Long Long Ago
Long Long Ago
ASIN: B00000EH2S
Track Listings
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1. Long, Long Ago
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2. It Finally Happened
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3. Reach for Me
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4. People's Valley
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5. When the Work's All Done This Fall
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6. I'm Gonna Be a Cowboy
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7. Last Night About This Time
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8. Address Unknown
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9. Lonely Old Bunkhouse
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10. Where Could I Go But to the Lord
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11. (Ghost) Riders in the Sky
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12. Baby Talk to Me
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13. Night Time on the Desert
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14. To Be in Love With Her
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15. Wind
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16. Roving Gambler
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17. Yesterday's Roses
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18. This Song
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19. Beautiful Dreamer
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20. Chant of the Wanderer
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Long Long Ago,Marty Robbins,Sony,Country,Country & Western,Country-Pop,Cowboy,Hawaii,Nashville Sound/Countrypolitan,Pop,Rockabilly,Traditional Country
Average customer rating:
- Star Wars: A Musical Journey (2005) (V)
- Not one of his bests, but very close
- John Williams' finest work
- A Great Conclusion to the Prequel Trilogy
- Williams is slumming it
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Star Wars Episode III: Revenge of the Sith - Original Motion Picture Soundtrack
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Star Wars Episode II: Attack of the Clones - Original Motion Picture Soundtrack
- Star Wars Episode I: The Phantom Menace - Original Motion Picture Soundtrack
- Star Wars Trilogy
- Star Wars: Episode VI - Return of the Jedi
- Star Wars: Episode IV - A New Hope
ASIN: B000850IS6
Release Date: 2005-05-03 |
Tracks:
- Star Wars and The Revenge Of The Sith
- Anakin's Dream
- Battle Of The Heroes
- Anakin's Betrayal
- General Grievous
- Palpatine's Teachings
- Grievous and the Droids
- Padme's Ruminations
- Anakin vs. Obi-Wan
- Anakin's Dark Deeds
- Enter Lord Vader
- The Immolation Scene
- Grievous Speaks to Lord Sidious
- The Birth Of The Twins and Padme's Destiny
- A New Hope and End Credits
Amazon.com
John Williams' lovely and moving score for the sixth Star Wars film brings thirty years of collaborating on George Lucas' beyond-popular intergalactic franchise to a close. (Is this really the end of Star Wars? Can't Lucas and Williams work together on a prequel to these prequels? Let us hope so, and that Jar Jar Binks is nowhere near it.) As this music accompanies the most exciting Star Wars film in many a moon, the soundtrack itself is more fun, more evil, more nasty and bumpy. Many of the heroic, anthemic themes woven throughout Episode Three: Revenge of the Sith will necessarily be familiar to any fan of the series, from the "Imperial March" to the main theme. It's remarkable how stirring the latter can be, no matter how many times you've heard it, and even for those who do not have all their money invested in S.W. memorabilia. There is a lot of new music here, and the lush, extensive range of both Williams and the London Symphony Orchestra is on display, most notably in the menacing, percolating "General Grievous" and the rousing "New Hope" end theme. --Mike McGonigal
The Force Is Also with:
Star Wars Trilogy soundtrack box set |
Star Wars Episode II sountrack |
Star Wars Episode II, Attack of the Clones |
Star Wars Episode I, The Phantom Menace |
Star Wars Trilogy on DVD |
Star Wars, Episode III - Revenge of the Sith |
Customer Reviews:
Star Wars: A Musical Journey (2005) (V).......2007-06-21
product: Star Wars: A Musical Journey (2005) (V), included as bonus disc in Episode III soundtrack.
The bonus dvd with this soundtrack was the reason I purchased. I enjoy film soundtracks, and science fiction, but this dvd was a real highlight for me. I got the soundtrack cd out of the local library. The cd was missing from the case, but I found this wonderful dvd instead that I went out to purchase later.
With optional segments of dialog from Ian McDiarmid, this film is a stunning visual and musical overview of the full epic story of episodes I-VI of Star Wars. For those of us who felt that eps. IV-VI fell short of our expectations, this film presents them well as parts of the whole story. The Musical Journey also stands as a summary of the entire SW opus for someone who is not familiar with the Star Wars characters and plot. Highly recommended.
Options: no subtitles or other options.
Not one of his bests, but very close.......2007-05-21
The Episode III soundtrack is very good. Not great, but very, very good. You can tell that Williams is getting old, but he still manages to weave together a very memorable score.
My favorite tracks are "Battle of the Heroes," "Anakin's Betrayal," Palpatine's teachings, "Anakin vs. Obi-Wan," and the "Immolation Scene."
The others are very good as well, but these are especially nice. "Battle of the Heroes" is Dual of the Fates for Revenge of the Sith. "Anakin's Betrayal" is a very sad track that is, in my opinion, one of William's most powerful pieces. "Palpatine's Teachings" is really, really neat. It's very dark and moody, a perfect piece for the evil emperor. The only weird thing is the end. "Anakin vs. Obi-Wan" is the action piece that plays during the battles of Anakin and Obi-Wan, and Yoda and the Emperor. Finally, "The Immolation Scene" is another sad piece, even more so than "Anakin's Betrayal."
Although I really like this CD, there are some things that are missing (as usual). First, the whole sequence where the droids are looking for Obi-Wan after he was shot. You see Obi-Wan in his ship with Senator Organa on the Hologram (or whatever it is), and Obi-Wan says that his clones turned on him. That was some pretty awesome music that OF COURSE was left out of the CD. Then there was Dual of the Fates in the movie, but completely absent from the CD. And probably the most annoying was that whole piece of music before Obi-Wan and Anakin fight. It was so touching and sad and I CAN'T BELIEVE THEY LEFT IT OUT! Absolutely amazing. Also, did anyone notice that some little bits were cut out? For example, in Anakin vs. Obi Wan, they cut out about a second or two of choir. What?! What the heck is with that? It's when Anakin is running on the long thing and jumps on the droid on the lava. Also, there was some pretty cool drumming when you see Yoda and the Emperor fighting, and you can see the whole stadium (the big room). There's also drumming in "Enter Lord Vader" that is muted in the soundtrack.
Oh well...if I'm going to collect movie scores, I'm going to have to get used to the fact that in almost all cases there's not going to be every bit of music. I've experienced this in both Pirates of the Caribbean, Jurassic Park I (there was very little left out on this score), and almost everything else. At the moment, I'm just waiting for the 22nd, for the Pirates of the Caribbean 3 soundtrack. It's gonna be amazing.
