forms. Very funny stuff. The CD adds two songs that he wrote and sang for the children's television show "The Electric Company" in 1972.

Masterpiece of musical parody.......2004-09-14

Recorded before a live audience at the Massachusetts Institute of Technology in 1959, these pieces by songwriter/pianist/satirist Tom Lehrer poke fun at the South, folk songs, hunters, the Harvard football team, mathematicians, and even the Boy Scouts. Lehrer provides his own introduction, as well as hilarious introductions to each of the songs. The album also includes two bonus tracks with songs that Lehrer wrote and performed for "The Electric Company" in 1972, and even though they were created to teach children to read, they still contain his trademark creativity and humor.

This album contains some of Lehrer's earliest material. Although it is less politically oriented than his later songs, it is every bit as satirical. The songs parody many styles of music including love songs, folk ballads, and football fight songs. As Lehrer puts it himself in the introduction to "I Wanna Go Back To Dixie": "Well, what I like to do on formal occasions like this is to take some of the various types of songs that we all know and presumably love, and, as it were, to kick them when they're down." Many of these songs are shockingly macabre or raunchy, and considering when they were performed, they were well ahead of their time. Even the liner notes are funny, and although they are not attributed to Lehrer, I have the feeling he had a hand in their authorship.

This is a short album, barely over a half hour long. I suppose this is because Lehrer wrote only about fifty songs in all before dropping out of songwriting to teach mathematics, so his songs are sparingly rationed out among a few CDs. But good things come in small packages. In my humble opinion, Tom Lehrer is one of the greatest musical satirists, and I highly recommend this album.

Eileen Rieback

"Only To Call It, Please . . . .Research !".......2002-08-20

This is basically the album 'Songs by Tom Lehrer' in a live setting . . .and is a whole lot better for it. The audience reaction is preferable to the sterile studio-and-solo-piano of Lehrer's first release. The audience gasps at the sheer audacity of Lehrer's lyrics; stomping on subjects that some still won't talk about today . . .and this was in 1959! Tom Lehrer is the yardstick to which other satirists have to be measured . . .may this album show you exactly why!

INTRODUCTION - What better way to save costs than to introduce yourself to your audience . . .and in such a modest way,too!

I WANNA GO BACK TO DIXIE - All the Southern song cliches are skewered (and a few civil rights points scored) in a song that makes the controversial lyrics of Neil Young's Southern Man seem like a nursery rhyme.

THE WILD WEST IS WHERE I WANNA BE - A barb directed at nuclear testing out in the desert and arid regions of the west in the 50's. Those who were in that region certainly felt the effects eventually . . .remember John Wayne and the cast/crew of 'The Conqueror'?

THE OLD DOPE PEDDLER - A disrespected fixture of the community.
.You can hear the audile audience gasp on this one.

FIGHT FIERCELY,HARVARD - A football fight song as sung by an intellectual snob who would've probably gotten creamed if he stepped on a football field.

LOBACHEVSKY - An ode to the great Russian mathematician, Lobachesky; sung in the tongue twisting style of an early Danny Kaye routine. The secret of his success: "Plagiarise; only to call it please . . .research!"

THE IRISH BALLAD - A more ghoulish Irish ballad you'll never, ever hear.Sounds like a script of an old cheesy early '80s slasher flick. You can bet they'll never be singing this little emerald isle parody in any Irish Pub soon.

THE HUNTING SONG - Dedicated to all would be 'wild sportsmen' out there. "You just stand there looking cute, and if something moves . . . you shoot!" LOL!

MY HOME TOWN - A town full of weirdies and nasties crawling out of the woodwork; guaranteed to kill off any thoughts of homesickness. During the stanza about Parson Brown, Lehrer would always imply that he had to leave a lyric line out due to censorship; it always left the audience wondering.

WHEN YOU ARE OLD AND GREY - This couple will not grow old gracefully together. For the male protaganist of this ditty, youth holds all the charm.

THE WEINER SCHNITZEL WALTZ - An fractured take on the love ballad
, this time on the romance of the waltz. "I drank wine,you drank chocolate malts".