See Yu
John Williams' finest work.......2007-04-20
There is little more I can say that hasn't already been said about the soundtrack to Episode 3, especially what Amazon contributor Dan Mohr wrote in his review of the soundtrack on 2/2/2006. His review captured almost all the thoughts, feelings, and emotions I had when I first listened to the soundtrack, and was, IMO, the best review of John Williams' greatest masterpiece.
Having said that, I will say that few soundtracks have ever so perfectly captured the underlying emotional currents of their respective movie; in the case of ROTS, the contemporaneous tragedies of Anakin's fall to the Dark Side, the extermination of the Jedi, and the rise of the oppressive Empire. The listener is confronted with the depth and totality of the evil that has beset the entire galaxy to a degree that the film could not reach in only 2 hours.
Bravo, Dan Mohr, and BRAVO John Williams!
A Great Conclusion to the Prequel Trilogy.......2007-04-07
This is a great work of art. I rank it 4th among Star Wars soundtracks after A New Hope, The Empire Strikes Back and The Phantom Menace. I had a hard deciding which I thought was better, The Phantom Meance or Revenge of the Sith, but I decided that The Phantom Menace lays the foundation for so much that is in this soundtrack and is thus the more masterful work. But that doesn't mean that this score still isn't great. Every piece is a thrill to listen to and pace never lets up. "Battle of the Hereos" is an amazing piece and the rendition of the "Funeral Theme" from Episoded I captures the film's tragety magnificently. Also I do not think John Williams could have portrayed the Jedi's extinction more perfectly than he did in "Anakin's Betrayal". This is without a doubt the best score of 2005 and one of the best of the decade.
Williams is slumming it.......2007-04-01
Williams's score for Revenge of the Sith is almost entirely overbearing, lacking any emotional subtlety. The music is overcomplicated and even a bit confusing, especially in the tracks that correspond to action sequences in the movie. His overuse of choral tracks and vocals is too bombastic and irritating to be listened to without the explosions and laser blasts of the soundtrack to soften them. (Yes, this music is actually softened by the sounds of warfare.) Worst of all, much of the music has simply been lifted from earlier scores. At times his self-imitation was so blatant that I actually wondered whether the editor who had complied this score had made a mistake and I was listening to The Empire Strikes Back or A New Hope. Also suffers from not including the entire score, in some cases cutting out musical segues in obvious and awkward ways.
Average customer rating:
- SUPERB
- Carole King is Awesome
- Pure Enjoyment!
- A must have for all Carole King fans
- The best of Carol minus a few gems
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Carole King - Her Greatest Hits: Songs Of Long Ago
Carole King
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000J2PI
Release Date: 1999-05-25 |
Tracks:
- Jazzman
- So Far Away
- Sweet Seasons
- Brother, Brother
- Only Love Is Real
- I Feel The Earth Move
- It's Too Late
- Nightingale
- Been To Canaan
- Smackwater Jack
- Corazon
- Believe in Humanity
- Eventually - (bonus track, live)
- (You Make Me Feel Like) A Natural Woman (bonus track, live)
Customer Reviews:
SUPERB.......2007-05-29
Carole King is one of the most talented artists out there. For me, there isn't a single song that I don't absolutely love. I can listen to this CD endlessly. It is the best of our times!
Carole King is Awesome.......2007-03-21
Everything Carole does is amazing! It never seems to get old!
Pure Enjoyment!.......2006-08-26
This is my very first Carole King CD and I absoloutely love it. What a unique voice and incredible songs. If you "think" you might like Carole King, then I highly suggest you get this. If you know you do, then you perhaps already have this one. It's pure joy.
A must have for all Carole King fans.......2005-10-21
As stated in the other reviews, there are some songs that are not on this CD which were worth including, but I have been very pleased with the selections on this CD. My entire office has enjoyed listening to this and have had no complaints. Excellent samples of Carole's work.
The best of Carol minus a few gems.......2005-09-16
I like this CD alot. The only thing I did not personally care for are the live cuts at the end. I would have rather had, "You've Got A Friend" slotted in as one of 2 possibilities.
Also, because there are so many Carol King CD's to choose from, you really need to pay atention to the tracks listed on each one. I ended up buying "Tapestry" also, because i got a few songs that were not on the Greatest Hits.
Average customer rating:
- Viva Raul!!!!
- 9
- "Nine" is spectacular!
- ...Their sound can last a hundred years...
- Best Musical - 1982
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Nine (1982 Original Broadway Cast)
Maury Yeston , Raul Julia , and Karen Akers
Manufacturer: Sony
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Similar Items:
- Nine - The Musical (2003 Broadway Revival Cast)
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ASIN: B0000996FQ
Release Date: 2003-05-13 |
Tracks:
- Overture D'elle Donne/Spa Music/Not Since Chaplin
- Guido's Song
- The German's At The Spa
- My Husband Makes Movies
- A Call From The Vatican
- Movie Themes
- Only With You
- Folies Bergeres
- Nine
- Ti Voglio Bene (Be Italian)
- The Bells Of St. Sebastian
Tracks:
- A Man Like You/Unusual Way/Duet
- The Grand Canal
- Simple
- Be On Your Own
- Not Since Chaplin (Reprise)/I Can't Make This Movie
- Waltz From 'Nine'
- Getting Tall
- Nine/Long Ago (Reprise)
- The Germans At The Spa - Maury Yeston
- Unusual Way - Maury Yeston
- The Grand Canal - Maury Yeston
Customer Reviews:
Viva Raul!!!!.......2007-02-15
Raul Julia ......the grand performer is the main reason to buy this CD ......i was never a fan of "Nine" but you can feel Raul, his magic in every song.....the songs might not stay with you forever , but Raul renditions will...Long live the great Raul Julia Arcelay..the Best of the Best!!!
9.......2006-09-23
"Nine" the brilliant Broadway musical directed by the brilliant Tommy Tune and starring the brilliant Raul Julia and with a brilliant scenic design of glaring white tile including the stage floor, and a brilliant costume design, except for the "Folies Bergere" number, every one was dressed in black, and a brilliant casting coup- 1 man surrounded by 21 women-and a couple of handfuls of brilliant musical numbers and by now you get the picture, the show was brilliant but it was its' brilliance that sabotaged the show and to boot the show was stubbornly not audience-friendly.
This led to moments of awe-inspiring highs surrounded by moments of boredom.
The first high comes about 15 minutes into the show by the entrance of flame-haired Anita Morris. Dressed head to toe in a lacy,skin-tight,see-through outfit that doesn't even try to hide her ample attributes-and she is making a phone call to her lover draped over a white tiled cube(bed) and she slithers, slides, stretches in positions not humanly possible, purring seductively to her boyfriend and having a real good time with herself in what is possibly the hottest and most erotic moment
I have ever witnessed on a Broadway stage and threatened to blister and melt the very tile she played on. Ironically the number was "A Call From the Vatican".
Another high moment came with Liliane Montevecchi as Guidos'(Julia) producer who bemoans the gloom of modern cinema and longs for the days of song, dance and color,,"Folies Bergere"
A pivotal moment in Guidos' life is when at the age of 9,he and a couple of his classmates visit a notorious whore who teaches the young boys how to "Be Italian" This incident so shames Guidos' mother she sends him away to a draconian Catholic school run by cruel nuns who happily beat the devil out of their students. This leads to the beautiful Gregorian Chant-like "The Bells of St Sebastian".
Guido begins his new film of Casanova "The Grand Canal" which is a 15 minute mini-opera.
I have to mention Karen Akers who plays Guidos' wife and I adore her voice which to me sounds like a mix of honey and melted caramels-just listen to her long ago section of "My Husband Makes Movies" and "Be On Your Own".
Raul Julia also has effective numbers "Guidos Song" "Only With You" and he sings the afore-mentioned spine-shivery "Bell of St Sebastian" and he duets with his 9-year old self on the finale "Nine" which ends the show on an effectivly quiet moment.
There are other fine moments to be found "Unusual Way" with Shelly Burch comes to mind.
This CD is a wonderful reminder of just how great a Broadway musical can be and although I enjoyed the entire show warts and all, I only wish the show had been more accessable to a wider audience so everyone could have witnessed the brilliance I had.
"Nine" is spectacular!.......2006-07-24
Based on Fellini's autobiographical film, "8 1\2", "Nine" opened in 1982 with a score by Maury Yeston and a book by Arthur Kopit. It starred Raul Julia, Karen Akers, Anita Morris, Liliane Montevecchi among others. Its direction was by Tommy Tune. All of these individuals (oh yes, Jonathan Tunick, the orchestrator) are responsible for this spectacular original cast album of the spectacular musical, "Nine.
Mr. Yeston has supplied as score that is filled with memorable songs that are tuneful and musically interesting. His lyrics are witty and original. Every song is outstanding. I must single out Ms. Akers' wonderful torch songs, "My Husband Makes Movies" and "Be On Your Own" as being the bests of the score. Ms. Akers performs them so well, which makes them even more enjoyable. I also cannot forget the exceptional "Folies Bergeres" sequence featuing Ms. Montevecchi in her element.
However, Mr. Julia and the other cast memembers give absolutely wonderful performances as well.
This is a nearly complete recording at something like 70 minutes. ("Nine" is not two and a half hours long for those of you who began to question the above statement.) As a bonus, it features Mr. Yeston performing some of his great songs.
...Their sound can last a hundred years..........2006-04-22
I have to admit that when I first listened to this CD I was not favorably impressed. None of the songs captured me instantly and many seemed rather jarring and confusing, particularly as I was not acquainted with the show and no synopis is included. I put it away only to recently pick it up with the guilty feeling that I had not given it any true consideration. This proved to be very true. After forcing myself to listen to it several times, I had to force myself to stop listening! There is something truly magical and mysterious about this show, a quality which sings through the stirring, passionate, indelibly European music and the moving, often bitingly clever and even provocative lyrics. Maury Yeston certainly knew what he was doing. He has created something which is very different from much of the broadway fare that came before it and was to follow it, something which is truly unique, but in such a subtle, elusive way that it is impossible to pinpoint wherein this individuality lies. This is certainly not one of the greatest musicals of all time. It is flawed; there is a disjointed quality to the songs some of which are decidely weaker than others. It is simply distintive.
This is must in great part be attributed to the performances. The cast of 'Nine' is superb and deserves to be remembered as it is. As Guido Contini, Raul Julia gives a performance which perfectly captures the internal struggles and outward charm of this character. While his singing does not match up to his acting,(his voice is rather grating, and occasionally he does things to the high notes that I would prefer not to discuss) he makes an admirable effort in each song and succeeds in most. He nails 'Guido's Song' in which the character's state of mind is so brilliantly outlined and has just the right bravado for 'The Grand Canal.'Nobody, even the worst singer in the world, could ruin the sweetly simple and utterly lovely 'Only With You', though I do not feel that he does justice to 'The Bells of St Sebastian' which is one of my favorite songs; I find the mix of styles and rythms incredably stirring.
It is the women who surround Julia who are responsible for the life and the fantasy that is so palpable on this recording. The women's overture is one of those inspired strokes of genius which serve to bring an entirely new sound to Broadway. As a whole they provide excellent support in 'The Grand Canal' and in the rollicking 'The Germans at the Spa' which is hysterical but also performs the task for which it was written, namely to create atmosphere, much better than many similar songs in other shows. Camille Saviola provides excellent vocals as mama Maddelena. As Yeston comments in the liner notes, hers is only one of many standout performances. This musical is wonderful in its ability to make stars of each of its soloists, each is brilliantly showcased in the respective song/s. Karen Akers(Luisa) may not have the strongest voice, but as another reviewer commented she has a worldly weariness which perfectly suits her character. Her two songs 'My Husband makes Movies'and 'Be on Your Own' are two of the most moving moments in 'Nine', the former raises so many questions about life and love while the latter is almost heartbreaking in its desparation..."go off and live your petty fictions full of blatant contradictions you can't see..." Anita Morris(Carla) does not have what could be described as an attractive voice, but she has just the right brash, steamy powerful belt for 'A Call from the Vatican'. Taina Elg(Guido's mother) and Shelly Burch(Claudia) both provide sweetly pretty renditions of 'Nine' and 'Unusual Way' respectively while Kathi Moss' voice soars in the wonderfully exciting 'Be Italian'. One of the weaker moments is the unconvincing 'Getting Tall'; Cameron Johann does not have the ability or is simply too young to save this song. But all this would still not be worthy of five stars, it is the true showstopper, the glorious 'Follies Bergeres', which catapults this show to the hights of my regard. Brilliantly concieved, it is brilliantly executed here by Julia and Stephanie Cotsirilos but particularly by the extraordinary Liliane Montevecchi. Never was there a performance which was more worthy of a Tony. She soars through this song both as an actress and a singer...and almost evokes Edith Piaf in some of those dizzying climaxes...I could go on raving for some time longer but this review has already become ridiculously long. The one true downside of this recording are Yeston's demo recordings of some of the songs which are quite simply ghastly. Talk about composers butchering their own material! In spite of this I heartily reccomend that any fan of musicals add this to their collection, would I really write such a long, pompous review if I didnt feel it was worth it?