I HOLD YOUR HAND IN MINE - A love song that some rockers like Alice Cooper would later draw inspiration from (check out Alice's song 'Roses On White Lace' for comparisions). Another audience gasper.

BE PREPARED - Lessons never taught to real boy scouts! Some of them are really helpful: "Don't write diry words in books if you can't spell!" LOL!

L-Y - A bonus track from Lehrer's quick flirtation with 'The Electic Company'. See kids, learning can be funny.

SILENT E - Another 'Electric Company' bonus track. It's a pity that this collaboration did not lead to another album of fresh Lehrer material,but we must be thankful for what we do have.

Absolutely brilliant.......2001-06-30

Tom Lehrer's first album may not be his best (the humor of That Was The Year That Was is far more mature and sophisticated), but it's a wonderful showcase of his very unique style. Lehrer's humor is subtle and sophisticated; he sings simplified, stereotypical versions of popular musical styles, with almost banal lyrics; the jokes, when they come, usually at the end of a line or a verse (or sometimes just as a punchline at the very end of the song), are so grotesque and blunt that they take you completely by surprise. Some lines are shockingly gorish, and they create a wonderful contrast with Mr. Lehrer's bored, slightly monotonic singing voice and his simple, cheerful tunes and piano playing. 'I Hold Your Hand Is Mine' is shockingly, brilliantly horrid, as is 'The Irish Ballad'. 'I Wanna Go Back To Dixie', 'Be Prepared' and 'The Old Dope Peddler' are also songs that did not do well with critics and mostly censors at the time of the album's release. All of them are brilliant satires. In complete contrast, the bonus tracks (Silent E and L-Y) are a fine example of Lehrer's more recent work, far calmer and tamer. Still, these cheerful little tunes posess at least some of Lehrer's unique wit.

Absolutely brilliant.......2001-06-30

Tom Lehrer's first album may not be his best (the humor of That Was The Year That Was is far more mature and sophisticated), but it's a wonderful showcase of his very unique style. Lehrer's humor is subtle and sophisticated; he sings simplified, stereotypical versions of popular musical styles, with almost banal lyrics; the jokes, when they come, usually at the end of a line or a verse (or sometimes just as a punchline at the very end of the song), are so grotesque and blunt that they take you completely by surprise. Some lines are shockingly gorish, and they create a wonderful contrast with Mr. Lehrer's bored, slightly monotonic singing voice and his simple, cheerful tunes and piano playing. 'I Hold Your Hand Is Mine' is shockingly, brilliantly horrid, as are 'My Home Town' and 'The Irish Ballad'. 'I Wanna Go Back To Dixie', 'Be Prepared' and 'The Old Dope Peddler' are also songs that did not do well with critics and mostly censors at the time of the album's release. All of them are brilliant satires. In complete contrast, the bonus tracks (Silent E and L-Y) are a fine example of Lehrer's more recent work, far calmer and tamer. Still, these cheerful little tunes posess at least some of Lehrer's unique wit.

Most of the songs on Revistited were later re-recorded in a studio, fully orchestrated, and put into some collection albums, but Lehrer's studio recordings were never as funny as his live ones. His between-songs comments are almost as funny as the songs themselves, and should not be missed; also, his solo work with only his voice and a piano is beautifuly simple and makes the jokes all the more surprising. For a good Lehrer record get one of his three live ones (the other ones are That Was The Year That Was and An Evening Wasted With Tom Lehrer). Better yet, get all three. You won't regret it.

The Harry Smith Project: The Anthology Of American Folk Music Revisited (2 CD/2 DVD BOX SET)
Average customer rating:

Very interesting souvenir of a once in a lifetime experience...

Some good some not so good

David Johansen, take a bow

Fantastic--the "folk process" documented!

A nice collection: but a lot less than perfect.