Best Musical - 1982.......2005-06-29
The surprise winner of 1982's Best Musical Tony (beating the equally deserving "Dreamgirls) was "Nine", an intelligent production, with a beautiful score by Maury Yeston.
While arguments can be made about whether this original or the 2003 revival are better, I slightly prefer the revival, only because the orchestrations sound richer. The casts of both are terrific!
Best tracks include:
My Husband Makes Movies
A Call From The Vatican
Only With You
Folies Bergeres
The Bells Of St. Sebastian
Unusual Way
Simple
Be On Your Own
I Can't Make This Movie
Both versions are worthy purchases, but if you have to pick one, pick the revival (single disc, synopsis, lyrics).
Average customer rating:
- okay
- A promise about to be fulfilled
- Amazing collection - amazing voice.
- Amazing recordings
- First Rate Singing!
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DEBUT ~ Nathan Gunn - "American Anthem" from Ragtime to Art Song / Kevin Murphy
Nathan Gunn , and Kevin Murphy
Manufacturer: EMI Classics
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- Bernstein: Symphony No. 1 "Jeremiah"; Concerto for Orchestra "Jubilee Games"
- Prokofiev - War and Peace / Bertini, Gunn, Kit, Mamsirova, Gouriakova, Brubaker, Paris Opera
ASIN: B00000IWW3
Release Date: 1999-05-18 |
Tracks:
- Shenandoah
- Brother Can You Spare A Dime?
- Early In The Morning
- The Lordly Hudson
- At Howard Hawks' House
- Holding Each Other
- The Lass From The Low Countree
- Recuerdo
- Nocturne
- Sure On This Shining Night
- Fur (Murray The Furrier)
- Over The Piano
- Black Max (As Told By The De Kooning Boys)
- Slugging A Vampire
- Two Little Flowers
- General William Booth Enters Into Heaven
- The Lamb
- I Wonder As I Wander
- At The River
- Long Time Ago
- Lean Away
- American Anthem
Customer Reviews:
okay.......2007-01-05
I heard wonderful things about this recording... but was a little disappointed. It is good, but nothing spectacular.
A promise about to be fulfilled.......2006-12-17
Not all of EMI's Debut seeries make it to the U.S., but since this one features an American singer, it did (as did the one featuring rising pianist Jonathan Biss). Nathan gunn is certainly well kn0wn now, after high-profile Met appearances in The Magic Flute and Harbison's An American Tragedy. The past few years have seen him mature, even though his voice will never be heroic. Gunn is very well suited to songs, although he makes a moving (and physically handsome) Billy Budd.
Her he sounds a little stiff, and he cannot carry off the numbers that re comic (Bolcom's Fur) or popular (Buddy, Can You Spare a Dime?), but his straightforward masculinity works extremely well in Gene Scheer's Holding Each Other, he has enough poetry for Barber's Sure on This Shining Night, and just enough savoir faire for Rorem's Early One Morning. The voice itself isn't intrinsically beautiful, which may in the end mean that Gunn falls behind young counterparts like Gerald Finley and Simon Keenlyside, both of whom he resembles. Even so, this is a nice debut, and one can say that gunn's promise is being fulfilled.
Amazing collection - amazing voice........2006-02-22
Nathan Gunn has chosen a collection of mostly obscure songs and has applied his remarkable baritone voice to music not usually in the operatic repetoire. What results is a CD of depth, some humor, and extraordinary listenability. It's nice to see one of my favorite opera stars branch out. Bravo!
Amazing recordings.......2006-01-02
I first listened to this recording at the recommendation of a voice teacher and I am eternally grateful. I strongly recommend this album. Nathan Gunn is an extremely talented singer. As a singer myself (also a baritone like Nathan Gunn) I find much in his voice to model.
Nathan Gunn has an extremely beautiful voice, superb technique and execution, and has a very natural sound. There is an old steriotype of opera as sounding forced or artificial, but Nathan Gunn does a great job of avoiding this. He does a great job of communicating the "story" of the song to the listener, and I frequently found myself taken to the world of the song. Listening to many of his songs are like opening a good book and Nathan Gunn takes you there.
Highly recommended.
First Rate Singing!.......2005-12-20
I only recently discovered Mr. Gunn, but after hearing this recording, it makes me wonder why his name has eluded me for so long. Simply put, Nathan Gunn sings like a god! His voice is pure, and hypnotically beautiful to listen to. Turn on this CD and you will be wrapped in the most luxurious blanket of sound--his phrasing is impeccable, and his dynamics are wonderfully varied without being affected. His recording of Barber's "Nocturne" is haunting. "Brother, Can You Spare a Dime" shows he isn't afraid of low notes, and the ending has some of the most spectacular high notes I've ever heard from a baritone. The Copland songs are also well done, as are the two John Jacob Niles selections. I wasn't familiar with Gene Scheer's songs prior to this CD, but they are all quite remarkable, though most especially "Lean Away" and "American Anthem." This is the best addition to my CD collection in a long time. I'm only saddened by the fact he doesn't have more recordings available. Mr. Gunn, I know you're busy with your opera schedule, but for those of us who can't make it to New York to see you in person, please record another CD!
Average customer rating:
- Upbeat American Music Sung with Impeccable Style
- Ambassadors of American Song
- This is one to share with friends
- Two Cents from the English Teacher
- A Parental Review -- Toddler Freindly American Songs
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Long Time Ago - Copland / Dawn Upshaw & Thomas Hampson
Manufacturer: Teldec
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ASIN: B000000SHU
Release Date: 1994-05-31 |
Tracks:
- Old American Songs (Orchestral Version): The Boatmen's Dance
- Old American Songs (Orchestral Version): The Dodger
- Old American Songs (Orchestral Version): Long Time Ago
- Old American Songs (Orchestral Version): Simple Gifts
- Old American Songs (Orchestral Version): I Bought Me A Cat
- Old American Songs (Orchestral Version): The Little Horses
- Old American Songs (Orchestral Version): Zion's Walls
- Old American Songs (Orchestral Version): The Golden Willow Tree
- Old American Songs (Orchestral Version): At The River
- Old American Songs (Orchestral Version): Ching-A-Ring Chaw
- Down A Country Lane
- Eight Poems Of Emily Dickinson: Nature, The Gentlest Mother
- Eight Poems Of Emily Dickinson: There Came A Wind Like A Bugle
- Eight Poems Of Emily Dickinson: The World Feels Dusty
- Eight Poems Of Emily Dickinson: Heart, We Will Forget Him!
- Eight Poems Of Emily Dickinson: Dear March, Come In!
- Eight Poems Of Emily Dickinson: Sleep Is Supposed To Be
- Eight Poems Of Emily Dickinson: Going To Heaven!
- Eight Poems Of Emily Dickinson: The Chariot
- Billy The Kid: Waltz
- Billy The Kid (Selection): Prairie Night
- Billy The Kid (Seletion): Celebration Dance
Amazon.com
Copland's Eight Songs of Emily Dickinson comprise one of the finest song cycles by an American composer, and a perfect meeting of minds between poet and composer. Dickinson's verses and Copland's music alternate plain-spun honesty and wry humor with sudden, unpredictable bursts of passion and pain and a complete lack of false sentimentality. The Old American Songs are simply a good time and you'll recognize many of the tunes even if you haven't remembered the words. Hampson and Upshaw are two of the finest American singers alive, and they perform this music as though they have a proprietary interest in it. A terrific record. --David Hurwitz
Customer Reviews:
Upbeat American Music Sung with Impeccable Style.......2006-02-24
Thomas Hampson has an amazing artistic range and this CD compilation shows his lighter side. The first time I heard him sing the children's nursery rhyme Fiddle I Fee, I laughed out loud. Who knew he did animal noises too? My six year old daughter also loves this compilaton.
Ambassadors of American Song.......2005-10-25
Baritone Thomas Hampson, soprano Dawn Upshaw, and Hugh Wolff conducting the Saint Paul Chamber Orchestra combine in this memorable CD to offer a program featuring songs of the American composer, Aaron Copland (1900 --1990). While American popular song has spread worldwide, too many listeners remain unaware of American achievement in the realm of the art song.
To remedy this situation, Thomas Hampson is currently on tour under the auspices of the Library of Congress in a project describing the history of creativity in the United States. He has been described as the "Ambassador of American Song", has founded the Hampsong Foundation to promote the American art song, and works tirelessly to bring American song to the attention of a wide audience. Dawn Upshaw has enjoyed wide renown as an opera singer as well as a singer of song. I became familiar with Hugh Wolff during his tenure as the associate conductor of the National Symphony Orchestra under Rostropovich. For many years, he has conducted the highly-regarded St. Paul Chamber Orchestra. The combination of Copland, Hampson, Upshaw and Wolff on this CD is irresistable.
The CD features two groups of orchestral songs. Hampson performs Copland's "Old American Songs," two sets of five songs each that Copland arranged for small orchestra in 1955. These songs consist of American tunes of various origins that Copland transformed and arranged peerlessly for orchestra. In their naivity and Americana, these songs capture something precious in the spirit of the United States. The songs include the famous "Simple Gifts" that became the centerpiece of Copland's "Appalachian Spring." The collection includes sentimental love songs, ("Long Time Ago"), a humorous and timely political campaign song ("The Dodger") that Hampson seems particularly to enjoy, spirituals ("At the River"), children's songs, and ministrel songs ( a lively "Boatman's Dance" initially composed by Daniel Emmett, the composer of "Dixie"). It is difficult to think of a more appealing and accessible introduction to American song than this collection. Hampson sings with gusto and enthusiasm. He is obviously enjoying himself and the music.
Copland's orchestral setting of eight poems by Emily Dickinson offers a different form of art song. Copland initially set 12 Dickinson poems for voice and piano and arranged 8 of these settings for orchestra. These songs are thorough-composed and follow closely Dickinson's shifting and unconventional poetic meter. Ms. Upshaw sings in a declamatory, intense way. In common with the setting of American songs, Copland's Dickinson songs show a transparent, light orchestration in which the wind instruments, in particular, are used to great effect to set the stage for the music. Copland's settings and Ms. Upshaw's singing capture the enigmatic character of this difficult but beloved American poet. Dickinson's poems are untitled, and Copland generally took the opening lines as the title of his settings. Of the eight songs, "Heart we will forget him", singing of a frustrated love, has deep poignancy. Dickinson's feelings and ambivalences towards religion are explored in "The World Feels Dusty", "Going to Heaven" and "The Chariot" which begins with the famous line, "Because I would not stop for Death, /He kindly stopped for me." Copland's setting of "Nature the Gentlest Mother" is for the most part in a pastoral mood with an opening solo for the flute. "There came a wind like a bugle" is dramatic and declamatory. Copland captures the angular, brisk character of a spring wind in "Dear March, Come In!" and the song "Sleep is supposed to be" features a moderatly paced melody with accompaniment in the winds. Copland's Dickinson settings are a high point in American art song.
The CD also includes two works for the St Chamber Orchestra alone. Copland's gentle "Down a Country Lane" is a work of under three minutes that has become one of the most famous of his compositions. The three selections from "Billy the Kid" with which the CD concludes show Copland integrating American folk tunes, in the manner of Charles Ives, with his own material and with masterful orchestration. Listen to the bassoon waltz theme in the opening "Waltz", the winds and brass exchanging themes in the plaintive "Prairie Night" and the big drum crashes and the use of the winds in the finale, "Celebration Dance".
The CD includes the texts of all the songs, together with French and German translations.
This CD will appeal to both new and experienced lovers of music. Hampson, together with Ms. Upshaw and Maestro Wolff, serve well as "Ambassadors of American Song" on this release.
This is one to share with friends.......2002-03-14
I've seen Thomas Hampson Live a couple of times, and I believe he has one of the most glorious voices in the world. If "Simple Gifts" doesn't make you a little weepy, your heart must be made of stone.