The Harry Smith Project: The Anthology Of American Folk Music Revisited (2 CD/2 DVD BOX SET)
Various Artists
Manufacturer: Shout Factory
ProductGroup: Music
Binding: Audio CD

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Living Like a Refugee

ASIN: B000ICLTMS
Release Date: 2006-10-24

Tracks:

Old Dog Blue - David Johansen
Prison Cell Blues - Steve Earle
James Alley Blues - Wilco
Frankie - Beth Orton
Last Fair Deal Gone Down - Beck
Sugar Baby - Kate & Anna McGarrigle
The Butcher's Boy - Elvis Costello
Way Down The Old Plank Road - David Thomas
The Coo Coo Bird - Richard Thompson with Eliza Carthy
My Baby Done Left Me - Ed Sanders
John The Revelator - Nick Cave
Oh Death Where Is Thy Sting? - Eric Mingus with Gary Lucas
Dry Bones - Roswell Rudd with Sonic Youth
No Depression In Heaven - Garth & Maud Hudson
K.C. Moan - Geoff Muldaur
When That Great Ship Went Down - Gavin Friday with Maurice Seezer

Tracks:

A Lazy Farmer Boy - Robin Holcomb
Sail Away Lady - Van Dyke Parks with Mondrian String Quartet
Poor Boy Blues - Geoff Muldaur
Spike Driver Blues - Marianne Faithfull
See That My Grave Is Kept Clean - Lou Reed
Ommie Wise Part 1 & 2 (What Lewis Did Last...) - Kate & Anna McGarrigle
Fatal Flower Garden - Gavin Friday
I Wish I Was A Mole In The Ground - Bob Neuwirth with Eliza Carthy
Fishing Blues - David Thomas
He Got Better Things For You - Mary Margaret O'Hara
Harry Goes A Courtin' (The Mowo! Live Hootenanny Throw-Down) - Mocean
The House Carpenter - Robin Holcomb & Todd Rundgren
This Song Of Love - Don Byron, Percy Heath & Bill Frisell
Shine On Me - Nick Cave
James Alley Blues - David Johansen
Single Girl Married Girl - Petra Haden

Amazon.com

Revisionism can be as rewarding as rediscovery; indeed, they often make a compelling duo. Those sentiments drive veteran producer Hal Willner's tribute to pioneering musicologist Harry Smith's documentation and preservation of American folk forms--music that was already an endangered species by the time he originally compiled them for Folkways Records in the early '50s. As he's done on similar tributes to musicians as varied as jazz giants Monk and Mingus, Italian film scoring legend Nina Rota, and songwriters Kurt Weill and Leonard Cohen, Willner puts together a group of musicians as intriguingly eclectic as the vintage songs they're covering. That Smith's own original efforts helped fuel the '60s folk boom that in turn inspired more than a few of the musicians here helps give the collection the warm sensibility of musical traditions coming full circle.

Spread across two CDs and a pair of DVD's are a rich slate of performances captured in Los Angeles, New York, and London in 1999 and 2001, as well as documentary material about Smith's own pioneering efforts that helped inspire them. Beck and Lou Reed spin spare, harrowing takes on blues godfathers Robert Johnson and Blind Lemon Jefferson, respectively, while Elvis Costello, Wilco, Richard Thompson, Steve Earle, Van Dyke Parks, the McGarrigles, and others offer up covers characterized by varying degrees of reverence. But, as is typical of most Willner projects, it's the more unlikely musical pairings here that yield the greatest intrigues, be they Pere Ubu's David Thomas recasting "Fishin' Blues" in his forceful persona or Bill Frisell's distinctive jazz sensibilities--the latter also suffusing Gavin Friday's "Fatal Flower Garden" with ghostly elegance. A welcome sense of playfulness also surfaces throughout, one whose good humor even makes room for a relevant clip from Chris Guest's A Mighty Wind folk mockumentary, as well as amusing recollections by some of the artists influenced by Smith's original musical archaeology. More than merely revering history, this is a collection that cheerfully revels in its reinvention. --Jerry McCulley

Album Description

Disc 1 - Live CD:
Highlights include exclusive live performances by Beck, Elvis Costello, Wilco, Nick Cave, Beth Orton, Steve Earle and more! Complete tracklist and song samples are above.

Disc 2 - Live CD:
Highlights include exclusive live performances by Lou Reed, Marianne Faithful, Todd Rundgren, Nick Cave, David Johansen, Van Dyke Parks and more! Complete tracklist and song samples are above.

Disc 3 - Live DVD:
The Harry Smith Project Live featuring highlights from the concerts:
1. Elvis Costello, THE BUTCHER'S BOY
2. David Johansen, OLD DOG BLUE
3. Nick Cave, JOHN THE REVELATOR
4. Beck, LAST FAIR DEAL GONE DOWN
5. Ed Sanders, ONE HOT SUMMER NIGHT WITH HARRY SMITH
6. Kate & Anna McGarrigle, SUGAR BABY
7. Lou Reed, SEE THAT MY GRAVE IS KEPT CLEAN
8. Beth Orton, FRANKIE
9. Rosewell Rudd with Sonic Youth, DRY BONES
10. The Folksmen, OLD JOE'S PLACE
11. Robin Holcomb & Todd Rundgren, THE HOUSE CARPENTER
12. Gavin Friday with Maurice Seezer, WHEN THAT GREAT SHIP WENT DOWN

13. Philip Glass, ETUDE NO. 10
14. David Johansen, JAMES ALLEY BLUES
15. Eric Mingus with Gary Lucas, OH DEATH WHERE IS THY STING?
16. Petra Haden, SINGLE GIRL, MARRIED GIRL
17. Richard Thompson with Eliza Carthy, THE COO COO BIRD
18. Bob Neuwirth with Eliza Carthy, I WISH I WAS A MOLE IN THE GROUND

19. Geoff Muldaur, POOR BOY BLUES
20. Don Byron, Percy Heath & Bill Frisell, THIS SONG OF LOVE
21. Kate & Anna McGarrigle with Elvis Costello, OMMIE WISE PART 1 & 2 (WHAT LEWIS DID LAST...)
22. Steve Earle, PRISON CELL BLUES
23. David Thomas, FISHING BLUES

Disc 4 - Documentary DVD:
The brand-new documentary, The Old, Weird America: Harry Smith Anthology Of American Folk Music, will take you on an eclectic musical journey through "The Old, Weird America." Hal Willner's Harry Smith Project concerts celebrate the eccentric genius collector and his influential Anthology Of American Folk Music. Instrumental in helping inspire the urban folk revival of the 1960s, the Anthology's continuing impact on modern music is incalculable. This film is available nowhere else.

Customer Reviews:

Very interesting souvenir of a once in a lifetime experience..........2007-04-22

I attended the concert on the first night in LA, from which a majority of the material here was drawn (I actually stuck it out 'til the 2:00 am conclusion!) What drew me to the show is much the same as the appeal of this set - the chance to see 30 or more of your favorite singers and musicians on the same stage (and a few who you could do without), playing songs from what just might be the greatest and most influential compilation (or "mix tape") of all time! At the very least, this is a very nice souvenir of the event. The interviews and backstage/rehearsal footage in the DVD are very illuminating and are ample testimony to the mad genius of Hal Willner (creator/producer).
Some of the performances here are a lot less impressive that my memory of them, while others (David Johansen, Richard Thompson and Elvis Costello, among others) hold up very well. Willner should be commended for showcasing criminally underrated artists like Robin Holcomb and Van Dyke Parks, as well as for pushing some people (like Beck and Beth Orton) out of their comfort zone material-wise, resulting in some very memorable performances. Some of my other favorites here: Sonic Youth (with trombonist Roswell Rudd) burn up the stage on "Dry Bones", David Thomas is an insane genius, Bob Neuwirth, Geoff Muldaur and Steve Earle all individually show they are up to the task.
There were some classic moments from the night I attended that didn't make it to this release, including Garth Hudson's bizarre and amazing "Recessional Music" on the Royce Hall pipe organ, and Daniel Lanois' mini-set of the Anthology's Cajun songs (accompanied by his super-loud electric guitar). The pre-Mighty Wind Folksmen, introducing some much needed perspective, are rightfully represented here. However, not included was their version of "Flashdance," which somehow said it all (the audience were larfing). Also, not to be forgotten was Mary Margaret O'Hara's train wreck version of "Better Things" (which is represented here by a less chaotic version from a different night). It caused a mass exodus - as it was about midnight at that point, a lot of people were probably suddenly remembering they had babysitters or jobs to go to in the morning!
Being a lot more familiar with the original Anthology recordings now than I was prior to the concert, I am probably a lot more critical of these interpretations, some of which are frankly a bit superficial. Also, it is a bit more noticeable, especially on the DVD, which performers hadn't done their homework and learned the songs thoroughly before the show! On the other hand, some of the versions here caused me to have new appreciation for the songs themselves and really focus on the brilliance and bizarreness of the lyrics. A lot of contemporary songwriters could stand to check them out..
On the technical end, the camera work on the DVD is a bit "on the fly" but not too bad considering there was probably very little rehearsal/blocking. Audio-wise, the recording quality is much better than expected (I'm guessing there was a litlle bit of post-production repair, including fixing some fluffed lyrics). The second DVD ("Old Weird America") that delves a bit more into Harry Smith and the origins of the Anthology, has been shown a bit in art house theaters around the country and is almost worth the price of the set by itself.