Two Cents from the English Teacher.......2001-12-05
I am a big fan of both Emily Dickinson and Dawn Upshaw, so I was really excited to see this CD with Dawn Upshaw singing arrangements (by Aaron Copland no less!) of eight super Emily Dickinson poems. Trying to interpret ED is no easy task (for an English teacher or a composer), and I think that Copland does a beautiful job of putting to music the thoughts and words of the recluse poet. Upshaw does a beautiful job of interpreting them vocally. Dickinson's poems have an energy and personal intensity that both Copland and Upshaw manage to capture. I use this CD every year with my juniors to show them a "classical" and musical side of literature. Quite frankly, I would rate it "five stars" just for these eight tracks--I rarely listen to the others, I'm sure to my loss. After reading the other reviews, I'll have to check them out. . . . I think Emily Dickinson would listen to these tracks, smile smirkily to herself, go back upstairs and write a poem about the experience. I think she would be pleased. . . .
A Parental Review -- Toddler Freindly American Songs.......2001-08-19
I have been thinking when is a good time to introduce Opera voice to my toddler daughter. I realized that it is not the timing issue, it is more a decision about the composition, melody and performance. And Thomas Hampson's American Songs is the hidden jewel. His interpretation of "Bought me a cat" (along with Hugh Wolff conducting Saint Paul Chamber Orchestra) is whimsical, sparkling, colorful, dynamic, delightful and toddler friendly. It is also a perfect exposure to fun and mighty part of American Music. However, I will wait a little bit longer before playing the other half of album, Dawn Upshaw's Dickinson poems, to my little one.
Average customer rating:
- Spirited performance of charming work
- Alexander's Feast - English version
- One of Handel's great works
- Handel's Great "Feast" in an Impeccable Rendition
|
Handel: Alexander's Feast
G. F. Handel , The Sixteen , Harry Christophers , and Symphony Of Harmony And Invention
Manufacturer: Coro
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Binding: Audio CD
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ASIN: B0007DBXJC
Release Date: 2005-03-15 |
Tracks:
- Alexander's Feast: Overture
- Alexander's Feast: 'Twas at the Royal Feast
- Alexander's Feast: Happy, Happy, Happy Pair
- Alexander's Feast: Timotheus plac'd on high
- Harp Concerto Op.4, No.6 in B flat: Allegro
- Harp Concerto Op.4, No.6 in B flat: Larghetto
- Harp Concerto Op.4, No.6 in B flat: Allegro moderato
- Alexander's Feast: The song began from Jove
- Alexander's Feast: The list'ning Crowd
- Alexander's Feast: With ravish'd Ears
- Alexander's Feast: The praise of Bacchus
- Alexander's Feast: Bacchus, ever fair and young
- Alexander's Feast: Sooth'd with the sound
- Alexander's Feast: He chose a Mournful Muse
- Alexander's Feast: He sung Darus Great and Good
- Alexander's Feast: With downcast Looks
- Alexander's Feast: Behold Darius Great and Good
- Alexander's Feast: The Mighty Master smil'd to see
- Alexander's Feast: Softly sweet
- Alexander's Feast: War, he sung, is Toil and Trouble
- Alexander's Feast: The Many rend the Skies
- Alexander's Feast: The Prince, unable to conceal
- Alexander's Feast: The Many rend the Skies
Tracks:
- Alexander's Feast: Now strike the Golden Lyre
- Alexander's Feast: Revenge, Revenge, Timotheus cries
- Alexander's Feast: Give the Vengeance due
- Alexander's Feast: The Princes applaud with a furious joy
- Alexander's Feast: Thais led the way
- Alexander's Feast: Thus long ago
- Alexander's Feast: At last Divine Cecilia came
- Alexander's Feast: Let old Timotheus yield the Prize
- Alexander's Feast: Let old Timotheus yield the Prize
- Organ Concerto Op.4, No.1 in G minor: Larghetto e staccato
- Organ Concerto Op.4, No.1 in G minor: Allegro
- Organ Concerto Op.4, No.1 in G minor: Adagio
- Organ Concerto Op.4, No.1 in G minor: Andante
- Alexander's Feast (conclusion): Your Voices tune
Album Description
"A remarkable recording." - REPERTOIRE
The nature of Alexander's Feast is perhaps better summed up by its other title, The Power of Music. It is a celebratory ode for St. Cecilia's Day, written by Dryden in 1697 for the traditional celebration of the patron saint of music and set in celebratory style by Handel in 1736. At its first performance that year, he incorporated two delightful concertos, one for harp and one for organ, and these are included on this recording. Winner of the Deutschen Schallplattenkritic prize.
Customer Reviews:
Spirited performance of charming work.......2007-03-10
This performance of Alexander's Feast is, in my opinion, exactly right for the work; beautiful, clear voices singing the solos with good diction, a lovely balance in the small chorus, and superb playing of appropriate instruments for the piece and for the period. The notes on the flyer are also excellent, presenting the background and intention of the work.
Alexander's Feast - English version.......2006-02-26
This recording is a very complete version of Alexander's Feast, following the composer's practice of inserting other pieces to create a performance of appropriate length. Excellent soloists, orchestra, and chorus. A high quality recording.
One of Handel's great works.......2005-11-19
I just attended a live performance of Alexander's Feast and I saw many people who probably never heard anything else than Messiah, suddenly finding out that there is more to Handel than Hallelujah chorus. This music is exciting and original, you may know several arias like "War he said is toil and trouble" or "Revenge!" but it is great as a complete work. It was written for St. Cecilia's Day celebration, then re-written several times, but it remains as a beautiful example of Handel's mastery in choral composition and writing showcase arias. The soloists are great, especially Ian Partridge, and the chorus is outstanding. This is a wonderful performance of one of Handel's great works.
Handel's Great "Feast" in an Impeccable Rendition.......2005-08-22
"Alexander's Feast," Handel's 1736 setting of Dryden's ode in honor of St. Cecilia's Day (patron saint of music) is a masterpiece and a delight, but its odd length - too long for a mixed program, too short for a full evening - gave Handel trouble and apparently still presents a problem: this is at present the only recording of this inspired work in the catalogue, though some good ones have come and gone. Fortunately, this reissue of the Sixteen's 1990 version is first-rate, in fact the best I ever recall hearing, with chorus, orchestra, soloists and conductor all in top form. Furthermore, music director Harry Christophers has wisely chosen to include the two concerti - one for harp, the other for organ - that Handel inserted in his original performances. Not only do they lengthen the piece to a satisfactory 115', they serve a satisfactory dramatic purpose by representing respectively the power of music in its pagan form - the bard Timotheus's lyre represented by the harp - and Christian - Cecilia's (apocryphal) organ. Both receive sparkling interpretations here.
If you enjoy such Handel works as "L'Allegro..." and "Acis and Galatea," you will certainly enjoy "Alexander's Feast," which finds the composer in peak form, responding with eagerness to the high quality of the English verse before him. And it's hard to imagine a better way to get to know it than this wonderful performance.
Average customer rating:
- kiri kern
- Kiri sing Kern is a great experience
- Lacks Splendor
- White Glove Kern
- mildly disappointing
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Kiri Sings Kern: Dame Kiri TeKanawa
Dame Kiri TeKanawa , Jerome Kern , Jonathan Tunick , and London Sinfonietta
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B000002SK3
Release Date: 1993-03-16 |
Tracks:
- The Songs Of Jerome Kern: The Folks Who Live on the Hill
- The Songs Of Jerome Kern: I'm Old Fashioned
- The Songs Of Jerome Kern: The Way You Look Tonight
- The Songs Of Jerome Kern: The Song Is You
- The Songs Of Jerome Kern: Smoke Gets In Your Eyes
- The Songs Of Jerome Kern: All Through The Day
- The Songs Of Jerome Kern: The Last Time I Saw Paris
- The Songs Of Jerome Kern: A Fine Romance
- The Songs Of Jerome Kern: Yesterdays
- The Songs Of Jerome Kern: All The Things You Are
- The Songs Of Jerome Kern: Bill
- The Songs Of Jerome Kern: Long Ago And Far Away
- The Songs Of Jerome Kern: Look For The Silver Lining
- The Songs Of Jerome Kern: Can't Help Lovin' Dat Man
Amazon.com
As Hammerstein writes in the opening song, "Many dames with lofty aims strive for lofty goals"--and Te Kanawa strives for successful crossover. Her beautiful singing exhibits impeccable diction and excellent phrasing; but "A Fine Romance" lacks anger and humor, "Smoke Gets in Your Eyes" lacks a storyteller, and "All the Things You Are" lacks romanticism. However, happy songs like "All Through the Day," "Look for the Silver Lining," and "The Folks Who Live on the Hill," are successfully interpreted. Jonathan Tunick's orchestrations enhance Kern's beauty through his captivating use of obbligato instruments. A pleasant, if not wholly satisfactory, listening experience. --Barbara Eisner Bayer
Customer Reviews:
kiri kern.......2007-03-29
Kiri is sensational on this CD. Jerome Kern music is stupendous and the arrangements superb. Three top esses.
Kiri sing Kern is a great experience.......2004-01-18
I love the way she sings Kern's songs. Though certainly not opera, Kern's songs benefit from an an operatic approach--not all of them, but certainly ones such Smoke gets in your Eyes, The song is you, All the things you are. I love Kern;s songs sung in many styles but Kiri's way is one of the best.
On the other hand, I did not like Kiri singing Berlin.
Lacks Splendor.......2002-09-01
Though I do enjoy Kiri's interpretation of most music, and this CD was decent, I did not find any piece particularly memorable.
The voice is undeniably beautiful, and Kiri has managed to keep her maturing voice sounding somewhat young, yet I find that I much prefer her rendition of "The Laughing Song" to that of "Smoke Gets in YOur Eyes."
If you love Kern, and couldn't care less who performs it, than purchase this CD. If you are a fan of Kiris', then perhaps it would be best to avoid this purchase...for it is not a shining star in her vast collection of CDs. All in all, it was a disappointment.
White Glove Kern.......2001-05-20
I am the first to admit that most "crossover" albums, be they of classical performers singing pop or vice versa never quite cross over. This album does splendidly. Kern's music is the most related to classical operetta , and therefore the least jazziest. Operatic soprano Kiri Te Kanawa gives luscious, heartfelt readings of these wonderful songs, backed by glamorous orchestrations. Hearing a voice of such opulence and beauty in this music is a rare treat. Just listen to "Smoke Gets In Your Eyes" ,"Long Ago and Far Away" or "The Song is You" and prepare to be swept away to another, more elegant time.
mildly disappointing.......2000-09-30
Sometimes cross-over works, sometimes not. While Kiri te Kanawa has a beautiful voice, she never gets into the idiom of these Jerome Kern masterpieces sufficiently to convey their stories or their subtleties. Smoke Gets in Your Eyes especially stands out, she sings it with none of the pathos the song demands and her version pales compared to the Platters. The orchestral arrangements are decent and in many of the songs the purity of her voice is enough to carry them, but overall I would say this is a disappointing example of a crossover record. Ms. te Kanawa should stick to what she does best.
Average customer rating:
- A must!
- dale warland singers
- Very fine collection - well sung
- One of the great choral recordings
- Well-compiled and sung lesser-known works for the holidays.
|
December Stillness
The Dale Warland Singers
Manufacturer: American Choral
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003M4S
Release Date: 1995-09-30 |
Tracks:
- Long, Long Ago
- Song Of Cherubim
- The Rune Of Hospitality
- Corpus Christi Carol
- Magnificat
- All Night Vigil, Opus 37: Praise The Name Of The Lord
- The Oxen
- Ave Maria
- Ave Maria
- Four Motets For Christmastime: Quem vidistis pastores dicite
- Evensong
- Little Tree
Customer Reviews:
A must!.......2005-09-26
One of the most beautiful, well-made choral CDs to be released anywhere in recent memory. A must for any choral enthusiast. Wonderfully fresh, gorgeous, and challenging program. One or two of the tracks, such as Busto's Ave Maria and Part's Magnificat are slightly below the choir's standard of excellence, but it is easy to forgive considering the incredible performances on the rest of the CD. The Penderecki, Houkom, and Paulus in particular are absolutely ravishing; I truly don't think choral singing has ever gotten closer to perfection.
dale warland singers.......2005-07-01
once again the dale warland singers have produced a recording of wonderful singing and terrific (while perhaps slightly obscure) repertoire. this eclectic recording of lesser-known choral works is truly worth purchasing. from the simplistic beauty of "little tree" to the fresh dissonances of "the rune of hospitality", this recording is a treasure. however, i would recommend it to those with an experience ear.
Very fine collection - well sung.......2003-06-12
At times I have not been terribly impressed with albums like this from American choirs, but this one is very good indeed. It's certainly an eclectic collection, including music from around the world. The singing is almost always exceptional, with some outstanding interpretations of the lesser-known works. My favourites would have to be the two settings of 'Ave Maria' by Stravinsky and Javier Busto (a Basque composer, who has developed a wonderful choral-writing style). Also of note are Part's 'Magnificat' and Poulenc's 'Quem Vidistes Pastores'.