Some good some not so good.......2007-02-08

Overall worthwhile,although I won't be listening to it often.

David Johansen, take a bow.......2007-02-07

There are many good things in this package, but none better than David Johansen's two mighty contributions, 'Old Dog Blue' and 'James Alley Blues'. He's come a long, long way since the New York Dolls and Buster Poindexter, and it seems to me that he's finally where he should be.

Petra Haden's 'Single Girl' is pretty good as well. But Johansen's performances (both captured on the dvd) are nonpareil. Can't help but feel that of all the artists here, he and Haden are the ones Harry Smith would have recognised at once as belonging to the American tradition he curated.

Fantastic--the "folk process" documented!.......2007-01-22

If you are curious about this but are not familiar with the original "Anthology of American Folk Music"--GET IT, and listen. It is like looking back in time, sort of like the Hubble telescope, only we are looking at images from our own human heritage, and perhaps ourselves.

As Hal Willner says, there are pieces you will love and pieces you might not like. But in truth, this is how the artists in this collection interpreted the originals. And even in the ones I was less than enthusiastic about, I saw something, and went back with a greater appreciation of the original. As a result I developed more enthusiasm for the new performance. This is something to be savored over and over.

I had been listening to Folkways LPs and subscribing to Singout! since the early '60s, and aquired the anthology in the early '70s. I had no previous knowledge of many performers in this set. So this was an eye-opener for me. I even read a review of a person, although generally positive, who wondered why "The Folksman" were in this. My answer is, "we perhaps should not take anything too seriously, and what if the gift of life itself is just a joke?"

A nice collection: but a lot less than perfect........2007-01-03

No collection will please everyone. That being said, this one left me a little cold in that the coices about what to include and what to leave out were not the choices I would have made were I producing this collection.
Without going into details and whys - suffice it to say that before buying this set, you need to take a close look at the playlist so that you will not wind up buying something that is appreciably different than what you were hoping it would be.

Average customer rating:

Trance Appeal
Klaus Schulze's Wahnfried
Manufacturer: Revisited Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

General | Dance & DJ | Styles | Music

Electronica | Dance & DJ | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music

Live
Blackdance
Kontinuum
Ballett 3
Trancefer

ASIN: B000QCQG00
Release Date: 2007-06-26

Tracks:

Suspense 3:39
Bizarre 5:43
Rubbish 4:05
Angel Heart 8:49
So What? 3:42
Towarisch 4:05
Das Mädchen Mag Es 2:20
A Chilly Fiesta 9:33
Esprit Sans Frontières 8:36
Psychedelic Clubbing 9:00
Le Sleep Des Anim Aux 3:02
Marooned (bonus track) 13:13

Album Description

On Trance Appeal, Schulze forges links between traditional and modern art, the Berlin School and rave society, being audible and danceable. Excellent. ("Keyboards"/Germany, July 1996)

Trance Appeal rolls like a wandering boulder through the airy spaces of ambient techno. Sometimes there's an aggressive dance beat but then it will fall away into a chasm where the background string synth pad meanders like a broad, hazy river. Odd sounds swoop towards you and then away, moving with stiff fluidity like computer-animated vultures. Just when you start to get bored, the sonority will change dramatically - Every tune is organized in its own way. Richard Wahnfried and JÃ¶rg Schaaf composed and arranged, Klaus Schulze produced and mixed this incredible album.

Album Review:

Album Review

Album Review