I highly recommend this recording - as other reviewers have said, it's worth playing all year round (in New Zealand, the stillness is in July anyway - not December!).
One of the great choral recordings.......2002-04-20
Minneapolis-based conductor Dale Warland directs this superb chorus that specializes in 20th-century music. The collection here is an outstanding demonstration of the group's artistry, with some compositions by well-knowns such as Stravinsky and Arvo Prt, and others that are relatively unknown.
It's hard to choose favorites from such a line-up, but the vocal and artistic highlight for me is Penderecki's "Song of Cherubim" - an absolutely stunning piece sung with the precision that is one of the hallmarks of this group. Alf Houkom's "The Rune of Hospitality" has a gorgeous melody that resonated in my head for days afterward. I also like Trond Kverno's magnificent "Corpus Christi Carol," and Stephen Paulus' quietly moving "Evensong." But every single track is a gem, and throughout the program, this remarkable group demonstrates impeccable technique and ensemble unity.
American Choral Classics has done this project justice with sound of crystal clarity and presence. When coupled with such artistry, the result is one of the finest choral recordings I have ever heard.
Don't be deterred by the "holiday" nature of the collection. The music and the performances are of such a high caliber, you'll want to listen to it year-round.
Well-compiled and sung lesser-known works for the holidays........1999-08-27
This is a very well-conceived collection of mostly lesser-known choral gems for the holidays, combined with a few more famous selections. For years, Warland has championed the cause of otherwise obscure choral works, as well as choral composers whose works deserve a broader audience. The benefit to these composers, their works, and the discerning listener, is the consummate professionalism, musicianship, artistry, and craftsmanship with which Dale Warland, his singers, and even the recording engineers and technicians lend to their album projects.
As a former student of Dr. Alf S. Houkom, composer of "The Rune of Hospitality" (found on this recording), and a choral conductor myself, I rejoiced in the knowledge that this work, and others like it, are finally getting the exposure, as well as the professional treatment, that they so richly deserve. Bravo, Mr. Warland, and thank you for the gift of this album. This is truly in the spirit of the season.
Average customer rating:
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Howells: Requiem; Take Him, Earth, for Cherishing
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
Howells, Herbert
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Similar Items:
- Stanford: Anthems and Services
- Walton: Choral Music
- Lo the Full Final Sacrifice & Other Choral Works
- Elgar: Sacred Choral Music
- Kenneth Leighton: Sacred Choral Music
ASIN: B000026D1K
Release Date: 1999-11-30 |
Tracks:
- Magnificat: Magnificat - St. Paul's
- Nunc Dimittis: Nunc Dimittis - St. Paul's
- Like As The Hart
- Paean For Organ
- Requiem: Salvator Mundi
- Requiem: Psalm 23
- Requiem: Requiem aeternam (1)
- Requiem: Psalm 121
- Requiem: Requiem Aeternam (2)
- Requiem: I Heard A Voice From Heaven
- Requiem: Long, Long Ago
- Office Of Holy Communion - Collegium Regale: Kyrie
- Office Of Holy Communion - Collegium Regale: Credo
- Office Of Holy Communion - Collegium Regale: Sanctus
- Office Of Holy Communion - Collegium Regale: Benedictus
- Office Of Holy Communion - Collegium Regale: Agnus Dei
- Office Of Holy Communion - Collegium Regale: Gloria in Excelsis
- Rhapsody No. 3 For Organ
- Take Him, Earth, For Cherishing
Customer Reviews:
simply grand.......2000-05-02
Tremendous clarity and musicianship from all concerned. If this Howells is your cup of tea then go to his 'Hymnus Paradisi" which is based on his requiem recorded here. The man's music stirs my soul
Average customer rating:
- An interesting albumn
- Glad to be the first Amazon review
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Celtic Tribute to Led Zeppelin: Long Ago and Far Away
Various Artists
Manufacturer: Cmh Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Chamber Maid: The Baroque Tribute to Led Zeppelin
- Whole Lotta Bluegrass: A Bluegrass Tribute to Led Zeppelin
- The Blues Roots of Led Zeppelin
- Led Zeppelin: This Ain't No Tribute Series
- Livin' Lovin' Played: A Led Zeppelin Tribute
ASIN: B000L22T56
Release Date: 2007-01-30 |
Tracks:
- Black Mountain Side
- The Battle of Evermore
- Over the Hills and Far Away
- Thank You
- Black Dog
- The Rain Song
- Dazed and Confused
- Rock and Roll
- That's the Way
- What Is and What Should Never Be
- Bron-Y-Aur Stomp
- Going to California
- Stairway to Heaven
Album Description
The legend of Led Zeppelin needs no introduction. Although they are renowned as purveyors of heavy rock, the band also had a softer side often influenced by Celtic themes and traditional English folk music. The Celtic Tribute to Led Zeppelin offers a bold new take on the band's much revered music. Using traditional instruments such as fiddle, concertina, bouzouki, accordion, banjo, and penny whistle, our acclaimed Celtic musicians provide rich, atmospheric instrumentals that showcase the true genius and dynamics of one of the world's most influential rock `n' roll bands.
Customer Reviews:
An interesting albumn.......2007-06-09
I suspect that your first reaction to the albumn title was What! I was surprised to find that the covers are well done and I enjoy listening to them. I especially like their versions of Black Dog and Stairway to Heaven. My only complaint is that some songs that I would have liked to have on the albumn are not there. I guess we can't have everything.
Glad to be the first Amazon review.......2007-04-28
Led Zeppelin had a softer side influenced by Celtic themes and traditional English folk music. Although Amazon states it is "various artists", the CD in small print has the music performed by The Boys From County Nashville,four musicians named in the liner notes. Whoever these guys are, they sure have done a terrific job of recording an album that will please Zep fans AND those with a fondness for Celtic, Folk or Bluegrass music. I listened to every song sample to make sure this was not some corny ripoff of Zep music. It most emphatically is not! It is one of the best CD purchases I have made in 2007.
Album Review:
- Love Notes
- Massachusetts
- More a Legend Than a Band
- Music from "Songwriter" [Soundtrack]
- Must've Been High
- Pickin' on Clapton
- Rag-N-Roll
- Redmon and Vale
- Revisited
- Ride With Bob
Album Review
Album Review